Sealed With Love Quotes

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Don't be ashamed to weep; 'tis right to grieve. Tears are only water, and flowers, trees, and fruit cannot grow without water. But there must be sunlight also. A wounded heart will heal in time, and when it does, the memory and love of our lost ones is sealed inside to comfort us.
Brian Jacques (Taggerung (Redwall, #14))
Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life. A kiss that confirms that the universe is aligned, that the world's greatest resource is love, and maybe even that God is a woman. With or without a belief in God, all kisses are metaphors decipherable by allocations of time, circumstance, and understanding
Saul Williams (, said the shotgun to the head.)
O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death!
William Shakespeare (Romeo and Juliet)
Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I love you, Katy. Always have. Always will," he said, voice thick and hoarse with panic. "I will come back for you. I will-" The emergency doors sealed shut with a soft thud. "I love you," I said, but Daemon...Daemon was gone.
Jennifer L. Armentrout (Opal (Lux, #3))
It's easy enough to pray when you're in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainment.
Elizabeth Gilbert (Eat, Pray, Love)
I love you and I love you and I love you, on battlefields, in shadows, in fading ink, on cold ice splashed with the blood of seals. In the rings of trees. In the wreckage of a planet crumbling to space. In bubbling water. In bee stings and dragonfly wings, in stars. In the deapths of lonely woods where I wandered in my youth, staring up - and even then you watched me. You slid back through my life, and I have known you since before I knew you.
Amal El-Mohtar (This Is How You Lose the Time War)
I could fall in love with a cruel desert that kills without passion, a canyon full of scorpions, one thousand blinding arctic storms, a century sealed in a cave, a river of molten salt flowing down my throat. But never with you.
Henry Rollins (Solipsist)
But you... You helped me find my way and take the correct path, Naruto... I always chased after you...wanting to catch up...wanting to walk together with you forever... I want to be at your side, always... You changed me, Naruto! Your smiling face saved me! And that's way I'm not afraid to die, defending you! Because... I love you...
Masashi Kishimoto (Naruto, Vol. 47: The Seal Destroyed (Naruto, #47))
I loved you way before you ever had a chance to put a spell on me. I loved you at 'I've never been to Long Island,'" Zach said. I couldn't keep a big goofy grin from my face. I loved you at 'I like seals,'" I admitted. He grinned back.
Meg Cabot (Jinx)
When I write, I hold nothing back. I write like he'll never read it. Because he never will. Every secret thought, every careful observation, everything I've saved up inside me, I put it all in the letter. When I'm done, I seal it, I address it, and then I put it in my teal hatbox.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
And what is a kiss, specifically? A pledge properly sealed, a promise seasoned to taste, a vow stamped with the immediacy of a lip, a rosy circle drawn around the verb 'to love.' A kiss is a message too intimate for the ear, infinity captured in the bee's brief visit to a flower, secular communication with an aftertaste of heaven, the pulse rising from the heart to utter its name on a lover's lip: 'Forever.
Edmond Rostand (Cyrano de Bergerac)
I keep remembering one of my Guru's teachings about happiness. She says that people universally tend to think that happiness is a stroke of luck, something that will maybe descend upon you like fine weather if you're fortunate enough. But that's not how happiness works. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don't you will eat away your innate contentment. It's easy enough to pray when you're in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
Set me as a seal upon thine heart, as a seal upon thine arm: for love is as strong as death' "Ours is stronger than that," Clary whispered, remembering how she had brought him back. And this time, when his eyes darkened, she reached up and drew him down to her mouth.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog’s yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum’s scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother’s retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what’s brought the crowd into being. That we are, always, faces in a crowd.
David Foster Wallace (Girl with Curious Hair)
Faith is a torment, did you know that? It is like loving someone who is out there in the darkness but never appears, no matter how loudly you call.
Ingmar Bergman (The Seventh Seal)
If you lose touch with nature you lose touch with humanity. If there's no relationship with nature then you become a killer; then you kill baby seals, whales, dolphins, and man either for gain, for "sport," for food, or for knowledge. Then nature is frightened of you, withdrawing its beauty. You may take long walks in the woods or camp in lovely places but you are a killer and so lose their friendship. You probably are not related to anything to your wife or your husband.
J. Krishnamurti
Puff, the Magic Dragon, lived by the sea, and frolicked in the Autumn Mist in a land called Honah Lee, little Jacky Paper loved that rascal Puff, and gave him strings and sealing wax and other fancy stuff.
Peter Yarrow (Puff the Magic Dragon)
I like the idea of someone else’s love safely sealed in a song or a book.
Henry Rollins (Solipsist)
I Like For You To Be Still I like for you to be still It is as though you are absent And you hear me from far away And my voice does not touch you It seems as though your eyes had flown away And it seems that a kiss had sealed your mouth As all things are filled with my soul You emerge from the things Filled with my soul You are like my soul A butterfly of dream And you are like the word: Melancholy I like for you to be still And you seem far away It sounds as though you are lamenting A butterfly cooing like a dove And you hear me from far away And my voice does not reach you Let me come to be still in your silence And let me talk to you with your silence That is bright as a lamp Simple, as a ring You are like the night With its stillness and constellations Your silence is that of a star As remote and candid I like for you to be still It is as though you are absent Distant and full of sorrow So you would've died One word then, One smile is enough And I'm happy; Happy that it's not true
Pablo Neruda
Plunging into the depths of hell, re-opening the gates to wounds and emotions that we have long tried to keep sealed and locked within, we discover that that the devil is not the Herculean ruler of darkness that we had imagined, but only a vulnerable and devastated child. With honesty and without judgment, we must muster the courage to meet this innocent child with whom we have come to label as the devil.
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
My God", he whispered. What have I done to her? He thought, humbled. The spell was broken, but it wasn't sealed, and her soul was bare to him, the scars of her tragic past and her triumphs over pain and her aching need to find her place. He just wanted to hold her to him and tell her it would be okay, that she had survived and was beautiful.
Kim Harrison (A Perfect Blood (The Hollows, #10))
Well, any love makes us vulnerable. Whatever we love will give the gift of pain somewhere along the road. But who would live sealed in spiritual cellophane just to keep from ever being hurt? There are a few people like that. I'm sorry for them. I think they are as good as dead.
Gladys Taber (Harvest at Stillmeadow (Stillmeadow Series, #1))
That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou seest the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire Consumed with that which it was nourish'd by. This thou perceivest, which makes thy love more strong, To love that well which thou must leave ere long.
William Shakespeare (Shakespeare's Sonnets)
My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live -- to die; I have at last my nameless bliss: As I love -- loved am I!
Charlotte Brontë (Jane Eyre)
We danced our youth in a dreamed of city, Venice, paradise, proud and pretty, We lived for love and lust and beauty, Pleasure then our only duty. Floating them twixt heaven and Earth And drank on plenties blessed mirth We thought ourselves eternal then, Our glory sealed by God’s own pen. But paradise, we found is always frail, Against man’s fear will always fail.
Veronica Franco
Wear me as a seal over your heart, as a seal upon your arm, for love is strong as death, passion cruel as the grave.
William Shakespeare (Henry V)
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
I learned to make things not matter, to put a seal on my hopes and place them on a high shelf, out of reach. And by telling myself that there was nothing inside those hopes anyway, I avoided the wounds of deep disappointment. The pain was no worse than the quick sting of a booster shot. And yet thinking about this makes me ache again. How is it that as a child I knew I should have been loved more? Is everyone born with a bottomless emotional resevoir?
Amy Tan (The Hundred Secret Senses)
The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature.
Charles Dickens (Oliver Twist)
Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.
Ray Bradbury (Something Wicked This Way Comes)
Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don’t, you will leak away your innate contentment. It’s easy enough to pray when you’re in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
This was my voice, but perfectly wise, calm and compassionate. This was what my voice would sound like if I’d only ever experienced love and certainty in my life. How can I describe the warmth of affection in that voice, as it gave me the answer that would forever seal my faith in the divine?
Elizabeth Gilbert (Eat, Pray, Love)
For Mercy has a human heart; Pity, a human face; And Love, the human form divine: And Peace the human dress. Songs of Innocence Cruelty has a human heart And jealousy a human face, Terror the human form divine, And secrecy the human dress. The human dress is forged iron, The human form a fiery forge, The human face a furnace seal'd, The human heart its hungry gorge.
William Blake
I really like it, " he murmured once more. Say something. Anything. Tell him you love him and want to have his puppies. "Haven't you ever had tea before?
Cecy Robson (Sealed with a Curse (Weird Girls, #1))
If we want to change something, we must begin with understanding. But if we want to love something, we must begin with acceptance.
Eric Greitens (The Heart and the Fist: The Education of a Humanitarian, the Making of a Navy SEAL)
The true soldier fights not because he hates what is in front of him, but because he loves what is behind him. —G. K. CHESTERTON
Marcus Luttrell (Service: A Navy SEAL at War)
Every time we witness an injustice and do not act, we train our character to be passive in its presence and thereby eventually lose all ability to defend ourselves and those we love. In a modern economy it is impossible to seal oneself off from injustice. If we have brains or courage, then we are blessed and called on not to frit these qualities away, standing agape at the ideas of others, winning pissing contests, improving the efficiencies of the neocorporate state, or immersing ourselves in obscuranta, but rather to prove the vigor of our talents against the strongest opponents of love we can find. If we can only live once, then let it be a daring adventure that draws on all our powers. Let it be with similar types whos hearts and heads we may be proud of. Let our grandchildren delight to find the start of our stories in their ears but the endings all around in their wandering eyes. The whole universe or the structure that perceives it is a worthy opponent, but try as I may I can not escape the sound of suffering. Perhaps as an old man I will take great comfort in pottering around in a lab and gently talking to students in the summer evening and will accept suffering with insouciance. But not now; men in their prime, if they have convictions are tasked to act on them.
Julian Assange
We all have our crosses to bear. We carry them heavily, out of love for our brothers in arms. But sometimes you have to let go of the idea that anyone down here is in control.
Marcus Luttrell (Service: A Navy SEAL at War)
Because she knew that something happened to you when your mother didn't hold you close, or tell you all the time that you were the best thing ever, or even notice when you were home: a little part of you sealed over. You didn't need her. You didn't need anyone. And without even knowing you were doing it, you waited. You waited for anyone who got close to you to see something they didn't like in you, something they hadn't initially seen, and to grow cold and disappear, too, like so much sea mist. Because there had to be something wrong, didn't there, if even your own mother didn't really love you?
Jojo Moyes (One Plus One)
If she knew how beautiful love is, she would already put it in a box, seal, and preserve it. So she could smell it whenever she wants.
Kusumastuti (Denting Lara)
Love is the bold affirmation of hope. You don't embrace hope when death and destruction are in command. You don't put on your best dress and tuck a flower in your hair when you are surrounded by ruins and shards. You don't lose your heart at a time when hearts are supposed to remain sealed, especially for those who are not of your religion, not of your language, not of your blood. You don't fall in love in Cyprus in the summer of 1974. Not here, not now. And yet there they were, the two of them.
Elif Shafak (The Island of Missing Trees)
She tried to tear herself away from him. The effort broke against his arms that had not felt it. Her fists beat against his shoulders, against his face. He moved one had, took her two wrists, pinned them behind her, under his arm, wrenching her shoulder blades. She twisted her head back. She felt his lips on her breast. She tore herself free…She fought like an animal. But she made no sound. She did not call for help. She heard the echoes of her blows in a gasp of his breath, and she knew that it was a gasp of pleasure…She felt the hatred and his hands; his hands moving over her body, the hands that broke granite. She fought the last convulsion. Then the sudden pain shot up, through her body, to her throat, and she screamed. Then she laid still. It was an act that could be performed in tenderness, as a seal of love, or in contempt, as a symbol of humiliation and conquest. It could be an act of a lover or the act of a soldier violating an enemy woman. He did it as an act of scorn. Not as love, but as defilement. And this made her still and submit…the act of a master taking shameful , contemptuous possession of her was the kind of rapture she had wanted…
Ayn Rand (The Fountainhead)
I dont think any kind of love is without some kind of hurt along the way. It's how we get to know each other better, how we decide what's for real...what's the eternal stuff, what is going to push us closer together and seal the bond between us.
Rachel Higginson (Endless Magic (Star-Crossed, #4))
I love words.  I crave descriptions that overwhelm my imagination with vivid detail.  I dwell on phrases that make my heart thrum.  I cherish expressions that pierce my emotions and force the tears to spill over.   In essence, I long for a writer's soul sealed in ink on the page.
Richelle E. Goodrich
I have received many love notes about my wit. Though they are often disguised as strongly worded letters which request I hold my tongue.
Julia Seales (A Most Agreeable Murder (Beatrice Steele, #1))
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down, you dig, farting out the words. It was unlike anything I ever heard. Bubbly, thick, stagnant sound. A sound you could smell. This man worked for the carnival,you dig? And to start with it was like a novelty ventriloquist act. After a while, the ass started talking on its own. He would go in without anything prepared... and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teethlike... little raspy incurving hooks and started eating. He thought this was cute at first and built an act around it... but the asshole would eat its way through his pants and start talking on the street... shouting out it wanted equal rights. It would get drunk, too, and have crying jags. Nobody loved it. And it wanted to be kissed, same as any other mouth. Finally, it talked all the time, day and night. You could hear him for blocks, screaming at it to shut up... beating at it with his fists... and sticking candles up it, but... nothing did any good, and the asshole said to him... "It is you who will shut up in the end, not me... "because we don't need you around here anymore. I can talk and eat and shit." After that, he began waking up in the morning with transparentjelly... like a tadpole's tail all over his mouth. He would tear it off his mouth and the pieces would stick to his hands... like burning gasoline jelly and grow there. So, finally, his mouth sealed over... and the whole head... would have amputated spontaneously except for the eyes, you dig? That's the one thing that the asshole couldn't do was see. It needed the eyes. Nerve connections were blocked... and infiltrated and atrophied. So, the brain couldn't give orders anymore. It was trapped inside the skull... sealed off. For a while, you could see... the silent, helpless suffering of the brain behind the eyes. And then finally the brain must have died... because the eyes went out... and there was no more feeling in them than a crab's eye at the end of a stalk.
William S. Burroughs (Naked Lunch)
Dad. I love that you aren’t afraid to carry around romance novels with almost-naked men on the cover and hand them out as “tips” to waitresses, hairdressers, and anyone else you come across. Thanks for being one of my biggest fans.
Susan Stoker (Protecting Fiona (SEAL of Protection, #3))
At least let me now deceive myself with illusions so as not to feel my empty life. And yet I came so close so many times. And yet how paralyzed I was, how cowardly; why did I keep my lips sealed while my empty life wept inside me, my desires wore robes of mourning? To have been so close so many times to those sensual eyes, those lips, to that body I dreamed of, loved. To have been so close so many times. September 1903
Constantinos P. Cavafy
I didn't know that would be the last time I'd see him, his neck scar lit blue by the diner's neon marquee. To see that little comma again, to put my mouth there, let my shadow widen the scar until, at last, there was no scar to be seen at all, just a vast and equal dark sealed by my lips. A comma superimposed by a period the mouth so naturally makes. Isn't that the saddest thing in the world, Ma? A comma forced to be a period?
Ocean Vuong (On Earth We're Briefly Gorgeous)
I cook for you because it’s how I show someone I care. I cook for you because I love the look on your face after that first bite. I cook for you because I’d rather cook for you than anyone else.” “What?” My jaw dropped. “I don’t know what the fuck I’m doing with you, woman.” My mouth was still open. Which suited Knox just fine. Because he raised his hands, framed my face. Then sealed his lips over mine.
Devney Perry (Juniper Hill (The Edens, #2))
[The wilderness] had caressed him, and—lo!—he had withered; it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation.
Joseph Conrad (Heart of Darkness)
...But the heart is not a computer that can be upgraded so quickly and easily with the latest version of love. Love cannot be sealed hermetically inside a tight box like any other on the store shelf; even though the word itself is in public domain, its quality is not. Love cannot promise a full customer satisfaction garanteed or a whole lifetime of dreams shared refunded, with no questions asked. Love cannot be agreed to in terms and conditions as quickly as the "Next" button being clicked. These unspoken terms and conditions grow and develop over time until it gets very messy, and no one remembers how such a mess of accusation and anger was able to overshadow their pure ecstasy of love, the spark between two people turning on a new operation system of togetherness for the first time. Love is always beta; never a golden master. If love were a computer, constant bug reports and subsequent fixes are the name of the game, and there are many unexplained breakdowns. The heart is too stubborn for explanations and too impatient for forgiveness, and there is usually no one at the tech support line. Forgive me stan, if I've crashed so often. It's just to hard to boot up to a whole new future without you. I am an empty monitor in search of a "hello.
Raymond Luczak
May this marriage be blessed. May this marriage be as sweet as milk and honey. May this marriage be as intoxicating as old wine. May this marriage be fruitful like a date tree. May this marriage be full of laughter and everyday a paradise. May this marriage be a seal of compassion for here and hereafter. May this marriage be as welcome as the full moon in the night sky. Listen lovers, now you go on, as I become silent and kiss this blessed night.
Jalal ad-Din Muhammad ar-Rumi
And music, our music, will swell and then unwind like two strands of melody at last entwined. Fulfill us! Complete us! Make us whole! Seal our bond forevermore! Tonight for me, embrace your destiny! Let me hear you sing once more!
Andrew Lloyd Webber (Love Never Dies: Phantom: The story continues...)
Service is selflessness--the opposite of the lifestyle that we see so much of in America today. The things that entertain us don't often lift us up, or show us as the people we can rise up to become. The people who appear in this book--and others who did things I can't talk about--are my role models. They quietly live out the idea expressed in the Bible (John 15:13): "Greater love has no man than this, that a man lay down his life for his friends.
Marcus Luttrell (Service: A Navy SEAL at War)
It’s … difficult to explain. It’s … it’s like … I think it’s as though everyone has a small place inside themselves, maybe, a private bit that they keep to themselves. It’s like a little fortress, where the most private part of you lives—maybe it’s your soul, maybe just that bit that makes you yourself and not anyone else.” His tongue probed his swollen lip unconsciously as he thought. “You don’t show that bit of yourself to anyone, usually, unless sometimes to someone that ye love greatly.” The hand relaxed, curling around my knee. Jamie’s eyes were closed again, lids sealed against the light. “Now, it’s like … like my own fortress has been blown up with gunpowder—there’s nothing left of it but ashes and a smoking rooftree, and the little naked thing that lived there once is out in the open, squeaking and whimpering in fear, tryin’ to hide itself under a blade of grass or a bit o’ leaf, but … but not … makin’ m-much of a job of it.” His voice broke, and he turned his head so that his face was hidden in my skirt.
Diana Gabaldon (Outlander (Outlander, #1))
..all of us who are sealed to the Library are people who have chosen this way of life because we love books. None of us wanted to save worlds. I mean, not that we object to saving worlds..." She shrugged, picking up her teacup again "We want books. We love books. We live with books.
Genevieve Cogman (The Invisible Library (The Invisible Library, #1))
my final piece We’re born into the world As just one small piece to the puzzle That makes up an entire life. It’s up to us throughout our years, to find all of our pieces that fit. The pieces that connect who we are To who we were To who we’ll one day be. Sometimes pieces will almost fit. They’ll feel right. We’ll carry them around for a while, Hoping they’ll change shape. Hoping they’ll conform to our puzzle. But they won’t. We’ll eventually have to let them go. To find the puzzle that is their home. Sometimes pieces won’t fit at all. No matter how much we want them to. We’ll shove them. We’ll bend them. We’ll break them. But what isn’t meant to be, won’t be. Those are the hardest pieces of all to accept. The pieces of our puzzle That just don’t belong. But occasionally . . . Not very often at all, If we’re lucky, If we pay enough attention, We’ll find a perfect match. The pieces of the puzzle that slide right in The pieces that hug the contours of our own pieces. The pieces that lock to us. The pieces that we lock to. The pieces that fit so well, we can’t tell where our piece begins And that piece ends. Those pieces we call Friends. True loves. Dreams. Passions. Beliefs. Talents. They’re all the pieces that complete our puzzles. They line the edges, Frame the corners, Fill the centers, Those pieces are the pieces that make us who we are. Who we were. Who we’ll one day be. Up until today, When I looked at my own puzzle, I would see a finished piece. I had the edges lined, The corners framed, The center filled. It felt like it was complete. All the pieces were there. I had everything I wanted. Everything I needed. Everything I dreamt of. But up until today, I realized I had collected all but one piece. The most vital piece. The piece that completes the picture. The piece that completes my whole life. I held this girl in my arms She wrapped her tiny fingers around mine. It was then that I realized She was the fusion. The glue. The cement that bound all my pieces together. The piece that seals my puzzle. The piece that completes my life. The element that makes me who I am. Who I was. Who I’ll one day be. You, baby girl. You’re my final piece.
Colleen Hoover (This Girl (Slammed, #3))
He holds my gaze, and the look in his eyes is a love letter in itself. When he speaks, his voice is rough. "Will you marry me, Cate?" I go still, the question hanging in the air. I have never felt more accepted 'for the girl I am, not the girl I want to be' never more loved and respected than I am in this moment. It's a choice, and it's mine to make. "Yes," I breathe. Finn slides the simple gold band onto my ring finger. I tilt it, and the ruby sparkles, catching the sunlight. He leans down and brushes his lips against mine, sealing the promise. 'I can't wait to make you my wife.' 'Cate Belastra.' I try it out and despite the solemnity of the moment, despite knowing what this will cost him, I can't help smiling.
Jessica Spotswood (Born Wicked (The Cahill Witch Chronicles, #1))
If Sloane’s quiet words hadn’t been enough to get Dex squirming in his towel, Sloane’s quick kiss to his lips sealed the deal. Oh God, he was about to get a hard-on at work, and the bastard that was the cause of it was loving every moment of it. Think unsexy thoughts. Think unsexy thoughts. Ash’s growl echoed through the showers. “What are you two gay boys doing in there?” Aaand done. --Dex
Charlie Cochet (Hell & High Water (THIRDS, #1))
He'd loved Lily so deeply that it changed his biology. Standing here now, it seemed his love for her hadn't gone away, it had just been vacuum-sealed and stored. Back in her presence, the physical memory of his infatuation was released in a deluge, gasping to life, and adrenaline flooded his bloodstream.
Christina Lauren (Something Wilder)
We can ask and ask but we can't have again what once seemed ours for ever - the way things looked, that church alone in the fields, a bed on a belfry floor, a remembered voice, the touch of a hand, a loved face. They've gone and you can only wait for the pain to pass. All this happened so long ago. And I never returned, never wrote, never met anyone who might have given me news of Oxgodby. So, in memory, it stays as I left it, a sealed room furnished by the past, airless, still, ink long dry on a put-down pen. But this was something I knew nothing of as I closed the gate and set off across the meadow.
J.L. Carr (A Month in the Country)
When you are not being honest in a relationship – to another person or to yourself – it is a little like screwing on the top of a jam jar when the ridges are out of line. An onlooker might think you are screwing it on just fine, but you can feel a stiffness developing that warns you it’s not on properly, and you know then that, however hard you try to keep turning it, the lid will never tightly seal.
Natasha Lunn (Conversations on Love: Lovers, Strangers, Parents, Friends, Endings, Beginnings)
My dear child,' said the old gentleman, moved by the warmth of Oliver's sudden appeal, 'you need not be afraid of my deserting you, unless you give me cause.' I never, never will, sir,' interposed Oliver. I hope not,' rejoined the old gentleman; 'I do not think you ever will. I have been deceived before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless, and more strongly interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature.
Charles Dickens (Oliver Twist)
And this is the library,” Mrs. Simcosky said, leading Beth into a generous room with a fire flickering in a river rock fireplace. “Or, as Mason liked to call it, my love den.” She drifted to one of the floor to ceiling book shelves and trailed her fingers down a bevy of colorful spines. “He used to call my books ‘the other men’.
Trish McCallan (Forged in Fire (Red-Hot SEALs, #1))
By all appreciable signs, they loved; they had looked love, with eyes that conveyed the holy secret from the depths of one soul into the depths of the other, as if it were too sacred to be whispered by the way; they had even spoken love, in those gushes of passion when their spirits darted forth in articulated breath, like tongues of long-hidden flame; and yet there had been no seal of lips, no clasp of hands, nor any slightest caress, such as love claims and hallows.
Nathaniel Hawthorne (Rappaccini's Daughter)
Mortal fear is as crucial a thing to our lives as love. It cuts to the core of our being and shows us what we are. Will you step back and cover your eyes? Or will you have the strength to walk to the precipice and look out? Do you want to know what is there or live in the dark delusion that this commercial world insists we remain sealed inside like blind caterpillars in an eternal cocoon? Will you curl up with your eyes closed and die? Or can you fight your way out of it and fly?
Marisha Pessl (Night Film)
Everything changed when I met the girl. She penetrated a corner of my soul that had been kept sealed and even I didn't know was there. With her gestures, the scent of her skin, her sudden, intense glances that filled me with overwhelming tenderness, with her dependence that was a kind of unthinking, absolute acceptance, she could rescue me instantly from my confusions and obsessions, my discouragement and failure, or my simple daily routine, and leave me inside a radiant circle made of throbbing energy and powerful certainty, like the effects of an unknown drug that produces unconditional happiness.
Álvaro Mutis (The Adventures and Misadventures of Maqroll)
But this thing that almost never was still beckons, I wanted to tell him. They can never undo it, never unwrite it, never unlive it, or relive it—it's just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false. Their life is like a garbled echo buried for all time in a sealed Mithraic chamber.
André Aciman (Call Me by Your Name)
Roman pressed the handkerchief against the gaping hole where his right fang should be. "Thit." "You could use your own healing powers to seal the vein shut," Laszlo suggested. "It would be clothed permanently. I'd be a one-thided eater for all eternity." Roman removed the bloody handkerchief from his mouth and reinserted his fang into the whole. ... "Sir, I suggest you go to a dentist." Laszlo picked up the fang and offered it to Roman. "I've heard they can put a lost tooth back." "Oh, right." Gregori snorted. "What's he supposed to do, waltz into a dental office and say, 'Excuse me, I'm a vampire and I lost a fang in the neck of a sex toy.' They're not going to be line up to help him.
Kerrelyn Sparks (How to Marry a Millionaire Vampire (Love at Stake, #1))
A kiss! When all is said, what is a kiss? An oath of allegiance taken in closer proximity, a promise more precise, a seal on a confession, a rose-red dot upon the letter i in loving; a secret which elects the mouth for ear; an instant of eternity murmuring like a bee; balmy communion with a flavor of flowers; a fashion of inhaling each other's hearts, and of tasting, on the brink of the lips, each other's soul!
Edmond Rostand (Cyrano de Bergerac)
Gentleness, Virtue, Wisdom, and Endurance, These are the seals of that most firm assurance Which bars the pit over Destruction's strength; And if, with infirm hand, Eternity, Mother of many acts and hours, should free The serpent that would clasp her with his length; These are the spells by which to reassume An empire o'er the disentangled doom. To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates; Neither to change, nor falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory.
Percy Bysshe Shelley (Prometheus Unbound)
The level of matter in the universe has been constant since the Big Bang. In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare.
Caitlin Moran
The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together. I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you? No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming. I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets. After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.
Sharon Olds
My mind still clung to the image of my wife. A thought crossed my mind: I didn't even know if she were still alive. I knew only one thing-which I have learned well by now: Love goes very far beyond the physical person of the beloved. It finds its deepest meaning in his spiritual being, his inner self. Whether or not he is actually present, whether or not he is still alive at all, ceases somehow to be of importance. I did not know whether my wife was alive, and I had no menas of finding out (during all my prison life there was no outgoing or incoming mail); but at that moment it ceased to matter. There was no need for me to know; nothing could touch the strength of my love, my thought, and the image of my beloved. Had I known then that my wife was dead, I think that I would still have given myself, undisturbed by that knowledge, to the contemplation of her image, and that my mental conversations with her would have been just as vivid and just as stisfying. 'Set me like a seal upon thy heart, love is as strong as death.
Viktor E. Frankl (Man’s Search for Meaning)
My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worst still, she was rich.
Arthur Conan Doyle (The Sign of Four (Sherlock Holmes, #2))
The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!
Charlotte Brontë (Jane Eyre)
acronym, n. I remember the first time you signed an email with SWAK. I didn’t know what it meant. It sounded violent, like a slap connecting. SWAK! Batman knocking down the Riddler. SWAK! Cries of “Liar! Liar!” Tears. SWAK! So I wrote back: SWAK? And the next time you wrote, ten minutes later, you explained. I loved the ridiculous image I got from that, of you leaning over your laptop, touching your lips gently to the screen, sealing your words to me before turning them into electricity. Now every time you SWAK me, the echo of that electricity remains.
David Levithan (The Lover's Dictionary)
The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.
Marge Piercy (To Be of Use: Poems)
During times of physical separation, when touching and caressing is impossible, a deep, longing, almost a hunger, for the beloved can set in. We are used to thinking of this longing as only psychological, but it's actually physical. The brain is virtually in a drug-withdrawal state. During a separation, motivation for reunion can reach a fever pitch in the brain. Activities such as caressing, kissing, gazing, hugging, and orgasm can replenish the chemical bond of love and trust in the brain. The oxytocin-dopamine rush once again suppresses anxiety and skepticism and reinforces the love circuits in the brain. From an experiment we also know that oxytocin is naturally released in the brain after a twenty-second hug from a partner- sealing the bond between huggers and triggering the brain's trust circuits.
Louann Brizendine (The Female Brain)
Though the face before me was that of a young woman of certainly not more than thirty years, in perfect health and the first flush of ripened beauty, yet it bore stamped upon it a seal of unutterable experience, and of deep acquaintance with grief and passion. Not even the slow smile that crept about the dimples of her mouth could hide the shadow of sin and sorrow. It shone even in the light of those glorious eyes, it was present in the air of majesty, and it seemed to say: 'Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes.
H. Rider Haggard (She (She, #1))
At 19, I read a sentence that re-terraformed my head: “The level of matter in the universe has been constant since the Big Bang.” In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare
Caitlin Moran
Tink looked over at Ren. “Wait. Have you two stopped fighting? Oh my Queen Mab, you guys are in love again!” My eyes widened as I glanced around, seeing that several of the strangers were watching us with detached interest. “Tink . . .” “We were never not together,” Ren said, dropping his arm over my shoulders. The blue and red bag slipped to the floor as he clapped his hands like an overexcited seal. “You guys are! This is amazing.” “Tink,” I said again, this time with a little more force behind his name. “Thank the faery lords and ladies, I will not be a product of a split home.” “For the last time, we are not your parents, Tink.” I shook my head as I started to turn but stopped. “Pick up your bag.” Ren leaned in as Tink snatched the bag off the floor. “You sound like his mom.” “Shut up,” I hissed.
Jennifer L. Armentrout (Brave (Wicked Trilogy, #3))
She knew it the way people say they know they are about to be hit by lightning, yet remain powerless to run, unable to avoid their fate. She panicked, as anyone might have when disparate parts of her life were about to crash into each other, certain to leave a path of anguish and debris. It was true that devotion could be lost as quickly as it was found, which was why some people insisted that love letters be written in ink. How easy it was for even the sweetest words to evaporate, only to be rewritten as impulse and infatuation might dictate. How unfortunate that love could not be taught or trained, like a seal or a dog. Instead it was a wolf on the prowl, with a mind of its own, and it made its own way, undeterred by the damage done. Love like this could turn honest people into liars and cheats, as it now did…
Alice Hoffman (The River King)
Americans should never forget that the founders of this country, like all who have served her in uniform, were willing to die defending everything its flag represents. It's so easy to get lost in the controversies that divide us. But I believe, no matter what our race, religion, or beliefs may be, that Americans should be able to come together to keep our country rooted in what made it great: a land of opportunity, a place where people can make something of themselves, limited only by their imaginations and willingness to work hard; a country where we can all come together, whatever our differences, for the greater good; a country of hands up, not handouts, where we try to live by the meaning of the words "Love thy neighbor," and put as much effort into helping others as we do helping ourselves. By doing those things, we can continue to live up to the idea of "One nation, under God, indivisible, with liberty and justice for all.
Marcus Luttrell (Service: A Navy SEAL at War)
and on the other side for lack of sun there is death perhaps waiting for you in the uproar of a dazzling whirlwind with a thousand explosive arms stretched toward you man flower passing from the seller's hands to those of the lover and the loved passing from the hand of one event to the other passive and sad parakeet the teeth of doors are chattering and everything is done with impatience to make you leave quickly man amiable merchandise eyes open but tightly sealed cough of waterfall rhythm projected in meridians and slices globe spotted with mud with leprosy and blood winter mounted on its pedestal of night poor night weak and sterile draws the drapery of cloud over the cold menagerie and holds in its hands as if to throw a ball luminous number your head full of poetry
Tristan Tzara (L'Homme approximatif)
When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox. They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms. My letters set me free. Or at least they’re supposed to.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Bella. "Nathan Malone is dead." He caught her shoulders, shook her. "No!" she screamed back. And she couldn't hit him. She wanted to, and she couldn't. "look at me," he yelled. "Look at me, Bella. What happened killed the man you loved. All that is left is this. The man you see now.The name name I carry now. Anything else is no possible." "No!" She pulled away from him, stumbled to her feet, and shook with the rage pounding through her. "The name may be dead, but you are not dead. "You weren't just a SEAL," she cried. "You weren't just a friend, or a son, or a grandson, or a brother. You weren't just a warrior." She clenched her fists, pressed to her stomach as the agony swell up through every cell of her body. "You are my husband. My lover. It doesn't matter if your name is Nathan, Noah, or hey fucking you, you are my my lover. My soul. My heart.
Lora Leigh (Wild Card (Elite Ops, #1))
Live, and be prosperous: and farewell, good fellow. Juliet! ...O my love! my wife! Death, that hath sucked the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquered; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favor can I do to thee, Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that, I still will stay with thee; And never from this palace of dim night Depart again: here, here will I remain With worms that are thy chamber-maids...Eyes, look your last. Arms, take your last embrace. and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death... Here's to my love!...Thus with a kiss I die.
William Shakespeare
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
Chieko N. Okazaki
To acquire the full consciousness of self is to know oneself so different from others that no longer feels allied with men except by purely animal contacts: nevertheless, among souls of this degree, there is an ideal fraternity based on differences,--while society fraternity is based on resemblances. The full consciousness of self can be called originality of soul, -and all this is said only to point out the group of rare beings to which Andre Gide belongs. The misfortune of these beings, when they express themselves, is that they do it with such odd gestures that men fear to approach them; their life of social contacts must often revolve in the brief circle of ideal fraternities; or, when the mob consents to admit such souls, it is as curiosities or museum objects. Their glory is, finally, to be loved from afar & almost understood, as parchments are seen & read above sealed cases.
Remy de Gourmont (The Book of Masks)
And the strange thing was he had never loved her more than in that moment, because at that moment she had become himself. But thats not love, he thought, thats not what she wants, not what any of them want, they do not want you to find yourself in them, they want instead that you should lose yourself in them. And yet, he thought, they are always trying to find themselves in you. [...] And it seemed to him then that every human was always looking for himself, in bars, in railway trains, in offices, in mirrors, in love, especially in love, for the self of him that is there, someplace, in every other human. Love was not to give oneself, but find oneself, describe oneself. And that the whole conception had been written wrong. Because the only part of any man that he can ever touch or understand is that part of himself he recognises in him. And that he is always looking for the way in which he can expose his sealed bee cell and reach the other airtight cells with which he is connected in the waxy comb. And the only way he had ever found, the only code, the only language by which he could speak and be heard by other men, could communicate himself, was with a bugle. If you had a bugle here, he told himself, you could speak to her and be understood, you could play Fatigue Call for her, with its tiredness, its heavy belly going out to sweep somebody else's streets when it would rather stay home and sleep, she would understand it then. But you havent got a bugle, himself said, not here nor any other place. Your tongue has been ripped out. All you got is two bottles, one nearly full, one nearly empty.
James Jones (From Here to Eternity)
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
I love that accent you have when you say hello You relocated from New York a month ago That minivan that you drive really gets me going And if it feels like it's right Then it can't be wrong No one understands the chemistry we have And it came out of nowhere Yeah, yeah, yeah, yeah It's not like we planned this, it's getting out of hand And now we're gonna go there Yeah, yeah, yeah, yeah Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away Yeah Not just a neighbour Oh hey there I'll ring your bell Open your door, pucker up And I'll kiss you well My lips are sealed There's nobody that I would tell Your secret's mine, close your eyes And I'll make you melt No one understands the chemistry we have And it came out of nowhere Yeah, yeah, yeah, yeah It's not like we planned this, it's getting out of hand And now we're gonna go there Yeah, yeah, yeah, yeah Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away Oh yeah Na na na na na na na na You know what she like Na na na na na na na na You know what she like Na na na na na na na na Ah you know what she like Na na na na na na na Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away (Walk my way) Oh yeah (Say my name) You're not gonna walk away (Don't be shy) (I'll show you why) You're not gonna walk away
5 Seconds of Summer
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
Another sob came, harder than the first, but she couldn't cover her face and her mastectomy scars at the same time when he raised his head. When she tried, Luke merely caught her wrists and lightly pinned them on either side of her head. "It's all right, Em. Tears are part of this," he whispered, bending to kiss them away. He moved gently within her, another tender caress that soothed as much as it stimulated. It broke the seal on the dam of her tears. They came out in a quiet rush while he stayed above her, eyes on her face as he murmured soothing things she didn't quite catch. And when the tears slowed, she looked up into his handsome face with a sniffle and the smile he gave her filled her heart to overflowing. Dear God she loved him. Had always loved him and would never love another man but him. Her heart had known it all along. And so had her body. Still, she tensed when he released one of her wrists to touch the skin beneath her right collarbone. Luke shook his dark head, those liquid eyes looking right into her soul. "I won't let you hide from me. Or from yourself." Embedded deep inside her, he raised his upper body to gaze at her, and all she could do was close her eyes in resistance. "Look at me." After a long hesitation, she did. He stared down at her with a powerful mixture of tenderness and hunger. "You think a scar's going to change how I see you? Feel about you?" She swallowed and struggled to find her voice. "It's ugly." "You're beautiful to me, Em. Always." She opened her mouth to say something but he leaned down to kiss her again. "Give me your hand," he coaxed, his voice a seductive whisper. She did, tentatively, and his fingers closed around hers in a warm grip. Strong and reassuring. "Accept who you are. Be proud of your body. It's fighting a war for you.
Kaylea Cross
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried - "My heart will break!" What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept. "Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck. To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving. "Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke. "But this will never do," said Madame, with sternness. More sternly rejoined her kinsman - "Sortez d'ici!" "I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously. "Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!" He was roused, and I loved him in his wrath with a passion beyond what I had yet felt. "What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character." "You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!" This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second. The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death. "It made you very sad then to lose your friend?" said he. "It kills me to be forgotten, Monsieur," I said.
Charlotte Brontë (Villette)
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))