“
I can't promise we'll ever use you for a hasty getaway," Cole said, "but with a little work, you might be able to race my grandmother-while she's on her scooter.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
I can’t promise we’ll ever use you for a hasty getaway,” Cole said, “but with a little work, you might be able to race my grandmother—while she’s on her scooter.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
Tea Party members go to meetings on Medicare scooters.
”
”
Ishmael Reed
“
Yes, I call my scooter Jessie, and I don't think that's weird in the slightest."
(...) "Doesn't your truck have a name ?" she asked Blake with mock surprise.
"Sure. Toyota...
”
”
M.J. Hearle (Winter's Shadow (Winter Saga, #1))
“
In every big-budget science fiction movie there's the moment when a spaceship as large as New York suddenly goes to light speed. A twanging noise like a wooden ruler being plucked over the edge of a desk, a dazzling refraction of light, and suddenly the stars have all been stretched out thin and it's gone. This was exactly like that, except that instead of a gleaming twelve-mile-long spaceship, it was an off-white twenty-year-old motor scooter. And you didn't have the special rainbow effects. And it probably wasn't going at more than two hundred miles an hour. And instead of a pulsing whine sliding up the octaves, it just went putputputputput ...
VROOOOSH.
But it was exactly like that anyway.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
LINA's RULES OF SCOOTER RIDING:
1. Never ride a scooter sopping wet.
2. Never ride a scooter wearing a short skirt.
3. Try to pay attention to the light signals. Otherwise, every time the driver accelerates you'll smash into him and you'll have this awkward untangling moment and then you'll worry he's thinking you're doing it on purpose.
4. If by chance you aren't abiding by rule number two, be sure to avoid eye contact with male drivers. Otherwise they'll honk enthusiastically every time your skirt flies up.
”
”
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
“
He told me he fell for me the moment I shouted at him from across the street when he almost ran me off my scooter. I told him it took me longer than that. He doesn't care. I love him now, and that's all that matters.
”
”
Paige Toon (Chasing Daisy)
“
His mother got her purse. His father reached for the door.
"Scooter," he said, by way of good-bye, "have fun with your friends."
But Hale was shaking his head. He put his arm around Kat's shoulders. "She's not my friend, Dad. She's my girlfriend."
Hale's parents must have walked away, but Kat wasn't looking. She was too busy staring up at Hale, trying to see into his eyes and know if he was okay. The sadness that had lingered for weeks was fading, and the boy that held her was the boy she knew. A boy who kissed her lightly.
”
”
Ally Carter (Perfect Scoundrels (Heist Society, #3))
“
As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer. Likewise, the bicycle is alive and well. It was invented in a world without automobiles, and for speed and range it was quickly surpassed by motorcycles and all kinds of powered scooters. But there is nothing quaint about bicycles. They outsell cars.
”
”
James Gleick
“
It was like walking through a scene from an Italian movie. The street was lined with clothing stores and little coffee shops and restaurants, and people kept calling to one another from windows and cars. Halfway down the street a horn beeped politely and everyone cleared out of the street to make way for an entire family crowded onto a scooter. There was even a string of laundry hanging between two buildings, a billowy red housedress flapping right in the middle of it. Any second now a director was going to jump out and yell, Cut!
”
”
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
“
The only thing that can stop you is you... Stay focused and never mind any of the crap anybody says. That's not you, that's them. That's the negative place they want to live in. You choose to live in a positive place. - Scooter Braun
”
”
Justin Bieber (First Step 2 Forever)
“
It's the ride of life the journey from here to there living and loving every moment like we have none to spare.
”
”
Jess "Chief" Brynjulson (Highway Writings)
“
Nothing said school was back in session like nearly getting run over by an e-scooter.
”
”
Lynn Painter (Nothing Like the Movies (Better Than the Movies, #2))
“
Outside, washing hung still on the rotary line, bone dry and stiff from the sun. A child's scooter lay abandoned on the stepping-stone path. Just one human heart beat within a kilometer radius of the farm. So nothing reacted when, deep inside the house, the baby started crying.
”
”
Jane Harper (The Dry (Aaron Falk, #1))
“
That’s okay. I just want to live long enough to ride the scooter shopping cart at Walmart.” Mack
”
”
Nicole James (Wolf (Evil Dead MC, #4))
“
Ove gives the box a skeptical glance, as if it’s a highly dubious sort of box, a box that rides a scooter and wears tracksuit pants and just called Ove “my friend” before offering to sell him a watch.
”
”
Fredrik Backman (A Man Called Ove)
“
Private, everything is mind over matter, If you don’t mind, it don’t matter.
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
Always keep a part of your mind empty, so you can go there to rest.
”
”
Benny Bellamacina (The Scooter Five: Strawberry Bees)
“
Woah there, Scooter...looks like you might be starting to veer towards nihilism...anyway, it's sand time now.
”
”
Allie Brosh (Solutions and Other Problems)
“
Mrs. Schaap didn’t just slip and fall, as reported; she was actually knocked down by a scooter. The driver, who wishes to remain anonymous, had been a bit too intent on his shopping basket.
”
”
Hendrik Groen (The Secret Diary of Hendrik Groen, 83¼ Years Old)
“
She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.
The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."
So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.
She looks at him.
”
”
Sébastien Japrisot
“
No consigo dormirme. Estoy enamorado, y cuando estás enamorado lo menos que te puede pasar es no dormir. Hasta la noche más negra se vuelve roja. Se te amontona tal cantidad de cosas en la cabeza que querrías pensar en ellas todas a la vez y el corazón no consigue calmarse. Y además resulta extraño porque todo te parece hermoso. Haces la misma vida de todos los días, con las mismas cosas y el mismo hartazgo. Y luego te enamoras y esa misma vida se vuelva grandiosa y diferente. Sabes que vives en el mismo mundo de Beatrice y entonces qué más da si el examen te sale mal, si se pincha la rueda del scooter, si Terminator quiere mear, si se pone a llover y no llevas paraguas. Te da lo mismo porque sabes que esas cosas son transitorias. El amor, en cambio, no. Tu estrella roja brilla siempre. Beatrice está ahí, tu amor está dentro de tu corazón y es grande, te hace soñar y nadie puede arrancártelo porque está en un sitio al que nadie puede llegar. No sé cómo describirlo: ojalá no se acabe nunca.
”
”
Alessandro D'Avenia (Bianca come il latte, rossa come il sangue)
“
LINA"S RULES FOR SCOOTER RIDING:
1.Never ride a scooter sopping wet.
2. Never ride a scooter wearing a short skirt.
3. Try to pay attention to light signals. Otherwise, every time the driver accelerates you'll smash into him and you'll have this awkward untangling moment and then you'll worry he 's thinking you're doing it on purpose.
”
”
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
“
If I'm forced to sign an NDA to never speak of someone again, I won't do it because it would be silencing my voice from saying what I've been through. I respect Taylor Swift for turning her back on silencers like Scooter Braun.
”
”
Laika Constantino
“
For a kid who has achieved as much as he has, it is amazing how much he is doubted
”
”
Scooter Braun talking about Justin Bieber
“
Yesterday never happened; today will never end; and tomorrow will never come.
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
Jealousy makes people act dumb sometimes
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
So Annabeth was kidnapped on a motor scooter,” she summed up, “by Gregory Peck and Audrey Hepburn.” “Not kidnapped, exactly,” Percy said. “But I’ve got this bad feeling.…” He took a deep breath, like he was trying hard not to freak out. “Anyway, she’s—she’s gone. Maybe I shouldn’t have let her, but—” “You had to,” Piper said. “You knew she had to go alone. Besides, Annabeth is tough and smart. She’ll be fine.” Piper put some charmspeak in her voice, which maybe wasn’t cool, but Percy needed to be able to focus. If they went into battle, Annabeth wouldn’t want him getting hurt because he was too distracted about her. His shoulders relaxed a little. “Maybe you’re right. Anyway, Gregory—I mean Tiberinus—said we had less time to rescue Nico than we thought. Hazel and the guys aren’t back yet?” Piper checked the time on the helm control. She hadn’t realized how late it was getting. “It’s two in the afternoon. We said three o’clock for a rendezvous.” “At the latest,” Jason said. Percy pointed at Piper’s dagger. “Tiberinus said you could find Nico’s location…you know, with that.” Piper bit her lip. The last thing she wanted to do was check Katoptris for more terrifying images. “I’ve tried,” she said. “The dagger doesn’t always show what I want to see. In fact, it hardly ever does.” “Please,” Percy said. “Try again.” He pleaded with those sea-green eyes, like a cute baby seal that needed help. Piper wondered how Annabeth ever won an argument with this guy.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Lambretta
It doesn't get much better
Though I'm trying to forget her
That girl on that Lambretta
Stole my heart.
But my feelings just got fonder
As she disappeared off yonder
But I couldn't get my Honda
Bike to start.
So I'll admit defeat
It's not partial, it's complete
'Cos I'll never get to meet
That work of art.
Now I've ceased to be a suitor
I imagine that'll suit her
An' I 'ope her rotten scooter
Falls apart.
”
”
Robbie Franklin (The Ipswich Bus)
“
s Middags ging ik met Sven lunchen in de stad. We liepen langs een groep jongens met petjes en scooters.
'Homo's!' riep een van de jongens. De andere lachten en een plastic flesje stuiterde over de straatstenen onze kant op.
'Hoorde je dat?' vroeg ik verrukt aan Sven. 'Ze bedoelen mij ook!
”
”
Thomas van der Meer (Welkom bij de club)
“
Man, all the time somebody is telling me, ‘Cassius, you know I’m the one who made you.’ I know some guys in Louisville who used to give me a lift to the gym in their car when my motor scooter was broke down. Now they’re trying to tell me they made me, and how not to forget them when I get rich. And my daddy, he tickles me. He says, ‘Don’t listen to the others, boy; I made you.’ He says he made me because he fed me vegetable soup and steak when I was a baby, going without shoes to pay the food bill. Well, he’s my father and I guess more teenagers ought to realize what they owe their folks. But listen here. When you want to talk about who made me, you talk to me. Who made me is me.”3
”
”
Thomas Hauser (Muhammad Ali: His Life and Times)
“
On an impulse he cannot explain, he buys himself a one-way ticket - and the evening of that very same day finds him wandering the streets of the old colonial quarter of the Colombian town. Girls in love with boys on scooters, screeching birds, tropical flowers on winding vines, saudade, and solitude, One Hundred Years of it; and then, as the tropical dusk darkens the corners of the Plaza de la Adana, he sees a woman, her fingers toying with a necklace of lapis lazuli, and they stand still as the world eddies about them.
”
”
David Mitchell (The Bone Clocks)
“
Work harder; not smarter
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
Rank comes with responsibility whether you’re ready or not
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
Work harder; not smarter.
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
Private, everything is mind over matter. If you don’t mind, it don’t matter.
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
To be in the Army, you need to be smart or strong, and you privates ain’t either.
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
In the Army, the drill sergeants said, "Eat it now and taste it later.
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
Lou Reed drove Honda scooters these days, and I was a hell of a lot closer to the wild side than him.
”
”
Warren Moore (Broken Glass Waltzes)
“
Motor scooters appeared on the scene—in France and especially Italy, where the first national motor-scooter rally, held in Rome on November 13th 1949, was followed by an explosive growth in the market for these convenient and reasonably priced symbols of urban freedom and mobility, popular with young people and duly celebrated—the Vespa model in particular—in every contemporary film from or about Italy.
”
”
Tony Judt (Postwar: A History of Europe Since 1945)
“
If you visit London, you’ll occasionally cross paths with young men (and less often women) on motor scooters, blithely darting in and out of traffic while studying maps affixed to their handlebars. These studious cyclists are training to become London cabdrivers. Before they can receive accreditation from London’s Public Carriage Office, cabbies-in-training must spend two to four years memorizing the locations and traffic patterns of all 25,000 streets in the vast and vastly confusing city, as well as the locations of 1,400 landmarks. Their training culminates in an infamously daunting exam called “the Knowledge,” in which they not only have to plot the shortest route between any two points in the metropolitan area, but also name important places of interest along the way. Only about three out of ten people who train for the Knowledge obtain certification.
”
”
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
“
The Arcturan megafreighters used to carry most of the bulky trade between the Galactic Center and the outlying regions. The Betelgeuse trading scouts used to find the markets and the Arcturans would supply them. There was a lot of trouble with space pirates before they were wiped out in the Dordellis wars, and the megafreighters had to be equipped with the most fantastic defense shields known to Galactic science. They were real brutes of ships, and huge. In orbit round a planet they would eclipse the sun. “One day, young Zaphod here decides to raid one. On a tri-jet scooter designed for stratosphere work, a mere kid. I
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Anyway, Ms. Rothschild wasn’t my first crush.”
“She wasn’t?”
“No. You were.”
It takes me a few seconds to process this. Even then, all I can manage is, “Huh?”
“When I first moved here, before I knew your true personality.” I kick him in the shin for that, and he yelps. “I was twelve, and you were eleven. I let you ride my scooter, remember? That scooter was my pride and joy. I saved up for it for two birthdays. And I let you take it for a ride.”
“I thought you were just being generous.”
“You crashed it and you got a big scratch on the side,” he continues. “Remember that?”
“Yeah, I remember you cried.”
“I didn’t cry. I was justifiably upset. And that was the end of my little crush.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I've got the money
I've got the place
You've got the figure
You've got the face
lets get together
we're jumping all over the world
”
”
Scooter
“
Dodo Conway was a Catholic who had gone to Barnard and then married an architect who had gone to Columbia and was also a Catholic. They had a big, rambling house up the street from us, set behind a morbid façade of pine trees, and surrounded by scooters, tricycles, doll carriages, toy fire trucks, baseball bat, badminton nets, croquet wickets, hamster cages and cocker spaniel puppies--the whole sprawling paraphernalia of suburban childhood.
”
”
Sylvia Plath (The Bell Jar)
“
Replaying in my mind the Martha Stewart, Leonidas Young, and Scooter Libby cases, I argued that if we weren’t going to hold retired generals and CIA directors accountable for blatantly lying during investigations, how could we justify jailing thousands of others for doing the same thing? I believed, and still believe, that Petraeus was treated under a double standard based on class. A poor person, an unknown person—say a young black Baptist minister from Richmond—would be charged with a felony and sent to jail.
”
”
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
I encountered an army of mothers at pick-up outside the school that I was sussing out for you the other day. They appeared from several directions at once—around corners, down streets, out of cars. Like zombies, was my first thought as I watched them gravitate towards the school gates. Some of them were pushing buggies, others wheeled scooters, one woman carried a teddy bear. It would be a mistake to assume that because of the soft toy the woman herself was soft. The women carrying teddy bears are the most dangerous of them all. They would kill to protect the owners of those bears. Sailor, I have been that soldier. I stepped back to allow them to pass. These women were not zombies: they were warriors. Nothing would have stopped them. Nothing would get in their way. Marching to the summons of the school bell, catching the children who ran into their arms. Standing over their young until their young were ready to stand alone. Only then would the warriors stand down. The reason this work is considered unchallenging is that women mainly do it.
”
”
Claire Kilroy (Soldier Sailor)
“
Nei bar in cui non si poteva nè leggere nè piangere.
Quando guardavi indietro sembrava poi tutto sacro. Quando a separarci prima c’era una parete e adesso ci sono due rampe di scale con un eco fortissimo che si ripetono le parole per due volte tutte intere ma i nostri silenzi infiniti. Sprechiamo ancora qualcosa ma assieme, non come i tuoi giri di quando cadevi sempre in scooter. Per immaginarla mi metto degli occhiali da sole anche se non ce n’è bisogno, per il colore della sua pelle che è più scuro. Per resuscitare in un altro bar alle sette di sera. Queste grandiose solitudini, e questi scavi archeologici per mettersi a scrivere sulle tastiere di pianoforti affittati che suonano da anni nei pianobar. Mi ricordi quel personaggio di Moebius che è vestito di un cielo stellato. Uscendo dalla metropolitana non riuscivo mai a capire in che punto sarei arrivato in superficie, in quale degli incroci. Vedevo solo questo rettangolo di cielo che difficilmente era colorato. Poi subito ti travolgevano se ti guardavi troppo attorno ma era bello lo stesso. Se dentro siamo fatti siamo fatti di minerali. E il nostro lato instabile è un cerchio. se l’ametista delle nostre iridi e il piombo delle nostre viscere si fondessero, sai che freddo amore mio d’inverno a mettersi a volare.
”
”
Vasco Brondi
“
When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.
”
”
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
“
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops.
When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by.
As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop.
I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs"
Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
”
”
Jane Jacobs