Screenplay Quotes

We've searched our database for all the quotes and captions related to Screenplay. Here they are! All 100 of them:

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Life is pain, highness. Anyone who says differently is selling something.
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William Goldman (Four Screenplays with Essays: Marathon Man - Butch Cassidy and the Sundance Kid - The Princess Bride - Misery)
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When I fall in love, it will be forever.
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Jane Austen (Sense and Sensibility: The Screenplay)
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A cup of tea would restore my normality." [Hitchhiker's Guide to the Galaxy, Screenplay]
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Douglas Adams
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For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the courage to start all over again.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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Our lives are defined by opportunities, even the ones we miss.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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You have bewitched me body and soul, and I love, I love, I love you. And wish from this day forth never to be parted from you.
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Deborah Moggach (Pride & Prejudice screenplay)
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She was sensible and clever, but eager in everything; her sorrows, her joys, could have no moderation.
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Jane Austen (Sense and Sensibility: The Screenplay)
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When you read, don't just consider what the author thinks, consider what you think
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Tom Schulman (Dead Poets Society: The Screenplay)
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If I ever go looking for my heart's desire again, I won't look any further than my own back yard. Because if it isn't there, I never really lost it to begin with.
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Noel Langley (The Wizard of Oz Screenplay)
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I feel that life is divided into the horrible and the miserable. That's the two categories. The horrible are like, I don't know, terminal cases, you know, and blind people, crippled. I don't know how they get through life. It's amazing to me. And the miserable is everyone else. So you should be thankful that you're miserable, because that's very lucky, to be miserable.
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Woody Allen (Annie Hall: Screenplay)
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Newt Scamander: My philosophy is that worrying means you suffer twice.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #1))
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Hearts will never be practical until they can be made unbreakable. - Wizard
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Noel Langley (The Wizard of Oz Screenplay)
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I hope you live a life you’re proud of. If you find that you’re not, I hope you have the strength to start all over again.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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Now I know I've got a heart because it is breaking. - Tin Man
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Noel Langley (The Wizard of Oz Screenplay)
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I was thrown out of college for cheating on the metaphysics exam; I looked into the soul of the boy sitting next to me.
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Woody Allen (Annie Hall: Screenplay)
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It’s a funny thing coming home. Nothing changes. Everything looks the same, feels the same, even smells the same. You realize what’s changed, is you.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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You may only call me "Mrs. Darcy"... when you are completely, and perfectly, and incandescently happy.
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Deborah Moggach (Pride & Prejudice screenplay)
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Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise...
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Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
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β€ŽThat's when you know you've found somebody really special. When you can just shut the fuck up for a minute and comfortably share silence.
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Quentin Tarantino (Pulp Fiction: A Quentin Tarantino Screenplay)
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Those who can't do, teach. And those who can't teach, teach gym.
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Woody Allen (Annie Hall: Screenplay)
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I believe if there's any kind of God it wouldn't be in any of us, not you or me but just this little space in between. If there's any kind of magic in this world it must be in the attempt of understanding someone sharing something. I know, it's almost impossible to succeed but who cares really? The answer must be in the attempt.
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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Pay no attention to the man behind the curtain!
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Noel Langley (The Wizard of Oz Screenplay)
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You can be as mad as a mad dog at the way things went, you can curse the fates, but when it comes to the end, you have to let go.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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You can never replace anyone because everyone is made up of such beautiful specific details.
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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I always feel this pressure of being a strong and independent icon of womanhood, and without making it look my whole life is revolving around some guy. But loving someone, and being loved means so much to me. We always make fun of it and stuff. But isn't everything we do in life a way to be loved a little more?
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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Personality begins where comparison leaves off. Be unique. Be memorable. Be confident. Be proud.
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Shannon L. Alder
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There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly.
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Woody Allen (Annie Hall: Screenplay)
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I guess when you are young, you believe that you will meet many people with whom you'll connect with, but later in life you realize it only happens a few times.
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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I think I’m always so much more happy with books and movies and stuff. I think I get more excited about well-done representations of life than life itself. - Celine
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Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
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It reminds me of that old joke- you know, a guy walks into a psychiatrist's office and says, hey doc, my brother's crazy! He thinks he's a chicken. Then the doc says, why don't you turn him in? Then the guy says, I would but I need the eggs. I guess that's how I feel about relationships. They're totally crazy, irrational, and absurd, but we keep going through it because we need the eggs.
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Woody Allen (Annie Hall: Screenplay)
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Benjamin, we’re meant to lose the people we love. How else would we know how important they are to us?
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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So much of what I see reminds me of something I read in a book, when shouldn't it be the other way around?
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Nora Ephron
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Some stories have to be written because no one would believe the absurdity of it all.
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Shannon L. Alder
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Jacob: Newt . . . I don't think I'm dreaming. Newt: What gave it away? Jacob: I ain't got the brains to make this up.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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How can you talk if you haven't got a brain? I don't know, but some people without brains do an awful lot of talking.
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Noel Langley (The Wizard of Oz Screenplay)
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See, they're currently in alien terrain, surrounded by millions of the most vicious creatures on the planet. Humans. - Newt Scamander
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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Love is too weak a word for what I feel - I luuurve you, you know, I loave you, I luff you, two F's, yes.
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Woody Allen (Annie Hall: Screenplay)
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Beginnings are usually scary, endings are usually sad, but it's what's in the middle that counts. So when you find yourself at the beginning, just give hope a chance to float up. And it will.
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Steven Rogers (Hope Floats: The Screenplay)
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Yeah, a memory's never finished, if you really think about it.
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Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
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If my answers frighten you then you should cease asking scary questions.
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Quentin Tarantino (Pulp Fiction: A Quentin Tarantino Screenplay)
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You never know what's coming for you.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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To her own heart it was a delightful affair, to her imagination it was even a ridiculous one, but to her reason, her judgment, it was completely a puzzle.
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Jane Austen (Sense and Sensibility: The Screenplay)
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For what it’s worth: it’s never too late to be whoever you want to be. I hope you live a life you’re proud of, and if you find that you’re not, I hope you have the strength to start all over again.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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You have bewitched me, body and soul, and I love you
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Deborah Moggach (Pride & Prejudice screenplay)
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Isn't everything we do in life a way to be loved a little more?
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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Life can only be understood looking backward. It must be lived forward.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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Even being alone it's better than sitting next to your lover and feeling lonely. - Celine
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Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
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Jacob: Tell me β€” has anyone ever believed you when you told them not to worry? Newt: My philosophy is that worrying means you suffer twice.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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My philosophy is that worrying means you suffer twice.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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Mary Lou: Are you a seeker? A seeker after truth? a beat. Newt: I'm more of a chaser, really.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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I close my eyes, and this image floats beside me. A sweaty toothed mad man with a stare that pounds my brain. His hands reach out and choke me, and all the time he's mumbling. β€œTruth, truth.” Like a blanket that always leaves your feet cold. You push it, stretch it, but it'll never be enough. You kick at it, beat it, it'll never cover any of us. From the moment we enter crying, to the moment we leave dying, it'll just cover your face, as you wail and cry and scream.
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Tom Schulman (Dead Poets Society)
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Be careful, you are not in Wonderland. I’ve heard the strange madness long growing in your soul. But you are fortunate in your ignorance, in your isolation. You who have suffered, find where love hides. Give, share, loseβ€”lest we die, unbloomed.
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Kill Your Darlings Screenplay
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What a world, what a world. Who would have thought that. some little girl like you could. destroy my beautiful wickedness. - Wicket Witch of the West
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Noel Langley (The Wizard of Oz Screenplay)
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I'm on a mission Winning Novel / Screenplay written in Hollywood Google for updated info
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Fayton Hollington
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Just because my dreams are different than yours, it doesn't mean they're unimportant.
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Greta Gerwig (Little Women: The Screenplay)
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Our fingerprints don't fade from the lives we've touched.
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Will Fetters (Memoirs (Remember Me))
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Why sip from a tea cup, when you can drink from the river.
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Steve Martin (L.A. Story and Roxanne: Screenplays)
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Queenie: People are easiest to read when they're hurting.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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I was having this awful nightmare that I was 32. And then I woke up and I was 23. So relieved. And then I woke up for real, and I was 32.
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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no one really knows anyone. That’s the thing about relationships - people are always saying, β€œI want to know you, I want to know who you are.” But it is so hard for anyone to even know themselves. Who I am is always changing, so how can anyone else share in that?
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Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
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Truth is like poetry. And most people fucking hate poetry.
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Adam McKay (The Big Short: A Screenplay)
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Don't you hate that? Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable? That's when you know you've found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence.
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Quentin Tarantino (Pulp Fiction: A Quentin Tarantino Screenplay)
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She taught me to play the piano, and what it meant to miss somebody.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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Mr. Anderson thinks that everything inside of him is worthless and embarrassing. Isn't that right, Todd? And that's your worse fear.
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Tom Schulman (Dead Poets Society)
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So often in my life I've been with people and shared beautiful moments like travelling or staying up all night and watching the sunrise, and I knew it was a special moment, but something was always wrong. I wished I'd been with someone else. I knew that what I was feeling - exactly what was so important to me - they didn't understand.
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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…[Thomas Wolfe] says that we are the sum of all the moments of our lives, and that, uh, anybody who sits down to write is gonna use the clay of their own life, that you can’t avoid that.
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Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
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Women. They have minds, and they have souls, as well as just hearts. And they’ve got ambition. And they’ve got talent as well as just beauty. And I’m so sick of people saying that love is just all a woman is fit for. I’m so sick of it. But I’m so lonely.
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Greta Gerwig (Little Women: The Screenplay)
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You know how you're always trying to get things to come out perfect in art because it's real difficult in life
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Woody Allen (Annie Hall: Screenplay)
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Men go out with me, we break up and then they get married. And later they call me to thank me for teaching them what love is. That I tought them to care and respect women. (...) I wanna kill them! Why didn't they ask me to marry them? I would've said no, but at least they could have asked.
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you`re proud of, and if you find that you`re not, I hope you find the strength to start all over again.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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Do you know why I admire you, Newt? More, perhaps, than any man I know? (off NEWT’S surprise) You don’t seek power or popularity. You simply ask, is the thing right in itself? If it is, then I must do it, no matter the cost.
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J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
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Piracy is our only option.
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Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
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Still, these days when I daydream about the movie, I don't think about the big picture. It's more fun for me to think of little things that would add to the movie. I like to think the powers that be would let me amuse myself with some small things in order to shut me up while they re-write the screenplay to turn Kvothe into a lesbian, shape-changing unicorn.
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Patrick Rothfuss
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You see? There are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that's what we provide in our own modest, humble, insignificant - (sighs deeply). Oh, fuck it. -M. Gustave, The Grand Budapest Hotel (2014)
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Wes Anderson (The Grand Budapest Hotel: The Illustrated Screenplay)
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I'm an American, our names don't mean shit.
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Quentin Tarantino (Pulp Fiction: A Quentin Tarantino Screenplay)
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Since the invention of the kiss, there have only been five kisses that were rated the most passionate, the most pure. This one left them all behind.
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William Goldman (The Princess Bride Screenplay)
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Don't you see the rest of the country looks upon New York like we're left-wing, communist, Jewish, homosexual pornographers? I think of us that way sometimes and I live here.
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Woody Allen (Annie Hall: Screenplay)
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Tina: Can you please tell me you took care of the No-Maj? Newt: The what? Tina: The No-Maj! No-magic β€” the non-wizard! Newt: Oh sorry, we call them Muggles.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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I won't do this movie because I don't believe the love story," she told Selznick. "The heroine is an intellectual woman, and an intellectual woman simply can't fall in love so deeply.
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Ingrid Bergman
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It's dangerous, son." "What's dangerous?" "When a man goes outside his house to look for peace.
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Lorraine Hansberry (A Raisin in the Sun: The Unfilmed Original Screenplay)
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Newt: I think you'll find the best wizarding school in the world is Hogwarts! Queenie: HOGWASH.
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J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
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You are both stars, don’t forget. When the stars exploded billions of years ago, they formed everything that is this world. The moon, the trees, everything we know is stardust. So don’t forget. You are stardust. - ROSE PEDDLER
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Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
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Ezekiel 25:17. "The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of the darkness. For he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the Lord when I lay my vengeance upon you." I been sayin' that shit for years. And if you ever heard it, it meant your ass. I never really questioned what it meant. I thought it was just a cold-blooded thing to say to a motherfucker before you popped a cap in his ass. But I saw some shit this mornin' made me think twice. Now I'm thinkin': it could mean you're the evil man. And I'm the righteous man. And Mr. .45 here, he's the shepherd protecting my righteous ass in the valley of darkness. Or it could be you're the righteous man and I'm the shepherd and it's the world that's evil and selfish. I'd like that. But that shit ain't the truth. The truth is you're the weak. And I'm the tyranny of evil men. But I'm tryin, Ringo. I'm tryin' real hard to be the shepherd. he became the shepherd instead of the vengeance. Jules Winnfield- Samuel L. Jackson
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Quentin Tarantino (Pulp Fiction: A Quentin Tarantino Screenplay)
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I - will have poetry in my life. And adventure. And love. Love above all.
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Marc Norman (Shakespeare in Love: A Screenplay)
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...there are some children who aren't really children at all, they're just pillars of flame that burn everything they touch. And there are some children who are just pillars of ash, that fall apart when you touch them...
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Sherman Alexie (Smoke Signals: A Screenplay)
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...and remember my sentimental friend that a heart is not judged by how much you love, but by how much you are loved by others.
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Noel Langley (The Wizard of Oz Screenplay)
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In Hollywood, no one knows anything.
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William Goldman
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There’s death coming up, and you better understand this: some of the wrong people die. Be ready for it.
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William Goldman (The Princess Bride Screenplay)
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LETA Oh, Newt. You never met a monster you couldn’t love.
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J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald - The Original Screenplay)
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Baby, you are gonna miss that plane.
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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Going so soon? I wouldn't hear of it. Why my little party's just beginning. ~ Wicked Witch of the West Wizard of Oz
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Noel Langley (The Wizard of Oz Screenplay)
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Apart from the sanitation, the medicine, education, wine, public order, irrigation, roads, the fresh water system, and public health ... what have the Romans ever done for us? Brought peace!
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Graham Chapman (The Life of Brian: Screenplay)
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I see the people that do the real work, and what in a way is really sad is that the people that are often the most giving, hardworking, and capable of making this world better don't really have the ambition and ego to be a leaderβ€”they don't see any interest in the rewards, they don't care if their names ever appear in the press, they actually enjoy the process of helping others, they are truly in the moment.
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Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
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I will have poetry in my life. And adventure. And love. Love above all. No... not the artful postures of love, not playful and poetical games of love for the amusement of an evening, but love that... overthrows life. Unbiddable, ungovernable - like a riot in the heart, and nothing to be done, come ruin or rapture.
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Marc Norman (Shakespeare in Love: A Screenplay)
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TODD: Well, listen, Neil. I-I appreciate this concern, but I-I'm not like you.All right? You, you, you say things and people listen. I'm, I'm not like that. NEIL: Don't you think you could be? TODD: No! I--I, I don't know, but that's not the point. The, the, the point is that there's nothing you can do about it, so you can just butt out. I can take care of myself just fine. All right? NEIL: No. TODD: What do you mean, "no"? NEIL: No.
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Tom Schulman (Dead Poets Society)
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Let me sing you a waltz / Out of nowhere, out of my thoughts / Let me sing you a waltz / About this one night stand / You were, for me, that night / Everything I always dreamt of in life / But now you're gone / You are far gone / All the way to your island of rain / It was for you just a one night thing / But you were much more to me, just so you know / I don't care what they say / I know what you meant for me that day / I just want another try, I just want another night / Even if it doesn't seem quite right / You meant for me much more than anyone I've met before / One single night with you, little Jesse, is worth a thousand with anybody / I have no bitterness, my sweet / I'll never forget this one night thing / Even tomorrow in other arms, my heart will stay yours until I die / Let me sing you a waltz / Out of nowhere, out of my blues / Let me sing you a waltz / About this lovely one night stand
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Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
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It was great seeing Annie again. I realised what a terrific person she was and how fun it was just knowing her. And I thought of that old joke, you know. The guy goes to a psychiatrist and says, "Doc, my brother's crazy. He thinks he's a chicken." and the doctor says, "well, why don't you turn him in?" and the guy says, "I would, but o need the eggs."Β  Well, I guess that's pretty much now how I feel about relationships. You know, they're totally irrational and crazy and absurd and, but, err, I guess we keep going through it because most of us need the eggs.
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Woody Allen (Annie Hall: Screenplay)
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Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
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Eric Roth (The Curious Case of Benjamin Button Screenplay)
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(Golden Globe acceptance speech in the style of Jane Austen's letters): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to Miss Austen, thank you.
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Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
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I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!
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Paddy Chayefsky (Network [Screenplay])