Huxley Perception Quotes

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There are things known and there are things unknown, and in between are the doors of perception.
Aldous Huxley
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies—all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.
Aldous Huxley (The Doors of Perception)
The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less sure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable mystery which it tries, forever vainly, to comprehend
Aldous Huxley (The Doors of Perception)
The course of every intellectual, if he pursues his journey long and unflinchingly enough, ends in the obvious, from which the non-intellectuals have never stirred.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Each person is at each moment capable of remembering all that has ever happened to him and of perceiving everything that is happening everywhere in the universe.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Most lead lives at worst so painful, at best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principle appetites of the soul.
Aldous Huxley (The Doors of Perception)
To be enlightened is to be aware, always, of total reality in its immanent otherness - to be aware of it and yet remain in a condition to survive as an animal. Our goal is to discover that we have always been where we ought to be. Unhappily we make the task exceedingly difficult for ourselves.
Aldous Huxley (The Doors of Perception)
These are the sort of things people ought to look at. Things without pretensions, satisfied to be merely themselves.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
To see ourselves as others see us is a most salutary gift. Hardly less important is the capacity to see others as they see themselves.
Aldous Huxley (The Doors of Perception)
...we were back at home, and I had returned to that reassuring but profoundly unsatisfactory state known as 'being in one's right mind.
Aldous Huxley (The Doors of Perception)
However expressive, symbols can never be the things they stand for.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Successfully (whatever that may mean) or unsuccessfully, we all overact the part of our favorite character in fiction.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The self is coming from a state of pure awareness from the state of being. All the rest that comes about in a outward manifesation of the physical world, including fluctuations which end up as thoughts and actions
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The urge to escape from selfhood and the environment is in almost everyone almost all the time.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The urge to transcend self-conscious selfhood is, as I have said, a principal appetite of the soul.
Aldous Huxley (The Doors of Perception)
Art and religion, carnivals and saturnalia, dancing and listening to oratory - all these have served, in H. G. Wells's phrase, as Doors in the Wall.
Aldous Huxley (The Doors of Perception)
That humanity at large will ever be able to dispense with Artificial Paradises seems very unlikely. Most men and women lead lives at the worst so painful, at the best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principal appetites of the soul.
Aldous Huxley (The Doors of Perception)
When we feel ourselves to be sole heirs of the universe, when "the sea flows in our veins...and the stars are our jewels," when all things are perceived as infinite and holy, what motive can we have for covetousness or self-assertion, for the pursuit of power or the drearier forms of pleasure?
Aldous Huxley (The Doors of Perception)
[...] Technology has tended to devaluate the traditional vision-inducing materials. The illumination of a city, for example, was once a rare event, reserved for victories and national holidays, for the canonization of saints and the crowning of kings. Now it occurs nightly and celebrates the virtues of gin, cigarettes and toothpaste.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. [...] By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies - all these are private and, except through symbols and at second hand, incommunicable.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
[Aldous Huxley] compared the brain to a 'reducing valve'. In ordinary perception, the senses send an overwhelming flood of information to the brain, which the brain then filters down to a trickle it can manage for the purpose of survival in a highly competitive world. Man has become so rational, so utilitarian, that the trickle becomes most pale and thin. It is efficient, for mere survival, but it screens out the most wondrous part of man's potential experience without his even knowing it. We're shut off from our own world.
Tom Wolfe (The Electric Kool-Aid Acid Test)
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies - all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes. Most island universes are sufficiently like one another to Permit of inferential understanding or even of mutual empathy or "feeling into." Thus, remembering our own bereavements and humiliations, we can condole with others in analogous circumstances, can put ourselves (always, of course, in a slightly Pickwickian sense) in their places. But in certain cases communication between universes is incomplete or even nonexistent. The mind is its own place, and the Places inhabited by the insane and the exceptionally gifted are so different from the places where ordinary men and women live, that there is little or no common ground of memory to serve as a basis for understanding or fellow feeling. Words are uttered, but fail to enlighten. The things and events to which the symbols refer belong to mutually exclusive realms of experience.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Each person is at each moment capable of remembering all that has ever happened to him and of perceiving everything that is happening everywhere in the universe. The function of the brain and nervous system is to protect us from being overwhelmed and confused by this mass of largely useless and irrelevant knowledge, by shutting out most of what we should otherwise perceive or remember at any moment, and leaving only that very small and special selection which is likely to be practically useful.
Aldous Huxley (The Doors of Perception)
To rush headlong into the comforting darkness of selfhood as a reborn human being, or even as beast, an unhappy ghost, a denizen of hell. Anything rather than the burning brightness of unmitigated Reality.
Aldous Huxley (The Doors of Perception)
Half at least of all morality is negative and consists in keeping out of mischief. The lords prayer is less than 50 words long, and 6 of those words are devoted to asking god not to lead us into temptation.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Two great appetites of the soul - the urge to independence and self-determination and the urge to self-transcendence - were fused with, and interpreted in the light of, a third - the urge to worship
Aldous Huxley (The Doors of Perception / Heaven and Hell)
In a world where education is predominantly verbal, highly educated people find it all but impossible to pay serious attention to anything but words and notions. There is always money for, there are always doctrines in, the learned foolery of research into what, for scholars, is the all-important problem: Who influenced whom to say what when? Even in this age of technology the verbal humanities are honoured. The non-verbal humanities, the arts of being directly aware of the given facts of our existence, are almost completely ignored.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
But the man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less cocksure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable Mystery which it tries, forever vainly, to comprehend.
Aldous Huxley (The Doors of Perception/Heaven and Hell)
We live together,we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand and hand into the arena; they are crucified alone.
Aldous Huxley (The Doors of Perception)
Every individual is at once the beneficiary and the victim of the linguistic tradition into which he has been born - the beneficiary inasmuch as language gives access to the accumulated records of other people's experience, the victim in so far as it confirms him in the belief that reduced awareness is the only awareness and as it bedevils his sense of reality, so that he is all too apt to take his concepts for data, his words for actual things. That which, in the language of religion, is called "this world" is the universe of reduced awareness, expressed, and, as it were, petrified by language.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Most men and women lead lives at the worst so painful, at the best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principal appetites of the soul.
Aldous Huxley (The Doors of Perception/Heaven and Hell)
There seems to be plenty of it,' was all I would answer, when the investigator asked me to say what I felt about time.
Aldous Huxley (The Doors of Perception)
I have always found that Angels have the vanity to speak of themselves as the only wise.
Aldous Huxley (The Doors of Perception)
Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.
Aldous Huxley (The Doors of Perception)
The need for frequent chemical vacations from intolerable selfhood and repulsive surroundings will undoubtedly remain. What is needed is a new drug which will relieve and console our suffering species without doing more harm in the long run than it does good in the short.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
It must be something voluntary, something self induced - like getting drunk, or talking yourself into believing some piece of foolishness because it happens to be in the Scriptures. And then look at their idea of what's normal. Believe it or not, a normal human being is one who can have an orgasm and is adjusted to society. It's unimaginable! No question about what you do with your orgasms. No question about the quality of your feelings and thoughts and perceptions. And then what about the society you're supposed to be adjusted to? Is it a mad society or a sane one? And even if it's pretty sane, is it right that anybody should be completely adjusted to it?
Aldous Huxley (Island)
Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.
Aldous Huxley (The Doors of Perception)
Neither agreeable nor disagreeable," I answered. "It just is." Istigkeit — wasn't that the word Meister Eckhart liked to use? "Is-ness." The Being of Platonic philosophy — except that Plato seems to have made the enormous, the grotesque mistake of separating Being from becoming and identifying it with the mathematical abstraction of the Idea. He could never, poor fellow, have seen a bunch of flowers shining with their own inner light and all but quivering under the pressure of the significance with which they were charged; could never have perceived that what rose and iris and carnation so intensely signified was nothing more, and nothing less, than what they were — a transience that was yet eternal life, a perpetual perishing that was at the same time pure Being, a bundle of minute, unique particulars in which, by some unspeakable and yet self-evident paradox, was to be seen the divine source of all existence.
Aldous Huxley (The Doors of Perception)
And along with indifference to space, there was an even more complete indifference to time. "There seems to be plenty of it", was all I would answer when the investigator asked me to say what I felt about time. Plenty of it, but exactly how much was entirely irrelevant. I could, of course, have looked at my watch but my watch I knew was in another universe. My actual experience had been, was still, of an indefinite duration. Or alternatively, of a perpetual present made up of one continually changing apocalypse.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The legs, for example, of that chair--how miraculous their tubularity, how supernatural their polished smoothness! I spent several minutes--or was it several centuries?--not merely gazing at those bamboo legs, but actually being them---or rather being myself in them; or, to be still more accurate (for "I" was not involved in the case, nor in a certain sense were "they") being my Not-self in the Not-self which was the chair.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude.
Aldous Huxley (The Doors of Perception/Heaven and Hell)
Familiarity breeds indifference.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Mescalin opens up the way of Mary, but shuts the door on that of Martha.
Aldous Huxley (The Doors of Perception)
Half at least of all morality is negative and consists in keeping out of mischief.
Aldous Huxley (The Doors of Perception)
To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended directly and unconditionally by Mind at Large-- this is an experience of inestimable value to everyone and especially to the intellectual.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The effective object of worship is the bottle and the sole religious experience is that state of uninhibited and belligerent euphoria which follows the ingestion of the third cocktail.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Those who crusade not for God in themselves but against the devil in others, never succeed in leaving the world better, but leave it as it was or sometimes even perceptibly worse than it was before the crusade began.
Aldous Huxley (The Devils of Loudun)
In the final stage of ego-lessness there is an 'obscure knowledge' that All is In all - that All is actually each. This is as near, I take it, as a finite mind can ever come to 'perceiving everything that is happening everywhere in the universe'.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
To make biological survival possible, Mind at Large has to be funnelled through the reducing valve of the brain and nervous system. What comes out at the other end is a measly trickle of the kind of consciousness which will help us to stay alive on the surface of this particular planet. To formulate and express the contents of this reduced awareness, man has invented and endlessly elaborated those symbol-systems and implicit philosophies which we call languages. Every individual is at once the beneficiary and the victim of the linguistic tradition into which he or she has been born -- the beneficiary inasmuch as language gives access to he accumulated records of other people's experience, the victim in so far as it confirms him in the belief that reduced awareness is the only awareness and as it be-devils his sense of reality, so that he is all too apt to take his concepts for data, his words for actual things.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The fine point of seldom pleasure has been blunted
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The Lord's Prayer is less than fifty words long, and six of those words are devoted to asking God not to lead us into temptation.
Aldous Huxley (The Doors of Perception)
To see ourselves as others see us is a most salutary gift.
Aldous Huxley (The Doors of Perception)
The problems raised by alcohol and tobacco cannot, it goes without saying, be solved by prohibition. The universal and ever-present urge to self-transcendence is not to be abolished by slamming the currently popular Doors in the Wall. The only reasonable policy is to open other, better doors in the hope of inducing men and women to exchange their old bad habits for new and less harmful ones.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The fear, as I analyze it in retrospect, was of being overwhelmed, of disintegrating under a pressure of reality greater than a mind, accustomed to living most of the time in a cosy world of symbols, could possibly bear.
Aldous Huxley (The Doors of Perception)
I am not so foolish as to equate what happens under the influence of mescalin or of any other drug, prepared or in the future preparable, with the realization of the end and ultimate purpose of human life: Enlightenment, the Beatific Vision. All I am suggesting is that the mescalin experience is what Catholic theologians call "a gratuitous grace," not necessary to salvation but potentially helpful and to be accepted thankfully, if made available. To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and the inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large—this is an experience of inestimable value to everyone and especially to the intellectual.
Aldous Huxley (The Doors of Perception)
Contemplatives are not likely to become gamblers, or procurers, or drunkards; they do not as a rule preach intolerance, or make war; do not find it necessary to rob, swindle or grind the faces of the poor.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Literary or scientific, liberal or specialist, all our education is predominantly verbal and therefore fails to accomplish what it is supposed to do. Instead of transforming children into fully developed adults, it turns out students of the natural sciences who are completely unaware of Nature as the primary fact of experience, it inflicts upon the world students of the humanities who know nothing of humanity, their own or anyone else’s.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies- all these are private and except through symbols and at second hand incommunicable.
Aldous Huxley (The Doors of Perception)
And as I looked, it became very clear that this five-and-ten-cent ship was in some way connected with human pretensions. This suffocating interior of a dime-store ship was my own personal self; these gimcrack mobiles of tin and plastic were my personal contributions to the universe.
Aldous Huxley (The Doors of Perception)
The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as where? — how far? — how situated in relation to what? In the mescaline experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern.
Aldous Huxley (The Doors of Perception)
The world' is man's experience as it appears to, and is moulded by, his ego. It is that less abundant life, which is lived according to the dictates of the insulated self. It is nature denatured by the distorting spectacles of our appetites and revulsions. It is the finite divorced from the Eternal. It is multiplicity in isolation from its non-dual Ground. It is time apprehended as one damned thing after another. It is a system of verbal categories taking the place of the fathomlessly beautiful and mysterious particulars which constitute reality. It is a notion labelled 'God'. It is the Universe equated with the words of our utilitarian vocabulary.
Aldous Huxley (The Devils of Loudun)
If the doors of perception were cleansed everything would appear to man as it is, infinite. WILLIAM BLAKE
Aldous Huxley (The Doors of Perception/Heaven and Hell)
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Visual impressions are greatly intensified and the eye recovers some of the perceptual innocence of childhood, when the sensum was not immediately and automatically subordinated to the concept. Interest in space is diminished and interest in time falls almost to zero.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
We can never dispense with language and the other symbol systems; for it is by means of them, and only by their means, that we have raised ourselves above the brutes, to the level of human beings. But we can easily become the victims as well as the beneficiaries of these systems. We must learn how to handle words effectively; but at the same time we must preserve and, if necessary, intensify our ability to look at the world directly and not through that half opaque medium of concepts, which distorts every given fact into the all too familiar likeness of some generic label or explanatory abstraction.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The universal and ever-present urge to self-transcendence is not to be abolished by slamming the current popular Doors in the Wall. The only reasonable policy is to open other, better doors in the hope of inducing men and women to exchange their old habits for new and less harmful ones.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
He can go about his business, so completely satisfied to see and be part of the divine Order of Things that he will never even be tempted. When all things are perceived as infinite and holy, what motive can we have for covetousness, for drearier forms of pleasure?
Aldous Huxley (The Doors of Perception)
So in a certain sense disintegration may have its advantages. But of course it's dangerous, horribly dangerous. Suppose you couldn't get back, out of the chaos...
Aldous Huxley (The Doors of Perception)
At breakfast that morning I had been struck by the lively distance of its colours. But that was no longer the point. I was not looking now at an unusual flower arrangement. I was seeing what Adam had seen on the morning of his creation - the miracle, moment by moment, of naked existence.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
To see ourselves as others see us is a most salutary gift. Hardly less important is the capacity to see others as they see themselves. But what if these others belong to a different species and inhabit a radically alien universe? For example, how can the sane get to know what it actually feels like to be mad?
Aldous Huxley (The Doors of Perception/Heaven and Hell)
This is not drawing,' he cried, 'this is inspiration!' 'I had meant it to be drawing,' was Constable's characteristic answer.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The sum of evil, Pascal remarked, would be much diminished if men could only learn to sit quietly in their rooms.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
For the moment the interfering neurotic who, in waking hours, tries to run the show, was blessedly out of the way.
Aldous Huxley (The Doors of Perception)
I feel part of the environment, not separate from it, as though I’m at home rather than visiting—as though I’m tapped into some eternal omnipresence beyond the transient physical forms.
Michael Sanders (Ayahuasca: An Executive's Enlightenment)
Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects. ...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making. The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
An hour later, with ten more miles and the visit to the World's Biggest Drug Store safely behind us, we were back at home, and I had returned to that reassuring but profoundly unsatisfactory state known as "being in one's right mind.
Aldous Huxley (The Doors of Perception)
The firelight touches and transfigures her face, and we see, concretely illustrated, the impossible paradox and supreme truth—that perception is (or at least can be, ought to be) the same as Revelation, that Reality shines out of every appearance, that the One is totally, infinitely present in all particulars.
Aldous Huxley (Heaven and Hell)
Por su misma naturaleza, cada espíritu con una encarnación está condenado a padecer y gozar en la soledad.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Man’s highly developed color sense is a biological luxury—inestimably precious to him as an intellectual and spiritual being, but unnecessary to his survival as an animal.
Aldous Huxley (The Doors of Perception)
By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies—all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.
Aldous Huxley (The Doors of Perception/Heaven and Hell)
All that the conscious ego can do is to formulate wishes, which are then carried out by forces which it controls very little and understands not at all. When it does anything more - when it tries too hard, for example, when it worries, when it becomes apprehensive about the future - it lowers the effectiveness of those forces and may even cause the devitalized body to fall ill. In my present state, awareness was not referred to as ego; it was, so to speak, on its own.
Aldous Huxley (The Doors of Perception)
At breakfast that morning I had been struck by the lively dissonance of its colours. But that was no longer the point. I was not looking now at an unusual flower arrangement. I was seeing what Adam had seen on the morning of his creation - the miracle, moment by moment, of naked existence.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
We must learn how to handle words effectively; but at the same time we must preserve and, if necessary, intensify our ability to look at the world directly and not through that half opaque medium of concepts, which distorts every given fact into the all too familiar likeness of some generic label or explanatory abstraction.
Aldous Huxley (The Doors of Perception/Heaven and Hell)
The essential Not-self could be perceived very clearly in things and in living creatures on the hither side of good and evil. In human beings it was visible only when they were in repose, their minds untroubled, their bodies motionless.
Aldous Huxley (The Doors of Perception)
I took my [mescaline] pill at eleven ... I spent several minutes – or was it several centuries? – not merely gazing at those bamboo legs, but actually being them – or rather being myself in them; or, to be still more accurate (for "I" was not involved in the case, nor in a certain sense were "they") being my Not-self in the Not-self which was the chair.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
This is how one ought to see," I repeated yet again. And I might have added, "These are the sort of things one ought to look at." Things without pretensions, satisfied to be merely themselves, sufficient in their suchness, not acting a part, not trying, insanely, to go it alone, in isolation from the Dharma-Body, in Luciferian defiance of the grace of God.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
I was sitting on the seashore, half listening to a friend arguing violently about something which merely bored me. Unconsciously to myself, I looked at a film of sand I had picked up on my hand, when I suddenly saw the exquisite beauty of every little grain of it; instead of being dull, I saw that each particle was made up on a perfect geometrical pattern, with sharp angles, from each of which a brilliant shaft of light was reflected, while each tiny crystal shone like a rainbow…. The rays crossed and recrossed, making exquisite patterns of such beauty that they left me breathless…. Then, suddenly, my consciousness was lighted up from within and I saw in a vivid way how the whole universe was made up of particles of material which, no matter how dull and lifeless they might seem, were nevertheless filled with this intense and vital beauty. For a second or two the whole world appeared as a blaze of glory. When it died down, it left me with something I have never forgotten and which constantly reminds me of the beauty locked up in every minute speck of material around us.
Aldous Huxley (The Doors of Perception/Heaven and Hell)
I found myself all at once on the brink of panic. This, I suddenly felt, was going too far. Too far, even though the going was into intenser beauty, deeper significance. The fear, as I analyze it in retrospect, was of being overwhelmed, of disintegrating under a pressure of reality greater than a mind, accustomed to living most of the time in a cosy world of symbols, could possibly bear. The literature of religious experience abounds in references to the pains and terrors overwhelming those who have come, too suddenly, face to face with some manifestation of the Mysterium tremendum. In theological language, this fear is due to the in-compatibility between man's egotism and the divine purity, between man's self-aggravated separateness and the infinity of God. Following Boehme and William Law, we may say that, by unregenerate souls, the divine Light at its full blaze can be apprehended only as a burning, purgatorial fire. An almost identical doctrine is to be found in The Tibetan Book of the Dead, where the departed soul is described as shrinking in agony from the Pure Light of the Void, and even from the lesser, tempered Lights, in order to rush headlong into the comforting darkness of selfhood as a reborn human being, or even as a beast, an unhappy ghost, a denizen of hell. Anything rather than the burning brightness of unmitigated Reality—anything!
Aldous Huxley (The Doors of Perception)
For Persons are selves and, in one respect at least, I was now a Not- self, simultaneously perceiving and being the Not-self of the things around me. To this new-born Not- self, the behavior, the appearance, the very thought of the self it had momentarily ceased to be, and of other selves, its one-time fellows, seemed not indeed distasteful (for distastefulness was not one of the categories in terms of which I was thinking), but enormously irrelevant.
Aldous Huxley (The Doors of Perception)
For until this morning I had known contemplation only in its humbler, its more ordinary forms - as discursive thinking; as a rapt absorption in poetry or painting or music, as a patient waiting upon those inspirations, without which even the prosiest writer cannot hope to accomplish anything; as occasional glimpses, in nature, of Wordsworth's 'something far more deeply interfused'; as systematic silence leading, sometimes, to hints of an 'obscure knowledge'. But now I knew contemplation at its height.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Each one of us is potentially Mind at Large. But in so far as we are animals, our business is at all costs to survive. To make biological survival possible, Mind at Large has to be funneled through the reducing valve of the brain and nervous system. What comes out at the other end is a measly trickle of the kind of consciousness which will help us to stay alive on the surface of this Particular planet.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Cambridge philosopher, Dr. C. D. Broad, “that we should do well to consider much more seriously than we have hitherto been inclined to do the type of theory which Bergson put forward in connection with memory and sense perception. The suggestion is that the function of the brain and nervous system and sense organs is in the main eliminative and not productive. Each person is at each moment capable of remembering all that has ever happened to him and of perceiving everything that is happening everywhere in the universe. The function of the brain and nervous system is to protect us from being overwhelmed and confused by this mass of largely useless and irrelevant knowledge, by shutting out most of what we should otherwise perceive or remember at any moment, and leaving only that very small and special selection which is likely to be practically useful.” According to such a theory, each one of us is potentially Mind at Large. But in so far as we are animals, our business is at all costs to survive. To make biological survival possible, Mind at Large has to be funneled through the reducing valve of the brain and nervous system. What comes out at the other end is a measly trickle of the kind of consciousness which will help us to stay alive on the surface of this particular planet. To formulate and express the contents of this reduced awareness, man has invented and endlessly elaborated those symbol-systems and implicit philosophies which we call languages.
Aldous Huxley (The Doors of Perception/Heaven and Hell)
When the brain runs out of sugar, the undernourished ego grows weak, can’t be bothered to undertake the necessary chores, and loses all interest in those spatial and temporal relationships which mean so much to an organism bent on getting on in the world. As Mind at Large seeps past the no longer watertight valve, all kinds of biologically useless things start to happen. In some cases there may be extra-sensory perceptions. Other persons discover a world of visionary beauty. To others again is revealed the glory, the infinite value and meaningfulness of naked existence, of the given, unconceptualized event. In the final stage of egolessness there is an “obscure knowledge” that All is in all—that All is actually each. This is as near, I take it, as a finite mind can ever come to “perceiving everything that is happening everywhere in the universe.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Huxley’s mescaline trip, reported in his 1954 book, The Doors of Perception, is probably the most poetically realized of its kind. It underscored an idea that shifted the English schoolteacher’s son’s entire spiritual outlook. This notion was that the brain and the central nervous system, rather than being the seat of awareness and perception, are actually filters that prevent human beings from being overwhelemed by what Huxley calls Mind at Large.
Peter Bebergal (Too Much to Dream: A Psychedelic American Boyhood)
Önerme şudur: Beyin, sinir sistemi ve duyu organlarının işlevi aslında eleyicidir, üretici değil. Her insan, her an kendi başına gelenleri anımsamak ve evrenin her yerinde olan her şeyi algıama yeteneğine sahiptir. Beyin ve sinir sisteminin işlevi büyük oranda yararsız ve ilgisiz bu bilgi kütlesinin her yeri kaplamasından ve kafamızı karıştırmasından bizi korumaktadır, bunu da doğal olarak her an anımsayacağımız veya algılayacağımız şeylerin çoğunu dışarıda bırakarak ve uygulamada yararlı olabilecek görünenlere özel bir seçim sonucu çok az yer açarak yapar.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Celebrated novelist and philosopher Aldous Huxley warns, “Those who crusade not for God in themselves, but against the devil in others, never succeed in making the world better, but leave it either as it was, or sometimes even perceptibly worse than it was before the crusade began. By thinking primarily of evil we tend, however excellent our intentions, to create occasions for evil to manifest itself . . . To be more against the devil than for God is exceedingly dangerous. Every crusader is apt to go mad. He is haunted by the wickedness which he attributes to his enemies; it becomes in some sort a part of him.”3
Gary L. Thomas (When to Walk Away: Finding Freedom from Toxic People)
That chair -shall I ever forget it? Where the shadows fell on the canvas upholstery, stripes of a deep but glowing indigo alternated with stripes of an incandescence so intensely bright that it was hard to believe that they could be made of anything but blue fire. For what seemed an immensely long time I gazed without knowing, even without wishing to know, what it was that confronted me. At any other time I would have seen a chair barred with alternate light and shade. Today the percept had swallowed up the concept. I was so completely absorbed in looking, so thunderstruck by what I actually saw, that I could not be aware of anything else. Garden furniture, laths, sunlight, shadow - these were no more than names and notions, mere verbalizations, for utilitarian or scientific purposes, after the event. The event was this succession of azure furnace doors separated by gulfs of unfathomable gentian. It was inexpressibly wonderful, wonderful to the point, almost, of being terrifying.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
I took my pill at eleven. An hour and half later I was sitting in my study, looking intently at a small glass vase. The vase contained only three flowers -- a full-blown Belle of Portugal rose, shell pink with a hint at every petal's base of a hotter, flamier hue; a large magenta and cream-coloured carnation; and, pale purple at the end of its broken stalk, the bold heraldic blossom of an iris. Fortuitous and provisional, the little nosegay broke all the rules of traditional good taste. At breakfast that morning I had been struck by the lively dissonance of its colours. But that was no longer the point. I was not looking now at an unusual flower arrangement. I was seeing what Adam had seen on the morning of his creation -- the miracle, moment by moment, of naked existence.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
The topic of disinterested, non-calculating, and purposeless love for the sake of love is central to mysticism as such. To love God, not because of powerful institutions, or even because God commands it, but to do so in an act of unencumbered freedom, is the very source of mystical relation. To love God is all the reason there needs to be . . . The orthodoxies that have been handed down to us in the monotheistic religions called for obedience to the commanding God. They threatened with punishment and enticed with rewards - images of hell and heaven resting on that authority. In technologically advanced centers of the world, authoritarian religious systems are in sharp decline. Mystical perceptions and approaches to God, however, are entirely different: "God, if I worship Thee in fear of hell, burn me in hell. And if I worship Thee in hope of Paradise, exclude me from Paradise; but if I worship Thee for Thine own sake, withhold not Thine everlasting Beauty" (Aldous Huxley, in The Perennial Philosophy). Mysticism may he regarded as the anti-authoritarian religion per se. In it, the commanding lord becomes the beloved; what is to come later becomes the now; and naked or even enlightened self-interest that is oriented by reward and punishment becomes mystical freedom.
Dorothee Sölle (The Silent Cry: Mysticism and Resistance)
Only the middle distance and what may be called the remoter foreground are strictly human. When we look very near or very far, man either vanishes altogether or loses his primacy. The astronomer looks even further afield than the Sung painter and sees even less of human life. At the other end of the scale the physicist, the chemist, the physiologist pursue the close-up – the cellular close-up, the molecular, the atomic and subatomic. Of that which, at twenty feet, even at arm’s length, looked and sounded like a human being no trace remains. Something analogous happens to the myopic artist and the happy lover. In the nuptial embrace personality is melted down; the individual (it is the recurrent theme of Lawrence’s poems and novels) ceases to be himself and becomes a part of the vast impersonal universe. And so it is with the artist who chooses to use his eyes at the near point. In his work humanity loses its importance, even disappears completely. Instead of men and women playing their fantastic tricks before high heaven, we are asked to consider the lilies, to meditate on the unearthly beauty of ‘mere things,’ when isolated from their utilitarian context and rendered as they are, in and for themselves. Alternatively (or, at an earlier stage of artistic development, exclusively), the nonhuman world of the near-point is rendered in patterns. These patterns are abstracted for the most part from leaves and flowers – the rose, the lotus, the acanthus, palm, papyrus – and are elaborated, with recurrences and variations, into something transportingly reminisce
Aldous Huxley (The Doors of Perception)