Dublin Sayings Quotes

I would say it was nice to meet you, but I was naked so… it wasn’t.

Would everyone stop saying arse!".... "I know, its called an ass, people. Ass

My mum always said if you can’t say something nice, say something memorable.

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean.

You’re living off your parent’s money? At your age?” Oh no she didn’t. I took another drink and then smiled at her in warning as if to say, ‘don’t play this game with me, sweetheart, you won’t win.’ She didn’t heed the warning. “So they pay for everything? Doesn’t that make you feel guilty?” Every fucking day. “Was it your money that bought those Louboutin’s… or Braden’s?

I'm making a list of things that make you agreeable." I scoffed, pushing my foot into his leg. "And all you got is sex and vacations?" "The length of the list is not my fault." "Are you saying I'm disagreeable?" He raised an eyebrow. "Woman, how stupid do you think I am? You really think I'm answering that? I want to get laid tonight?" I pushed him harder. "Watch it, or you might get laid to rest." Braden threw his head back and laughed.

Are you saying you don’t want anything from me?” “I want this. I want our arrangement. I want you…” I sucked in a breath, feeling my control slip. “…to fuck it out of me.” “Fuck what out, Jocelyn?” Couldn’t he see it? Was my mask really that good? I shrugged. “All the nothing

Sometimes words aren't needed for you to know a change has come upon you. You can share a look with a friend that cements a deeper understanding between you, and thus a stronger bond. A touch with a sister or brother or parent that says 'I'm here, no matter what' and suddenly someone who was just a relative, a person you love, turns out to be one of your best friends.

If you want the honest-to-God truth, most people have a lot they want to say and not that much they want to hear.

I didn’t say, You are such a stuffy asshole. And he didn’t say, If you ever burn one of my quarter-of-a-million dollar rugs again I’ll take it out of your hide, and I didn’t say, Oh, honey, wouldn’t you like to? And he didn’t say Grow up, Ms. Lane, I don’t take little girls to my bed, and I didn’t say I wouldn’t go there if it was the only safe place from the Lord Master in all of Dublin.

I can reprint it. And... I was thinking about staying in Virginia permanently after Ellie is back on her feet." The remorse fled quickly. "Over my dead body." "Yeah, I thought you'd say that.

That would make it the fifth time since I'd started working at the university that I'd thrown someone out of one of those rooms for inappropriate behavior. And they say a library is a boring place to work.

From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible. The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it. Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.

When I didn't say anything, he came closer, dropping slowly to his haunches so we were at eye level. My eyes searched his gorgeous face and for once, I wished I could break my own damn rules. I had a feeling Braden would be able to make me forget everything for a while. We gazed at one another for what seemed like forever, not saying a word. I was expecting a lot of questions since it must have been clear to everyone, or at least the adults at the table, that I had had a panic attack. Surely, they were all wondering why, and I really didn't want to go back out there. "Better?" Braden finally asked softly. Wait. Was that it? No probing questions? "Yeah." No, not really. He must have read my reaction to his question in my face because he cocked his head to the side, his gaze thoughtful. "You don't need to tell me." I cracked a humorless smile. "I'll just let you think I'm bat-shit crazy." Braden smiled back at me. "I already know that.

"Mom, Arnie Welsh keeps calling me a geek. He says it like it's a bad thing. Is being a geek a bad thing?" "Of course not, Soda Pop. And don't listen to labels. They don't matter." "What are labels?" "It's an imaginery sticker people slap on you with the word they think you are written on it. It doesn't matter who they think you are. It matters who you think you are." "I think I might be a geek." She laughed. "Then you be a geek. Just be whatever makes you happy, Soda Pop, and I'll be happy too.

I’m glad you’re quitting the bar." "You are?" "Yeah. I’ve never liked you working there, and I miss you at the weekend." "Why didn’t you say anything?" "Because you seemed happy. It’s sort of my life mission to make sure you stay that way," he teased.

Are you saying you want to be my girlfriend?” His voice was gruff, almost teasing. I leaned into him and whispered against his lips. “Are you saying you want me to be your girlfriend?” “Fuck yeah,” he whispered back, and pressed his mouth to mine.

My mum always said if you can't say something nice, say something memorable.

I stay back, because if i get close I'll have to roll him over and look in his eyes, and what if they're empty like Alina's were ? Then I'll know he's gone, like I knew she was gone, too far beyond my reach to ever hear my voice again, to hear me say, I'm sorry, Alina. I wish I'd called more often; I wish I'd heard the truth beneath our vapid sister talk; I wish I'd come to Dublin and fought beside you, or raged at you, because you were acting from fear, too, Alina, not hope at all, or you would have trusted me to help you. Or maybe just apologize, Barrons, for being too young to have my priorities reffined, like you, because I haven't suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can't breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me-pink me!-shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I'd never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel.

(CBI lecture, Dublin, 2008. Speaking on the challenges presented by The Moorehawke Trilogy to the YA reader) You can't choose any of these characters and say, 'Yes! I'm completely on your side. You are the good guy! You are the one I agree with.' Because at some stage along the way every single one of these characters will let you down. They may not want to. They may have no choice. But they will let you down.

I turned to face him, knowing in him, I'd find the temporary cure. "Do you want to fuck it out?" Braden smiled slowly, bemused, causing another twist of attraction in my gut. "Fuck it out?" "All the bullshit. What she did. What he did. Every soulless bitch that wanted something from you" His expression changed immediately, becoming hard, unfathomable, as he took a step towards me. "Are you saying you don't want anything from me?" "I want this. I want our arrangement. I want you..." I sucked in a breath, feeling my control slip. "... to fuck it out of me.

I knew it was bad. I knew it was bad because Braden didn't say anything. He seared me into my walls with a look I never wanted to see in his eyes again, and then he spun on his heel and slammed out of my room. No argument. No discussion.

People say life is short, but it's not. It's long, so damn long – ye can't help but make a mess of it. ‘Tis like roulette. You sit at that table for an hour, you might just come away a winner. You sit there long enough, and the house always wins.

She taught you to fight no matter how hopeless things look. That's a lesson not many people can impart to their kids, but she did. She taught you to be brave, Liv, and she taught you life is fragile. People say that all the time, but they never really understand until one minute they're laughing with someone they love and the next they're crying over their grave.

What if I mess this up?" I murmured. Clark’s hand tightened over mine. "It’s not going to be perfect because no marriage is. You’re going to fight, clash, say things you don’t mean... When you love someone, these things can happen. But, Joss" –he dipped his head to meet my gaze– "the good you two will have together will always outweigh any bad. He smiled."And I think Braden’s proved there’s not much you can do to chase him off.

True the greater part of the Irish people was close to starvation. The numbers of weakened people dying from disease were rising. So few potatoes had been planted that, even if they escaped bight, they would not be enough to feed the poor folk who relied upon them. More and more of those small tenants and cottagers, besides, were being forced off the land and into a condition of helpless destitution. Ireland, that is to say, was a country utterly prostrated. Yet the Famine came to an end. And how was this wonderful thing accomplished? Why, in the simplest way imaginable. The famine was legislated out of existence. It had to be. The Whigs were facing a General Election.

Sex and holidays." "Uh, what?" "I'm making a list of things that make you agreeable." I scoffed, pushing my foot into his leg. "And all you got is sex and vacations?" "The length of the list is not my fault." "Are you saying I'm disagreeable?" He raised an eyebrow. "Woman, how stupid do you think I am? You really think I'm answering that? I want to get laid tonight." I pushed him harder. "Watch it, or you might get laid to rest." Braden threw his head back and laughed.

Dublin was a small town in those days, even the bullies were small, but the gossip was stupendous, and I know it wasn’t healthy but I do miss it. We have all got very disconnected since, which is to say, sane.

If you don’t mind me saying, you are a very peculiar man.” “Sane though. I’ve got a piece of paper.

Let us say, the present is where we live, while the past is where we dream.

I can tell you that it's okay to feel whatever it is you're feeling right now. It's okay to miss him and it's okay to hurt and it's okay to feel lost-just as long as you come to me, or your friends, or your family, when all those feelings try to overwhelm you. Because in amongst all those feelings, some of you are going to be angry, and some of you will need someone to blame. It's okay to be angry. I can't tell you if it's right or wrong to feel blame, but what I can say is don't be angry for too long and don't hold on to the blame forever. That kind of anger can take away a piece of you, a piece of you that you might not get back.

I don't think I recognize you, sir, said Camier. I am Watt, said Watt. As you say, I'm unrecognizable. Watt? said Camier. The name means nothing to me. I am not widely know, said Watt, true, but I shall be, one day. Not universally, perhaps, my notoriety is not likely ever to penetrate to the denizens of Dublin's fair city, or of Cuq-Toulza.

O, of course, said Mr Power, great minds can see things. —As the poet says: Great minds are very near to madness, said Mr Fogarty.

the woman in question is the most highly paid, shall we say, lady of negotiable virtue, on this fair and noble isle.

I’m not saying I wouldn’t like to see proof of your possession of the full picnic’s worth of sandwiches, but I’m in a weakened enough state to take your word for it.

you want the honest-to-God truth, most people have a lot they want to say and not that much they want to hear.

Sometimes words aren’t needed for you to know a change has come upon you. You can share a look with a friend that cements a deeper understanding between you, and thus a stronger bond. A touch with a sister or brother or parent that says ‘I’m here, no matter what’ and suddenly someone who was just a relative, a person you love, turns out also to be one of your best friends.

If a woman can by careful selection of a father, and nourishment of herself produce a citizen with efficient senses, sound organs and a good digestion, she should clearly be secured a sufficient reward for that natural service to make her willing to undertake and repeat it. Whether she be financed in the undertaking by herself, or by the father, of by a speculative capitalist, or by a new department of , say, the Royal Dublin Society, or (as at present) by the War Office maintaining her ‘on the strength’ and authority under a by-law directing that women may under certain circumstances have a year’s leave of absence on full salary, or by the central government, does not matter provided the results be satisfactory.

Two guys in an English pub, one says ‘From your accent I guess you are Irish’. Second guy says, ‘Yes, from Dublin’. ‘Me too!’ first guy says. ‘I was raised in Drimnagh, went to St. Mary’s school’. ‘Drimnagh? St. Mary’s?’ Second guy can’t believe it. ‘I graduated from St. Mary’s in 1982’. First guy slaps his forehead. ‘Faith and begorah. I graduated from St. Mary’s in 1982 also!’ Bartender says,” Jones paused for breath, “he says to himself ‘This is going to be a long night. The Murphy twins are drunk again’.

I get an email telling me the junta wants us to remove Wirathu’s posts about this alleged rape. Because they’re causing real-world violence—riots are ongoing, Buddhist mobs are attacking Muslim shops, people are dying—the posts seem like a clear violation of our standards. But the content operations team—which is based in Dublin—doesn’t want to take down the posts. The case officer tells me she doesn’t think they violate our rules, but she can’t find anyone who speaks Burmese, and Google Translate doesn’t do Burmese, so she can’t say for sure.

lad stood to attention anyhow, he said with a sigh. She's a gamey mare and no mistake. Bloom was pointing out all the stars and the comets in the heavens to Chris Callinan and the jarvey: the great bear and Hercules and the dragon, and the whole jingbang lot. But, by God, I was lost, so to speak, in the milky way. He knows them all, faith. At last she spotted a weeny weeshy one miles away. And what star is that, Poldy? says she. By God, she had Bloom cornered. That one, is it? says Chris Callinan, sure that's only what you might call a pinprick.

We f*ck, we have fun, we spoon. I don't go home. I don't go home because sometimes in the middle of the night I wake up, and when I wake up, I want to f*ck. And for some baffling reason, the person I want to f*ck is you. Now, I'm only going to say this one more time: Go to sleep.

You really are a know-it-all pain in the ass,” I announced snarkily, brushing by him rudely. I stopped quickly at Ellie and Adam to say, “I’m happy for you.” And then I hurried by them down the hall to the bathroom to get away from Braden and his perceptive, growly, inflexible ass.

You’re as pretty as she is.” “Don’t be saying such things loud enough for herself to hear you, or she’ll skin us both.” Touched and amused, she kissed his cheek. And Shawn came through the door. It would have been comical, she decided, and was a pity that no one noticed but herself noticed the way he stopped dead in his tracks, stared, then jolted when the door swung back and slapped him in the ass. I liked how she was trying to make him jealous with Jack. Jack sighed into his beer when Brenna strode out. “She smells like sawdust,” he said more to himself than otherwise. “It’s very pleasant.” “What are you doing sniffing at her?” Shawn demanded. Jack just blinked at him. “What?” “I’ll be back in a minute.” He shoved up the pass-through on the bar, let it fall with a bang that had Aidan cursing him, then rushed through the door after Brenna. “Wait a minute. Mary Brennan? Just a damn minute.” She paused by the door of her truck, and for one of the first times in her life felt the warm glow of pure female satisfaction stream through her. A fine feeling, she decided. A fine feeling altogether. Schooling her face to show mild interest, she turned. “Is there a problem, then?” “Yes, there’s a problem. What are you doing flirting with Jack Brennan that way?” She let her eyebrows rise up under the bill of her cap. “And what business might that be of yours, I’d like to know?” “A matter of days ago you’re asking me to make love with you, and I turn around and you’re cozying up to Jack and making plans to have dinner with some Dubliner.” She waited one beat, then two. “And?” “And?” Flustered and furious, he glared at her. “And it’s not right.” She only lifted a shoulder in dismissal, then turned to open the truck door. “It’s not right,” he repeated, grabbing her again and turning her to face him. “I’m not having it.” “So you said, in clear terms.” “I don’t mean that.” “Oh, well, if you’ve decided you’d like to have sex with me after all, I’ve changed my mind.” “I haven’t decided—” He broke off, staggered. “Changed your mind?

One of those chaps would make short work of a fellow. Pick the bones clean no matter who it was. Ordinary meat for them. A corpse is meat gone bad. Well and what's cheese? Corpse of milk. I read in that Voyages in China that the Chinese say a white man smells like a corpse. Cremation better. Priests dead against it. Devilling for the other firm. Wholesale burners and Dutch oven dealers. Time of the plague. Quicklime feverpits to eat them. Lethal chamber. Ashes to ashes. Or bury at sea. Where is that Parsee tower of silence? Eaten by birds. Earth, fire, water. Drowning they say is the pleasantest. See your whole life in a flash. But being brought back to life no. Can't bury in the air however. Out of a flying machine. Wonder

You are really tall for fifteen.” His eyes drifted over me, a small smile playing on his lips. “A lot of people must seem tall to you.” “Are you calling me short?” “Are you saying you’re not short?” I wrinkled my nose. “I’m not delusional. It’s just not polite to comment on a girl’s shortness. For all you know I’m really mad at the world because I’m vertically challenged.

What Kant took to be the necessary schemata of reality,' says a modern Freudian, 'are really only the necessary schemata of repression.' And an experimental psychologist adds that 'a sense of time can only exist where there is submission to reality.' To see everything as out of mere succession is to behave like a man drugged or insane. Literature and history, as we know them, are not like that; they must submit, be repressed. It is characteristic of the stage we are now at, I think, that the question of how far this submission ought to go--or, to put it the other way, how far one may cultivate fictional patterns or paradigms--is one which is debated, under various forms, by existentialist philosophers, by novelists and anti-novelists, by all who condemn the myths of historiography. It is a debate of fundamental interest, I think, and I shall discuss it in my fifth talk. Certainly, it seems, there must, even when we have achieved a modern degree of clerical scepticism, be some submission to the fictive patterns. For one thing, a systematic submission of this kind is almost another way of describing what we call 'form.' 'An inter-connexion of parts all mutually implied'; a duration (rather than a space) organizing the moment in terms of the end, giving meaning to the interval between tick and tock because we humanly do not want it to be an indeterminate interval between the tick of birth and the tock of death. That is a way of speaking in temporal terms of literary form. One thinks again of the Bible: of a beginning and an end (denied by the physicist Aristotle to the world) but humanly acceptable (and allowed by him to plots). Revelation, which epitomizes the Bible, puts our fate into a book, and calls it the book of life, which is the holy city. Revelation answers the command, 'write the things which thou hast seen, and the things which are, and the things which shall be hereafter'--'what is past and passing and to come'--and the command to make these things interdependent. Our novels do likewise. Biology and cultural adaptation require it; the End is a fact of life and a fact of the imagination, working out from the middle, the human crisis. As the theologians say, we 'live from the End,' even if the world should be endless. We need ends and kairoi and the pleroma, even now when the history of the world has so terribly and so untidily expanded its endless successiveness. We re-create the horizons we have abolished, the structures that have collapsed; and we do so in terms of the old patterns, adapting them to our new worlds. Ends, for example, become a matter of images, figures for what does not exist except humanly. Our stories must recognize mere successiveness but not be merely successive; Ulysses, for example, may be said to unite the irreducible chronos of Dublin with the irreducible kairoi of Homer. In the middest, we look for a fullness of time, for beginning, middle, and end in concord. For concord or consonance really is the root of the matter, even in a world which thinks it can only be a fiction. The theologians revive typology, and are followed by the literary critics. We seek to repeat the performance of the New Testament, a book which rewrites and requites another book and achieves harmony with it rather than questioning its truth. One of the seminal remarks of modern literary thought was Eliot's observation that in the timeless order of literature this process is continued. Thus we secularize the principle which recurs from the New Testament through Alexandrian allegory and Renaissance Neo-Platonism to our own time. We achieve our secular concords of past and present and future, modifying the past and allowing for the future without falsifying our own moment of crisis. We need, and provide, fictions of concord.

Michael Moran was born about 1794 off Black Pitts, in the Liberties of Dublin, in Faddle Alley. A fortnight after birth he went stone blind from illness, and became thereby a blessing to his parents, who were soon able to send him to rhyme and beg at street corners and at the bridges over the Liffey. They may well have wished that their quiver were full of such as he, for, free from the interruption of sight, his mind became a perfect echoing chamber, where every movement of the day and every change of public passion whispered itself into rhyme or quaint saying.

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. This is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality? Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.

Greta Wickham. He used to say if only Nora and Greta were here now, we wouldn’t be in this mess, even when there was no mess at all.” “Oh, he talked very warmly about you,” Peggy interjected, “and William Junior and Thomas had nothing but good words to say about Maurice Webster when he was teaching them. I remember one day Thomas had a temperature and we all wanted him to stay in bed and he wouldn’t, oh no he wouldn’t, because he had a double commerce class with Mr. Webster that he could not miss. You know they wanted Thomas to stay in Dublin when he qualified. Oh, he got offers with very good prospects! We told him he should consider

Wait," Cillian says. "Who's the Slayer and why is she in danger?" "I'm not really sure. Like I said, we didn't get the information we needed." The Range Rover hits an aggressive pothole and I bounce, almost dropping the phone. "I dreamed she was being held hostage by a vampire. Not much to go on. Blue hair. I think she's in Dublin. Her name's Cosmina." There's a pause, and I wonder if I accidentally hung up on him. Then he says, "Got her." "What?" "Cosmina Enescu. Nineteen, single, blue hair. Lives in a crappy flat in a not-nice area of Dublin. She's quite fit, though." "You found her!" I shout. "How did you find her? Are you a hacker or something?" "Love, it's called Facebook. I'll make you a profile if you want. No one has to be a hacker these days. Cosmina is an unusual enough name, so there weren't many options. And blue hair? Only one.

I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.

I’ll tell you what’s true,’ said Weston presently. ‘What?’ ‘A little child that creeps upstairs when nobody’s looking and very slowly turns the handle to take one peep into the room where its grandmother’s dead body is laid out–and then runs away and has bad dreams. An enormous grandmother, you understand.’ ‘What do you mean by saying that’s truer?’ ‘I mean that child knows something about the universe which all science and all religion is trying to hide.’ Ransom said nothing. ‘Lots of things,’ said Weston presently. ‘Children are afraid to go through a churchyard at night, and the grown-ups tell them not to be silly: but the children know better than the grown-ups. People in Central Africa doing beastly things with masks on in the middle of the night–and missionaries and civil servants say it’s all superstition. Well, the blacks know more about the universe than the white people. Dirty priests in back streets in Dublin frightening half-witted children to death with stories about it. You’d say they are unenlightened. They’re not: except that they think there is a way of escape. There isn’t. That is the real universe, always has been, always will be. That’s what it all means.’ ‘I’m not quite clear–’ began Ransom, when Weston interrupted him. ‘That’s why it’s so important to live as long as you can. All the good things are now–a thin little rind of what we call life, put on for show, and then–the real universe for ever and ever. To thicken the rind by one centimetre–to live one week, one day, one half hour longer–that’s the only thing that matters. Of course you don’t know it: but every man who is waiting to be hanged knows it. You say “What difference does a short reprieve make?” What difference!!’ ‘But nobody need go there,’ said Ransom. ‘I know that’s what you believe,’ said Weston. ‘But you’re wrong. It’s only a small parcel of civilised people who think that. Humanity as a whole knows better. It knows–Homer knew–that all the dead have sunk down into the inner darkness: under the rind. All witless, all twittering, gibbering, decaying. Bogeymen. Every savage knows that all ghosts hate the living who are still enjoying the rind: just as old women hate girls who still have their good looks. It’s quite right to be afraid of the ghosts. You’re going to be one all the same.’ ‘You don’t believe in God,’ said Ransom. ‘Well, now, that’s another point,’ said Weston. ‘I’ve been to church as well as you when I was a boy. There’s more sense in parts of the Bible than you religious people know. Doesn’t it say He’s the God of the living, not of the dead? That’s just it. Perhaps your God does exist–but it makes no difference whether He does or not. No, of course you wouldn’t see it; but one day you will. I don’t think you’ve got the idea of the rind–the thin outer skin which we call life–really clear. Picture the universe as an infinite glove with this very thin crust on the outside. But remember its thickness is a thickness of time. It’s about seventy years thick in the best places. We are born on the surface of it and all our lives we are sinking through it. When we’ve got all the way through then we are what’s called Dead: we’ve got into the dark part inside, the real globe. If your God exists, He’s not in the globe–He’s outside, like a moon. As we pass into the interior we pass out of His ken. He doesn’t follow us in. You would express it by saying He’s not in time–which you think comforting! In other words He stays put: out in the light and air, outside. But we are in time. We “move with the times”. That is, from His point of view, we move away, into what He regards as nonentity, where He never follows. That is all there is to us, all there ever was. He may be there in what you call “Life”, or He may not. What difference does it make? We’re not going to be there for long!

The air without is impregnated with raindew moisture, life essence celestial, glistening on Dublin stone there under starshiny coelum. God’s air, the Allfather’s air, scintillant circumambient cessile air. Breathe it deep into thee. By heaven, Theodore Purefoy, thou hast done a doughty deed and no botch! Thou art, I vow, the remarkablest progenitor barring none in this chaffering allincluding most farraginous chronicle. Astounding! In her lay a Godframed Godgiven preformed possibility which thou hast fructified with thy modicum of man’s work. Cleave to her! Serve! Toil on, labour like a very bandog and let scholarment and all Malthusiasts go hang. Thou art all their daddies, Theodore. Art drooping under thy load, bemoiled with butcher’s bills at home and ingots (not thine!) in the countinghouse? Head up! For every newbegotten thou shalt gather thy homer of ripe wheat. See, thy fleece is drenched. Dost envy Darby Dullman there with his Joan? A canting jay and a rheumeyed curdog is all their progeny. Pshaw, I tell thee! He is a mule, a dead gasteropod, without vim or stamina, not worth a cracked kreutzer. Copulation without population! No, say I! Herod’s slaughter of the innocents were the truer name. Vegetables, forsooth, and sterile cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever, bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious attacks, gallstones, cold feet, varicose veins. A truce to threnes and trentals and jeremies and all such congenital defunctive music! Twenty years of it, regret them not. With thee it was not as with many that will and would and wait and never—do. Thou sawest thy America, thy lifetask, and didst charge to cover like the transpontine bison. How saith Zarathustra? Deine Kuh Trübsal melkest Du. Nun Trinkst Du die süsse Milch des Euters. See! it displodes for thee in abundance. Drink, man, an udderful! Mother’s milk, Purefoy, the milk of human kin, milk too of those burgeoning stars overhead rutilant in thin rainvapour, punch milk, such as those rioters will quaff in their guzzling den, milk of madness, the honeymilk of Canaan’s land. Thy cow’s dug was tough, what? Ay, but her milk is hot and sweet and fattening. No dollop this but thick rich bonnyclaber. To her, old patriarch! Pap! Per deam Partulam et Pertundam nunc est bibendum!

The air without is impregnated with raindew moisture, life essence celestial, glistering on Dublin stone there under starshiny coelum. God's air, the Allfather's air, scintillant circumambient cessile air. Breathe it deep into thee. By heaven, Theodore Purefoy, thou hast done a doughty deed and no botch! Thou art, I vow, the remarkablest progenitor barring none in this chaffering allincluding most farraginous chronicle. Astounding! In her lay a Godframed Godgiven preformed possibility which thou hast fructified with thy modicum of man's work. Cleave to her! Serve! Toil on, labour like a very bandog and let scholarment and all Malthusiasts go hang. Thou art all their daddies, Theodore. Art drooping under thy load, bemoiled with butcher's bills at home and ingots (not thine!) in the countinghouse? Head up! For every newbegotten thou shalt gather thy homer of ripe wheat. See, thy fleece is drenched. Dost envy Darby Dullman there with his Joan? A canting jay and a rheumeyed curdog is all their progeny. Pshaw, I tell thee! He is a mule, a dead gasteropod, without vim or stamina, not worth a cracked kreutzer. Copulation without population! No, say I! Herod's slaughter of the innocents were the truer name. Vegetables, forsooth, and sterile cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever, bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious attacks, gallstones, cold feet, varicose veins. A truce to threnes and trentals and jeremies and all such congenital defunctive music! Twenty years of it, regret them not. With thee it was not as with many that will and would and wait and never do. Thou sawest thy America, thy lifetask, and didst charge to cover like the transpontine bison. How saith Zarathustra? Deine Kuh Trübsal melkest Du. Nun Trinkst Du die süsse Milch des Euters. See! it displodes for thee in abundance. Drink, man, an udderful! Mother's milk, Purefoy, the milk of human kin, milk too of those burgeoning stars overhead rutilant in thin rainvapour, punch milk, such as those rioters will quaff in their guzzling den, milk of madness, the honeymilk of Canaan's land. Thy cow's dug was tough, what? Ay, but her milk is hot and sweet and fattening. No dollop this but thick rich bonnyclaber. To her, old patriarch! Pap! Per deam Partulam et Pertundam nunc est bibendum!

You can’t sneeze in Dublin without somebody saying ‘God bless you’ in Kerry.

In the year since the day I got on a plane to fly to Dublin, determined to find my sister’s killer and bring him to justice, I’ve learned that you can discover just as much from what people don’t say to you, as what they do. It’s not enough to listen to their words. You have to mine their silences for buried ore. It’s often only in the lies we refuse to speak that any truth can be heard at all.

people have a lot they want to say and not that much they want to hear.

Tim, An Irish Terrier It's wonderful dogs they're breeding now: Small as a flea or large as a cow; But my old lad Tim he'll never be bet By any dog that he ever met, Come on 'says he'for I'm not kilt yet! No matter the size of the dog he'll meet, Tim trails his coat the length o'the street. D'ye mind his scar an'his ragged ear, The like of a Dublin Fusilier? He's a massacree dog that knows no fear. But he'd stick to me till his lastest breath; An'he'd go with me to the gates of death. He'd wait a thousand years,maybe, Scratching the door an'whining for me If myself were inside in Purgatory. So I laugh when I hear them make it plain That dogs and men never meet againj. For all their talk who'd listen to them With the soul in the shining eyes of him? Would God be wasting a dog like Tim? - Winifred M. Letts.

And I also know that love is a pretty quiet thing. It's lying on the sofa together drinking coffee, talking about where you're going to go that morning to drink more coffee. It's folding down pages of books you think they'd find interesting. It's hanging up their laundry when they leave the house having moronically forgotten to take it out of the washing machine. It's saying, 'You're safer here than in a car, you're more likely to die on one of your Fitness First Body Pump classes than in the next hour,' as they hyperventilate on an easyJet flight to Dublin. It's the texts: 'Hope today goes well', 'How did today go?', 'Thinking of you today' and 'Picked up loo roll'. I know that love happens under the splendour of moon and stars and fireworks and sunsets but it also happens when you're lying on blow-up air beds in a childhood bedroom, sitting in A&E or in the queue for a passport or in a traffic jam. Love is a quiet, reassuring, relaxing, pottering, pedantic, harmonious hum of a thing; sometimes you can easily forget is there, even though its palms are outstretched beneath you in case you fall.

My vampire novel, The Vorbing, was written when I lived n Dublin, Ireland. There was a park across the road from me that had a bat colony in it. I'd be writing about vampires after midnight, and you'd hear the sonar clicks of the bats near the window outside. You could say I was a method writer.

Do you not heat your houses with wood,” I said, all innocence, “in the place you come from?” He gave me a withering look. “I’m quite happy to say that, in Dublin, we have servants to deal with these things.” “Well, this is not Dublin, and I’m not getting anywhere. You have to help.

One sunny day in Ireland, two men were sitting in a pub, drinking some Guinness, when one turns to the other and says "You see that man over there? He looks just like me! I think I'm gonna go over there and talk to him." So, he goes over to the man and taps him on the shoulder. "Excuse me sir," he starts, "but I noticed you look just like me!" The second man turns around and says "Yeah, I noticed the same thing, where you from?", "I'm from Dublin", second man stunned says, "Me too! What street do you live on?", "McCarthy street", second man replies, "Me too! What number is it?", the first man announces, "162", second man shocked says, "Me too! What are your parents’ names?", first man replies, "Connor and Shannon", second man awestruck says, "Mine too! This is unbelievable!"   So, they buy some more Guinness and they're talking some more when the bartenders change shifts. The new bartender comes in and goes up to the other bartender and asks "What's new today?" "Oh, the Murphy twins are drunk again.

I spend my days mostly surrounded by people who are, to put it in terms you’d understand, waiting for the very last train to Clarkesville. Do you know what I’ve never heard any of them say ever? ‘It’s complicated.’ That’s because, when you look back at it, it almost never is. Nuclear physics is complicated. The middle east is complicated. Our lives? They’ve actually pretty damn simple, we just somehow make them difficult for ourselves. Of

Dark, was banned by the Irish state censor for obscenity. The story was set, as so much of McGahern's later fiction would be, in isolated rural Ireland and dealt with the bleak consequences of parental and clerical child abuse. On the instructions of the Archbishop of Dublin, McGahern was sacked from his job as a primary school teacher. He later left the country. Despite these apparent setbacks, McGahern's literary friends reassured him that all this was a wonderful opportunity in terms of publicity and sales. Remember Joyce and Beckett being forced overseas? This was Irish literary history repeating itself, and preparations were soon being made to mount a campaign against the anachronistic and widely derided censorship laws with McGahern as the figurehead. Sign up for the Bookmarks email Read more McGahern agreed that the situation was indeed absurd, and says that even as an adolescent reader he had nothing but contempt for the censorship board.

born on Indian Island. And I just want to say that what happened to the Indians is exactly like what happened to the Irish under British rule. It wasn’t a fair fight. Their land was stolen, their religion was forbidden, they were forced to bend to foreign domination. It wasn’t okay for the Irish, and it’s not okay for the Indians.” “Jeez, soapbox much?” Tyler mutters. Megan McDonald, one seat ahead of Molly, raises her hand, and Mr. Reed nods. “She has a point,” she says. “My grandpa’s from Dublin. He’s always talking about what the Brits did.” “Well, my granddad’s parents lost everything in the Great Depression. You don’t see me crying for handouts. Shit happens, excuse my French,” Tyler says. “Tyler’s French aside,” Mr. Reed says, raising his eyebrows at the class as if to say

When Mrs. Byrne isn’t around, Mr. Byrne is friendly. He likes to talk with me about Ireland. His own family, he tells me, is from Sallybrook, near the east coast. His uncle and cousins were Republicans in the War of Independence; they fought with Michael Collins and were there at the Four Courts building in Dublin in April of 1922, when the Brits stormed the building and killed the insurgents, and they were there when Collins was assassinated a few months later, near Cork. Collins was the greatest hero Ireland ever had, don’t you know? Yes, I nod. I know. But I’m skeptical his cousins were there. My da used to say every Irishman you meet in America swears to have a relative who fought alongside Michael Collins.

Are you saying I'm disagreeable?" He raised an eyebrow. "Woman, how stupid do you think I am? You really think I'm answering that? I want to get laid tonight.

Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.

Queen Victoria had written to Spencer saying how “most painfully interested” she was in the Dublin examinations. They are quite thrilling. Will the not finding of the knives (which she fears is likely) cause any difficulty in condemning these monsters? She trusts not. What has struck & shocked her, she must say, is the evidence of that gentleman who described (in May) having seen people wrestling—but no more—proving now that he actually saw all & yet never gave the details before. Surely it is very wrong that he did not do so sooner. A few days later, she impatiently quizzed Harcourt, “Is there any further news? The Queen sees that Mrs. Byrne (who must be a worthy mate of such a Husband), was taken on Sunday.

So, you’re perfectly fine—” “Other than the stab wound.” “Ah yes, ha ha. Sorry.” He actually said ‘ha ha’ in a way that Paul found irritating. “Still though, you and I have dealt with some difficult information and now look – we are making jokes! This has gone very well.” He resumed beaming at Paul. “Which brings me to the next issue we must address. There appears to have been an issue with the emergency contact details the nurse took from you when you were admitted.” “Oh?” “It happens all the time. People are rushing about—” “I’d been stabbed.” “You’d been stabbed. We rang the number you gave us and, apparently, it is a Chinese takeaway called the Oriental Palace.” “It’s not just a takeaway. They’ve recently expanded to include an in-dining area with ambiance.” Mrs Wu would’ve been proud. She had been answering the phone ‘Hello Oriental Palace, now including an in-dining area with ambiance’ for nearly three months. She clearly didn’t know what ambiance meant, but somebody must’ve told her the place had it, and she was damn sure going to sell it. “I see,” said Dr Sinha. “And do you have a relative working at the Oriental Palace?” “No, not as such.” Or at all. “Ask for Mickey.” “OK. Mickey who?” Paul had been dreading that question. Who really knew the second name of their regular delivery guy? Sure, Mickey had come in and nabbed the occasional smoke or life-threateningly cheap Eastern European beer on a slow Tuesday. He’d even stayed to watch half of Roxanne on DVD once, but a second name seemed like a very personal question. Mickey had told him he was not from China, and how annoyed he got when people assumed he was. Unfortunately, Paul had forgotten where Mickey was from, so that was another no-go area. “Just Mickey.” “So, no relatives you’d like us to call?” “Nope. None.” Dr Sinha was clearly uncomfortable at this. “Well, as someone from a very large family, may I say, I envy you. I spend half of my salary on birthday cards alone.

Kieran Rose, chair and co-founder of the Gay & Lesbian Equality Network, accuses the protesters of practising ‘more radical than thou’ politics. ‘I don’t see disability or refugee groups calling for a boycott,’ he says. ‘It’s an immature kind of politics, as if nobody else has opinions on immigration. You must engage with the democratically elected government. The only way not to be criticised is to do nothing. We think it’s entirely appropriate to invite the minister to a festival around the theme of “family values”. The festival has a right to invite him and there’s no connection between sexual orientation and politics. Your social class has more to do with it.’ On the face of it, there is no particular reason why gays should be on the left. In other countries, particularly in the US, many have seen their interests as being more closely aligned with the libertarian right and with neo-liberalism, agrees Sheehan. ‘Lesbians and gays don’t fit into any particular political group,’ he says. ‘Maybe activism has tended to be of the left, but there are also many people who identify socially but not politically with the community. But a lesbian and gay film festival will always be a political event when a gay couple can’t walk down a Dublin street hand in hand.

Marcel had heard people describe empty galleries as being eerie, spooky, somehow lesser for the absence of people. Personally, he found that to be utter drivel. While he knew better than to say it out loud, galleries looked so much better to him without people wandering around, cluttering up the place, gawping at things. He knew the official message was that art must be brought to the public and the public must learn to appreciate art, et cetera, et cetera. He toed the party line but, deep down, all that was nonsense to him. Art existed because he saw it and it was good because he said it was. Everyone is entitled to their opinion, of course, but why must we pretend all opinions are equal? He had worked so very hard, fought tooth and nail, to get where he was today – a curator at the Louvre. That meant he knew better. Knowing better was almost in his job title.

BERNARDINE QUINN: We’re calling marriage equality ‘equality’ as if the day that there’s a bill stamped saying lesbian and gay people can get married that we’ll have full equality. Yet in Meath, there isn’t one single support service for a young lesbian or gay person to attend; there isn’t one qualified full-time youth worker to work with young LGBT people; there is absolutely zero trans services, where the trans services in Dublin are mediocre at best. There’s something about ‘marriage equality’ – that we’ll all be equal when marriage comes in, when a kid in west Kerry doesn’t even have a telephone number of a helpline that he can ring for support. This was raised by our young people to Mairead McGuinness and to Mary Lou McDonald when they were here, just to say, thinking that your work around marriage equality – that that’s not all. The allocation of finances to LGBT work in this country is tiny compared to what is given to most other services. There’s something about calling it ‘equality’. It’s another step on the ladder and it’s a hugely important step … But it isn’t all. There’s another battle after that, and that is to get services to west Donegal, to Mayo, into the Midlands, to get real, solid support in these areas so that a young LGBT person has something in every county, trained qualified people to talk to. In some areas where those services aren’t available, where there isn’t training for schools, where there’s nobody that a kid can talk to, to say that they think they’re transgender – I don’t want to sound negative – I think marriage equality is going to be fantastic for a lot of lesbian and gay people. I think if you were 14 and coming out today, your story is going to be so much more different than when I was 14. The prospects of you considering yourself what every other young person considers themselves of 14 when you think about your future and what you’re going to do: you’re going to meet the person that you love, you’re going to get married, going to have kids, going to have the house and the picket fence. That will be an option for a kid. When I came out, those dreams were put very firmly away. I was never going to get married, I was never going to have children, I was never going to make my family proud, my dad was never going to walk me up the aisle. All of those kinds of things were not even an option when I came out. As a matter of fact, there was a better chance that I was going to have to go to London, I was going to bring huge shame on my family, I probably would end up not speaking to half my siblings and my parents, having to go away and fend for myself. That was my option. I think that option has dramatically changed. People can live in their home towns easier now … Anything that makes a young person’s life easier, and gives them more opportunities, is fantastic. I think that a young person, 14, 15, only starting to discover themselves, they’ve got a whole other suite of options. They can talk about, ‘I’ll eventually marry my partner.’ I think I’m only after saying that for the first time in my life, that there will be an option to marry my partner.

Many of them would have been there to voice concerns at what they saw as an injustice; many more would have been there out of concern arising from the initial, unconfirmed reports of the death of a significant man; yet more would have been there just to say they were there – their prime motivation being voyeuristic. Then, there would

An Irishman walks into a Dublin bar, orders three pints of Guinness, and drinks them down, taking a sip from one, then a sip from the next, until they’re gone. He then orders three more. The bartender says, “You know, they’d be less likely to go flat if you bought them one at a time.” The man says, “Yeah, I know, but I have two brothers, one in the States, one in Australia. When we all went our separate ways, we promised each other that we’d all drink this way in memory of the days when we drank together. Each of these is for one of my brothers and the third is for me.” The bartender is touched, and says, “What a great custom!” The Irishman becomes a regular in the bar and always orders the same way. One day he comes in and orders two pints. The other regulars notice, and a silence falls over the bar. When he comes to the bar for his second round, the bartender says, “Please accept my condolences, pal.” The Irishman says, “Oh, no, everyone’s fine. I just joined the Mormon Church, and I had to quit drinking.

Oh look, they’ve even got a signed copy of Dubliners. I don’t care what anybody says, no one understands that fucking book. The Irish are all in on it, pretending it’s a masterwork of literature when I’m pretty sure it’s pure gibberish.

Mary Catherine took a moment and managed to gather everyone’s attention without saying a word. Then she said, “Listen, everyone. I know we’re worried about Brian. You can believe your father is doing everything he can to help him. But sometimes things don’t work out the way we expect them to. Not better, not worse—just not like we expect.” Now she was playing to the crowd’s full attention. “My brother Ken wanted to come to America. He’s a big, burly lad and a great fan of the Kennedys. All he talked about was coming to Boston. But he got in trouble.” Shawna said, “What kind of trouble?” We were all hooked. “It was a bar fight, and Ken punched a man who hit his head when he fell on the floor. My brother was charged with assault and later convicted. He didn’t have to go to jail, but he had a conviction on his record, and that kept him from doing what he expected to do. That conviction kept him from coming to America. But you know what?” Chrissy and Bridget both said, “What?” “Things turned out differently for him. He met a lovely girl. And now he lives right there in Dublin with two beautiful kids. He has a good job and is happier than he could ever think of being. It’s different from what he expected, but certainly not worse. Sometimes things happen in life, and we just have to accept them.” I could almost see the kids understanding what she was saying and feeling better. It felt like the pace of eating even picked up. But Seamus was still quiet. None of his usual silly quips or semi-risqué jokes. When I looked at him, I could see why. He was silently crying, trying to hide it from the kids.

Paddy's Lament" "Well it's by the hush, me boys, and sure that's to hold your noise And listen to poor Paddy's sad narration I was by hunger stressed, and in poverty distressed So I took a thought I'd leave the Irish nation Well I sold me ass and cow, my little pigs and sow My little plot of land I soon did part with And me sweetheart Bid McGee, I'm afraid I'll never see For I left her there that morning broken-hearted Here's you boys, now take my advice To America I'll have ye's not be going There is nothing here but war, where the murderin' cannons roar And I wish I was at home in dear old Dublin Well myself and a hundred more, to America sailed o'er Our fortunes to be making we were thinkin' When we got to Yankee land, they put guns into our hands 'Paddy, you must go and fight for Lincoln' Here's you boys, now take my advice To America I'll have ye's not be going There is nothing here but war, where the murderin' cannons roar And I wish I was at home in dear old Dublin General Meagher to us he said, if you get shot or lose your head Every murdered soul of youse will get a pension Well in the war lost me leg, they gave me a wooden peg And by soul it is the truth to you I mention Here's you boys, now take my advice To America I'll have ye's not be going There is nothing here but war, where the murderin' cannons roar And I wish I was at home in dear old Dublin Well I think myself in luck, if I get fed on Indianbuck And old Ireland is the country I delight in To the devil, I would say, it's curse Americay For the truth I've had enough of your hard fightin Here's you boys, now take my advice To America I'll have ye's not be going There is nothing here but war, where the murderin' cannons roar And I wish I was at home in dear old Dublin I wish I was at home I wish I was at home I wish I was at home I wish I was at home in dear old Dublin

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chanten tree toyums a day – idn’t that reet, Nudger?’ Nudger nods and storts rolling a joint. ‘And is it, like, working?’ I go. Ronan’s there, ‘I habn’t had sex in two weeks.’ ‘I should hope not. You’re on an island with a bunch of Polish construction workers.’ ‘Polish? They’re alt from Duddygall, Rosser!’ ‘Donegal? Jesus. Well, you know me, Ro – everyone who’s not from South Dublin sounds exactly the same to my ears. The point I’m trying to make is that, well, you wouldn’t be having sex given that there’s no actual women on the island.’ ‘The thing is, but, I habn’t eeben had a wank, Rosser. Two weeks – and I habn’t pult meself off once.’ ‘Hey, that’s, er, great news.’ I know they say we’re too quick to praise our children these days but I still say it anyway. I’m there, ‘I’m proud of you, Ro.’ He goes, ‘It reedy woorks, Rosser. The chanten, the sitar music, the meditayshidden, the little birra hash that Nudger brings oaber. Ine arthur learden how to switch off me libeetho, so I am. Ine cured, Rosser.’ ‘That’s good news for you – and for Shadden obviously.’ ‘Ine saying to Nudger, he should be doing this for a libbon. Imagine how much thee’d pay for a serbice like this oaber in Hoddywoot! Alt them fiddum steers with their bleaten sex addictions, wha?’ Nudger smiles modestly, then lights up. He takes two blasts off the joint, then passes it to Ronan. Out of the blue, I go, ‘Ro, can you do me a favour?’ He’s like, ‘What koyunt of a fabour?’ I’m there, ‘Can you look after something

de Valera summoned a Cabinet meeting of the members available in Dublin and announced that he was calling for the resignations of the three absent members, Collins, Barton and Griffith. Cosgrave stood up to him, saying he ought to wait to see what the three had to say first.

Back at University College Dublin, Earner-Byrne reminds us that: ‘You have to understand the position of women in society. They had no say and no voice. They were constantly reminded that they had duties and responsibilities. They had no rights in a society that was profoundly influenced by faith.

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality? Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.

Not songs abou’ Fianna fuckin’ Fail or annythin’ like tha’. Real politics. (They weren’t with him.) —Where are yis from? (He answered the question himself.) —Dublin. (He asked another one.) —Wha’ part o’ Dublin? Barrytown. Wha’ class are yis? Workin’ class. Are yis proud of it? Yeah, yis are. (Then a practical question.) —Who buys the most records? The workin’ class. Are yis with me? (Not really.) —Your music should be abou’ where you’re from an’ the sort o’ people yeh come from. ———Say it once, say it loud, I’m black an’ I’m proud.

Ya know what they say about the Devil. Once upon a time, he was God’s most beautiful angel.

The battle of Clontarf, in which Earl Sigurd fell, is the most celebrated of all the conflicts in which the Norsemen were engaged on this side of the North Sea. “It was at Clontarf, in Brian’s battle,” says Dasent, “that the old and new faiths met in the lists face to face for their last struggle,” and we find Earl Sigurd arrayed on the side of the old faith, though nominally a convert to the new. The Irish account of the battle[28] describes it as seen from the walls of Dublin, and likens the carnage to a party of reapers cutting down a field of oats. Sigurd is described as dealing out wounds and slaughter all around—“no edged weapon could harm him, and there was no strength that yielded not, and no thickness that became not thin before him.” Murcadh,

I’ll James you, you foxy-faced drippings of a cankered __, you poxy bastarding whore’s melt, I put it to myself, and thought it worth it to hit him a belt; but, when all is said and done, I was but sixteen and he was a grown man and had come through Borstal institutions, mostly, I would say, by sucking up to bullying big bollixes the likes of Dale, not by letting his backstraps down—he was too ugly for that, but maybe some of these bastards would get a bit of a drop. I was no country Paddy from the middle of the Bog of Allen to be frightened to death by a lot of Liverpool seldom-fed bastards, nor was I one of your wrap-the-green-flag-round-me junior Civil Servants that came into the IRA from the Gaelic League, and well ready to die for their country any day of the week, purity in their hearts, truth on their lips, for the glory of God and the honour of Ireland. No, be Jesus, I was from Russell Street, North Circular Road, Dublin, from the Northside where, be Jesus, the likes of Dale wouldn’t make a dinner for them, where the whole of this pack of Limeys would be scruff-hounds would be et, bet, and threw up again __et without salt. I’ll James you, you bastard. Then the smile had to fade and the joke was rejected and the gentleness refused, never a better nor my own sweet self, and it wasn’t off the stones I licked. The old fellow would beat the best of them round our way and him only my height now, though fully grown a hell of a long time. James, be Jesus, prepare to meet thy Jesus. And I just stood up, held up a bag and said, ‘Finished work,’ and the screw nodded, though I hadn’t said ‘sir’ because I hadn’t time.

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