Budapest Quotes

We've searched our database for all the quotes and captions related to Budapest. Here they are! All 100 of them:

(Jace) "Is there anything special you want to see? Paris? Budapest? The Leaning Tower of Pisa?" Only if it falls on Sebastian's head, she thought.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Where would you like to go, what would you really like to do with your life? See Istanbul, Port Said, Nairobi, Budapest. Write a book. Smoke too many cigarettes. Fall off a cliff but get caught in a tree halfway down. Get shot at a few times in a dark alley on a Morrocan midnight. Love a beautiful woman.
Ray Bradbury (Dandelion Wine)
I am with you. I'm not going anywhere." "Is there anything special you want to see? Paris? Budapest? The Leaning Tower of Pisa?" Only if it falls on Sebastian's head, she thought. "Can we travel to Idris? I mean, I guess, can the apartment travel there?" "It can't get past the wards." His hand traced a path down her cheek. "You know,I really missed you." "You mean you haven't been going on romantic dates with Sebastian while you've been away from me?" "I tried", Jace said, "but no matter how liquored up you get him , he just won't put out.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
You see? There are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that's what we provide in our own modest, humble, insignificant - (sighs deeply). Oh, fuck it. -M. Gustave, The Grand Budapest Hotel (2014)
Wes Anderson (The Grand Budapest Hotel: The Illustrated Screenplay)
Budapest is a prime site for dreams: the East’s exuberant vision of the West, the West’s uneasy hallucination of the East. It is a dreamed-up city; a city almost completely faked; a city invented out of other cities, out of Paris by way of Vienna — the imitation, as Claudio Magris has it, of an imitation.
M. John Harrison (The Course of the Heart)
Don’t fret none, darlin’. I got your back.” “You said that in Budapest. I still have the scars, too.
Shelly Laurenston (The Mane Event (Pride, #1))
(Hungarian...) the only tongue the devil respects.
Chico Buarque (Budapeste)
the knowledge of impermanence that haunts our days is their very fragrance.
Rainer Maria Rilke (Rilke, die Donaumonarchie und ihre Nachfolgestaaten: Vorträge der Jahrestagung der Rilke-Gesellschaft 1993 in Budapest (Budapester Beiträge zur Germanistik) (German Edition))
MR. MOUSTAFA There are still faint glimmers of civilization left in this barbaric slaughterhouse that was once know as humanity... He was one of them. What more is there to say?
Wes Anderson (The Grand Budapest Hotel: The Illustrated Screenplay)
Communism existed once, during two 45 minute half-times, when Honved, from Budapest, won over England by 6-3. The English played individually, and the Hungarians, collectively.
Jean-Luc Godard
To be alone—the eternal refrain of life. It wasn’t better or worse than anything else. One talked too much about it. One was always and never alone. A violin, suddenly—somewhere out of a twilight—in a garden on the hills around Budapest. The heavy scent of chestnuts. The wind. And dreams crouched on one’s shoulders like young owls, their eyes becoming lighter in the dusk. A night that never became night. The hour when all women were beautiful.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
The hotel is just Budapest, America. Imported phones, lamps, cupboards etc. God forbid Americans should feel they are somewhere ELSE.
Alan Rickman (Madly, Deeply: The Diaries of Alan Rickman)
So I close this long reflection on what I hope is a not-too-quaveringly semi-Semitic note. When I am at home, I will only enter a synagogue for the bar or bat mitzvah of a friend's child, or in order to have a debate with the faithful. (When I was to be wed, I chose a rabbi named Robert Goldburg, an Einsteinian and a Shakespearean and a Spinozist, who had married Arthur Miller to Marilyn Monroe and had a copy of Marilyn’s conversion certificate. He conducted the ceremony in Victor and Annie Navasky's front room, with David Rieff and Steve Wasserman as my best of men.) I wanted to do something to acknowledge, and to knit up, the broken continuity between me and my German-Polish forebears. When I am traveling, I will stop at the shul if it is in a country where Jews are under threat, or dying out, or were once persecuted. This has taken me down queer and sad little side streets in Morocco and Tunisia and Eritrea and India, and in Damascus and Budapest and Prague and Istanbul, more than once to temples that have recently been desecrated by the new breed of racist Islamic gangster. (I have also had quite serious discussions, with Iraqi Kurdish friends, about the possibility of Jews genuinely returning in friendship to the places in northern Iraq from which they were once expelled.) I hate the idea that the dispossession of one people should be held hostage to the victimhood of another, as it is in the Middle East and as it was in Eastern Europe. But I find myself somehow assuming that Jewishness and 'normality' are in some profound way noncompatible. The most gracious thing said to me when I discovered my family secret was by Martin, who after a long evening of ironic reflection said quite simply: 'Hitch, I find that I am a little envious of you.' I choose to think that this proved, once again, his appreciation for the nuances of risk, uncertainty, ambivalence, and ambiguity. These happen to be the very things that 'security' and 'normality,' rather like the fantasy of salvation, cannot purchase.
Christopher Hitchens (Hitch 22: A Memoir)
You and I remember Budapest very differently
Hawkeye John
I’d like to introduce Officer Hank Budapest with the Bayview Police Department. He has some questions about what you witnessed on Monday.
Karen M. McManus (One Of Us Is Lying (One of Us is Lying, #1))
She had wandered the streets of Vienna and Budapest. No wonder she felt different. Perhaps travel did that to you. Mary had come home, but she was not the same Mary who had left—not quite.
Theodora Goss (The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club #3))
the wilderness should be preserved for political reasons. We may need it someday not only as a refuge from excessive industrialism but also as a refuge from authoritarian government, from political oppression. Grand Canyon, Big Bend, Yellowstone, and the High Sierras may be required to function as bases for guerrilla warfare against tyranny...The value of wilderness, on the other hand, as a base for resistance to centralized domination is demonstrated by recent history. In Budapest and Santo Domingo, for example, popular revolts were easily and quickly crushed because an urbanized environment gives the advantage to the power with technological equipment. But in Cuba, Algeria, and Vietnam the revolutionaries, operating in mountain, desert, and jungle hinterlands with the active or tacit support of a thinly dispersed population, have been able to overcome or at least fight to a draw official establishment forces equipped with all of the terrible weapons of twentieth century militarism.
Edward Abbey
But every Sunday morning, in the clear blue sky before the church of St Stephen, the good Lord hovers above the town, invisible and merciful, righteous and terrible, ever present and everywhere the same, be it in Sárszeg or in Budapest, in Paris or New York.
Dezső Kosztolányi (Skylark)
Nincsen olyan része Budapestnek, ami a számomra ne volna az ifjúság. Ha egyszer örökre el kellene hagynom a Várost, aznap megöregednék, mint a hesiterbachi szerzetes.
Antal Szerb (Budapesti kalauz Marslakók számára)
What’s the capital of Hungary?” she demanded. I knew the answer was Budapest before she even gave me the four choices. “A. Accra B. Berlin C. New Delhi D. Budapest.
Atheneum Books for Young Readers (Out of My Mind (The Out of My Mind Series))
...Faludy György (...) meséli el, hogy mikor 1945 után hazatért, hogy megnézze, hogyan épül a demokrácia demokraták nélkül, találkozott régi barátjával, Goda Gáborral, aki a kocka fordultával Budapest kultúrtanácsnoka lett, és azzal kapacitálta a költőt a kommunista párthoz csatlakozásra: "Miénk a guba. Az egész guba." Ennyi a nagy "kultúrharc" alapja, a "guba".
Csunderlik Péter (Csupa hajdani eszelős)
O Danúbio, pensei, era o Danúbio mas não era azul, era amarelo, a cidade toda era amarela, os telhados, o asfalto, os parques, engraçado isso, uma cidade amarela, eu pensava que Budapeste fosse cinzenta, mas Budapeste era amarela.
Chico Buarque (Budapeste)
The ferry back to Budapest was full of reveling women in their fifties. Elbows linked, they danced, stomped, sang, and coughed. In the bar, they banged bottles against the counter. The few men in their party were slumped at the tables, heads buried in their arms. Only two were sitting upright, addressing a salami of durable appearance with a pocketknife.
Elif Batuman (The Idiot)
(The greatest city in Gallacia is fine, I suppose, but I didn’t feel the need to linger. Imagine if an architect wanted to re-create Budapest, but on a shoestring budget and without any of the convenient flat bits. While fighting wolves.)
T. Kingfisher (What Feasts at Night (Sworn Soldier, #2))
Ali por uns segundos tive a sensação de haver desembarcado em país de língua desconhecida, o que para mim era sempre uma sensação boa, era como se a vida fosse partir do zero.
Chico Buarque (Budapeste)
I admit I have a Hungarian temper. Why not? I am from Hungary. We are descendants of Genghis Khan and Attila the Hun. —ZSA ZSA GABOR
Julia Buckley (Death in a Budapest Butterfly (A Hungarian Tea House Mystery #1))
I never used an outline until I started "The Bourne Legacy" project for which I was required to write an outline. To be honest, I thought I'd hate the idea, assuming that if I'd thought of all the ideas at the outset I'd have to incentive to actually write the book, because for me part of the joy of writing are the surprises you come upon as the book takes shape. But something curious and exciting happened. As I wrote the outline, some sections would be very detailed, others quite sketchy, so that whole portions of the book would be covered by one line, such as "Bourne is chased by Khan through Budapest," which when I wrote the novel turned out to be 40-50 pages! Now I'll never write a novel without first doing an outline. Looking back on it, I used to get bogged down in extraneous characters and situations, especially during the first 100 pages (which I find the most difficult to write) that I would later have to scrap, wasting time and energy, and frustrating me. Now that never happens.
Eric Van Lustbader
...those lives whose truths had disappeared into a vault of eternity beyond her reach—were not gone or silenced. She could hear them calling.
Jessica Keener (Strangers in Budapest)
Within a week I walked the streets of Tel-Aviv, I wandered around Budapest and found myself admiring the Architecture of Paris. That's the power of great literature.
Byron Ortiz
At least if she died doing this she would be dying for a reason. There were a lot of ways to die in Budapest.
A.L. Buehrer (Dronefall)
Our true city is the new Jerusalem, even while we still belong to Paris or Budapest or New York.
D.A. Carson (Christ and Culture Revisited)
This is like that time in Budapest." "You and I remember Budapest very differently.
Jack Lewis Baillot
You and I remember Budapest very differently" to black widow
Hawkeye Avengers
Cities tend to reflect the character of their residents. Budapest is a dramatic, theatrical kind of place. More than anything else it resembles a stage set.
Kati Marton (Wallenberg: Missing Hero)
My name is Carmilla,” said the woman. “I’ve come from Mina, in Budapest. I think it’s time you were rescued from this place. Don’t you think?
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
Kingbitter, as he did frequently nowadays, was standing at his window and looking out onto the street below. This street offered the most mundane and ordinary sights of Budapest's mundane and ordinary streets. The muck-, oil-, and dog-dirt-spattered sidewalk was lined with parked cars, and in the one-yard gaps between the cars and the leprotically peeling house walls the most mundane and ordinary passersby were attempting to go about their business, their hostile features an outward clue to their dark thoughts. Every now and then, perhaps in a hurry to overtake the single file inching along the front, one of them would step off the sidewalk, only for an entire chorus of rancorous car horns to give the lie to any groundless hope of breaking free from the line.
Imre Kertész (Liquidation)
From Stettin in the Baltic to Trieste in the Adriatic, an iron curtain has descended across the Continent. Behind that line lie all the capitals of the ancient states of Central and Eastern Europe. Warsaw, Berlin, Prague, Vienna, Budapest, Belgrade, Bucharest and Sofia, all these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject in one form or another, not only to Soviet influence but to a very high and, in many cases, increasing measure of control from Moscow.” —Winston Churchill, speaking in Fulton, Missouri, March 5, 1946
Anne Applebaum (Iron Curtain: The Crushing of Eastern Europe, 1944-1956)
When I was in Auschwitz, I kept asking, why am I here, what did I do wrong? What did my grandfather do wrong? And a young American man, he put me in the right knowledge. You didn’t do anything wrong, he said, the world did something wrong, terribly wrong. This young man, he went to Budapest in the beginning of it all, and he saved Jews, he gave out passports of Sweden, and because the Hungarians didn’t know how to read Swedish, this was how my father was saved. And thousands of others too, with these pieces of paper. I am here to tell you that one man can make a difference, and that man can be you, any of you…
Alice Lok Cahana
Before 9/11, I thought that tragedy had the potential to connect us with humanity in ways that prosperity does not. I thought that if prosperity tends to isolate, tragedy must connect. Now I realize that this is not always the case. One unfortunate response to tragedy is a self-righteousness about one’s own condition, a seeking proof of one’s special place in the world, even in victimhood. One afternoon, I shared these thoughts with a new colleague, the Israeli vice chancellor of the Budapest-based Central European University. When he told me that he was a survivor of Auschwitz, I asked him what lesson he had drawn from this great crime. He explained that, like all victims of Auschwitz, he, too, had said, “Never again.” In time, though, he had come to realize that this phrase lent itself to two markedly different conclusions: one was that never again should this happen to my people; the other that it should never again happen to any people. Between these two interpretations, I suggest nothing less than our common survival is at stake.
Mahmood Mamdani (Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror)
She’d been in Budapest for over four weeks and her sister Vivian had been silent since her arrival. All Sarah had was the final note her dead sister made her write telling her that Armond Stuart had fled to Hungary.
Jonas Saul (The Crypt (Sarah Roberts, #3))
No one is Sighet suspected that our fate was already sealed. In Berlin we had been condemned, but we didn't know it. We didn't know that a man called Adolf Eichmann was already in Budapest weaving his black web, at the head of an elite, efficient detachment of thirty-five SS men, planning the operation that wold crown his career; or that all the necessary means for "dealing with" us were already at hand in a place called Birkenau.
Elie Wiesel (All Rivers Run to the Sea)
If Budapest, Bratislava, Prague, Cracow, Warsaw, and Berlin belong to Europe, then why not Leningrad, why not Moscow--indeed, why stop before Vladivostok? It is all part of Eurasia, there is no state frontier between...I would like to think of myself as some utopian son of Europe, able to touch the Pacific at San Francisco with one outstretched arm and at Vladivostok with the other, and keeping the peace everywhere within my embrace.
George Konrád
It is said that you are a New Yorker the moment you remember the way New York used to be. This miraculous place lives to obliterate its history. It is history as fashion. Trend. Moments. Moments lost and... overwritten. You have to hunt the past in NY. Not like Prague. Budapest. Krakow. Paris. Istanbul. These places wear their pasts with honor over their hearts. A woman. Not a girl. New York... is youth. Always trying on new masks, new faces.
David Aja (Hawkeye #1)
We glided into Budapest at twilight, the city poured over with a viscous glowing blue, lights already blazing on the splendid Western bridges. Upside-down electronic billboards were reflected in the river, advertising Tuborg beer and Minolta cameras.
Elif Batuman (The Idiot)
From Stettin in the Baltic to Trieste in the Adriatic, an iron curtain has descended across the Continent. Behind that line lie all the capitals of the ancient states of Central and Eastern Europe. Warsaw, Berlin, Prague, Vienna, Budapest, Belgrade, Bucharest and Sofia, all these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject in one form or another, not only to Soviet influence but to a very high and, in many cases, increasing measure of control from Moscow.
Winston S. Churchill (The Sinews of Peace)
But in the end, Mogilevich eluded their grasp and settled in Moscow. The FBI closed down the Budapest outpost from which it had tracked Mogilevich. Meanwhile, the foreboding assortment of murderous gangsters and tattooed thugs known as the Russian Mafia had climbed the ladder of white-collar respectability, insinuated itself in multibillion-dollar global corporations, and taken on the protective coloring provided by K Street lobbyists and white-shoe law firms. They were now hard-wired into some of the most powerful Republican politicians in the country.
Craig Unger (House of Trump, House of Putin: The Untold Story of Donald Trump and the Russian Mafia)
To be successful, Soviet secret policemen thought that show trials needed a complex story line, a conspiracy involving many actors, and so Soviet advisers pushed their Eastern European colleagues to link the traitors of Prague, Budapest, Berlin, and Warsaw into one story. In order to do so, they needed a central figure, someone who had known some of the protagonists and who could plausibly, or semi-plausibly, be accused of recruiting all of them. Eventually they hit on a man who fit these requirements: a mildly eccentric Harvard graduate and American State Department official named Noel Field.
Anne Applebaum (Iron Curtain: The Crushing of Eastern Europe 1944-1956)
The boy who convinced you to go to Hungary, he must be very handsome,” Svetlana’s aunt Bojana told me. “You can find an excellent coffee in Budapest. I see that you are looking at my tea tray. Do you like it? It’s quite a good tray. I will make it a gift to you. But not now—only when you get married.
Elif Batuman (The Idiot)
Do you think it’s going to rain?” I asked. “Yes. Why?” My heart quickened. “I don’t know,” I said. Then I realized I wanted it to rain because maybe Ivan and his family would come back to Budapest a day early and Ivan might call me. I knew there were a lot of flaws in this reasoning. But my body didn’t know.
Elif Batuman (The Idiot)
But it was not in Mr. Gruber's nature to look for reasons. That was why he was an ideal secretary. He had been given much fancier assignments in the past. Find out by six in the evening whether Hubermann played any Tschaikovsky after the first intermission of his concert in Brussels last year. Produce a narwhal tusk at least five feet long by eight o'clock Thursday morning. Buy, in your own name, the Domino Motion Picture Theater in Zurich. On Wednesday afternoon between five and six in the Café Meteor in Budapest, slap the face of a character known as Ervin Kugyec. A good secretary does not look for reasons but gets results.
Lajos Zilahy (The Dukays)
To a Jew this role of the Jewish leaders in the destruction of their own people is undoubtedly the darkest chapter of the whole dark story. It had been known about before, but it has now been exposed for the first time in all its pathetic and sordid detail by Raul Hilberg, whose standard work The Destruction of the European Jews I mentioned before. In the matter of cooperation, there was no distinction between the highly assimilated Jewish communities of Central and Western Europe and the Yiddish-speaking masses of the East. In Amsterdam as in Warsaw, in Berlin as in Budapest, Jewish officials could be trusted to compile the lists of persons and of their property, to secure money from the deportees to defray the expenses of their deportation and extermination, to keep track of vacated apartments, to supply police forces to help seize Jews and get them on trains, until, as a last gesture, they handed over the assets of the Jewish community in good order for final confiscation.
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
Moi j'ai pensé que, dans sa vie,on ne peut même pas plier une feuille soixante-quatre fois. Même pas trente-deux. C'est bien vrai qu'on est que dalle.
Marco Lodoli (Snack-Bar Budapest)
„Idegenek idegenek között” – ez a nagyvárosi ember alapélménye a saját világáról.
Gábor Gyáni (Hetkoznapi Budapest: Nagyvarosi Elet A Szazadfordulon (A Varosi Arcai) (Hungarian Edition))
(Mr. Moustafa) I think his world ended long before he even entered it. Although I must say, he certainly maintained the illusion with a marvelous grace.
Wes Anderson (The Grand Budapest Hotel: The Illustrated Screenplay)
According to a recent condom-company survey, the average Hungarian has sex 131 times a year (behind only France and Greece), making them Europe’s third-greatest liars.
Rick Steves (Rick Steves Budapest)
If the Viennese had a food pyramid, desserts would be the main category.
Rick Rodgers (Kaffee Haus: Exquisite Desserts from the Classic Cafes of Vienna, Budapest, and Prague)
An Austro-Hungarian Torte is the edible equivalent of a Mozart symphony combined with the frivolity of a Strauss waltz.
Rick Rodgers (Kaffeehaus: Exquisite Desserts from the Classic Cafes of Vienna, Budapest, and Prague)
Everything in life is trouble, haven't you learned that yet?
Jessica Keener (Strangers in Budapest)
Since Antiquity, rage had been seen as a feature of the powerful. Only those at the top could afford and enact it. They alone had the power to let others feel their rage.
Ute Frevert (Emotions in History: Lost and Found (The Natalie Zemon Davis Annual Lecture Series at Central European University, Budapest))
Now we wanted to sample all that life had to offer, and we were off to a pretty good start. I’d danced under the moonlight in Tuscany, dined on escargot in a French village, and risked my life climbing into the back of a motorbike taxi in Budapest. I’d seen world-famous landmarks and met local people. The one thing I hadn’t done was achieve a non-self-assisted orgasm. Awkward, I know.
Kendall Ryan (Room Mates (Roommates, #1-3 & #4))
Pici passi. Un viagio in bici xe fato de pici passeti. I pici passi te permeti, co te entri int'un paeseto, de entrarghe veramente, de sentirlo tuo, de respirar a pieni polmoni la sua atmosfera, de imerger totalmente i tui zinque sensi int'un novo contesto. I pici passi fa questo. Fa assaporar i loghi, fa assaporar le persone, fa assaporar la tua crescita assieme a queste. Pici passi come filosofia de vita.
Diego Manna (Zinque bici, do veci e una galina con do teste: Una rumizada de Trieste a Budapest e le maldobrie de Ucio e Ciano)
1945. II. 10. Negyed 10. Az egyik katona a szalonablakból leselkedett ki (a kis kíváncsi), lelőtték. Fejlövést kapott. Amikor a szalonban jártam és az ablak alatt, ahol őt kilőtték, átbújtam (mivel mutatkozni nekem sincs kedvem) belenyúltam véletlenül a földön szétfolyt agyvelős vérbe. Ebéd közben jutott az eszembe, hogy még azóta nem mostam kezet. Azért ettem tovább nyugodtan. Kezet mosni luxus. (...) Már az óvóhely feljáró felől is lőnek. Ilyennek képzeltem a háborút. Most már nagyon unom.
Krisztián Ungváry (Budapest ostroma)
Budapeste parece um lugar esplêndido, pelo que pude ver de relance pela janela do trem e o pouco que caminhei pelas ruas. Tive receio de me afastar muito da estação, já que chegáramos atrasados e o trem haveria de partir o mais próximo possível do horário marcado. Tive a impressão de que estávamos deixando o Ocidente e adentrando o Oriente; cruzamos o rio Danúbio, que aqui tem nobre extensão e profundidade, por majestosas pontes ao leste que nos conduziram entre as tradições do reinado turco.
Bram Stoker
Later he would tell her that their story began at the Royal Hungarian Opera House, the night before he left for Paris on the Western Europe Express. The year was 1937; the month was September, the evening unseasonably cold. His brother had insisted on taking him to the opera as a parting gift. The show was Tosca and their seats were at the top of the house. Not for them the three marble-arched doorways, the façade with its Corinthian columns and heroic entablature. Theirs was a humble side entrance with a red-faced ticket taker, a floor of scuffed wood, walls plastered with crumbling opera posters. Girls in knee-length dresses climbed the stairs arm in arm with young men in threadbare suits; pensioners argued with their white-haired wives as they shuffled up the five narrow flights. At the top, a joyful din: a refreshment salon lined with mirrors and wooden benches, the air hazy with cigarette smoke. A doorway at its far end opened onto the concert hall itself, the great electric-lit cavern of it, with its ceiling fresco of Greek immortals and its gold-scrolled tiers. Andras had never expected to see an opera here, nor would he have if Tibor hadn’t bought the tickets. But it was Tibor’s opinion that residence in Budapest must include at least one evening of Puccini at the Operaház. Now Tibor leaned over the rail to point out Admiral Horthy’s box, empty that night except for an ancient general in a hussar’s jacket. Far below, tuxedoed ushers led men and women to their seats, the men in evening dress, the women’s hair glittering with jewels.
Julie Orringer (The Invisible Bridge (Vintage Contemporaries))
often tell me how lucky I am, to live in a country where cheap flights to dozens of exciting destinations are so readily available. They never understand why England doesn’t completely empty into Prague or Budapest every weekend. What they don’t appreciate is that to take advantage of these cheap flights, one must generally get to London; and that getting to London, from almost anywhere else in the country, is either dramatically more expensive, or considerably less pleasant, than the flights in question. Usually both.
Tony James Slater (Can I Kiss Her Yet?: A True Tale of Love, Marriage... and Camels)
Krisztina played the song. It was a lament made of eight notes, repeated. It was an empty melody. It sounded elemental too; it made Krisztina think of the snow falling beyond the window and across Budapest. She wondered if it was snowing in England. Alice’s mother would be here again later, all the way from London. There was so much grief. They were mourning her little girl before she had gone. Without realising she heard these words making themselves part of the song. She played what she could, her head down, her face solemn and determined. She went back to the start, and felt the world falling away, the tears drying on her face. She heard the words coming, falling like the luminous snow. After a few minutes she looked across what seemed like a huge divide to Alice on the bed and faltered. In the house of the body, the lights were being extinguished, one by one. The floors were now bare, the walls unadorned, all sound hollow and lost; all that remained was the ghost of what was, the glimmer of the melody, the tune, the song of a life lived and lost in three minutes.
Simon Avery (The Teardrop Method)
I have to tell you about these things from the past, because they are so important. The really important things usually lie in the distant past. And until you know about them, if you'll forgive my saying so, you will always to some extent a mere newcomer in my life. When I was at High School my favourite pastime was walking. Or rather, loitering. If we are talking about my adolescence, it's the more accurate word. Systematically, one by one, I explored all the districts of Pest. I relished the special atmosphere of every quarter and every street. Even now I can still find the same delight in houses that I did then. In this respect I've never grown up. Houses have so much to say to me. For me, they are what Nature used to be to the poets - or rather, what the poets thought of as Nature. But best of all I loved the Castle Hill District of Buda. I never tired of its ancient streets. Even in those days old things attracted me more than new ones. For me the deepest truth was found only in things suffused with the lives of many generations, which hold the past as permanently as mason Kelemen's wife buried in the high tower of Deva.
Antal Szerb
Klara tells another story with a happy ending. With the knowledge that we’d been evacuated to the brick factory, that we expected any day to get shipped away, to Kenyérmező or who knows where, she went to the German consulate in Budapest to demand to be sent to wherever we were. At the consulate, the doorman told her, “Little girl, go away. Don’t come in here.” She wasn’t going to be told no. She tried to sneak back in the building. The doorman saw her and beat her up, punching her shoulders, her arms, her stomach, her face. “Get out of here,” he said again. “He beat me up and saved my life,” she tells us.
Edith Eger (The Choice: Embrace the Possible)
He ate a ghastly blutwurst in the dining car, finished Bartha, managed to buy a copy of Est, the evening edition brought in from Budapest, at the station buffet in Brno. Clearly, political life was heating up. Two members of parliament had come to blows. At a workers’ march in the Tenth District, bricks thrown, people arrested. To the Editor. Sir: How can we let these liberal pansies run our lives? An editorial called for “strength, firmness, singleness of purpose. The world is changing, Hungary must change with it.” A coffeehouse by the university had burned down. TENS OF THOUSANDS CHEER HITLER SPEECH IN REGENSBURG. With photograph, on page one. Here they come, Morath thought.
Alan Furst (Kingdom of Shadows (Night Soldiers, #6))
But—and this was not so good—Viola, M and D had apparently gone with Ivor Novello to look at the silly film test I had done a year ago, and were much impressed. Viola even rang up from London about it, and told me there were plans for the two of us, with Ivor, to go to Budapest in the summer and do some film. A letter from M followed, full of this idea. Flattering, perhaps, but what about ties? I did not want to have a film career. ‘It would mean contracts, not being able to go away when I wanted to, no Fowey, no boats, and all for what? A little money and a lot of gush, and tiring, tedious work. I’m not at all keen. Besides, it takes four days to get to Budapest, and four days back, all in a beastly train.
Daphne du Maurier (Myself When Young)
I turned to the exercises. “The dog kicked by the boy is red. Circle the picture that applies.” The pictures showed a red dog kicking a boy, a dog kicking a red boy, a red boy kicking a dog, and a boy kicking a red dog. It was the kind of test used to diagnose Wernicke’s aphasia. “I think I’m going to buy it,” Owen decided. “Do you want to split the cost? One of us can read it here in Budapest, and the other can take it to the village and leave it there as a gift.” I didn’t want to read the book, not in Budapest and not in a village, but I didn’t want to seem snotty so I said okay and paid for half of it. It wasn’t expensive. It was, however, big, and Owen didn’t have a bag, so I ended up carrying it all day.
Elif Batuman (The Idiot)
The purpose of ritual is to wake up the old mind in us, to put it to work. The old ones inside us, the collective unconscious, the many lives, the different eternal parts, the senses and parts of the brain that have been ignored. Those parts do not speak English. They do not care about television. But they do understand candlelight and colours. They do understand nature.
Z. Budapest
Brahms' friends in Budapest finally managed to talk him into attending the performance of Don Giovanni - he had initially turned down their invitation, arguing that he preferred to read the score and had never seen or heard a decent performance of the work. He would even prefer a cold beer, he insisted. But in the end he allowed his friends to drag him along to their box, where he demonstratively settled down on a sofa at the back in the hope of enjoying a rest. But it was not long before he was making increasingly inarticulate noises indicative of his enthusiasm, and at the end of the first act he was heard to shout out: 'Most excellent, admirable, what a deuce of a fellow!' He then ran on to the stage and embraced Mahler with typically grumpy cordiality.
Jens Malte Fischer (Gustav Mahler)
When I first started hearing about the places that give people joy, I realized that many of them evoke this giddy feeling of abundance: carnivals and circuses, dollar stores and flea markets, and giant old hotels like the Grand Budapest of director Wes Anderson’s imagining. The same feeling also exists on a smaller scale. An ice-cream cone covered in rainbow sprinkles is like a candy store held in your hand. A shower of confetti, a multicolored quilt, a simple game of pick-up sticks, have this irresistible allure. Even the language of joy is rife with excess. We say we’re overjoyed or that we’re brimming with happiness. We say, “My cup runneth over.” And this is very much how it feels to be in a moment of joy, when our delight is so abundant it feels like it can’t be contained by the boundaries of our bodies.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
From Stettin in the Baltic to Trieste in the Adriatic,’ he declared, an iron curtain has descended across the Continent. Behind that line lie all the capitals of the ancient states of Central and Eastern Europe: Warsaw, Berlin, Prague, Vienna, Budapest, Belgrade, Bucharest and Sofia, all these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject in one form or another, not only to Soviet influence but to a very high and, in many cases, increasing measure of control from Moscow . . . The Communist parties, which were very small in all these Eastern States of Europe, have been raised to pre-eminence and power far beyond their numbers and are seeking everywhere to obtain totalitarian control. Police governments are prevailing in nearly every case, and so far, except in Czechoslovakia, there is no true democracy.
Andrew Roberts (Churchill: Walking with Destiny)
As Boris Yeltsin was to acknowledge many years later, in a speech to the Hungarian Parliament on November 11th 1992, ‘The tragedy of 1956 . . . will forever remain an indelible spot on the Soviet regime.’ But that was nothing when compared with the cost the Soviets had imposed on their victims. Thirty-three years later, on June 16th 1989, in a Budapest celebrating its transition to freedom, hundreds of thousands of Hungarians took part in another ceremonial reburial: this time of Imre Nagy and his colleagues. One of the speakers over Nagy’s grave was the young Viktor Orbán, future Prime Minister of his country. ‘It is a direct consequence of the bloody repression of the Revolution,’ he told the assembled crowds, ‘that we have had to assume the burden of insolvency and reach for a way out of the Asiatic dead end into which we were pushed. Truly, the Hungarian Socialist Workers’ Party robbed today’s youth of its future in 1956.
Tony Judt (Postwar: A History of Europe Since 1945)
In the great world outside Hungary events were taking place that would change all their lives: the uprising in Russia, the dispute over Crete, the Kaiser Wilhelm’s ill-timed visit to Tangier, the revelation of Germany’s plans to expand its navy – but such matters were of no importance to the members of the Hungarian Parliament. Even events closer to home, such as the rabble-rousing speech of an Austrian politician in Salzburg urging revolt among the German-speaking minorities in northern Hungary, or the anonymous pamphlet, which appeared in Vienna and revealed the total unpreparedness of the Austro-Hungarian forces compared with those of the other European powers, went unnoticed in Budapest. Naturally when Apponyi made a speech in favour of Deszo Baffy’s proposal to limit the demand for Hungarian commands in the army to using Hungarian only in regimental matters, everyone listened and discussed it as if their very lives depended on it.
Miklós Bánffy (They Were Counted)
and instead of allowing the visa holders for Palestine to leave, he might deport them all to Poland instead. For another, he will have to be very discreet when he contacts people to let them know that he has organised a train that will take them to the safety of a neutral nation, and he’ll have to swear them to secrecy, or there will be a riot when others discover that there’s a list and they aren’t on it. Past the squares and monuments that made Budapest a showcase of Austro-Hungarian architecture, they drive through shabby outer suburbs whose buildings look as defeated as the people in the streets. Soon they have left the city behind. Sitting in the back seat of the official car that Kurt Becher has provided, Miklós thinks about Becher’s unexpected co-operation. Although he is reluctant to admit this even to himself, in any other circumstances, he would probably have liked this man. It’s gratifying to be treated like an equal by a high-ranking Nazi officer instead of as a Jew who could be deported
Diane Armstrong (The Collaborator)
The church was locked. In the back, by the graveyard, stood a cottage with a sign that read CARETAKER, SZEKERES JÁNOS. Béla banged on the door and windows, until Szekeres János came out, rubbing his eyes. Unlocking the church, he proceeded to talk for an hour about pillars and naves and Cain and Abel. Part of a great king’s body might have been buried in the crypt at some point. The king had originally been buried in Budapest, then canonized, then exhumed and dispatched, in pieces, to reliquaries across the country. The remains of the remains were reinterred. During the Ottoman invasion, they were dug up again and sent away for safekeeping—maybe to this very crypt, although then again maybe not; the caretaker meticulously weighed the evidence pro and con. In any case, nothing was here now, it had all been sent back to Budapest after the Ottomans left. I expected the crypt to be dark and gloomy, but it was pale and light, with yellow vaulted ceilings and archways, so maybe death would be that way, too. • • • We visited a folklore museum.
Elif Batuman (The Idiot)
In May 1981, Yuri Andropov, chairman of the KGB, gathered his senior officers in a secret conclave to issue a startling announcement: America was planning to launch a nuclear first strike, and obliterate the Soviet Union. For more than twenty years, a nuclear war between East and West had been held at bay by the threat of mutually assured destruction, the promise that both sides would be annihilated in any such conflict, regardless of who started it. But by the end of the 1970s the West had begun to pull ahead in the nuclear arms race, and tense détente was giving way to a different sort of psychological confrontation, in which the Kremlin feared it could be destroyed and defeated by a preemptive nuclear attack. Early in 1981, the KGB carried out an analysis of the geopolitical situation, using a newly developed computer program, and concluded that “the correlation of world forces” was moving in favor of the West. Soviet intervention in Afghanistan was proving costly, Cuba was draining Soviet funds, the CIA was launching aggressive covert action against the USSR, and the US was undergoing a major military buildup: the Soviet Union seemed to be losing the Cold War, and, like a boxer exhausted by long years of sparring, the Kremlin feared that a single, brutal sucker punch could end the contest. The KGB chief’s conviction that the USSR was vulnerable to a surprise nuclear attack probably had more to do with Andropov’s personal experience than rational geopolitical analysis. As Soviet ambassador to Hungary in 1956, he had witnessed how quickly an apparently powerful regime might be toppled. He had played a key role in suppressing the Hungarian Uprising. A dozen years later, Andropov again urged “extreme measures” to put down the Prague Spring. The “Butcher of Budapest” was a firm believer in armed force and KGB repression. The head of the Romanian secret police described him as “the man who substituted the KGB for the Communist Party in governing the USSR.” The confident and bullish stance of the newly installed Reagan administration seemed to underscore the impending threat. And so, like every genuine paranoiac, Andropov set out to find the evidence to confirm his fears. Operation RYAN (an acronym for raketno-yadernoye napadeniye, Russian for “nuclear missile attack”) was the biggest peacetime Soviet intelligence operation ever launched.
Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
Nessun limite a Parigi. Nessuna città ha avuto questa dominazione che dileggiava talvolta coloro ch'essa soggioga: Piacervi o ateniesi! esclamava Alessandro. Parigi fa più che la legge, fa la moda; e più che la moda, l'abitudine. Se le piace, può esser stupida, e talvolta si concede questo lusso, allora l'universo è stupido con lei. Poi Parigi si sveglia, si frega gli occhi e dice: «Come sono sciocca!» e sbotta a ridere in faccia al genere umano. Quale meraviglia, una simile città! Quanto è strano che questo grandioso e questo burlesco si faccian buona compagnia, che tutta questa maestà non sia turbata da tutta questa parodia e che la stessa bocca possa oggi soffiare nella tromba del giudizio finale e domani nello zufolo campestre! Parigi ha una giocondità suprema: la sua allegrezza folgora e la sua farsa regge uno scettro. Il suo uragano esce talvolta da una smorfia; le sue esplosioni, le sue giornate, i suoi capolavori, i suoi prodigi e le sue epopee giungono fino in capo al mondo, e i suoi spropositi anche. La sua risata è una bocca di vulcano che inzacchera tutta la terra, i suoi lazzi sono faville; essa impone ai popoli le sue caricature, così come il suo ideale, ed i più alti monumenti della civiltà umana ne accettano le ironie e prestano la loro eternità alle sue monellerie. È superba: ha un 14 luglio prodigioso, che libera l'universo; fa fare il giuramento della palla corda a tutte le nazioni; la sua notte del 4 agosto dissolve in tre ore mille anni di feudalismo; fa della sua logica il muscolo della volontà unanime; si moltiplica sotto tutte le forme del sublime; riempie del suo bagliore Washington, Kosciusko, Bolivar, Botzaris, Riego, Bem, Manin, Lopez, John Brown, Garibaldi; è dappertutto dove s'accende l'avvenire, a Boston nel 1779, all'isola di Leon nel 1820, a Budapest nel 1848, a Palermo nel 1860; sussurra la possente parola d'ordine: Libertà, all'orecchio degli abolizionisti americani radunati al traghetto di Harper's Ferry ed all'orecchio dei patrioti d'Ancona, riuniti nell'ombra degli Archi, davanti all'albergo Gozzi, in riva al mare; crea Canaris, Quiroga, Pisacane; irraggia la grandezza sulla terra; e Byron muore a Missolungi e Mazet muore a Barcellona, andando là dove il suo alito li spinge; è tribuna sotto i piedi di Mirabeau, cratere sotto i piedi di Robespierre; i suoi libri, il suo teatro, la sua arte, la sua scienza, la sua letteratura, la sua filosofia sono i manuali del genere umano; vi sono Pascal, Régnier, Corneille, Descartes, Gian Giacomo; Voltaire per tutti i minuti, Molière per tutti i secoli; fa parlar la sua lingua alla bocca universale e questa lingua diventa il Verbo; costruisce in tutte le menti l'idea del progresso; i dogmi liberatori da lei formulati sono per le generazioni altrettanti cavalli di battaglia, e appunto coll'anima dei suoi pensatori e dei suoi poeti si sono fatti dal 1789 in poi gli eroi di tutti i popoli. Il che non le impedisce d'esser birichina; e quel genio enorme che si chiama Parigi, mentre trasfigura il mondo colla sua luce, disegna col carboncino il naso di Bourginier sul muro del tempio di Teseo e scrive Crédeville, ladro, sulle piramidi. Parigi mostra sempre i denti; quando non brontola, ride. Siffatta è questa Parigi. I fumacchi dei suoi tetti sono le idee dell'universo. Mucchio di fango e di pietre, se si vuole; ma, soprattutto, essere morale: è più che grande, è immensa. Perché? Perché osa. Osare: il più progresso si ottiene a questo prezzo. Tutte le conquiste sublimi sono, più o meno, premî al coraggio, perché la rivoluzione sia, non basta che Montesquieu la presagisca, che Diderot la predichi, che Beaumarchais l'annunci, che Condorcet la calcoli, che Arouet la prepari e che Rousseau la premediti: bisogna che Danton l'osi.
Victor Hugo
I remember standing against the bar in Budapest’s airport with a couple of workmates, some chaps from McLaren too, waiting for our homeward flight to be called after the ’92 race weekend. The chap behind the counter was doing the exact same thing: halving and squeezing oranges. Funny how these things spark memories. It was an exceedingly hot afternoon that day, and I remember seeing James Hunt walk through the door with Murray Walker. We were waiting for the same flight, a charter to London; I think pretty much the whole of the paddock’s British contingent was on it. Murray looked perfectly normal . . . like Murray really . . . open-necked shirt, briefcase, what have you; but James was wearing nothing but a pair of red shorts. He carried a ticket, a passport and a packet of cigarettes. That was it. There wasn’t even a pair of flip-flops to spoil the perfect minimalist look. The thing that really made the event stick in my mind, though, was that James was absolutely at ease with himself, perfectly comfortable. This was real for him, no stunt or affectation designed to impress or shock, this was genuine: James Hunt, former world champion driver, current commentator for the BBC; work done for the day . . . going home. Take me, leave me; do what you bloody well want, just don’t give me a hard time about your own petty hang-ups. He became a hero of mine that day. Sadly, his heart gave out the following summer and that was that. He was only forty-five. Mind you, he’d certainly packed a lot of living into those years.
Steve Matchett (The Chariot Makers: Assembling the Perfect Formula 1 Car)
I’d met Madison, as I’ve already mentioned, two months earlier, in Budapest. I’d been at a conference. She’d been there with some girlfriends. We’d got talking in the hotel bar. An anthropologist, she’d said; that’s … exotic. Not at all, I’d replied; I work for an incorporated business, in a basement. Yes, she said, but … But what? I asked. Dances, and masks, and feathers, she eventually responded: that’s the essence of your work, isn’t it? I mean, even if you’re writing a report on workplace etiquette, or how to motivate employees or whatever, you’re seeing it all through a lens of rituals, and rites, and stuff. It must make the everyday all primitive and strange—no? I saw what she was getting at; but she was wrong. For anthropologists, even the exotic’s not exotic, let alone the everyday. In his key volume Tristes Tropiques, Claude Lévi-Strauss, the twentieth century’s most brilliant ethnographer, describes pacing the streets, all draped with new electric cable, of Lahore’s Old Town sometime in the nineteen-fifties, trying to piece together, long after the event, a vanished purity—of local colour, texture, custom, life in general—from nothing but leftovers and debris. He goes on to describe being struck by the same impression when he lived among the Amazonian Nambikwara tribe: the sense of having come “too late”—although he knows, from having read a previous account of life among the Nambikwara, that the anthropologist (that account’s author) who came here fifty years earlier, before the rubber-traders and the telegraph, was struck by that impression also; and knows as well that the anthropologist who, inspired by the account that Lévi-Strauss will himself write of this trip, shall come back in fifty more will be struck by it too, and wish—if only!—that he could have been here fifty years ago (that is, now, or, rather, then) to see what he, Lévi-Strauss, saw, or failed to see. This leads him to identify a “double-bind” to which all anthropologists, and anthropology itself, are, by their very nature, prey: the “purity” they crave is no more than a state in which all frames of comprehension, of interpretation and analysis, are lacking; once these are brought to bear, the mystery that drew the anthropologist towards his subject in the first place vanishes. I explained this to her; and she seemed, despite the fact that she was drunk, to understand what I was saying. Wow, she murmured; that’s kind of fucked. 2.8 When I arrived at Madison’s, we had sex. Afterwards,
Tom McCarthy (Satin Island)
Azért akarom megírni az egészet, hogy lássam, vannak-e lyukak a történetben, hogy nem mulasztottam-e el valamit, nem siklott-e át a figyelmem valami felett.
Vilmos Kondor (Budapest Noir)
In the years preceding World War I, tenants in Budapest used boycotts as a weapon against individual landlords. “Residents who were not able to pay the increased rent and who were therefore evicted, called upon those seeking dwellings to boycott the houses concerned. These calls were publicized in newspapers and posters, and met with much success. As a result of this, and the solidarity of the tenants still living there, many landlords were forced to conclude collective contracts which severely restricted their rights.
Marcel van der Linden (Workers of the World, Essays toward a Global Labor History (Studies in Global Social History, 1))
By the time I was twenty, I had lived through a Hungarian Fascist dictatorship, German military occupation, the Nazis’ “Final Solution,” the siege of Budapest by the Soviet Red Army, a period of chaotic democracy in the years immediately after the war, a variety of repressive Communist regimes, and a popular uprising put down at gunpoint.
Jeffrey E. Garten (From Silk to Silicon: The Story of Globalization Through Ten Extraordinary Lives)
We realize that all these acts of self-reinvention and self-determination will nonetheless be trampled by the greedy and the powerful, then ground up in the tank treads of history.
Matt Zoller Seitz (The Wes Anderson Collection: The Grand Budapest Hotel)
Budapest to Lodz, Poland, which became known as the Ellis Island of the Third Reich.
Mark T. Sullivan (The Last Green Valley)
...a broken body is a price worth paying for a strong and undefiled spirit. We live in a world of lies, whether we want it or not. That's just the case. But you shouldn't accommodate to it," she tells me as I sit her table in suburban Budapest. "You will be surrounded by lies--you don't have a choice. Don't assimilate to it. It's an individual decision for each person. If you want to live in fear, or if you want to live in the freedom of the soul. If your soul is free, then your thoughts are free, and then your words are going to be free.
Rod Dreher (Live Not by Lies: A Manual for Christian Dissidents)
In early 2019, while I was still at the White House, BuzzFeed News published an article laying out the origins of the “Soros conspiracy.” It had originated in 2008, when two prominent political consultants in New York, Arthur Finkelstein and George Birnbaum, were recruited by Viktor Orbán to assist his political campaign. They had previously worked for Israeli prime minister Bibi Netanyahu, who was friendly with Orbán. Netanyahu recommended them. Finkelstein and Birnbaum decided they should create an external political enemy to help Orbán mobilize support for his bid to become Hungarian prime minister. They selected Soros, a prominent Hungarian Jew whose family had fled Budapest during the Holocaust. Soros was both famous and controversial, and still connected to Hungary.
Fiona Hill (There Is Nothing for You Here: Finding Opportunity in the Twenty-First Century)
Budapeste parece um lugar esplêndido, pelo que pude ver de relance pela janela do trem e o pouco que caminhei pelas ruas. Tive receio de me afastar muito da estação, já que chegáramos atrasados e o trem haveria de partir o mais próximo possível do horário marcado. Tive a impressão de que estávamos deixando o Ocidente e adentrando o Oriente; cruzamos o rio Danúbio, que aqui tem nobre extensão e profundidade, por majestosas pontes ao leste que nos conduziram entre as tradições do reinado turco.
Bram Stocker
Historically, the shock of war, the humiliation of defeat, and the open wound of lost territories have served as potent instruments for building national solidarity and forging a strong national identity. The partitions of Poland in the second half of the eighteenth century wiped the Polish state off the map of Europe but served as a starting point for the formation of modern Polish nationalism, while the Napoleonic invasion of Germany at the beginning of the nineteenth century gave rise to pan-German ideas and promoted the development of modern German nationalism. Memories of defeat and lost territory have fired the national imaginations of French and Poles, Serbs and Czechs. Invaded, humiliated, and war-torn Ukraine seems to be following that general pattern. The Russian annexation of the Crimea, the hybrid war in the Donbas, and attempts to destabilize the rest of the country created a new and dangerous situation not only in Ukraine but also in Europe as a whole. For the first time since the end of World War II, a major European power made war on a weaker neighbor and annexed part of the territory of a sovereign state. The Russian invasion breached not only the Russo-Ukrainian treaty of 1997 but also the Budapest Memorandum of 1994, which had offered Ukraine security assurances in exchange for giving up its nuclear weapons and acceding to the Nuclear Non-proliferation Treaty as a nonnuclear state. The unprovoked Russian aggression against Ukraine threatened the foundations of international order—a threat to which the European Union and most of the world were not prepared to respond but one that demands appropriate counteraction. Whatever the outcome of the current Ukraine Crisis, on its resolution depends not only the future of Ukraine but also that of relations between Europe’s east and west—Russia and the European Union—and thus the future of Europe as a whole.
Serhii Plokhy (The Gates of Europe: A History of Ukraine)
Ukraine’s political engagement with the West began in earnest in January 1994 with the signing of a deal brokered by the United States, according to which Ukraine gave up the nuclear weapons it had inherited from the USSR—potentially the world’s third-largest nuclear arsenal. In the Budapest Memorandum signed in December of that year, the United States, Russia, and Great Britain provided security assurances to Ukraine, which joined the Treaty on the Non-proliferation of Nuclear Weapons as a nonnuclear state. While many in Kyiv questioned the prudence of giving up nuclear weapons (the invasion of Ukraine by Russia, one of the Budapest Memorandum guarantors of Ukraine’s sovereignty and territorial integrity, would strengthen their case in 2014), there were significant benefits to be gained at the time. Ukraine ended its de facto international isolation as a country previously refusing to join the Nuclear Non-proliferation Treaty and became the third-largest recipient of US foreign aid, after Israel and Egypt.
Serhii Plokhy (The Gates of Europe: A History of Ukraine)
Under this agreement, the United States, Russia, and Britain gave Ukraine security assurance and recognized its territorial integrity.35 Ukraine voluntarily signed away its nuclear arsenal only three years after it declared independence. It was praised internationally as a responsible and predictable stakeholder and a country willing to cooperate with both the U.S. and Russia. Twenty years later, after Crimea was annexed by the Russian Federation, the guarantees of the Budapest Memorandum turned out to be an empty promise. In 2014, neither the United States, nor the U.K. felt obliged to keep their side of the deal because the document did not precisely describe what kind of actions should be taken in case of a violation of Ukraine’s territorial integrity.
Maciej Olchawa (Mission Ukraine: The 2012-2013 Diplomatic Effort to Secure Ties with Europe)
In the countryside the landowners and farmers were less affected than anyone, producing most of their own essentials and putting up commodity prices as regularly as the shopkeepers. Landless peasants were not doing so well, and the large number of casual labourers whose wanderings had been limited by the new confines of Hungary formed a particularly destitute class. Hohler’s account concluded with the comment that many were thriving in the economic crisis and were responsible for the superficial atmosphere of prosperity which Budapest presented - notably, he thought, the Jews who made up much of the capital’s population.
Adam Fergusson (When Money dies)
After the loss of Budapest and the defeat at Vienna, Mehmed IV’s reputation was destroyed beyond repair.
Billy Wellman (The Ottoman Empire: An Enthralling Guide to One of the Mightiest and Longest-Lasting Dynasties in World History (Europe))
– A többi már jó – szívott a cigarettájából Gordon. – Csak a sorrendre figyeljen az alcímben, az nagyon fontos. Maga ezt írta: „Ma délután pasaréti házában revolverével vetett véget életének az Arabs kávékereskedés tulajdonosa.” Nem az a fontos, hogy mikor, és az sem, hogy hol. Hanem az, hogy ki. Tehát: „Az Arabs kávékereskedés tulajdonosa ma délután revolverével vetett véget életének pasaréti házában.” És annak sem alcímben van a helye, hogy kire hagyta a vagyonát. Elég, ha az anyaotthont a cikkbe írja bele. Na, most menjen szépen, és gépelje le újra.
Vilmos Kondor (Budapest Noir)
Chomsky’s appendix was taken out in the most expensive clinic in Budapest," said Marek, looking mildly offended, as though she had taken the name of Central Europe in vain.
Eva Ibbotson (A Song for Summer)
After leaving holes in me I started taking pictures and painting abstract, the magic of museum still trickles in my soul. I went in Budapest last summer what a place with extraordinary art and theater. Guess what? I watched Charlotte play it was looking into the sea tides and breathe the sands of time...
Tapiwanaishe Pamacheche (Hannah Cherub: Hannah cherub)
He said he liked the way Budapest was beautiful and elegant and crumbling, decaying, plucky and sad, but when he spent too long there, everything started to depress him. And he said he had meetings, lunches, dinners, and he began to feel crumbling, decaying, and sad. He told us he sat in a warm hot spring that exploded from the ground, the way he had as a young man, surrounded by art nouveau architecture, it was like bathing in a cathedral. The sky was pink. The scent of lilacs filled the air. Fat Russian gangsters in tiny bathing suits played chess while their bleached blond wives hung scowling from their necks and arms festooned with gold and silver. Barbarians! Claudio spoke English well, only a faint trace of his Italian accent. Those Russians are the descendants of the guys who slaughtered the Mennonites, I thought. Now they wear bikini trunks. Then he told us he had been standing on one of the bridges over the Danube and looking down he saw a guy sitting on the riverbank. Is it blue? I said. No, it’s filthy I’m afraid, and not at all blue. Is it beautiful? I asked. Well, yes, it could be described as beautiful.
Miriam Toews (All My Puny Sorrows)