Semi Truck Quotes

We've searched our database for all the quotes and captions related to Semi Truck. Here they are! All 34 of them:

We used to hear the stars, too. When people stopped talking, there was silence. Now you could shut every mouth on the planet and there’d still be a hum. Air-conditioning groaning from the vent beside you. Semi trucks hissing on a highway miles away. A plane complaining ten thousand feet above you. Silence is an extinct word. It bothers you, doesn’t it?
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Lonely's a temporary condition, a cloud that blocks out the sun for a spell and then makes the sunshine seem even brighter after it travels along. Like when you're far away from home and you miss the people you love and it seems like you're never going to see them again. But you will, and you do, and then you're not lonely anymore. Lonesome's a whole other thing. Incurable. Terminal. A hole in your heart you could drive a semi truck through. So big and so deep that no amount of money or whiskey or pussy or dope in the whole goddamn world can fill it up because you dug it yourself and you're digging it still, one lie, one disappointment, one broken promise at a time.
Steve Earle (I'll Never Get Out of This World Alive)
(knitting while on a motorcycle) "For several years she knitted in secret (my father would not approve; she was to concentrate on motorcycling and LEAN into the curves, etc), and used a small circular needle (socks and mittens) in order to keep the knitting in her pocket until they were under way; then she leaned back slightly so Gaffer couldn't feel the movement of her hands. On the interstate one day, they were slowly passing a semi and my father happened to see the truck driver laugh and point out my mother's knitting to his passenger. Whoops-
Elizabeth Zimmermann (The Opinionated Knitter)
Hey. Hey, stop that, now. Uncle Drake is a nice man." He held Maggie, patting her while Jenny and Christian looked at their sister like she was crazy. Drake looked like he was facing down the worst thug imaginable. "We're a little sensitive." "About cookies or cops?" "Cookies. Spiders. Dogs. Cats. Birds. Balloons. Semi trucks. Caterpillars…
Sean Michael (Mannies Incorporated (Mannies Incorporated #1))
At night, we used to see stars. You could see by starlight back then, after the sun went down. Hundreds of headlights chained together in the sky, good enough to eat, good enough to write legends about, good enough to launch men at. ... Does any part of you still look at the sky and hurt? .... We used to hear the stars, too. When people stopped talking, there was silence. Now you could shut every mouth on the planet and there’d still be a hum. Air-conditioning groaning from the vent beside you. Semi trucks hissing on a highway miles away. A plane complaining ten thousand feet above you. Silence is an extinct word.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
I groaned my good humor beginning to fade. Nothing good could come from such a wager. If I lost I’d have to drive for the entire five-and-a-half-hour trip home. But if I won Marc would drive which was much much worse. With him in the driver’s seat I’d be afraid to blink much less sleep. Marc’s favourite travel game was highway tag which he played by getting just close enough to passing semi trucks to reach out his window and touch their rear bumpers. Seriously. The man thought the inevitability of death didn’t apply to him simply because it hadn’t happened yet. Marc laughed at my horrified expression and sank his shovel into the earth at the end of the black plastic cocoon. With a sigh I joined him trying to decide whether I’d rather risk falling asleep at the wheel or falling asleep with Marc at the wheel. It was a tough call. Thankfully I had three solid hours of digging during which to decide. Lucky me.
Rachel Vincent (Rogue (Shifters, #2))
Y.T. is maxing at a Mom's Truck Stop on 405, waiting for her ride. Not that she would ever be caught dead at a Mom's Truck Stop. If, like, a semi ran her over with all eighteen of its wheels in front of a Mom's Truck Stop, she would drag herself down the shoulder of the highway using her eyelid muscles until she reached a Snooze 'n' Cruise full of horny derelicts rather than go into a Mom's Truck Stop.
Neal Stephenson (Snow Crash)
I read my copy of On the Road and dug the scenery whizzing past. On the Road is a semi-autobiographical novel about Jack Kerouac, a druggy, hard-drinking writer who goes hitchhiking around America, working crummy jobs, howling through the streets at night, meeting people and parting ways. Hipsters, sad-faced hobos, con-men, muggers, scumbags and angels. There's not really a plot -- Kerouac supposedly wrote it in three weeks on a long roll of paper, stoned out of his mind -- only a bunch of amazing things, one thing happening after another. He makes friends with self-destructing people like Dean Moriarty, who get him involved in weird schemes that never really work out, but still it works out, if you know what I mean. There was a rhythm to the words, it was luscious, I could hear it being read aloud in my head. It made me want to lie down in the bed of a pickup truck and wake up in a dusty little town somewhere in the central valley on the way to LA, one of those places with a gas station and a diner, and just walk out into the fields and meet people and see stuff and do stuff.
Cory Doctorow (Little Brother (Little Brother, #1))
Danvers still stops by in the morning. He talks for a few minutes and then gets a coffee and leaves. We haven’t moved past the stage of smiling, though Land is always mimicking his semi-flirtations. I pointed out that since he and the detective go back, he should broach the subject, but Land just snorts and goes back to cutting up the vegetables.
Chloe Kendrick (Murder to Go (Food Truck Mysteries #1))
There was another line of argument that nagged at me: the suggestion that boys simply could not help themselves. As if he never had a choice. I have told each of my girls heading off to college: If you walk in front of a semi truck expect to get hit. Don't walk in front of a semi. If you go to a frat party expect to get drunk, drugged and raped. Don't go to a frat party. You went to a frat and got assaulted? What did you expect? I'd heard this in college, freshman girls in frats compared to sheep in a slaughterhouse. I understand you are not supposed to walk into a lion's den because you could be mauled. But lions are wild animals. And boys are people, they have minds, live in a society with laws. Groping others was not a natural reflex, biologically built in. It was a cognitive action they were capable of controlling. It seemed once you submitted to walking through fraternity doors, all laws and regulation ceased. They were not asked to adhere to the same rules, yet there were countless guidelines women had to follow: cover your drink, stick close to others, don't wear short skirts. Their behavior was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many young girls were getting hurt, shouldn't we hold the guys in these houses to a higher standard, instead of reprimanding the girls? Why was passing out considered more reprehensible than fingering the passed-out person?
Chanel Miller (Know My Name)
The next day—Christmas Eve—Musk called in reinforcements. Ross Nordeen drove from San Francisco. He stopped at the Apple Store in Union Square and spent $2,000 to buy out the entire stock of AirTags so the servers could be tracked on their journey, and then stopped at Home Depot, where he spent $2,500 on wrenches, bolt-cutters, headlamps, and the tools needed to unscrew the seismic bolts. Steve Davis got someone from The Boring Company to procure a semi truck and line up moving vans. Other enlistees arrived from SpaceX.
Walter Isaacson (Elon Musk)
Abdul Aziz embraced Wahhabi doctrine. He sponsored a new, fierce, semi-independent vanguard of Ikhwan, or Brothers, war-fighting believers who dressed in distinctive white turbans and trimmed their beards and mustaches to express Islamic solidarity. The Ikhwan conquered village after village, town after town. In Wahhab’s name they enforced bans on alcohol, tobacco, embroidered silk, gambling, fortune-telling, and magic. They denounced telephones, radios, and automobiles as affronts to God’s law. When a motor truck first appeared in their territory, they set it on fire and sent its driver fleeing on foot.
Steve Coll (Ghost Wars: The Secret History of the CIA, Afghanistan & Bin Laden from the Soviet Invasion to September 10, 2001)
Suddenly the skies became dark purple with flashes of light and the wind picked up and made waves on the river. It was a typical prairie storm, angry with the dryness it had been forced to endure, and everyone around me ran to take cover from the hail. I crawled under the bench and lay there, very still, and listened to the giant balls of ice pummel the wood above me. I saw gum and graffiti, even there, on the underside of the bench. Initials and hearts and curses. I thought about my aunt and my mother sliding unscathed under that massive semi truck on their bikes, coming up on the other side laughing and breathless. It must have felt amazing.
Miriam Toews (All My Puny Sorrows)
Realization strikes me like lightning, brilliant and violent. I love her. Terror hits me harder than a semi-truck, knocking the breath out of my lungs. I love this exquisite, feisty, damaged woman in a way I never thought possible. And it scares the fucking shit out of me. My chest constricts. I can’t breathe. For half a second, I seriously think I might be having a heart attack.
Amelia Kingston (So, That Got Weird (So Far, So Good, #1))
electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that’s jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone’s been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It’s no joke, he tells the viewers. Don’t think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child’s pink nap blanket. A gelid baby
Margaret Atwood (Stone Mattress: Nine Tales)
She’d just come back when Marvel tapped the computer screen and said, “See, what happened was, this guy, Representative Diller, got the licensing fees on semi-trailers reduced by about half, so they’d supposedly be in line with what they were in the surrounding states. He said he wanted to do that so the trucking companies wouldn’t move out of Minnesota. But what you see over here is a bunch of 1099 forms that were sent by trucking companies to Sisseton High-Line Consulting, LLC, of Sisseton, South Dakota. Over here is the South Dakota LLC form and we find out that a Cheryl Diller is the president of Sisseton High-Line Consulting. And we see that she got, mmm, fifty-five thousand dollars for consulting work that year, from trucking companies.” “So if these two Dillers are related . . .” Lucas began. “I promise you, they are,” Marvel said. Kidd said, “Marvel’s a state senator. In Arkansas.” Marvel added, “This shit goes on all the time. On everything you can think of, and probably a lot you can’t think of.
John Sandford (Silken Prey (Lucas Davenport #23))
But there wasn’t much peace to be had on Southern California freeways during the morning rush hour. The pace alternated between brief intervals of violent acceleration, and total gridlock. He was navigating the I-5 and 805 merge—known euphemistically as the ‘Golden Triangle’—when a motorcyclist riding a blue Kawasaki ZX6 cut in front of him, passing so close to Derrick’s front bumper that he felt his body tense for collision. Somehow, it didn’t come. Still crossing the freeway on a reckless diagonal, the bike barely missed getting run over by a semi-truck in the far right lane. The truck driver blew his horn long and angrily. Without looking up, the cyclist raised his left fist and made the time-honored ‘bird’ gesture. Then, he darted down the off ramp, and sped away on the East 56 freeway. Derrick shook his head in amazement. “What the hell is wrong with people?” Not more than thirty seconds later, he passed an Amber Alert sign that read, “SHARE THE ROAD. LOOK TWICE FOR MOTORCYCLES.
David Lucero (Who's Minding the Store)
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
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Y.T. is maxing at a Mom’s Truck Stop on 405, waiting for her ride. Not that she would ever be caught dead at a Mom’s Truck Stop. If, like, a semi ran her over with all eighteen of its wheels in front of a Mom’s Truck Stop, she would drag herself down the shoulder of the highway using her eyelid muscles until she reached a Snooze ’n’ Cruise full of horny derelicts rather than go into a Mom’s Truck Stop.
Neal Stephenson (Snow Crash)
Miles away, the red taillights of semi-trucks were moving along the interstate, and Dustin was suddenly aware that there were people inside them, that they were traveling to distant places and they would never know that he and Rusty were watching them. It made him feel a strange, tingling kind of ache.
Dan Chaon (Ill Will)
oaks, the forest opened up and we flew in an oval pattern around the scene. The grille of a blue Mustang was nosed up against an earthen barrier, the vehicle’s doors open. Two bodies, both male, were sprawled nearby in the grass. Between the long drying sheds, three gray, refrigerated semitrailers were lined nose to tail like elephants on parade. The truck windows and windshields were shot through and spiderwebbed. Behind the last semi was a black Dodge Viper with two dead men in the front seat. The pilot landed out by the highway, where a perimeter had been established. After checking in with the Virginia State Police lieutenant and the county sheriff, we went to the crime scene on foot. It was hot. Insects buzzed and drummed in the forest around the tobacco facility. Truck engines idling swallowed the sound of blowflies gathering around the Viper. “They’ve swept their way out again,” Mahoney said when we were ten yards from the Dodge. I looked at the glistening dirt road between the Viper and us. I saw faint grooves in the moist dirt and said, “Or raked.” The door to the muscle car was ajar. The window was down. The driver had taken a slug through the back of the skull, left occipital. Blood spattered the windshield and almost covered two bullet holes, one exiting, and one entering. The passenger in the Viper had been rocked back, his left eye a bloody socket and a spray of carnage behind him.
James Patterson (Cross the Line (Alex Cross, #24))
Three semis drove past us. One was painted with a picture of a cow standing in a field of green grass. I was jealous of that cow because she was at home and I was not. It seemed like a very sad thing to be jealous of a fake cow on the side of a truck.
Kate DiCamillo
I’m not being critical, but I refuse to facilitate a discussion wherein you try to convince me pleasure through pain is the ultimate high. That’s where this is headed, isn’t it?” “For someone who has never tried it, you seem terribly confident it’s not.” “A person doesn’t necessarily need to encounter pain to know they don’t desire it. For example, without having been hit by a semi-truck before, I’m pretty sure it would suck.
Tessa Bailey (Owned by Fate (Serve, #1))
over the barrier and through the grass into fucking hell I go one lane silver car two lanes horns horns horns three lanes SEMI WHAT’S A FUCKING SEMI DOING ON THE FDR IT’S TOO TALL YOU STUPID UPSTATE HICK screaming four lanes GREEN TAXI screaming Smart Car hahaha cute five lanes moving truck six lanes and the blue Lexus actually brushes up against my clothes as it blares past screaming screaming screaming
N.K. Jemisin (The City We Became (Great Cities, #1))
I wanted to move. I needed to move. But in those moments, I could more easily have lifted a semi truck filled with pudding.
Brandon Sanderson (Firefight (The Reckoners, #2))
fucked up.” I walk into the room and sit down in the chair beside the bed. Sam’s hand lies outside the covers, so I take it in mine. I can see the veins in his hand, stark against his too-pale skin, and I move his IV line over so I don’t bump it. Sam’s hand suddenly squeezes mine. I look up and find him smiling at me. It’s a goofy grin, and I’m so damn happy to see it that tears fill my eyes. “Don’t cry, cupcake,” he says softly. His eyes are barely open, and they shaved part of his head. “I’m so glad you’re okay,” I whisper. I tap my thumb on the bedrail, so I can talk without stuttering. “It’ll take more than a semi truck with a drunk driver to take me out, cupcake.” He laughs, but then he clutches his head. “That hurt,” he murmurs. “Can I do anything for you?” Tap. Tap. “Just stay for a little while.” I
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
The club owns a legit security company that travels alongside semi-loads of expensive goods to guarantee that the truck makes it to point B from point A without any problems. People don’t know it, but trucks being jacked for their loads happens more often than one would think. The security company is a ride-along bouncer.
Katie McGarry
While our Amish friends were discouraging change, our Englisch friends were encouraging us to open our hearts and talk about things we’d never discussed before. One of our Englisch friends even asked me if I ever felt guilty about the accident. I’d been awake one minute before the semi-truck hit us and had fallen asleep again.
Ora Jay Eash (Plain Faith: A True Story of Tragedy, Loss and Leaving the Amish)
Life went on without her, the cruel bastard that it is. I wished it would have stopped. I wished a fucking semi truck would have taken me out and ended the misery. But slowly, time stretched on. I went to school, but I stopped dating. I played basketball, but I stopped surfing. I graduated. I moved back home. I moved on — at least, as much as I could. I convinced myself I would be alright without her. But the day the universe decided to put us in the same place again, I realized just how naïve I’d been.
Kandi Steiner (A Love Letter to Whiskey: Fifth Anniversary Edition)
The Jeep was thirsty so I stopped for gas on the edge of town. Ambient noise filled the air around me. The slosh of gasoline filling the tank. Trucks on the highway muffled with the hum and womp womp of snow tires. A couple arguing as they came out of the mini-mart. A semi driving over a steel manhole cover, first the front wheel, then the back. A bulldozer and an excavator working in tandem in a lot behind me. A siren several blocks off, followed by a second. Kids playing basketball somewhere over my shoulder.
Charles Martin (Long Way Gone)
Y.T. is maxing at a Mom’s Truck Stop on 405, waiting for her ride. Not that she would ever be caught dead at a Mom’s Truck Stop. If, like, a semi ran her over with all eighteen of its wheels in front of a Mom’s Truck Stop, she would drag herself down the shoulder of the highway using her eyelid muscles until she reached a Snooze ’n’ Cruise full of horny derelicts rather than go into a Mom’s Truck Stop. But sometimes when you’re a professional, they give you a job that you don’t like, and you just have to be very cool and put up with
Neal Stephenson (Snow Crash)
And right there in that dingy fucking hotel room, I felt three words slam into my chest like a semi-truck. I loved her.
Kandi Steiner (Watch Your Mouth (Kings of the Ice, #2))
People driving down the New Jersey Turnpike through the flat, gray wetlands just south of New York City would never notice the unmarked semi-tractor trailers pulling onto the turnpike at exit 16W, coming from the operations center just down the street. But the East Rutherford Operations Center is hiding riches beyond imagining. Deep inside the complex sits a gargantuan vault, measuring 1 million cubic feet. It is filled with U.S. currency, capable of holding as much as $60 billion. And those trucks driving onto the turnpike are loaded with secret cargo—cash.
James Risen (Pay Any Price: Greed, Power, and Endless War)