Scars Remain Quotes

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It has been said, 'time heals all wounds.' I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue and the pain lessens. But it is never gone.
Rose Fitzgerald Kennedy
The damage was permanent; there would always be scars. But even the angriest scars faded over time until it was difficult to see them written on the skin at all, and the only thing that remained was the memory of how painful it had been.
Jodi Picoult
There are scars on my heart, just as thick, as disfiguring as those on my face. I know they’re there. I hope some undamaged tissue remains, a patch through which love can come in and flow out. I hope.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
These scars are the least important. The worst scars remain inside.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
It has been said that time heals all wounds, I don't agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue, and the pain lessens, but is never gone.
Rose Fitzgerald Kennedy
As long as I live, the demon will remain inside you,” said the Darkling as Nikolai used a knife to saw through the ropes at his wrists. “We’ve made our peace.” “Some treaties do not last.” “You do love a dire prophecy, don’t you?” “Zoya will live a very long life,” the Darkling said. “Despite the demon, you may not do the same.” “Then I will love her from my grave.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Not all scars are visible. Regardless, they are usually painful when you first get them. But with time they might fade or they can remain and become a beautiful reminder... that you survived.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
They stood aloof the scars remaining. Like cliffs which had been rent asunder.
Samuel Taylor Coleridge (Christabel: 1816)
Even though the wounds will heal the scars will remain.
Allen Walker
The physical body—it heals. The scars fade. But the memories are forever. Even when you forget, they remain inside, taunting you, resurfacing when you least expect.
Namina Forna (The Gilded Ones (Deathless, #1))
Everyone mourns the first blossom, Who will weep for the rest that fall? I will remain to sing for you, Long after the spring has gone.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Even when wounds healed, the scars remained. - Cassie
Jennifer Lynn Barnes (Twelve (The Naturals, #4.5))
The scar will remain, but it is better for a man to lose both arms than his soul; and these hard years, instead of being lost, may be made the most precious of your lives, if they teach you to rule yourselves.
Louisa May Alcott (Jo's Boys (Little Women, #3))
The land has a memory. Every stream and river runs with a confession of sorts, history whispered over rocks, lifted in the beaks of birds at a stream, carried out to the sea. Buffalo thunder across plains whose soil was watered with the blood of battles long since relegated to musty books on forgotten shelves. Fields once strewn with blue and gray now flower with uneasy buds. The slave master snaps the lash, and generations later, the ancestral scars remain. Under it all, the dead lie, remembering.
Libba Bray (Lair of Dreams (The Diviners, #2))
You know, we all have scars, Summer. If yours are only on the outside, you should consider yourself lucky.
Seth King (The Summer Remains (The Summer Remains #1))
It's impossible to let go of the people we love. Pieces of them remain embedded inside of us like shrapnel. Every breath causes those fragments to burrow through our muscles, nearer to our hearts. And we think the pain will kill us, but it won't. Eventually, scar tissue forms around those twisted splinters like cocoons. They remain part of us, but slowly hurt less.
Shaun David Hutchinson (At the Edge of the Universe)
If I were a cinnamon peeler I would ride your bed and leave the yellow bark dust on your pillow. Your breasts and shoulders would reek you could never walk through markets without the profession of my fingers floating over you. The blind would stumble certain of whom they approached though you might bathe under rain gutters, monsoon. Here on the upper thigh at this smooth pasture neighbor to your hair or the crease that cuts your back. This ankle. You will be known among strangers as the cinnamon peeler's wife. I could hardly glance at you before marriage never touch you -- your keen nosed mother, your rough brothers. I buried my hands in saffron, disguised them over smoking tar, helped the honey gatherers... When we swam once I touched you in water and our bodies remained free, you could hold me and be blind of smell. You climbed the bank and said this is how you touch other women the grasscutter's wife, the lime burner's daughter. And you searched your arms for the missing perfume. and knew what good is it to be the lime burner's daughter left with no trace as if not spoken to in an act of love as if wounded without the pleasure of scar. You touched your belly to my hands in the dry air and said I am the cinnamon peeler's wife. Smell me.
Michael Ondaatje (The Cinnamon Peeler: Selected Poems)
But pain is like a fresh wound. If you add pressure to it, the more it’ll hurt. With time, the wound will heal. A scar will remain, reminding you that the pain once existed. Time heals.
Jasmine Rose (A Unique Kind of Love)
You could say I am flawed. Marked. A malfetto. While my sister emerged from the fever unscathed, I now have only a scar where my left eye used to be. While my sister’s hair remained a glossy black, the strands of my hair and lashes turned a strange, ever-shifting silver, so that in the sunlight they look close to white, like a winter moon, and in the dark they change to a deep gray, shimmering silk spun from metal.
Marie Lu (The Young Elites (The Young Elites, #1))
To the High Queen of Elfhame, Above me is the same silvery moon that shines down on you. Looking at it makes me recall the glint of your blade pressed against my throat and other romantic moments. I do not know what keeps you from returning to the High Court—whether it is vexation with me, or whether, having spent time in the mortal world, you have come to believe that a life free of the Folk is better than one ruling over them. In my most wretched hours, I believe you will never come back. Why would you, save for your ambition? You have always known exactly what I am and seen all my failings, all my weaknesses and scars. I flattered myself that at moments you had feelings for me other than contempt, but even were that true, they would be but watered wine beside the feast of your other, greater desires. And yet my heart is buried with you in the strange soil of the mortal world, as it was drowned with you in the cold waters of the Undersea. It was yours before I could admit it, and yours it shall ever remain. Cardan
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It took me a long time to realize that not everything in life is meant to be a beautiful story. Not every per-son we feel something deep and moving with is meant to make a home within us, is meant to be a forever. Sometimes, people come into our lives to teach us how to love; and sometimes, people come into our lives to teach us how not to love. How not to settle, how not to shrink ourselves ever again. Yes, sometimes people leave—but that’s okay, because their lessons always stay, and that is what matters. That is what remains.
Bianca Sparacino (The Strength In Our Scars)
The defects of the mind are like the wounds of the body. Whatever care we take to heal them the scars ever remain, and there is always danger of their reopening.
François de La Rochefoucauld
Wounds may heal, but the scars remain.
Reyna Pryde (Bound by Sacrifice (The Road to Ruin, #1))
A scar on the heart will heal. Let your love remain pure as if it was never cut in the first place.
Aline Alzime
There are scars on my heart, just as thick, as disfiguring as those on my face. I know they're there. I hope some undamaged tissue remains, a patch through which love can come in and flow out. I hope.
Gail Honeyman
He supposed any lick of self-consciousness had been flayed from her under the whips of Endovier. Even though he'd tattooed over the bulk of the scars on her back, their ridges remained. The nightmares, too—when she'd still startle awake and light a candle to drive away the blackness they'd shoved her into, the memory of the lightless pits they'd used for punishment. His Fireheart, shut in the dark.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I am a writer....a master of words.'Like a knife, words should be handled carefully. They can cut deeply, the wound may never heal, and the scar can remain for an eternity.
Ey Wade (Beads on a String-America's Racially Intertwined Biographical History)
He hadn’t hit her in several years, but when you’ve been beaten you never forget it. The bruises go away but the scars remain, deep, hidden, raw. You stay beaten. It takes a real coward to beat a woman.
John Grisham (Sycamore Row (Jake Brigance #2))
I was born Ezeogo Igariwey to live my life a legacy for the world,like a wound that healed with a scar that remains."My legacy will leave a mark on the world and I shall never be forgetten for my good,bad,and ugly deeds.
Tupac Shakur
He called out to the heavens for help, but the heavens remained dark, as is sometimes the case at night.
Marina Dyachenko (The Scar)
And when you hate someone, it leaves deeper scars on your psyche than loving someone ever can.
Lisa Jewell (The Family Remains (The Family Upstairs, #2))
Once your heart has been broken, it’s never really heals. The wounds may heal, but the scars remain there forever. That delicate tissue must be guarded and protected at all cost.
K. Langston (Because You're Mine (MINE, #1))
No, Little One. I’m going to love you,” he said, touching his forehead to mine. His dark eyes glimmered, tiny specks of light shining in the obsidian, like the stars that had become my namesake. “Until you forget what it is to hurt and then long after that. Until the scars you wear like armor have faded from memory, and only we remain.
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
He was afraid that the secrets she'd kept would always be here, inside him, an ugly malignant thing lodged near enough to his heart to upset its rhythm, and though it could be removed, cut out, there would always be scars; bits and pieces of it would remain in his blood, making it wrong somehow, so that if he accidentally sliced his skin open, his blood would--for one heartbeat--flow as black as India ink before it remembered that it should be red.
Kristin Hannah (Angel Falls)
One never quite stops believing,' said the Marquis. 'Some doubt remains forever.' Abrenuncio understood. He had always thought that ceasing to believe caused a permanent scar in the place where one's faith had been, making it impossible to forget.
Gabriel García Márquez (Of Love and Other Demons)
She doesn't know how easy it is to leave scars, how sometimes just a tiny brown oval will remain, but whenever you look at it you know why it's there.
Araminta Hall (Our Kind of Cruelty)
They parted—ne'er to meet again! But never either found another To free the hollow heart from paining— They stood aloof, the scars remaining, Like cliffs which had been rent asunder; A dreary sea now flows between;— But neither heat, nor frost, nor thunder, Shall wholly do away, I ween, The marks of that which once hath been.
Samuel Taylor Coleridge (Christabel)
Time doesn't heal the wounds; it masks them. It takes them and makes them something else. Some scars always remain. Some wounds always remain open and exposed.
Joann Buchanan
He’s burning me down to the bone. They’ll find the scar of him on my remains.
Talia Hibbert (Work for It)
The wounds produced by the traumas of our life may heal, but the scars remain. We cannot return to our original state of innocence. There will always be some limitation upon our being.
Alexander Lowen (Fear of Life: The Wisdom of Failure)
It was a fossilized path: the will which had cut this gash out of these solitary places so that the blood and sap would flow there was long since dead - and dead too were the circumstances which had guided this will. A whitish and indurated scar remained, gradually gnawed away by the earth like a flesh that heals itself, yet its direction was still vaguely cut into the horizon; a language and crepuscular sign rather than a way forward - a worn-out lifeline which still vegetated through the fallow land as it does on the palm of a hand. It was so old that, since it had been constructed, the very configuration of the land must have changed imperceptibly.
Julien Gracq
Our injuries will heal as long as we're alive. But the scars will remain..." - Allen Walker
Katsura Hoshino (D.Gray Man 21)
I learned long ago that conservation has no victories, that one must retain connections and remain involved with animals and places that have captured the heart, to prevent their destruction. I am sometimes asked why, given a world that is more wounded and scarred, I do not simply give up, burdened by pessimism. But conservation is my life, I must retain hope
George B. Schaller (A Naturalist and Other Beasts: Tales from a Life in the Field)
I’ve been insulted by fools before. I survived.” Even in the dim light he saw her eyes change. “Just because he was using words instead of a knife, you can’t dismiss it, Saetan. He hurt you.” “Of course he hurt me,” Saetan snapped. “Being accused of—” He closed his eyes and squeezed her hand. “I don’t tolerate fools, Jaenelle, but I also don’t kill them for being fools. I simply keep them out of my life.” He sat up and took her other hand. “I am your sword and your shield, Lady. You don’t have to kill.” Witch studied him with her ancient, haunted sapphire eyes. “You’ll take the scars on your soul so that mine remains unmarked?” “Everything has a price,” he said gently. “Those kinds of scars are part of being a Warlord Prince. You’re at a crossroads, witch-child. You can use your power to heal or to harm. It’s your choice.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
We can do this, Flame. Our souls may still be fractured, but they are healing. Someday, only faint scars will remain.” “I don’t believe in much,” I confessed. My eyes closed. I was tired. “But I believe in you, Maddie. I’ve always believed in you.
Tillie Cole (My Maddie (Hades Hangmen, #8))
But children have resilience. Children scar and those scars remain across the years, but children grow too. Kettle grew around her hurts and learned to laugh again—learned wickedness as they taught her scripture—learned the swiftness of her body and the sharpness of her mind. She grew into a woman and learned to love and to be loved.
Mark Lawrence (Grey Sister (Book of the Ancestor, #2))
Rub good memories on adversities scars. It works like vitamin E; the scar remains but it isn't as visible.
Mahree Moyle
You cloud my vision and haunt my memories. I’m the light at the end of your tunnel. Let it be me.
L.J. Scar (Eternal She Remains)
Outlines of dead logs I hauled away remained impressed on the damp earth, scarring the ground with their funereal shapes.
Tash Aw (The Harmony Silk Factory)
He put his head up to the sky and closed his eyes. The tear that fell down his cheek glistened in the sun and remained there, like the impression of a scar
Vera Jane Cook (Pleasant Day)
It hurt to pull out the slivers but I knew that I couldn’t bleed anymore, I had lost too much blood already. Now I remain, scarred and regaining strength.
Henry Rollins (The First Five: "High Adventure in the Great Outdoors", "Pissing in the Gene Pool", "Art to Choke Hearts", "Bang!", "One from None" (Henry Rollins))
The young are resilient.” “But scars remain.” “Sometimes, the scars are what make us who we are.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
The physical, mental and emotional battle scars remain and although some have healed significantly, many remain indefinitely.
Justin Reed Early (Street Child, A Memoir)
Yes. But it is yours to keep now. This place, this final kernel of it.” It would remain in him, a scar and a reminder. “Will it grow again?” “Only if you let it. Only if you do not fill it with better things. Only if you do not forgive.” He knew she didn’t just mean others. “But if you are kind to yourself, if you—if you love yourself …” Yrene’s mouth trembled.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
It has been said, “Time heals all wounds.” I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue, and the pain lessens. But it is never gone.
John F. Westfall (Getting Past What You'll Never Get Over: Help for Dealing with Life's Hurts)
Even in the mind of the wise man, a scar remains after the wound is quite healed." He will, therefore, feel certain hints and semblances of passions; but he will be free from the passions themselves.
Seneca (On Anger)
You can speak Parseltongue, Harry,” said Dumbledore calmly, “because Lord Voldemort — who is the last remaining descendant of Salazar Slytherin — can speak Parseltongue. Unless I’m much mistaken, he transferred some of his own powers to you the night he gave you that scar. Not something he intended to do, I’m sure. . . .” “Voldemort put a bit of himself in me?” Harry said, thunderstruck. “It certainly seems so.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Although we can never really ease trauma, our mind is good at repairing it, layering over it with new experiences, like fresh skin growing over an old wound. The scar remains. It just hurts less and becomes harder to see.
C.J. Tudor (The Burning Girls)
During disasters young children usually take their cues from their parents. As long as their caregivers remain calm and responsive to their needs, they often survive terrible incidents without serious psychological scars.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
These children were deprived of something more important than money—love. They ended up paying for that deprivation during the remainder of their lives, and society suffered, too, because their crimes removed many people from the world and their assaultive behavior left alive equally as many victims who remain permanently scarred.
Robert K. Ressler (Whoever Fights Monsters: My Twenty Years Tracking Serial Killers for the FBI)
The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.
Nathan Reese Maher (Lights Out: Book 2)
This image has so dominated Western views of Southeast Asian women that it became a key driver of Thailand’s sex industry. Sex tours of Southeast Asia remain hugely popular among white men, which ensures that the distorted image of Asian women persists.
Ruby Hamad (White Tears/Brown Scars: How White Feminism Betrays Women of Color)
I keeled over sideways. The world turned fluffy, bleached of all color. Nothing hurt anymore. I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders. “He’s almost gone,” Diana said. Then I was gone. My mind slipped into a pool of cold, slimy darkness. “Oh, no, you don’t.” My sister’s voice woke me rudely. I’d been so comfortable, so nonexistent. Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her. As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades. “H-how long was I out?” I croaked. “Roughly three seconds,” she said. “Now, get up, drama queen.” She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth. I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion. She blinked, clearly unsure what to do with this information. “You really have changed.” “I missed you!” “Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.” “It worked, then!” I grinned at Hazel and Meg. “It worked!” “Yeah,” Meg said wearily. “Hi, Artemis.” “Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.” Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.” I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect. Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.” “Little brother?” She smirked.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Best followed now is this life, by hurrying, like itself, to a close. Few things remain. He was repulsed in efforts after a pension by certain caprices of law. His scars proved his only medals. He dictated a little book, the record of his fortunes. But long ago it faded out of print--himself out of being--his name out of memory. He died the same day that the oldest oak on his native hills was blown down.
Herman Melville (Israel Potter)
There are times when you almost tell the harmless old lady next door what you really think of her face—that it ought to be on a night-nurse in a house for the blind; when you’d like to ask the man you’ve been waiting ten minutes for if he isn’t all overheated from racing the postman down the block; when you nearly say to the waiter that if they deducted a cent from the bill for every degree the soup was below tepid the hotel would owe you half a dollar; when—and this is the infallible earmark of true exasperation—a smile affects you as an oil-baron’s undershirt affects a cow’s husband. But the moment passes. Scars may remain on your dog or your collar or your telephone receiver, but your soul has slid gently back into its place between the lower edge of your heart and the upper edge of your stomach, and all is at peace.
F. Scott Fitzgerald (The Curious Case of Benjamin Button and Other Jazz Age Stories (Penguin Classics))
In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices.
Julie Schumacher (Dear Committee Members)
Forget that old adage 'forgive and forget.' It's an impossible standard. The human heart never forgets its pain. We can and often do choose to forgive and heal and move on. But the scars remain. Like words pounded out on an old typewriter leave impressions that can never truly be erased, the heart remembers.
L.R. Knost
I had learnt from my work: that all pain is erased in the passage of time. Not just by, but in. In ten decades hence it would be as if nothing had ever happened. There would be no relics, no scars. No jug to piece together, no bone fragments to date. Emotions fade and leave no trace. Only the inanimate remains.
Kylie Ladd (After the Fall)
I wasn't born in New York and I may never live there again, and just thinking about it makes me melancholy, but I was changed forever by it, my imagination is manacled to it, and I wear its mark the way you wear a scar. Whatever happens, whether I like it or not, New York City is fated always to remain my home.
Lucy Sante
AS THE MIST LEAVES NO SCAR As the mist leaves no scar On the dark green hill, So my body leaves no scar On you, nor ever will. When wind and hawk encounter, What remains to keep? So you and I encounter, Then turn, then fall to sleep. As many nights endure Without a moon or star, So will we endure When one is gone and far.
Leonard Cohen (Stranger Music: Selected Poems and Songs)
They’re steering us toward war. It’s as inevitable as the sun coming in the morning, or the dark at night. It’s going to take a lot to oust them, but they will lose in the end. And when they do, our victory will be our survival. As long as we remain true to ourselves and don’t let them scar our souls, then we will have won.
Eoin Dempsey (White Rose, Black Forest)
A monster crosses over into the everyday world. The mortals struggle and show great courage, but it’s no use. The monster kills first the guilty, then the innocent, until finally only one remains. The Last Boy, the Last Girl. There is a final battle. The Last One suffers great wounds, but in the final moment vanquishes the monster. Only later does he or she recognize that this is the monster’s final trick; the scars run deep, and the awareness of the truth grows like an infection. The Last One knows that the monster isn’t dead, only sent to the other side. There it waits until it can slip into the mundane world again. Perhaps next time it will be a knife-wielding madman, or a fanged beast, or some nameless tentacled thing. It’s the monster with a thousand faces. The details matter only to the next victims.
Daryl Gregory (We Are All Completely Fine)
Emptiness is the track on which the centered person moves," said a Tibetan sage six hundred years ago, and the book where I found this edict followed it with an explanation of the word "track" in Tibetan: shul, "a mark that remains after that which made it has passed by - a footprint for example. In other contexts, shul is used to describe the scarred hollow in the ground where a house once stood, the channel worn through rock where a river runs in flood, the indentation in the grass where an animal slept last night.
Rebecca Solnit (A Field Guide to Getting Lost)
one might call this state ["youth" (but that seems inaccurate)] "remembering" but memory is quite eerie like caging a dream, and when I recite the rote details the real event slithers further from me because the telling of it reshapes it, every touch alters it, until it is unrecognizable except as a story [a doppelganger (immediately not myself) a writhing poltergeist summoned to snap at me from the darkness~or benign but vague, like a whisper making it better to remain silent, but I can't~the past is a narrative (that writes us) immanent in the present [proving there is cause and effect in the immaterial (the mythic becomes carnal by leaving marks on the body)] symbol by symbol, building up invisible scars
David David Katzman (A Greater Monster)
I’m the light at the end of your tunnel. Let it be me.
L.J. Scar (Eternal She Remains)
scar tissue is what remains when the wound heals. they never tell you that. reminders, they are. those sons of bitches.
Darnell Lamont Walker
Even when the wound is healed, the scar remains.
Publilius Syrus (The Moral Sayings of Publius Syrus: A Roman Slave)
Time only changes the outside of things. It scars the rocks and snarls the trees, but the heart inside remains the same.” —Charles M. Russell
Russell Rowland (Fifty-Six Counties: A Montana Journey)
Even though the wounds will heal the scars will remain.” Allen Walker
Katsura Hoshino
Scars are there to remind us that what passed was real, that their dirty blemishes made you, formed you–there is no escaping these reminders, however much I try.
Ross Jeffery (Only the Stains Remain)
He wanted no wounds or scars to remain of his misadventure. No one else would know how close he’d come to his own destruction.
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
Time has healed the wound, but a scar will always remain. There is no shame in the vulnerable.
Erin Forbes (Fire & Ice: The Kindred Woods (Fire & Ice, #3))
As long as we remain true to ourselves and don’t let them scar our souls, then we will have won.
Eoin Dempsey (White Rose, Black Forest)
There are scars on my heart [...] I know they're there. I hope some undamaged tissue remains, a patch through which love can come in and flow out.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
A hometown is like a mole on your face,' he said. Once you start letting it bother you, there's no end. You can cut it off, but the scar will always remain.
Osamu Dazai (Self-Portraits: Tales from the Life of Japan's Great Decadent Romantic)
There are scars on my heart….I know they’re there. I hope some undamaged tissue remains, a patch through which love can come in and flow out. I hope” Gail Honeyman
Gail Honeyman
Fact was, she just wasn’t that same person anymore. Her remaining scar was a reminder of that, like an ex-smoker who kept a pack of cigarettes somewhere as proof she was stronger than that. It was a badge of honor and a marker place for where she was in her life right now. And as it turned out, memories—the good, the bad, and the ugly—really were what made a person.
Jill Shalvis (Playing for Keeps (Heartbreaker Bay, #7))
The destruction of your remains,’ he said. ‘Don’t you know this? Fire, dismemberment … the heat of the sun. Nothing else. You can be scarred, yes; but you are resilient. You are immortal.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
There are scars on my heart, just as thick, as disfiguring as those on my face. I know they're there. I hope some undamaged tissue remains, a patch through which love can come in and flow out.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
It has been said, ‘Time heals all wounds.’ I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue and the pain lessens. But it is never gone.
Emma Chase (Tied (Tangled, #4))
It has been said, time heals all wounds. I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue and the pain lessens. But it is never gone.” Rose Kennedy
Sandi Gamble (Broken: An Extraordinary Story of Survival by One of Australia’s Forgotten Children)
Shut up and do not think. All the theorists agree: shut up and keep the words from being said. And all of the scars will remain invisible; and all of the scars will remain under the skin. Where they belong.
Alice Hoffman (Property Of)
Men may perish, but the world will neither celebrate nor mourn. It will go on.' His smile thinned. 'Would you like to know how?' 'No.' 'Animals will swell to fill the void left by men," he told her. 'And over-swell it, perhaps. There will be other extinctions and other recoveries. The sky will clear, but those who see it will not marvel at its many colors. Those ruins will collapse, burying treasures like this-' He waved at the walls. '-and this-' He picked up the spoon from her coffee tray and tossed it down again with a clatter. '-forever, but the world will go on. Years become centuries so easily when no one is there to count them. Centuries become millennia. The forests will reclaim the lands that Men have razed. Rivers will carve canyons across the scars left by this fallen cities. Mountains will rise up, trapping seas to dry under and uncaring sun and leaving the bones of whales to bleach in the newborn deserts for no one to find, no one to be inspired by thoughts of giants and dragons. And still the worlds will go on, and I will go on with it through ages that can only be measured by the coming and going of glaciers. The stars themselves will shift in the heavens and no one will be there to invent names for their new alignments or remember the stories of the old ones, no one but me. In time, the sun itself will begin to cool. Here on Earth, the world goes on and on as its remaining life passes through its last changes and dies away. It will be quiet. And lonely.' His mouth curved into a bitter line. 'But I'll live.' 'Stop it,' Lan whispered through numb lips. 'I read once that the sun will someday swell and engulf this world before it burns itself out. Perhaps I will finally die with it. Or perhaps I' will continue to endure... my ashes pulled eternally apart through the frozen vacuum of space, and I with no more mouth to scream... still alive.
R. Lee Smith (Land of the Beautiful Dead)
Had the Battle of Franklin ever really ended? Carrie walked her cemetery, and around her the wounds closed up and scarred over, but only in that way that an oak struck by lightning heals itself by twisting and bending around the wound: it is still recognizably a tree, it still lives as a tree, it still puts out its leaves and acorns, but its center, hidden deep within the curtain of green, remains empty and splintered where it hasn't been grotesquely scarred over. We are happy the tree hasn't died, and from the proper angle we can look on it and suppose that it is the same tree as it ever was, but it is not and never will be.
Robert Hicks (The Widow of the South)
The truth was often broken, shards of glass embedded into skin. There they would remain until the wounds scarred over, leaving lumps that, while they would never truly go away, would become less noticeable with time.
T.J. Klune
When in love, a bridge is constructed between two souls. Each year the bridge evolves and grows stronger and at a point in the future appears indestructible; when betrayal appears in the form of dynamite, the bridge becomes gravely damaged. And the betrayer and betrayed must determine if it can ever be reconstructed. Regrettably, the scars and cracks remain; some visible, and others hidden beneath the water. Gandolfo – (RJ Intindola) – 1973
Gandolfo – (RJ Intindola) – 1973
Extinguishing flame in ice cold, I watch stinging scars form. Standing solo under sheer white, my ragged breath is iced. I am as frozen as the death that plagues my waking. I am all who remains of my tribe. [Warrior Spirit]
Susan L. Marshall (Bare Spirit: The Selected Poems of Susan Marshall)
If it got out that I didn’t have to rush back, I’d be forced to stay longer. The thought of remaining scared me. Like I’d start shedding my new, shiny skin I’d worked so hard to achieve, revealing the scarred and ugly person beneath.
Karen White (Dreams of Falling)
So it is with my life, a multilayered and ever-changing fresco that only I can decipher, whose secret is mine alone. The mind selects, enhances, and betrays; happenings fade from memory; people forget one another and, in the end, all that remains is the journey of the soul, those rare moments of spiritual revelation. What actually happened isn’t what matters, only the resulting scars and distinguishing marks. My past has little meaning; I can see no order to it, no clarity, purpose, or path, only a blind journey guided by instinct and detours caused by events beyond my control. There was no deliberation on my part, only good intentions and the faint sense of a greater design determining my steps.
Isabel Allende (Paula: A Memoir)
And if sorrow clouds your soul, don't fight it; allow the tears to flow. We are not meant to be invincible, we bruise easily, and the heart is soft; prone to bleed at the slightest touch. It is in those moments of sadness that we must be brave enough to allow Christ in, to let him be present in our pain; our sorrow is seen by Christ. One day He will wipe away every tear, He will hold us tight, but for now we must pray through the pain. Just know that Christ shares our pain, He understands the sorrow that is within you, for He was a man of many sorrows. He wept alone, He was tormented and forsaken. Believe me, a man who has been forsaken such as Christ will never forsake you. Jesus is the only person who knows all that you have been through, He is the only one who knows the deepest, darkest spots of your soul, and still---He remains. Jesus has the scars to prove that He is trustworthy, He has the only heart that bled for you; and He will never stop loving you.
T.B. LaBerge
didn’t burn, Mummy, I thought. I walked through the fire and I lived. There are scars on my heart, just as thick, as disfiguring as those on my face. I know they’re there. I hope some undamaged tissue remains, a patch through which love can come in and flow out. I hope.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
The scars of my anorexia, perfectly hand-drawn in red, immaculately colouring one-fourth of my left arm. It had hurt like hell, but it still wasn’t as painful as the last two years of my life. The mental, excruciating pain within the depths of my brain had managed to surpass the aching pain of the pointed edge of the object I’d used on my arm. I’d thought that overshadowing the pain I already felt with a much harsher form and intensity would make the emotional pain disappear. I was wrong. The latter pain always remains stronger; that is something I realized.
Insha Juneja (Imperfect Mortals : A Collection of Short Stories)
Because: there are mercies in this world that must be granted to those who have remained unmarked all their lives. There are unspoken rules for those who were born to carry rich histories and noble blood. There are ways the world must move in order to keep everything intact, and girls with scars must
Maaza Mengiste (The Shadow King)
She felt him watching her, staring at her back and the three scars she knew her low-cut nightgown did nothing to hide. “Are you going to remain here while I change?” She faced him. He wasn’t looking at her the way he had the night before. There was something wary in his gaze—and something unspeakably sad. Her blood thrummed in her veins. “Well?” “Your scars are awful,” he said, almost whispering. She put a hand on a hip and walked to the dressing room door. “We all bear scars, Dorian. Mine just happen to be more visible than most. Sit there if you like, but I’m going to get dressed.” She strode from the room.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Then my body was prostrate on the ground, my head snapped to one side at a horribly wrong angle. A flash of red hair in the crowd. Lucien. Tears shone in Lucien's remaining eye as he raised his hands and removed the fox mask. The brutally scarred face beneath was still handsome- this features sharp and elegant.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
No matter what I tell you about vampires, you're going to be intrigued instead of horrified. Your kind always wants to be bitten or changed.' 'Not me,' Evangeline argued. 'But you're curious,' Jacks challenged. 'I'm curious about a lot of things. I'm curious about you, but I don't want you to bite me.' The corner of Jacks' mouth twitched. 'I've already done that, Little Fox.' His cold fingers found her wrist and slipped underneath the edge of her glove to stroke the last remaining broken heart scar. 'Lucky for you, no matter how many times I bite you, you'll never turn in to what I am. But sometimes all it takes from a vampire is one look, and you're theirs.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.
Jung Chang (Wild Swans: Three Daughters of China)
When I stopped viewing girls as potential girlfriends and started treating them as sisters in Christ, I discovered the richness of true friendship. When I stopped worrying about who I was going to marry and began to trust God’s timing, I uncovered the incredible potential of serving God as a single. . . . I believe the time has come for Christians, male and female, to own up to the mess we’ve left behind in our selfish pursuit of short-term romance. Dating may seem an innocent game, but as I see it, we are sinning against each other. What excuse will we have when God asks us to account for our actions and attitudes in relationships? If God sees a sparrow fall (Matthew 10:29), do you think He could possibly overlook the broken hearts and scarred emotions we cause in relationships based on selfishness? Everyone around us may be playing the dating game. But at the end of our lives, we won’t answer to everyone. We’ll answer to God. . . . Long before Seventeen magazine ever gave teenagers tips on dating, people did things very differently. At the turn of the twentieth century, a guy and girl became romantically involved only if they planned to marry. If a young man spent time at a girl’s home, family and friends assumed that he intended to propose to her. But shifting attitudes in culture and the arrival of the automobile brought radical changes. The new “rules” allowed people to indulge in all the thrills of romantic love without having any intention of marriage. Author Beth Bailey documents these changes in a book whose title, From Front Porch to Backseat, says everything about the difference in society’s attitude when dating became the norm. Love and romance became things people could enjoy solely for their recreational value. Though much has changed since the 1920s, the tendency of dating relationships to move toward intimacy without commitment remains very much the same. . . . Many of the attitudes and practices of today’s dating relationships conflict with the lifestyle of smart love God wants us to live.
Joshua Harris
Quotations (3) "If you knew you had no place in the lord’s kingdom, no penance to pay…would you still choose to sin?" - Frieda, fortune teller from the fair "You cloud my vision and haunt my memories. I’m the light at the end of your tunnel. Let it be me." - Noah Hogan "Crossroads, boundaries and thresholds…do you remember?" - Jezebel Godfrey
L.J. Scar (Eternal She Remains)
Our bodies moved in sync, our breaths shaky. It was an undeniable connection and I never ever wanted it to end. We remained that way as he took me to a place where only bliss existed, and we were perfectly right. We were locked bodies and scarred souls completely exposed. And it was okay because I wanted him to have a piece of mine. And I gave it to him.
Kate Stewart (The Brave Line)
Sky hummed a few bars, remembering the lilting, mournful notes. She hesitated, then haltingly began to sing: This song is from the crushed part of my heart. Sky`s voice, permantly scarred by the thornament she`d been forced to wear on warbler island as a child, was husky and pleasant, though it faltered with emotion now. She continued, half in a whisper as she trudged to the beat. The part that thrums reminders that you`re gone. I don't regret a moment of our days. But i won`t fall. I`ll be okay, you know. I`ve always been that way. As much as I wish you back with me, I`m still the same. My dreams remain. I don`t need a soul to know my name. And I`ll get on just fine- I always do. Alone and away. Alone and away.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
But this love between him and me, this powerful force of nature which rattled the stars and awoke destiny from its slumber would have left its scar on the world. This earth would not forget us, this kingdom would never forget us and beyond it all, our memory would linger just as our souls would forever remain united. No matter which side of death we landed on in the end.
Caroline Peckham (Restless Stars (Zodiac Academy, #9))
You’ve been to hell and back. Those scars on your arms are the marks that appear when you suffer so much pain, it literally kills you. Yet you returned. And now your soul has the depth that can only come with dying. You paid the ultimate sacrifice for someone else’s cruelty. Yet you remain here in the world that harmed you so that you can do for others what no one would do for you.
Heather Killough-Walden (The Nightmare King (The Kings, #11))
He lay stretched full length along his glorified cot, and while his bandage masked his shoulder, plenty of bare skin remained for her gaze to lap up. Bare, musclely skin. Skin that was somehow otherworldly in the soft glow of the flickering candlelight. Skin that made her want to touch, feel, and…and…lick. Until her gaze snagged on the scar-tattoo combo, and ice again crystallized in her gut.
Angela Quarles (Must Love More Kilts (Must Love, #4))
An Imperial hovers over the small boy, whip in hand, looking disgustingly pleased with himself as he stares down at the child. I know that look all too well. I’ve been that bleeding child far too many times. He got caught. I wonder what it was that he stole, what it was that could possibly justify such a beating. Some fruit? Maybe a few shillings from a merchant? I remember slumping up against the wooden pole, shaking with the pain caused by each crack of the whip while I bit my tongue to keep from crying out. The pain fades, but the scars remain as a reminder to do better. The young ones always get caught. They’re needy. They haven’t learned to control their greed or live with their hunger yet, making them easy targets for the Imperials to use as an example. There’s nothing you can do for him.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
Henry called my house a laboratory of the soul. Enter this laboratory of the soul where every feeling will be X-rayed by Dr. Allendy to expose the blocks, the twists, the deformations, the scars which interfere with the flow of life. Enter this laboratory of the soul where incidents are refracted into a diary, dissected to prove that everyone of us carries a deforming mirror where he sees himself too small or too large, too fat or too thin, even Henry who believes himself so free, blithe, and unscarred. Enter here where one discovers that destiny can be directed, that one does not need to remain in bondage to the first wax imprint made on childhood sensibilities. One need not be branded by the first pattern. Once the deforming mirror is smashed, there is a possibility of wholeness; there is a possibility of joy.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
To the matter at hand: though English has traditionally been a largish department, you will find there are very few viable candidates capable of assuming the mantle of DGS. In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices. Long story short: your options aren’t pretty.
Julie Schumacher (Dear Committee Members)
To give so much of yourself to a cause, to believe in something so wholeheartedly, so blindly, that you willingly suffer the scars, and you do not complain when the little parts of you are chipped away. You keep telling yourself that it is for a greater good, that there is a higher purpose. And you do not think to read deeper until there is so little of you left that you cannot survive without it and be the same person. And it is then, when The Cause, with its greedy mouth, tries to take more from you, tries to take that part of you that you cannot give away, it is only then that you realize all of your sacrifices have been for nothing. You have given yourself to a fraud. And what is left to replace what has been taken is not a hero’s pride but a bitter emptiness that sours even that last little core of yourself that you cling to.
D.J. Molles (Fractured (The Remaining, #4))
Failure. Never before has a thing gotten such a bad rap as failure. And why wouldn't it? It's failure. In a video game, failure means to fucking die, to drop into a pit of lava while the princess remains unsaved (oh, sexist video games, when will the lady plumber save the prince instead of the other way around?). You fail a class and it's like -- *poop noise* -- you failed, you're held back, time is wasted, money is lost, you suck, you stupid person. Hell with that. Failure is brilliant. Failure is how we learn. Every great success and every kick-ass creator is the product of a hundred failures, a thousand, some epic-big, some micro-tiny. We learn the right moves by taking the wrong turns. Failure should not drag you into the pits of personal despair but rather leave you empowered. Failure is an instructional manual written in scar tissue.
Chuck Wendig (500 Ways to Write Harder)
Thousands upon thousands of years ago a stone fell upon the earth. It cracked the land, left a scar. And when an event of such intensity takes place, something remains,” Loray told her, and seemed pleased in the telling. “Power, embedded in the peninsula, radiating from it. There is much magic here. In other parts of the world the ancient gods have gone to sleep, for although gods do not die, they must slumber when their devoted cease in their prayers and offerings.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
We went into a small, windowless office crowded between two others that appeared empty. A middle-aged American woman was seated behind a metal desk. She appeared normal and reasonably attractive until she spoke; then her scarred gums showed that she had once had two or three times the proper number of teeth—forty or fifty, I suppose, in each jaw—and that the dental surgeon who had extracted the supernumerary ones had not always, perhaps, selected those he suffered to remain as wisely as he might.
Gene Wolfe (The Island of Dr. Death and Other Stories and Other Stories)
Everywhere we looked there was a duplicate, an identical. All girls. Sad girls, girls from faraway places, girls who could have been our neighborhood's girls. Some of these girls were quiet; they posed like birds on their straw mattresses and studied us. As we walked past them on their perches, I saw the chosen, the ones selected to suffer in certain ways while their other halves remained untouched. In nearly ever pair, one twin had a spine gone awry, a bad leg, a patched eye, a wound, a scar, a crutch.
Affinity Konar (Mischling)
To the High Queen of Elfhame, Above me is the same silvery moon that shines down on you. Looking at it makes me recall the glint of your blade pressed against my throat and other romantic moments. I do not know what keeps you from returning to the High Court—whether it is vexation with me, or whether, having spent time in the mortal world, you have come to believe that a life free of the Folk is better than one ruling over them. In my most wretched hours, I believe you will never come back. Why would you, save for your ambition? You have always known exactly what I am and seen all my failings, all my weaknesses and scars. I flattered myself that at moments you had feelings for me other than contempt, but even were that true, they would be but watered wine beside the feast of your other, greater desires. And yet my heart is buried with you in the strange soil of the mortal world, as it was drowned with you in the cold waters of the Undersea. It was yours before I could admit it, and yours it shall ever remain. Cardan
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It's all my fault,' she mumbled. 'That scar blights me, I know. I know what you see when you look at me. There's not much elf left in me. A gold nugget in a pile of compost—' He turned around suddenly. 'You're extremely modest,' he drawled. 'I would say rather: a pearl in pig shit. A diamond on the finger of a rotting corpse. As part of your language training you can create even more comparisons. I'll test you on them tomorrow, little Dh'oine. O human creature in whom nothing, but nothing, remains of an elven woman.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
If you look close enough, you’ll find that everything has a weak spot where it can break, sooner or later. The Earth is no different. Our world has ended five times. It’s been fried and then frozen. Gassed with poison. Smothered with ash. Bombarded from space. Despite all of this, the planet’s surface remains a beautiful mosaic of continental plates. Some slowly push together, forming magnificent mountains. Others slowly tear the landscape apart, fracturing what was once whole. Leaving scars of the epic battle below.
Bobby Akart (New Madrid Earthquake)
It took me a long time to realize that not everything in life is meant to be a beautiful story. Not every person we feel something deep and moving with is meant to make a home within us, is meant to be a forever. Sometimes, people come into our lives to teach us how to love; and sometimes, people come into our lives to teach us how not to love. How not to settle, how not to shrink ourselves ever again. Yes, sometimes people leave—but that’s okay, because their lessons always stay, and that is what matters. That is what remains.
Bianca Sparacino (The Strength In Our Scars)
I do not know whether it is an act of faithfulness to her or a betrayal of the dignity she never lost, to say that she had bitten her tongue, to say that there was blood flowing across her mouth and lips which my brother kept wiping away. I do not know whether I have the right to say, though I will do so, that her body was shaken with epileptic tremors and that she took enormous, terrifying breaths that went on and on until you could not believe she had the strength for them. I do not know whether, as we thought at the time, she could feel our hands on her forehead and cheek, or whether she had waited until we were both there to die. I did not say 'I am here'. I did not say anything. Her mouth was open wide, as in those portraits by Francis Bacon of caged prisoners in their final extremity. I watched and listened to those terrifying, rattling, hoarse breaths, wondering at the strength remaining in her aged body and at the violence it still had to endure. I looked over at my brother as if he might know, as if he might understand whether she had the strength to continue. He was stroking her forehead, whispering soundlessly to her, attempting even at this moment to reach behind the veil and find her. If you believe that she knew we were there, if you believe--I cannot be sure--that she understood what her sons needed at that instant, her eyes which had been shut and which, by being closed, made her seem completely out of our reach, suddenly opened. Blue-grey eyes, staring up into the ceiling above her sons' heads, upwards, ever upwards, fixed like an exhausted swimmer on the shore. Then her eyes closed and she took the largest, most violent breath of all, and we watched and waited, stood and looked at each other, felt for her pulse and slowly, as seconds turned into minutes, realized that she would never breathe again. There is only one reason to tell you this, to present the scene. It is to say that what happens can never be anticipated. What happens escapes anything you can ever say about it. What happens cannot be redeemed. It can never be anything other than what it is. We tell stories as if to refuse this truth, as if to say that we make our fate, rather than simply endure it. But in truth we make nothing. We live, and we cannot shape life. It is much too great for us, too great for any words. A writer must refuse to believe this, must believe there is nothing that cannot somehow be said. Yet there at last in her presence, in the unending unfolding of that silence, which still goes on, which I still expect to be broken by another drawing in of breath, I knew that all my words could only be in vain, and that all that I had feared and all that I had anticipated could only be lived--without their help or hers.
Michael Ignatieff (Scar Tissue: A Novel)
Oh! thou clear spirit of clear fire, whom on these seas I as Persian once did worship, till in the sacramental act so burned by thee, that to this hour I bear the scar; I now know thee, thou clear spirit, and I now know that thy right worship is defiance. To neither love nor reverence wilt thou be kind; and e’en for hate thou canst but kill; and all are killed. No fearless fool now fronts thee. I own thy speechless, placeless power; but to the last gasp of my earthquake life will dispute its unconditional, unintegral mastery in me. In the midst of the personified impersonal, a personality stands here. Though but a point at best; whencesoe’er I came; wheresoe’er I go; yet while I earthly live, the queenly personality lives in me, and feels her royal rights. But war is pain, and hate is woe. Come in thy lowest form of love, and I will kneel and kiss thee; but at thy highest, come as mere supernal power; and though thou launchest navies of full-freighted worlds, there’s that in here that still remains indifferent. Oh, thou clear spirit, of thy fire thou madest me, and like a true child of fire, I breathe it back to thee.
Herman Melville (Moby-Dick or, The Whale)
Look," she said "I dont want to talk about this. You must understand, whenever something terrible happens to a country - or an island - a chasm opens between those who go away and those who stay. I'm not saying it's easy for the people who left, I'm sure they have their own hardships, but they have no idea what it was like for the ones who stayed." "The ones who stayed dealt with the wounds and then the scars, and that must be extremely painful," said Kostas. "But for us ... runaways, you might call us ... we never have a chance to heal, the wounds always remain open.
Elif Shafak (The Island of Missing Trees)
I do not doubt your visions. But what do they change? Shall we stare up at the shadows and let our blades fall from our hands? Know this, son of Magnus. There is more under the arch of heaven than victory or defeat. We may fall back but not forever. We may feint and we may weave, but not forever. We may yet be doomed to lose all that we cherish, but we shall do so in the knowledge that we could have turned away, and did not. We remained true. They can never have this, not if they burn all we built and scorn us through the dancing flames. You hear me? We remained true.
Chris Wraight (The Path of Heaven (The Horus Heresy, #36))
The darkness belongs to you. To shape as you will. To give it power or render it harmless.” “Was it ever the Valg’s to begin with?” “Yes. But it is yours to keep now. This place, this final kernel of it.” It would remain in him, a scar and a reminder. “Will it grow again?” “Only if you let it. Only if you do not fill it with better things. Only if you do not forgive.” He knew she didn’t just mean others. “But if you are kind to yourself, if you—if you love yourself…” Yrene’s mouth trembled. “If you love yourself as much as I love you…” Something began to pound in his chest. A drumbeat that had gone silent down here.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
Maryrose smiled good-humouredly, and remained in the circle of his arm, but as if she detached herself from him and every other man. Very many as it were professionally pretty girls have this gift of allowing themselves to be touched, kissed, held, as if this were a fee they have to pay to Providence for being born beautiful. There is a tolerant smile which goes with a submission to the hands of men, like a yawn or a patient sigh. But there was more to it, in Maryrose’s case. “Maryrose,” said Ted, bluffly, looking down at the gleaming little head at rest on his shoulder, “why don’t you love any of us, why don’t you let any of us love you?” Maryrose merely smiled, and even in this broken light, branch-and-leaf-stippled, her brown eyes showed enormous and shone softly. “Maryrose has a broken heart,” observed Willi above my head. “Broken hearts belong to old-fashioned novels,” said Paul. “They don’t go with the time we live in.” “On the contrary,” said Ted. “There are more broken hearts than there have ever been, just because of the times we live in. In fact I’m sure any heart we are ever likely to meet is so cracked and jarred and split it’s just a mass of scar tissue.” Maryrose smiled up at Ted, shyly, but gratefully, and said seriously: “Yes, of course that’s true.
Doris Lessing (The Golden Notebook)
Her skin burned where he touched her. And as his hands moved over her with paradoxical motion—light and rough, heavy and delicate, all at the same time—they left tiny, but definite imprints. These imprints touched her deeply and left more than a physical mark. Like scars they might change and fade with time, but like scars she would never be rid of them. She didn’t need any more scars from Greg. His took a long time to fade. But she wanted more and now she had them. Like the old marks, these new ones were ingrained into her psyche and written on her soul. No matter what she did from this day forward those marks would forever remain as a reminder of his touch and how he made her feel.
Olivia Fuller (Something Wicked (The Wicked Game, #2))
Greatness has its beauties, but only in retrospect and in the imagination": thus wrote General Bonaparte to General Moreau in 1800. His observation helps to explain why the world, only a few years after sighing with relief at its delivery from the ogre, began to worship him as the greatest man of modern times. Napoleon had barely left the scene when the fifteen years that he had carved out of world history to create his glory seemed scarcely believable. Only the scars of the war veterans and the empty places in the widows' beds seemed to attest to the reality of those years, and time soon eliminated even these silent witnesses. What remained, in retrospect and in the imagination, was legend and symbol.
J. Christopher Herold
At one end of the vast C bitten from the castle a sin­gle great bastion-tower stood, almost intact, five kilometres high, and casting a kilometre-wide shadow across the rum­pled ground in front of the convoy. The walls had tumbled down around the tower, vanishing completely on one side and leaving only a ridge of fractured material barely five hundred metres high on the other. The plant-mass babilia, unique to the fastness and ubiquitous within it, coated all but the smoothest of vertical surfaces with tumescent hanging forests of lime-green, royal blue and pale, rusty orange; only the heights of scarred wall closest to the more actively venting fissures and fumaroles remained untouched by the tenacious vegetation.
Iain M. Banks (Feersum Endjinn)
Is it true, what I once heard your sister say, that you don't like to be embraced?" She took some time to think. "Sometimes Livia needs to hold someone, and I'm the only suitable person nearby. When I was little, I used to wriggle out of her arms and escape to a corner of our room. But it wasn't so much that I couldn't stand being held as that I didn't want to be held indefinitely. Later I taught myself to count to three hundred to mark five minutes―which helped me to realize that she needed only about half that time. I can take two to three minutes of being held. But Livia remains hesitant to this day―she's still scarred by my bolting away from her embrace." He would be, too. In fact, sometimes he felt scarred by her, even though she had never done anything except be an excellent friend.
Sherry Thomas (The Hollow of Fear (Lady Sherlock, #3))
Ground Zero by Stewart Stafford At the rim of the abyss, Among the malignant smoking rubble, And the plane and body parts, The traumatised rediscovered their purpose. In a moonscape of fallen pride, identity, and ambition, The anonymous saved something of the unsalvageable, Searchers with sandwiches and coffee in the toxic dust, Manna from Good Samaritans with unconditional gratitude. As the lungs struggled to take in air, The hearts of each participant enlarged, And found shelter in non-partisan synergy, Becoming a family of former strangers. The lesson of the lost was to stay loving and open-hearted, Not turn away and isolate from life and others, Even when the scars became unbearable, Their stolen affection remained a towering beacon from the ruins. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
What remained was sorrow, the immense sorrow, the sorrow of having survived. The sorrow of war. But for Hoa and countless other loved comrades, nameless ordinary soldiers, those who sacrificed for others and for their Vietnam, raising the name of Vietnam high and proud, creating a spiritual beauty in the horrors of conflict, the war would have been another brutal, sadistic exercise. Kien himself would have been dead long ago if it had not been for the sacrifice of others; he might even have killed himself to escape the psychological burden of killing others. He had not done that, choosing instead to live the life of an antlike soldier, carrying the burden of every underling. After 1975, all that had quieted. The wind of war had stopped. The branches of conflict had stopped rustling. As we had won, Kien thought, then that meant justice had won; that had been some consolation. Or had it? Think carefully; look at your own existence. Look carefully now at the peace we have, painful, bitter, and sad. And look at who won the war. To win, martyrs had sacrificed their lives in order that others might survive. Not a new phenomenon, true. But for those still living to know that the kindest, most worthy people have all fallen away, or even been tortured, humiliated before being killed, or buried and wiped away by the machinery of war, then this beautiful landscape of calm and peace is an appalling paradox. Justice may have won, but cruelty, death, and inhuman violence have also won. Just look and think: it is the truth. Losses can be made good, damage can be repaired, and wounds will heal in time. But the psychological scars of the war will remain forever.
Bảo Ninh (The Sorrow of War)
Riddle said I'm like him. Strange likenesses, he said...." "Did he now?" said Dumbledore, looking thoughtfully at Harry from under his thick silver eyebrows. "And what do you think, Harry?" "I don't think I'm like him!" said Harry, more loudly than he'd intended. "I mean, I'm- I'm in Gryffindor, I'm..." But he fell silent, a lurking doubt resurfacing in his mind. "Professor," he started again after a moment. "The Sorting Hat told me I'd- I'd have done well in Slytherin. Everyone thought I was Slytherin's heir for a while... because I can speak Parseltongue...." "You can speak Parseltongue, Harry," said Dumbledore calmly, "because Lord Voldemort- who is the last remaining ancestor of Salazar Slytherin- can speak Parseltongue. Unless I'm much mistaken, he transferred some of his own powers to you the night he gave you that scar. Not something he intended to do, I'm sure..." "Voldemort put a bit of himself in me?" Harry said, thunderstruck. "It certainly seems so." "So I should be in Slytherin," Harry said, looking desperately into Dumbledore's face. "The Sorting Hat could see Slytherin's power in me, and it-" "Put you in Gryffindor," said Dumbledore calmly. "Listen to me, Harry. You happen to have many qualities Salazar Slytherin prized in his hand-picked students. His own very rare gift, Parseltongue- resourcefulness- determination- a certain disregard for rules," he added his mustache quivering again. "Yet the Sorting Hat placed you in Gryffindor. You know why that was. Think." "It only put me in Gryffindor," said Harry in a defeated voice, "because I asked not to go in Slytherin...." "Exactly," said Dumbledore, beaming once more. "Which makes you very different from Tom Riddle. It is our choices, Harry, that show what we truly are, far more than our abilities.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience. ---------------------------- Weep softly O mother, the walls have ears you know... The streets are awash o mother! I cannot go searching for him anymore. The streets are awash o mother with blood and tears, pellets and screams. that silently remain locked in the air, while they seal our soulless dreams. The guns are out, O mother, while our boys go armed with stones, I cannot go looking for him O mother, I have no courage to face what I will find. For, I need to tend to this little one beside, with bound eyes that see no more. ----- Weep for the home we lost O mother, Weep for the valley we left behind, the hills that once bore our names, where shoulder to shoulder, we walked the vales, proud of our heritage. Hunted out of our very homes, flying like thieves in the night, abandoning it all, fearful for the lives of our men, fearful of our being raped, our children killed, Kafirs they called us O mother, they marked our homes to kill. We now haunt the streets of other cities, refugees in a country we call our own, belonging nowhere, feeling homeless without the land we once called home. ------------- Weep loudly O mother, for the nation hears our pain. As the fresh flag moulds his cold body, I know his sacrifice was not in vain. We need to put our chins up, O mother and face this moment with pride. For blood is blood, and pain is pain, and death is final, The false story we must tell ourselves is that we are always the right side, and forget the pain we inflict on the other side. Until it all stops, it must go on, the dry tears on either side, Every war and battle is within and without, and must claim its wounds and leave its scars, And, if we need to go on O mother, it matters we feel we are on the right side. We need to tell ourselves we are always the right sight... We need to repeat it a million times, We are always the right side... For god forbid, what if we were not? --- Request you to read the full poem on my website.
Srividya Srinivasan
Tamlin broke the silence. 'Feyre likes to hunt.' 'I don't like to hunt.' I should have probably used a more polite tone, but I went on. 'I hunted out of necessity. And how did you know that?' Tamlin's stare was bald, assessing. 'Why else were you in the woods that day? You had a bow and arrows in your... house.' I wondered whether he'd almost said hovel. 'When I saw your father's hands, I knew he wasn't the one using them.' He gestured to my scarred, calloused hands. 'You told him about the rations and money from pelts. Faeries might be many things, but we're not stupid. Unless your ridiculous legends claim that about us, too.' Ridiculous, insignificant. I stared at the crumbs of bread and swirls of remaining sauce on my golden plate. Had I been home, I would have licked my plate clean, desperate for any extra bit of nourishment. And the plates... I could have bought a team of horses, a plow, and a field for just one of them. Disgusting.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
So your vow of poverty means nothing to you,” I said, amused at his flaring nostrils. How easy it was to goad him. “A fact made even clearer when you look out your window at the hundred or more starving people freezing to death on those docks. They seemed to view the arrival of our ship as a last hope.” “I can’t control how many people choose to leave our shores, or how few ships are here to transport them. The Winter of Purification is upon us. I do not question the will of the gods; I merely serve.” “I think it’s your own will you follow. You always were obsessed with Frostblood purity.” “Only the strongest will remain.” His eyes shifted to Arcus. “No true Frostblood would object to that.” “Is that what you’re posturing as?” I demanded. “A true Frostblood? Last I checked, you had no gift to speak of.” He drew himself up. “I’ve always thought the mark of a true Frostblood was in his character.” “Excuse me?” I laughed at the idea of him having anything resembling character. “Oh, and I suppose that’s why those people out there are freezing? Because they have no character?” My voice rose. “I think it’s because they don’t have your connections, your wealth, and your guile. You plunder their lands to fill your coffers, spending your coin on food and fine clothing while common folk starve! The proof is in these invoices and ledgers.” I grabbed a wad of scrolls and tossed them at him. They hit his chest and scattered. “Do you deny it?” “I don’t owe them anything, damn you!” Spittle flew, hitting my heated skin with a sizzle. “I certainly owe you no explanations. You are nothing but an upstart rebel who was pretty enough to attract the attentions of a scarred and ugly king!” The words reverberated in my head. It was one thing to insult me, but to say that about Arcus… “I’m so glad you gave me an excuse to do this,” I said hoarsely, raising my fiery palms. “Even your bones will be ashes.
Elly Blake (Nightblood (Frostblood Saga, #3))
Donald Trump is rape culture's blathering id, and just a few days after the Access Hollywood tape dropped, then Democratic nominee Hillary Clinton (who, no doubt, has just as many man-made scars as the rest of us) was required to stand next to him on a stage for a presidential debate and remain unflappable while being held to an astronomically higher standard and pretend that he was her equal while his followers persisted in howling that sexism is a feminist myth. While Trump bragged about sexual assault and vowed to suppress disobedient media, cable news pundits spent their time taking a protractor to Clinton's smile - a constant, churning microanalysis of nothing, a subtle subversion of democracy that they are poised to repeat in 2020. And then she lost. (Actually, in a particularly painful living metaphor, she won, but because of institutional peculiarities put in place by long-dead white men, they took it from her and gave it to the man with fewer votes.
Lindy West (The Witches Are Coming)
Except that here he was, alive and well.  “There will be time to talk about that,” he said. “Later.”  “Say it.”  Instead of saying anything, he closed the remaining distance. Heather slid to the side, into the room, practically falling over a low table in her rush to shamble away.  Meyer calmly entered and closed the door behind him.  “Get away from me.”  “They got there in time, Heather.”  “There was no time. You were gone. Meyer was gone.” “People can be revived. You know they can.”  “Not you.”  He spread his arms slightly, giving her an almost humorous expression. And yet here I am. “A shuttle picked me up. They’re aliens, Heather. When we were in Vail, they picked me up in a beam of light. They read the population’s minds. They crossed time and space. Why is it so hard to believe they can fix a bullet wound?”  “Show me.” She nodded at his chest. “There’s no scar, if that’s what you’re asking.” He gave a tight-lipped, shrugging sort of smile. “Alien technology.”  “I don’t believe it.”  “I don’t know why. Come on, Heather.” His voice had slightly changed. Now he wasn’t quite
Sean Platt (Annihilation (Alien Invasion, #4))
They would have noticed that the girl was speaking slowly, as though having difficulty finding the words; that she was nervously rubbing her cheek, which was disfigured by a hideous scar, and that she was interweaving her story with long silences. A tale about the lessons she had received, of which all, to the last one, turned out to be false and misleading. About the promises made to her which were not kept. A story about how the destiny she’d been ordered to believe in betrayed her disgracefully and deprived her of her inheritance. About how each time she began to believe in her destiny she was made to suffer misery, pain, injustice and humiliation. About how those she trusted and loved betrayed her, did not come to her aid when she was afflicted, when she was menaced by dishonour, agony and death. A tale about the ideals to which she was instructed to remain loyal, and which disappointed, betrayed and abandoned her when she needed them, proving of what little value they were. About how she finally found help, friendship—and love—with those among whom she should have sought neither help nor friendship. Not to mention love.
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
We make a deal with fate: I’ll keep this flame that signifies the one you took. I will let it scorch me in my heart if you let it die down naturally, and eventually there will just be a scar on my heart, and I will always know what I have lost. But by then, I will feel only the emptiness, not the terrible scald. I will let the fire of the loss run its course. This is the debt I will pay so that I can have a more bearable sadness. If you were looking at us from somewhere else, looking at the humans, you would notice that there is no way for us to have our loves without breathtaking pain, not because we love brutally but because we lose each other at different times. We don’t get to end together as one. You might take note of what those who remain are like when they are left on earth, conscripted into a long and terrible process of mending their hearts. If you are looking at us from somewhere else, this group of humans in mourning must be apparent, like how you see the cities with their nighttime lights when you look at us from outer space. You might see the light of the flames in all the hearts, those painful flames that go on and on for months and years.
Jenny Slate (Lifeform)
They were insane. They were insane and it made perfect sense to Barhu because this madness was, like her, made by Falcrest: a pattern of authority by bodily violence which remained, like a scar, after Falcrest departed. This terror was ultimately created by the Kyprists, by their ruthless barbers and their use of mass thirst as a weapon. Kyprism was in turn an artifice created by Falcrest's decapitation of all Kyprananoke's traditions and the installation of a biddable new ruling class. No matter how vivid and imminent the horrors here, Falcrest was in a distant but powerful way responsible. But Barhu could not bring herself to forgive the Pranist and his warband. No matter the cause, these were people doing evil. To absolve them of guilt would be to deny their humanity, to deny that they had some intrinsic dignity and moral independence which only they could choose to surrender. To say that these people were doing monstrous things entirely of their own monstrous nature was to deny Falcrest's immense historical crimes. But to say that these people were doing monstrous things solely because Falcrest had made them into monsters was to grant Falcrest the power to destroy the soul: to permanently remove the capacity for choice.
Seth Dickinson (The Tyrant Baru Cormorant (The Masquerade, #3))
Wendell marched down a winding path in the mountainside--- he must have conjured it himself--- to engage the elder horsemen in a square of meadow tucked between two crags. I don't know if it was some inane faerie custom or simply the custom of the horsemen, but the one who appeared to be their leader--- judging by the size of his horse and the number of scars he bore--- stepped forward as if to challenge Wendell to single combat. Wendell, still with that calm detachment, somehow cut out the beast's heart in two sharp movements and hurled it at the rider in a stomach-churning spray of blood, knocking him from his saddle. At that point, the remaining horsemen decided to abandon honor and charge him together, but their horses were, wisely, terrified of Wendell by this point, and shied away when he neared, some throwing their riders off, which Wendell dispatched in various appalling ways, sometimes appearing to forget about his sword entirely. Rose stood there the whole time, aghast, but I was familiar with Wendell's murderous moods and turned away after the third or fourth death, drawing Ariadne with me to the fireside. I was still shaking with fury. So he would risk killing himself rather than pausing to think our way out of things, would he?
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
And as my head hit the pillow that night, my prayer for my son remained simply that his last wish would finally be fulfilled…in some future moment through the same type of faith that allows a 600-year-old Quteniqua Yellowwood tree to grow from a single seed. His last wish being the chance of speaking to me about the one topic that his heart couldn’t find any rest while living on earth – that the true gift of that opportunity would truly come to fruition. In the interim, I had to follow in the words of Khalil Gibran when he said that there should be spaces between our togetherness to love one another “…but make not a bond of love: let it rather be a moving sea between the shores of your soul.” Space between our togetherness to find a way on its own accord, outside of the scrutiny of my mothering protection. That night, I went to bed with the reassuring, concluding words of Khalil Gibran “Out of suffering have emerged the strongest souls; the most massive characters with seared scars.” Scars seared with the anointing warmth of love, a reminder of love’s miracle, and the hope that my loving son would find his peace even from beyond the grave since love makes whole the broken and crooked parts of every story, including stories already lived and wishes never fulfilled because they all stem from the same seeds… Inexhaustible Love.
hlbalcomb
So you want to turn around? Give up on the chance of having him back?” Oscar took a swig of his canteen, then capped it. He held her stare. “I just want you alive.” Camille glanced toward Ira. He sat far enough away to hear just the murmur of their voices. This was her only opportunity to clean up after the messy scene in the pantry. Where to begin baffled her. The cold manner in which they were now acting made it difficult to believe Oscar had held her so lovingly, her body curled into his. She’d felt his hot breath on her shoulder as he dipped into sleep and out again to bury his nose in her hair or race her scar from the Christina with his finger. Camille had never wanted to leave that bed. “I don’t love him,” she said with little fanfare. Plain. Simple. The truth. “He’s a decent man, and things would be easier if I did love him. But I want what only you can give me, Oscar.” She couldn’t imagine feeling warm and safe and loved in Randall’s arms the way she had in Oscar’s. She didn’t know what would happen once her father returned to them or how he’d react. Right then, it didn’t matter. “Good night, then,” she said when he remained quiet. Camille turned onto her other side, away from the fire. The immediate cold lashed at her. A moment passed before she heard the scrape of his boots on the ground. His footsteps rounded the fire. Without saying a word, he lay down beside her. Oscar pulled her close to him without checking to see if Ira was watching. He kissed the crown of her head. “Good night, then.
Angie Frazier (Everlasting (Everlasting, #1))
Stockholm, May 1943 I am on a stake, thought eighteen-year-old Tatiana, waking up one cold summer morning. I cannot live like this anymore. She got up from the bed, washed, brushed her hair, collected her books and her few clothes, and then left the hotel room as clean as if she had not been in it for over two months. The white curtains blowing a breeze into the room were unrelenting. Inside herself was unrelenting. Over the desk there was an oval mirror. Before Tatiana tied up her hair she stared at her face. What stared back at her was a face she no longer recognized. Gone was the round baby shape; a gaunt oval remained over her drawn cheekbones and her high forehead and her squared jaw and her clenched lips. If she had dimples still, they did not show; it had been a long time since her mouth bared teeth or dimples. The scar on her cheek from the piece of the broken windshield had healed and was fading into a thin pink line. The freckles were fading too, but it was the eyes Tatiana recognized least of all. Her once twinkling green eyes set deep into the pale features looked as if they were the only ghastly crystal barriers between strangers and her soul. She couldn’t lift them to anyone. She could not lift them to herself. One look into the green sea, and it was clear what raged on behind the frail façade. Tatiana brushed her shoulder blade-length platinum hair. She didn’t hate her hair anymore. How could she, for Alexander had loved it so much. She would not think of it. She wanted to cut it all off, shear herself like a lamb before the slaughter, she wanted to cut her hair and take the whites out of her eyes and the teeth out of her mouth and tear the arteries out of her throat.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
But,” he added, “don’t have any illusions that by marrying me you will be happy. After we’re married, I’ll wander off as I please, visit whomever I like, attend parties, and travel around the world. But you will have to wait for me, shut up at home. Before I leave, I will glue strips of paper around the windows and doors and write my signature on them to assure myself when I return that not only did you stay inside, but you didn’t even look out the window. In our house, we shall only employ female servants, and if for some reason I must hire male servants, I will choose men who are so monstrously ugly that if you happen to look at them you will turn away in horror. I also don’t want you to remain beautiful because your beauty will then be my cross to bear. A wife shouldn’t be beautiful. She should be a saint and nothing else. Until you are old, you will continuously be pregnant or breastfeeding, and after only a few years you’ll become fat, shapeless, and exhausted, no longer able to arouse the temptation of any man. I, on the other hand, will remain slim, the same weight as I am now, six months shy of nineteen years old, and I shall roam and soar about the world secure that you’re waiting for me at home. I will have lovers, but my one true love will be you. Do not think that when you are fat and old that I will love you less. On the contrary, I will love you more because every time I look at you I will know that it was I who made you, the girl who was beauty itself, so ugly. That ugliness will be more mine than your beauty could ever be, and for this reason I will remain madly in love with you. The scar on your cheek pleases me more than your hair, more than your eyes, because those things were given to you by your mother, and the scar, instead, was given to you by me.
Elsa Morante (Lies and Sorcery)
When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Dear me, I am happy the way you have turned out. I am happy the way you have closed in all the broken parts of your self and made them look like waves cutting across the edges of a shore that seems so distant yet alive. I am happy the way you screamed at every gust and almost fell back with choked tears and yet walked on while your mind told you otherwise. I am happy the way you caressed the numb tears of your heart and poured it out unashamedly for they made you so much more than just a piece of Earth. I am happy the way you believed in Love even when your love left you empty with scars and wounds that are yet unhealed. I am happy the way you left your wounds untouched for you knew the value of Life and the reason to walk on this pit of fire. I am happy the way you learnt to sprinkle rays from your ashes and yet remain unabsorbed in the chained hollows of your once broken soul. I am happy the way you tried to listen to your heart's cry for that led you to a paradise of a world lulled by His Mercy and Love. I am happy the way you chose to rise from your corpse and know that Life means love and light not only for your self but for everyone around. I am happy that you finally realized that your life is complete within itself and you are perfect beyond all your imperfections. I am happy that you found your calling in the horizon of smiles that you leave behind each time you cross path with a fellow Traveller of this voyage called Life. I am happy that in your solitude you found the company of your best friend that lies within. I am happy that even in the night you shine bright with the sun of your soul that knows no bound and trusts no fear. I am happy that you keep trying and pushing off all that puts you behind and never cease to wonder at the marvel of Life. I am happy that you never stopped to gaze at what you lost but stayed amazed at what you gained. I am happy that you keep stumbling through Life, waiting for the light that runs through an endless tunnel of hope, counting through the ever falling leaf of a grey rose that murmurs through an unending story of Hope and Faith. I am happy that you are all that you have become. And I am happy the way you have turned out. - A flicker, that lies inside of you.
Debatrayee Banerjee
That was the whole trouble with police work. You come plunging in. a jagged Stone Age knife, to probe the delicate tissues of people's relationships, and of course you destroy far more than you discover. And even what you discover will never be the same as it was before you came; the nubbly scars of your passage will remain. At the very least. you have asked questions that expose to the destroying air fibers that can only exist and fulfill their function in coddling darkness. Cousin Amy, now, mousing about in back passages or trilling with feverish shyness at sherry parties—was she really made all the way through of dust and fluff and unused ends of cotton and rusty needles and unmatching buttons and all the detritus at the bottom of God's sewing basket? Or did He put a machine in there to tick away and keep her will stern and her back straight as she picks out of a vase of brown-at-the-edges dahlias the few blooms that have another day's life in them? Or another machine, one of His chemistry sets, that slowly mixes itself into an apparently uncaused explosion, poof!, and there the survivors are sitting covered with plaster dust among the rubble of their lives. It's always been the explosion by the time the police come stamping in with ignorant heels on the last unbroken bit of Bristol glass; with luck they can trace the explosion back to harmless little Amy, but as to what set her off—what were the ingredients of the chemistry set and what joggled them together—it was like trying to reconstruct a civilization from three broken pots and a seven-inch lump of baked clay which might, if you looked at its swellings and hollows the right way, have been the Great Earth Mother. What's more. people who've always lived together think that they are still the same—oh, older of course and a bit more snappish, but underneath still the same laughing lad of thirty years gone by. "My Jim couldn't have done that." they say. "I know him. Course he's been a bit depressed lately, funny like. but he sometimes goes that way for a bit and then it passes off. But setting fire to the lingerie department at the Army and Navy, Inspector—such a thought wouldn't enter into my Jim's head. I know him." Tears diminishing into hiccuping snivels as doubt spreads like a coffee stain across the threadbare warp of decades. A different Jim? Different as a Martian, growing inside the ever-shedding skin? A whole lot of different Jims. a new one every seven years? "Course not. I'm the same. aren't I, same as I always was—that holiday we took hiking in the Peak District in August thirty-eight—the same inside?" Pibble sighed and shook himself. You couldn't build a court case out of delicate tissues. Facts were the one foundation.
Peter Dickinson (The Glass-Sided Ant's Nest (Jimmy Pibble #1))
In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
Caroline Walken
The key point is that these patterns, while mostly stable, are not permanent: certain environmental experiences can add or subtract methyls and acetyls, changing those patterns. In effect this etches a memory of what the organism was doing or experiencing into its cells—a crucial first step for any Lamarck-like inheritance. Unfortunately, bad experiences can be etched into cells as easily as good experiences. Intense emotional pain can sometimes flood the mammal brain with neurochemicals that tack methyl groups where they shouldn’t be. Mice that are (however contradictory this sounds) bullied by other mice when they’re pups often have these funny methyl patterns in their brains. As do baby mice (both foster and biological) raised by neglectful mothers, mothers who refuse to lick and cuddle and nurse. These neglected mice fall apart in stressful situations as adults, and their meltdowns can’t be the result of poor genes, since biological and foster children end up equally histrionic. Instead the aberrant methyl patterns were imprinted early on, and as neurons kept dividing and the brain kept growing, these patterns perpetuated themselves. The events of September 11, 2001, might have scarred the brains of unborn humans in similar ways. Some pregnant women in Manhattan developed post-traumatic stress disorder, which can epigenetically activate and deactivate at least a dozen genes, including brain genes. These women, especially the ones affected during the third trimester, ended up having children who felt more anxiety and acute distress than other children when confronted with strange stimuli. Notice that these DNA changes aren’t genetic, because the A-C-G-T string remains the same throughout. But epigenetic changes are de facto mutations; genes might as well not function. And just like mutations, epigenetic changes live on in cells and their descendants. Indeed, each of us accumulates more and more unique epigenetic changes as we age. This explains why the personalities and even physiognomies of identical twins, despite identical DNA, grow more distinct each year. It also means that that detective-story trope of one twin committing a murder and both getting away with it—because DNA tests can’t tell them apart—might not hold up forever. Their epigenomes could condemn them. Of course, all this evidence proves only that body cells can record environmental cues and pass them on to other body cells, a limited form of inheritance. Normally when sperm and egg unite, embryos erase this epigenetic information—allowing you to become you, unencumbered by what your parents did. But other evidence suggests that some epigenetic changes, through mistakes or subterfuge, sometimes get smuggled along to new generations of pups, cubs, chicks, or children—close enough to bona fide Lamarckism to make Cuvier and Darwin grind their molars.
Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)
Take your hands off him.' She did. 'Unshackle him.' Lucien's skin drained of colour as Ianthe obeyed me, her face queerly vacant, pliant. The blue stone shackles thumped to the mossy ground. Lucien's shirt was askew, the top button on his pants already undone. The roaring that filled my mind was so loud I could barely hear myself as I said, 'Pick up that rock.' Lucien remained pressed against that tree. And he watched in silence as Ianthe stopped to pick up a grey, rough rock about the size of an apple. 'Put your right hand on that boulder.' She obeyed, though a tremor went down her spine. Her mind thrashed and struggled against me, like a fish snared on a line. I dug my mental talons in deeper, and some inner voice of hers began screaming. 'Smash your hand with the rock as hard as you can until I tell you to stop.' The hand she'd put on him, on so many others. Ianthe brought the stone up. The first impact was a muffled, wet thud. The second was an actual crack. The third drew blood. Her arm rose and fell, her body shuddering with the agony. And I said to her very clearly, 'You will never touch another person against their will. You will never convince yourself that they truly want your advances; that they're playing games. You will never know another's touch unless they initiate, unless it's desired by both sides.' Thwack; crack; thud. 'You will not remember what happened here. You will tell the others that you fell.' Her ring finger had shifted in the wrong direction. 'You are allowed to see a healer to set the bones. But not to erase the scarring. And every time you look at that hand, you are going to remember that touching people against their will has consequences, and if you do it again, everything you are will cease to exist. You will live with that terror every day, and never know where it originates. Only the fear of something chasing you, hunting you, waiting for you the instant you let your guard down.' Silent tears of pain flowed down her face. 'You can stop now.' The bloodied rock tumbled onto the grass. Her hand was little more than cracked bones wrapped in shredded skin. 'Kneel here until someone finds you.' Ianthe fell to her knees, her ruined hand leaking blood onto her pale robes. 'I debated slitting your throat this morning,' I told her. 'I debated it all last night while you slept beside me. I've debated it every single day since I learned you sold out my sisters to Hybern.' I smiled a bit. 'But I think this is a better punishment. And I hope you live a long, long life, Ianthe, and never know a moment's peace.' I stared down at her for a moment longer, tying off the tapestry of words and commands I'd woven into her mind, and turned to Lucien. He'd fixed his pants, his shirt. His wide eyes slid from her to me, then to the bloodied stone. 'The word you're looking for, Lucien,' crooned a deceptively light female voice, 'is daemati.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Steve Jobs knew from an early age that he was adopted. “My parents were very open with me about that,” he recalled. He had a vivid memory of sitting on the lawn of his house, when he was six or seven years old, telling the girl who lived across the street. “So does that mean your real parents didn’t want you?” the girl asked. “Lightning bolts went off in my head,” according to Jobs. “I remember running into the house, crying. And my parents said, ‘No, you have to understand.’ They were very serious and looked me straight in the eye. They said, ‘We specifically picked you out.’ Both of my parents said that and repeated it slowly for me. And they put an emphasis on every word in that sentence.” Abandoned. Chosen. Special. Those concepts became part of who Jobs was and how he regarded himself. His closest friends think that the knowledge that he was given up at birth left some scars. “I think his desire for complete control of whatever he makes derives directly from his personality and the fact that he was abandoned at birth,” said one longtime colleague, Del Yocam. “He wants to control his environment, and he sees the product as an extension of himself.” Greg Calhoun, who became close to Jobs right after college, saw another effect. “Steve talked to me a lot about being abandoned and the pain that caused,” he said. “It made him independent. He followed the beat of a different drummer, and that came from being in a different world than he was born into.” Later in life, when he was the same age his biological father had been when he abandoned him, Jobs would father and abandon a child of his own. (He eventually took responsibility for her.) Chrisann Brennan, the mother of that child, said that being put up for adoption left Jobs “full of broken glass,” and it helps to explain some of his behavior. “He who is abandoned is an abandoner,” she said. Andy Hertzfeld, who worked with Jobs at Apple in the early 1980s, is among the few who remained close to both Brennan and Jobs. “The key question about Steve is why he can’t control himself at times from being so reflexively cruel and harmful to some people,” he said. “That goes back to being abandoned at birth. The real underlying problem was the theme of abandonment in Steve’s life.” Jobs dismissed this. “There’s some notion that because I was abandoned, I worked very hard so I could do well and make my parents wish they had me back, or some such nonsense, but that’s ridiculous,” he insisted. “Knowing I was adopted may have made me feel more independent, but I have never felt abandoned. I’ve always felt special. My parents made me feel special.” He would later bristle whenever anyone referred to Paul and Clara Jobs as his “adoptive” parents or implied that they were not his “real” parents. “They were my parents 1000%,” he said. When speaking about his biological parents, on the other hand, he was curt: “They were my sperm and egg bank. That’s not harsh, it’s just the way it was, a sperm bank thing, nothing more.
Walter Isaacson (Steve Jobs)
Stop!” she called out. To a one, the crewmen froze. A dozen heads swiveled to face her. Sophia swallowed and turned to Mr. Grayson. “What about me? I’m also a virgin voyager.” His lips quirked as his gaze swept her from head to toe and then back up partway. “Are you truly?” “Yes. And I haven’t a coin to my name. Do you plan to dunk and shave me, too?” “Now there’s an idea.” His grin widened. “Perhaps. But first, you must submit to an interrogation.” A lump formed in Sophia’s throat, impossible to speak around. Mr. Grayson raised that sonorous baritone to a carrying pitch. “What’s your name then, miss?” When Sophia merely firmed her chin and glared at him, he warned dramatically, “Truth or eels.” Bang. Excited whispers crackled through the assembly of sailors. Davy was completely forgotten, dropped to the deck with a dull thud. Even the wind held its breath in anticipation, and Sophia gave a slight jump when a sail smacked limp against the mast. Though her heart pounded an erratic rhythm of distress, she willed her voice to remain even. “I’ve no intention of submitting myself to any interrogation, by god or man.” She lifted her chin and arched an eyebrow. “And I’m not impressed by your staff.” She paused several seconds, waiting for the crew’s boisterous laughter to ebb. Mr. Grayson pinned her with his bold, unyielding gaze. “You dare to speak to me that way? I’m Triton.” With each word, he stepped closer. “King of the Sea. A god among men.” Now they stood just paces apart. Hunger gleamed in his eyes. “And I demand a sacrifice.” Her hand remained pressed against her throat, and Sophia nervously picked at the neckline of her frock. This close, he was all bronzed skin stretched tight over muscle and sinew. Iridescent drops of seawater paved glistening trails down his chest, snagging on the margins of that horrific scar, just barely visible beneath his toga. “A sacrifice?” Her voice was weak. Her knees were weaker. “A sacrifice.” He flipped the trident around, his biceps flexing as he extended the blunt end toward her, hooking it under her arm. He lifted the mop handle, pulling her hand from her throat and raising her wrist for his inspection. Sophia might have yanked her arm away at any moment, but she was as breathless with anticipation as every other soul on deck. She’d become an observer of her own scene, helpless to alter the drama unfolding, on the edge of her seat to see how it would play out. He studied her arm. “An unusually fine specimen of female,” he said casually. “Young. Fair. Unblemished.” Then he withdrew the stick, and Sophia’s hand dropped to her side. “But unsatisfactory.” She felt a sharp twinge of pride. Unsatisfactory? Those words echoed in her mind again. I don’t want you. “Unsatisfactory. Too scrawny by far.” He looked around at the crew, sweeping his makeshift trident in a wide arc. “I demand a sacrifice with meat on her bones. I demand…” Sophia gasped as the mop handle clattered to a rest at her feet. Mr. Grayson gave her a sly wink, bracing his hands on his hips in a posture of divine arrogance. “I demand a goat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The Midnight Game The "Midnight Game" is an old pagan ritual, used mainly as punishment for those who have broken the laws of the pagan religion in question.  While it was mainly used as a scare tactic to not disobey the gods, there is still a very existent chance of death to those who play the Midnight Game.  There is an even higher chance of permanent mental scarring. It is highly recommended that you DO NOT PLAY THE MIDNIGHT GAME.   However, for those few thrill seekers searching for a rush, or for those delving into obscure occult rituals, these are simple instructions on how to play. Do so at your own risk...   WARNING: I have played this game. People have died. Do not play this game. He will always be watching.   Instructions   PREREQUISITES:   It must be exactly 12:00 AM when you begin performing the ritual. Otherwise, it will not work.   MATERIALS:   You will need a candle, a piece of paper, a writing implement, matches or a lighter, salt, a wooden door, and at least one drop of your own blood. If you are playing with multiple people, they will need their own of the aforementioned materials and they will have to perform the steps below accordingly.   STEP 1:   Write your full name (first, middle, and last)on the piece of paper. Put at least one drop of blood on the paper. Allow it to soak into the paper.   STEP 2:   Turn off all of the lights in the place you are doing this. Go to your wooden door, and place the paper with your name on it in front of the door. Now, take out the candle and light it. Place it on top of the paper.   STEP 3:   Knock on the door twenty-two times. The hour must be 12:00 AM upon the final knock. Then, open the door, blow out the candle, and close the door. You have just allowed the "Midnight Man" to enter your house.   STEP 4:   Immediately relite your candle.   This is where the game begins. You must now lurk around your now completely dark house, with the lit candle in your hand. Your goal is to avoid the Midnight Man at all costs, until 3:33 AM. Should your candle ever go out, that means the Midnight Man is near you. You must relight your candle in the next ten seconds.   If you are not successful in doing this, you must then immediately surround yourself with a circle of salt. If you are unsuccessful in both of your actions, the Midnight Man will create a hallucination of your greatest fear, and rip out your organs one by one. You will feel it, but you will be unable to react.   If you are successful in creating the circle of salt, you must remain in there until 3:33 AM.   If you are successful in relighting your candle, you may proceed with the game. You must continue to 3:33 AM, without being attacked by the Midnight Man, or being trapped inside the circle of salt, to win the Midnight Game. The Midnight Man will leave your house at 3:33 AM, and you will be safe to proceed with your morning.   ADDITION:   Indications that you are near the Midnight Man will include sudden drop in temperature, seeing a pure black, humanoid figure through the darkness, and hearing very soft whispering coming from an indiscernible source. If you experience any of these, it is advised that you leave the area to avoid the Midnight Man.   DO NOT turn any of the lights on during the Midnight Game.   DO NOT use a flashlight during the Midnight Game.   DO NOT go to sleep during the Midnight Game.   DO NOT attempt to use another person's blood on your name.   DO NOT use a lighter as a substitute for a candle. It will not work.   AND DEFINITELY DO NOT attempt to provoke the Midnight Man in ANY WAY.   Even when the game is over, he will always be watching
Adam L. (Creepypasta: Expanded Edition)
This is Northumbria, spanning Durham, Yorkshire, and Northumberland, the northernmost county in England. Here was once the frontier, the last place, where, in the second century, the Romans built their vast fortifications to hold back the Scots and the Picts: first Hadrian’s Wall, running from the banks of the Tyne in the east to the Solway Firth in the west; and later, in a fit of optimism – or arrogance – the more northerly Antonine Wall, from the Firth of Forth in the east to the Firth of Clyde in the west, before abandoning it in favor of a consolidation of the southern defenses. In time, the remains of the Antonine Wall will come to be referred to as the Devil’s Dyke, but by then the Romans will be long gone, their fortresses already falling into ruin, leaving the blood to dry, and the land to bear their scars. Because the land remembers. So the Romans depart, and chaos descends. The Angles invade from Germania, battling the natives and one another, before eventually forging two kingdoms, Northumbria and Mercia, only to see them fall to the Norsemen in the ninth century, who will themselves be defeated by the kings of Wessex. More blood, more scars. In 927 AD, Northumbria becomes part of Athelstan’s united England. In 1066 William the Conqueror lands with his Normans, and crushes the Northumbrian resistance to Norman rule. The Norman castles rise, but they, like the Romans and the Angles before, are forced to defend themselves against the Scots. They leave their dead at Alnwick and Redesdale, Tyndale and Otterburn. The land has a taste for blood now. More conflicts follow – the Wars of the Roses, the Rising in the North, the Civil War, the Jacobite rebellions – and the ground makes way for new bones, but the blood never really dries. Dig deep enough, expose the depths, and one might almost glimpse seams of red and white, like the strata of rock: blood and bone, over and over, the landscape infused by them, forever altered and forever changing. Because the killing never stops.
John Connolly (A Book of Bones (Charlie Parker #17))
15 years was a long enough time to test love of any kind. But the question of what to do with her missing right breast had remained. They had discussed at length if she should have a false one put up, or stuff kerchiefs so they looked balanced. Jeanne had come up with the most outrageous suggestions and ideas, almost making losing a breast sound fun. Finally, Rita had defiantly left it unresolved, preferring to wear her scar until she knew how to heal. Every time, someone glanced at her chest, they averted their eyes. She knew the day that it did not matter, or failed to catch it in their eyes, she would have healed. But right now, it itched, reminding her of what was gone. Her anger and the scars remained.
Srividya Srinivasan (5 1/2 Tits)
I am left with the scars. In time, they will fade and maybe one day they will heal, but for now they remain. -Franny Harris (Life Fail) I bet, Penny is on the sand walking along the shore wearing her old green flips – the ones I call her granny-flops. I wish I was there to make fun of those stupid shoes. -Franny Harris (Life Fail)
Jul Winters
It was as if personality itself had a “face.” This nonphysical “face of personality” seemed to be the real key to personality change. If it remained scarred, distorted, “ugly,” or inferior, the person himself acted out this role in his behavior regardless of the changes in physical appearance. If this “face of personality” could be reconstructed, if old emotional scars could be removed, then the person himself changed, even without facial plastic surgery. Once I began to explore this area, I found more and more phenomena that confirmed the fact that the “self-image,” the individual’s mental and spiritual concept or “picture” of himself, was the real key to personality and behavior. More about this in the first chapter.
Maxwell Maltz (Psycho-Cybernetics: Updated and Expanded (The Psycho-Cybernetics Series))
As the next page loaded with another set of 25 emails, his eyes were drawn to the bottom of the screen, where for the first time previously-read messages stood out beneath the bold-type unread ones.  There was something powerfully sentimental, almost tangible, about the realization that his dad had sat before a computer somewhere ten years earlier and had clicked on these same messages.  The most recent one, received just hours before his parents’ death, was from his mom with the subject line, “re: Li’l Ryan’s Bday”. With a lump developing in his throat, he clicked on the message.  His mom had written: “That’s something dads should talk to their sons about ;)”  Hmm.  Didn’t make sense without context. Below the end of the message he found the option to “show quoted text,”  which he clicked on to reveal the entire exchange in reverse chronological order.  She had been responding to his dad’s message: “I’m sure he’ll get it.  I like the idea, but you better be prepared to have a discussion about the birds and bees.  You know how his mind works.  He’ll want to know how that baby got in there.” Ryan’s palms grew sweaty as he began to infer what was coming next.  Not entirely sure he wanted to continue, but certain he couldn’t stop, he scrolled to the end. The thread had started with his mother’s message, “I’m already showing big-time.  Sweaters only get so baggy, and it’s going to be warming up soon.  I think tonight would be the perfect time to tell Ryan.  I wrapped up a T-shirt for him in one of his presents that says ‘Big Brother’ on it.  A birthday surprise!  You think he’ll get it?” Having trouble taking in a deep breath, he rose to a stand and slowly backed away from his computer.  It wasn’t his nature to ask fate “Why?” or to dwell on whether or not something was “fair.”  But this was utterly overwhelming – a knife wound on top of an old scar that had never sufficiently healed. ~~~ Corbett Hermanson peered around the edge of Bradford’s half-open door and knocked gently on the frame.  Bradford was sitting at his desk, leafing through a thick binder.  He had to have heard the knock, Corbett thought, peeking in, but his attention to the material in the binder remained unbroken. Now regretting his timid first knock, Corbett anxiously debated whether he should knock again, which could be perceived as rude, or try something else to get Bradford’s attention.  Ultimately he decided to clear his throat loudly, while standing more prominently in the doorway. Still, Bradford kept his nose buried in the files in front of him. Finally, Corbett knocked more confidently on the door itself. “What!” Bradford demanded.  “If you’ve got something to say, just say it!” “Sorry, sir.  Wasn’t sure you heard me,” Corbett said, with a nervous chuckle. “Do you think I’m deaf and blind?” Bradford sneered.  “Just get on with it already.” “Well sir, I’m sure you recall our conversation a few days back about the potential unauthorized user in our system?  It turns out...” “Close the door!” Bradford whispered emphatically, waving his arms wildly for Corbett to stop talking and come all the way into his office. “Sorry, sir,” Corbett said, his cheeks glowing an orange-red hue to match his hair.  After self-consciously closing the door behind him, he picked up where he’d left off.  “It turns out, he’s quite good at keeping himself hidden.  I was right about his not being in Indiana, but behind that location, his IP address bounces
Dan Koontz (The I.P.O.)
When a wound doesn’t mend on its own, one of two things will happen: it can either remain raw or, more commonly, be replaced by a thick layer of scar tissue. As an open sore, it is an ongoing source of pain in a place where we can be hurt over and over again by even the slightest stimulus. It compels us to be ever vigilant - always nursing our wounds, as it were - and leaves us limited in our capacity to move flexibly and act confidently lest we be harmed again. The scar is preferable, providing protection, and holding tissues together, but it has its drawbacks: it is tight, hard, inflexible, unable to grow, a zone of numbness. The original healthy, alive flash, is not regenerated.
Gabor Maté (The Myth Of Normal By Gabor Maté, Daniel Maté & The Happiness Trap By Dr. Russ Harris 2 Books Collection Set)
fought back. A lot of it is not in the textbooks, but a lot of people fought back, and they were killed. You never hear about them anymore.’” Then, again, she said, “I lived it.” A silence settled between us, and I kept thinking about her refrain. I lived it. I lived it. I lived it. It echoed throughout the room and became the gravity around us. It crept into my ears and made a home in there. I watched the realization wash over her like a tide had risen around her body. There was so much I had not known about my grandmother’s life until this moment. So many painful experiences that she still carried deep in the marrow of her bones. I thought of how easily these memories might have slipped away with her, had we not sat down—these stories might have remained grains of sand at the bottom of an hourglass. I thought about all of the ways the world today is at once so different, and not so different at all. The exhibits at the museum were not abstractions for my grandparents; they were affirmations that what they had experienced was not of their imagination, and harrowing reminders that the scars of that era had not been self-inflicted. When my grandmother said, “I lived it,” what I heard was This museum is a mirror. When my grandmother said, “I lived it,” what I heard was My memories are an exhibit of their own. When my grandmother said, “I lived it,” what I heard was Always remember what this country did to us. When my grandmother said, “I lived it,” what I heard was Don’t let them tell you we didn’t fight back. When my grandmother said, “I lived it,” what I heard was I did not die. I have somehow made it here when so many did not. I escaped the jaws of
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
Maybe the anger and hate would be there, like a dark passenger she couldn’t always control. Yet, for the first time, she felt she could see the possibility of light. Of learning to accept her past and move on. The scars would remain, but perhaps that was okay. Maybe she needed to remember what she’d lived through. A different kind of normal.
Luca Veste (The Bone Keeper)
Part of me wanted to move around the desk and comfort her. It wouldn’t help. Grief, regret, and anger overcame her. A hug or a pat from me would not help. The best I could do was sit here and let her feel those emotions. The wounds bled at the moment. Soon, scabs would form, bleeding when she picked at them. When it was all said and done, the scars would remain. Reminders of the pain that no longer hurt.
Douglas Pratt (Devil Water)
We all come into the world as blank canvases. And we leave it carved in scars—some we show the world and others that remain invisible unless someone knows exactly where to look—but they make us who we are, whether we want them to or not.
Elle Mitchell (Carved in Scars)
Scars are there to remind us that what passed was real, that their dirty blemishes made you, formed you – there is no escaping these reminders, however much I try.
Ross Jeffery (Only the Stains Remain)
To the High Queen of Elfhame, Above me is the same silvery moon that shines down on you. Looking at it makes me recall the glint of your blade pressed against my throat and other romantic moments. I do not know what keeps you from returning to the High Court-whether it is vexation with me, or whether, having spent time in the mortal world, you have come to belive that a life free of the Folk is better than one ruling over them. In my most wretched hours, I belive you will never come back. Why would you, save for your ambition? You have always known exactly what I am and seen all my failings, all my weaknesses and scars. I flattered myself that at moments you had feelings for me other than contempt, but even were that true, they would make but a thin grutel beside the feast of your other, greater desires. And yet my heart is buried with you in the strange soil of the mortal world, as it was drowned with you in the cold waters of the Undersea. It was yours before I could admit it, and yours it shall ever remain. Cardan
Holly Black (Cartas de Cardan a Jude)
Seven-headed Lubia, who made the mistake of surfacing from the caves of the deep ocean to prey on girls along the western coast. Blue Annis, who was a terror to behold—cobalt skin and iron claws and, like Lubia, a taste for female flesh. Lubia, at least, swallowed her prey swiftly. Annis … she took longer. Annis was like Lanthys in that regard.” His throat bobbed, and he tugged back the collar of his shirt to reveal another scar: the horrific, thick one above his left pectoral. She’d spied it the other day in the training ring. “That’s all that remains of it now, but Annis had shredded through my chest with those iron claws and was nearly at my heart when Azriel intervened. So I suppose her capture is shared between the two of us.” He drummed his fingers on the table. “And then there was—” “I’ve heard enough.” Her words were breathless. “I’ll never sleep tonight.” She shook her head, taking another bite of food. “I don’t know how you can, having faced all that.” He leaned back in his seat. “You learn to live with it. How to block the horrors from your present thoughts.” He added a touch quietly, “But they still lurk there. In the back of your mind.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
My eyes remained narrowed on her face. “Your body is going to grow me a son or daughter. It’s going to battle so they’ll live, so they’ll be healthy, so they’ll leave your womb and survive. If I returned from battle covered in scars, would you love me less?
Penelope Barsetti (The Three Kings (Forsaken #3))
This woman knows me, my story, my beginning and my middle, my flaws, the history of my scars—my strengths and weaknesses. She sees so clearly past my armor and is the only one capable of going further, penetrating flesh and blood to get to the beating heart beneath. I gave that power to her, to hold it in her hand and do what she will with it. And even with it—knowing what she’s capable of doing to me—she continues to love, accepting the burden fully while remaining loyal and faithful.
Kate Stewart (The Finish Line (The Ravenhood, #3))
The heart has a way of healing, even when the scars remain.
Karen Dionne (The Marsh King's Daughter)
We all come into the world as blank canvases. And we leave it carved in scars-some we show the world and others that remain invisible unless someone knows exactly where to look — but they make us who we are, whether we want them to or not.
Elle Michell
Remain close, don’t go far, hold hands and dance as the movements heal the scars.
Shah Asad Rizvi (The Book of Dance)
Loss is a wound that never fully heals, a scar that remains etched in our souls.
Sharyn McCrumb (The Ballad of Frankie Silver (Ballad, #5))
She just gave Rowan a sultry sweep from foot to face. Rowan’s expression remained unreadable, eyes intent—near-glowing. And then Aelin said to Rowan with a secret smile, “You, I don’t know. But I’d like to.” Rowan’s lips tugged upward. “I’m not on the market, unfortunately.” “Pity,” Aelin said, cocking her head as she noticed a bowl of small emeralds on Rolfe’s desk. Don’t do it, don’t— Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. “She must be a rare, staggering beauty you make you so faithful.” Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. “She must be clever”—plunk—“and fascinating”—plunk—“and very, very talented.” Plunk, plunk, plunk went the emeralds. “She must be the most wonderful person who ever existed.” Another cough from behind him—from Gavriel this time. But Aelin only had eyes for Rowan as the warrior said to her, “She is indeed that. And more.” “Hmmm,” Aelin said, rolling the emeralds in her scarred palm with expert ease.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
As was the Wintersvilla Warrior custom during times of relaxation, Myriam walked toward Shira fully nude, her large, unbound breasts bouncing freely with each of her steps, though Shira was in no shape for even scant arousal. It wasn’t seduction or sexuality that created the custom, but rather, a sign of a true warrior who had nothing to fear and could relax in her bare skin and ports without worrying about lacking in safety, let alone being concerned with trivialities like modesty. It was by this same logic that Wintersvilla Women did battle wearing nothing more than a thin chest-binder to stabilize their breasts, a light undergarment to avoid dirt or grime in their genitals, and a personal sidearm sheath and straps that were more like permanent fixtures of a warrior’s body. The rest of their body remained gloriously and pleasantly exposed. It was said by the greatest Wintersvilla Women, including Shira when she was younger, that anyone unable to sync thoroughly enough with their exo so that it didn’t protect them from every projectile or peril of the Earth was a liability, not an asset. A warrior’s bare and often deeply scarred skin was visible proof of her internal control of fear.
E.S. Fein (Mendel's Ladder (The Collected Histories of Neoevolution Earth #1))
It would remain in him, a scar and a reminder. “Will it grow again?” “Only if you let it. Only if you do not fill it with better things. Only if you do not forgive.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
Ruhn asked, “Why’s your heart racing?” Bryce peered at her chest, half expecting her scar to be glowing. Mercifully, it lay dormant. “Well, apparently Tharion thinks Danika was involved with the rebels.” Ruhn gaped. “Thanks, Bryce,” Tharion muttered. Bryce threw him a saccharine smile and explained Tharion’s investigation to Ruhn. “Well?” Ruhn asked when she’d finished, his face drained of color. “Was Danika a rebel?” “No!” Bryce splayed her arms. “Solas, she was more interested in what junk food we had in our apartment.” “That’s not all she was interested in,” Ruhn corrected. “She stole the Horn and hid it from you. Hid it on you. And all that shit with Briggs and the synth …” “Okay, fine. But the rebel stuff … She never even talked about the war.” “She would have known it’d endanger you,” Tharion suggested. Hunt said to Tharion, “And you’re cool with being press-ganged into working on this shit?” His face remained paler than usual. Tharion just crossed his long, muscular arms. Hunt went on, voice lowering, “It won’t end well, Tharion. Trust me on that. You’re tangling in some dangerous shit.” Bryce avoided looking at the branded-out tattoo on Hunt’s wrist. Tharion’s throat bobbed. “I’m sorry to have even come here. I know how you feel about this stuff, Athalar.” “You really think there’s a chance Sofie is alive?” Ruhn asked. “Yes,” Tharion said. “If she survived the Hind,” Hunt said, “and the Hind hears about it, she’ll come running.” “The Hind might already be headed this way,” Tharion said thickly. “Regardless of Sofie, Emile and his powers remain a prize. Or something to be wiped out once and for all.” He dragged his long fingers through his dark red hair. “I know I’m dropping a bomb on you guys.” He winced at his unfortunate word choice, no doubt remembering what had happened last spring. “But I want to find this kid before anyone else.” “And do what with him?” Bryce asked. “Hand him over to your queen?” “He’d be safe Beneath, Legs. It’d take a damn long while even for the Asteri to find him—and kill him.” “So he’d be used by your queen like some kind of weaponized battery instead? Like Hel am I going to let you do that.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Only time can heal, but scars will always remain.
Gwenhyver (Under the Ice Skies (Jasyn and the Astronauts, #1))
Torture may scar the flesh, but it is the resilience of the soul that remains unblemished, steadfast in its defiance.
Dinah Lilia Mourise
She remained in my head long after she left just like the only scar that bled from the corners of my mouth under the cold and grey snowflakes falling from the moon's empty gaze. In the silence that followed in her absence, I decided to prune the roots of the desire to keep myself from walking on the path she took to leave.
Zeenat Ansari (Hang My Heart on the Shadows of Light: A Novel)
The governor would have killed me, as viciously as he could. But I still found little triumph in this moment. And though he had gone, the scars of his deceit remained; the lives he had stolen, those irrevocably destroyed.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
Love is painful. Or, love is a beauty that, if leaves, leaves scarred remains. Perhaps, love left me scarred. Or! Love is forever a beauty, that lives forever. Rather. People leave. People leave pain. People leave people, scarred. People leave people, without answers they deserve to hear. People smear the name of love.
Vidhu Kapur (LOVE TOUCHES ONCE & NEVER LEAVES ...A Blooming & Moving Love Saga!)
There's Someone walking on the sea with pierced Hands reached out to me. I'm in a boat coming apart. A troubled mind, a wounded heart. The scars are deep, the pain remains, and it still storms, and it still rains. There's Someone standing on the sea outside my boat, right next to me. His Eyes like light lit in my soul. His Hands like love making me whole. I take a step out of the boat, and with my Lord remain afloat.
Calvin W. Allison (The Sunset of Science and the Risen Son of Truth)
Have you ever wanted to change someone’s opinion of you, Miss Neven?” “Not really,” I replied. “You care very much for what others think of you.” “Don’t you?” “Does it look like I care?” I said, opening my arms. His eyes searched mine, as if my secrets hid within them. “If you don’t, then I wish you would bestow such magic upon me. I would like to not care as much as I do.” I approached him, ignoring how he tensed when I moved to face him, when only a slender space of air remained between us. Rain began to tap on the windowpanes. The night felt heavy and swollen with the storm; the shadows gathered knee deep in the corners of the library. “If you want to learn,” I murmured, “then it begins here.” I laid my hand over his heart. “It begins when you acknowledge and respect who you are—scars and mistakes and victories and accomplishments all accounted for.
Rebecca Ross (Dreams Lie Beneath)
When you turn knowledge inward, you can create the personal insights needed for growth. Looking within myself for answers was much too scary, so it remained a struggle for a long time. I continued looking to others for answers, hoping to fill the void, until it became much scarier when this outlook nearly took my life.
Oriana Allen (The Truth in Our Scars: Untangling Trauma to Discover Your Secret Self)
Wounds healed, but scars remained.
Max Gladstone (Last Exit)
If they walk away, do not focus on the pieces of you that are missing, do not focus on the empty; the only way to survive the leaving is to love whatever is left of yourself, is to love whatever remains.
Bianca Sparacino (The Strength In Our Scars)
The path we walk, are unique to us as individuals. The strength we hold within ourselves is unique to us. Growth of resilience is the key to deal and overcome the trials. The everlasting scars remain within our internal Physiology and psychology. Miriam Farid
Miriam Farid (Thorny Rose)
Until you forget what it is to hurt and then long after that. Until the scars you wear like armor have faded from memory, and only we remain.
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
They do. I handpicked them, recruiting them away from the other gods on Rashearim. I needed my own legion, so to speak.” “And so, you formed The Hand.” “Yes.” She snorted. “So, why does Vincent make that face every time you tell him something?” I felt my lips tip in a small smile. Dianna’s eyes flicked toward them, a brief look of shock appearing in their depths. I cleared my throat. “Vincent has never liked anyone having power over him. I blame Nismera for it.” She did not mention my sudden change in posture or tone, just continued. “Who is that?” My blood ran cold at the memory, the scars upon my throat and calf burning. “An ancient, cruel goddess. She perished during the war. She made Vincent and a few others. Vincent is the only remaining member of her line.
Amber V. Nicole (The Book of Azrael (Gods & Monsters, #1))