Seafoam Quotes

We've searched our database for all the quotes and captions related to Seafoam. Here they are! All 33 of them:

I have seafoam in my veins, I understand the language of waves.
Le Testament d'Orphée
What is lovely never dies, but passes into other loveliness, Star-dust, or sea-foam, flower or winged air.
Thomas Bailey Aldrich
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
Tell me, as a pagan, who do you worship?' 'Worship?' 'That's right. I imagine you must have a pretty wide open field. So to whom do you set up your household altar? To whom do you bow down? To whom do you pray to at dawn and at dusk?' 'The female principle. It's an empowerment thing. You know.' 'Indeed. And this female principle of yours. Does she have a name?' 'She's the goddess within us all. She doesn't need a name.' 'Ah,' said Wednesday, with a wide monkey grin, 'so do you hold mighty bacchanals in her honour? Do you drink blood wine under the full moon, while scarlet candles burn in silver candle holders? Do you step naked into the seafoam, chanting ecstactically to your nameless goddess while the waves lick at your legs, lapping your thighs like the tongues of a thousand leopards?
Neil Gaiman (American Gods (American Gods, #1))
I have been wondering, mostly, if love and sanity are the same thing. When I say I am in love I am also saying the world makes sense to me right now. I know that love is not the same as knowing everything, but because she is gone, because about her there are unknowns that will now remain unknowable, it is important to list what is mine to list: She likes hazelnut in her coffee; she is a better driver when the transmission is manual; though she couldn't name it, her favorite color is Bakelite seafoam green; she loved me once, though it wasn't for very long, though it was distracted, though it shouldn't have happened, one she loved me
Neil Hilborn (Our Numbered Days)
Sea-foam And coral! Oh, I'll Climb the great pasture rocks And dream me mermaid in the sun's Gold flood.
Adelaide Crapsey (Verse)
Mad raging sunsets poured in seafoams of cloud through unimaginable crags, with every rose tint of hope beyond, I felt just like it, brilliant and bleak beyond words. Everywhere awful ice fields and snow straws; one blade of grass jiggling in the winds of infinity, anchored to a rock. To the East, it was gray; to the north, awful; to the west, raging mad, hard iron fools wrestling in the groomian gloom; to the south, my father's mist.
Jack Kerouac (The Dharma Bums)
Once to swim I sought the sea-side, There to sport among the billows; With the stone of many colors Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty son-bird, perished. Never come a-fishing, father, To the borders of these waters, Never during all thy life-time, As thou lovest daughter Aino. Mother dear, I sought the sea-side, There to sport among the billows; With the stone of many colors, Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty song-bird perished. Never mix thy bread, dear mother, With the blue-sea's foam and waters, Never during all thy life-time, As thou lovest daughter Aino. Brother dear, I sought the sea-side, There to sport among the billows; With the stone of many colors Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty song-bird perished. Never bring thy prancing war-horse, Never bring thy royal racer, Never bring thy steeds to water, To the borders of the blue-sea, Never during all thy life-time, As thou lovest sister Aino. Sister dear, I sought the sea-side, There to sport among the billows; With the stone of many colors Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty song-bird perished. Never come to lave thine eyelids In this rolling wave and sea-foam, Never during all thy life-time, As thou lovest sister Aino. All the waters in the blue-sea Shall be blood of Aino's body; All the fish that swim these waters Shall be Aino's flesh forever; All the willows on the sea-side Shall be Aino's ribs hereafter; All the sea-grass on the margin Will have grown from Aino's tresses.
Elias Lönnrot (The Kalevala)
Sea-foam white lace bloomed from the sweeping neckline, washing upon her breast from the powder-green ocean of silk that made up the dress. A red sash covered the waist, forming an inverted peak that separated the bodice from the explosion of skirts beneath. Patterns of clear green beads were embroidered in whorls and vines across the whole of it, and bone-colored stitching stretched along the ribs.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Mad raging sunsets poured in seafoams of cloud through unimaginable crags, with every rose tint of hope beyond, I felt just like it, brilliant and bleak beyond words.
Jack Kerouac (The Dharma Bums: (Penguin Classics Deluxe Edition))
Tarquin was summer incarnate in turquoise and gold, bits of emerald shining at his buttons and fingers. A crown of sapphire and white gold fashioned like cresting waves sat atop his seafoam-coloured hair- so exquisite that I often caught myself staring at it.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The sea-nymphs come for the body, trailing their seafoam robes behind them. They wash him with rose oil and nectar, and weave flowers through his golden hair. The Myrmidons build him a pyre, and he is placed on it. The nymphs weep as the flames consume him. His beautiful body lost to bones and gray ash.
Madeline Miller (The Song of Achilles)
How it heaves itself at the rocks, this sea! It throws clouds of sea-foam at the darkling sky in banners, making the floor beneath me tremble.
Stephen King ('Salem's Lot)
It's the little things that make you want to kill someone, the way Milo drinks Diet Dr Pepper and ties his Jewfro in a bun and lifts his shirt to show off his stomach and wipes his glasses down even though they're not dirty. Yes, Milo got glasses, and seafoam green Topsiders, and a navy blue Polo-style shirt with a popped collar, and didn't I already kill this guy when he was schilling Home Soda and fucking Guinevere Beck?
Caroline Kepnes (Hidden Bodies (You, #2))
So I shall die," said the little mermaid, "and as the foam of the sea I shall be driven about never again to hear the music of the waves, or to see the pretty flowers nor the red sun. Is there anything I can do to win an immortal soul?
Hans Christian Andersen (The Little Mermaid)
All elves were jaw-droppingly gorgeous, but there was something particularly handsome about Keefe Sencen—and the boy was well aware of it. Though he seemed a little off his game at the moment. His smug smirk was noticeably absent as he scrounged around his blankets, searching for something. “Here,” Ro said, tossing Keefe a wrinkled black tunic from the floor. “Bet you’re wishing it didn’t smell so much like sweaty boy in here, huh?” “It’s fine,” Sophie promised, even if the room could definitely use some airing out. A good cleaning would work wonders too. Everywhere she looked were piles of crumpled clothes and scattered shoes and stacks of papers and plates of half-eaten food. And all the thick curtains were drawn tight, leaving the space dim and stuffy. The room was clearly designed to be beautiful, with marble floors broken up by rugs woven to look like pristine sand, and seafoam walls inlaid with starfish and anemone shells. But under Keefe’s care, it was a disaster zone. Even the furniture had a strange randomness to the arrangement that made Sophie wonder if he’d moved it all just to bug his dad.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
The Dream" I met her as a blossom on a stem Before she ever breathed, and in that dream The mind remembers from a deeper sleep: Eye learned from eye, cold lip from sensual lip. My dream divided on a point of fire; Light hardened on the water where we were; A bird sang low; the moonlight sifted in; The water rippled, and she rippled on. She came toward me in the flowing air, A shape of change, encircled by its fire. I watched her there, between me and the moon; The bushes and the stones danced on and on; I touched her shadow when the light delayed; I turned my face away, and yet she stayed. A bird sang from the center of a tree; She loved the wind because the wind loved me. Love is not love until love’s vulnerable. She slowed to sigh, in that long interval. A small bird flew in circles where we stood; The deer came down, out of the dappled wood. All who remember, doubt. Who calls that strange? I tossed a stone, and listened to its plunge. She knew the grammar of least motion, she Lent me one virtue, and I live thereby. She held her body steady in the wind; Our shadows met, and slowly swung around; She turned the field into a glittering sea; I played in flame and water like a boy And I swayed out beyond the white seafoam; Like a wet log, I sang within a flame. In that last while, eternity’s confine,
Theodore Roethke (The Collected Poems)
And that one,” Ansel said, pointing to the next stall, “is named Kasida—it means ‘drinker of the wind’ in the desert dialect.” Kasida’s name was fitting. The slender mare was a dapple gray, with a sea-foam white mane and thundercloud coat. She huffed and stomped her forelegs, staring at Celaena with eyes that seemed older than the earth itself. Celaena suddenly understood why the Asterion horses were worth their weight in gold.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
if the truth were always in our minds, or the future always plain before us, should we make the fifty false steps that the wisest man amongst us is certain to rue before half his sands are run? If they knew that before night was down the sea-foam would be whirling high, and the curlews screaming in human fear, and the gay little boat lying keel upwards on the salt ocean surf, would the pleasure-party set out so fearlessly in the morning sunshine, with champagne flowing and bright eyes glancing, and joyous laughter ringing over the golden sands and up to the fleecy heavens?
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
In the beginning, there was no time, and no man or beast walked the world. Where the ocean met the land, an ivory mare was born, her mane crafted from sea-foam and her body from barnacles. She was the Creator, goddess of all conception and supreme ruler of seven worlds. The Creator planted the seed of life in her most precious world, and a mighty elderwood tree grew to hold up the sky and nourish life. The elderwood bore creatures of all kinds—including giants from her bark, elves from her leaves, and mankind from her acorns. This elite triad of brothers and sisters dwelled in harmony, but the Creator knew peace was temporary. Avarice, wrath, and pride would set her children against each other, so she appointed a lesser god as guardian over them and commanded that he give every living thing a time to be born and a time to die. But this story isn’t about death. Not yet.
Emily R. King (Before the Broken Star (The Evermore Chronicles #1))
In the distance, steel-blue mountains loomed heavy on the horizon, their shoulders burdened with the same accursed snow the gods were currently depositing upon the lowlands. Between us and the mountains, the vast expanse of one of the innumerable caravan sites littering the Welsh shores was dimly visible, and at the far edges of the sands, grey waves tipped a mulch of brown foam up on to the beach, a sudden deposition of wishy-washy creatures that seemed to spider-leg over each other in their haste to reach the shore and see what all the fuss was about. But even these creatures comprised of sea-foam were freaked out by the death-stare, for the little critters swiftly dissipated under the force of a skeletal glower. A skull lay in the sand, its empty sockets staring down the beach at the retreating surge. Their fear wouldn’t last long. Soon they’d realise the skeleton had not engaged in pursuit, their confidence would grow, and they’d encroach, further and further up the bank. Eventually, they’d be close enough to see it was completely inert, and would overrun our position, victoriously sweeping up their fallen foe and dragging it back out with them into the dreary waves.
Hazel Butler (Chasing Azrael (Deathly Insanity #1))
Drew winced. “My back hurts. What did you do to me in your front yard? One minute I was standing, then I was flat on my back in the grass.” “I swept the leg,” she said matter-of-factly. “But why?” “Why not? It’s the fastest way to get someone to the ground.” “But we were standing on your lawn.” “Exactly. We were on nice, soft grass. I would have wrestled you sooner, but it’s not safe on the pavement.” “Do you always wrestle with guys?” “Just the ones I like.” She tapped him on the nose. “Boop.” He tapped her right back. “Boop.” She asked, “Now that I’ve taught you to watch out for the leg sweep, what else can I do for you? Breakfast in bed? Pack you a bagged lunch for work today?” He checked the time on her alarm clock. “It’s Saturday, which is a light day, but I do have a few patients after lunch.” “What do you mean it’s a light day? You’re not fully booked? You must not be a very good dentist. Maybe I should get a second opinion on that cap you glued into my mouth all willy-nilly.” He dropped his jaw in mock outrage. “Not a very good dentist? Those are fighting words, you bad girl.” She raised her eyebrows. “Want to take this back out to the front lawn?” “I think we gave your neighbors enough of a show last night.” “True,” she said. “Plus, we already got grass stains all over one change of clothes.” He wrinkled his nose. “Grass stains.” He groaned. He leaned back, resting his head on Megan’s second pillow, where Muffins normally slept. The sea-foam-green linens were a perfect complement to his skin tone. His brown eyes were a rich chocolate with bright flecks and an inner ring that was nearly green. The sheets had been purchased to complement Muffins, with his orange fur and entirely green eyes, but they looked even better around Dr. Drew Morgan. Drew asked, “What are you thinking about?” He reached up to run his fingers through her tangled morning hair. She normally hated that, but it felt good when Drew did it. “I’m thinking that you look really good in my sheets. You look good in sea-foam green.” “Thanks.” He grinned. “I can’t wait to see how you look in my bed.” “You think you’re going to get me into your bed?” “Sure. I know how it’s done. You just sweep the leg.” “I shouldn’t have told you all my secrets.” Muffins returned and situated himself between them for a bath. Drew propped himself up on one elbow and petted the cat. “So what do I have to do to get you to my place in the first place?” “Reverse psychology works well on me. You could tell me to never come over. You could ban me from your house.” He chuckled. “Whatever you do, don’t show up naked under a trench coat.” “What makes you think I’d show up naked in a trench coat?” “You’re a wild girl. Exactly what I need right now.” “You need me? Are we talking about, like, a medical type of emergency?” “You tell me.” He scooped up Muffins, placed him on the chair next to the bed, and pulled Megan close to him.
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
Most people have liberty. They can go where they want and do the things they feel like doing. But too many people are also slaves to their impulses. They have grown reactive rather than proactive, meaning that they are like seafoam pounding against a rocky shore, going in whatever direction the tide might take them.
Robin S. Sharma (The Monk Who Sold His Ferrari: A Fable About Fulfilling Your Dreams & Reaching Your Destiny)
The strongest supernatural creature in the world sat in front of me with a sea-foam green mud mask covering his face.
Stacy Claflin (Sacrifice (The Transformed, #6))
One untitled Agnes Martin painting had been hanging in the gallery since October. I would go there in the morning and stare at it. Every day at around nine o’clock, pale sunlight radiated on the painting just so, and its surface would glow, weightless and pale and supernatural as sea-foam. When I looked at the painting then, I thought: This is it. It wasn’t gold that was the sublime material, the magic matter; it was the surface itself. The stuff in between. The birth of the world. I’d found it. It was here.
Elisabeth Thomas (Catherine House)
Everything was tingly. Kip had thoughts beyond that one, amazing thoughts that people probably needed to hear. Toes were weird – like really weird, if you thought about it. Thinking was weird, too. He could think about what he was thinking about. Did that mean that there was a separate part of him? A thinking part and a . . . thinking thinking part? That was a super good idea, but first: cake. Man, he loved cake. He wished he had a cake. He imagined a cake so big he could put his face down into it and the frosting would rise up and up around him, like the waves of seafoam in the theatre vids, only thick, dense, enveloping him, taking the place of air, sliding in closer and closer and – and no, no, that was scary. He didn’t like cake. Cake needed to stay small and manageable and away from his nostrils.
Becky Chambers (Record of a Spaceborn Few (Wayfarers, #3))
Jude, You are perhaps only being overcautions, but I am writing to inform you that all is settled between the Undersea and Elfhame. The treaties are signed in sea-foam and blood. Expectantly, Cardan
Holly Black (Cartas de Cardan a Jude)
He was spun from the shadows, a very extension of the night. His gloomy presence contrasted with his surroundings, a backdrop of orchids in all shapes and colors - some as frothy and white as seafoam, some as red and riotous as forest fire, some with speckled flute-shaped petals, and some iridescent like butterfly wings.
Thea Guanzon (The Hurricane Wars (The Hurricane Wars, #1))
I stared down at her, my gaze riveted. I couldn’t help myself. Silently I pressed her image into my mind, taking in every characteristic of my newfound hero. Her gnarled fingers like claws pressed the ground. Her white hair lifted in feathery wisps above tired and watery seafoam-green eyes. Her face reminded me of dried cracked earth, her story written in the deep wrinkled lines on her brown, suntanned skin. I had never seen anyone look frailer yet more fierce.
Susie Newman (Eating Yellow Paint)
She sits on a golden throne, surrounded by thorny roses and hummingbirds. Her rich, dark skin is offset against the sea-foam blue gown she wears and the bright green, bat-like wings that extend from her back. Her dark hair is piled high on the top of her head, pinned in place with gold-dipped flowers.
Elise Kova (A Dance with the Fae Prince (Married to Magic, #2))
Do you laugh, seafoam? Do you smile, ice, and observe your triumph with an angel's remove? Sapphire-flamed phoenix, risen, do you command me once again to look upon your works and despair?
Amal El-Mohtar & Max Gladstone
After the combined efforts of Poppy and the maid, Catherine was dressed in a pale seafoam gown, neither blue nor green but some perfect shade between the two. The bodice was close-fitting, stylishly cut without a waist seam, the skirts plain until the knee, where they draped in rows of flounces. The matching jacket, tailored to the waist, was trimmed with silk fringe in interwoven shades of blue, green, and silver-gray. A small, flirtatious hat was set on the upsweep of her hair, which had been done in a waterfall chignon with the ends tucked up and pinned beneath. To Catherine, who had gone so long without wearing anything pretty or modish, the effect was disconcerting. She was a stylishly turned-out woman in the looking glass, decidedly feminine and dashing. "Oh, miss, you're as pretty as the girls they paint on tins of sweets," the housemaid exclaimed.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
We were given a suite of connecting rooms, all centered on a large, lavish lounge that was open to the sea and city below. My bedroom was appointed in seafoam and softest blue with pops of gold—like the gilded clamshell atop my pale wood dresser. I had just set it down when the white door behind me clicked open and Rhys slid in.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))