Desert Storm Quotes

We've searched our database for all the quotes and captions related to Desert Storm. Here they are! All 100 of them:

I could fall in love with a cruel desert that kills without passion, a canyon full of scorpions, one thousand blinding arctic storms, a century sealed in a cave, a river of molten salt flowing down my throat. But never with you.
Henry Rollins (Solipsist)
Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.
Edward Abbey
You are lightning made flesh. Colder than falling snow. Unstoppable as the desert sands riding the wind. You are Stormling, Aurora Pavan. Believe it.
Cora Carmack (Roar (Stormheart, #1))
It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I shouldn't have lost my temper that way. It just pricks his pride, makes him dig in his heels." "So why did you?" I asked, genuinely curious. It was rare for Nikolai's emotions to get the best of him. "I don't know," he said, shredding the leaf. "You got angry. I got angry. The room was too damn hot." "I don't think that's it." "Indigestion?" he offered. "It's because you actually care about what happens to this country," I said. "The throne is just a prize to Vasily, something he wants to squabble over like a favorite toy, You're not like that. You'll make a good king." Nikolai froze. "I…" For once, words seemed to have deserted him. Then a crooked, embarrassed smile crept across his face. It was a far cry from his usual self-assured grin. "Thank you," he said. I sighed as we resumed our pace. "You're going to be insufferable now, aren't you?" Nikolai laughed. "I'm already insufferable.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
W.G. Sebald (The Rings of Saturn)
Ansel smiled, a winning grin. “Half of them are on their way there now. Ready to join with Terrasen. The country of my friend Celaena Sardothien, who did not forget it, even when she was in the Red Desert; and who did not stop looking north every night that we could see the stars. There was no greater gift I could offer to repay her than saving the kingdom she did not forget. And that was before I got her letter months ago, telling me who she was and that she'd gut me if I didn't assist in her cause. I was on my way with my army already, but . . . then the next letter arrived. Telling me to go to the Gulf of Oro. To meet her here and follow a specific set of instructions.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
In the presence of the storm, thunderbolts, hurricane, rain, darkness, and the lions, which might be concealed but a few paces away, he felt disarmed and helpless.
Henryk Sienkiewicz (In Desert and Wilderness)
Because of my experience in Desert Storm I have permanent Insomnia but don't get me wrong I love sleep I can never get enough of it.
Stanley Victor Paskavich
I called the desert into a storm.
Alwyn Hamilton (Traitor to the Throne (Rebel of the Sands, #2))
And sometimes a dust storm would stand off in the desert, towering so high it was like another city -- a terrifying new era approaching, blurring our dreams.
Denis Johnson (Jesus’ Son)
You’re infamous. Apparently you have hair the colour of a desert sunset, and eyes that flash like a desert storm—nobody told me that your personality was like a desert cactus as well.
Jane Washington (Hereditary (Beatrice Harrow, #1))
You must miss your father terribly, I know. Lord Eddard was a brave man, honest and loyal...but quite a hopeless player.' He brought the seed to his mouth with the knife. 'In King's Landing, there are two sorts of people The players and the pieces.' 'And I was a piece?' She dreaded the answer. 'Yes, but don't let that trouble you. You're still half a child. Every man's a piece to start with, and every maid as well. Even some who think they are players.' He at another seed. 'Cersei, for one. She thinks herself sly, but in truth she is utterly predictable. her strength rests on her beauty, birth, and riches. Only the first of those is truly her own, and it will soon desert her. I pity her then. She wants power, but has no notion what to do with it when she gets it. Everyone wants something, Alayne. And when you know what a man wants you know who he is, and how to move him.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Battles that involve oatmeal are just never going to end up being historic, you know?" Jake went on. "Gettysburg? No major oatmeal involvement. The Battle of Midway? Neither side used oatmeal. Desert Storm? No oatmeal.
Katherine Applegate
As there was no further precaution possible I enjoyed the extraordinary magnificence of the storm with a free mind . . . and all the wonderful and terrible things that happen in high places .
Georgina Howell (Gertrude Bell: Queen of the Desert, Shaper of Nations)
There is a peace that springs soon after sorrow, Of hope surrendered, not of hope fulfilled; A peace that does not look upon tomorrow, But calmly on the storm that it has stilled. A peace that lives not now in joy’s excesses, Nor in the happy life of love secure; But in the unerring strength the heart possesses, Of conflicts won while learning to endure.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Abyssinias "I met a traveler from an antique land Who said: A huge four-footed limestone form Sits in the desert, sinking in the sand. Its whiskered face, though marred by wind and storm, Still flaunts the dainty ears, the collar band And feline traits the sculptor well portrayed: The bearing of a born aristocrat, The stubborn will no mortal can dissuade. And on its base, in long-dead alphabets, These words are set: "Reward for missing cat! His name is Abyssinias, pet of pets; I, Ozymandias, will a fortune pay For his return. he heard me speak of vets -- O foolish King! And so he ran away.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
I am sorry," I whispered to Reyes. He wrapped his long fingers around my neck and buried his face in my hair. He smelled like a lightening storm. His emotions electricity. His body the desert after a rain. Fresh. Starkly beautiful. Dangerous. "Are you okay?" he asked, his breath on my neck. "I am now.
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
Shit," he said. "I don't know why you're feeling sorry for yourself because you ain't had to fight a war. You're lucky. Shit, all you had was that damn Desert Storm. Should have called it Dessert Storm because it just made the fat cats get fatter. It was all sugar and whipped cream with a cherry on top. And besides that, you didn't even have to fight in it. All you lost during that was was sleep because you stayed up all night watching CNN.
Sherman Alexie
They were like two poor little leaves in a storm which bore death and annihilation not only to the heads of individuals, but to whole towns and entire tribes. What hand could snatch it and save two small, defenseless children?
Henryk Sienkiewicz (In Desert and Wilderness)
How shallow is the stage on which this vast drama of human hates and joys and friendships is played! Whence do men draw this passion for eternity, flung by chance as they are upon a scarcely cooled bed of lava, threatened by the beginning by the deserts that are to be, under the constant menace of the snows? Their civilizations are but fragile gildings: a volcano can blot them out, a new sea, a sand-storm.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
a name with a gently exotic ring to it, like birdsong, like a grain of sand in the far-off Gobi Desert or the northern steppes, whipped up by the wind, carried by storms, swirling through the sky, travelling, crossing whole countries without knowing quite how, and ending up in the crook of my ear.
Dai Sijie (Once on a Moonless Night)
We are the oasis in the desert, the safe harbor in the storm, the place anyone is welcome, as long as you're not a jerk to the servers." —Arianna Spero
Karpov Kinrade (Vampire Girl (Vampire Girl, #1))
Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY
Paul Éluard
The actual legacy of Desert Storm was to plunge the United States more deeply into a sea of difficulties for which military power provided no antidote. Yet in post–Cold War Washington, where global leadership and global power projection had become all but interchangeable terms, senior military officers like Sullivan were less interested in assessing what those difficulties might portend than in claiming a suitably large part of the action.
Andrew J. Bacevich (Breach of Trust: How Americans Failed Their Soldiers and Their Country (The American Empire Project))
I stare out at the desert, a speck of nothing against its vastness. These rocks, this dirt, it will abide for millennia, while I am but a moment in time that will be over all too soon. The thought is crushing, and I cannot breathe.
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
Yes, Camp Vrede.” It was one of the deadliest incidents in the alliance’s fight for peace. The large base was located near the Kuwait, Iraq and Saudi Arabia tri-border, its presence there sanctioned by the three countries, which welcomed its assistance in maintaining the area’s stability. The attack, by insurgents who opposed the alliance’s presence in the region, came in the middle of a heavy desert storm, and the number of dead and injured was high. Donovan remembered the incident clearly, USFID had been one of the agencies put on alert following it. “The United States lost people there, too,” he said. “Fifty-nine were killed there that day.
A. Claire Everward (Oracle's Diplomacy (Oracle #2))
Ethnic cleansing, genocide, failed states, civil war, terror: these became the defining characteristics of the decade-long interval between Desert Storm and the events of 9/11.
Andrew J. Bacevich (The New American Militarism: How Americans Are Seduced by War)
Time plays no role in the life of one man—the subtle consciousness of it floating past me is more than enough. Years, months, days, hours, minutes, seconds—what does it matter? Floating by, it rubs against my skin, face, and hair—wearing me down, yet polishing me all the while. Time is like fine grains of sand in a desert storm. At first, you don’t pay any attention to it, but the more it hits you in the face, the more aware of it you become, the more annoying it gets until, one day, you find yourself suffocating. The weight of it eventually bends your spine, until you are crawling on your hands and knees, unable to stand straight. Then comes the time to crawl back into the womb, crawl inside and wait for rebirth.
Henry Martin (Eluding Reality (Mad Days of Me #3))
When the banner of countless colours spreads on the wind, and the Riders of the Desert storm arise, then shall the Sleeper awake beneath his sand shroud and bring the Judgement to the world.
Mladen Đorđević (Svetioničar - Pritajeno zlo (Utočište #2))
The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The eternal silence of the great white desert. Cloudy columns of snow drift advancing from the south, pale yellow wraiths, heralding the coming storm, blotting out one by one the sharp-cut lines of the land.
Robert Falcon Scott (Scott's Last Expedition: The Journals)
I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream. It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
The poems which touched her heart most, suffusing her with exalted emotion, so that she felt she could gather everything to her, were those which tell of the sorrow that wakes in the heart whose dreams have not been fulfilled, and of the beauty of that sorrow. The ship which in Autumn lies deserted on the shore, rudderless, mastless, used no more; the bird that cowers low in shelter, likewise in the Autumn, featherless and forlorn, driven before the storm;the harp that hangs trembling on the wall, silently mourning its owner's fall-all this was her poetry.
Halldór Laxness
What do you know about me? What do you know about love that comes into a life in which everything has become questionable? What is your cheap intoxication compared to that? When falling and falling suddenly changes, when the endless Why becomes the final You, when like a fata morgana above the desert of silence feeling suddenly arises, takes shape, and inexorably the delusion of the blood becomes a landscape compared with which all dreams are pale and commonplace? A landscape of silver, a city of filigree and rose quartz, shining like the bright reflection of blooming blood—what do you know about it? Do you think that one can talk about it so easily? That a glib tongue can quickly press it into a cliché of words or even of feelings? What do you know about graves that open and how one stands in dread of the many colorless empty nights of yesterday—yet they open and no skeletons now lie bleaching there, only earth is there, earth, fertile seeds, and already the first green. What do you know about that? You love the intoxication, the conquest, the Other You that wants to die in you and that will never die, you love the stormy deceit of the blood, but your heart will remain empty because one cannot keep anything that does not grow from within oneself. And not much can grow in a storm. It is in the empty nights of loneliness that it grows, if one does not despair. What do you know about it?
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Where there are no bees there is no honey. Where there are no flowers there is no perfume. Where there are no clouds there is no rain. Where there are no stars there is no light. Where there are no roses there are no thorns. Where there are no skies there are no stars. Where there are no storms there are no rainbows. Where there are no animals there are no forests. Where there are no plants there are no jungles. Where there are no seeds there are no harvests. Where there are no spiders there are no webs. Where there are no ants there are no colonies. Where there are no worms there are no fish. Where there are no mice there are no serpents. Where there are no carcasses there are no vultures. Where there are no stones there are no pebbles. Where there are no rocks there are no mountains. Where there are no deserts there are no oases. Where there are no stars there are no galaxies. Where there are no worlds there are no universes.
Matshona Dhliwayo
They were turning now, panning past the Sandias, the black-green crags and rocky faces, the ribbon of road leading to the white crest. Amina looked down on Albuquerque, the light bouncing off the sprawling tile of houses and pools, the cars running along the highways like busy insects. She imagined all of it gone, undone, erased back to 1968, when the city was nothing but eighty miles of hope huddling in a desert storm. She imagined Kamala on the tarmac, walking toward a life in the desert, her body pulled forward by faith and dirty wind.
Mira Jacob (The Sleepwalker's Guide to Dancing)
His aura was too bright and his masculine force affected me physically,” Angelou recalled years later. ʺA hot desert storm eddied around him and rushed to me, making my skin contract, and my pores slam shut. . . . His hair was the color of burning embers and his eyes pierced.
Manning Marable (Malcolm X: A Life of Reinvention (Pulitzer Prize Winner))
That stormy day in the desert, however, much changed for me. We must have our goals, our dreams and we must strive for them. We are not gods, however; we do not have the power to shape every aspect of the future. And the road the world makes for us is one that teaches humility if we are willing to learn.
Dean Koontz (Forever Odd (Odd Thomas, #2))
Jesus is the true and better Adam, who passed the test in the garden and whose obedience is imputed to us (1 Corinthians 15). Jesus is the true and better Abel, who, though innocently slain, has blood that cries out for our acquittal, not our condemnation (Hebrews 12:24). Jesus is the true and better Abraham, who answered the call of God to leave the comfortable and familiar and go out into the void “not knowing whither he went” to create a new people of God. Jesus is the true and better Isaac, who was not just offered up by his father on the mount but was truly sacrificed for us all. God said to Abraham, “Now I know you love me, because you did not withhold your son, your only son whom you love, from me.” Now we can say to God, “Now we know that you love us, because you did not withhold your son, your only son whom you love, from us.” Jesus is the true and better Jacob, who wrestled with God and took the blow of justice we deserved so that we, like Jacob, receive only the wounds of grace to wake us up and discipline us. Jesus is the true and better Joseph, who at the right hand of the King forgives those who betrayed and sold him and uses his new power to save them. Jesus is the true and better Moses, who stands in the gap between the people and the Lord and who mediates a new covenant (Hebrews 3). Jesus is the true and better rock of Moses, who, struck with the rod of God’s justice, now gives us water in the desert. Jesus is the true and better Job—the truly innocent sufferer—who then intercedes for and saves his stupid friends (Job 42). Jesus is the true and better David, whose victory becomes his people’s victory, though they never lifted a stone to accomplish it themselves. Jesus is the true and better Esther, who didn’t just risk losing an earthly palace but lost the ultimate heavenly one, who didn’t just risk his life but gave his life—to save his people. Jesus is the true and better Jonah, who was cast out into the storm so we could be brought in.
Timothy J. Keller (Preaching: Communicating Faith in an Age of Skepticism)
Out there, in the open desert, men can walk for days without passing a single house, seeing a well, for the desert is so vast that no one can know it all. Men go out into the desert, and they are like ships at sea; no one knows when they will return. Sometimes there are storms, but nothing like here, terrible storms, and the wind tears up the sand and throws it high into the sky, and the men are lost. They die, drowned in the sand, they die lost like ships in a storm, and the sand retains their bodies. Everything is so different in that land; the sun isn't the same as it is here, it burns hotter, and there are men that come back blinded, their faces burned. Nights, the cold makes men who are lost scream out in pain, the cold breaks their bones. Even the men aren't the same as they are here...they are cruel, they stalk their pray like foxes, drawing silently near. They are black, like the Hartani, dressed in blue, faces veiled. They aren't men, but djinns, children of the devil, and they deal with the devil; they are like sorcerers...
J.M.G. Le Clézio (Desert - 1st UK Edition/1st Printing)
Amidst life's storms, a delicious brownie brings the sweet solace of happiness to even the lowest of days.
Priyanshi Ranawat
she was an oasis in the desert bringing back life when it seemed to have vanished
Cherie Avritt (She Was The Storm)
We need these oases of calm in a world of storm. There are times when withdrawal to retreat for such a purpose is not desertion but wisdom, not weakness but strength.
Paul Brunton (A Hermit in the Himalayas: The Classic Work of Mystical Quest)
MD’s letter finally reached the village. But no one opened it. Winds glibly carried it away in casual chase and whispers of ghastly horror through the bamboo bush. The house of the Monsoon rain and the pretty pink knitting was now deserted; front yard had fallen decrepit as though struck with the dark fever of pestilence. Branches from storm lay randomly across the yard as did poles and the shack roof. Doors hung from their hinges, in the process of coming completely apart. Ravens came and sat fruitlessly in the yard in search of salted fish.
Mehreen Ahmed (Moirae)
Unmolested and with grass to eat, a tortoise can live eighty years. Their populations have plummeted in the Mojave in recent years, victims of a perfect storm of drought, sprawl development, solar energy projects, off-road vehicle enthusiasts (who crush them under their wheels), poaching, vandals with pistols (who use them for target practice), and, not least, livestock grazing.
Christopher Ketcham (This Land: How Cowboys, Capitalism, and Corruption are Ruining the American West)
She rides the sandworm of space! She guides through all storms Into the land of gentle winds. Though we sleep by the snake's den, She guards our dreaming sould. Shunning the desert heat, She hides us in a cool hollow. The gleaming of her white teeth Guides us in the night. By the braids of her hair We are lifted to heaven! Sweet fragrance, flower-scented, Surrounds us in her presence.
Frank Herbert (Dune Messiah (Dune Chronicles, #2))
the music is not in conditions, not in the things, not in externals, but the music of life is in your own soul. If peace be in the heart, The wildest winter storm is full of solemn beauty, The midnight flash but shows the path of duty, Each living creature tells some new and joyous story, The very trees and stones all catch a ray of glory, If peace be in the heart. CHARLES FRANCIS RICHARDSON
Lettie B. Cowman (Streams in the Desert)
C. Samuel Storms has so aptly written, Grace ceases to be grace if God is compelled to bestow it in the presence of human merit. . . . Grace ceases to be grace if God is compelled to withdraw it in the presence of human demerit. . . . [Grace] is treating a person without the slightest reference to desert whatsoever, but solely according to the infinite goodness and sovereign purpose of God.4
Jerry Bridges (Transforming Grace)
I'm sure the scenery is lovely, but it dawns on me that it doesn't matter where we are. Nicholas could be standing in a storm a desert, a vacuum. I wouldn't know the difference, because he's all I see.
Sarah Hogle (You Deserve Each Other)
Meanwhile the colonel followed the mad woman, and by a strange effect of the superexcitation of his senses, saw her in the darkness, through the mist, as plainly as in broad daylight; he heard her sighs, her confused words, in spite of the continual moan of the autumn winds rushing through the deserted streets. A few late townspeople, the collars of their coats raised to the level of their ears, their hands in their pockets, and their hats pressed down over their eyes, passed, at infrequent intervals, along the pavements; doors were heard to shut with a crash. An ill-fastened shutter banged against a wall, a tile torn from a housetop by the wind fell into the street; then, again, the immense torrent of air whirled on its course, drowning with its lugubrious voice all other sounds of the night. It was one of those cold nights at the end of October, when the weathercocks, shaken by the north wind, turn giddily on the high roofs, and cry with shrilly voices, 'Winter! - Winter! - Winter is come!' ("The Child Stealer")
Erckmann-Chatrian (Reign of Terror Volume 2: Great Victorian Horror Stories)
Tale of the Fishwife and its Sad Fate’, purportedly translated literally from the German: It is a bleak day. Hear the rain, how he pours, and the hail, how he rattles; and see the snow, how he drifts along, and of the mud, how deep he is! Ah the poor fishwife, it is stuck fast in the mire; it has dropped its basket of fishes; and its hands have been cut by the scales as it seized some of the falling creatures; and one scale has even got into its eye. And it cannot get her out. It opens its mouth to cry for help; but if any sound comes out of him, alas he is drowned by the raging of the storm. And now a tomcat has got one of the fishes and she will surely escape with him. No, she bites off a fin, she holds her in her mouth – will she swallow her? No, the fishwife’s brave mother-dog deserts his puppies and rescues the fin – which he eats, himself, as his reward …
Guy Deutscher (The Unfolding Of Language: The Evolution of Mankind`s greatest Invention)
Earlier that day, a typewriter bomb had exploded at a black market skin house over on Eel Street, sending words raining through the cardboard walls of the boudoirs and tattooing copies of the Machinist’s ‘Twelve Terms’ on the bodies of whores and patrons alike. Forty pieces of merch ruined. Their bodies had been obliterated by language, all traces of their sexuality buried beneath a storm of words. There was something horrific about the sight of those who had survived a typewriter attack. Their faces scarred with text, as if they had become hostages to some awful advertisement. A few of the victims took to working the streets around the library where bibliophiles sometimes paid them to satisfy their fantasies amid the desolate hush of the reading rooms and the deserted stacks where the only witnesses to this erotic pantomime of the blank body and its printed partner were other words.
Craig Padawer
I will always come for you, Leaf. Cry out in pain, and I'll be there. Call my name, and I will raze entire cities to get to you. It will always be this way until desert sand fills my throat and I take my final choked breath.
Juno Heart (King of Storms and Feathers (Courts of the Star Fae Realms #1))
All I know: I could only encounter you, my oasis, coming out of a desert. Deserted myself. This is all right. My futureless and solitary self. When suddenly I hear the voice of the springs--Right away you made me want to sing. To cry. Then to drink. But after the desert, the merest trickle of water sounds like a storm. And ever since, Promethea's every murmur shakes my life like an earthquake. I was asleep. I was not thirsty. It would have been possible for me not to hear the first three tears. Ever since I never sleep. I listen.
Hélène Cixous (The Book of Promethea)
Ivan, task handled, lowered his hand, pausing only to pop his knuckles. He turned to face his apprentice. He cleared his throat, and took one quick glance over his shoulder where the angry giant robot stormed across the desert, before addressing Tory. “That was satisfactory.
Drew Hayes (Forging Hephaestus (Villains' Code, #1))
And then, he was not there. A terrible storm came over her, as if she were drowning. She was possessed by a devastating hopelessness. And she approached mechanically to the altar. Never had she known such a pang of utter and final hopelessness. It was beyond death, so utterly null, desert.
D.H. Lawrence (Women in Love (Centaur Classics))
Just like that—in one apocalyptic moment—simple and beautiful. A birth. But also a kind of death. Like lightning in a storm. In one flash of light, the whole desert was lit, and you could see the universe. That’s what she had seen—the universe in the hands of a child feeling the face of a man.
Benjamin Alire Sáenz (In Perfect Light)
You will leave your home: nothing will hold you. You will wear dresses of gold; skins of silver, copper and bronze. The sky above you will shift in meaning each time you think you understand. You will spend a lifetime chipping away layers of flesh. The shadow of your scales will always remain. You will be marked by sulphur and salt. You will bathe endlessly in clear streams and fail to rid yourself of that scent. Your feet will never be your own. Stone will be your path. Storms will follow in your wake, destroying all those who take you in. You will desert your children kill your lovers and devour their flesh. You will love no one but the wind and ache of your bones. Neither will love you in return. With age, your hair will grow matted and dull, your skin will gape and hang in long folds, your eyes will cease to shine. But nothing will be enough. The sea will never take you back.
Shara McCallum
Genetically speaking, individuals and groups are like clouds in the sky or dust- storms in the desert. They are temporary aggregations or federations. They are not stable through evolutionary time. Populations may last a long while, but they are constantly blending with other populations and so losing their identity.
Richard Dawkins (The Selfish Gene)
that everyone has a capacity for evil. And we’ve all seen it, and done it, even if we think we haven’t—there’s the slight in conversation that wounds another person, the words we know will cause pain to a loved one but we utter them anyway, and the unkindness that could have been avoided. But then there are people in another league, if you will, people who are capable of so much more, who harbor an evil so deep it scars all our souls. That kind of darkness can lie dormant, as if in a barren desert, but then . . . but then circumstances change to allow their evil to become truly, truly terrible, a boiling storm that encompasses all in its wake.
Jacqueline Winspear (Journey to Munich (Maisie Dobbs, #12))
It's almost unbelievable when you think of it, how they live there in all that ice and sand and mountainous wilderness. Look at it,' he says. 'Huge barren deserts, huge oceans. How do they endure all those terrible things? The floods alone. The earthquakes alone make it crazy to live there. Look at those fault systems. They're so big, there's so many of them. The volcanic eruptions alone. What could be more frightening than a volcanic eruption? How do they endure avalanches, year after year, with numbing regularity? It's hard to believe people live there. The floods alone. You can see whole huge discolored areas, all flooded out, washed out. How do they survive, where do they go? Look at the cloud buildups. Look at that swirling storm center. What about the people who live in the path of a storm like that? It must be packing incredible winds. The lightning alone. People exposed on beaches, near trees and telephone poles. Look at the cities with their spangled lights spread in all directions. Try to imagine the crime and violence. Look at the smoke pall hanging low. What does that mean in terms of respiratory disorders? It's crazy. Who would live there? The deserts, how they encroach. Every year they claim more and more arable land. How enormous those snowfields are. Look at the massive storm fronts over the ocean. There are ships down there, small craft, some of them. Try to imagine the waves, the rocking. The hurricanes alone. The tidal waves. Look at those coastal communities exposed to tidal waves. What could be more frightening than a tidal wave? But they live there, they stay there. Where could they go?
Don DeLillo (The Angel Esmeralda)
When a society faces reorganization along radical lines, the first storm-signals will always come from the deserters from the party yielding ground.  It has never been slaves who have begun successful struggles against slavery; the deserters from the feudal state were the individuals who a hundred and fifty years ago, laid the ideological foundation for the middle-class revolt.
Aksel Sandemose (A Fugitive Covers His Tracks)
Watch," he whispered hoarsely. "Watch me make love to you." No power in the heavens could have made her look away as he withdrew- all the way so that she saw the passionate sheen of her body's juices glazing his rod. Her eyes widened. Coarse dark hair mingled with soft, chestnut curls, a sight that was incredibly erotic. Even more erotic was when he plunged again, gliding deeper this time, harder. She couldn't tear her gaze away. She was both amazed and stunned at the way male joined female, feeling the walls of her passage yield- soft tender flesh clinging tight and wanton to hard male steel.Everything inside her went wild. Every part of her was melting, every fiber of her being. With a helpless little moan she caught the sides of his head. She wanted to tell him how wonderful he made her feel. But the power of words had once again deserted her. The pleasure was climbing, spiraling high and fast, taking her by storm. Unable to hold back, her hands slipped to his shoulders. She clutched at him; sensation gathered there, in the very center of her body, the place he possessed so fully. Had she surrendered? Or had he? she wondered vaguely. Eyes closed, she flung her head back. Release was close. She could feel it coming, shivering throughout her body. His head dropped low. He kissed the arch of her throat. "Fionna," he said, his tone almost raw. "Fionna!" Her nails bit into his shoulders. The walls of her channel contracted around him, again and again and again, sending spasms of release hurtling through them both.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
But instead of letting me see any ray of hope, God afflicted me with a most grievous martyrdom which lasted for three days. It brought sharply home to me the bitter grief felt by the Blessed Virgin and St. Joseph as they searched for the Child Jesus. I was alone in a desert waste — or rather, my soul was like a fragile skiff tossing without a pilot in a stormy sea. I knew that Jesus was there, asleep in my craft, but the night was too black for me to see Him. All was darkness. Not even a flash of lightning pierced the clouds. There’s nothing reassuring about lightning, but, at least, if the storm had burst, I should have been able to glimpse Jesus. But it was night, the dark night of the soul. Like Jesus during His Agony in the Garden, I felt myself abandoned and there was no help for me on earth or in heaven. God had abandoned me. Nature herself seemed to share my misery. The sun never shone once during those three days and the rain fell in torrents. I have noticed that, at all the important moments of my life, nature has mirrored my soul. When I wept the sky wept with me, and when I was happy the sun shone without a cloud in the sky.
John Beevers (The Autobiography of Saint Therese: The Story of a Soul)
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
Arthur Rimbaud (A Season in Hell)
Humans over the years have lost their ability to commune with the ocean and desert and mountains, everything below and beneath, all the sacred directions. From the overfished waters to the now-empty mines, the polluted rivers now conduits for oil, the slashed and burned forests choking out what lungs we have left. It is only a matter of time before we are all evicted. Might be too late to stop the storm, but not too late to hide.
Brendan Shay Basham (Swim Home to the Vanished)
Things I learned from a man called “The Nazarene” 1- Being poor does not equal being miserable. 2- People will judge you, but their judgment should not define who you are. 3- Going against what others hold as true is not necessarily a bad thing. 4- Everyone is sacred. 5- Life is sometimes a lonely and dry place, like desert, but those times are there to help us meditate on what is truly important in our lives. 6- Complaining or getting angry because there is a storm in our lives solves nothing; embrace the storm and keep calm. 7- Treasure and protect the children of the world, they hold the key of what is pure and innocent; they are the way to freedom. 8- We are free to be who we want to be, it is our choice to be slaves or kings. 9- Fear nothing. 10- The person you don’t like is also your neighbor. 11- The words following “I AM” define who we are, we must choose wisely.
Martin Suarez
The valley was bright with sunshine when we opened our eyes the next morning. But it was not the same malevolent sun that had scorched the Kalahari for months. Soft, mellow rays caressed the backs of several hundred springbok, nibbling grass bases succulent with glittering droplets. The storm was only a smudge on the distant horizon. From camp we could see Captain and Mate and a pair of bat-eared foxes drinking from puddles on the spongy desert floor.
Mark Owens (Cry of the Kalahari)
The Witnesses In Ocean's wide domains, Half buried in the sands, Lie skeletons in chains, With shackled feet and hands. Beyond the fall of dews, Deeper than plummet lies, Float ships, with all their crews, No more to sink nor rise. There the black Slave-ship swims, Freighted with human forms, Whose fettered, fleshless limbs Are not the sport of storms. These are the bones of Slaves; They gleam from the abyss; They cry, from yawning waves, We are the Witnesses! Within Earth's wide domains Are markets for men's lives; Their necks are galled with chains, Their wrists are cramped with gyves. Dead bodies, that the kite In deserts makes its prey; Murders, that with affright Scare school-boys from their play! All evil thoughts and deeds; Anger, and lust, and pride; The foulest, rankest weeds, That choke Life's groaning tide! These are the woes of Slaves; They glare from the abyss; They cry, from unknown graves, We are the Witnesses!
Henry Wadsworth Longfellow (Poems on Slavery.)
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The storm broke then with a vivid flash of lightning and a great rumble of thunder which drowned every other sound. The Baron turned up the collar of his Burberry. ‘You go down that side, I’ll search this— we’ll find him, Becky. You’re not afraid of the storm?’ She was terrified, but her terror was quite wiped out by anxiety for Bertie. She shook her head and started off down the deserted street, peering through the pelting rain, searching the canal as well as every doorway and alley.
Betty Neels (The Promise of Happiness)
If you try to sell rivers to oceans, they will mock you; fish to seas, they will belittle you; rocks to mountains, they will taunt you; clouds to skies, they will deride you; color to rainbows, they will revile you; stars to galaxies, they will chide you; wind to storms, they will denounce you; sand to deserts, they will ridicule you; speed to cheetahs, they will criticize you; venom to serpents, they will disparage you; beauty to stars, they will discredit you; pearls to oysters, they will berate you; trees to forests, they will spite you; birds to skies, they will disdain you; music to birds, they will dismiss you; wool to sheep, they will detest you; silk to spiders, they will defame you; seasons to nature, they will despise you; honey to bees, they will laugh at you; perfume to flowers, they will chuckle at you; fruit to trees, they will jeer at you; rain to clouds, they will scoff at you; fear to wolves, they will howl at you; and terror to lions, they will roar at you.
Matshona Dhliwayo
In interviews with riders that I've read and in conversations that I've had with them, the same thing always comes up: the best part was the suffering. In Amsterdam I once trained with a Canadian rider who was living in Holland. A notorious creampuff: in the sterile art of track racing he was Canadian champion in at least six disciplines, but when it came to toughing it out on the road he didn't have the character. The sky turned black, the water in the ditch rippled, a heavy storm broke loose. The Canadian sat up straight, raised his arms to heaven and shouted: 'Rain! Soak me! Ooh, rain, soak me, make me wet!' How can that be: suffering is suffering, isn't it? In 1910, Milan—San Remo was won by a rider who spent half an hour in a mountain hut, hiding from a snowstorm. Man, did he suffer! In 1919, Brussels—Amiens was won by a rider who rode the last forty kilometers with a flat front tire. Talk about suffering! He arrived at 11.30 at night, with a ninety-minute lead on the only other two riders who finished the race. The day had been like night, trees had whipped back and forth, farmers were blown back into their barns, there were hailstones, bomb craters from the war, crossroads where the gendarmes had run away, and riders had to climb onto one another's shoulders to wipe clean the muddied road signs. Oh, to have been a rider then. Because after the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. 'Good for you.' Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lay with few suitors these days, and those who wish to make use of her charms she rewards passionately. That's why there are riders. Suffering you need; literature is baloney.
Tim Krabbé (The Rider)
Slung on a stage over the gunwale of an old felucca, the Peri. A storm had just passed, rushing away toward the land in a great slope of clouds; already turning yellowish from the desert. The sea there is the color of Damascus plums; and how quiet. Sun was going down; not a beautiful sunset, more a gradual darkening of the air and that storm’s mountainside. The Peri had been damaged, we hove to alongside and hailed her master. No reply. Only the sailor—I never saw his face—one of your fellahin who abandon the land like a restless husband and then grumble for the rest of their term afloat. It’s the strongest marriage in the world. This one wore a kind of loincloth and a rag round his head for the sun which was almost gone. After we’d shouted in every dialect we had among us, he replied in Tuareg: ‘The master is gone, the crew is gone, I am here and I am painting the ship.’ It was true: he was painting the ship. She’d been damaged, not a load line in sight, and a bad list. ‘Come aboard,’ we told him, ‘night is nearly on us and you cannot swim to land.’ He never answered, merely continued dipping the brush in his earthen jar and slapping it smoothly on the Peri’s creaking sides. What color? It looked gray but the air was dark. This felucca would never again see the sun. Finally I told the helmsman to swing our ship round and continue on course. I watched the fellah until it was too dark: becoming smaller, inching closer to the sea with every swell but never slackening his pace. A peasant with all his uptorn roots showing, alone on the sea at nightfall, painting the side of a sinking ship.
Thomas Pynchon (V.)
Genetically speaking, individuals and groups are like clouds in the sky or dust-storms in the desert. They are temporary aggregations or federations. They are not stable through evolutionary time. Populations may last a long while, but they are constantly blending with other populations and so losing their identity. They are also subject to evolutionary change from within. A population is not a discrete enough entity to be a unit of natural selection, not stable and unitary enough to be ‘selected’ in preference to another population.
Richard Dawkins (The Selfish Gene)
THE PREGNANT-NAVY SYNDROME It isn’t politically correct to even discuss this in the services, but. . . a large percentage of women soldiers are electively aborting their fetuses after they’ve served their purpose of enabling them to avoid their tour of duty in Operation Desert Storm. . . . It is wrong to use a fetus to shirk the responsibility for which you have signed up, and then to kill that fetus. —NAME WITHHELD, Army-Physician, Kuwait22 The mentality of valuing self also produces the “Pregnant-Navy Syndrome”: the phenomenon of a woman benefiting from the technical training and then, just prior to her ship’s being deployed, becoming pregnant so as to qualify for shore leave and not being deployed; or becoming pregnant immediately after her ship is deployed, thus allowing her increasingly to shirk responsibilities, forcing her shipmates to pick up the slack. This is all compatible with valuing self, but in a military situation—when more than .40 percent of the women on ships like the USS Acadia become pregnant during workup for deployment23—this bailing out puts men’s lives in danger.
Warren Farrell (The Myth of Male Power)
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
And the good, good people of the small town of Golgotha, many of them, when they saw the Stained, saw what they did to those they caught up to; they forgot to love their neighbor, forgot to lend a helping hand, forgot to do unto others as they would have them do unto themselves. They ran, ran like animals frightened by the storm. Pushing, shoving, the weak, the innocent, the frail, all falling under their feet. Many of the souls Golgotha called, called to across the desert, across the plains and the oceans and the night sky, many of them were not good people.
R.S. Belcher (The Six-Gun Tarot (Golgotha, #1))
John watched the pale black road, and he remembered a single moment during his time away in the wilderness. He wished he had told Doris about it-a single moment in Needles, California, months and months ago, facing west in the late afternoon. There had been a heavy rainstorm over just a small, localized patch of the desert, and from the patch beside it, a dust storm blew in. The sun caught the dust and the moisture in a way John had never seen before, and even though he knew it was backward, it seemed to him the sun was radiating black sunbeams down onto the earth, onto Interstate 40 and the silver river of endless pioneers that flowed from one part of the continent to the other. John felt that he and everybody in the New World was a part of a mixed curse and blessing from God, that they were a race of strangers, perpetually casting themselves into new fires, yearning to burn, yearning to rise from the charcoal, always newer and more wonderful, always thirsty, always starving, always believing that whatever came to them next would mercifully erase the creatures they'd already become as they crawled along the plastic radiant way.
Douglas Coupland (Miss Wyoming)
The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.
Matshona Dhliwayo
September 25 Why must I go about mourning? (Psalm 42:9) Dear believer, can you answer the above question? Can you find any reason why you are so often mourning instead of rejoicing? Why do you allow your mind to dwell on gloomy thoughts? Who told you that night will never end in day? Who told you that the winter of your discontent would continue from frost to frost and from snow, ice, and hail to even deeper snow and stronger storms of despair? Don’t you know that day dawns after night, showers displace drought, and spring and summer follow winter? Then, have hope! Hope forever, for God will not fail you! Charles H. Spurgeon
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Become desert, the great silty gobs Rise up in whirlwinds and subsist under miasma Of sediments aloft: dust-storms inherit The powerful cells of the old gorals: The vacated seabed's stark unfinished frame Roils with lightnings and thunders down to the trenches Which despite centuries keep filling in With an oily ooze pressed from corpse Sargassos In a chain of trapdoor--bottom Dead Seas By mile-deep muds laid down as secret essence Of all the ingenuities fielded above. In them the newest become most ancient mires. Profound air clubs like a meteor-hammer The misfits weaned more in shallows, but the bones, The kraken carapaces, litter both Guys-slope and plain, can yon and domdaniel Rearing like cere brat ranges from the chat Of midge-mollusks uncountable, minor life..
William Scott Home (Stain of Moonlight)
April 29 MORNING “Thou art my hope in the day of evil.” — Jeremiah 17:17 THE path of the Christian is not always bright with sunshine; he has his seasons of darkness and of storm. True, it is written in God’s Word, “Her ways are ways of pleasantness, and all her paths are peace;” and it is a great truth, that religion is calculated to give a man happiness below as well as bliss above; but experience tells us that if the course of the just be “As the shining light that shineth more and more unto the perfect day,” yet sometimes that light is eclipsed. At certain periods clouds cover the believer’s sun, and he walks in darkness and sees no light. There are many who have rejoiced in the presence of God for a season; they have basked in the sunshine in the earlier stages of their Christian career; they have walked along the “green pastures” by the side of the “still waters,” but suddenly they find the glorious sky is clouded; instead of the Land of Goshen they have to tread the sandy desert; in the place of sweet waters, they find troubled streams, bitter to their taste, and they say, “Surely, if I were a child of God, this would not happen.” Oh! say not so, thou who art walking in darkness. The best of God’s saints must drink the wormwood; the dearest of His children must bear the cross. No Christian has enjoyed perpetual prosperity; no believer can always keep his harp from the willows. Perhaps the Lord allotted you at first a smooth and unclouded path, because you were weak and timid. He tempered the wind to the shorn lamb, but now that you are stronger in the spiritual life, you must enter upon the riper and rougher experience of God’s full-grown children. We need winds and tempests to exercise our faith, to tear off the rotten bough of self-dependence, and to root us more firmly in Christ. The day of evil reveals to us the value of our glorious hope.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
A Sonoran Desert village may receive five inches of rain one year and fifteen the next. A single storm may dump an inch and a half in the matter of an hour on one field and entirely skip another a few hours away. Dry spells lasting for months may be broken by a single torrential cloudburst, then resume again for several more months. Unseasonable storms, and droughts during the customary rainy seasons, are frequent enough to reduce patterns to chaos. The Papago have become so finely tuned to this unpredictability that it shapes the way they speak of rain. It has also ingrained itself deeply in the structure of their language. Linguist William Pilcher has observed that the Papago discuss events in terms of their probability of occurrence, avoiding any assumption that an event will happen for sure... Since few Papago are willing to confirm that something will happen until it does, an element of surprise becomes part of almost everything. Nothing is ever really cut and dried. When rains do come, they're a gift, a windfall, a lucky break.
Gary Paul Nabhan (The Desert Smells Like Rain: A Naturalist in Papago Indian Country)
But my grandmother, in all weathers, even when the rain was coming down in torrents and Françoise had rushed the precious wicker armchairs indoors so that they should not have soaked, was to be seen pacing the desert rain-lashed garden, pushing back her disordered grey locks so that her forehead might be freer to absorb the health-giving draughts of wind and rain. She would say, "At last one can breathe!" and would trot up and down the sodden paths—too straight and symmetrical for her liking, owing to the want of any feeling for nature in the new gardener, whom my father had been asking all morning if the weather were going to improve—her keen, jerky little step regulated by the various effects wrought upon her soul by the intoxication of the storm, the power of hygiene, the stupidity of my upbringing and the symmetry of gardens, rather than by any anxiety (for that was quite unknown to her) to save her plum-coloured skirt from the mudstains which it would gradually disappear to a height that was the constant bane and despair of her maid.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
May God give us faith to fully trust His Word though everything else witness the other way. C. H. P. When is the time to trust?Is it when all is calm, When waves the victor’s palm, And life is one glad psalm Of joy and praise?Nay! but the time to trust Is when the waves beat high, When storm clouds fill the sky, And prayer is one long cry, O help and save! When is the time to trust?Is it when friends are true?Is it when comforts woo, And in all we say and doWe meet but praise?Nay! but the time to trust Is when we stand alone, And summer birds have flown, And every prop is gone, All else but God. What is the time to trust?Is it some future day, When you have tried your way, And learned to trust and pray By bitter woe?Nay! but the time to trust Is in this moment’s need, Poor, broken, bruised reed!Poor, troubled soul, make speed To trust thy God. What is the time to trust?Is it when hopes beat high, When sunshine gilds the sky, And joy and ecstasy Fill all the heart?Nay! but the time to trust Is when our joy is fled, When sorrow bows the head, And all is cold and dead, All else but God. SELECTED
Lettie B. Cowman (Streams in the Desert)
It was delicious in the garden. The storm had passed over long since, and it was still and warm; the sweetness of the stocks and roses filled the air with the peculiar intensity of fragrance of flowers after rain - in the evening light they had the unnatural shadowy vividness of a coloured photograph. The rain had stirred up the nightingales too - near and far, their bubbling ecstasy welled out from the dark shelter of ilexes and cypresses, and through the open windows of the villa there came presently the cool elusive sequences of Debussy's music - ghosts of melody rather than melodies, evocations rather than statements; gleams on water and pale lights in spring skies, a single star, slow waves beating in mist on a deserted shore. Grace leant back in the corner of her seat, listening, watching the leaves of the buckthorns, like little curved pencils, against the sky above her head; in the relaxation of fatigue her attention was fixed on nothing, but some part of her was profoundly aware of all these things - the scent of the flowers, the song of the nightingales, the cool western music, with its memories of her own Atlantic shores.
Ann Bridge (Illyrian Spring)
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
This will result in your being witnesses to them. (Luke 21:13) Life is a steep climb, and it is always encouraging to have those ahead of us “call back” and cheerfully summon us to higher ground. We all climb together, so we should help one another. The mountain climbing of life is serious, but glorious, business; it takes strength and steadiness to reach the summit. And as our view becomes better as we gain altitude, and as we discover things of importance, we should “call back” our encouragement to others. If you have gone a little way ahead of me, call back— It will cheer my heart and help my feet along the stony track; And if, perhaps, Faith’s light is dim, because the oil is low, Your call will guide my lagging course as wearily I go. Call back, and tell me that He went with you into the storm; Call back, and say He kept you when the forest’s roots were torn; That, when the heavens thunder and the earthquake shook the hill, He bore you up and held you where the lofty air was still. O friend, call back, and tell me for I cannot see your face; They say it glows with triumph, and your feet sprint in the race; But there are mists between us and my spirit eyes are dim, And I cannot see the glory, though I long for word of Him. But if you’ll say He heard you when your prayer was but a cry, And if you’ll say He saw you through the night’s sin-darkened sky— If you have gone a little way ahead, O friend, call back— It will cheer my heart and help my feet along the stony track.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
You can have flaws, be anxious and even be angry, but do not forget that your life is the greatest enterprise in the world. Only you can stop it from failing. You are appreciated, admired and loved by so many. Remember that being happy is not having a sky without storm, a road without accidents, a job without effort, a relationship without disappointments. “To be happy is to stop feeling like a victim and become the author of your own fate.” It's walking through deserts, but being able to find an oasis deep in the soul. Is thanking God every morning for the miracle of life. It’s kissing your children, cuddling your parents, having poetic moments with your friends, even when they hurt us. “Being happy is letting the creature that lives in each of us live, free, joyful and simple. You have the maturity to be able to say: "I've made mistakes". It's having the courage to say I'm sorry. It's having the sense to say "I need you". Is having the ability to say "I love you". May your life become a garden of opportunities for happiness... that in spring he may be a lover of joy and in winter a lover of wisdom. "And when you make a mistake, start over. Because only then will you be in love with life. You'll discover that being happy isn't having a perfect life. But use tears to irrigate tolerance. Use your defeats to train your patience. "Use your mistakes with the serenity of the sculptor. Use pain to tune into pleasure. Use obstacles to open the windows of intelligence. Never give up ... Above all never give up on the people that love you. Never give up on being happy, because life is an incredible spectacle.
Pope Francis
There was a noise out back and Megan stalked to the end of the hall to look out the window. The door to the shed was just closing. Finn. He was just as bad as his brother. Finn had stranded her that morning too and he hadn’t said a word to her about Spanish class, even though he never would have passed that pop quiz they had taken without her help. Megan turned and stormed down the hallway. Maybe she was too scared to say anything to Evan, but Finn…she was going to give that boy a piece of her mind. “You guys all suck, you know that?” Megan shouted, flinging open the door to the shed. Finn dropped his paintbrush on the leg of his jeans, where it left a streak of orange before hitting the dirty floor. “Sorry?” he said. “You! You suck!” Megan fumed. “We’ve been over this. I know I suck.” “Not your art. You! You…guys!” Megan shouted. Finn blinked. “Actually, I think I’m kind of an okay guy.” “Oh, please!” Megan said, squaring off in front of him. “I mean, what’s wrong with you people? Were you all born like this? Because it’s gotta be in your genes. Either that or you’ve all gotten each other in one too many choke holds over the years and you’ve deprived your brains of too much oxygen. Which is it?” “Megan, I think you need to sit down,” Finn said, carefully reaching for her shoulders. Keeping her at arm’s length, he steered her over to the old bench and pushed her down until she had to let her knees go and fall into the seat. “Now, is this about Hailey and Evan?” “No! It’s about you! You deserted me this morning,” Megan said. “And then I went to get my bike and the tires were flat. You guys popped my freaking tires! What is this? The McGowan Home for the Criminally Insane?
Kate Brian (Megan Meade's Guide to the McGowan Boys)
The river’s isolation and secrecy, however, were only part of what made it superlative. There was also its vertical drop. The Colorado’s watershed encompasses a series of high-desert plateaus that stretch across the most austere and hostile quarter of the West, an area encompassing one-twelfth the landmass of the continental United States, whose breadth and average height are surpassed only by the highlands of Tibet. Each winter, storms lumbering across the Great Basin build up a thick snowpack along the crest of the mountains that line the perimeter of this plateau—an immense, sickle-shaped curve of peaks whose summits exceed fourteen thousand feet. As the snowmelt cascades off those summits during the spring and spills toward the Sea of Cortés, the water drops more than two and a half miles. That amounts to eight vertical feet per horizontal mile, an angle that is thirty-two times steeper than that of the Mississippi. The grade is unequaled by any major waterway in the contiguous United States and very few long stretches of river beyond the Himalayas. (The Nile, in contrast, falls only six thousand feet in its entire four-thousand-mile trek to the Mediterranean.) Also unlike the Nile, whose discharge is generated primarily by rain, the engine that drives almost all of this activity is snow. This means that the bulk of the Colorado’s discharge tends to come down in one headlong rush. Throughout the autumn and the winter, the river might trickle through the canyonlands of southern Utah at a mere three thousand cubic feet per second. With the melt-out in late May and early June, however, the river’s flow can undergo spectacular bursts of change. In the space of a week, the level can easily surge to 30,000 cfs, and a few days after that it can once again rocket up, surpassing 100,000 cfs. Few rivers on earth can match such manic swings from benign trickle to insane torrent. But the story doesn’t end there, because these savage transitions are exacerbated by yet another unusual phenomenon, one that is a direct outgrowth of the region’s unusual climate and terrain. On
Kevin Fedarko
I gave humble and hearty thanks that God had been pleased to discover to me even that it was possible I might be more happy in this solitary condition, than I should have been in a liberty of society, and in all the pleasures of the world; that He could fully make up to me the deficiencies of my solitary state, and the want of human society, by His presence, and the communications of His grace to my soul, supporting, comforting, and encouraging me to depend upon His providence here, and hope for His eternal presence hereafter. It was now that I began sensibly to feel how much more happy this life I now led was, with all its miserable circumstances, than the wicked, cursed, abominable life I led all the past part of my days. And now I changed both my sorrows and my joys; my very desires altered, my affections changed their gusts, and my delights were perfectly new from what they were at my first coming, or indeed for the two years past. Before, as I walked about, either on my hunting, or for viewing the country, the anguish of my soul at my condition would break out upon me on a sudden, and my very heart would die within me, to think of the woods, the mountains, the deserts I was in, and how I was a prisoner, locked up with the eternal bars and bolts of the ocean, in an uninhabited wilderness, without redemption. In the midst of the greatest composures of my mind, this would break out upon me like a storm, and make me wring my hands, and weep like a child. Sometimes it would take me in the middle of my work, and I would immediately sit down and sigh, and look upon the ground for an hour or two together; and this was still worse to me, for if I could burst out into tears, or vent myself by words, it would go off, and the grief, having exhausted itself, would abate. But now I began to exercise myself with new thoughts. I daily read the Word of God, and applied all the comforts of it to my present state. One morning, being very sad, I opened the Bible upon these words, "I will never, never leave thee, nor forsake thee." Immediately it occurred that these words were to me; why else should they be directed in such a manner, just as the moment when I was mourning over my condition, as one forsaken of God and man? "Well, then," said I, "if God does not forsake me, of what ill consequence can it be, or what matters it, though the world should all forsake me, seeing on the other hand if I had all the world, and should lose the favor and blessing of God, there would be no comparison in the loss?" From that moment I began to conclude in my mind that it was possible for me to be more happy in this forsaken solitary condition, than it was probable I should ever have been in any other particular state in the world, and with this thought I was going to give thanks to God for bringing me to this place.
Daniel Defoe (Robinson Crusoe)
And when this emperor had come to the desert,” it read, “with his camels and chariots, with his army of soldiers and slaves, the sand itself arose in a great storm, blinding their eyes.
Robert Masello (The Einstein Prophecy)
Just imagine for a moment you are a Yazidi sex slave, spending an eternity of days being beaten and mounted by some filthy jihadi old man with cigarette-stained teeth and the blood of Christian children still splattered on his shirt. Then, U.S. Army Rangers storm the room, sending the rapist to the Hell he was long overdue for. They wrap you in a blanket and take care of you. Feed you. Mend your wounds, and do their best to salve your emotional and spiritual scars. They send you to America as a refugee. Blessed to live in a free and prosperous nation, you decide to take advantage of all America has to offer. You go to a good college on a scholarship and while there some woman authority figure with open-toed shoes and a closed mind tells you that you have it no better here than you did in that tent back in the desert. This talk isn’t just dumb. It’s not just dangerous. It is, quite simply, evil. [Responding to article by Amy Lauricella, staff attorney at Global Rights for Women, asserting that "While ISIS endorses rape, American college administrations similarly facilitate the rape of women on campuses"]
Jonah Goldberg
The Bible's picture of a godly leader also describes the godly home: "A shelter from the wind and a refuge from the storm, like streams of water in the desert and the shadow of a great rock" (Isaiah 32:2). May that be true of your home.
Billy Graham (The Journey: Living by Faith in an Uncertain World)
CONTENTS FIRE MAGE 1. The Hunt 2. A Feather for a Friend 3. A Demon's Eyes 4. The Order of the Dawn 5. The Blood Dagger 6. The Ancient Struggle 7. Jiserian Invasion 8. The Surineda Map 9. The Sej Elders 10. The Fire Sword 11. The Nalgoran Desert 12. The Northlands 13. Assault in the Forest 14. The Inn at Blansko 15. The Edge of the Storm 16. Ashtera Summons the Darkness 17. Aurellia
John Forrester (Fire Mage (Blacklight Chronicles, #1))
God sends us trials or tests, and places life before us as a face-to-face opponent. It is through the pounding of a serious conflict that He expects us to grow strong. The tree planted where the fierce winds twist its branches and bend its trunk, often nearly to the point of breaking, is commonly more firmly rooted than a tree growing in a secluded valley where storms never bring any stress or strain.
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)