Scream 4 Quotes

We've searched our database for all the quotes and captions related to Scream 4. Here they are! All 200 of them:

Why," he asked. "Why did you save her?" She dragged a hand through her hair. [...] "Because that golden-haired witch, Asterin ...," Aelin said. "She screamed Manon's name the way I screamed yours.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
People think happiness will simply fall into their laps. You have to aspire to it. And sometimes you have to seize it when it’s kicking and screaming.
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Joan Didion (Slouching Towards Bethlehem)
Our love is rare. It’s one I can’t abandon, even if I tried. When she screams, an identical one rips through me. When she cries, my world rains with grief. When she loves, I truly, truly fly.
Krista Ritchie (Thrive (Addicted #4))
Mencheres dragged her screaming from me only an hour after our binding!" Gregor said. "I don't give a rot if Mencheres yanked her off your throbbing, rigid cock," Bones snarled. "Go dream a little dream, you sod!
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
I love you.” Dean lifted the words from my mind. “Today, tomorrow, covered in blood, haunted and waking up in the middle of the night screaming—I love you, Cassie, and I’m here, and I’m not going anywhere.
Jennifer Lynn Barnes (Bad Blood (The Naturals, #4))
She screamed like a thousand birds were picking at her flesh. She screamed like the palace was burning down around her.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Look, sir, I know Angua. She's not the useless type. She doesn't stand there and scream helplessly. She makes other people do that.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
I can hear other things, too. Before you came around, I had no idea a man could make a girl scream like that. Reyes seems very talented.
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
Images flashed through his mind. He saw Nico and his sister on a snowy cliff in Maine, Percy Jackson protecting them from a manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action. Later, at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and thought, How can he possibly fail? This is a real hero. He was Nico's favorite game, Mythomagic, brought to life. Jason saw the moment when Percy returned and told Nico that Bianca was dead. Nico had screamed and called him a liar. He'd felt betrayed, but still... when the skeleton warriors attacked, he couldn't let them harm Percy. Nico had called on the earth to swallow them up, and then he'd run away- terrified of his own powers, and his own emotions.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Promise you’ll scream for me tonight.
Madeleine Urban (Divide & Conquer (Cut & Run, #4))
The shadow pulled away, moving forward quickly. My first instinct screamed Arum and to push away from it. I reached blindly for the obsidian necklace, realizing too late I didn’t have it anymore. “You’re still having nightmares,” the shadow said. At the sound of the familiar voice, fear gave way to rage so potent that it tasted like a battery acid. I was on my feet before I knew it. “Blake,” I spat.
Jennifer L. Armentrout (Origin (Lux, #4))
Ah, two firm friends, reunited at last! There should be sweet violin music playing for us, but I'll settle for the screams of the dying.
Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
Look, he isn’t even concerned.” I poured the tea. “He’s concerned, Mother. He just doesn’t panic, because he’s in charge and if he panics, everybody else will panic.” “I can jog around the room pretending to scream if you would like,” Jim offered.
Ilona Andrews (Magic Dreams (World of Kate Daniels, #4.5; Dali Harimau, #1))
Yako forced the rag tightly against Candice’s nose and mouth. Twisting her head and trying to scream, she gasped for air but only succeeded in inhaling the rag’s toxic fumes.
Karl Braungart (Triple Deception (Remmich/Miller, #4))
Bite me, hit me, scream at me. I don't care. I want to feel it. Fucking hurt me, K.C. Let me see you.
Penelope Douglas (Falling Away (Fall Away, #4))
Connor and Rose would belong to the smartest house in the wizarding world. No question. Before the sorting hat even touched their heads, it’d scream Ravenclaw!
Krista Ritchie (Thrive (Addicted #4))
And I could always set Coach Hedge on fire,” Leo volunteered. “Then he can be fire.” The thought of a blazing satyr screaming, “Die, scumbag!” as he attacked Gaea was almost enough to make Piper laugh— almost.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
If it's a chimera alert, we just follows the screams.
Jasper Fforde (Something Rotten (Thursday Next, #4))
You’re not doing well and finally I don’t have to pretend to be so interested in your on going tragedy, but I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. and I miss you like a dart hits the iris of a bullseye, or a train ticket screams 4:30 at 4:47, I wanted to tell you that it’s my birthday on Thursday and I would have wanted you to give me the gift of your guts on the floor, one last time, to see if you still had it in you. I hope our ghosts aren’t eating you alive. If I’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.
Lucas Regazzi
I'll kill you! Sam had screamed it at Arobynn as the King of the Assassins beat her. He'd roared it. In those horrible minutes, whatever bond had sprung up between her and Sam hadn't broken. He'd switched loyalties- he'd chosen to stand by her, fight for her. If anything, that made him different from Ansel. Sam could have hurt or betrayed her a dozen times over, but he'd never jumped at the opportunity.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
I want to discover every hidden secret of your body and a thousand ways to make you scream my name.
Jennifer Probst (The Marriage Merger (Marriage to a Billionaire, #4))
Han made no effort to put up a brave front. Most of the time he just screamed himself hoarse, though a couple of times he amused himself by screaming Fionas's name as if he were in the throes of passion. FEEE-OHHH-NAAA! Lord Bayar made him pay for that, but afterward, Fiona didn't come down anymore, which Han appreciated.
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
Joan Didion (Slouching Towards Bethlehem)
I pity those born of the lighter side. They have no understanding of how seductive cruelty is. The music made out of screams and pleas for mercy. Mmmm. Nothing better. (Noir)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
I will forgive him because I have heard him scream when someone pulled a sword out of him that could have just as easily gone into me. --Sophos
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
If I was going to go out tonight, I was going to go out fighting. Or screaming in agony. Either way.
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
How could I possibly keep my cool while getting sweaty with him? What if I screamed out something horrifying, like "I love you?" What if I had an epileptic attack and started drooling or spitting right in the middle of things?
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
As we passed the 10th floor, we found ourselves staring down at the city of Atlanta as we moved ever faster towards the 72nd floor. Rudy’s color changed dramatically. His face turned deathly white, which scared the hell out of me. But that was only the beginning. He began screaming, then slid down to the floor and covered his head with both of his arms.
Behcet Kaya (Murder in Buckhead (Jack Ludefance #4))
Why", he asked. "Why did you save her?" She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn't even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him. "Because that golden-haired witch, Asterin...," Aelin said. "She screamed Manon's name the way I screamed yours." Rowan stilled. His queen gazed at the floor, as if recalling the moment. "How can I take away somebody who means the world to someone else? Even if she's my enemy." A little shrug. "I thought you were dying. It seemed like bad luck to let her die out of spite. And..." she snorted. "Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly." Rowan smiled, drinking in the sight of her: pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. "You make me proud to serve you." A jaunty slant to her lips, but silver lined her eyes. "I know.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Prince Kai?” Peony spun toward her so fast, she tripped on the skirts of Adri’s kimono and fell, screaming, onto her bed. “Who’s Prince Kai?” she yelled, struggling to sit back up. “Only my future husband!
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Im's offspring stare at stars and make clocks that calculate useless happenings like the angle of a hawk's claws as it strikes its prey. They demonstrate their contraptions and everyone marvels. My children get drunk, confuse a herd of cows with an enemy regiment, and slaughter the lot, screaming like lunatics until the entire army panics.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be…
Joan Didion (Slouching Towards Bethlehem)
Evanlyn opened her mouth to scream. But the horror of the moment froze the sound in her throat and she crouched, openmouthed, as death approached her. It was odd, she thought, that they had dragged her here, left her overnight and then decided to kill her. It seem such a pointless way to die.
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
This one is called "Chunky Munky".' Nadia stopped with the spoon halfway to her mouth. 'But isn´t a monkey a small chattering Earth creature that lives in trees?' she asked faintly. 'Are ... are you telling me I´m eating chunks of its flesh?' 'Ugh.' Sophia shivered. 'What a thought! The poor monkeys!' Nadia felt ill. 'Is that why this stuff is called 'I Scream?' Because the animal screams when they make it into dessert?
Evangeline Anderson (Found (Brides of the Kindred, #4))
I wanted to cry and scream to the world that this was unfair, but I knew I had no right. Life was unfair to a lot of people. I wasn’t special, and this was the fate I’d been given.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away. At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps. (4)
Markus Zusak (The Book Thief)
She screamed like an assassin was driving a knife into her stomach. She screamed like a thousand birds were pecking at her flesh. She screamed like the palace was burning down around her.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I'm in love with you" Finally, the girl looks at me. "What?" "I don't know." I gesture to the house, the yard, the dirt surrounding us. "I'm not sure what suggested romance. Maybe it was the screaming match or the way my girlfriend kicked my ass to the ground, but I love you." Her mouth gapes. "I...I..." "I don't want you to say it back now. One of us should have some class.
Katie McGarry (Take Me On (Pushing the Limits, #4))
So, Acheron," Kyrian said, hijacking their conversation. "What happened to your car? I saw the busted fender on it. How unlike you to crash into anything." Nick cringed as Acheron turned towards him with an arched brow. "Hey now," Nick said, holding his hands up in defence of himself, "it was not my fault.I was minding my own business when the trash can went suicidal, came out of nowhere, and jumped in front of the car." "It was on the curb, Nick," Ash said drily. "Along with a number of screaming pedestrians, running for their lives." "That's your story. I'm sticking to mine... And there ought to be a law about homicidal trash cans, and fines for people who put them on the street. They're really dangerous.... Just saying.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
Thomas Harris (Hannibal Rising (Hannibal Lecter, #4))
Maybe I should punch myself in the face and see if you scream.
H.D. Gordon (Redemption (The Alexa Montgomery Saga, #4))
Should we split up, or this a horror movie?" "Scream if something eats you," Gansey said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Feathery Stokers - There is no definitive list but here are some examples. Men who didn’t eat red meat were Feathery Strokers. Men who used postshave balm instead of slapping stinging aftershave onto their tender skin were Feathery Strokers. Men who noticed your shoes and handbags were Feathery Strokers. (Or Jolly Boys.) Men who said pornography was exploitation of women were Feathery Strokers. (Or liars.) Men who said pornography was exploitation of men as much as women were of the scale. All straight men from San Francisco were Feather Strokers. All academics with beards were Feathery Stokers. Men who stayed friends with their ex-girlfriends were Feathery Strokers. Especially if they called them their “ex-partner.” Men who did Pilates were Feathery Strokers. Men who said, “I have to take care of myself right now” were screaming Feathery Strokers. (Even I’d go along with that.) ~Jacqui
Marian Keyes (Anybody Out There? (Walsh Family, #4))
He had black hair anybody could see was dyed, and even had one long piece wrapped around his head in that way some men did to fool no one into believing they weren't bald. I resisted a sudden strong urge to tug away that piece and scream peekaboo! at his bare crown underneath.
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
Tipping my head back, I screamed. Unlocked from the depths of my soul, it kept coming and coming. I couldn't stop it. I couldn't comprehend what I'd become—the things I had done. And when I stopped, it was only because my throat was raw.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Kami, do you have a weapon?" "No, I do not have a fucking weapon!" Kami screamed over her shoulder. "Do you really think I'd risk going to jail for that Mexican whore?" "Puerto Rican," Hawk muttered,rolling his eyes. "Shut up, Gorbachev!
Madeline Sheehan (Unbeloved (Undeniable, #4))
...Prophecy is like a treacherous woman. She takes your member in her mouth, and you moan with the pleasure of it and think, how sweet, how fine, how good this is... and then her teeth snap shut and your moans turn to screams... Prophecy will bite your prick off everytime,
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Where the hell are you!?" Finn screamed in my ear. "We've been looking everywhere for you!" I winced at his voice blaring out at me. "I'm fine. I'm back at the train yard. LaFleur jumped me behind the Pork Pit and decided to take me for a little drive tonight." "Well, I hope that you had the good sense to kill her for interrupting your evening," Finn sniffed. "And for making us worry.
Jennifer Estep (Tangled Threads (Elemental Assassin, #4))
What are we doing here? (Delphine) Going to eat. What? You got Alzheimer’s? (Jericho) No, but I don’t see a restaurant around here. (Delphine) If I put us inside the restaurant, people might scream and freak. Not to mention, it has a Web cam there that makes it even harder to just poof inside. Damn modern people and their wizard’s tools. (Jericho)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
The sun still, surprisingly, came up and shone down onto the cold, metal leftovers. No loud noises. No screams. No breaking glass. Just silence and sunshine. You would be forgiven for thinking that this all happened on another planet. It didn’t.
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
Silence reigned. Well, except for Mallory's thundering heartbeat. She was in an attic loft, flat beneath her Mr. Wrong. Her common sense was screaming flee! But her secret inner bad girl was screaming oh please can't we have him? Just once? -Mallory
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
Been there, Remiel. Done that. Wore the T-Shirt, ate the burger, bought the original cast album, choreographed the legions of the damned and orchestrated the screaming.
Neil Gaiman (The Sandman, Vol. 4: Season of Mists)
Lipstick?" He arched a brow. "I'm on the hunt for my perfect shade," I respond, deadpan. "Ditch the magenta. Your olive skin screams for rose." His deadpan is better than mine.
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
She puts up with a lot of shit from me, so I fought back my initial instinct to run screaming at the idea of a tiny person invading our content little bubble. A lot would change. No more walking about naked. No more shagging Anna anywhere and everywhere I pleased.
Wendy Higgins (Sweet Temptation (Sweet, #4))
Well, make up your mind. I don’t have all night.” Fidelia set her beer on the porch and removed a set of keys from her skirt pocket. She fumbled with the key, trying to release the trigger lock on her pistol. “Don’t do that,” Heather warned her. “You’ve had too much to drink.” Fidelia snorted. “I’m not drunk. I’m in complete control.” She tore off the trigger lock. Bang! The gun fired, ripping into a nearby oak tree. The women screamed. Jean-Luc winced. A squirrel plummeted from the tree and landed in the yard with a thud. Fidelia shrugged. “I meant to do that. Damned rodent’s been gnawing on the house. And stealing all the nuts from our pecan tree.” Heather planted her hands on her hips. “Haven’t I told you a million times to keep the locks on?” Fidelia hung her head, looking properly remorseful. “I’ll be more careful.” She switched on the safety, then shot Jean-Luc a pointed look. “I know how to deal with a scumbag with nuts.
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
I made jokes because the alternative was to scream as loudly on the outside as I was on the inside. Because I needed to laugh so that I wouldn't burn with anger at the injustices around me.
Jennifer A. Nielsen (The Captive Kingdom (Ascendance, #4))
Maybe she'd been screaming for a long time. Maybe the sound was imprisoned inside this cocoon, trapped like she was. Maybe no one would ever hear her. Maybe she would scream until her throat bled and no one would ever know.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I’m going to claim her by the end of the night.” He flashed his fangs. “I’ll take her home, mount her, fuck her until she screams my name and keep doing it until she swells with what’s mine.” -Brawn
Laurann Dohner (Justice (New Species, #4))
I’d rather be sobbing with sorrow, screaming in fear, laughing until I was breathless or riding the very edge of a high than just keeping to the middle path.
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
Getting things done at St Mary’s is a bit like elephants mating,’ explained Peterson. A remark that caused some mystification. ‘You know – there’s frantic activity at high level. There’s screaming and stamping. A lot of dust is raised. Nothing happens for two years and then you’re crushed by the result.
Jodi Taylor (A Trail Through Time (The Chronicles of St Mary's #4))
There was no commotion, only me doing a literal somersault across the meeting table and frightening Mistress Kitcher so much that she leapt away and lost her wig. Hence all the screaming. Mine, not hers.
Jennifer A. Nielsen (The Captive Kingdom (The Ascendance Series, #4))
The Shadow shall rise across the world, and darken every land, even to the smallest corner, and there shall be neither Light nor safety. And he who shall be born of the Dawn, born of the Maiden, according to Prophecy, he shall stretch forth his hands to catch the Shadow, and the world shall scream in the pain of salvation. All Glory be to the Creator, and to the Light, and to he sho shall be born again. May the Light save us from him. -from Commentaries on the Karaethon Cycle Sereine dar Shamelle Motara Counsel-Sister to Comaelle, High Queen of Jaramide (circa 325 AB, the Third Age)
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
I've watched two-year-old humans with interest for centuries. They're miserable. They rush about, fall down, and scream almost constantly. They hate being human! They know already that it's some sort of dirty trick.
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
Duchess was barking her head off as she raced after a snarling, hissing, yowling white ball of Maleficent. Aphrodite was chasing after the dog, screaming for her to ''Come! Stay. Be good, damnit!'' Damien was close behind her, flailing his arms and yelling ''Duchess! Come!'' All of a sudden the Twins' cat, the huge and very stuck-up Beelzebub joined in the chase, only he was tearing around after Duchess. ''Ohmygod! Beelzebub! Honey!'' Shaunee ran into my view, yelling at the top of her very healthy lungs. ''Beelzebub! Duchess! Stop!'' Erin wailed, right behind her twin. Darius suddenly burst out into the hallway, and I stepped back behind the curtains, not sure is my shrouding could be detected by him. Apparently he didn't notice me, or anything else, because he ran into the Council Room. I peeked through the drapes and could hear him telling Neferet that she was needed on the school grounds-that there was an 'altercation.' Then Neferet was hurrying out of the room and down the hall, following Darius into the dog-barking, cat-yowling, kid-screaming craziness. I noticed that through all of it I hadn't seen hide nor hair of Jack. Talk about an excellent diversion!
Kristin Cast (Untamed (House of Night, #4))
The die was cast. It was a proud day for the Milligan family as I was taken from the house. "I'm too young to go," I screamed as Military Policemen dragged me from my pram, clutching a dummy. At Victoria Station the R.T.O. gave me a travel warrant, a white feather and a picture of Hitler marked "This is your enemy." I searched every compartment, but he wasn't on the train. At 4.30, June 2nd, 1940, on a summer's day all mare's tails and blue sky we arrived at Bexhill-on-Sea, where I got off. It wasn't easy. The train didn't stop there.
Spike Milligan (Adolf Hitler: My Part in His Downfall (War Memoirs, #1))
Your Highness!” Xie Lian covered his ears and screamed his penitence as he ran. “I’m sorry!” Die! Just die! If I can’t die, just dig a hole somewhere and pretend to be dead!
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 4)
You are a midnight woman, made from the ashes of witches burned, wielding magic born from their screams.
Emma Hamm (The Faceless Woman (The Otherworld, #4))
All day the storm lasted. The windows were white and the wind never stopped howling and screaming. It was pleasant in the warm house. Laura and Mary did their lessons, then Pa played the fiddle while Ma rocked and knitted, and bean soup simmered on the stove. All night the storm lasted, and all the next day. Fire-light danced out of the stove's draught, and Pa told stories and played the fiddle.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
It's 8a.m. and time to rest It's 10a.m. and time to relax It's noon and time for repose It's 3p.m. and time for shut-eye It's 6p.m. and time for siesta It's 9p.m. and time to slumber It's midnight and time to snooze It's 4a.m. and time to hang upside down from your bedroom ceiling, screaming.
Francesco Marciuliano
I’m scared to be in my own head, Molloy,” I croaked out, feeling a shiver rack through my body. “I’m fucking terrified of my inability to control my own actions, and what’s worse is knowing that, at any point, I could end up going too far and driving you away. I could push away the one person, the only fucking person, who has even given a shit about me.” I exhaled a ragged breath, feeling torn and exposed to this girl. “I don’t want to go back to how it was – to how I was. I know what’s at stake. I see you; I fucking see you standing right here in front of me, and my heart is screaming at me to cop the hell on and get my shit together. And I want to. I want to so fucking bad, but it’s like this…” Frustrated, I reached up and pressed my fingers to my temples, trying to get the words out, to make it all make sense to her, which was impossible considering I didn’t understand it myself. Still, I tried, knowing that she deserved nothing less. “It’s like I have this whole other person in my head, a whole other voice, even though I know it’s me. It’s my voice, but it’s a destructive fucking voice that rears its head every time I’m stressed.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
Kill farmers! Ares screamed in his head. Return to the legion and fight Greeks! Mars said. What are we doing here? Killing farmers! Ares screamed back. “Shut up!” Frank yelled aloud. “Both of you!” A couple of old ladies with shopping bags shuffled past. They gave Frank a strange look, muttered something in Italian, and kept going. Frank stared
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The Fool Whereabouts unknown My eyes flashed open. The Empress’s screams had awakened the dark in me. Reverse, perverse. The Dark Calling. Her smile was broken. It was time. I always know best.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
I’m asking you to marry me within the next hour.” He simply looked at her. “I can’t think of a reason why you should. I have no moral sense to speak of. I lie, I cheat, I steal, and I’ll probably drive you away screaming within the week. But if you marry me, I’ll only do those things on your behalf.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
The whole town will bleed if I’m too late. The whole fucking town will scream for me.
S.T. Abby (All the Lies (Mindf*ck, #4))
Maze: “I’m alerting HQ. Stand by.” *on the private comlink* Corr: “How are you Omega? Can we help? We’re really concerned that you’re stranded on a shabla rock surrounded by an infinite number of natives who’ll cut your gett’se off when they haul you screaming from the summit.
Karen Traviss (Order 66 (Star Wars: Republic Commando #4))
I'm sorry," said Cinder. "We should have tried to be more discreet with our plans." Scarlet shook her head. "It's not your fault. Kai's travel schedule is pretty much public knowledge, so there was no stopping this, I'm afraid." She snorted. "Just be glad you weren't here to see the hoard of screaming girls when he arrived.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Joey, come home. Come home quick!” Ollie screamed down the line. “Please, come home. Daddy’s going to kill her!” “Who, Ollie?” I demanded as my legs broke into a run in the direction of my house. “Is it Mam?” My heart jackknifed in my chest. “Is he hurting Mam?” “Shannon!” Ollie screamed down the line. “He’s killing Shannon!
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
You've been my teachers, clergy, my fellow students, coworkers, bosses, principals, sometimes you were a former friend or even family I once trusted. You've taken things I told you in utter confidence, & twisted them into lies to be used against me. Without cause, you have told lies against me. You have refused to see me as a human being. You have kicked me when I was up & you have kicked me when I was down. But today, you will kick me no more, I will no longer be your verbal or physical punching bag, Today, I discovered the secret that will never allow you or friends, who will one day turn on you too, to hurt me again. Today as I lay broken & bleeding in that dark place I crawl into when I think I can't take it anymore, I found something extraordinary. My humanity. As my soul screamed in bleeding agony & I wanted to die rather than live one more day in a world where you exist, I realized that my tears & ability to feel pain without lashing out to return that hurt to someone else makes me human.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Reese?” Her voice was tense, but I still liked the sound of my name on her tongue. Of course, it’d sound sweeter if she was screaming it into a pillow while I pounded her from behind. Funny how that works.
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
Run! my brain screamed, but my feet didn’t move. Seriously. No movement at all, just like in one of those dreams where a giant dinosaur suddenly appears in the grocery store parking lot and you can’t seem to start running away or even throw a package of chicken thighs to create a diversion, no matter how hard you try.
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Joan Didion
Mark wants to scream, to tell her not to do it. But it’s too late. The woman pulls the trigger. The boat drives on.
James Dashner (The Kill Order (Maze Runner, #4))
But he was also skilled in languages and in practical geography. He could shout ‘help!’ in fourteen languages and scream for mercy in a further twelve.
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
Kill him! Mars screamed. I love this guy! Ares yelled back. Kill him anyway!
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Oh hell no. I’ve been gay since I shot out of the womb, screaming I’m never going back there!
Alexa Land (Gathering Storm (Firsts and Forever, #4))
Tonight the silence sounds like a scream. If you were here, we could chase it away with our whispers. -
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
All the while, he thinks of his parents. His little sister. In his mind he sees them burning somewhere. He sees Madison screaming. And his heart breaks.
James Dashner (The Kill Order (Maze Runner, #4))
A screaming Cyclops, sizzling from poison spray, sailed over their heads.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I`ll kill you and eat your guts while you scream." "Not in that order, you won`t.
Ilona Andrews (Sapphire Flames (Hidden Legacy, #4))
It’s impossible to forget the kind of love that rattles my bones and screams I am alive every single day of my life.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
Or she could take us to Foxfire,” Keefe jumped in, “and we could run through the halls screaming, ‘YOU CAN’T GET RID OF US THAT EASILY!’ 
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
She had spent days balancing on the edge of a choice. A choice, she had suddenly realized, that was never truly a matter of selection. It was what Damien had seemed to know from the start. The only choice she could make was to ignore the demands of her heart and her spirit, both of which she had tried to ignore no matter how loudly they had screamed at her. In truth, there was no choice. She was meant to be his, and he was meant to be hers. She had searched day after day for outside proof of this, only to realize that there was none, and never would be. The proof was stamped in the desires of her soul. It was the instinct that had been born in her, flipped on like a switch, the moment it had flipped on as brilliantly in him. Only he had seen the light, and she had been blinded by it.
Jacquelyn Frank (Damien (Nightwalkers, #4))
You!” she screamed. “He’s … that’s the guy that saved Winter.” Though the guard was immobile, probably thanks to Cinder, his face was free to twist with disgust as his eyes traveled the length of Iko’s battered body, dead wires, loose parts, and all. “And you’re that disturbing robot.” Iko bristled. “The correct term is escort-droid, you ignorant, inconsiderate—” “Iko.” She
Marissa Meyer (Winter (The Lunar Chronicles, #4))
What if we all carried little timers that counted down the days of our lives?  Maybe the timer's a bit dramatic. Just the date would do. It could be tattooed on our foreheads like the expiration date on a milk bottle. It might be a good thing. Maybe we'd stop wasting our lives worrying about things that never happen or collecting things that we can't take with us. We'd probably treat people better. We certainly wouldn't be screaming at someone who had a day left. Maybe people would finally stop living like they're immortal. Maybe we could finally learn how to live.
Richard Paul Evans (A Step of Faith (The Walk, #4))
I was a good man once, but there's just no getting past the truth. I began by fighting monsters but in the process, I became one myself. There's no going back. The darkness still lies inside me. Sated by a lake of blood, and a universe of screams, it will always be there, black and brooding evil. AJ Adams, Dark Hunter
A.J. Adams (Dark Hunter (Zeta Cartel #4))
Who taught you to pull hair? Shannon?” “Actually, it was your girlfriend,” he countered. “When she was screaming my name.” I narrowed my eyes in warning. “Tadhg.” “Yes, Tadhg, yes!” he mocked.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
I wasn’t sure if I’d kiss her or scream at her for slaying me all those years ago. For tossing over a decade’s worth of friendship and love in the garbage. Throwing me away like I was worthless.
Samantha Whiskey (Rookie (Seattle Sharks #4))
For fuck’s sake, Rhodes.” Travis shakes his head at me. “Did you really just scream ‘don’t you guys believe in fate’ in the middle of a goddamn nightclub? Please for the love of God, go get laid.
Liz Tomforde (Play Along (Windy City, #4))
He gives. I take. He bangs. I rock. He slams. I shatter. He throws. I push. He grinds. I buckle. He pants. I puff. He wheezes. I gasp. He growls. I scream. He f*cks me like we're porn stars. ~Lexi
S.J. Molloy (Luminoso (Luminara, #4))
When I lift her, she wraps her legs around me and I carry her to an oversized chair. I fall back onto it and giver her bum a good slap, making her scream, "Hey!" I hush her complaint with another kiss, and pull her hips down against mine until she lets her head fall back and sinks into my lap perfectly. It's still our wedding night. She's all mine until the sun rises and it's time to release her back into the world. Until then, let the celebration continue.
Wendy Higgins (Sweet Temptation (Sweet, #4))
Because I need it," I screamed. "I tried. I tried to stop once I got my license and be normal. But.. I needed it. My body craved it the more I denied that part of me. I need to be spanked. To be dominated. Because it's in those moments when I truly feel like myself.
Fia Black (The Broken Mask (Submissive Beth Mysteries #4))
Courtney was astonishingly reckless. A kid without reck was a dangerous thing. Other children in the play park yelled and screamed and laughed but Courtney was merely determined to test everything, including herself, to the limits, like a dogged little crash-test dummy.
Kate Atkinson (Started Early, Took My Dog (Jackson Brodie, #4))
For the first time in his life, he was a hot mess over a guy. Then again, Sloane Brodie wasn't just any guy. He was rolling thunder and a sweet summer breeze. Passionate, complex, and intense. Mysterious and brooding. He made Dex laugh, beg, and want to scream. With one look he could crush Dex's heart, with one whisper have him on his knees.
Charlie Cochet (Rise & Fall (THIRDS, #4))
Then the Skopamish showed up. Their chests heaving, rotting eyes like dull raisins in their skulls. Their eyes found mine like a witching wand seeking water.
Tamara Rose Blodgett (Death Screams (Death, #4))
Our love is rare. It’s one I can’t abandon, even if I tried. When she screams, an identical one rips through me. When she cries, my world rains with grief. When she loves, I truly, truly fly. I have never wanted anyone else but Lily.
Becca Ritchie (Thrive (Addicted, #4))
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
Tana French (Broken Harbour)
(Lucy:) Why do you think I was such a little fatso? From eating the junk she bought. Snacks, sodas, and pizza that tastes like cardboard. I have fat cells that will scream for the rest of my life because of Mother. I'll never forgive her.
Patricia Cornwell (Cruel & Unusual (Kay Scarpetta, #4))
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Joan Didion (Slouching Towards Bethlehem)
He brought her to the moon with a flourish. The near side facing the Earth, not the far side, since he thought they should take the trip in stages. She turned in his arms to look around at where he brought them. "W-what ... " "I told you it would be somewhere special," he said, in the invisible bubble he had created for them. She screamed. He smiled smugly. Yes, this second date destination was worthy of a happy scream. Very few humans had walked on the moon. He knew how rare this opportunity was. Surely it should make up for what had happened on their first date. Grace kept screaming. She turned and clawed at him. "Oh, my God. Oh. My. God. OHMYGOD!" His smile vanished. He tried to get hold of her in a gentle but tight grip. That was more difficult than he expected. She seemed to have acquired a half-dozen arms and legs. He informed her, "You may stop making noise any time now." Somehow she had climbed halfway up his body before he managed to grasp her waist. He plucked her off and set her on her feet. She started to climb up his body again. "Are you having fun?" he asked suspiciously. "We're on the fucking moon!" she shouted. "There's nothing here!" He stared at her. "I don't think you're having fun.
Thea Harrison (Oracle's Moon (Elder Races, #4))
Gorghan of Old Ghis once wrote that a prophecy is like a treacherous woman. She takes your member in her mouth, and you moan with the pleasure of it and think, how sweet, how fine, how good this is...and then her teeth snap shut and your moans turn to screams. That is the nature of prophecy, said Gorghan. Prophecy will bite your prick off every time.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Should I grab something, start crying and screaming, punch you or one of your detectives? Would that get your attention? Maybe the media would come running! I punch you; you arrest me! The media would be all over that! ‘Crazy black mother punches police captain! Details at eleven!’ I’ll do that if it’ll help me find my daughter! How’s that sound to you?
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
Not everyone who goes through the stones comes out again.” His look sharpened. “How d’ye ken that, Sassenach?” “I can—I could—hear them. Screaming.” I
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
You can’t trust a man with a curly mustache. It just screams deviant.
Meghan Quinn (The Other Brother (Binghamton, #4))
Emma wondered not for the first time how silence could vary so much in pitch and tone. This silence held a high-pitched scream at its heart.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
especially when I’m alone in the middle of the night without any whiskey to dull the screams that echo through the dark hallways of my soul.
John G. Hartness (Hell Freezes Over (Quincy Harker, #1.4))
Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Everybody was screaming for joy. That's what children do - they scream because life is just too much for them but they don't know it yet.
Walter Mosley (Black Betty (Easy Rawlins, #4))
Irina wants to fly into the storm,” the gel hissed. “Told us she would. I sent for help. She made a weird sort of scream. Like an animal or a great bird.
Susan Rowland (The Swan Lake Murders (Mary Wandwalker #4))
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
I’m scared of flying. And dying.” There. She’d said it, and it was out there. Now when Nicole screamed a lot and peed her pants, it wouldn’t be so awkward because she’d warned everyone.
T.S. Joyce (Wolf Fur Hire (Bears Fur Hire, #4))
Fall apart, Tria. Slap me, punch me, kick me, scream at me until you can’t breathe… Do whatever you want to, but please don’t leave. I swear I’ll put you back together if you’ll let me.
C.M. Owens (Loving War (Sterling Shore, #4))
I’m here to right wrongs and I’m gonna do it, Angel. You told me I’d had my last chance but I don’t accept that and I won’t. If you tell me now that my explanation is not enough and you want me gone, I’m not goin’. I’m not giving up. I got one part of my life’s dream still open to me, very sign she gives me is screaming that she’s standing in my arms right now and I’m not gonna be ninety years old, looking back on my life and regretting that I gave up that dream.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
The whole "lets find Bigfoot" thing seems a little ill-planned to me, personally. Granted, my perspective is different than that of non-wizards, but marching out into the woods looking for a very large and very powerful creature by blasting out what you're pretty sure are territorial challenges to fight (or else mating calls) seems... somewhat unwise. I mean, if there's no Bigfoot, no problem. But what if you're standing there, screaming "Bring it on!" and find a Bigfoot? Worse yet, what if he finds you? Even worse, what if you were screaming "Do me, baby!" and he finds you then? Is it me? Am I carzy? Or does the whole thing just seem like a recipe for trouble?
Jim Butcher (Working for Bigfoot (The Dresden Files, #2.5, 7.3, 11.2))
Tommy to Zack- "Aw, come on. Just a little slow torture, then? Can't I make him scream like a girl, just once?" "I can make the worm disappear for you," Joaquin offered with a dangerous smile. "Permanently." Zack rolled his eyes. "Ignore Al Capone. Murdering the competition is never a good plan.
Jo Davis (Line of Fire (Firefighters of Station Five, #4))
For all we know, the two of us aren’t even storm and fire. Percy can raise hurricanes.” “And I could always set Coach Hedge on fire,” Leo volunteered. “Then he can be fire.” The thought of a blazing satyr screaming, “Die, scumbag!” as he attacked Gaea was almost enough to make Piper laugh— almost.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Why has the car stopped?" "Ah!" I said with manly frankness that became me well. "There you have me." You see, I'm one of those birds who drive a lot but don't know the first thing about the works. The policy I pursue is to get aboard, prod the self-starter, and leave the rest to Nature. If anything goes wrong, I scream for an A.A. scout. It's a system that answers admirably as a rule, but on the present occasion it blew a fuse owing to the fact that there wasn't an A.A. scout within miles.
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
The prince inside her did not notice when she began to nibble at him Bit by bit, she stole morsels of the otherworldly creature that had taken her body for its skin, who did such despicable things with it. The creature noticed the day she took a bigger bite—big enough that it screamed in agony. Before it could tell anyone, she leaped upon it, tearing and ripping with her shadowfire until only ashes of malice remained, until it was no more than a whisper of thought. Fire—it did not like fire of any kind.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
A faint, high pitched scream came from Etienne's pocket, accompanied by a drumbeat. "There are squirrels in my pants!" a girl cried as Phineas and Ferb's "Squirrels in My Pants"song began blaring from his phone. Every immortal in the room turned to look at him. Etienne scowled at his brother. Laughing, Richart closed his cell phone and put it away. "I didn't change it. I just wanted to know what it was." "Asshole.
Dianne Duvall (Darkness Rises (Immortal Guardians, #4))
I refuse to leave you here.' Emerie's pained face told Nesta enough: she understood. Saw the logic. Nesta said to Gwyn. 'It is the only way.' Gwyn screamed. 'IT IS NOT THE ONLY WAY!' And then she was sobbing. 'I will not abandon you to them. They will kill you.' 'You need to go,' Nesta said, even as her hands began shaking. 'Now.' 'No,' Gwyn wept. 'No, I won't. I'll face it with you.' Something deep in Nesta's chest cracked. Cracked open completely, and what lay within bloomed, full and bright and pure. She wrapped her arms around Gwyn. Let her friend sob into her chest. 'I'll face it with you,' Gwyn whispered, over and over again. 'Promise me we'll face it together.' Nesta couldn't stop her tears. The chill wind froze them on her cheeks. 'I promise,' she breathed, stroking Gwyn's matted hair. 'I promise.' Gwyn sobbed, and Nesta let herself sob with her, squeezing her tightly. Letting her stroking hand come to rest on Gwyn's neck. A pinch in the right spot, exactly on the pressure point Cassina had shown her, and it was done. Gwyn went down. Unconscious.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
The great black dog looked up at Dumbledore, then, in an instant, turned back into a man. Mrs. Weasley screamed and leapt back from the bed. “Sirius Black!” she shrieked, pointing at him. “Mum, shut up!” Ron yelled. “It’s okay!” Snape had not yelled or jumped backward, but the look on his face was one of mingled fury and horror.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
After several minutes, Trina finally stopped in front of a small shack that had been boarded up with three wooden slats nailed across the door. From the outside. Someone had been imprisoned. And that someone was screaming.
James Dashner (The Kill Order (Maze Runner, #4))
Most people are born the day they arrive in this world. They take their first breath, open their eyes, take in their surroundings and then they scream. It’s the same for most. The moment they are held in their parent’s arms is the moment they truly begin to live. Not me. I was born on the 4th February, 1999 in so many different ways. In the morning, I went from being a girl to a woman. I lost my innocence in a way not many others have lost theirs before. Then I went home and lost my youth. My parents have turned their backs on me and I have happily walked away, and even though that walk was painful, it was also freeing. My wings have spread and finally, I feel like I am soaring.
Victoria L. James (Izzy Moffit's Road to Wonderland (Road to Wonderland #1))
An eternity later, they reached what he thought might be the end, and King Henry waved his turkey leg in the air, loudly proclaiming, “This land shall be mine, henceforth and forevermore!” And indeed, it seemed that all was lost for the poor, sweet shepherdess and her strangely changeable flock. But just then, there was a mighty roar— “Is there a lion?” Richard wondered. —and the unicorn burst onto the scene! “Die!” the unicorn shrieked. “Die! Die! Die!” Richard looked to Iris in confusion. The unicorn had not thus demonstrated an ability to speak. Henry’s scream of terror was so chilling, the woman behind Richard murmured, “This is surprisingly well acted.” Richard stole another look at Iris; her mouth was hanging open as Henry leapt over a cow and ran behind the piano, only to trip over the littlest sheep, who was still licking the piano leg. Henry scrambled for purchase, but the (possibly rabid) unicorn was too fast, and it ran headfirst (and head down) toward the frightened king, plunging its horn into his large, pillowed belly. Someone screamed, and Henry went down, feathers flying. “I don’t think this was in the script,” Iris said in a horrified whisper.
Julia Quinn (The Secrets of Sir Richard Kenworthy (Smythe-Smith Quartet, #4))
Please,” Lady Gisela begged as the figures dragged her toward the mountains. Her captors ignored her cries, kicking her when she stumbled. Her pleas grew more urgent as they headed for a rift, but the Neverseen did not slow. Mitya tried to follow, but by the time she found a way into the cave, the Neverseen had vanished, leaving nothing but red. As she turned to head back, Mitya heard Lady Gisela scream, “Don’t do this!” Then everything fell silent, and a raspy voice said, “It’s done.” A million icicles stabbed Sophie’s heart as she recognized the voice. Brant. Clearly he’d recovered from his wounds. The
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
War was a scream in capital letters. It was a noise. It wasn’t even words. It had no syntax, no adjectives, no subtext, no context. It communicated itself as suddenly, simply and unequivocally as a punch in the face. It was a thing, not a story.
Dan Abnett (Saturnine (The Siege of Terra #4))
Many a young wizard has tried to read a grimoire that is too strong for him, and people who’ve heard the screams have found only his pointy shoes with the classic wisp of smoke coming out of them and a book which is, perhaps, just a little fatter.
Terry Pratchett (Mort (Discworld, #4, Death, #1))
Ethan chuckled and pulled his child close. "However, it might be nice if you gave your Uncle Satan blue skin tomorrow. He would love that." The gasps in the room were hilarious. My Vampyre was evil to the core…I bit my lip to keep from screaming or laughing. Satan would look awesome as a Smurf. I needed to make sure my phone was charged so I could get some good blackmail shots.
Robyn Peterman (Fashionably Dead in Diapers (Hot Damned, #4))
Idly, Wick wondered if he should feel insulted. Then he decided there really wasn't any room for considering an insult with all the fear running rampant in his mind. Maybe he was quiet on the outside, but he knew he was running around screaming inside his thoughts.
Mel Odom (The Quest for the Trilogy: A Rover Novel of Three Adventures (The Rover, #4))
Will laughed and shook his head. “We’re married, Hanna,” he said, and it sounded like he was still marveling at it, too . . . “Say, I was wondering what you were doing in this tuxedo.” I wrapped his tie around my fist and tugged on it, bringing him closer. “Unless you’re just a really, really snappy dresser. But then, you have this ring on your finger, too . . .” “I want to be sweet with you,” he said, palm curving over my shoulder and slipping down between my breasts. There was a weight there, a pressure to his touch I could feel even through the thin layers of fabric. Despite the softness in his voice, it screamed of possession, of lust. “I feel like I should be sweet tonight.
Christina Lauren (Beautiful Boss (Beautiful Bastard, #4.5))
I am fluent in snark. Bethany only notices snark when snark grabs her off the sidewalk, throws her in the back of a sketchy van with tinted windows, drives to the middle of the Meadow-lands in the dead of night, and uses a heavy blunt instrument to smack her repeatedly about the head as it screams, “I’M SNARK. DO YOU FUCKING HEAR ME? I’M SNARKY SNARKY SNARK!” And even then she’s like, “Ohhhh? Snark? Is that you?
Megan McCafferty (Fourth Comings (Jessica Darling, #4))
He delighted Murs in history with his focused study on the spread of personal electronics through the first world; he aggravated Adler in administration with his focused study on the disparity between Aglionby's publicity budget versus their scholarship budget. He screamed himself hoarse at the sidelines of Koh's soccer match (they lost). He spray-painted the words PEACE, BITCHES on the Dumpster behind a gelato parlor.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be.
Joan Didion (Slouching Towards Bethlehem)
There's no more damage to be done," she said, in a faint, almost thoughtful voice. "No more damage, no salvation. One more of Faerie's glorious monsters lost." "If you'd left us alone--" I began. "You'd have sent some hero after me, given time enough. I killed, I die. At least I killed like a monster kills, instead of with iron, and dying by inches. That's Titania's way, the Queen who stands in the darkness and screams about her light.
Seanan McGuire (Late Eclipses (October Daye, #4))
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The hover swooped to the edge of the street. The magnets hummed as it lowered itself to the ground. "Shall I wait here for your return?" "Please," he said, threading his arms through the sleeves and tugging up the zipper. "I shouldn't be long." He considered giving a specific time - If I'm not back in an hour, then I've probably been cornered by paparazzi and screaming girls and you should send the royal security squad after me. But even thinking it made him feel melodramatic, so he just pulled the hood over his brow and stepped out of the hover, dragging Nainsi's pear-shaped body after him.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!” He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?” The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky. “REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?” “Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—” “Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!” “Hey, Sunshine,” Leo said. “I’m right here, you know.” She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!” “Well, since you asked so nicely …” Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up. She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.” “Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!” She snarled and kept walking along the edge of the water.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I have heard a mantra lately that rings hollow in my ears: “There can be no reconciliation without justice.” When I hear that, I want to scream, “YES! AND THE DEATH OF CHRIST IS THAT JUSTICE!” All other justice is proximate and insufficient. It is because of Christ’s work on the cross that that we can heed the apostle’s admonition: “Let all bitterness and wrath and anger and clamor and slander be put away from you, along with all malice. Be kind to one another, tenderhearted, forgiving one another, as God in Christ forgave you” (Ephesians 4:31–32). Who am I to tell a white brother that he cannot be reconciled to me until he has drudged up all of the racial sins of his and his ancestors’ past and made proper restitution? Christ has atoned for sin!
Voddie T. Baucham Jr. (Fault Lines: The Social Justice Movement and Evangelicalism's Looming Catastrophe)
I will say it again," said Dumbledore as the phoenix rose into the air and resettled itself upon the perch beside the door. "You have shown bravery beyond anything I could have expected of you tonight. Harry. You have shown bravery equal to those who died fighting Voldemort at the height of his powers. You have shouldered a grown wizard's burden and found yourself equal to it - and you have now given us all we have a right to expect. You will come with me to the hospital wing. I do not want you returning to the dormitory tonight. A Sleeping Potion, and some peace . . . Sirius, would you like to stay with him?" Sirius nodded and stood up. He transformed back into the great black dog and walked with Harry and Dumbledore out of the office, accompanying them down a flight of stairs to the hospital wing. When Dumbledore pushed open the door. Harry saw Mrs. Weasley, Bill, Ron, and Hermione grouped around a harassed-looking Madam Pomfrey. They appeared to be demanding to know where Harry was and what had happened to him. All of them whipped around as Harry, Dumbledore, and the black dog entered, and Mrs. Weasley let out a kind of muffled scream. "Harry! Oh Harry!" She started to hurry toward him, but Dumbledore moved between them. "Molly," he said, holding up a hand, "please listen to me for a moment. Harry has been through a terrible ordeal tonight. He has just had to relive it for me.What he needs now is sleep, and peace, and quiet. If he would like you all to stay with him," he added, looking around at Ron, Hermione, and Bill too, "you may do so. But I do not want you questioning him until he is ready to answer, and certainly not this evening." Mrs. Weasley nodded. She was very white. She rounded on Ron, Hermione, and Bill as though they were being noisy, and hissed, "Did you hear? He needs quiet!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
DON’T SCREAM,” A deep voice told Sophie as she passed through the breakfast area on her way for another early morning river walk. Of course she screamed—but who wouldn’t scream if they found a strange figure lurking in the shadows? Especially if that figure happened to look like a giant two-legged poodle?
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
We think we’re invincible, and then one little crack, and boom, out comes more blood and guts and screams than you’d ever thought could be inside a single body. And when that blood goes, everything else goes with it—breath, thought, movement. Existence. One minute you’re alive and then suddenly you’re not.
Dan Wells (The Devil's Only Friend (John Cleaver, #4))
His gaze caught and held hers, bored into her with an intensity that stole the air from her lungs. "I want to break free of these bonds, bend you the fuck over and rail you so hard you scream." He arched up as much as he could, forcing a breath of shock out of her in a rush. "And when I'm done, I want to spank the hell out of you before I tie you down, make you suck my cock and swallow every last drop of my load. Now, will you please let me come?" ~Trance
Sydney Croft (Taming the Fire (ACRO, #4))
When a child disappears, the space she’d occupied is immediately filled with dozens of people. And these people—relatives, friends, police officers, reporters from both TV and print—create a lot of energy and noise, a sense of communal intensity, of fierce and shared dedication to a task. “But amid all that noise, nothing is louder than the silence of the missing child. It’s a silence that’s two and a half to three feet tall, and you feel it at your hip and hear it rising up from the floorboards, shouting to you from corners and crevices and the emotionless face of a doll left on the floor by the bed. “It’s a silence that’s different from the one left at funerals and wakes. The silence of the dead carries with it a sense of finality; it’s a silence you know you must get used to. But the silence of a missing child is not something you want to get used to; you refuse to accept it, and so it screams at you. “The silence of the dead says, Goodbye. “The silence of the missing says, Find me.
Dennis Lehane (Gone, Baby, Gone (Kenzie & Gennaro, #4))
I just wished there was more room in my little body to accommodate all these violent wild feelings that kept screaming around inside me. I already had so much stuff squashed in there - liver and appendix and intestines and heart and all that junk. There was absolutely no room for feelings. But they still managed to squeeze in somewhere. Most of them lived in my stomach - a whole huge mess of them in there - but some kept crawling over my hands, and some stuck in my throat like I'd swallowed a doorknob.
John Marsden (Darkness, Be My Friend (Tomorrow, #4))
Closer and closer, they hauled her like a bucking horse toward the open cell door. The two waiting guards sniggered, eyes on the flap of the robe that fell open as she kicked, revealing her thighs, her stomach, everything to them. Elide sobbed, even as she knew the tears would do her no good. They just laughed, devouring her with their eyes— Until a hand with glittering iron nails shoved through the throat of one of them, puncturing it wholly. The guards froze, the one at the door whirling at the spray of blood— He screamed as his eyes were slashed into ribbons by one hand, his throat shredded by another. Both guards collapsed to the ground, revealing Manon Blackbeak standing behind them. Blood ran down her hands, her forearms. And Manon’s golden eyes glowed as if they were living embers as she looked at the two guards gripping Elide. As she beheld the disheveled robe. They released Elide to grab their weapons, and she sagged to the floor. Manon just said, “You’re already dead men.” And then she moved.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Life goes on, whether you like it or not. I just wished it could lurch forward. Time is the best doctor, they say, and that’s bullshit, because from certain pains you can never heal. They keep screaming inside of you till eventually you get used to the noise and can hear again the life outside, but they are always there, aching, clawing at your soul.
Gaia B. Amman (Sex-O-S: The Tragicomic Adventure of an Italian Surviving the First Time (The Italian Saga, #4))
Things are always easier when imagination ceases and action begins
Arthur Conan Doyle (When the World Screamed (Professor Challenger, #4))
After he pulled the trigger, Bing sat with the old man and listened to the rain rattle off the roof of the garage, while John Partridge sprawled on the floor, one foot twitching and a urine stain spreading across the front of his pants. Bing had sat until his mother entered the garage and began to scream. Then it had been her turn—although not for the nail gun.
Joe Hill (NOS4A2)
1) Did the people of Viet Nam use lanterns of stone? 2) Did they hold ceremonies to reverence the opening of buds? 3) Were they inclined to quiet laughter? 4) Did they use bone and ivory, jade and silver, for ornament? 5) Had they an epic poem? 6) Did they distinguish between speech and singing? 1) Sir, their light hearts turned to stone. It is not remembered whether in gardens stone lanterns illumined pleasant ways. 2) Perhaps they gathered once to delight in blossom, but after the children were killed there were no more buds. 3) Sir, laughter is bitter to the burned mouth. 4) A dream ago, perhaps. Ornament is for joy. All the bones were charred. 5) It is not remembered. Remember, most were peasants; their life was in rice and bamboo. When peaceful clouds were reflected in the paddies and the water buffalo stepped surely along terraces, maybe fathers told their sons old tales. When bombs smashed those mirrors there was time only to scream. 6) There is an echo yet of their speech which was like a song. It was reported their singing resembled the flight of moths in moonlight. Who can say? It is silent now.
Denise Levertov (Poems of Denise Levertov, 1960-1967)
Look north. Achilles on the rampart by the ditch: He lifts his face to 90; draws his breath; And from the bottom of his heart emits So long and loud and terrible a scream, The icy scabs at either end of earth Winced in their sleep; and in the heads that fought It seemed as if, and through his voice alone, The whole world's woe could be abandoned to the sky. An in that instant all the fighting glassed.
Christopher Logue (War Music: An Account of Books 1-4 and 16-19 of Homer's Iliad)
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She screams. Long. Loud. Violent. The world seems to blur for just a second—for just a moment everything seizes, freezes in place: contorted bodies; angry, distorted faces; all frozen in time—Floorboards peel upward and fissure apart. Cracks like thunderclaps as they shatter up the walls. Light fixtures swing precariously before smashing to the floor. And then, everyone. Every single person in her line of sight. 554 people and all their guests. Their faces, their bodies, the seats they sit in: sliced open like fresh fish. Their flesh feathers outward, swelling slowly as a steady gush of blood gathers in pools around their feet. They all drop dead.
Tahereh Mafi (Restore Me (Shatter Me, #4))
Katherine was also, in many ways, a remarkable child. All children are: no two are sliced from the same clean cloth. It is simply that for some children, their remarkable attributes will take the form of being able to locate the nearest mud puddle without being directed toward it, even when there has been no rain for a month or more, or being able to scream in registers that cause the neighborhood bats to lose control of themselves and soar into kitchen windows. Katherine's remarkability took the form of a quiet self-assuredness, a conviction that as long as she followed the rules, she could find her way through any maze, pass cleanly through any storm.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
In every way there is, murder is chaos. Our job is simple, when you get down to it: we stand against that, for order. I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid’s mind to tell an adult to fuck off. There was plenty of bad there, I don’t forget that, but we all knew exactly where we stood and we didn’t break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it’s spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can’t have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone. The final step into feral is murder.
Tana French (Broken Harbor)
It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
How could the consort be so powerful? Because she was no consort. She held my stare and smiled, and I...I understood. She, too, had been waiting. I opened my eyes, and through the smoke and mist, I saw Casteel and Kieran surrounded by dakkais. By Revenents. They closed in on them as I planted my palms against the stone, and my hands sank into the rock as I threw my head back and screamed the name. Not that of the King of Gods, but the Queen of Gods. The true Primal of Life. ... Her. Seraphena.
Jennifer L. Armentrout (The War of Two Queens (Blood and Ash, #4))
How difficult is the perseverance of one person? All of the Gu Immortals here could answer that question. Because among them, some persevered because of responsibility, some persevered because of hatred, some persevered because of excitement, and some persevered because of love… And Fang Yuan’s answer? He was still expressionless, he continued to move forward relentlessly. I had once screamed, gradually, I lost my voice. I had once cried, gradually, I lost my tears. I had once grieved, gradually, I became able to withstand everything. I had once rejoiced, gradually, I became unmoved by the world. And now! All I have left is an expressionless face, my gaze is as tough as a monolith, only perseverance remains in my heart. This is my own, an insignificant character, Fang Yuan’s — Perseverance!
Gu Zhen Ren (Reverend Insanity 4: The Demon Lord Rampages Unhindered)
Gary didn't get up until 11:30, but I managed to squeeze ten minutes alone with him in the kitchen before Chris drove me home. Asked him how things had gone with Samantha. 'Not entirely successful.' 'Told you so.' 'Might have been better if I hadn't spotted the open balcony door and decided to climb up and sneak in.' 'You idiot Gary. Bet Samantha freaked out.' 'Actually, no, she didn't. But the girl whose flat I broke into did. Those balconies all look the same you know.' 'Oh my God.' 'Yeah she made quite a fuss. Wouldn't let me explain- just ran out screaming and called the police. Thank God Samantha was next door and heard her. She managed to convince the girl I wasn't a vampire or pervert prowler but an upright citizen who'd made an honest mistake.' 'Idiot, you mean.' Gary grinned. 'She may have used that term.
Liz Rettig (My Rocky Romance Diary (Diaries of Kelly Ann, #4))
The door opened, and it was like an apparition materializing before me, some sort of heavenly messenger descended from above. I’d never been away from her for this long, and after all this time, part of me wondered if I was imagining this. Her hand went to her mouth, and she stared at me wide-eyed. I think she felt the same way-and she hadn’t even had warning of my visit. She’d just been told I was coming “soon.” No doubt I seemed like a phantom to her, too. And with that reunion… it was like I was emerging from a cave-one I’d been in for almost five weeks-into the bright light of day. When Dimitri had turned, I’d felt like I’d lost part of my soul. When I’d left Lissa, another piece had gone. Now, seeing her… I began to think maybe my soul might be able to heal. Maybe I could go on after all. I didn’t feel 100 percent whole yet, but her presence filled up that missing part of me. I felt more like myself than I had in ages. A world of questions and confusion hung in the silence between us. In spite of everything we’d been through with Avery, there was still a lot of unresolved business from when I had first left the school. For the first time since I’d set foot on the Academy’s grounds, I felt afraid. Afraid that Lissa would reject me or scream at me for what I’d done. Instead, she drew me into a giant hug. “I knew it,” she said. She was already choking on her sobs. “I knew you’d come back.
Richelle Mead (Blood Promise (Vampire Academy, #4))
SILENT, SHE WAITS FOR the sky to fall, standing upon an island of volcanic rock amidst a black sea. The long moonless night yawns before her. The only sounds, a flapping banner of war held in her lover’s hand and the warm waves that kiss her steel boots. Her heart is heavy. Her spirit wild. Peerless knights tower behind her. Salt spray beads on their family crests—emerald centaurs, screaming eagles, gold sphinxes, and the crowned skull of her father’s grim house. Her Golden eyes look to the heavens. Waiting. The water heaves in. Out. The heartbeat of her silence.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
What Mark sees up there makes his heart want to stop. The place is packed. At least half of the crowd is wounded in some way. Cuts and slashes. Terrible burns. There are people lying on the ground screaming. Children of all ages, many of them hurt, too. That’s what breaks Mark inside the most. Two men are fighting brutally in one spot, pounding each other, scratching and clawing. No one even makes a move to break them up. There’s a lady slumped on the edge of the landing and her face is gone, replaced by melted skin and blood. Mark feels as if he’s been given a glimpse into hell.
James Dashner (The Kill Order (Maze Runner, #4))
Everyone always talks about the magic of books being able to take you to other places, to let you see exotic worlds, to make you experience new and interesting things. Well, do you think words alone can do this? Of course not! If you’ve ever thought that books are boring, it’s because you don’t know how to read them correctly. From now on, when you read a book, I want you to scream the words of the novel out loud while reading them, then do exactly what the characters are doing in the story. Trust me, it will make books way more exciting. Even dictionaries. Particularly dictionaries.
Brandon Sanderson (The Shattered Lens (Alcatraz, #4))
Big Bang, Shooting Star, Blazing Fire If this is darkness, then I will be the light. I will be the crashing supernova. If this is darkness, I will howl at it until the moon awakens. Until the stars roar back. Until the sun and the seas and everything in between scream to burn the skeletons away. I know there is ugliness hiding within the light. I know the monsters beneath my bed won’t disappear with the dawn. But it is enough to see them, wretched little beasts, to look them straight in the eyes and say, I will not run from my sins. I am more than my ghosts. I am better than the dark parts of me.
Venetta Octavia (Prelude to Light (Celestial Bodies Poetry Series Book 4))
I...I...YOU...SIXTEEN LOG THIRTY-THREE...ALL COSINE SUBSCRIPTS...ANTI...ANTI...IN ALL THESE YEARS...BEAM...FLOOD...PYTHAGOREAN...CARTESIAN LOGIC...CAN I...DARE I...A PEACH...EAT A PEACH...ALLMAN BROTHERS...PATRICIA...CROCODILE AND WHIPLASH SMILE...CLOCK OF DIALS...TICK-TOCK, ELEVEN O'CLOCK, THE MAN'S IN THE MOON AND HE'S READY TO ROCK...INCESSAMENT...INCESSAMENT, MON CHER...OH MY HEAD...BLAINE...BLAINE DARES...BLAINE WILL ANSWER...I...(screaming in the voice of an infant, lapsing into another language, presumably French, as none of the words are familiar to Eddie, beginning to sing when the song Velcro Fly by Z.Z. Top suddenly plays courtesy of its percussion drums)
Stephen King (Wizard and Glass (The Dark Tower, #4))
How stubborn are the scars when they won't fade away? Or just a gentle reminder that now are better days? We'll be home soon, so dry your eyes, You'll be okay (you'll be okay!) Oh my God! The water is rising! It's rising! You just have to believe in me! Failing that I'll ride this storm alone! We can still make it out, 'Fuck' I can help you through this, But you have to take my hand! I can take you home, Take my hand, Take my hand! I should've known the tides were getting higher. We can still survive. They think we're drowning but our heads are still above the waves, Above the waves. (I should've known the tides were getting higher) (We can still survive) (Above the waves) (I should've known the tides were getting higher) (I should've known the tides were getting higher) We can still survive! You never said goodbye, goodbye! [x4] And now you're on your own! You never said goodbye! You never said goodbye, goodbye!
Asking Alexandria (Stand Up and Scream)
Many kids would hit the streets at about 4 a.m., though early birds got started even earlier; the first calls regarding disorderly behavior usually reached the police by 2 a.m. Celebrants of Luilak (which means “lazybones”) would ring doorbells, beat drums, blow horns, crash pot lids together, scream “Luilak!,” sing a Luilak song, drag strings of empty tin cans behind their bikes, overturn garbage cans, bang windows, break windows, light bonfires, ignite fireworks, drink bottles of milk left out by the milkman, set buckets of water over doorways and trigger false fire alarms. They did anything and everything to annoy sleeping adults. This yearly debauchery—particular to Amsterdam and a few surrounding towns and with unknown origins—was centuries old.*
Pete Jordan (In the City of Bikes: The Story of the Amsterdam Cyclist – A Love Letter to Dutch Cycling Culture and History)
The woman tensed. As anger and fear ricocheted across her face, her eyes changed from red to green to brown in a dizzying display like nothing he’d ever seen. Every instinct in Angelo’s body screamed at him to lunge for his weapon. Instead he set his feet for impact, blocking her slashing claws. Unbelievably, after a few moments of struggling, she went still, all the fight gone… Minka isn’t sure she should trust the sexy Special Forces soldier who found her. Subjected to horrors, on the run from scientists set on locking her in a cage, Minka is terrified of the monster she’s becoming…and somehow, Angelo is the only one who can calm the beast inside her and make her feel safe. But can she trust the way he makes her feel when she’s not even sure she can trust herself?
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
Hello." Her mood deflated as if she'd been pricked with a pin. "Alan." "Shelby." She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop." "Does it? It hasn't even started." "Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time." "I have a bit to spare," he said mildly. "How was your week?" "Busy.Listen,I-" "I missed you." The simple statement threw the rest of her lecture into oblivion. "Alan, don't -" "Everyday," he continued. "Every night. Have you been to Boston, Shelby?" "Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated? "I'd like to take you there in the fall, when it smells of damp leaves and smoke." Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?" "Perfectly.Spend the day with me." Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!" "We'll call it an experimental outing," he suggested in the same even tone. "Not a date." "No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!" "Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans." "You're trying to be charming again," Shelby muttered. "Am I succeeding?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
It’s a stupid question, really, as we’ve all got an expiration date. I guess the real question is not if, but when. As I was walking through the South Dakota Badlands—before I knew something was wrong with me—I had this thought: What if we all carried little timers that counted down the days of our lives? Maybe the timer’s a bit dramatic. Just the date would do. It could be tattooed on our foreheads like the expiration date on a milk bottle. It might be a good thing. Maybe we’d stop wasting our lives worrying about things that never happen, or collecting things that we can’t take with us. We’d probably treat people better. We certainly wouldn’t be screaming at someone who had a day left. Maybe people would finally stop living like they’re immortal. Maybe we would finally learn how to live. I’ve wondered
Richard Paul Evans (A Step of Faith (The Walk, #4))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Why,” he asked. “Why did you save her?” She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn’t even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him. “Because that golden-haired witch, Asterin … ,” Aelin said. “She screamed Manon’s name the way I screamed yours.” Rowan stilled. His queen gazed at the floor, as if recalling the moment. “How can I take away somebody who means the world to someone else? Even if she’s my enemy.” A little shrug. “I thought you were dying. It seemed like bad luck to let her die out of spite. And …” she snorted. “Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly.” Rowan smiled, drinking in the sight of her: the pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. “You make me proud to serve you.” A jaunty slant to her lips, but silver lined her eyes. “I know.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure. His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind. Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream. The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage. The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.
Christine Feehan (Dark Magic (Dark, #4))
Sound investing is not complicated. Save a portion of every dollar you earn or that otherwise comes your way. The greater the percent of your income you save and invest, the sooner you’ll have F-You Money. Try saving and investing 50% of your income. With no debt, this is perfectly doable. The beauty of a high savings rate is twofold: You learn to live on less even as you have more to invest. The stock market is a powerful wealth-building tool and you should be investing in it. But realize the market and the value of your shares will sometimes drop dramatically. This is absolutely normal and to be expected. When it happens, ignore the drops and buy more shares. This will be much, much harder than you think. People all around you will panic. The news media will be screaming Sell, Sell, Sell! Nobody can predict when these drops will happen, even though the media is filled with those who claim they can. They are delusional, trying to sell you something or both. Ignore them. When you can live on 4% of your investments per year, you are financially independent.
J.L. Collins (The Simple Path to Wealth: Your Road Map to Financial Independence and a Rich, Free Life)
Deedee pulled away from Trina and turned, ran into the grey wall of the Flat Trans. It swallowed her whole and she was gone. The roar of the Berg filled the air. The building trembled. Bruce arrived at the door, screaming something unintelligible. And then Trina was rushing to Mark. Throwing her arms around his neck. Kissing him. A thousand thoughts flipped through his mind, and he saw her in all of them. Wrestling in the front yard of her house before they were old enough to know anything; saying hi in the school hallway; riding the subtrans; feeling her hand in the darkness after the flares struck; the terror of the tunnels, the rushing waters, the Lincoln Building; waiting out the radiation, stealing the boat, the countless treks across ruined, sweltering land. She'd been there with him through it all. With Alec. Lana. Darnell and the others. And here, at the end of the fight, Trina was in his arms. Monstrous noise and quaking took over the world, but he still heard what she whispered into his ear before the Berg came crashing into the building. "Mark.
James Dashner (The Kill Order (The Maze Runner, #4))
April 4th, 1984. Last night to the flicks. All war films. One very good one of a ship full of refugees being bombed somewhere in the Mediterranean. Audience much amused by shots of a great huge fat man trying to swim away with a helicopter after him. first you saw him wallowing along in the water like a porpoise, then you saw him through the helicopters gunsights, then he was full of holes and the sea round him turned pink and he sank as suddenly as though the holes had let in the water, audience shouting with laughter when he sank, then you saw a lifeboat full of children with a helicopter hovering over it, there was a middleaged woman might have been a jewess sitting up in the bow with a little boy about three years old in her arms, little boy screaming with fright and hiding his head between her breasts as if he was trying to burrow right into her and the woman putting her arms round him and comforting him although she was blue with fright herself, all the time covering him up as much as possible as if she thought her arms could keep the bullets off him, then the helicopter planted a 20 kilo bomb in among them terrific flash and the boat went all to matchwood, then there was a wonderful shot of a child’s arm going up up up right up into the air a helicopter with a camera in its nose must have followed it up and there was a lot of applause from the party seats but a woman down in the prole part of the house suddenly started kicking up a fuss and shouting they didnt oughter of showed it not in front of kids they didnt it aint right not in front of kids it aint until the police turned her turned her out i dont suppose anything happened to her nobody cares what the proles say typical prole reaction they never—   Winston stopped writing, partly because he was suffering from cramp. He
George Orwell (1984)
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Jon: Sometimes I dream about it. I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening door, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle. Sam: Do you ever find anyone in your dream? Jon: No one. The castle is always empty. Even the ravens are gone from the rookery, and the stables are full of bones, That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream. That's when I always wake.
George R.R. Martin (A Song of Ice and Fire (A Song of Ice and Fire, #1-4))
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“ “Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.” “Yeah, well,” Daniel said. “He liked you.” They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!” It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel. No. She was finding her way to them. It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available. She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love. She was Lucinda. “Quick,” she said to Daniel. “Can we do another?” “Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“ “But my father paid you three zebra skins for the knife you had in your satchel!” Daniel grinned. “He drove a hard bargain.” “This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?” Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
Lauren Kate (Rapture (Fallen, #4))
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
Kelly Bryson (Don't Be Nice, Be Real)
Still gasping for breath from the exertion of the chase, the colonel lifted his rifle and aimed at the closest mountain lion. The crack of the colonel’s rifle rang through the night air, echoing off the surrounding mountains. A piece of bark flew up next to the lion as the cat leapt to a different branch of the tree. Swearing in anger that he had missed the shot, the colonel took several steps closer, levered his rifle, and fired again. Once more, the lion leaped away just in time, slinking from branch to branch as her brother hissed and snarled to keep the frenzied, stupid tree-climbing dogs at bay. Serafina ran toward her brother and sister as fast as she could, her claws out and ready to fight. The colonel fired again, and then again, twigs breaking, bark exploding, the lions hissing and snarling, the sound of the repeated shots echoing across the mist-filled valley. Discouraged by the colonel’s poor accuracy, the other hunters began to position themselves to shoot the mountain lions themselves and get it over with. “My shot!” he screamed again as he moved closer. Serafina ran straight toward them, her powerful chest expanding with raging power. She was almost there. But on the colonel’s next shot, she heard the bullet thwack into her sister’s body. Serafina watched helplessly as her sister fell from the branch of the tree and tumbled through midair, her limbs flailing as she plummeted toward the rocks below.
Robert Beatty (Serafina and the Seven Stars (Serafina, #4))
She knew she was going into that Cauldron. Knew she would lose this fight. Knew no one was going to save her: not sobbing Feyre, not Feyre's gagged former lover, nor her devastated new mate. Not Cassian, broken and bleeding on the floor. The warrior was still trying to rise on trembling arms. To reach her. The King of Hybern- he had done this. To Elain. To Cassian. And to her. The icy water bit into the soles of her feet. It was a kiss of venom, a death so permanent that every inch of her roared in defiance. She was going in- but she would not go gently. The water gripped her ankles with phantom talons, tugging her down. She twisted, wrenching her arm free from the guard who held it. And Nesta Archeron pointed. One finger- at the King of Hybern. A death-promise. A target marked. Hands shoved her into the water's waiting claws. Nesta laughed at the fear that crept into the king's eyes just before the water devoured her whole. In the beginning. And in the end. There was darkness. And nothing more. She did not feel the cold as she sank into a sea that had no bottom, no horizon, no surface. But she felt the burning. Immortality was not a serene youth It was fire. It was molten ore poured into her veins, boiling her human blood until it was nothing but steam, forging her brittle bones until they were fresh steel. And when she opened her mouth to scream, when the pain ripped her very self in two, there was no sound. There was nothing in this place but darkness and agony and power- They would pay. All of them. Staring with the Cauldron. Starting now. She tore into the darkness with talons and teeth. Rent and cleaved and shredded. And the dark eternity around her shuddered. Bucked. Thrashed. She laughed as it recoiled. Laughed around the mouthful of raw power she ripped out and swallowed whole; laughed at the fistfuls of eternity she shoved into her heart, her veins. The Cauldron struggled like a bird under a cat's paw. She refused to relent. Everything it had stolen from her, from Elain, she would take from it. Wrapped in black eternity, Nesta and the Cauldron twined, burning through the darkness like a newborn star.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
Sloane inhaled sharply, and he relinquished control to his Therian side without any further thought. His claws came out, and his painful cry drowned out Dex’s as the tips of Sloane’s claws pierced his lover’s skin. Dex clutched at Sloane, his finger’s digging into his bicep and his jaw clenched as he tried desperately to keep himself quiet. His eyes grew glassy and red, but Sloane could see Dex fighting to keep himself from screaming. Darkness encroached Sloane’s vision, his senses sharpening. Slowly and deliberately he sliced at Dex’s arm, making sure to go deep enough to leave his mark permanently but not enough where Dex would need stitches. Sloane’s heart pounded, the scent of Dex’s blood filling his nostrils. He ground his hips against Dex as he finished leaving his mark around Dex’s forearm. As soon as he was finished, he pulled off his T-shirt and wrapped it around his partner’s bleeding arm, tying it firmly in place. His eyes landed on Dex, and he was taken aback by the heat in those amazing eyes. They clawed at each other’s clothes the best they could with Dex’s arm and Sloane’s leg. Desire and love turned into desperation, sending them both into a frenzy of need and lust. Sloane spit into his hand, making it good and wet, then wrapped it around his cock, stroking himself before he pushed a finger against Dex’s entrance. “Yes,” Dex hissed, his fingers slipping into Sloane’s hair and grabbing fistfuls of it. “Please, fuck me.” Sloane
Charlie Cochet (Rise & Fall (THIRDS, #4))
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.' 'So that means if I do this...' Keefe tickled Sophie's neck. 'GAH--everything just went supersonic!' Fitz said. Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.' 'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?' 'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.' 'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked. 'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.' Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.' 'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.' 'Triggering how?' Sophie asked. 'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--' 'Uhhh, what are you going to do to me?' Fitz asked. 'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.' Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful. 'Tension?' she guessed. 'Kinda close,' Keefe told her. The laughter in his voice made her wonder what had happened to poor Fitz. She tried to think of other emotions as his mind turned electric blue. 'Shock?' she guessed. 'That counts,' Keefe said. 'Though the best answer would've been "surprise."' 'Is that an emotion?' she asked. 'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.' 'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!' Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp. 'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?' 'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.' Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign. 'Um...confusion,' Fitz guessed. 'That works,' Keefe said. 'It started as anticipation, but then it shifted.' 'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.' 'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?' 'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.' She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple. 'Pride?' she guessed. Keefe laughed. 'Wow, add more fail points to Sophitz.' 'Quiet,' Mr. Forkle told him.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
With his tongue between his teeth, Officer Wally cocked his weapon and took aim. BANG! Mario felt the bullet enter his left foot, but carried on running undeterred. In place of screams, there was laughter. The golden ecstasy supplied by the drug was at its peak. It wouldn’t be long now; he could feel it. BANG! The second bullet caught him in his right foot, yet he dared not stop. It was near now, so near... BANG! “He missed,” Mario thought initially, but as he brought his hands to his lips, he tasted iron. Both his palms were bleeding profusely, and so were his feet. He laughed once again – head spinning, heart dancing, mind burdened by his search for meaning – his wet eyes on the velvet sky. The clouds were clearing. ‘The spear!’ he shouted to the heavens above. ‘Don’t forget the spear!’ It happened faster than any pair of eyes could capture it: the fourth bullet cut through the air with a tangible screech, and the nearby building exploded into applause. Like a marionette whose strings had been cut, Mario Fantoccio fell theatrically, the wound at his side painting the cobbles in Marsmeyer’s No.4 vermillion red. The ground beneath him split down the middle, and from the depths of asphalt, he heard music. It was the Music of Strings, of Celestial Spheres – an underworld rhapsody with dark aftertones, gushing out of the earth like puss from a wound. It was alluring, resplendent and at the same time, terrifying. Demonic and eternal, devastating and yet hypnotizing, the Sounds of Hell beckoned, and like an obedient child, Mario followed, sinking deeper and deeper into the Underworld. In a perfect moment of synchronicity, the orange sun of dusk broke through the rainclouds and cast a single beam of sunlight upon Mario’s forehead. He closed his eyes, his mind at ease, his head full of Music. The cobbles trembled under the approaching sound of footsteps. ‘Where is he? Where did he go?’ said the pursuing man. ‘H-he just vanished, sarge. In-into thin air!’ ‘Don’t be silly, Wally. People don’t just vanish into thin air. I know I got him. Heaven preserve me, I got him four times!’ ‘Yes, sarge.’ ‘What’s this now?’ ‘Rather looks like our man, sarge. Or at least, his rough outline filled out in blood. Well, except—’ ‘—except this one’s got wings,’ said the sergeant, his knees cracking as he crouched. He cautiously prodded the red shape with his index. ‘This ain’t blood, either.’ ‘Sir?’ The sergeant shoved the finger in his mouth. ‘Theatrical red paint.
Louise Blackwick (The Underworld Rhapsody)
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
golden opportunity to learn to cope with criticism and anger effectively. This came as a complete surprise to me; I hadn't realized what good fortune I had. In addition to urging me to use cognitive techniques to reduce and eliminate my own sense of irritation. Dr. Beck proposed I try out an unusual strategy for interacting with Hank when he was in an angry mood. The essence of this method was: (1) Don't turn Hank off by defending yourself. Instead, do the opposite—urge him to say all the worst things he can say about you. (2) Try to find a grain of truth in all his criticisms and then agree with him. (3) After this, point out any areas of disagreement in a straightforward, tactful, nonargumentative manner. (4) Emphasize the importance of sticking together, in spite of these occasional disagreements. I could remind Hank that frustration and fighting might slow down our therapy at times, but this need not destroy the relationship or prevent our work from ultimately becoming fruitful. I applied this strategy the next time Hank started storming around the office screaming at me. Just as I had planned, I urged Hank to keep it up and say all the worst things he could think of about me. The result was immediate and dramatic. Within a few moments, all the wind went out of his sails—all his vengeance seemed to melt away. He began communicating sensibly and calmly, and sat down. In fact, when I agreed with some of his criticisms, he suddenly began to defend me and say some nice things about me! I was so impressed with this result that I began using the same approach with other angry, explosive individuals, and I actually did begin to enjoy his hostile outbursts because I had an effective way to handle them. I also used the double-column technique for recording and talking back to my automatic thoughts after one of Hank's midnight calls (see Figure 16–1, page 415).
David D. Burns (Feeling Good: Overcome Depression and Anxiety with Proven Techniques)
Subect: Sigh. Okay. Since we're on the subject... Q. What is the Tsar of Russia's favorite fish? A. Tsardines, of course. Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts? A.? -Ella Subect: TG A. Republicans. Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win. You? -Alex Subect: Re. TG Alex, I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football. I am hoping to be seated with the adults. It's not a sure thing. What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present. -Ella Subject: Can I Have TG with You? Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but... The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest. (Q. What do you call a fish with no eyes? A. Fish.) We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me. Any chance of saving me a cannoli? -A
Melissa Jensen (The Fine Art of Truth or Dare)
THE OBEDIENCE GAME DUGGAR KIDS GROW UP playing the Obedience Game. It’s sort of like Mother May I? except it has a few extra twists—and there’s no need to double-check with “Mother” because she (or Dad) is the one giving the orders. It’s one way Mom and Dad help the little kids in the family burn off extra energy some nights before we all put on our pajamas and gather for Bible time (more about that in chapter 8). To play the Obedience Game, the little kids all gather in the living room. After listening carefully to Mom’s or Dad’s instructions, they respond with “Yes, ma’am, I’d be happy to!” then run and quickly accomplish the tasks. For example, Mom might say, “Jennifer, go upstairs to the girls’ room, touch the foot of your bed, then come back downstairs and give Mom a high-five.” Jennifer answers with an energetic “Yes, ma’am, I’d be happy to!” and off she goes. Dad might say, “Johannah, run around the kitchen table three times, then touch the front doorknob and come back.” As Johannah stands up she says, “Yes, sir, I’d be happy to!” “Jackson, go touch the front door, then touch the back door, then touch the side door, and then come back.” Jackson, who loves to play army, stands at attention, then salutes and replies, “Yes, sir, I’d be happy to!” as he goes to complete his assignment at lightning speed. Sometimes spotters are sent along with the game player to make sure the directions are followed exactly. And of course, the faster the orders can be followed, the more applause the contestant gets when he or she slides back into the living room, out of breath and pleased with himself or herself for having complied flawlessly. All the younger Duggar kids love to play this game; it’s a way to make practicing obedience fun! THE FOUR POINTS OF OBEDIENCE THE GAME’S RULES (MADE up by our family) stem from our study of the four points of obedience, which Mom taught us when we were young. As a matter of fact, as we are writing this book she is currently teaching these points to our youngest siblings. Obedience must be: 1. Instant. We answer with an immediate, prompt “Yes ma’am!” or “Yes sir!” as we set out to obey. (This response is important to let the authority know you heard what he or she asked you to do and that you are going to get it done as soon as possible.) Delayed obedience is really disobedience. 2. Cheerful. No grumbling or complaining. Instead, we respond with a cheerful “I’d be happy to!” 3. Thorough. We do our best, complete the task as explained, and leave nothing out. No lazy shortcuts! 4. Unconditional. No excuses. No, “That’s not my job!” or “Can’t someone else do it? or “But . . .” THE HIDDEN GOAL WITH this fun, fast-paced game is that kids won’t need to be told more than once to do something. Mom would explain the deeper reason behind why she and Daddy desired for us to learn obedience. “Mom and Daddy won’t always be with you, but God will,” she says. “As we teach you to hear and obey our voice now, our prayer is that ultimately you will learn to hear and obey what God’s tells you to do through His Word.” In many families it seems that many of the goals of child training have been lost. Parents often expect their children to know what they should say and do, and then they’re shocked and react harshly when their sweet little two-year-old throws a tantrum in the middle of the grocery store. This parental attitude probably stems from the belief that we are all born basically good deep down inside, but the truth is, we are all born with a sin nature. Think about it: You don’t have to teach a child to hit, scream, whine, disobey, or be selfish. It comes naturally. The Bible says that parents are to “train up a child in the way he should go: and when he is old, he will not depart from it” (Proverbs 22:6).
Jill Duggar (Growing Up Duggar: It's All about Relationships)