Peacock Morning Quotes

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Yancey crawled from her tangled bed one morning and assembled her long limbs and sharp bones into something as exotic and seductive to the eye as a peacock or a griffin or a unicorn.
Anne Rivers Siddons (Fox's Earth)
A sash of iridescent butterflies fluttered across in remnants of topaz, dipped in distant peacock’s tears as they mingled with forget-me-nots and morning glories, bluebells and cornflowers spilling through the cerulean waters in the flight of an Eastern bluebird. It was no longer solid, but a creature now made of those same prismatic tears it had once touched, too refined and elegant to lose its path even as it faded away.
Gina Marinello-Sweeney (Peter (The Veritas Chronicles, #3))
I contrive to get through my day by sinking the morning in bed, and killing the evening in company; dressing and dining in the intermediate space, and stopping the chinks and crevices of the few vacant moments that remain with a little easy reading. And that amiable discontent and antisociality which you reprobate in our present drawing-room-table literature, I find, I do assure you, a very fine mental tonic, which reconciles me to my favourite pursuit of doing nothing, by showing me that nobody is worth doing any thing for.
Thomas Love Peacock (Nightmare Abbey)
Shall I have the carriage readied in time for you to catch the late morning train?” “I’m afraid you won’t be that fortunate.” West took a swallow of tea. “I can’t go back to London. I have to stay in Hampshire until I’ve met with all the tenants I had planned to visit.” “Mr. Ravenel--” “I have to,” he said doggedly. “My brother never asks anything of me. Which is why I’ll do this even if it kills me.” Kathleen glanced at him in surprise. “Very well,” she said after a moment. “Shall we send for Mr. Carlow to accompany you?” “I rather hoped that you would go with me.” Seeing her expression, West added warily, “Only for today.” “Mr. Carlow is far more familiar with the tenants and their situations--” “His presence may prove to be inhibiting. I want them to speak to me frankly.” He glared at his plate. “Not that I expect more than a half-dozen words from any of them. I know what that sort thinks of me: a city toff. A great useless peacock who knows nothing about the superior virtues of farm life.” “I don’t think they’ll judge you severely, so long as they believe that you’re not judging them. Just try to be sincere, and you should have no difficulty.” “I have no talent for sincerity,” West muttered. “It’s not a talent,” Kathleen said. “It’s a willingness to speak from your heart, rather than trying to be amusing or evasive.” “Please,” West said tersely. “I’m already nauseous.” Scowling, he took another bite of the bacon sandwich.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Noticing that Cam and Merripen were speaking to each other in Romany, she asked her husband, “What are you talking about?” “There are peacock feathers on her gown,” Cam remarked, in the same tone he might have said, There are poisonous flesh-eating spiders on her gown. “It’s a very dashing effect.” Amelia looked at him quizzically. “You don’t like peacock feathers?” “To the Rom,” Merripen said soberly, “a single peacock feather is an evil omen.” “And she was wearing dozens of them,” Cam added. They watched Leo walk away with Vanessa Darvin as if he were heading toward a pit filled with vipers.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.
Indu Sundaresan (The Feast of Roses (Taj Mahal Trilogy, #2))
The Peacock eye dusts green and blue in my pair of gloves.
Petra Hermans (Voor een betere wereld)
As the Chinese translation of the name Sukhāvatī suggests, it is a land of supreme joy. The Sanskrit is of similar meaning: “that which possesses ease and comfort.” Sukhāvatī is not subject to the sufferings that plague this world and, furthermore, it is a land of surpassed beauty. It is described as having seven tiers of balustrades, seven rows of nets, and seven rows of trees, all adorned with four jewels (gold, silver, lapsis lazuli, and crystal). There is a lake of the seven jewels (gold, silver, lapis lazuli, crystal, a kind of big shell [tridacna gigas], coral, and agate), filled with water having the eight virtues. The bottom of the lake is gold sand. On the four sides of the lake are stairs (galleries) made of the four jewels. Above are towers and palaces also adorned with the seven jewels. Above are towers and palaces also adorned with the seven jewels. In the lake bloom lotus flowers as large as chariot wheels. The blue lotus flowers emit a blue light, and the yellow, red, and white lotus flowers emit light of corresponding colors. They all give forth a sweet fragrance. The delightful sound of heavenly music can be hard, and in the morning, at noon, and in the evening mandārava flowers fall from the sky and gently pile up on the golden ground. Every morning the inhabitants of the Pure Land gather these flowers with the hems of their robes and make offerings of them to myriads of buddhas in other lands. At mealtime they return to their own land, where they take their meal and stroll around. There are many kinds of birds—swans, peacocks, parrots, sharikas, kalaviṅkas, and jīvaṃjīvakas, which sing with beautiful voices, proclaiming the teachings of the Buddha. When living beings hear this song, they think about the Buddha, Dharma (“law,” or his teachings), and Saṅgha (“community of believers”). When the gentle breezes blow, the rows of four-jeweled trees and jeweled nets give forth a gentle music, like a beautiful symphony. In this land dwell Amitābha Buddha and his two attendants, the bodhisattvas Avalokitśvara and Mahāsthāmaprāpta. At their feet are those virtuous beings who have been reborn in that land because of their ardent faith. All, however, are male; women of deep faith are reborn here with male bodies. The female sex, considered inferior and unfortunate, has no place in Sukhāvatī. All people, says Śākyamuni, should ardently wish for rebirth in that land and become the companions of the most virtuous of all beings. People cannot hope for rebirth there just by performing a few good deeds, however. If living beings meditate eagerly upon the name of Amitābha for even one day with an undisturbed mind, Amitābha and his holy retinue will appear before them to receive them at the end of Life. They will enter the Pure Land with unperturbed hearts.
Akira Sadakata (Buddhist Cosmology: Philosophy and Origins)
And the water—it was otherworldly. A hue of teal so postcard perfect, I was disbelieving. But it was not the only shade of blue. When the sky was overcast or the sun had not yet punctured the surface of the morning, we saw lavender gray and cornflower ripple across the ocean’s calm surface. Under the high sun, we boarded fishing boats and walked beaches, witnessing coastal cerulean, jungle azure, deep pools of peacock and sapphire. We swam in turquoise, indigo, aquamarine.
Jennifer Gold (Halfway to You)
Wonders opened like flowers and fans of peacocks, and dusts and incenses spread before the sun chariot in a mauve gauze, as it galloped into the morning.
Tanith Lee (Volkhavaar)
Well done," BItterlich said. "You definitely showed those peacocks you're not chicken." Isabelle dragged herself out of her mental cyclone and bestowed him the glower he was looking for. "You've been waiting to say that all day, haven't you?" Bitterlich contrived to look innocent. "I just thought it was another feather in your cap." Isabelle resisted the urge to groan. As handsome and dashing and daring as BItterlich was, his sense of humour drifted toward vile puns. The only way to deal with him when he got like this was to play dumb. She took off her hat and examined it carefully. '"I don't understand. It doesn't have any more feathers than it did this morning." Bitterlich glanced aside at her. "Since when did you become fusty?" Isabelle replaced her hat and said primly, "I heard an atrocity being committed, and I stifled it." "I have no egrets," Bitterlich said.
Curtis Craddock (The Last Uncharted Sky (The Risen Kingdoms, #3))
She loved rhubarb pie. She loved the morning sun. She loved drying the sheets on the clothesline, even in the dead of winter. She loved a good pot of jasmine tea. She loved orange rinds and gossip and peacock feathers. She loved plums." "Plums. Greengage plums?" "Yes, greengage plums.
Melanie Gideon (Valley of the Moon)
Whether the oddments of superstition my mother told us when we were young were believed by her or were meant as a kind of amusement for us, like the Easter Bunny, Moss Babies and the Tooth Fairy, I am undecided; possibly something of both. She wouldn’t wear green (but that was due to family history: Great-Aunt Emma had an emerald green dress and her fiancé had perished at sea); Christmas decorations had to be totally removed by Twelfth Night as witches could get into the least scrap of tinsel or coloured paper. The snippets of lore were varied: never bring into the house bones, peacock feathers or may blossom; never mix red and white flowers in a vase (death ensued if you did); don’t look at the moon through glass; don’t put shoes on a table (surely just hygienic advice); sing before morning and you’ll cry before night; if you meet a piebald horse, make a cross in the dust on your shoe.
Katy Soar (Circles of Stone: Weird Tales of Pagan Sites and Ancient Rites)