Scream 4 Quotes

We've searched our database for all the quotes and captions related to Scream 4. Here they are! All 100 of them:

You can't give her that!' she screamed. 'It's not safe!' IT'S A SWORD, said the Hogfather. THEY'RE NOT MEANT TO BE SAFE. 'She's a child!' shouted Crumley. IT'S EDUCATIONAL. 'What if she cuts herself?' THAT WILL BE AN IMPORTANT LESSON.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Why," he asked. "Why did you save her?" She dragged a hand through her hair. [...] "Because that golden-haired witch, Asterin ...," Aelin said. "She screamed Manon's name the way I screamed yours.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
People think happiness will simply fall into their laps. You have to aspire to it. And sometimes you have to seize it when it’s kicking and screaming.
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Joan Didion (Slouching Towards Bethlehem)
Our love is rare. It’s one I can’t abandon, even if I tried. When she screams, an identical one rips through me. When she cries, my world rains with grief. When she loves, I truly, truly fly.
Krista Ritchie (Thrive (Addicted #4))
Mencheres dragged her screaming from me only an hour after our binding!" Gregor said. "I don't give a rot if Mencheres yanked her off your throbbing, rigid cock," Bones snarled. "Go dream a little dream, you sod!
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
She screamed like a thousand birds were picking at her flesh. She screamed like the palace was burning down around her.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Look, sir, I know Angua. She's not the useless type. She doesn't stand there and scream helplessly. She makes other people do that.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
I can hear other things, too. Before you came around, I had no idea a man could make a girl scream like that. Reyes seems very talented.
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
Images flashed through his mind. He saw Nico and his sister on a snowy cliff in Maine, Percy Jackson protecting them from a manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action. Later, at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and thought, How can he possibly fail? This is a real hero. He was Nico's favorite game, Mythomagic, brought to life. Jason saw the moment when Percy returned and told Nico that Bianca was dead. Nico had screamed and called him a liar. He'd felt betrayed, but still... when the skeleton warriors attacked, he couldn't let them harm Percy. Nico had called on the earth to swallow them up, and then he'd run away- terrified of his own powers, and his own emotions.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Promise you’ll scream for me tonight.
Madeleine Urban (Divide & Conquer (Cut & Run, #4))
The shadow pulled away, moving forward quickly. My first instinct screamed Arum and to push away from it. I reached blindly for the obsidian necklace, realizing too late I didn’t have it anymore. “You’re still having nightmares,” the shadow said. At the sound of the familiar voice, fear gave way to rage so potent that it tasted like a battery acid. I was on my feet before I knew it. “Blake,” I spat.
Jennifer L. Armentrout (Origin (Lux, #4))
Ah, two firm friends, reunited at last! There should be sweet violin music playing for us, but I'll settle for the screams of the dying.
Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
Look, he isn’t even concerned.” I poured the tea. “He’s concerned, Mother. He just doesn’t panic, because he’s in charge and if he panics, everybody else will panic.” “I can jog around the room pretending to scream if you would like,” Jim offered.
Ilona Andrews (Magic Dreams (World of Kate Daniels, #4.5; Dali Harimau, #1))
Bite me, hit me, scream at me. I don't care. I want to feel it. Fucking hurt me, K.C. Let me see you.
Penelope Douglas (Falling Away (Fall Away, #4))
Yako forced the rag tightly against Candice’s nose and mouth. Twisting her head and trying to scream, she gasped for air but only succeeded in inhaling the rag’s toxic fumes.
Karl Braungart (Triple Deception (Remmich/Miller, #4))
And I could always set Coach Hedge on fire,” Leo volunteered. “Then he can be fire.” The thought of a blazing satyr screaming, “Die, scumbag!” as he attacked Gaea was almost enough to make Piper laugh— almost.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Connor and Rose would belong to the smartest house in the wizarding world. No question. Before the sorting hat even touched their heads, it’d scream Ravenclaw!
Krista Ritchie (Thrive (Addicted #4))
If it's a chimera alert, we just follows the screams.
Jasper Fforde (Something Rotten (Thursday Next, #4))
I love you.” Dean lifted the words from my mind. “Today, tomorrow, covered in blood, haunted and waking up in the middle of the night screaming—I love you, Cassie, and I’m here, and I’m not going anywhere.
Jennifer Lynn Barnes (Bad Blood (The Naturals, #4))
You’re not doing well and finally I don’t have to pretend to be so interested in your on going tragedy, but I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. and I miss you like a dart hits the iris of a bullseye, or a train ticket screams 4:30 at 4:47, I wanted to tell you that it’s my birthday on Thursday and I would have wanted you to give me the gift of your guts on the floor, one last time, to see if you still had it in you. I hope our ghosts aren’t eating you alive. If I’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.
Lucas Regazzi
I'll kill you! Sam had screamed it at Arobynn as the King of the Assassins beat her. He'd roared it. In those horrible minutes, whatever bond had sprung up between her and Sam hadn't broken. He'd switched loyalties- he'd chosen to stand by her, fight for her. If anything, that made him different from Ansel. Sam could have hurt or betrayed her a dozen times over, but he'd never jumped at the opportunity.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
I want to discover every hidden secret of your body and a thousand ways to make you scream my name.
Jennifer Probst (The Marriage Merger (Marriage to a Billionaire, #4))
If I was going to go out tonight, I was going to go out fighting. Or screaming in agony. Either way.
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
Han made no effort to put up a brave front. Most of the time he just screamed himself hoarse, though a couple of times he amused himself by screaming Fionas's name as if he were in the throes of passion. FEEE-OHHH-NAAA! Lord Bayar made him pay for that, but afterward, Fiona didn't come down anymore, which Han appreciated.
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
I pity those born of the lighter side. They have no understanding of how seductive cruelty is. The music made out of screams and pleas for mercy. Mmmm. Nothing better. (Noir)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
I will forgive him because I have heard him scream when someone pulled a sword out of him that could have just as easily gone into me. --Sophos
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
How could I possibly keep my cool while getting sweaty with him? What if I screamed out something horrifying, like "I love you?" What if I had an epileptic attack and started drooling or spitting right in the middle of things?
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
Im's offspring stare at stars and make clocks that calculate useless happenings like the angle of a hawk's claws as it strikes its prey. They demonstrate their contraptions and everyone marvels. My children get drunk, confuse a herd of cows with an enemy regiment, and slaughter the lot, screaming like lunatics until the entire army panics.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Why", he asked. "Why did you save her?" She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn't even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him. "Because that golden-haired witch, Asterin...," Aelin said. "She screamed Manon's name the way I screamed yours." Rowan stilled. His queen gazed at the floor, as if recalling the moment. "How can I take away somebody who means the world to someone else? Even if she's my enemy." A little shrug. "I thought you were dying. It seemed like bad luck to let her die out of spite. And..." she snorted. "Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly." Rowan smiled, drinking in the sight of her: pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. "You make me proud to serve you." A jaunty slant to her lips, but silver lined her eyes. "I know.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Evanlyn opened her mouth to scream. But the horror of the moment froze the sound in her throat and she crouched, openmouthed, as death approached her. It was odd, she thought, that they had dragged her here, left her overnight and then decided to kill her. It seem such a pointless way to die.
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
Joan Didion (Slouching Towards Bethlehem)
Prince Kai?” Peony spun toward her so fast, she tripped on the skirts of Adri’s kimono and fell, screaming, onto her bed. “Who’s Prince Kai?” she yelled, struggling to sit back up. “Only my future husband!
Marissa Meyer (Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles, #4.5))
This one is called "Chunky Munky".' Nadia stopped with the spoon halfway to her mouth. 'But isn´t a monkey a small chattering Earth creature that lives in trees?' she asked faintly. 'Are ... are you telling me I´m eating chunks of its flesh?' 'Ugh.' Sophia shivered. 'What a thought! The poor monkeys!' Nadia felt ill. 'Is that why this stuff is called 'I Scream?' Because the animal screams when they make it into dessert?
Evangeline Anderson (Found (Brides of the Kindred, #4))
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be…
Joan Didion (Slouching Towards Bethlehem)
I wanted to cry and scream to the world that this was unfair, but I knew I had no right. Life was unfair to a lot of people. I wasn’t special, and this was the fate I’d been given.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away. At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps. (4)
Markus Zusak (The Book Thief)
She screamed like an assassin was driving a knife into her stomach. She screamed like a thousand birds were pecking at her flesh. She screamed like the palace was burning down around her.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I'm in love with you" Finally, the girl looks at me. "What?" "I don't know." I gesture to the house, the yard, the dirt surrounding us. "I'm not sure what suggested romance. Maybe it was the screaming match or the way my girlfriend kicked my ass to the ground, but I love you." Her mouth gapes. "I...I..." "I don't want you to say it back now. One of us should have some class.
Katie McGarry (Take Me On (Pushing the Limits, #4))
So, Acheron," Kyrian said, hijacking their conversation. "What happened to your car? I saw the busted fender on it. How unlike you to crash into anything." Nick cringed as Acheron turned towards him with an arched brow. "Hey now," Nick said, holding his hands up in defence of himself, "it was not my fault.I was minding my own business when the trash can went suicidal, came out of nowhere, and jumped in front of the car." "It was on the curb, Nick," Ash said drily. "Along with a number of screaming pedestrians, running for their lives." "That's your story. I'm sticking to mine... And there ought to be a law about homicidal trash cans, and fines for people who put them on the street. They're really dangerous.... Just saying.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Tipping my head back, I screamed. Unlocked from the depths of my soul, it kept coming and coming. I couldn't stop it. I couldn't comprehend what I'd become—the things I had done. And when I stopped, it was only because my throat was raw.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
He had black hair anybody could see was dyed, and even had one long piece wrapped around his head in that way some men did to fool no one into believing they weren't bald. I resisted a sudden strong urge to tug away that piece and scream peekaboo! at his bare crown underneath.
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
Kami, do you have a weapon?" "No, I do not have a fucking weapon!" Kami screamed over her shoulder. "Do you really think I'd risk going to jail for that Mexican whore?" "Puerto Rican," Hawk muttered,rolling his eyes. "Shut up, Gorbachev!
Madeline Sheehan (Unbeloved (Undeniable, #4))
Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
Thomas Harris (Hannibal Rising (Hannibal Lecter, #4))
Should we split up, or this a horror movie?" "Scream if something eats you," Gansey said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Maybe I should punch myself in the face and see if you scream.
H.D. Gordon (Redemption (The Alexa Montgomery Saga, #4))
Feathery Stokers - There is no definitive list but here are some examples. Men who didn’t eat red meat were Feathery Strokers. Men who used postshave balm instead of slapping stinging aftershave onto their tender skin were Feathery Strokers. Men who noticed your shoes and handbags were Feathery Strokers. (Or Jolly Boys.) Men who said pornography was exploitation of women were Feathery Strokers. (Or liars.) Men who said pornography was exploitation of men as much as women were of the scale. All straight men from San Francisco were Feather Strokers. All academics with beards were Feathery Stokers. Men who stayed friends with their ex-girlfriends were Feathery Strokers. Especially if they called them their “ex-partner.” Men who did Pilates were Feathery Strokers. Men who said, “I have to take care of myself right now” were screaming Feathery Strokers. (Even I’d go along with that.) ~Jacqui
Marian Keyes (Anybody Out There? (Walsh Family, #4))
The sun still, surprisingly, came up and shone down onto the cold, metal leftovers. No loud noises. No screams. No breaking glass. Just silence and sunshine. You would be forgiven for thinking that this all happened on another planet. It didn’t.
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
...Prophecy is like a treacherous woman. She takes your member in her mouth, and you moan with the pleasure of it and think, how sweet, how fine, how good this is... and then her teeth snap shut and your moans turn to screams... Prophecy will bite your prick off everytime,
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Where the hell are you!?" Finn screamed in my ear. "We've been looking everywhere for you!" I winced at his voice blaring out at me. "I'm fine. I'm back at the train yard. LaFleur jumped me behind the Pork Pit and decided to take me for a little drive tonight." "Well, I hope that you had the good sense to kill her for interrupting your evening," Finn sniffed. "And for making us worry.
Jennifer Estep (Tangled Threads (Elemental Assassin, #4))
What are we doing here? (Delphine) Going to eat. What? You got Alzheimer’s? (Jericho) No, but I don’t see a restaurant around here. (Delphine) If I put us inside the restaurant, people might scream and freak. Not to mention, it has a Web cam there that makes it even harder to just poof inside. Damn modern people and their wizard’s tools. (Jericho)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Silence reigned. Well, except for Mallory's thundering heartbeat. She was in an attic loft, flat beneath her Mr. Wrong. Her common sense was screaming flee! But her secret inner bad girl was screaming oh please can't we have him? Just once? -Mallory
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
Lipstick?" He arched a brow. "I'm on the hunt for my perfect shade," I respond, deadpan. "Ditch the magenta. Your olive skin screams for rose." His deadpan is better than mine.
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
Been there, Remiel. Done that. Wore the T-Shirt, ate the burger, bought the original cast album, choreographed the legions of the damned and orchestrated the screaming.
Neil Gaiman (The Sandman, Vol. 4: Season of Mists)
Well, make up your mind. I don’t have all night.” Fidelia set her beer on the porch and removed a set of keys from her skirt pocket. She fumbled with the key, trying to release the trigger lock on her pistol. “Don’t do that,” Heather warned her. “You’ve had too much to drink.” Fidelia snorted. “I’m not drunk. I’m in complete control.” She tore off the trigger lock. Bang! The gun fired, ripping into a nearby oak tree. The women screamed. Jean-Luc winced. A squirrel plummeted from the tree and landed in the yard with a thud. Fidelia shrugged. “I meant to do that. Damned rodent’s been gnawing on the house. And stealing all the nuts from our pecan tree.” Heather planted her hands on her hips. “Haven’t I told you a million times to keep the locks on?” Fidelia hung her head, looking properly remorseful. “I’ll be more careful.” She switched on the safety, then shot Jean-Luc a pointed look. “I know how to deal with a scumbag with nuts.
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
She puts up with a lot of shit from me, so I fought back my initial instinct to run screaming at the idea of a tiny person invading our content little bubble. A lot would change. No more walking about naked. No more shagging Anna anywhere and everywhere I pleased.
Wendy Higgins (Sweet Temptation (Sweet, #4))
Maybe she'd been screaming for a long time. Maybe the sound was imprisoned inside this cocoon, trapped like she was. Maybe no one would ever hear her. Maybe she would scream until her throat bled and no one would ever know.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I’m going to claim her by the end of the night.” He flashed his fangs. “I’ll take her home, mount her, fuck her until she screams my name and keep doing it until she swells with what’s mine.” -Brawn
Laurann Dohner (Justice (New Species, #4))
You are a midnight woman, made from the ashes of witches burned, wielding magic born from their screams.
Emma Hamm (The Faceless Woman (The Otherworld, #4))
Getting things done at St Mary’s is a bit like elephants mating,’ explained Peterson. A remark that caused some mystification. ‘You know – there’s frantic activity at high level. There’s screaming and stamping. A lot of dust is raised. Nothing happens for two years and then you’re crushed by the result.
Jodi Taylor (A Trail Through Time (The Chronicles of St Mary's #4))
I've watched two-year-old humans with interest for centuries. They're miserable. They rush about, fall down, and scream almost constantly. They hate being human! They know already that it's some sort of dirty trick.
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
Duchess was barking her head off as she raced after a snarling, hissing, yowling white ball of Maleficent. Aphrodite was chasing after the dog, screaming for her to ''Come! Stay. Be good, damnit!'' Damien was close behind her, flailing his arms and yelling ''Duchess! Come!'' All of a sudden the Twins' cat, the huge and very stuck-up Beelzebub joined in the chase, only he was tearing around after Duchess. ''Ohmygod! Beelzebub! Honey!'' Shaunee ran into my view, yelling at the top of her very healthy lungs. ''Beelzebub! Duchess! Stop!'' Erin wailed, right behind her twin. Darius suddenly burst out into the hallway, and I stepped back behind the curtains, not sure is my shrouding could be detected by him. Apparently he didn't notice me, or anything else, because he ran into the Council Room. I peeked through the drapes and could hear him telling Neferet that she was needed on the school grounds-that there was an 'altercation.' Then Neferet was hurrying out of the room and down the hall, following Darius into the dog-barking, cat-yowling, kid-screaming craziness. I noticed that through all of it I hadn't seen hide nor hair of Jack. Talk about an excellent diversion!
Kristin Cast (Untamed (House of Night, #4))
The die was cast. It was a proud day for the Milligan family as I was taken from the house. "I'm too young to go," I screamed as Military Policemen dragged me from my pram, clutching a dummy. At Victoria Station the R.T.O. gave me a travel warrant, a white feather and a picture of Hitler marked "This is your enemy." I searched every compartment, but he wasn't on the train. At 4.30, June 2nd, 1940, on a summer's day all mare's tails and blue sky we arrived at Bexhill-on-Sea, where I got off. It wasn't easy. The train didn't stop there.
Spike Milligan (Adolf Hitler: My Part in His Downfall (War Memoirs, #1))
It's 8a.m. and time to rest It's 10a.m. and time to relax It's noon and time for repose It's 3p.m. and time for shut-eye It's 6p.m. and time for siesta It's 9p.m. and time to slumber It's midnight and time to snooze It's 4a.m. and time to hang upside down from your bedroom ceiling, screaming.
Francesco Marciuliano
Kill farmers! Ares screamed in his head. Return to the legion and fight Greeks! Mars said. What are we doing here? Killing farmers! Ares screamed back. “Shut up!” Frank yelled aloud. “Both of you!” A couple of old ladies with shopping bags shuffled past. They gave Frank a strange look, muttered something in Italian, and kept going. Frank stared
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The Shadow shall rise across the world, and darken every land, even to the smallest corner, and there shall be neither Light nor safety. And he who shall be born of the Dawn, born of the Maiden, according to Prophecy, he shall stretch forth his hands to catch the Shadow, and the world shall scream in the pain of salvation. All Glory be to the Creator, and to the Light, and to he sho shall be born again. May the Light save us from him. -from Commentaries on the Karaethon Cycle Sereine dar Shamelle Motara Counsel-Sister to Comaelle, High Queen of Jaramide (circa 325 AB, the Third Age)
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
Maze: “I’m alerting HQ. Stand by.” *on the private comlink* Corr: “How are you Omega? Can we help? We’re really concerned that you’re stranded on a shabla rock surrounded by an infinite number of natives who’ll cut your gett’se off when they haul you screaming from the summit.
Karen Traviss (Order 66 (Star Wars: Republic Commando #4))
All day the storm lasted. The windows were white and the wind never stopped howling and screaming. It was pleasant in the warm house. Laura and Mary did their lessons, then Pa played the fiddle while Ma rocked and knitted, and bean soup simmered on the stove. All night the storm lasted, and all the next day. Fire-light danced out of the stove's draught, and Pa told stories and played the fiddle.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
I’m asking you to marry me within the next hour.” He simply looked at her. “I can’t think of a reason why you should. I have no moral sense to speak of. I lie, I cheat, I steal, and I’ll probably drive you away screaming within the week. But if you marry me, I’ll only do those things on your behalf.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
I'm sorry," said Cinder. "We should have tried to be more discreet with our plans." Scarlet shook her head. "It's not your fault. Kai's travel schedule is pretty much public knowledge, so there was no stopping this, I'm afraid." She snorted. "Just be glad you weren't here to see the hoard of screaming girls when he arrived.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
You've been my teachers, clergy, my fellow students, coworkers, bosses, principals, sometimes you were a former friend or even family I once trusted. You've taken things I told you in utter confidence, & twisted them into lies to be used against me. Without cause, you have told lies against me. You have refused to see me as a human being. You have kicked me when I was up & you have kicked me when I was down. But today, you will kick me no more, I will no longer be your verbal or physical punching bag, Today, I discovered the secret that will never allow you or friends, who will one day turn on you too, to hurt me again. Today as I lay broken & bleeding in that dark place I crawl into when I think I can't take it anymore, I found something extraordinary. My humanity. As my soul screamed in bleeding agony & I wanted to die rather than live one more day in a world where you exist, I realized that my tears & ability to feel pain without lashing out to return that hurt to someone else makes me human.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Run! my brain screamed, but my feet didn’t move. Seriously. No movement at all, just like in one of those dreams where a giant dinosaur suddenly appears in the grocery store parking lot and you can’t seem to start running away or even throw a package of chicken thighs to create a diversion, no matter how hard you try.
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Joan Didion
She had spent days balancing on the edge of a choice. A choice, she had suddenly realized, that was never truly a matter of selection. It was what Damien had seemed to know from the start. The only choice she could make was to ignore the demands of her heart and her spirit, both of which she had tried to ignore no matter how loudly they had screamed at her. In truth, there was no choice. She was meant to be his, and he was meant to be hers. She had searched day after day for outside proof of this, only to realize that there was none, and never would be. The proof was stamped in the desires of her soul. It was the instinct that had been born in her, flipped on like a switch, the moment it had flipped on as brilliantly in him. Only he had seen the light, and she had been blinded by it.
Jacquelyn Frank (Damien (Nightwalkers, #4))
You!” she screamed. “He’s … that’s the guy that saved Winter.” Though the guard was immobile, probably thanks to Cinder, his face was free to twist with disgust as his eyes traveled the length of Iko’s battered body, dead wires, loose parts, and all. “And you’re that disturbing robot.” Iko bristled. “The correct term is escort-droid, you ignorant, inconsiderate—” “Iko.” She
Marissa Meyer (Winter (The Lunar Chronicles, #4))
What if we all carried little timers that counted down the days of our lives?  Maybe the timer's a bit dramatic. Just the date would do. It could be tattooed on our foreheads like the expiration date on a milk bottle. It might be a good thing. Maybe we'd stop wasting our lives worrying about things that never happen or collecting things that we can't take with us. We'd probably treat people better. We certainly wouldn't be screaming at someone who had a day left. Maybe people would finally stop living like they're immortal. Maybe we could finally learn how to live.
Richard Paul Evans (A Step of Faith (The Walk, #4))
When I lift her, she wraps her legs around me and I carry her to an oversized chair. I fall back onto it and giver her bum a good slap, making her scream, "Hey!" I hush her complaint with another kiss, and pull her hips down against mine until she lets her head fall back and sinks into my lap perfectly. It's still our wedding night. She's all mine until the sun rises and it's time to release her back into the world. Until then, let the celebration continue.
Wendy Higgins (Sweet Temptation (Sweet, #4))
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Joan Didion (Slouching Towards Bethlehem)
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
I’m scared to be in my own head, Molloy,” I croaked out, feeling a shiver rack through my body. “I’m fucking terrified of my inability to control my own actions, and what’s worse is knowing that, at any point, I could end up going too far and driving you away. I could push away the one person, the only fucking person, who has even given a shit about me.” I exhaled a ragged breath, feeling torn and exposed to this girl. “I don’t want to go back to how it was – to how I was. I know what’s at stake. I see you; I fucking see you standing right here in front of me, and my heart is screaming at me to cop the hell on and get my shit together. And I want to. I want to so fucking bad, but it’s like this…” Frustrated, I reached up and pressed my fingers to my temples, trying to get the words out, to make it all make sense to her, which was impossible considering I didn’t understand it myself. Still, I tried, knowing that she deserved nothing less. “It’s like I have this whole other person in my head, a whole other voice, even though I know it’s me. It’s my voice, but it’s a destructive fucking voice that rears its head every time I’m stressed.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
He brought her to the moon with a flourish. The near side facing the Earth, not the far side, since he thought they should take the trip in stages. She turned in his arms to look around at where he brought them. "W-what ... " "I told you it would be somewhere special," he said, in the invisible bubble he had created for them. She screamed. He smiled smugly. Yes, this second date destination was worthy of a happy scream. Very few humans had walked on the moon. He knew how rare this opportunity was. Surely it should make up for what had happened on their first date. Grace kept screaming. She turned and clawed at him. "Oh, my God. Oh. My. God. OHMYGOD!" His smile vanished. He tried to get hold of her in a gentle but tight grip. That was more difficult than he expected. She seemed to have acquired a half-dozen arms and legs. He informed her, "You may stop making noise any time now." Somehow she had climbed halfway up his body before he managed to grasp her waist. He plucked her off and set her on her feet. She started to climb up his body again. "Are you having fun?" he asked suspiciously. "We're on the fucking moon!" she shouted. "There's nothing here!" He stared at her. "I don't think you're having fun.
Thea Harrison (Oracle's Moon (Elder Races, #4))
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
I’m here to right wrongs and I’m gonna do it, Angel. You told me I’d had my last chance but I don’t accept that and I won’t. If you tell me now that my explanation is not enough and you want me gone, I’m not goin’. I’m not giving up. I got one part of my life’s dream still open to me, very sign she gives me is screaming that she’s standing in my arms right now and I’m not gonna be ninety years old, looking back on my life and regretting that I gave up that dream.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
The whole "lets find Bigfoot" thing seems a little ill-planned to me, personally. Granted, my perspective is different than that of non-wizards, but marching out into the woods looking for a very large and very powerful creature by blasting out what you're pretty sure are territorial challenges to fight (or else mating calls) seems... somewhat unwise. I mean, if there's no Bigfoot, no problem. But what if you're standing there, screaming "Bring it on!" and find a Bigfoot? Worse yet, what if he finds you? Even worse, what if you were screaming "Do me, baby!" and he finds you then? Is it me? Am I carzy? Or does the whole thing just seem like a recipe for trouble?
Jim Butcher (Working for Bigfoot (The Dresden Files #11.4))
Please,” Lady Gisela begged as the figures dragged her toward the mountains. Her captors ignored her cries, kicking her when she stumbled. Her pleas grew more urgent as they headed for a rift, but the Neverseen did not slow. Mitya tried to follow, but by the time she found a way into the cave, the Neverseen had vanished, leaving nothing but red. As she turned to head back, Mitya heard Lady Gisela scream, “Don’t do this!” Then everything fell silent, and a raspy voice said, “It’s done.” A million icicles stabbed Sophie’s heart as she recognized the voice. Brant. Clearly he’d recovered from his wounds. The
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Most people are born the day they arrive in this world. They take their first breath, open their eyes, take in their surroundings and then they scream. It’s the same for most. The moment they are held in their parent’s arms is the moment they truly begin to live. Not me. I was born on the 4th February, 1999 in so many different ways. In the morning, I went from being a girl to a woman. I lost my innocence in a way not many others have lost theirs before. Then I went home and lost my youth. My parents have turned their backs on me and I have happily walked away, and even though that walk was painful, it was also freeing. My wings have spread and finally, I feel like I am soaring.
Victoria L. James (Izzy Moffit's Road to Wonderland (Road to Wonderland #1))
An eternity later, they reached what he thought might be the end, and King Henry waved his turkey leg in the air, loudly proclaiming, “This land shall be mine, henceforth and forevermore!” And indeed, it seemed that all was lost for the poor, sweet shepherdess and her strangely changeable flock. But just then, there was a mighty roar— “Is there a lion?” Richard wondered. —and the unicorn burst onto the scene! “Die!” the unicorn shrieked. “Die! Die! Die!” Richard looked to Iris in confusion. The unicorn had not thus demonstrated an ability to speak. Henry’s scream of terror was so chilling, the woman behind Richard murmured, “This is surprisingly well acted.” Richard stole another look at Iris; her mouth was hanging open as Henry leapt over a cow and ran behind the piano, only to trip over the littlest sheep, who was still licking the piano leg. Henry scrambled for purchase, but the (possibly rabid) unicorn was too fast, and it ran headfirst (and head down) toward the frightened king, plunging its horn into his large, pillowed belly. Someone screamed, and Henry went down, feathers flying. “I don’t think this was in the script,” Iris said in a horrified whisper.
Julia Quinn (The Secrets of Sir Richard Kenworthy (Smythe-Smith Quartet, #4))
I will say it again," said Dumbledore as the phoenix rose into the air and resettled itself upon the perch beside the door. "You have shown bravery beyond anything I could have expected of you tonight. Harry. You have shown bravery equal to those who died fighting Voldemort at the height of his powers. You have shouldered a grown wizard's burden and found yourself equal to it - and you have now given us all we have a right to expect. You will come with me to the hospital wing. I do not want you returning to the dormitory tonight. A Sleeping Potion, and some peace . . . Sirius, would you like to stay with him?" Sirius nodded and stood up. He transformed back into the great black dog and walked with Harry and Dumbledore out of the office, accompanying them down a flight of stairs to the hospital wing. When Dumbledore pushed open the door. Harry saw Mrs. Weasley, Bill, Ron, and Hermione grouped around a harassed-looking Madam Pomfrey. They appeared to be demanding to know where Harry was and what had happened to him. All of them whipped around as Harry, Dumbledore, and the black dog entered, and Mrs. Weasley let out a kind of muffled scream. "Harry! Oh Harry!" She started to hurry toward him, but Dumbledore moved between them. "Molly," he said, holding up a hand, "please listen to me for a moment. Harry has been through a terrible ordeal tonight. He has just had to relive it for me.What he needs now is sleep, and peace, and quiet. If he would like you all to stay with him," he added, looking around at Ron, Hermione, and Bill too, "you may do so. But I do not want you questioning him until he is ready to answer, and certainly not this evening." Mrs. Weasley nodded. She was very white. She rounded on Ron, Hermione, and Bill as though they were being noisy, and hissed, "Did you hear? He needs quiet!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!” He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?” The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky. “REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?” “Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—” “Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!” “Hey, Sunshine,” Leo said. “I’m right here, you know.” She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!” “Well, since you asked so nicely …” Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up. She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.” “Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!” She snarled and kept walking along the edge of the water.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I refuse to leave you here.' Emerie's pained face told Nesta enough: she understood. Saw the logic. Nesta said to Gwyn. 'It is the only way.' Gwyn screamed. 'IT IS NOT THE ONLY WAY!' And then she was sobbing. 'I will not abandon you to them. They will kill you.' 'You need to go,' Nesta said, even as her hands began shaking. 'Now.' 'No,' Gwyn wept. 'No, I won't. I'll face it with you.' Something deep in Nesta's chest cracked. Cracked open completely, and what lay within bloomed, full and bright and pure. She wrapped her arms around Gwyn. Let her friend sob into her chest. 'I'll face it with you,' Gwyn whispered, over and over again. 'Promise me we'll face it together.' Nesta couldn't stop her tears. The chill wind froze them on her cheeks. 'I promise,' she breathed, stroking Gwyn's matted hair. 'I promise.' Gwyn sobbed, and Nesta let herself sob with her, squeezing her tightly. Letting her stroking hand come to rest on Gwyn's neck. A pinch in the right spot, exactly on the pressure point Cassina had shown her, and it was done. Gwyn went down. Unconscious.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
1) Did the people of Viet Nam use lanterns of stone? 2) Did they hold ceremonies to reverence the opening of buds? 3) Were they inclined to quiet laughter? 4) Did they use bone and ivory, jade and silver, for ornament? 5) Had they an epic poem? 6) Did they distinguish between speech and singing? 1) Sir, their light hearts turned to stone. It is not remembered whether in gardens stone lanterns illumined pleasant ways. 2) Perhaps they gathered once to delight in blossom, but after the children were killed there were no more buds. 3) Sir, laughter is bitter to the burned mouth. 4) A dream ago, perhaps. Ornament is for joy. All the bones were charred. 5) It is not remembered. Remember, most were peasants; their life was in rice and bamboo. When peaceful clouds were reflected in the paddies and the water buffalo stepped surely along terraces, maybe fathers told their sons old tales. When bombs smashed those mirrors there was time only to scream. 6) There is an echo yet of their speech which was like a song. It was reported their singing resembled the flight of moths in moonlight. Who can say? It is silent now.
Denise Levertov (Poems of Denise Levertov, 1960-1967)
The room became cinders. Kaltain pushed the chains off her as though they were cobwebs and arose. She disrobed as she walked out of the room. Let them see what had been done to her, the body they’d wasted. She made it two steps into the hall before they noticed her, and beheld the black flames rippling off her. Death, devourer of worlds. The hallway turned to black dust. She strode toward the chamber where the screaming was loudest, where female cries leaked through the iron door. The iron did not heat, did not bend to her magic. So she melted an archway through the stones. Monsters and witches and men and demons whirled. Kaltain flowed into the room, spreading her arms wide, and became shadowfire, became freedom and triumph, became a promise hissed in a dungeon beneath a glass castle: Punish them all. She burned the cradles. She burned the monsters within. She burned the men and their demon princes. And then she burned the witches, who looked at her with gratitude in their eyes and embraced the dark flame. Kaltain unleashed the last of her shadowfire, tipping her face to the ceiling, toward a sky she’d never see again. She took out every wall and every column. As she brought it all crashing and crumbling around them, Kaltain smiled, and at last burned herself into ash on a phantom wind.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
In every way there is, murder is chaos. Our job is simple, when you get down to it: we stand against that, for order. I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid’s mind to tell an adult to fuck off. There was plenty of bad there, I don’t forget that, but we all knew exactly where we stood and we didn’t break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it’s spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can’t have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone. The final step into feral is murder.
Tana French (Broken Harbor (Dublin Murder Squad, #4))
It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Hello." Her mood deflated as if she'd been pricked with a pin. "Alan." "Shelby." She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop." "Does it? It hasn't even started." "Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time." "I have a bit to spare," he said mildly. "How was your week?" "Busy.Listen,I-" "I missed you." The simple statement threw the rest of her lecture into oblivion. "Alan, don't -" "Everyday," he continued. "Every night. Have you been to Boston, Shelby?" "Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated? "I'd like to take you there in the fall, when it smells of damp leaves and smoke." Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?" "Perfectly.Spend the day with me." Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!" "We'll call it an experimental outing," he suggested in the same even tone. "Not a date." "No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!" "Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans." "You're trying to be charming again," Shelby muttered. "Am I succeeding?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))