Tourist Movie Quotes

We've searched our database for all the quotes and captions related to Tourist Movie. Here they are! All 36 of them:

You need mountains, long staircases don't make good hikers.
Amit Kalantri (Wealth of Words)
Travelling shouldn't be just a tour, it should be a tale.
Amit Kalantri
Travelling the road will tell you more about the road than the google will tell you about the road.
Amit Kalantri
Be a true traveller, don't be a temporary tourist.
Amit Kalantri
I know one of the secrets the rest of the country hasn’t figured out yet: it’s not New Yorkers who are rude, it’s the tourists who’ve seen a movie about rude New Yorkers and think they have to act the same way when they come to New York who are rude.
Sari Botton (Never Can Say Goodbye: Writers on Their Unshakable Love for New York)
We were approaching the Louvre, but he paused to lean on the parapet, and we both stood there contemplating the passing boats, which dazzled us with their spotlights. ‘Look at them,’ I said, because I needed to talk about something, afraid that he might get bored and go home. ‘They only see what the spotlights show them. When they go home home, they’ll say they know Paris. Tomorrow they’ll go and see the Mona Lisa and claim they’ve visited the Louvre. But they don’t know Paris and have never really been to the Louvre. All they did was go on a boat and look at a painting, one painting, instead of looking at a whole city and trying to find out what’s happening in it, visiting the bars, going down the streets that don’t appear in any of the tourist guides, and getting lost in order to find themselves again. It’s the difference between watching a porn movie and making love.
Paulo Coelho (The Zahir)
Disaster followed disaster... the hero stuck in there, though. Macon had long ago noticed that all adventure movies had the same moral: Perseverance pays. Just once he'd like to see a hero like himself -- not a quitter, but a man who did face facts and give up gracefully when pushing on was foolish.
Anne Tyler (The Accidental Tourist)
Trekking means a travelling experience with a thrilling excitement.
Amit Kalantri
New York city wasn't yet the post-Giuliani, Bloomberg forever, Disneyland tourist attraction of today, trade-marked and policed to protect the visitors and tourism industry. It was still a place of diversity, where people lived their lives in vibrant communities and intact cultures. Young people could still move to New York City after or instead of high school or college and invent an identity, an art, a life. Times Square was still a bustling center of excitement, with sex work, "adult" movies, a variety of sins on sale, ways to make money for those down on their luck".
B. Ruby Rich (New Queer Cinema: The Director's Cut)
Café Flore is packed, shimmering, every table filled. Bentley notices this with a grim satisfaction but Bentley feels lost. He’s still haunted by the movie Grease and obsessed with legs that he always felt were too skinny though no one else did and it never hampered his modeling career and he’s still not over a boy he met at a Styx concert in 1979 in a stadium somewhere in the Midwest, outside a town he has not been back to since he left it at eighteen, and that boy’s name was Cal, who pretended to be straight even though he initially fell for Bentley’s looks but Cal knew Bentley was emotionally crippled and the fact that Bentley didn’t believe in heaven didn’t make him more endearing so Cal drifted off and inevitably became head of programming at HBO for a year or two. Bentley sits down, already miked, and lights a cigarette. Next to them Japanese tourists study maps, occasionally snap photos. This is the establishing shot.
Bret Easton Ellis (Glamorama)
Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.
Jeffrey Eugenides (Middlesex)
We needed every detail of the crimes to get him charged; I had to walk him through them. I was like a tourist visiting Hell. I tried to memorize his words, retain all the details of the crimes, while at the same time warding off visions of the events. It was like watching a movie with my eyes closed.
Randy Sutton (True Blue: Police Stories by Those Who Have Lived Them)
He loved the energy of the place, though he barely ever visited without getting shoved around or having his pockets picked. The slam of the city, the assault of neon and electric light, the roiling mass of people, made up of mixed elements: sailors, tourists, cops, hookers, hustlers and dealers. He wandered through the crowds, fascinated; a skinny boy with big teeth and glasses, his ribs sticking out. At the same time he was drawn to quieter, more inward pursuits. He liked to draw, liked going to the movies on his own or wandering round the dioramas in the Natural History Museum; the dusty smell, the long unpopulated corridors.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
According to the Tiqqun collective, we have become the innocuous, pliable inhabitants of global urban societies.7 Even in the absence of any direct compulsion, we choose to do what we are told to do; we allow the management of our bodies, our ideas, our entertainment, and all our imaginary needs to be externally imposed. We buy products that have been recommended to us through the monitoring of our electronic lives, and then we voluntarily leave feedback for others about what we have purchased. We are the compliant subject who submits to all manner of biometric and surveillance intrusion, and who ingests toxic food and water and lives near nuclear reactors without complaint. The absolute abdication of responsibility for living is indicated by the titles of the many bestselling guides that tell us, with a grim fatality, the 1,000 movies to see before we die, the 100 tourist destinations to visit before we die, the 500 books to read before we die.
Jonathan Crary (24/7: Late Capitalism and the Ends of Sleep)
The town was sunk in a kind of crystal ball; everyone seemed to be asleep (transcendentally asleep!) no matter if they were walking or sitting outside. Around five the sky clouded over and at six it began to rain. The streets cleared all at once. I had the thought that if it was as if autumn had unsheathed a claw and scratched: everything was coming apart. The tourists running on the sidewalks in search of shelter, the shopkeepers pulling tarps over the merchandise displayed in the street, the increasing number of shop windows closed until next summer. Whether I felt pity or scorn when I saw this, I don't know. Detached from any external stimulus, the only thing I could see or feel with any clarity was myself. Everything else had been bombarded by something dark; movie sets consigned to dust and oblivion, as if for good.
Roberto Bolaño (The Third Reich)
New York city wasn't yet the post-Giuliani, Bloomberg forever, Disneyland tourist attraction of today, trade-marked and policed to protect the visitors and tourism industry. It was still a place of diversity, where people lived their lives in vibrant communities and intact cultures. Young people could still move to New York City after or instead of high school or college and invent an identity, an art, a life. Times Square was still a bustling center of excitement, with sex work, "adult" movies, a variety of sins on sale, ways to make money for those down on their luck".
Ruby Rich
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
I thought about the aftermath of the 1862 war, when thirty-eight hastily condemned warriors had been hung in Mankato, in the country's largest-ever mass execution. Their bodies were buried in shallow graves and then dug up for study by local doctors, including Dr. Mayo, who kept the body of Cut Nose for his personal examination. I thought about my father losing his teaching job, about his struggle with depression and drinking. About how angry he was that our history was not taught in schools. Instead, we had to battle sports mascots and stereotypes. Movie actors in brownface. Tourists with cameras. Welfare lines. Alcoholism. 'After stealing everything,' he would rage, 'now they want to blame us for it, too.' Social services broke up Native families, sending children like me to white foster parents. Every week, the newspapers ran stories about Indians who rolled their cars while drunk or the rise of crack cocaine on the reservations or somebody's arrest for gang-related crimes. No wonder so many Native kids were committing suicide. But there was so much more to the story of the run. What people didn't see because they chose never to look. Unlike the stone monument in New Ulm, built to memorialize the settlers' loss with angry pride, the Dakhota had created a living, breathing memorial that found healing in prayer and ceremony. What the two monuments shared, however, was remembering. We were all trying to find a way through grief.
Diane Wilson (The Seed Keeper)
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
The Year Of The Cat" On a morning from a Bogart movie In a country where they turn back time You go strolling through the crowd like Peter Lorre Contemplating a crime She comes out of the sun in a silk dress running Like a watercolor in the rain Don't bother asking for explanations She'll just tell you that she came In the year of the cat She doesn't give you time for questions As she locks up your arm in hers And you follow till your sense of which direction Completely disappears By the blue tiled walls near the market stalls There's a hidden door she leads you to These days, she says, "I feel my life Just like a river running through" The year of the cat Why she looks at you so coolly? And her eyes shine like the moon in the sea She comes in incense and patchouli So you take her, to find what's waiting inside The year of the cat Well morning comes and you're still with her And the bus and the tourists are gone And you've thrown away your choice you've lost your ticket So you have to stay on But the drumbeat strains of the night remain In the rhythm of the new-born day You know sometime you're bound to leave her But for now you're going to stay In the year of the cat Year of the cat
Al Stewart
I'd seen this movie. This was the part where the dinosaurs ate the tourists.
Pippa DaCosta (Drowning In The Dark (The Veil, #4))
They were tourists in the natural world, witnessing it in their sickest form of self-denial, knowing in their foggy brain matter that the clock was ticking, that the virus that was the human being was ravaging it all one morsel at a time.
T.W. Brown (Midnight Movie Creature Feature)
Saint Joseph, Michigan is a hamlet catered specifically to the tastes of rich, vacationing city folk. In the summer, these wealthy tourists haul their yachts out of storage and settle into their lakeside summer homes. When they aren’t oiling up on the beach, they flock to quaint ice cream parlors and overpriced clothing and art stores along Dove Street. Of course, none of the permanent residents of St. Joe can afford to buy anything from those boutiques, but we do get a little pleasure when yuppies get their stilettos stuck in the cracks of our brick-paved roads. Apart from the beach and movie theater, it’s our main source of entertainment.
Jennifer Brightside (The Local Color)
What some may not know is that Lee Harvey Oswald wasn’t originally arrested for killing the president. He was first arrested for shooting and killing Dallas police officer J. D. Tippit. Oswald’s arrest came about on November 22, 1963, when a shoe store manager named John Brewer noticed him loitering suspiciously outside his store. Brewer noted that Oswald fit the description of the suspect in the shooting of Officer Tippit. When Oswald continued up the street and slipped inside the Texas Theater without paying for a ticket, Brewer called a theater worker, who alerted authorities. Fifteen Dallas police officers arrived at the scene. When they turned on the movie house lights, they found Lee Harvey Oswald sitting towards the back of the theater. The movie that had been airing at the time was War is Hell. When Lee Harvey Oswald was questioned by authorities about Tippit’s homicide, Captain J. W. Fritz recognized his name as one of the workers from the book depository who had been reported missing and was already being considered a suspect in JFK’s assassination. The day after he was formally arraigned for murdering Officer Tippit, he was also charged with assassinating John F. Kennedy. Today, the Texas Theater is a historical landmark that is commonly visited by tourists. It still airs movies and hosts special events. There’s also a bar and lounge.    The Texas Theater was the first theater in Texas to have air conditioning. It was briefly owned by famous aviator and film producer, Howard Hughes. Texas’s Capitol
Bill O'Neill (The Great Book of Texas: The Crazy History of Texas with Amazing Random Facts & Trivia (A Trivia Nerds Guide to the History of the United States 1))
Honey, it doesn't matter how many tourists or movie people swoop into Willow Falls. We're still a small town, and we're not about to let outsiders mess with one of our own.
Pat Nichols (Starstruck in Willow Falls (Willow Falls, #3))
Tourists take pictures to prove they were there. Filmmakers make movies because they were never there.
Laurie Anderson
Naskar is made by Naskar alone, not an industry or benefactor - or more importantly, by family wealth. I had a roof over my head, food on the table, and clothes on my back - that was more than enough. I started writing with literally zero dollar in my pocket. Let me tell you how it began, because for some reason, I completely forgot a crucial event of my life when I wrote my memoir Love, God & Neurons. I once met an American tourist at a local train in Calcutta. The first thing he asked me was, had I lived in the States? I said, no. Then how come you have an American accent - he asked. Watching movies - I said. We got chatting and he told me about a book he had recently published, a memoir. I believe, this was the cosmic event that planted the thought of writing my own books in my head - I had already started my self-education in Neurology and Psychology, and I was all determined to publish research papers on my ideas, but not books. Meeting the person somehow subconsciously shifted my focus from research papers to books. So the journey began. And for the first few years, I made no real money from my books. Occasionally some of my books would climb the bestsellers list on amazon, like my very first book did, and that would keep the bills paid for several months. Then the invitations for talks started coming, but they too were not paid in the beginning. The organizers made all the travel arrangements, and I gave the talks for free. It's ironic and super confusing really - I remember flying business class, but I didn't have enough money to even afford a one way flight ticket, because I had already used up my royalties on other expenses. Today I can pick and choose which speaking invitations to accept, but back then I didn't have that luxury - I was grateful for any speaking gig and interview request I received, paid or not. One time, I gave an interview to this moderately popular journalist for her personal youtube channel, only to find out, she never released the video publicly - she posted an interview with a dog owner instead - whose dog videos had gained quite a following on social media. You could say, this was the first time I realized first hand, what white privilege was. Anyway, the point is this. Did I doubt myself? Often. Did I consider quitting? Occasionally. But did I actually quit? Never. And because I didn't quit, the world received a vast never-before seen multicultural humanitarian legacy, that you know me for today. There is no such thing as overnight success. If you have a dream, you gotta work at it day in, day out - night after night - spoiling sleep, ruining rest, forgetting fun. Persist, persist, and persist, that's the only secret - there is no other. Remember this - the size of your pocket does not determine your destiny, the size of your dedication does.
Abhijit Naskar (Bulletproof Backbone: Injustice Not Allowed on My Watch)
Samuel Delany outlines the impact of these developments on the ability of diverse publics to form in New York City. He charges that while cross-class contact flourished in the Times Square area’s adult movie theaters in the 1960s through the 1980s, gentrification has largely exiled the queer, working class, and racial and ethnic minority publics who used to commingle there with relative ease. Beginning in the 1990s, city ordinances regulating sex-related commerce and renewed corporate interest in refashioning New York as a family friendly tourist destination marginalize some publics in the interest of generating profit from others.
F. Hollis Griffin (Feeling Normal: Sexuality and Media Criticism in the Digital Age)
get him killed by … someone. Someone scary enough that the huntress doesn’t want to get involved. She whacks like seven-eight of their guys, but she doesn’t want to get into this. Stupidly, Alpha Male charges ahead where the Goddess of the Hunt fears to tread. Because my rallying cry is “MORONS FORWARD!” or something of that sort. Mercy. I say none of this to Dr. Perugini, because a) she’s not going to believe me, and b) none of this makes me look cool, especially the part where I’m not the Big Damn Hero doing the saving. Also, there are a lot of tourists around us and most of them speak English. Call me self-conscious, but I don’t want anyone thinking I’m crazy. There is still a widely accepted cult of skepticism about the existence of metahumans, even after the Minneapolis incident. We go through a corridor of tapestries, and one of them has a Jesus that the tour guide swears is watching. I picture someone behind the wall like in the old movies, eyeballs staring out, then dismiss that thought as utter nonsense. Then I move, and I swear the tapestry’s eyes move with me. No, I am not a fan of the “Jesus is watching” tapestry. It’s like he can sense my impure thoughts about Dr. Perugini and he is not pleased. Come on, man, your dad supposedly intelligently designed her. Like this wasn’t predictable.
Robert J. Crane (In the Wind (Out of the Box, #2))
both hands against the door. “Feet wider apart. That’s right. Like in the American movies.” Satisfied, Qazi patted the man down. “What, no gun? A GRU man without a gun …” Qazi carefully felt the man’s crotch and the arms above the wrists. “First humor and now this! The GRU will become a laughingstock. But of course there is a microphone.” Qazi lifted all the pens from the Russian’s shirt pocket and examined them, one by one. “It had better be here, Chekhov, or you will have to part with your buttons and your shoes.” It was in the third pen. “Now turn around and sit against the door.” The Russian’s face was covered with perspiration, his fleshy lips twisted in a sneer. “The shoes.” Qazi examined them carefully and tossed them back. “Now the coat.” This he scrutinized minutely. From the uppermost of the large three buttons on the front of the coat a very fine wire was just visible buried amid the thread that held the button on. Qazi sawed the button free with a small pocketknife, then dropped the pen and button down a commode. He tossed the coat back to Chekhov. “And the belt.” After a quick glance, Qazi handed it back. “Hurry, we have much to say to each other.” He unscrewed the silencer and replaced the pistol in his ankle holster. He opened the door as the Russian scrambled awkwardly to his feet. An hour later the two men were seated in the Sistine Chapel against the back wall, facing the altar and Michelangelo’s masterpiece The Last Judgment behind it. On the right the high windows admitted a subdued light. Qazi kept his eyes on the tourists examining the paintings on the ceiling and walls. “Is it in Rome, as General Simonov promised?” “Yes. But you must tell us why you want it.” “Is it genuine, or is it a masterpiece from an Aquarium print shop?” The Aquarium was the nickname for GRU headquarters in Moscow. The Russian’s lips curled, revealing yellow, impacted teeth. This was his smile. “We obtained it from Warrant Officer Walker.” “Ah, those Americans! One wonders just how long they knew about Walker’s activities.” The Russian raised his shoulders and lowered them. “Why do you want the document?” “El Hakim has not authorized me to reveal his reasons. Not that we don’t trust you. We value the goodwill of the Soviet Union most highly. And we intend to continue to cultivate that goodwill. But to reveal what you do not need to know is to take the risk that the Americans will learn of our plans through their activities against you.” “If you are implying they have penetrated—” “Chekhov, I am not implying anything. I am merely weighing risks. And I am being very forthright with you. No subterfuge. No evasion. Just the plain truth. Surely a professional like you can appreciate that?” “This document is very valuable.
Stephen Coonts (Final Flight (Jake Grafton #3))
The Caribbean is still an exciting destination. I have been to just about every notable island surrounding this sea and have yet to be bored. Some of the islands are administered by other countries like Saint Martín; some are independent countries such as Cuba, Haiti and the Dominican Republic. The languages differ from island to island and include English, French, Spanish, Dutch Haitian Creole and Papiamento although English is understood on most islands. This time I returned to the Dominican Republic, an island nation that I first visited when Santo Domingo was called Ciudad Trujillo in 1955 and have returned numerous times. I have also been to Haiti the country that shares the Island of Hispaniola with the Dominican Republic and I have stood at the mountainous border dividing the two countries. Driving around the country offers magnificent views with every turn in the road. On this visit I enjoyed the northern Atlantic coast named the Amber Coast because of the amount of amber found there. The primary site along the northern coast is La Cordillera Septentrional. The amber-bearing stones named clastic rocks are usually washed down the steep inclines along with sandstone and other debris and are even found in deep water at the end of the run. The Amber Coast of the Dominican Republic has mostly low mountains and beautiful beaches. Overlooking the city of Puerto Plata is Mount Isabel de Torres, which is covered by dense jungles but can be ascended by a cableway. Some of these jungle areas were used as sites for the movie Jurassic Park. A new 30 acre tourist port for Carnival Cruise Lines has been constructed in Amber Cove at a cost of $85 Million. It is one of the newest destinations to visit in the Caribbean and well worth the effort.
Hank Bracker
I looked at the slum children dancing like a movie chorus and capering like temple monkeys. I was teaching some of those children to speak, read, and write English. Already, with just the little they'd learned in three months, a few of them were winning work from foreign tourists. Were those children, I wondered, the mice that fed from my hand? Would their trusting innocence be seized by a fate that wouldn't and couldn't have been theirs without me, without my intervention in their lives? What wounds and torments awaited Tariq simply because I'd befriended and taught him?
Gregory David Roberts (Shantaram)
How can I be ? Proud of my struggle, but having nothing to show. Guns , petrol, tires , gas, everything blows Now I am standing on top of Museum building burned into ashes. It Is smoke in the mirrors. Look at our Repercussions. Our legacy, our reputation. Canvas and portraits of arrogance Lies, deception, fractions results of politicians Insurrection results of a failed mission Blood used to paint our image Poor quality in this fotos, because nothing changed. You might think it is the 80’s, because you can see tribalism and racism. A perfect black and white picture. Sound of freedom turned into sound of violence, Ambulance, Police siren , people crying and dying Hunger and poverty used as tourists attraction They say look more poorer, so we can get more donation. I am getting global media coverage, Because I am queuing and walking long distance for food, Not because we are getting killed , abused and treated unfairly. They look at me and say Africa is starving Took my pics , post them on social media. Now they are laughing. Being born with a price tag, that says you not worth it, because your black. Government looted everything from the poor Now the poor are looting the government. It is like a stolen movie. Those who started it all and who are behind it, are not getting their credit and spotlight . If we change looting to colonization , then they would be heroes. Not sure whether to say goodbye or good night Because when you're in Phoenix , this might be your last night. 
D.J. Kyos
On the other side of the lot, beyond the corroding replica of “David” that fronted the piazza named after his creator, lay the city of Florence, a spooned circle of terra cotta and stone and pastel, split horizontally by the nearby River Arno and surrounded by verdant hills like a lush hood framing the face of a movie star. Jacoby felt wonder rise through his sternum and out his nose. It seemed like a model, a tiny replica of plastic pieces, of a make believe place, not a real place in real size made by the hands of men many centuries ago. A city of domes and towers and palaces, of ceramic tiles and stone, of four bridges that spanned the Arno, including the famous Ponte Vecchio, lined with shops of pastel facades. From high above, Jacoby wandered through the tourists who snapped pictures and pointed. He stood atop the paved slope that led down the hill toward the magnificent city, but he held still, fighting the current of enticement, the beckoning, savoring the feeling of anticipation like a child has atop a long water slide above an enormous pool.
Andrew Cotto (Cucina Tipica: An Italian Adventure (The Italian Adventures Book 1))
Word spreads like wildfire in a town as small as Cedar Ridge, and by the time I make it to work, the streets of downtown are bustling with locals and tourists alike, all asking the same question. It’s sort of like being in the opening sequence of a Disney movie, but instead of singing about the funny girl who likes to read or the street rat who stole a loaf of bread, all of the colorful townspeople are wondering whether or not their neighbors have heard about the Bogman. And of course, everybody’s answer is “Yes.
Jacqueline E. Smith (Trashy Suspense Novel)
When I lived on Hollywood Boulevard, its heyday had long passed and a tired seediness had settled in—the tuxedos threadbare, the fur stoles gone to mange, and the champagne bubbles long since popped. Buses belched smoke where limousines once idled, and a tourist was more likely to have a personal encounter with a pickpocket than a movie star.
Lorna Landvik (Best to Laugh: A Novel)