Scythe Book Quotes

A SMALL PIECE OF TRUTH I do not carry a sickle or scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.

It was a year for the ages, like 79, like 1346, to name just a few. Forget the scythe, Goddamn it, I needed a broom or a mop. And I needed a vacation.

A halo surrounded the grim reaper nun, Sister Maria. (By the way-I like this human idea of the grim reaper. I like the scythe. It amuses me.)

the more she read, the more she came to understand the fears and the dreams of mortals. The trouble they all had living in the moment, in spite of the fact that the moment was all they had.

…found the use of actual old-school books off putting, but over time, he'd learned there was something very satisfying to the turning of pages, and the emotional catharsis of slamming a book shut

By the way--I like this human idea of the grim reaper. I like the scythe. It amuses me.

Death's Diary: 1942 - It was a year for the ages, like 79, like 1346, to just name a few. Forget the scythe, God damn it, I needed a broom or a mop. And I needed a holiday. (...) They say that war is death's best friend, but I must offer you a different point of view on that one. To me, war is like the new boss who expects the impossible. He stands over your shoulder repeating one thing, incessantly. 'Get it done, get it done'. So you work harder. You get the job done. The boss however, does not thank you. He asks for more.

But there’s something . . . grounding . . . when you hold a book in your hands

As heirs to a legacy more than two centuries old, it is understandable why present-day Americans would take their own democracy for granted. A president freely chosen from a wide-open field of two men every four years; a Congress with a 99% incumbency rate; a Supreme Court comprised of nine politically appointed judges whose only oversight is the icy scythe of Death -- all these reveal a system fully capable of maintaining itself. But our perfect democracy, which neither needs nor particularly wants voters, is a rarity. It is important to remember there still exist other forms of government in the world today, and that dozens of foreign countries still long for a democracy such as ours to be imposed on them.

Morrison kept looking to everyone else, probably hoping someone would provide him with an opinion, because he wasn’t ready to have one of his own.

Lord Rodrik was seldom seen without a book in hand, be it in the privy, on the deck of his Sea Song, or whilst holding audience. Asha had oft seen him reading on his high seat beneath the silver scythes. He would listen to each case as it was laid before him, pronounce his judgment…and read a bit whilst his captain-of-guards went to bring in the next supplicant.

Damisch Control

The sharpened stake was through his heart and the scythe blade through his throat before he could realize that he had not been the first of his kind; and that what clever people have not yet learned, some quite ordinary people have not yet entirely forgotten.

I’ve found a way to drive Scythe half insane. Where is he? Tzana, pretend to quarrel with me.” “His name is Pet!” Tzana argued, so emphatic that Ela knew she meant it. Kien frowned. “No, he’s Scythe!” On the other side of the clearing, the huge destroyer stopped eating and began to pace. Ela was certain she saw him sweating.

You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.

He should have just gone on with his unremarkable life — because then, maybe, just maybe, he might have had the chance to do something remarkable with it in time.

he’d learned there was something very satisfying to the turning of pages, and—as Citra had already discovered—the emotional catharsis of slamming a book shut.

NuZealand.

So Jeri reached out a hand to help Greyson up … and found that even after Greyson was on his feet, Jeri didn’t want to let go.

If the bar can’t be lowered,” Goddard said slowly, “then the floor must be raised.

Graceland

meu anjo – my angel

Copper aspires to gold, and glass to a precious gem

Maybe you’re the last thorn in my side I’ll ever have to deal with.” “Naah – there’s always another thorn.

(By the way—I like this human idea of the grim reaper. I like the scythe. It amuses me.)

All these years, I wanted to lay eyes on you,” Constantine said. “And now that I do, I am profoundly unimpressed.” “Thanks,” said Rowan. “I love you, too.

All children in Madagascar were raised genderless and forbidden to choose a gender until reaching adulthood. Even then, many didn’t choose a single state of being. Some, like Jerico, found fluidity to be their nature.

Asha climbed quickly, to the fifth story and the room where her uncle read. Not that there are any rooms where he does not read. Lord Rodrik was seldom seen without a book in hand, be it in the privy, on the deck of his Sea Song, or whilst holding audience. Asha had oft seen him reading on his high seat beneath the silver scythes. He would listen to each case as it was laid before him, pronounce his judgment . . . and read a bit whilst his captain-of-guards went to bring in the next supplicant.

Morrison suspected he had no idea how many people worked behind the scenes of his “simple” life, because they always scurried like mice when they saw him coming. To the Toll, a fortress manned by dozens upon dozens of people appeared to be mostly deserted.

A SMALL PIECE OF TRUTH I do not carry a sickle or scythe. I only wear a hooded black robe when it’s cold. And I don’t have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I’ll help you out. Find yourself a mirror while I continue.

A SMALL PIECE OF TRUTH: I do not carry a sickle or scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.

A SMALL PIECE OF TRUTH I do not carry a sickle or scythe. I only wear a hooded black robe when it’s cold. And I don’t have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I’ll help you out. Find yourself a mirror while I continue. I

A small piece of truth, I do not carry a sickle or a scythe. I only wear a black hooded robe when it's cold. And I do not have those skull-like facial features that you seem to enjoy pinning on me from a distance. Want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.

***A SMALL PIECE OF TRUTH*** I do not carry a sickle or a scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.

This time there was no delay between explosion and sound. The ends of her hair singed. Shrapnel shredded the palm leaves around her. She hit the ground, and Faraday dove on top of her to protect her. Another explosion, along with heat that she thought would ignite their flesh … but then it faded, resolving into twangs of dying metal and the acrid smell of burning insulation. When they looked

Just then, the Tonists began throwing rocks at the trucks. One came in the chief's direction, and he caught it before it could hit him. It wasn't exactly a rock, though. First of all, it was metallic and had hard ridges. He's seen something like this before in history books. Think! What was it called? Oh right--a grenade! And in an instant there was nothing more for the chief to think about.

There was an odd justice to it. Not so much live-by-the-blade/die-by-the-blade; it was more becoming the blade, and losing oneself. Scythe Faraday had once told him and Citra that they were called scythes rather than reapers, because they were not the ones who killed; they were merely the tool that society used to bring fair-handed death to the world. But once you’re the weapon, you’re nothing more than a tool for someone else to wield.

I nominated Curie, because I thought it would impress Scythe Anastasia.” “And why would you want to impress her?” Goddard asked. Trick question, thought Morrison. And he decided it was better to be nailed by the truth than to be caught in a lie. “I had the feeling that she was going places – and so I figured if I impressed her—” “You might get pulled along in her wake?” “Yes, something like that.” Goddard nodded, accepting the explanation. “Well, she did go somewhere. Although to be more precise, I suspect she went multiple places before she was fully digested.

The citizens of the City of Rome, therefore, could not believe it when toward the end of the first decade of the fifth century, they woke to find Alaric, king of the Visigoths, and all his forces parked at their gates. He might as well have been the king of the Fuzzy-Wuzzies, or any other of the inconsequential outlanders that civilized people have looked down their noses at throughout history. It was preposterous. They dispatched a pair of envoys to conduct the tiresome negotiation and send him away. The envoys began with empty threats: any attack on Rome was doomed, for it would be met by invincible strength and innumerable ranks of warriors. Alaric was a sharp man, and in his rough fashion a just one. He also had a sense of humor. “The thicker the grass, the more easily scythed,” he replied evenly. The envoys quickly recognized that their man was no fool. All right, then, what was the price of his departure? Alaric told them: his men would sweep through the city, taking all gold, all silver, and everything of value that could be moved. They would also round up and cart off every barbarian slave. But, protested the hysterical envoys, what will that leave us? Alaric paused. “Your lives.” In that pause, Roman security died and a new world was conceived.

The agricultural and pastoral character of the people upon whom the town depended for its existence was shown by the class of objects displayed in the shop windows. Scythes, reap-hooks, sheep-shears, bill-hooks, spades, mattocks, and hoes at the iron-monger’s; bee-hives, butter-firkins, churns, milking stools and pails, hay-rakes, field-flagons, and seed-lips at the cooper’s; cart-ropes and plough-harness at the saddler’s; carts, wheel-barrows, and mill-gear at the wheelwright’s and machinist’s, horse-embrocations at the chemist’s; at the glover’s and leather-cutter’s, hedging-gloves, thatchers’ knee-caps, ploughmen’s leggings, villagers’ pattens and clogs.

them flouncing into the pool, drinking, tossing up their heads, drinking again, the water dribbling from their lips in silver threads. There was another flounce, and they came out of the pond, and turned back again towards the farm. She looked further around. Day was just dawning, and beside its cool air and colours her heated actions and resolves of the night stood out in lurid contrast. She perceived that in her lap, and clinging to her hair, were red and yellow leaves which had come down from the tree and settled silently upon her during her partial sleep. Bathsheba shook her dress to get rid of them, when multitudes of the same family lying round about her rose and fluttered away in the breeze thus created, "like ghosts from an enchanter fleeing." There was an opening towards the east, and the glow from the as yet unrisen sun attracted her eyes thither. From her feet, and between the beautiful yellowing ferns with their feathery arms, the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi. A morning mist hung over it now—a fulsome yet magnificent silvery veil, full of light from the sun, yet semi-opaque—the hedge behind it being in some measure hidden by its hazy luminousness. Up the sides of this depression grew sheaves of the common rush, and here and there a peculiar species of flag, the blades of which glistened in the emerging sun, like scythes. But the general aspect of the swamp was malignant. From its moist and poisonous coat seemed to be exhaled the essences of evil things in the earth, and in the waters under the earth. The fungi grew in all manner of positions from rotting leaves and tree stumps, some exhibiting to her listless gaze their clammy tops, others their oozing gills. Some were marked with great splotches, red as arterial blood, others were saffron yellow, and others tall and attenuated, with stems like macaroni. Some were leathery and of richest browns. The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.

What region would you like to live in?” Jeri asked. “If you had your choice of any in the world?” It was a loaded question, and perhaps Jeri knew that. Because everyone else in the world did have that choice. Anyone could live anywhere. But for Greyson it was less of an actual place than a state of mind. “I’d want to live in a place where nobody knows me,” he told Jeri. “But nobody does know you,” Jeri said. “They know the Toll – but not you. Take me, for instance; I don’t even know your name.” “It’s … Greyson.” Jeri smiled with the warmth of the Madagascan sun. “Hello, Greyson.” That simple greeting seemed to both melt him and freeze him at once. Madagascans were known to be charming – perhaps that’s all it was. Or perhaps not. He realized he’d have to unpack it later.

I sensed a change in your physiology as you spoke to the salvage captain,” the Thunderhead said. “Why is that your business?” Greyson snapped. “It was just an observation,” the Thunderhead said calmly. “With all your years of studying human nature, don’t you know when you’re intruding into my privacy?” “I do know,” said the Thunderhead. “And I also know when you want that privacy intruded upon.” As always the Thunderhead was right, and it ticked Greyson off. He wanted to talk about it. To process it. But of course there was no one he could talk to but the Thunderhead. “I believe she had an effect on you,” it said. “She? Isn’t it presumptuous of you to call Jeri ‘she’?” “Not at all. The sky above the cave is clear and full of stars.” Then the Thunderhead explained to Greyson how Jeri saw gender, a thing as varied as the wind and ephemeral as clouds.

All children in Madagascar were raised genderless and forbidden to choose a gender until reaching adulthood. Even then, many didn’t choose a single state of being. Some, like Jerico, found fluidity to be their nature. “I feel like a woman beneath the sun and the stars. I feel like a man under the cover of clouds,” Jerico had explained to the crew when assuming command. “A simple glance at the skies will let you know how to address me at any given time.” It wasn’t the fluidity that stymied the crew – that was common enough – but they had trouble getting used to the meteorological aspect of Jerico’s personal system. Having been raised in a place where such things were the norm rather than the exception, it never even occurred to Jerico that it could be an issue, until leaving home. Some things simply made a person feel feminine; other things made a person feel masculine. Wasn’t that true of everyone regardless of gender? Or did binaries deny themselves the things that didn’t fit the mold? Well, regardless, Jerico found the faux pas and overcompensations more humorous than anything else.

In the future, white supremacy will no longer need white people,” the artist Lorraine O’Grady said in 2018, a prognosis that seemed, at least on the surface, to counter what James Baldwin said fifty years ago, which is that “the white man’s sun has set.” Which is it then? What prediction will hold? As an Asian American, I felt emboldened by Baldwin but haunted and implicated by O’Grady. I heard the ring of truth in her comment, which gave me added urgency to finish this book. Whiteness has already recruited us to become their junior partners in genocidal wars; conscripted us to be antiblack and colorist; to work for, and even head, corporations that scythe off immigrant jobs like heads of wheat. Conscription is every day and unconscious. It is the default way of life among those of us who live in relative comfort, unless we make an effort to choose otherwise. Unless we are read as Muslim or trans, Asian Americans are fortunate not to live under hard surveillance, but we live under a softer panopticon, so subtle that it’s internalized, in that we monitor ourselves, which characterizes our conditional existence. Even if we’ve been here for four generations, our status here remains conditional; belonging is always promised and just out of reach so that we behave, whether it’s the insatiable acquisition of material belongings or belonging as a peace of mind where we are absorbed into mainstream society. If the Asian American consciousness must be emancipated, we must free ourselves of our conditional existence. But what does that mean? Does that mean making ourselves suffer to keep the struggle alive? Does it mean simply being awake to our suffering? I can only answer that through the actions of others. As of now, I’m writing when history is being devoured by our digital archives so we never have to remember. The administration has plans to reopen a Japanese internment camp in Oklahoma to fill up with Latin American children. A small band of Japanese internment camp survivors protest this reopening every day. I used to idly wonder whatever happened to all the internment camp survivors. Why did they disappear? Why didn’t they ever speak out? At the demonstration, protester Tom Ikeda said, “We need to be the allies for vulnerable communities today that Japanese Americans didn’t have in 1942.” We were always here.

The knowledge of death came to me that night, from the dying that engulfs the world. I saw how we live toward death, how the swaying golden wheat sinks together under the scythe of the reaper, like a smooth wave on the sea-beach. He who abides in common life becomes aware of death with fear. Thus the fear of death drives him towards singleness. He does not live there, but he becomes aware of life and is happy, since in singleness he is one who becomes, and has overcome death. He overcomes death through overcoming common life. He does not live his individual being, since he is not what he is, but what he becomes. One who becomes grows aware of life, whereas one who simply exists never will, since he is in the midst of life. He needs the heights and singleness to become aware of life. But in life he becomes aware of death. And it is good that you become aware of collective death, since then you know why your singleness and your heights are good. Your heights are like the moon that luminously wanders alone and through the night looks eternally clear. Sometimes it covers itself and then your are totally in the darkness of the earth, but time and again it fills itself out with light. The death of the earth is foreign to it. Motionless and clear, it sees the life of the earth from afar, without enveloping haze and streaming oceans. Its unchanging form has been solid from eternity. It is the solitary clear light of the night, the individual being, and the near fragment of eternity. From there you look out, cold, motionless, and radiating. With otherworldly silvery light and green twilights, you pour out into the distant horror. You see it but your gaze is clear and cold. Your hands are red from living blood, but the moonlight of your gaze is motionless. It is the life blood of your brother, yes, it is your own blood, but your gaze remains luminous and embraces the entire horror and the earth’s round. Your gaze rests on silvery seas, on snowy peaks, on blue valleys, and you do not hear the groaning and howling of the human animal. The moon is dead. Your soul went to the moon, to the preserver of souls. Thus the soul moved toward death. I went into the inner death and saw that outer dying is better than inner death. And I decided to die outside and to live within. For that reason I turned away and sought the place of the inner life.

July I watch eagerly a certain country graveyard that I pass in driving to and from my farm. It is time for a prairie birthday, and in one corner of this graveyard lives a surviving celebrant of that once important event. It is an ordinary graveyard, bordered by the usual spruces, and studded with the usual pink granite or white marble headstones, each with the usual Sunday bouquet of red or pink geraniums. It is extraordinary only in being triangular instead of square, and in harboring, within the sharp angle of its fence, a pin-point remnant of the native prairie on which the graveyard was established in the 1840’s. Heretofore unreachable by scythe or mower, this yard-square relic of original Wisconsin gives birth, each July, to a man-high stalk of compass plant or cutleaf Silphium, spangled with saucer-sized yellow blooms resembling sunflowers. It is the sole remnant of this plant along this highway, and perhaps the sole remnant in the western half of our county. What a thousand acres of Silphiums looked like when they tickled the bellies of the buffalo is a question never again to be answered, and perhaps not even asked. This year I found the Silphium in first bloom on 24 July, a week later than usual; during the last six years the average date was 15 July. When I passed the graveyard again on 3 August, the fence had been removed by a road crew, and the Silphium cut. It is easy now to predict the future; for a few years my Silphium will try in vain to rise above the mowing machine, and then it will die. With it will die the prairie epoch. The Highway Department says that 100,000 cars pass yearly over this route during the three summer months when the Silphium is in bloom. In them must ride at least 100,000 people who have ‘taken’ what is called history, and perhaps 25,000 who have ‘taken’ what is called botany. Yet I doubt whether a dozen have seen the Silphium, and of these hardly one will notice its demise. If I were to tell a preacher of the adjoining church that the road crew has been burning history books in his cemetery, under the guise of mowing weeds, he would be amazed and uncomprehending. How could a weed be a book? This is one little episode in the funeral of the native flora, which in turn is one episode in the funeral of the floras of the world. Mechanized man, oblivious of floras, is proud of his progress in cleaning up the landscape on which, willy-nilly, he must live out his days. It might be wise to prohibit at once all teaching of real botany and real history, lest some future citizen suffer qualms about the floristic price of his good life. * * *

Now there is this song on the saxophone. And I am ashamed. A glorious little suffering has just been born, an exemplary suffering. Four notes on the saxophone. They come and go, they seem to say: You must be like us, suffer in rhythm. All right! Naturally, I’d like to suffer that way, in rhythm, without complacence, without self-pity, with an arid purity. But is it my fault if the beer at the bottom of my glass is warm, if there are brown stains on the mirror, if I am not wanted, if the sincerest of my sufferings drags and weighs, with too much flesh and the skin too wide at the same time, like a sea-elephant, with bulging eyes, damp and touching and yet so ugly? No, they certainly can’t tell me it’s compassionate—this little jewelled pain which spins around above the record and dazzles me. Not even ironic: it spins gaily, completely self-absorbed; like a scythe it has cut through the drab intimacy of the world and now it spins and all of us, Madeleine, the thick-set man, the patronne, myself, the tables, benches, the stained mirror, the glasses, all of us abandon ourselves to existence, because we were among ourselves, only among ourselves, it has taken us unawares, in the disorder, the day to day drift: I am ashamed for myself and for what exists in front of it. It does not exist. It is even an annoyance; if I were to get up and rip this record from the table which holds it, if I were to break it in two, I wouldn’t reach it. It is beyond—always beyond something, a voice, a violin note. Through layers and layers of existence, it veils itself, thin and firm, and when you want to seize it, you find only existants, you butt against existants devoid of sense. It is behind them: I don’t even hear it, I hear sounds, vibrations in the air which unveil it. It does not exist because it has nothing superfluous: it is all the rest which in relation to it is superfluous. It is. And I, too, wanted to be. That is all I wanted; this is the last word. At the bottom of all these attempts which seemed without bonds, I find the same desire again: to drive existence out of me, to rid the passing moments of their fat, to twist them, dry them, purify myself, harden myself, to give back at last the sharp, precise sound of a saxophone note. That could even make an apologue: there was a poor man who got in the wrong world. He existed, like other people, in a world of public parks, bistros, commercial cities and he wanted to persuade himself that he was living somewhere else, behind the canvas of paintings, with the doges of Tintoretto, with Gozzoli’s Florentines, behind the pages of books, with Fabrizio del Dongo and Julien Sorel, behind the phonograph records, with the long dry laments of jazz. And then, after making a complete fool of himself, he understood, he opened his eyes, he saw that it was a misdeal: he was in a bistro, just in front of a glass of warm beer. He stayed overwhelmed on the bench; he thought: I am a fool. And at that very moment, on the other side of existence, in this other world which you can see in the distance, but without ever approaching it, a little melody began to sing and dance: “You must be like me; you must suffer in rhythm.

The mists parted and a figure that haunts all of humanity's nightmares glided ethereally towards him. Its black cloak absorbed the street light. The scythe in its hand glimmered with the memory of a thousand dying suns. This guy had really made an effort with his Halloween costume. The image was ruined, though, when he crashed to the ground like he had been shot. His feet waving in the air, Dave could see the roller skates. 'A

But every person has their own encyclopedia written, which grows out from each soul, composed from birth onward, hundreds of thousands of pages pressing into each other and yet there’s air between them! Like trembling leaves in a forest. A book of contradictions. What’s in there is revised by the moment, the images touch themselves up, the words flicker. A wave washes through the entire text, followed by the next wave, and the next . . .

I am ghast45lala." I looked at ghast45lala and he looked pretty OP. He had a bedrock scythe with obsidian armor. Impressed I moved on to the last person.

He was a fearsome looking foe, tall and big, and wielded a giant scythe.

A man who tries to impress his wife by cutting down a tree with a scythe during the hottest time of the day has many failings.

Cronus, much like his mother Gaia, has survived in concept through the ages. He is pictured in various ways and interpreted in a variety of ways; from the benevolent Father Time, sometimes at certain festive times of the year referred to as Santa Claus, to the scythe-wielding, hooded specter of death we call the Grim Reaper, Cronus is, in some sense, the only remaining true master of his ancient domain.

I am… the Skeleton King.” He was a fearsome looking foe, tall and big, and wielded a giant scythe.

He started spinning round and round and then yelled out, “Scythe Cyclone!

In my childhood, I had been terrified of the vicious monsters I read about in my books. Yet I was learning that as much to be feared was a scythe-like smile and words that cut deep. Never had I imagined people like this existed—those who took pride in treading on the dignity of another, those who thrived on the misery of others.

Going over the same piece of land again and again, learning where the obstructions are hidden, where the grass grows well and where poorly, is the original meaning of being the best in your field.

By the way -- I like this human idea of the grim reaper. I like the scythe. It amuses me.

God had walked beside her in these fields. His hands on her heart as she had swung her scythe. His touch had floated to her on the breeze, His comfort toying with her hair on every gust of wind. His tears had fallen with hers in the rain, and the clatter of the leaves in the forest had signaled His presence, and the voices of the trees were His voice, whispering His promises and words to her with every breath. His presence had met her and been with her while she worked, restoring her mind in ways she had not known possible. He had carried the grief with her as she carried sheaf after sheaf, laying them within the unburned part of the barn for storage from the elements while He reminded her again and again of every word from His book that was stored within her heart.

It is quite beautiful, that level of death, although to some it could be considered nightmarish. Whatda see old pal? Do you see death? Is he waiting at your doorstep for you and ya kin? Does he carrya scythe? Is he hooded like the healers? Or are you fortunate enough to gaze upon his face? Do you see an old, wrinkled man there? Eyes the only thing darker than his skin, with his hair in stark contrast? You kow what they say, black isn’t a colour, but a shade. Void of all colour, just like my pal there is void of all life. Or do you see a young man hell bent on revenge, trying to bring a loved one back from the grave? Trying so hard he will put every living soul in the ground to lift his love out of it? Is he pissed off that he can grant death, but the one thing he wants, life, is out of his grasp? Does he speak to you at night? When you sleep, with all the lights out, does he glide silently to your bedside and touch you? Does it hurt? Or do you not feel anything, just close your eyes and never open them again? Do you fear death, Steven?

They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world …  “And the man breaks.