Epic Bible Quotes

The books I liked became a Bible from which I drew advice and support; I copied out long passages from them; I memorized new canticles and new litanies, psalms, proverbs, and prophecies, and I sanctified every incident in my life by the recital of these sacred texts. My emotions, my tears, and my hopes were no less sincere on account of that; the words and the cadences, the lines and the verses were not aids to make believe: but they rescued from silent oblivion all those intimate adventures of the spirit that I couldn’t speak to anyone about; they created a kind of communion between myself and those twin souls which existed somewhere out of reach; instead of living out my small private existence, I was participating in a great spiritual epic.

DEAR DI­ARY You are greater than the Bible And the Con­fer­ence of the Birds And the Up­an­ishads All put to­geth­er You are more se­vere Than the Scrip­tures And Ham­mura­bi’s Code More dan­ger­ous than Luther’s pa­per Nailed to the Cathe­dral door You are sweet­er Than the Song of Songs Might­ier by far Than the Epic of Gil­gamesh And braver Than the Sagas of Ice­land I bow my head in grat­itude To the ones who give their lives To keep the se­cret The dai­ly se­cret Un­der lock and key Dear Di­ary I mean no dis­re­spect But you are more sub­lime Than any Sa­cred Text Some­times just a list Of my events Is holi­er than the Bill of Rights And more in­tense

Widespread criticisms of jihad in Islam and the so-called sword verses in the Quran have unearthed for fair-minded Christians difficult questions about Christianity's own traditions of holy war and 'texts of terror.' Like Hinduism's Mahabharata epic, the Bible devotes entire books to war and rumors thereof. Unlike the Quran, however, it contains hardly any rules for how to conduct a just war.

In the Roman world, Ovid’s Metamorphoses – that extraordinary mythological epic about people changing shape (and probably the most influential work of literature on Western art after the Bible) – repeatedly returns to the idea of the silencing of women in the process of their transformation.

The story describes an incident during the trial of a black schoolteacher accused of disposing of a mule on which there was a mortgage. A defense witness, who was colored but looked white, took the stand and was being sworn in when the judge told the sheriff the man had been given the wrong Bible.

We’re at different places on our journey but we share a guiding story, a sweeping epic drama called the Bible. We find faith as we follow Jesus and share a willingness to honestly wrestle with God and our questions and doubts. We find dignity as God’s image-bearers and strive to call out that dignity in one another.

I do not believe that my generation, my cousins who have been educated in the American way, all of whom are MDs or PhDs, have any comparable learning...I am not saying anything so trite as that life is fuller when people have myths to live by. I mean rather that a life based on the Book is closer to the truth, that it provides the material for deeper research in and access to the real nature of things. Without the great revelations, epics, and philosophies as part of our natural vision, there is nothing to see out there, and eventually little left inside. The Bible is not the only means to furnish a mind, but without a book of similar gravity, read with the gravity of the potential believer, it will remain unfurnished.

As the epic film, Noah, debuts this weekend, those of you who have read Samrajni of Pemako know about the Noah subplot in the novel. Yes, Safiya the protagonist is distantly related to Noah...

As the Epic Film, Noah, debuts this weekend, those of you who have read Samrajni of Pemako know about the Noah subplot in the novel. Yes, Safiya, the protagonist is distantly related to Noah...

1. Women do not have as great a need for poetry because their own essence is poetry. 2. Every uneducated person is a caricature of himself. 3. Versatility of education can be found in our best poetry, but the depth of mankind should be found in the philosopher. 4. If you want to see mankind fully, look at a family. Within the family minds become organically one, and for this reason the family is total poetry. 5. Considered subjectively, philosophy always begins in the middle, like an epic poem. 6. Duty is for Kant the One and All. Out of the duty of gratitude, he claims, one has to defend and esteem the ancients; and only out of duty has he become a great man. 7. Nothing truly convincing - which would possess thoroughness, vigor, and skill - has been written against the ancients as yet; especially not against their poetry. 8. The genuine priest always feels something higher than compassion. 9. Man is a creative retrospection of nature upon itself. In the world of language, or in other words in the world of art and liberal education, religion necessarily appears as mythology or as Bible.

To imagine oneself playing a role in an epic story is exhilarating, but to actually step into an epic story is terrifying. And the problem is that imagination might be safe, but being safe doesn’t write any stories worth reading.

It is impossible to overrate the importance of Homer on the culture and religion of ancient Greece. It is not that the Iliad and the Odyssey were “the Bible” the way the Hebrew Scriptures or the New Testament were for later Jews and Christians. No one thought these epics were “the inspired and infallible Word of God.” But they were thoroughly known and deeply influential for people in the Greek and Roman worlds as they thought about their lives and the nature of the divine realm. In particular, the views of the afterlife propounded by Homer were massively influential for centuries to come.

The Bible is the saga of Yahweh and Adam, the prodigal son and his ever gracious heavenly father; humanity in their rebellion and God in his grace. This narrative begins with Eden and does not conclude until the New Jerusalem is firmly in place. It is all one story. And if you are a believer, it is all your story.

Interpretation first appears in the culture of late classical antiquity, when the power and credibility of myth had been broken by the “realistic” view of the world introduced by scientific enlightenment. Once the question that haunts post-mythic consciousness—that of the seemliness of religious symbols—had been asked, the ancient texts were, in their pristine form, no longer acceptable. Then interpretation was summoned, to reconcile the ancient texts to “modern” demands. Thus, the Stoics, to accord with their view that the gods had to be moral, allegorized away the rude features of Zeus and his boisterous clan in Homer’s epics. What Homer really designated by the adultery of Zeus with Leto, they explained, was the union between power and wisdom. In the same vein, Philo of Alexandria interpreted the literal historical narratives of the Hebrew Bible as spiritual paradigms. The story of the exodus from Egypt, the wandering in the desert for forty years, and the entry into the promised land, said Philo, was really an allegory of the individual soul’s emancipation, tribulations, and final deliverance. Interpretation thus presupposes a discrepancy between the clear meaning of the text and the demands of (later) readers. It seeks to resolve that discrepancy. The situation is that for some reason a text has become unacceptable; yet it cannot be discarded. Interpretation is a radical strategy for conserving an old text, which is thought too precious to repudiate, by revamping it. The interpreter, without actually erasing or rewriting the text, is altering it. But he can’t admit to doing this. He claims to be only making it intelligible, by disclosing its true meaning. However far the interpreters alter the text (another notorious example is the Rabbinic and Christian “spiritual” interpretations of the clearly erotic Song of Songs), they must claim to be reading off a sense that is already there.

The Aryans also composed two of the world’s greatest (and longest) epic poems, the Ramayana and the Mahabharata, which is eight times longer than the Iliad and Odyssey put together and three times longer than the Bible—all without the benefit of writing. These Vedic recitations, both sacred and secular, form the bedrock of Indian and Hindu culture. The

Rather than boasting a doctrinal statement, the Refuge extends an invitation: The Refuge is a mission center and Christian community dedicated to helping hurting and hungry people find faith, hope, and dignity alongside each other. We love to throw parties, tell stories, find hope, and practice the ways of Jesus as best we can. We’re all hurt or hungry in our own ways. We’re at different places on our journey but we share a guiding story, a sweeping epic drama called the Bible. We find faith as we follow Jesus and share a willingness to honestly wrestle with God and our questions and doubts. We find dignity as God’s image-bearers and strive to call out that dignity in one another. We all receive, we all give. We are old, young, poor, rich, conservative, liberal, single, married, gay, straight, evangelicals, progressives, overeducated, undereducated, certain, doubting, hurting, thriving. Yet Christ’s love binds our differences together in unity. At The Refuge, everyone is safe, but no one is comfortable.24 Imagine if every church became a place where everyone is safe, but no one is comfortable. Imagine if every church became a place where we told one another the truth. We might just create sanctuary.

Literature is as old as human language, and as new as tomorrow's sunrise. And literature is everywhere, not only in books, but in videos, television, radio, CDs, computers, newspapers, in all the media of communication where a story is told or an image created. It starts with words, and with speech. The first literature in any culture is oral. The classical Greek epics of Homer, the Asian narratives of Gilgamesh and the Bhagavad Gita, the earliest versions of the Bible and the Koran were all communicated orally, and passed on from generation to generation - with variations, additions, omissions and embellishments until they were set down in written form, in versions which have come down to us. In English, the first signs of oral literature tend to have three kinds of subject matter - religion, war, and the trials of daily life - all of which continue as themes of a great deal of writing.

The Refuge is a mission center and Christian community dedicated to helping hurting and hungry people find faith, hope, and dignity alongside each other. We love to throw parties, tell stories, find hope, and practice the ways of Jesus as best we can. We’re all hurt or hungry in our own ways. We’re at different places on our journey but we share a guiding story, a sweeping epic drama called the Bible. We find faith as we follow Jesus and share a willingness to honestly wrestle with God and our questions and doubts. We find dignity as God’s image-bearers and strive to call out that dignity in one another. We all receive, we all give. We are old, young, poor, rich, conservative, liberal, single, married, gay, straight, evangelicals, progressives, overeducated, undereducated, certain, doubting, hurting, thriving. Yet Christ’s love binds our differences together in unity. At The Refuge, everyone is safe, but no one is comfortable.24

That one over this is the one for the use of the white people,” Judge Amistead Jones said. “Not that I am a stickler about such matters, but if there are to be different Bibles kept for the races, then you must not get them mixed that way. Have a different place for them, and keep them there. Then such mistakes as this will not be made.” Also practiced in Atlanta, and thus likely elsewhere in the South, as described by Baker in Following the Color Line, p. 36. GEORGE

Perhaps the best way to understand the book of Revelation is that it is a prophetic critique of civil religion. By civil religion I mean the religion of state where the state is the actual object of worship. Civil religion is religious patriotism. Christians are called to practice responsible citizenship but to renounce religious patriotism. In the practice of civil religion, the truth that the state is what is actually being deified and worshiped is usually carefully concealed. Instead of directly worshiping the state as God, worship of the state is expressed through sacred symbols, myths, and personifications of the state treated with religious reverence. The tendency to deify the state is particularly pronounced in empires—rich and powerful nations that believe they have a divine right to rule other nations and a manifest destiny to shape history according to their agenda. God’s contention with empire is one of the major themes of the Bible. From Egypt and Assyria to Babylonia and Rome, the prophets constantly critique empire as a direct challenge to the sovereignty of God. This prophetic tradition of empire critique reaches its apex in the book of Revelation. John the Revelator tells us that Rome’s claim of a divine right to rule the nations and of a manifest destiny to shape history is the very thing that God has given to his Son, Jesus Christ. Thus the drama of Revelation is cast as an epic conflict between the Lamb (Jesus) and the Beast (Rome).

The Proverbs 31 woman is introduced as a 'woman hayil' the same Hebrew word used for Boaz and signifies 'strength' and 'power' like that of an 'elite warrior similar to the hero of the Homeric epic.' The meaning, however, gets lost in translation, for whenever hayil applies to a woman in the Bible, translators have opted for softer English words ('virtuous,' 'excellent,' 'capable,' or 'noble character'). These words don't begin to do justice to the meaning, for in reality 'it may well be that a woman of this caliber had all the attributes of her male counterpart.' She is a woman of valor--an apt description of an ezer.

But surely the commute that defines the era was Noah's voyage aboard his eponymous ark, and to this day it remains the most epic commuting story ever told. As most people know, God felt that Earth had essentially "jumped the shark" (or "raped the angel" as they used to say back then), so rather than try to fix it, He instead decided to simply wash everyone away in a great flood and start over from scratch--just as you might do to your computer's hard drive if it has a really bad virus. So God spoke to Noah and commanded him to build an ark, aboard which he'd carry two of every animal in the world....Thus was born humankind's lust for gigantic vehicles, for God's instructions to Noah were basically the world's first car commercial, and the sales pitch was this: Large vehicles are your salvation.

Therein, of course, lay a terrible problem for the Jews. One of their greatest gifts was the critical faculty. They had always had it. It was the source of their rationality, one of the factors which brought them to monotheism in the first place, for their critical sense would not allow them to accept the follies of polytheism. But they were not only critical; they were, perhaps above all, self-critical. And they were, or at any rate had been in ancient times, superb historians. They saw the truth, sometimes the ugly truth, about themselves, and they told it in the Bible. Whereas other peoples produced their national epics to endorse and bolster their self-esteem, the Jews wanted to discover what had gone wrong with their history, as well as what had gone right. That is why the Bible is littered with passages in which the Jews are presented as a sinful people, often too wicked or obstinate to accept God’s law, though they know it. The Jews, in fact, produced the evidence for their own prosecution.

The holy books of all religions serve as our pathfinders. The Quran of Islam, the Bible of Christianity, the Gita of Hinduism, Guru Granth Sahib of Sikhism, the Tipitaka of Buddhism, and the Agamas of Jainism are all examples of scriptures that dig deep into the perennial questions that have been plaguing mankind since time immemorial. They try to answer them in their own ways. The great souls and prophets who have pioneered various religious movements in the world have left behind their treasure of wisdom in the form of written words available in those Holy Scriptures. Not only such scriptures, but also the many non-religious texts such as the ancient epics of Greece, the writings of Confucius and the celebrated tragedies of Shakespeare, all throw light on the unending questions that mankind has been struggling with. We would be deprived of a lot if such a legacy of contributions down the ages is lost sight of. It would have been nice if we could delve deep into the vast ocean of insights presented in each one of this line-up of classics and holy books in our quest for the necessary answers. It is not that all these scriptures necessarily provide a straight and conclusive answer. Had it been so, the human race would not have been struggling with it even today.

Sometimes what-if fantasies are useful. Imagine that the entirety of Western civilisation’s coding for computer systems or prints of all films ever made or all copies of Shakespeare and the Bible and the Qur’an were encrypted and held on one tablet device. And if that tablet was lost, stolen, burnt or corrupted, then our knowledge, use and understanding of that content, those words and ideas, would be gone for ever – only, perhaps, lingering in the minds of a very few men of memory whose job it had been to keep ideas alive. This little thought-experiment can help us to comprehend the totemic power of manuscripts. This is the great weight of responsibility for the past, the present and the future that the manuscripts of Constantinople carried. Much of our global cultural heritage – philosophies, dramas, epic poems – survive only because they were preserved in the city’s libraries and scriptoria. Just as Alexandria and Pergamon too had amassed vast libraries, Constantinople understood that a physical accumulation of knowledge worked as a lode-stone – drawing in respect, talent and sheer awe. These texts contained both the possibilities and the fact of empire and had a quasi-magical status. This was a time when the written word was considered so potent – and so precious – that documents were thought to be objects with spiritual significance. (...) It was in Constantinople that the book review was invented. Scholars seem to have had access to books within a proto-lending-library system, and there were substantial libraries within the city walls. Thanks to Constantinople, we have the oldest complete manuscript of the Iliad, Aeschylus’ dramas Agamemnon and Eumenides, and the works of Sophocles and Pindar. Fascinating scholia in the margins correct and improve: plucking work from the page ‘useful for the reader . . . not just the learned’, as one Byzantine scholar put it. These were texts that were turned into manuals for contemporary living.

Many people today acquiesce in the widespread myth, devised in the late 19th century, of an epic battle between ‘scientists’ and ‘religionists’. Despite de unfortunate fact that some members of both parties perpetuate the myth by their actions today, this ‘conflict’ model has been rejected by every modern historian of science; it does not portray the historical situation. During the 16th and 17th centuries and during the Middle Ages, there was not a camp of ‘scientists’ struggling to break free of the repression of ‘religionists’; such separate camps simply did not exist as such. Popular tales of repression and conflict are at best oversimplified or exaggerated, and at worst folkloristic fabrications. Rather, the investigators of nature were themselves religious people, and many ecclesiastics were themselves investigators of nature. The connection between theological and scientific study rested in part upon the idea of the Two Books. Enunciated by St. Augustine and other early Christian writers, the concept states that God reveals Himself to human beings in two different ways – by inspiring the sacred writers to pen the Book of Scripture, and by creating the world, the Book of Nature. The world around us, no less than the Bible, is a divine message intended to be read; the perceptive reader can learn much about the Creator by studying the creation. This idea, deeply ingrained in orthodox Christianity, means that the study of the world can itself be a religious act. Robert Boyle, for example, considered his scientific inquiries to be a type of religious devotion (and thus particularly appropriate to do on Sundays) that heightens the natural philosopher’s knowledge and awareness of God through the contemplation of His creation. He described the natural philosopher as a ‘priest of nature’ whose duty it was to expound and interpret the messages written in the Book of Nature, and to gather together and give voice to all creation’s silent praise of its Creator.

After leaving Egypt, Moses and his people endured a forty-year commute, starting with a truly epic crossing of the Red Sea (which made getting through the Lincoln Tunnel at rush hour seem like traipsing across a country bridge in a sundress on a spring afternoon).

No, there is no romance so stirring, so thrilling, and so heartrending as life's great epic; but its fate is the same as that of the Bible — there are but few who care to read it.

The commonalities include the following, in the order of the Moses myth as in the Bible. For the exact book or tablet in which these themes appear, please consult the epic itself.

It was through Peter that I first realized that the people in the Bible were actually losers, not spiritual giants.

Palestine (the Muslims) squaring off in this epic battle of the ages. Ironically, many Muslims despise ‘Jews,’ not realizing that they are, themselves, ‘Hebrews’ if they truly believe their own Quran. The three Pentateuch-reading religions—Judaism, Islam, and Christianity—are referred to as the ‘Abrahamic’ religions. What separates the three is, the ‘denial’ of Christ being our ‘Lord and Savior’—the ancient mechanism of antichrist. If you will remember, this was one of the central requirements for partaking in the ‘Knowledge of Good and Evil’ : ‘the denial of the existence of God.’ Most readers never catch on to any of these scriptural nuances, (‘tweaks’) and head to their respective temples every week simply to play church.

In one North Carolina courthouse, there was a white Bible and a black Bible to swear to tell the truth on.

THE BIBLE, IN ALL ITS PARTS, IS INTENDED to communicate to humanity the realities of redemption. Over

ancient audiences interpreted the epic event to reflect their own particular worldview.

one like a son of man. In Aramaic and Hebrew the phrase “son of man” is simply a common expression to describe someone or something as human or humanlike. In Ezekiel, God often addresses the prophet as “son of man” to emphasize his humanness (e.g., Eze 2:6). coming with the clouds of heaven. In ancient Near Eastern literature clouds are often associated with the appearances of deities. In the OT it is Yahweh, the God of Israel, who rides on the clouds as his chariot (Ps 104:3; Isa 19:1). In Canaanite mythology Baal, the son of El, is described as “rider/charioteer of the clouds.” After doing battle with, and defeating, Yamm/Sea, Baal is promised an everlasting kingdom and eternal dominion. Some scholars see echoes of this story in Da 7:9–14. Others argue for a background in Mesopotamian cosmic conflict myths (such as the creation epic Enuma Elish and the Myth of Anzu), which depict a deity (Marduk and Ninurta, respectively) defeating the representative of chaos (Tiamat and Anzu, respectively) and regaining authority and dominion for the gods and for himself. Daniel’s vision has no conflict between the “one like a son of man” and the beasts. The interpretation in vv. 17–27, however, makes it clear that the “one like a son of man” in some way represents “the holy people of the Most High” (vv. 18, 22), who are in conflict with the “little horn” that arises out of the fourth beast (v. 8).

But the underlying biblical conception of character is often unpredictable, in some ways impenetrable, constantly emerging from and slipping back into a penumbra of ambiguity, in fact has greater affinity with dominant modern notions than do the habits of conceiving character typical of the Greek epics.

The notion of a people chosen by God wasn't intended to bestow privilege but responsibility. Jewish history attests that this role carries more burden than glory. The classical way Jews understood their own history was as the story of a people failing to live in the intensity of God's presence. This is the story told by the Hebrew Bible -- a national epic astonishing in its relentless criticism of the people it is supposedly intended to celebrate.

You’re an atrocity.” Whatever control I had was stretched too taut and snapped like a rubber band pulled to its limits. I moved faster than I probably ever had. Shooting forward, I snatched the thick Bible out of the man’s hands. Whipping my arm back, I swung it around and the sound of what had to be the most epic biblical bitch smack on Earth echoed through the garage. Roth’s surprised laugh shook me to the core. “Damn. That’s getting served. In the biblical sense.

Because of their creation of a written language, the Sumerians succeeded in passing on to subsequent societies (and to us) their findings, philosophy, knowledge, and legends, including the Epic of Gilgamesh, a tale written on cuneiform writing in 3700 BCE. The topic of this myth is similar to the tale of the deluge and the spread of Noah’s progeny all over the earth, an integral component of Genesis, the first book of the Hebrew Bible.

[On the Human Soul] While the Bible offers a clear distinction that the soul is separate from the body and discusses the idea of eternal life in a general context, it may come as a surprise that the Bible does not specifically indicate that the human soul is immortal. The postulation that we have an immortal soul is an extrapolation or ‘a reading between the lines ’ made by the Church Fathers. Even though the Bible itself cannot affirm the eternal soul, this has been the prevailing thought for billions of people.

Ps 72 Woven together throughout Ps 72 are the themes of justice, peace and domestic prosperity. In the prologue to the Code of Hammurapi, and especially in the epilogue, the king boasts that his just rule also brings peace and prosperity to the cities of his realm. Immediately following the prayer for justice in “Ashurbanipal’s Coronation Hymn,” the priest asks that the king’s dominion might also be characterized by prosperity (abundance of grain; cf. v. 16) and “peace” (Assyrian salimu is akin to the Hebrew salom in v. 3 [NIV “prosperity”]). Injustice resulted in social chaos (see note on 94:20). In Egyptian thought, the execution of justice by the king expels chaos from creation, bringing harmony and order to the land. Thus, in both Mesopotamia and Egypt, people set their hope on the king for justice and prosperity. In Egypt, this revolved around a pharaoh who participated in the company of the gods and mediated divine blessing to humanity, but this hope never focused beyond the currently living king, except very late in Egyptian history (c. 300 BC), when expectations arose among some that a king would arise to restore the former glory of Egypt. Similarly, Mesopotamians did not conceive of a future king who would usher in an ideal age. People considered only their contemporary king as the agent of the gods who ideally maintained a prosperous social order. In contrast, in the OT one finds a progressively developing theme of hope for a future, worldwide kingdom ruled by a Davidic king on behalf of Yahweh. 72:4 defend the afflicted. Care for the weak members of society is the practical test of a just and good government throughout the ancient Near East, as claimed by Hammurapi (see note on Ps 72; see also the article “Coronation Hymns in the Ancient Near East”). In the Ugaritic Kirta epic, King Kirta is rebuked for failure to “pursue the widow’s case,” “take up the wretched’s claim,” “expel the poor’s oppressor” and “feed the orphan.” In the Egyptian “Teaching for Merikare,” the king is exhorted, “Do justice, then you endure on earth; / Calm the weeper, don’t oppress the widow.

Whereas the Jewish Bible represents the concentrated literary genius of an ancient and amazingly rich culture—mythic, epic, lyric, historical, and visionary, in texts assembled over many centuries and then judiciously synthesized, redacted, and polished

[S]lavery had been in place in the New World since 1502. By 1641, Governor Winthrop, a devout Puritan, helped the colony produce a code of laws making slavery legal that lasted 140 years. Though the Puritans sought religious freedom, it was just for themselves. They saw themselves as God's special people and their Bible as sanctioning bondage.

question, albeit speculative, won’t go away. No scholar quarrels with the archaic antiquity of the earliest elements of the Hebrew Bible: the Song of the Sea and of Moses. A strong consensus exists that their form is consistent with other similar archaic ‘song’ literature from the late Bronze Age Near East of the twelfth century BCE. If that’s correct, even though the Song of the Sea has much in common with the Phoenician epic of the storm god Baal’s conquest of the sea, why would early Israelite poets have created, perhaps just a century after the purported event, their own identity-epic, in which the degrading element of enslavement and liberation is entirely distinct from other archetypes, if there was nothing to it lodged in the folk memory? The most sceptical view presupposes an indigenous subset of Canaanites, settled in the Judaean hills, differentiating themselves from the rest of Canaanite tribes and states, through a mythic history of separation, migration and conquest, all with exceptionally detailed topography. Why that story?

While the drama of the biblical epic ultimately leads to Jesus, he isn’t the ultimate focal point of every passage. That’s homiletical flair, not the reality of the text.

The Scriptures do not prescribe a prayer or instruct you to “ask Jesus into your heart.” Instead, the Bible uses verbs like “follow,”“receive,” and “believe.

One of the great comforts of Israel’s epic is that it contains raw expressions of fierce doubt and lack of trust in God embraced by the ancient Israelites as part of their faith. I am thankful to God for this Bible rather than a sanitized one where spiritual struggles of the darkest kind are brushed aside as a problem to be fixed rather than accepted as part of the journey of faith.

The good news is as epic as it gets, with universal theological implications, and yet the Bible tells it from the perspective of fishermen and farmers, pregnant ladies and squirmy kids. This story about the nature of God and God's relationship to humanity smells like mud and manger hay and tastes like salt and wine...It is the biggest story and the smallest story all at once--the great quest for the One Ring and the quiet friendship of Frodo and Sam.

Where Are You in Scripture? Though the Bible is first of all a story about God, the Bible is also a story of God’s holy and gracious effort to reconcile with his people—with you and me. Our names may not be written on the pages of the Bible, but we are nevertheless part of God’s epic story. When you read Scripture, don’t view God as the missing piece of your life. You will find no satisfaction in believing that a little bit of God will fill in the gaps. You don’t need God to complete your story. Rather, you are part of God’s story. As the history of the world unfolds, every person fits into God’s sovereign plan. When you realize that God is not the missing piece for you, but that you are a piece to his master work, you will begin to grasp the true meaning of Scripture. You will find God when you immerse yourself in his Word.

William Ryan and Walter Pitman, authors of Noah’s Flood: The New Scientific Discoveries About the Event That Changed History, had spent a half decade using core samples to try to prove that the Black Sea region had undergone a massive flood, which they believed to be the historical origin of the tale of Noah’s ark. The idea of a massive flood wasn’t unique to the Bible, they pointed out. The Epic of Gilgamesh, written in the 18th century B.C., also described a flood that wiped out nearly all living things. The Bible even suggested the location for the flood, stating that the ark ultimately rested on the slopes of Mount Ararat, in northern Turkey, less than 200 miles from the shores of the Black Sea.