Sealing Wax Quotes

The time has come," the walrus said, "to talk of many things: Of shoes and ships - and sealing wax - of cabbages and kings

The time has come The walrus said To talk of many things: Of shoes- and ships- And sealing wax- Of cabbages and kings- And why the sae is boiling hot- And whether pigs have wings.

Puff, the Magic Dragon, lived by the sea, and frolicked in the Autumn Mist in a land called Honah Lee, little Jacky Paper loved that rascal Puff, and gave him strings and sealing wax and other fancy stuff.

Valek smiled. “Good. First, send Kade a reply, asking him not to come.” He pointed at the unopened letter on the table. I had forgotten about it. Sealed with wax, the message appeared to be secured. Valek shrugged. “I was bored.

Please God, please Knut Hamsun, don't desert me now. I started to write and I wrote: The time has come," the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings —

No, he mustn't think about it, or indeed about anything, and especially not about heroin, because heroin was the one thing that really worked, the only thing that stopped him scampering around in a hamster's wheel of unanswerable questions. Heroin was the cavalry. Heroin was the missing chair leg, made with such precision that it matched every splinter of the break. Heroin landed purring at the base of his skull, and wrapped itself darkly around his nervous system, like a black cat curling up on its favourite cushion. It was as soft and rich as the throat of a wood pigeon, or the splash of sealing wax onto a page, or a handful of gems slipping from palm to palm.

The time has come,” said Dr. Dimitri Moisevitch to his old friend Heywood Floyd, “to talk of many things. Of shoes and spaceships and sealing wax, but mostly of monoliths and malfunctioning computers.

Not so much like drops of water, though water, it is true, can wear holes in the hardest granite; rather, drops of liquid sealing-wax, drops that adhere, incrust, incorporate themselves with what they fall on, till finally the rock is all one scarlet blob.

Both of us were imprisoned. But I pressed his face into my mind, as seals are pressed in wax, so I could carry it with me.

since I started the Saint Remi Auxiliary for the orphanage. The other auxiliary ladies babble on about Louis—how steadfast, gentle, and loyal he was, never once mentioning his failing wool and wine business. I’ve given them all Etiquette for Ladies. Their words drift to the ceiling with the candle smoke, as my fingers examine the gift Louis gave me last year for my thirty-ninth birthday. I’d hoped for canvas and paints, but he gave me a chatelaine. “Everything you ever need hanging from your belt.” He’d demonstrated each item with such pride, I hid my disappointment. “Thimble, watch, scissors, and measuring tape for your needlework, a funnel for your oils, a pencil, a pantry key, a wax letter seal, and a vial of smelling salts. Uncorking the

[The clerk] held in front of him a scroll with a red wax seal affixed, the kind of thing believed to make a document official - or at least expensive and difficult to understand, which, in fact, amounts to the same thing.

Another man would have trouble imagining it, but he has no trouble. The red of a carpet’s ground, the flush of the robin’s breast or the chaffinch, the red of a wax seal or the heart of the rose: implanted in his landscape, cered in his inner eye, and caught in the glint of a ruby, in the color of blood, the cardinal is alive and speaking. Look at my face: I am not afraid of any man alive.

Once, lovers on faraway shores sat by candlelight and dipped ink to parchment, writing words that could not be erased. They took an evening to compose their thoughts, maybe the next evening as well. When they mailed the letter, they wrote a name, a street, a city, a country and they melted wax and sealed the envelope with a signet ring. Sarah had never known a world like that. Speed now trumped the quality of words. A fast send was more important.

The message was sealed with a blob of wax but no press of a signet. She slid a finger beneath to crack the seal, and read: I apologize if I’ve ever behaved like an ass. It was the most romantic message she’d ever received. All other messages would strive to live up to it for the rest of her days. She was convinced of that in the moment.

...wordless conditioning is crude and wholesale; cannot bring home the finer distinctions, cannot inculcate the more complex courses of behavior. For that there must be words, but words without reason... Not so much like drops of water, though water, it is true, can wear holes in the hardest granite; rather, drops of liquid sealing-wax, drops that adhere, encrust, incorporate themselves with what they fall on, till finally the rock is all one scarlet blob.

Lie there panning, looking, all ribs and elbows and dilated eyes. The awake floor is littered with gear and dirty clothes, blond hardwood with sealed seams, two throw-rugs, the bare waxed wood shiny in the windows' snowlight, the floor neutral, faceless, you cannot see any face in the floor, awake, lying there, faceless, blank, dilated, playing beam over floor again and again, not sure all night forever unsure you're not missing something that's right there: you lie there, awake and almost twelve, believing with all your might.

Tommen looked back to Ser Kevan. "Can I seal them now, Great-Uncle?" Pressing his royal seal into the hot wax was his favorite part of being king, so far.

The wax starts to melt, and I hold it over the envelope, letting it drip. After I blow out the flame, I pick up the stamp and press it into the wax, sealing the letter and finding the fancy, black skull of the imprint staring back at me. A gift from Misha. He got tired of me using the one I got when I was eleven with a Harry Potter Gryffindor seal on it. His sister, Annie, kept making fun of him, screaming that his Hogwarts letter had arrived. So he sent me a more “manly” seal, telling me to use that or nothing at all. I’d laughed. 

I had not fooled myself with false hope. I was a goddess, and he was a mortal, and both of us were imprisoned. But I pressed his face into my mind, as seals are pressed in wax, so I could carry it with me.

Thus it was up to God, to Him alone in His own ways - by one or both, I say - to give man back his whole life and perfection. But since a deed done is more prized the more it manifests within itself the mark of the loving heart and goodness of the doer, the Everlasting Love, whose seal is plain on all the wax of the world was pleased to move in all His ways to raise you up again. There was not, nor will be, from the first day to the last night, an act so glorious and so magnificent, on either way. For God, in giving Himself that man might be able to raise himself, gave even more than if he had forgiven him in mercy. All other means would have been short, I say, of perfect justice, but that God's own Son humbled Himself to take on mortal clay. -Paradiso, Canto VII

As people, other people, living in a house who . . . borrow things?" Mrs. May laid down her work. "What do you think?" she asked. "I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be." "Why do you think there must be?" asked Mrs. May. "Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house." "Not lying about the house, no," agreed Mrs. May. "And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing-wax and hairpins and drawing pins and thimbles-

In the lives of emperors there is a moment which follows pride in the boundless extension of the territories we have conquered, and the melancholy and relief of knowing we shall soon give up any thought of knowing and understanding them. There is a sense of emptiness that comes over us at evening, with the odor of the elephants after the rain and the sandalwood ashes growing cold in the braziers, a dizziness that makes rivers and mountains tremble on the fallow curves of the planispheres where they are portrayed, and rolls up, one after the other, the despatches announcing to us the collapse of the last enemy troops, from defeat to defeat, and flakes the wax of seals of obscure kings who beseech our armies’ protection, offering in exchange annual tributes of precious metals, tanned hides, and tortoise shell. It is the desperate moment when we discover that this empire, which had seemed to us the sum of all wonders, is an endless, formless ruin, that corruption’s gangrene has spread too far to be healed by our scepter, that the triumph over enemy sovereigns has made us the heirs of their long undoing.

The mind is like warm wax, the world like a brass seal pressed into it. Such imprints are forever stamped into us. I am eternally marred.

Beware of gunpowder, and ships cooks, and pantechnicons, and sausages, and shoes, and ships, and sealing-wax.

You can add some class to it by sealing it with wax. This makes me feel like I'm a Baron sending a letter to the Duchess. Look at that sophistication.

British experimenters used Bank of England sealing wax to make glass tubes airtight.

The time has come," the Walrus said, "To talk of many things: Of shoes—and ships—and sealing-wax— Of cabbages—and kings— And why the sea is boiling hot— And whether pigs have wings.

Little Mr. Bowley, who had rooms in the Albany and was sealed with wax over the deeper sources of life but could be unsealed suddenly, inappropriately, sentimentally, by this sort of thing––poor women waiting to see the Queen go past––poor women, nice little children, orphans, widows, the War––tut tut––actually had tears in his eyes.

SOULS are like wax waiting for a seal. By themselves they have no special identity. Their destiny is to be softened and prepared in this life, by God’s will, to receive, at their death, the seal of their own degree of likeness to God in Christ. And this is what it means, among other things, to be judged by Christ. The wax that has melted in God’s will can easily receive the stamp of its identity, the truth of what it was meant to be. But the wax that is hard and dry and brittle and without love will not take the seal: for the hard seal, descending upon it, grinds it to powder. Therefore if you spend your life trying to escape from the heat of the fire that is meant to soften and prepare you to become your true self, and if you try to keep your substance from melting in the fire—as if your true identity were to be hard wax—the seal will fall upon you at last and crush you. You will not be able to take your own true name and countenance, and you will be destroyed by the event that was meant to be your fulfillment.

I stepped onto the ship and lifted my hand. He lifted his. I had not fooled myself with false hope. I was a goddess, and he a mortal, and both of us were imprisoned. But I pressed his face into my mind, as seals are pressed in wax, so I could carry it with me.

I stretched out on the bed and slept. It was twilight when I awakened and turned on the light. I felt better, no longer tired. I went to the typewriter and sat before it. My thought was to write a sentence, a single perfect sentence. If I could write one good sentence I could write two and if I could write two I could write three, and if I could write three I could write forever. But suppose I failed? Suppose I had lost all of my beautiful talent? Suppose it had burned up in the fire of Biff Newhouse smashing my nose or Helen Brownell dead forever? What would happen to me? Would I go to Abe Marx and become a busboy again? I had seventeen dollars in my wallet. Seventeen dollars and the fear of writing. I sat erect before the typewriter and blew on my fingers. Please God, please Knut Hamsun, don’t desert me now. I started to write and I wrote: “The time has come,” the Walrus said, “To talk of many things: Of shoes—and ships—and sealing wax— Of cabbages—and kings—” I looked at it and wet my lips. It wasn’t mine, but what the hell, a man had to start someplace.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.

Tommen looked back to Ser Kevan. "Can I seal them now, Great-Uncle?" Pressing his royal seal into the hot wax was his favorite part of being king, so far.

Another man packed a gold seal for stamping wax on the back of an envelope, with the Latin motto Tuta Tenebo, “I will keep you safe.

The time has come, the walrus said, to talk of many things . . . of sailing ships and sealing-wax, And whether pigs have wings.

I was a godess, and he a mortal and both of us were imprisoned. But I pressed his face into my mind, as seals are pressed in wax, so I could carry it with me.

Olive Wellwood told no stories about Goldthorpe, or the Gullfoss mine. She had packed away the slag-heaps and winding-gear, the little house in Morton Row, with its dark uninhabited parlour, its animated kitchen and pocket-sized garden, the ever-present stink of the ash pits across the yards, and the grime that floated onto the strips of lace curtain. She had packed it away in what she saw in her mind as a roped parcel, in oiled silk, with red wax seals on the knots, which a woman like and unlike herself carried perpetually over a windswept moor, sometimes on her head, sometimes held before her on two arms, like the cushion on which the regalia lie at coronations. This vision was not a story. The woman never arrived, and the parcel was never opened. The weather was grey and the air was turbulent. When Olive Wellwood found her mind heading in that direction, she was able to move imaginary points on an imaginary rail and shunt her mind away from “there” and back to Todefright, with its penumbra of wild woods and flying elementals.

After that, our fates were more or less sealed (a phrase that always makes me picture a weary old Fate tucking our futures into an envelope and pressing her wax seal over us): Jane Irimu and I became something like friends.

The mountain road brick-red of dust laced with lizard tracks, coming up through the peach orchard, hot, windless, cloistral in a silence of no birds save one vulture hung in the smokeblue void of the sunless mountainside, rocking on the high updrafts, and the road turning and gated with bullbriers waxed and green, and the green cadaver grin sealed in the murky waters of the peach pit, slimegreen skull with newts coiled in the eyesockets and a wig of moss.

Outside we see a shrivelling, but from within, as felt by heart and breath and inner skin, how different, how vast how calm how part of everything how starry dark. Last breath. Divine perhaps. Perhaps relief. The lovers caught and sealed inside a cavern, voices raised in one last hovering duet, until the small wax light goes out. Well anyway I held your hand and maybe you held mine as the stone or universe closed in around you. Though not me. I'm still outside.

Now you can plainly see how deeply hidden truth is from scrutinists who would insist that every love is, in itself, praiseworthy; and they are led to error by the matter of love, because it may seem-always-good; but not each seal is fine, although the wax is.

Not so much like drops of water, though water, it is true, can wear holes in the hardest granite; rather, drops of liquid sealing-wax, drops that adhere, incrust, incorporate themselves with what they fall on, till finally the rock is all one scarlet blob. “Till

Is not this a lamentable thing, that of the skin of an innocent lamb should be made parchment? that parchment, being scribbled o'er, should undo a man? Some say the bee stings: but I say, 'tis the bee's wax; for I did but seal once to a thing, and I was never mine own man since.

There was some that they called crayons, which one of the daughters which was dead made her own self when she was only fifteen years old. They was different from any pictures I ever see before—blacker, mostly, than is common. One was a woman in a slim black dress, belted small under the armpits, with bulges like a cabbage in the middle of the sleeves, and a large black scoop-shovel bonnet with a black veil, and white slim ankles crossed about with black tape, and very wee black slippers, like a chisel, and she was leaning pensive on a tombstone on her right elbow, under a weeping willow, and her other hand hanging down her side holding a white handkerchief and a reticule, and underneath the picture it said “Shall I Never See Thee More Alas.” Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a chair-back, and she was crying into a handkerchief and had a dead bird laying on its back in her other hand with its heels up, and underneath the picture it said “I Shall Never Hear Thy Sweet Chirrup More Alas.” There was one where a young lady was at a window looking up at the moon, and tears running down her cheeks; and she had an open letter in one hand with black sealing wax showing on one edge of it, and she was mashing a locket with a chain to it against her mouth, and underneath the picture it said “And Art Thou Gone Yes Thou Art Gone Alas.” These was all nice pictures, I reckon, but I didn’t somehow seem to take to them, because if ever I was down a little they always give me the fan-tods. Everybody was sorry she died, because she had laid out a lot more of these pictures to do, and a body could see by what she had done what they had lost. But I reckoned that with her disposition she was having a better time in the graveyard.

Claudia Förster has chanced upon a paper bakery box sealed with gold tape. Blots of grease show through the cardboard. Together the girls stare at it. Like something from the unfallen world. Inside wait fifteen pastries, separated by squares of wax paper and stuffed with strawberry preserves. The four girls and Frau Elena sit in their dripping apartment, a spring rain over the city, all the ash running off the ruins, all the rats peering out of caves made from fallen bricks, and they eat three stale pastries each, none of them saving anything for later, the powdered sugar on their noses, the jelly between their teeth, a giddiness rising and sparkling in their blood.

Once, lovers on faraway shores sat by candlelight and dipped ink to parchment, writing words that could not be erased. They took an evening to compose their thoughts, maybe the next evening as well. When they mailed the letter, they wrote a name, a street, a city, and a country and they melted wax and sealed the envelope with a signet ring.

Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.

Wine talks; ask anyone. The oracle at the street corner; the uninvited guest at the wedding feast; the holy fool. It ventriloquizes. It has a million voices. It unleashes the tongue, teasing out secrets you never meant to tell, secrets you never knew. It shouts, rants, whispers. It speaks of great plans, tragic loves and terrible betrayals. It screams with laughter. It chuckles softly to itself. It weeps in front of its own reflection. It revives summers long past and memories best forgotten. Every bottle a whiff of other times, other places, every one- from the commonest Liebfraumilch to the imperious Vueve Clicquot- a humble miracle. Everyday magic, Joe had called it. The transformation of base matter into the stuff of dreams. Layman's alchemy. Take these six in Jay's cellar, for instance. The Specials. Not wines really meant for keeping, but he kept them all the same. For nostalgia's sake. For a special, yet-to-be-imagined occasion. Six bottles, each with its own small handwritten label and sealed with candle wax. Each had a cord of a different color knotted around its neck; raspberry red, elderflower green, blackberry blue, rose hip yellow, damson black. The last bottle was tied with a brown cord. Specials '75, said the label, the familiar writing faded to the color of old tea.

On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.

She went downstairs to the library and wrote two letters. One was to her father, the other to Jess and Ronan. She folded them, stamped the wax seals with her seal ring, and put the writing materials away. She was holding the letters in one hand, the wax firm yet still warm against the skin, when she heard footsteps beating down the marble hall, coming closer. Arin stepped inside the library and shut the door. “You won’t do it,” he said. “You won’t duel him.” The sight of Arin shook her. She wouldn’t be able to think straight if he continued to speak like that, to look at her like that. “You do not give me orders,” Kestrel said. She moved to leave. He blocked her path. “I know about the delivery. He sent you a death-price.” “First my dress, and now this? Arin, one would think you are monitoring everything I send and receive. It is none of your business.” He seized her by the shoulders. “You are so small.” Kestrel knew what he was doing, and hated it, hated him for reminding her of her physical weakness, of the same failure that her father witnessed whenever he watched her fight with Rax. “Let go.” “Make me let you go.” She looked at Arin. Whatever he saw in her eyes loosened his hands. “Kestrel,” he said more quietly, “I have been whipped before. Lashes and death are different things.” “I won’t die.” “Let Irex set my punishment.” “You’re not listening to me.” She would have said more, but realized that his hands still rested on her shoulders. A thumb was pressing gently against her collarbone. Kestrel caught her breath. Arin startled, as if out of sleep, and pulled away. He had no right, Kestrel thought. He had no right to confuse her. Not now, when she needed a clear mind.

One day Señorita Cimiento was writing near the window. Her ink was thick; she poured water into it and made it so thin that it was impossible to use. Moved by feelings of courtesy, my father filled a bottle with ink and sent it to her. His maid came back with thanks and a cardboard box containing twelve sticks of sealing-wax, all of different colours. On them had been impressed ornaments and devices in a most accomplished way. So my father found out how Señorita Cimiento spent her time; and her work, analogous to his, was, as it were, its complement. The quality of the manufacture of the waxes was even higher than that of his ink. Full of approbation, he folded down an envelope, wrote an address on it with his fine ink and sealed it with his new wax, which took the impression perfectly. He put the envelope on the table and did not tire of contemplating it.

Inside, on a bed of black velvet, lay an exquisite perfume bottle designed from rose-colored glass caged in a silver overlay that twined about the glass like living vines. In the very center of the oval shaped bottle, the silver was formed into the image of a lily in full bloom. It was likely the most precious and expensive gift Lily had ever been given. She ran her fingertips over the delicate silver work before lifting the bottle from its velvet bed to allow the candlelight to shine through the rose-colored glass. She noticed then a folded slip of paper still in the box. Setting the perfume bottle in the valley of her lap, she lifted the paper and broke the tiny wax seal. In his precise, slanted script, Lord Harte had written: I was unforgivably remiss in not having a gift for you the other night. I chose the elements for this blend myself. It made me think of you. Lily brushed her thumb over the ink before setting the note back into the box. Then she shifted the bottle and removed the glass stopper. The scent wafting from the bottle was light, but heady. She noticed first the rich notes of clove and honey before her senses were claimed by the smooth, velvety scent of jasmine. Lily closed her eyes, allowing the aromatic infusion to settle into her awareness. There was another element hidden deep within the perfume. A layer of earthiness that warmed her blood. Sandalwood. Lily was enthralled. It was a complex and lovely scent. Floral and exotic, light and dark. Impossibly sensual. And it made him think of her. Something deep and fundamental spread through her core, and she understood why young ladies were warned so often not to accept gifts from gentlemen. It was a personal and intimate thing to acknowledge how he had wanted her to have something he chose himself.

To demonstrate, she let her head fall back. Her eyes fluttered, her mouth went slack. Slowly, her arms lifted, palms turned up. “I feel a presence, strong, seeking, sorrowful.” Her voice had deepened, attained a faint accent. “There are dark forces working against you. They hide from you, wait to do harm. Beware.” She dropped her arms and grinned. “So, you tell the mark you need to have trust in order to offer protection from the dark forces. All they have to do is put say, a thousand cash—cash is all that works—in an envelope. Seal it. You make sure you tell them to seal it with this special wax you’re going to sell them. Then you’re going to do this cool chant over it, and bury the envelope in a secret place under the dark of the moon. After the moon’s cycled, you’ll dig up the envelope and give it back. The dark forces will have been vanquished.” “That’s it? People just hand over the money?” “Well, you string it out a little longer, do some research so you can hit them with names and events and shit. But basically, yeah. People want to believe.” “Why?” “Because life can really suck.

You have criminals?” “Of course.” But the mere fact that Quin responded in this way caused Orolo to jump to a new leaf of the questionnaire. “How do you know?” “What?!” “You say of course there are criminals, but if you look at a particular person, how do you know whether or not he is a criminal? Are criminals branded? Tattooed? Locked up? Who decides who is and isn’t a criminal? Does a woman with shaved eyebrows say ‘you are a criminal’ and ring a silver bell? Or is it rather a man in a wig who strikes a block of wood with a hammer? Do you thrust the accused through a doughnut-shaped magnet? Or use a forked stick that twitches when it is brought near evil? Does an Emperor hand down the decision from his throne written in vermilion ink and sealed with black wax, or is it rather that the accused must walk barefoot across a griddle? Perhaps there is ubiquitous moving picture praxis—what you’d call speelycaptors—that know all, but their secrets may only be unlocked by a court of eunuchs each of whom has memorized part of a long number. Or perhaps a mob shows up and throws rocks at the suspect until he’s dead.

Pandora looked dully at the red wax seal on the envelope, stamped with an elaborate family crest. If Gabriel had written something nice to her, she didn’t want to read it. If he’d written something not nice, she didn’t want to read that either. “By the holy poker,” Ida exclaimed, “just open it!” Reluctantly Pandora complied. As she pulled a small folded note from the envelope, a tiny, fuzzy object fell out. Reflexively she yelped, thinking it was an insect. But at second glance, she realized it was a bit of fabric. Picking it up gingerly, she saw that it was one of the decorative felt leaves from her missing Berlin wool slipper. It had been carefully snipped off. My lady, Your slipper is being held for ransom. If you ever want to see it again, come alone to the formal drawing room. For every hour you delay, an additional embellishment will be removed. —St. Vincent Now Pandora was exasperated. Why was he doing this? Was he trying to draw her into another argument? “What does it say?” Ida asked. “I have to go downstairs for a hostage negotiation,” Pandora said shortly. “Would you help put me to rights?” “Yes, milady.

And the sound of my own washer and dryer interfered with my sleep. So I just threw away my dirty underpants. All the old pairs reminded me of Trevor, anyway. For a while, tacky lingerie from Victoria’s Secret kept showing up in the mail—frilly fuchsia and lime green thongs and teddies and baby-doll nightgowns, each sealed in a clear plastic Baggie. I stuffed the little Baggies into the closet and went commando. An occasional package from Barneys or Saks provided me with men’s pajamas and other things I couldn’t remember ordering—cashmere socks, graphic T-shirts, designer jeans. I took a shower once a week at most. I stopped tweezing, stopped bleaching, stopped waxing, stopped brushing my hair. No moisturizing or exfoliating. No shaving. I left the apartment infrequently. I had all my bills on automatic payment plans. I’d already paid a year of property taxes on my apartment and on my dead parents’ old house upstate. Rent money from the tenants in that house showed up in my checking account by direct deposit every month. Unemployment was rolling in as long as I made the weekly call into the automated service and pressed “1” for “yes” when the robot asked if I’d made a sincere effort to find a job.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.

Hi, I got a letter from Lilith. Folded and sealed with red wax. Very medieval," Anouk's voice announced. "What does it say?" I heard the rustle of paper. Then Anouk snorted. "It doesn't say anything. It's blank." "Hmm, really? How resourceful. I guess, it's either her version of 'no comment' or 'screw you'." "Probably the latter.

Sure enough, at the bottom of the box lay a note, crisply folded and sealed with blue wax. The insignia, though, was not Lord John’s customary smiling half-moon-and-stars, but an unfamiliar crest, showing a fish with a ring in its mouth. Jamie glanced at this, frowning, then broke the seal and opened the note.

You spiked Ron’s juice with lucky potion at breakfast! Felix Felicis!” “No, I didn’t,” said Harry, turning back to face them both. “Yes you did, Harry, and that’s why everything went right, there were Slytherin players missing and Ron saved everything!” “I didn’t put it in!” said Harry, grinning broadly. He slipped his hand inside his jacket pocket and drew out the tiny bottle that Hermione had seen in his hand that morning. It was full of golden potion and the cork was still tightly sealed with wax. “I wanted Ron to think I’d done it, so I faked it when I knew you were looking.” He looked at Ron. “You saved everything because you felt lucky. You did it all yourself.” He pocketed the potion again. “There really wasn’t anything in my pumpkin juice?” Ron said, astounded. “But the weather’s good . . . and Vaisey couldn’t play. . . . I honestly haven’t been given lucky potion?” Harry shook his head. Ron gaped at him for a moment, then rounded on Hermione, imitating her voice. “You added Felix Felicis to Ron’s juice this morning, that’s why he saved everything! See! I can save goals without help, Hermione!” “I never said you couldn’t — Ron, you thought you’d been given it too!

Brushing a pile of papers aside, Keelin sat at her table and looked at the package. Rectangular-shaped and wrapped in butcher paper, it wasn't the typical international envelope found at the post office. Twine wove around the package and what looked like an honest-to-God wax seal closed the twine. Keelin's name and address were written in a deep brown ink, the handwriting a beautiful old calligrapher style. Keelin squinted at the return address and remembered her reading glasses tucked in her shirt.

If Only We Could Be Together If only Linus and I could walk downtown on Thursday nights when musicians play on the street corners and art galleries serve crackers and cheese. If only we could dance on the sidewalk, look up at the sequined sky, and wish upon the same shooting star. If only Linus could teach me chords on his guitar, reach around to adjust my fingers and help me strum. If only we could sing about autumn mist and sealing wax, hear out voices mingle, and stir the air as one, And by being with Linus I;d figure it out. I'd learn what love it. If only Linus would kiss me, touch the skin under my shirt, press his fingers to my ribs, and feel my beating heart. Then I'd know. I know I'd know. I'd know I was in love.

A good soldier never leaves his boot-wax out of sight. With book-wax, you can do everything: light a fire, mold a candle, seal tents, waterproof clothing, repel insects, grease guns, and trade it for tobacco. A good soldier always knows where his boot-wax is.

Shit or Get Off the Pot "Shit or get off the pot," was the ultimatum of my lover. Knowing not what to do, my ass stood frozen in a hover. I guess to 'shit' meant to marry her, and 'get off the pot', meant no more pussy. I was too tired to find new strange to purr, I'd grown fat and become a wussy. And so, I shat and I did marry her, when I could've gotten off the pot. Now we no time to bullshit of ships or sealing-wax with two kids in tow and income tax. Has my life all has been for naught? Perhaps, I should've got off the pot.

And she gave him store of lembas, the waybread of the Elves, wrapped in leaves of silver, and the threads that bound it were sealed at the knots with the seal of the Queen, a wafer of white wax shaped as a single flower of Telperion; for according to the customs of the Eldalië the keeping and giving of lembas belonged to the Queen alone. In nothing did Melian show greater favour to Túrin than in this gift; for the Eldar had never before allowed Men to use this waybread, and seldom did so again.

This woman, who had once been beautiful, seemed to be about forty years of age; but her blue eyes, deprived of the fire which happiness puts there, told plainly that she had long renounced the world. Her dress, as well as her whole air and demeanor, indicated a mother wholly devoted to her household and her son. If the strings of her bonnet were faded, the shape betrayed that it was several years old. The shawl was fastened by a broken needle converted into a pin by a bead of sealing-wax. She was waiting impatiently for Pierrotin, wishing to recommend to his special care her son, who was doubtless travelling for the first time, and with whom she had come to the coach-office as much from doubt of his ability as from maternal affection.

The Pseudo-Dionysius’s God makes His impression on matter as (to borrow a metaphor from the author’s later admirers) a signet ring presses into a blob of hot wax. The signet lifts away and moves on; only the wax seal is left. Yet the impression that gives the seal shape and meaning still carries the trace of its original maker. That trace is a symbol, not because it stands for another thing, but because it is that thing in a different form—just as the world reveals God’s handiwork in a material form rather than His (and Plato’s) immaterial Forms.

I saw a small square of paper, folded over on itself and sealed with a blob of wax from the candle by my bed. Cracking it open, I recognized Kiernan’s hand. Don’t you dare get up until you’re rested! When you are, send one of those message lights and I’ll come. In the meantime, I’ll talk to O., see if she remembers anything about last night. And I’ll find out if anyone saw M. or N. wandering the palace last night. Don’t frown like that! I’ll be sly. I was frowning, I realized, which made me let out an irritated huff of breath. He knew me too well.

On the back was a burgundy colored stamp, shaped like a love heart. It was just like one of those old-fashioned wax seals that were used long ago for keeping the contents of a letter secure and intact.

Winnie and Big Leo Chao were serving scallion pancakes decades before you could find them outside of a home kitchen. Leo, thirty-five years ago, winning his first poker game against the owners of a local poultry farm, exchanged his chips for birds that Winnie transformed into the shining, chestnut-colored duck dishes of far-off cities. Dear Winnie, rolling out her bing the homemade way, two pats of dough together with a seal of oil in between, letting them rise to a steaming bubble in the piping pan. Leo, bargaining for hard-to-get ingredients; Winnie subbing wax beans for yard-long beans, plus home-growing the garlic greens, chives, and hot peppers you used to never find in Haven. Their garden giving off a glorious smell.

All around me there was a great numbness, as if I were sealed in wax ten inches thick. There was no Kvothe, only the confusion, the anger, and the numbness wrapping them. I was like a sparrow in a storm, unable to find a safe branch to cling to. Unable to control the tumbling motion of my flight.

Seeing his face so soft and full of concern made her heart melt like sealing wax over her father’s letters. And Peyton had already stamped his mark into the tender mess.

Stamps date as far back as 7600 BCE. The first carved-stone cylinder seals were made during the Neolithic Period in modern-day Syria. They were small enough to be carried on a necklace or bracelet, or even pinned on a shirt. They were used as a personal seal, and everybody from kings to slaves had them. Later the tool for these seals became a stamp rather than a cylinder, but the point was the same: the stamp, in clay or wax, was an official seal of authenticity. This tradition lives on today, though again, we in rich countries take it for granted. In fact, if you think about this stamp at all, you’re likely to focus on the mundane annoyance of finding a notary public. The stamp, though, is incredibly powerful. And that, essentially, is the service that blockchains provide to people. This public, recognizable open ledger, which can be checked at any time by anybody, acts in much the same way as the notary stamp: it codifies that a certain action took place at a certain time, with certain particulars attached to it, and it does this in a way that the record of that transaction cannot be altered by private parties, whether they be individuals or governments.

Behind them, an otter in a reflective yellow vest loped past, a sealed wax message tube held in its fanged mouth. It barely glanced their way before leaping into the river and vanishing.

I reach my hand out, taking the rolled parchment from him. “Thank you.” When my eyes fall to the red wax seal, my pulse jumps, though I don’t let anything show on my face. “You’re dismissed, Wilcox.” My advisor turns on his heel and leaves, apparently all too ready to be gone from my saddle’s presence. As soon as the door closes behind him, I release the breath that got caught in my chest. “What’s wrong? I’d say you’re white as a ghost, but that’s always true,” Jeo teases. I don’t give him a dry laugh, though. I’m too busy staring down at the blank stamp pressed into the cracked wax, sigil absent—telling of exactly who this letter is from. “It’s the Red Raids.

She watched carefully as yellow steam surged along a twisty maze of tubing and eventually condensed as one large, sticky droplet. She caught it neatly on the end of a glass spoon and very carefully tipped it into a tiny glass phial. Esk watched her through her tears. “What’s that?” she asked. “It’s a neveryoumind,” said Granny, sealing the phial’s cork with wax. “A medicine?” “In a manner of speaking.” Granny pulled her writing set toward her and selected a pen. Her tongue stuck out of the corner of her mouth as she very carefully wrote out a label, with much scratching and pausing to work out the spellings. “Who’s it for?” “Mrs. Herapath, the glassblower’s wife.” Esk blew her nose. “He’s the one who doesn’t blow much glass, isn’t he?” Granny looked at her over the top of the desk. “How do you mean?” “When she was talking to you yesterday she called him Old Mister Once A Fortnight.” “Mmph,” said Granny. She carefully finished the sentence: “Dylewt in won pint warter and won droppe in hys tee and be shure to wear loose clowthing allso that no vysitors exspected.” One day, she told herself, I’m going to have to have that talk with her.

каждую секунду свершаются тёмные дела, составляются завещания и криптозавещания, что-то сбрасывают с мостов и вылавливают из рек, прячут в зонтах и саквояжах, поминаются старинные истории, с которыми всё связано, заговоры могущественных контор, пишутся таинственные письма, скрепляемые багровым sealing wax, множество тёмных личностей в котелках и цилиндрах ведут загадочные разговоры и совершают непонятные эволюции со всем вокруг, ездят верхом задом наперед, отпиливают верхушки черепов или копают ямы, желая обнаружить клад или подсказку для дальнейших действий, краеугольный логогриф, всё это поливает дождь, по всем улицам, каждую освещает не более одного фонаря с мертвенно-жёлтым снопом, газовым или масляным, едут чёрные кареты с кучерами, предпочитающими скрывать личности и натягивать цилиндры и котелки значительно ниже, чем того требует мода, у всякого действующего лица припасён револьвер или нож, или загадочная фраза, или письмо на непонятном языке, многое объясняющее, все следят за всеми, ныряют в переулки, проникнутые тайной, скрываются в подземных коридорах, заходят в самые дальние комнаты и трудятся над расшифровкой древних документов и укрывательством завещаний, те же обстоятельства, пейзажи и та же мрачность, обиняковость, семейные ветвления, гениальные сумасшедшие, вероломные кормилицы, mirror puzzles for mirrors, переписанные заговоры, сложенные в столб, высятся до пояса, религиозные разночтения, озвучиваемые шёпотом, многосмысленные пассажиры агатовых фиакров, в какой бы трети века ни вздымали брызг и по каким окрестностям, непременно почта, содержащая тайны, почтальоны сами по себе вероломны, быстрее всего они-то во всём и виновны, и доставляют письма избирательно, таинственные карлики, необъяснимые преступления и лишь видимость расследования тех, призванная укрыть нечто более важное, потайные фонари, документы, которых никто не видел, места, которых никто не достигал, но в них сокрыто самое главное, древние ордена, инсценирующие свой крах и инсценировку инсценировки своего краха, тайные знаки, что умел понимать только давно исчезнувший процессуалист, чёрные накладки на глаза лошадей и ястребов, оживляемые ветром огородные пугала, предстающие только в резких вспышках молний

Fatimah handed Jasmine a lotus flower carved out of willow wood, with a magnetic needle inserted into its center and sealed with wax. As Jasmine gazed down at the wooden flower in her palm, the needle started to... twitch. "A compass," Fatimah explained, "to guide your way through the tournament and beyond.

Harry saw a purple wax seal bearing a coat of arms; a lion, an eagle, a badger and a snake surrounding a large letter ‘H’.

Harry saw a purple wax seal bearing a coat of arms; a lion, an eagle, a badger, and a snake

It was a thick roll of parchment, and more than one piece. Separating them I saw one was blank. Ælfwyn had rightly guessed that I might be in a place where parchment would be hard to come by, and sent along a second piece for my reply. Inside the second was a tiny pottery vessel, sealed by a wood plug and wax: Ink

It was stamped FOR YOUR EYES ONLY: OPERATION PUNGENT MUSKRAT. It also had a thick wax seal embossed with the logo of the CIA. My heart pounded. It was always exciting to get an FYEO dossier. And yet . . . “Operation Pungent Muskrat?” I asked, failing to hide the disappointment in my voice. “I know, it’s a lousy name,” the president said. “But I assure you, this is an extremely important mission. From what I understand, the Agency used to give their all missions very exciting names like Operation Cobra Strike and Operation Lightning Blast, but by now all those have been used up and we’re kind of left with the dregs. Trust me, it could be worse. The last mission I was party to was called Operation Zesty Walrus.

Things that don’t now exist in the mind itself can only be perceived, remembered or imagined by means of ideas or likenesses of them in the mind, which are the immediate objects of perception, memory and imagination. This doctrine seems evidently to be borrowed from the old ·Aristotelian· system, which taught that external things make impressions on the mind like the impressions of a seal on wax; that it is by means of those impressions that we perceive, remember or imagine them; and that those impressions must resemble the things from which they are taken. When we form our notions of the operations of the mind by analogy, this way of conceiving them seems to be very natural, and offers itself to our thoughts. Everything that is ·tactually· felt must make some impression on the body, and so we are apt to think that everything that is understood must make some impression on the mind.

There is no such thing as a 'bad' astrology chart, nor is your fate sealed in hardened wax. You have options, and you get to choose how you show up.

And she reached out with trembling fingers and touched one of the roses. It was, surprisingly... unconscionably soft. "A message was sent along with it, Miss Genevieve." Harriet handed over the sheet of folded foolscap, closed with a blob of wax. No seal was pressed into it. Genevieve slid her finger beneath it to break the seal. 'My esteemed Venus- These reminded me of you. In my dreams, your lips are just this soft. - Your devoted servant, Mars

The time has come,” the Walrus said, “To talk of many things; Of shoes and ships and sealing-wax, And cabbages and kings.” the walrus and the carpenter The Proem: by the Carpenter [taken from “Money Maze,” Ainslee’s, May 1901] They will tell you in Anchuria, that President Miraflores, of that volatile republic, died by his own hand in the coast

Grey didn’t know whether the girl had been Warren’s personal property, and he didn’t ask her. He’d taken advantage of his own doubt to tell Mr. Dawes, the governor’s erstwhile secretary, that as there was no record of her provenance, they should assume that she was technically the property of His Majesty and should thus be omitted from the list of Governor Warren’s belongings. Mr. Dawes, an excellent secretary, had made a noise like a mildly consumptive sheep and lowered his eyes in acquiescence. Grey had then dictated a brief letter of manumission, signed this as acting military governor of Jamaica (and thus His Majesty’s agent), and had Mr. Dawes affix the most imposing seal in his collection—Grey thought it was the seal of the department of weights and measures, but it was done in red wax and looked very impressive.

If someone tries to villainize you for setting boundaries, you may as well lean into it. Buy a long dramatic robe, move into a tower, raise an army of the undead, and send ominous letters sealed in black wax. Could be fun, and they might reconsider their standards for villainy.

ychoA STARTLING DISCOVERY POINTS TO GUILT ... BUT OF WHAT? "The feeling lingered all the way to the landing, increasingly unkempt, slowly dialling up the mustiness of the odour. It wasn't blood but closer, in fact, to dried salts, with a subtle edge of wax and pine. I glanced around and found my answer ... The entryway had been sealed, lined with what appeared to be some sort of gauze, mixed with adhesive glue and applied to the entire outer frame. It was stiff, now cracked and crumbling where Mcnaughten had forced his way in and QUICKLY BEEN MET WITH REGRET." - Chief Inspector Fredrick Abberline, The Ripper Lives: Into the Black (4/10)