Saying Goodbye To A Child Quotes

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Will having a newborn distract from the time we have together?" she asked. "Don't you think saying goodbye to your child will make your death more painful?" "Wouldn't it be great if it did?" I said. Lucy and I both felt that life wasn't about avoiding suffering.
Paul Kalanithi (When Breath Becomes Air)
I go to the ocean to say goodbye.
Charlotte Eriksson
A Woman's Question Do you know you have asked for the costliest thing Ever made by the Hand above? A woman's heart, and a woman's life--- And a woman's wonderful love. Do you know you have asked for this priceless thing As a child might ask for a toy? Demanding what others have died to win, With a reckless dash of boy. You have written my lesson of duty out, Manlike, you have questioned me. Now stand at the bars of my woman's soul Until I shall question thee. You require your mutton shall always be hot, Your socks and your shirt be whole; I require your heart be true as God's stars And as pure as His heaven your soul. You require a cook for your mutton and beef, I require a far greater thing; A seamstress you're wanting for socks and shirts--- I look for a man and a king. A king for the beautiful realm called Home, And a man that his Maker, God, Shall look upon as He did on the first And say: "It is very good." I am fair and young, but the rose may fade From this soft young cheek one day; Will you love me then 'mid the falling leaves, As you did 'mong the blossoms of May? Is your heart an ocean so strong and true, I may launch my all on its tide? A loving woman finds heaven or hell On the day she is made a bride. I require all things that are grand and true, All things that a man should be; If you give this all, I would stake my life To be all you demand of me. If you cannot be this, a laundress and cook You can hire and little to pay; But a woman's heart and a woman's life Are not to be won that way.
Joshua Harris (I Kissed Dating Goodbye)
I knew something as I watched: almost everyone was saying goodbye to me. I was becoming one of the many little-girl-losts. They would go back to their homes and put me to rest, a letter from the past never to be reopened or reread. And I could say goodbye to them, wish them well, bless them somehow for their good thoughts. A handshake in the street, a dropped item picked up and retrieved and handed back, or a friendly wave from the distant window, a nod, a smile, a moment when the eyes lock over the antics of a child.
Alice Sebold (The Lovely Bones)
Don't you think saying goodbye to your child will make your death more painful?" "Wouldn't it be great if it did?" I said. Lucy and I both felt that life wasn't about avoiding suffering.
Paul Kalanithi
As the family therapist Virginia Satir famously said, “We need four hugs a day for survival. We need eight hugs a day for maintenance. We need twelve hugs a day for growth.” Hug your child first thing every morning, every time you say good-bye or hello, and as often as you can in between.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
I was Mrs. Taylor yesterday.” I grin at Taylor, who flushes. “That has a nice ring to it, Miss Steele,” Taylor says matter-of-factly. “I thought so, too.” Christian tightens his hold on my hand, scowling. “If you two have quite finished, I’d like a debrief.” He glares at Taylor, who now looks uncomfortable, and I cringe inwardly. I have overstepped the mark. “Sorry,” I mouth at Taylor, who shrugs and smiles kindly before I turn to follow Christian. “I’ll be with you shortly. I just want a word with Miss Steele,” Christian says to Taylor, and I know I’m in trouble. Christian leads me into his bedroom and closes the door. “Don’t flirt with the staff, Anastasia,” he scolds. I open my mouth to defend myself—then close it again, then open it. “I wasn’t flirting. I was being friendly—there is a difference.” “Don’t be friendly with the staff or flirt with them. I don’t like it.” Oh. Good-bye, carefree Christian. “I’m sorry,” I mutter and stare down at my fingers. He hasn’t made me feel like a child all day. Reaching down he cups my chin, pulling my head up to meet his eyes. “You know how jealous I am,” he whispers. “You have no reason to be jealous, Christian. You own me body and soul.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
That night, having wriggled down into my futon all alone, I found myself in the grips of a wrenching sadness. I was only a child, but I knew the feeling that came when you parted with something, and I felt that pain. I lay gazing up at the ceiling , feeling the sleek stiffness of the well-starched sheets against my skin. My distress was a seed that would grow into an understanding of what it meant to say goodbye. In contrast to the heavy ache I would come to know later on in life, this was tiny and fresh – a green bud of pain with a bright halo of light rimming its edges.
Banana Yoshimoto (Goodbye Tsugumi)
My baby is five. She falls asleep in my arms . . . . Her breath is warm on my face, all that is alive and warm and breathing inside of her now, falling upon me, and I can't capture it, hold it, this, her life now, me in this moment. She is leaving me, she's growing up and moving away from me, and she stirs and I sweep back the crop of the golden ringlets. Stay, Little One, stay. Love's a deep wound and what is a mother without a child and why can't I hold on to now forever and her here and me here and why does time snatch away a heart I don't think mine can beat without? Why do we all have to grow old? Why do we have to keep saying good-bye?
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
Can you speak to the dead…like your sister?" Ms. Dupré's body seems to loosen, and her voice gets soft as a feather against your skin. "No, child. But you can say goodbye to someone even after he's gone. You just have to find a way that's right for you.
Thomas Fahy (Sleepless)
This book is for the mothers who've had to say goodbye too soon. I see you, I hear you, and I honor your hearts with wings. You are the strongest individuals alive, and I'm blown away by your strength, your ability to love, and your ability to not quit on life.
Brittainy C. Cherry (Disgrace)
How do you say good-bye to a child who has at one time lived in your body? How do you just walk out the door? How do you explain to your son that days, months, and even years may pass before he will live with his mother again?
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed: A Memoir of the Cleveland Kidnappings)
I have entered the place I thought was death and it has turned out to be life itself. I entered this Ache alone, but inside it I have found everyone. In surrendering to the Ache of loneliness I have discovered un-loneliness. Right here, inside the Ache, with everyone who has welcomed a child or held the hand of a dying grandmother or said goodbye to a great love. I am here, with all of them. ... Inside the ache is “We.” We can do hard things like be alive and love deep and lose it all, because we do these hard things alongside everyone who has ever walked the Earth with her arms, eyes, and heart wide open. The Ache is not a flaw. It’s our meeting place. It’s the clubhouse of the brave. All the lovers are there. It is where you go alone to meet the world. The ache is love. The ache was never warning me “this ends, so leave.” She was saying “this ends, so stay.
Glennon Doyle (Untamed)
Don’t you think saying goodbye to your child will make your death more painful?” “Wouldn’t it be great if it did?” I said.
Paul Kalanithi (When Breath Becomes Air)
We even discovered that our fathers had the same favorite saying: “Money talks. It says goodbye.
Richard Russo (The Whore's Child and Other Stories)
I remember a woman, the mother of a child with Down syndrome, had come to talk to us about the manner in which the doctors and geneticists had discussed her daughter’s postnatal diagnosis with her, which ranged from heartless to clueless. But then, she said, on the day she and her baby were being discharged, the attending resident had come to say goodbye to them. “Enjoy her,” he had said to this woman. Enjoy her: No one had ever told her that she might delight in her baby, that her baby might be a source not of troubles but of pleasure.
Hanya Yanagihara (To Paradise)
Don't you think saying goodbye to your child will make your death more painful?' 'Wouldn't it be great if it did?' I said. Lucy and I both felt that life wasn't about avoiding suffering.
Paul Kalanithi (When Breath Becomes Air)
Don’t you think saying goodbye to your child will make your death more painful?” “Wouldn’t it be great if it did?” I said. Lucy and I both felt that life wasn’t about avoiding suffering.
Paul Kalanithi (When Breath Becomes Air)
Our teachers forgot to mention that by throwing our tassels in the air, we throw every shit anyone can ever give about us. The world says it cares, but it goes ahead and does something different. I wish we weren’t cared for later than we’re supposed to be cared for. It's like: 'You graduated college. There’s no way you have any trace of still being a scared child. Oh, you fucked up? Here’s a jail cell.
Kristian Ventura (The Goodbye Song)
If you have no arms To hold your crying child but your own arms And no legs but your own to run the stairs one more time To fetch what was forgotten I bow to you If you have no vehicle To tote your wee one but the wheels that you drive And no one else to worry, “Is my baby okay?” When you have to say goodbye on the doorsteps of daycare or on that cursed first day of school I bow to you If you have no skill but your own skill To replenish an ever-emptying bank account And no answers but your own to Satisfy the endless whys, hows, and whens your child asks and asks again I bow to you If you have no tongue to tell the truth To keep your beloved on the path without a precipice And no wisdom to impart Except the wisdom that you’ve acquired I bow to you If the second chair is empty Across the desk from a scornful, judging authority waiting For your child’s father to appear And you straighten your spine where you sit And manage to smile and say, “No one else is coming—I’m it.” Oh, I bow to you If your head aches when the spotlight finally shines on your child because your hands are the only hands there to applaud I bow to you If your heart aches because you’ve given until everything in you is gone And your kid declares, “It’s not enough.” And you feel the crack of your own soul as you whisper, “I know, baby. But it’s all mama’s got.” Oh, how I bow to you If they are your life while you are their nurse, tutor, maid Bread winner and bread baker, Coach, cheerleader and teammate… If you bleed when your child falls down I bow, I bow, I bow If you’re both punisher and hugger And your own tears are drowned out by the running of the bathroom faucet because children can’t know that mamas hurt too Oh, mother of mothers, I bow to you. —Toni Sorenson
Toni Sorenson
When a child disappears, the space she’d occupied is immediately filled with dozens of people. And these people—relatives, friends, police officers, reporters from both TV and print—create a lot of energy and noise, a sense of communal intensity, of fierce and shared dedication to a task. “But amid all that noise, nothing is louder than the silence of the missing child. It’s a silence that’s two and a half to three feet tall, and you feel it at your hip and hear it rising up from the floorboards, shouting to you from corners and crevices and the emotionless face of a doll left on the floor by the bed. “It’s a silence that’s different from the one left at funerals and wakes. The silence of the dead carries with it a sense of finality; it’s a silence you know you must get used to. But the silence of a missing child is not something you want to get used to; you refuse to accept it, and so it screams at you. “The silence of the dead says, Goodbye. “The silence of the missing says, Find me.
Dennis Lehane (Gone, Baby, Gone (Kenzie & Gennaro, #4))
Will having a newborn distract from the time we have together?" she asked. "Don't you think saying goodbye to your child will make your death more painful? Wouldn't it be great if it did?" I said. Lucy and I both felt that life wasn't about avoiding suffering.
Paul Kalanithi (When Breath Becomes Air)
Will having a newborn distract from the time we have together?” she asked. “Don’t you think saying goodbye to your child will make your death more painful?” “Wouldn’t it be great if it did?” I said. Lucy and I both felt that life wasn’t about avoiding suffering.
Paul Kalanithi (When Breath Becomes Air)
Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?
Nicole Krauss (The History of Love)
Will having a newborn distract from the time we have together?' she asked. 'Don't you think saying goodbye to your child will make your death more painful?' 'Wouldn't it be great if it did?' I said. Lucy and I both felt that life wasn't about avoiding suffering. Years ago, it had occurred to me that Darwin and Nietzsche agreed on one thing: the defining characteristic of the organism is striving. Describing life otherwise was like painting a tiger without stripes. After so many years of living with death, I'd come to understand that the easiest death wasn't necessarily the best. We talked it over. Our families gave their blessing. We decided to have a child. We would carry on living, instead of dying.
Paul Kalanithi (When Breath Becomes Air)
It was not necessary to leave to learn that. But there were other reasons to go. If a person had a child but no husband, a room but no house, a place but no home, a will but no way, and if a person was losing her son and herself, little by little, day by day, because she knew what she knew in her skin and bones but not what her sister-in-law knew in her books and pamphlets, then yes, it was necessary.
Jamie Zeppa (Every Time We Say Goodbye)
I can’t walk away from someone I love without saying ‘I love you’ one last time. I’ve known how very much I’ve loved you for a long time. You think I’m a child and I know nothing about the world or about love. But I know about love. I know about loss. And I know about loneliness, and goodbyes, and about never being able to voice those feelings again. “Perhaps you’ve said those words, Richard, and don’t mean them. But I never have.
Jill Barnett (Dreaming)
There is a thing that happens with children: If no one is watching them, nothing is really happening to them. It is not some philosophical conundrum like the one about the tree falling in the forest and no one hearing it: that is a puzzler for college freshman. No. If you are very small, you actually understand that there is no point in jumping into the swimming pool unless they see you do it. The child crying, ‘‘Watch me, watch me,’’ is not begging for attention; he is pleading for existence itself.
M.R. Montgomery (Saying Goodbye: A Memoir for Two Fathers)
Just as Drake turned six weeks old, I decided I wanted to lose some baby weight. Chip and I were both still getting used to the idea that we had a baby of our own now, but I felt it was okay to leave him with Chip for a half hour or so in the mornings so I could take a short run up and down Third Street. I left Drake in the little swing he loved, kissed Chip good-bye, and off I went. Chip was so sweet and supportive. When I got back he was standing in the doorway saying, “Way to go, baby!” He handed me a banana and asked if I’d had any cramps or anything. I hadn’t. I actually felt great. I walked in and discovered Chip had prepared an elaborate breakfast for me, as if I’d run a marathon or something. I hadn’t done more than a half-mile walk-run, but he wanted to celebrate the idea that I was trying to get myself back together physically. He’d actually driven to the store and back and bought fresh fruit and real maple syrup and orange juice for me. I sat down to eat, and I looked over at Drake. He was sound asleep in his swing, still wearing nothing but his diaper. “Chip, did you take Drake to the grocery store without any clothes on?” Chip gave me a real funny look. He said, “What?” I gave him a funny look back. “Oh my gosh,” he said. “I totally forgot Drake was here. He was so quiet.” “Chip!” I yelled, totally freaked out. I was a first-time mom. Can you imagine? Anyone who’s met Chip knows he can get a little sidetracked, but this was our child! He was in that dang swing that just made him perfectly silent. I felt terrible. It had only been for a few minutes. The store was just down the street. But I literally got on my knees to beg for Jo’s forgiveness.
Joanna Gaines (The Magnolia Story)
You can have that life,” he told her. “It’s right there for you to take.” “I love you,” Eve quickly countered. “Loving me hurts you, doesn’t it?” Beckett asked, looking down. “No, you don’t have to tell me. I know. I can smell it. I can smell the pain coming off of you,” he said, looking at the floor. “You had love before and a future. What does loving me get you, Eve? What does it get you?” He stood, angry with himself. “I don’t need to get anything from you. It’s the way it is. There’s no changing that.” She gripped the porch railing. Beckett stepped close to Eve and tenderly tucked a lock of hair that had escaped her ponytail behind her ear. “You’re saying goodbye,” she said, her eyes full of questions. “Do you know there are other little girls out there like that one? I lived with a few of them. They would sell their souls for a mother like you.” At the word mother Eve’s chin crumpled. She tried to hold back the tears, but they wouldn’t obey. “See that? It’s what you need. You need that—a little kid calling you Mom.” Beckett put his arms around her as she shattered. The pain she kept hidden surfaced from where it had been smoldering. When he felt her knees weaken, he hugged her harder. “That’s right. It’s okay. It’s nothing to be ashamed of, baby. You want normal.” He guided her to the chair he’d vacated. “There’s a guy out there who’ll hold your hand. There’s a little girl out there. She’s waiting for you. It’ll be okay. It’ll be okay.” He knelt in front of her and rubbed her arms. She slapped at his hands, letting outrage carry her words. “I don’t want another man. I want you. I’ve killed for you. I’ve protected you. What the hell do you think you’re doing? Do you honestly think these hands that kill can hold a child?” She held her fingers in front of her face. “Yes. Absolutely. Don’t you know, gorgeous? Mothers are some of the most vicious killers out there, if their kids are threatened. You just have more practice.” He took her hands and kissed them. “I’ve lost too much. I can’t lose you. Don’t make me. Please. I’ll beg you if I have to.” She watched his lips on her palms. He shook his head and used her own words against her. “The hardest part of loving someone is not being with them when you want to be.” He stood, and she mirrored his motion,already shaking her head. “Don’t say it.” Beckett ignored her; he knew what he had to do. He had to set beautiful Eve free to find that soft, touchable woman he’d seen her become with the little girl.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
PLACEMENT The Physical Transference of Care and Saying Good-bye "A toddler cannot participate in a discussion of the transition process or be expected o understand a verbal explanation. [They benefit] tremendously by experiencing the physical transference of care, and by witnessing the former caregiver's permission and support for [their new guardians] to assume their role. The toddler pays careful attention to the former caregiver's face and voice, listening and watching as [they talk] to [their new guardians] and invites the [guardians'] assumption of the caregiver's role. The attached toddler is very perceptive of [their] caregiver's emotions and will pick up on nonverbal cues from that person as to how [they] should respond to [their] new family. Children who do not have he chance to exchange good-byes or to receive permission to move on are more likely to have an extended period of grieving and to sustain additional damage to their basic sense of trust and security, to their self-esteem, and to their ability to initiate and sustain strong relationships as they grow up. The younger the child, the more important it is that there be direct contact between parents and past caregiveres. A toddler is going to feel conflicting loyalties if [they] are made to feel on some level that [they] must choose between [their] former caregiver and [their] new guardians ...
Mary Hopkins-Best (Toddler Adoption: The Weaver's Craft)
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
Cesar knew better. He did. And love. Love just makes a man weak. A woman, a child—doesn’t matter what face the love has, love makes you stupid, it takes you out of your character, twists you, folds you, it drags you out into deep waters and drowns you. Love has you thinking about all the things you buried. All the things you left behind. It has you thinking about your mother, who was a nurse once, wearing scrubs and coming home late, before all the fighting, before the vodka, before the heroin, before Cesar found her in the bathtub sleeping in her own blood. Love has you crying on the couch while you’re feeding your baby. Not even a month old and you’re leaving him. Not because you want to, but because of love. Because you love him and you know he’s better off with somebody else. Because it’s the right thing to do. But righteousness doesn’t take the edge of the sting. Because it hurts. Because he’s looking up at you. His eyes wide in awe like you’re God herself. Your son cannot understand a word that you’re saying. He doesn’t understand that you’re saying goodbye.
Daniel Abbott (The Concrete)
To that point, I remember when visiting my parents’ years later, I happened to catch an old episode of The French Chef. Because my interest in food had grown, I watched it with even more attentiveness than I had when I was young. But on this particular occasion, I was taken aback by my reaction when Mrs Child bid US her ubiquitous farewell, ‘This is Julia Child, bon appétit!’ My eyes suddenly welded up and I had to stop myself from crying: why was I suddenly experiencing a powerful rush of emotion because a black and white moving image of a chef was saying goodbye to me in French? After a few moments, I realised that I was moved by Mrs Child not only because she brought back happy boyhood memories of spending time with my mom but also because Julia herself was so genuinely happy to be doing what she was doing. I saw in that moment the embodiment of what I, and so many of us, aspire to. To spend your life doing what you love and doing it well. To achieve this is a rare thing, but for those who can, real joy is theirs, as is the ability to bring that joy to others through their chosen vacation.
Stanley Tucci (Taste: My Life Through Food)
Just as abruptly, he'd become a father. While preparing the book for publication, he'd been dating a woman named Sarah Coowe, an infectious-disease specialist at MGH. They were evenly matched in many ways: sharp-dressed, sharp-tongued, and devoted to their careers and personal freedoms to the exclusion of any serious interest in so-called romance. They spent ten months together. A few weeks after they broke up -- Sarah initiated the split -- she called to say that she was pregnant. "It's mine?" asked Affenlight. "He or she," replied Sarah, "is mostly mine." They named the child Pella -- that was Affenlight's idea, though Sarah certainly had the final say. For those first couple of years, Affenlight conspired as often as he could to show up at Sarah and Pella's Kendall Square townhouse with expensive takeout and a new toy. He was fascinated with his daughter, with the sheer reality of her, a beautiful something where before there'd been nothing. He hated kissing her good-bye; and yet he relished, couldn't keep himself from relishing, the total quiet of his townhouse when he walked in, the scattered books and papers and lack of baby-proofing.
Chad Harbach (The Art of Fielding)
We enjoy the poetics but also know we can’t always live off our feelings. We’ve long intuited that a long-distance marathon like ours must be run on more than romance. We delight in each other enough that when we don’t, we still push each other to push through the pain barrier. To try to make it to the next level. Ali calls this “the work of love,” and maybe some days that’s shorthand for me being hard work. But she’s right: love is work. Good work. We may let the scaffolds fall, but we have built our wall. Ali gets fidgety when I get too serious. As I am now. Struggling to express how every day that we give to each other adds both weight and … weightlessness. Gravity and grace. Am I more desperate for our marriage to make it than Ali, who is never as desperate as her husband? I have the most to learn from this relationship, and one of the profoundest lessons it has taught me is in raising children. I’d had that blood-brother compact with my childhood friend Guggi to never grow up, but as Ali and I had kids, I slowly understood that you can’t have a child and remain a child. I really don’t like goodbyes, but sometimes you have to say goodbye.
Bono (Surrender: 40 Songs, One Story)
I Love You' Early on, I noticed that you always say it to each of your children as you are getting off the phone with them just as you never fail to say it to me whenever we arrive at the end of a call. It's all new to this only child. I never heard my parents say it, at least not on such a regular basis, nor did it ever occur to me to miss it. To say I love you pretty much every day would have seemed strangely obvious, like saying I'm looking at you when you are standing there looking at someone. If my parents had started saying it a lot, I would have started to worry about them. Ofcourse, I always like hearing it from you. That is never a cause for concern. The problem is I now find myself saying it back if only because just saying good-bye then hanging up would make me seem discourteous. But like Bartleby, I would prefer not to say it so often, would prefer instead to save it for special occasions, like shouting it out as I leaped into the red mouth of a volcano with you standing helplessly on the smoking rim, or while we are desperately clasping hands before our plane plunges into the Gulf of Mexico, which are only two of the examples I had in mind, but enough, as it turns out, to make me want to say it to you now, and what better place than in the final couplet of a poem where, as every student knows, it really counts.
Billy Collins (Aimless Love: New and Selected Poems)
Good-bye," he muttered harshly. "Good-bye! Good-bye, mamma!" A wild, strange cry, like that of a beast in pain, was torn from his throat. His eyes were blind with tears; he tried to speak, to get into a word, a phrase, all the pain, the beauty, and the wonder of their lives—every step of that terrible voyage which his incredible memory and intuition took back to the dwelling of her womb. But no word came, no word could come; he kept crying hoarsely again and again, "Good-bye, good-bye." She understood, she knew all he felt and wanted to say, her small weak eyes were wet as his with tears, her face was twisted in the painful grimace of sorrow, and she kept saying: "Poor child! Poor child! Poor child!" Then she whispered huskily, faintly: "We must try to love one another." The terrible and beautiful sentence, the last, the final wisdom that the earth can give, is remembered at the end, is spoken too late, wearily. It stands there, awful and untraduced, above the dusty racket of our lives. No forgetting, no forgiving, no denying, no explaining, no hating. O mortal and perishing love, born with this flesh and dying with this brain, your memory will haunt the earth forever. And now the voyage out. Where? XL The Square lay under blazing moonlight. The fountain pulsed with a steady breezeless jet: the water fell upon the pool with a punctual slap. No one came into the Square. The chimes of the bank's clock struck the quarter after three as Eugene entered from the northern edge, by Academy Street. He came slowly over past the fire department and the City Hall. On Gant's corner, the Square dipped sharply down toward Niggertown, as if it had been bent at the edge. Eugene saw his father's name, faded, on the old brick in moonlight. On the stone porch of the shop, the angels held their marble posture. They seemed to have frozen, in the moonlight.
Thomas Wolfe (Look Homeward, Angel)
Sophie Windham, put that child down and come here.” “You are forever telling me to come here,” she replied, but she put the baby on the floor amid his blankets. “And now I am going away, so humor me.” He held out his arms, and she went into his embrace. “I will not forget you, Sophie. These few days with you and Kit have been my true Christmas.” “I will worry about you.” She held on to him, though not as tightly as she wanted to. “I will keep you in my prayers, as well, but, Sophie, I’ve traveled the world for years and come to no harm. A London snowstorm will not be the end of me.” Still, she did not step back. A lump was trying to form in her throat, much like the lumps that formed when she’d seen Devlin or Bart off after a winter leave. She felt his chin resting on her crown, felt her heart threatening to break in her chest. “I must go to Kent,” he said, his hands moving over her back. “I truly do not want to go—Kent holds nothing but difficult memories for me—but I must. This interlude with you…” She hardly paid attention to his words, focusing instead on his touch, on the sound of his voice, on the clean bergamot scent of him, the warmth he exuded that seeped into her bones like no hearth fire ever had. “…Now let me say good-bye to My Lord Baby.” He did not step back but rather waited until Sophie located the resolve to move away from him. This took a few moments, and yet he did not hurry her. “Say good-bye to Mr. Charpentier, Kit.” She passed him the baby, who gurgled happily in Vim’s arms. “You, sir, will be a good baby for Miss Sophie. None of that naughty baby business—you will remain healthy, you will begin to speak with the words ‘please’ and ‘thank you,’ you will take every bath Miss Sophie directs you to take, you will not curse in front of ladies, nor will you go romping where you’re not safe. Do you understand me?” “Bah!” “Miss Sophie, you’re going to be raising a hellion.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
No,’ she answered, wondering at the harsh simplicity of life. ‘My father was a scoundrel then? cried the lad, clenching his fists. She shook her head. ‘I knew he was not free. We loved each other very much. If he had lived, he would have made provision for us. Don’t speak against him, my son. He was your father, and a gentleman. Indeed he was highly connected.’ An oath broke from his lips. ‘I don’t care for myself,’ he exclaimed, ‘but don’t let Sibyl… It is a gentleman, isn’t it, who is in love with her, or says he is? Highly connected, too, I suppose?’ For a moment a hideous sense of humiliation came over the woman. Her head drooped. She wiped her eyes with shaking hands. ‘Sibyl has a mother,’ she murmured; ‘I had none.’ The lad was touched. He went towards her, and stooping down he kissed her. ‘I am sorry if I have pained you by asking about my father,’ he said, ‘but I could not help it. I must go now. Good-bye. Don’t forget that you will only have one child how to look after, and believe me that if this man wrongs my sister, I will find out who he is, track him down, and kill him like a dog. I swear it.’ The exaggerated folly of the threat, the passionate gesture that accompanied it, the mad melodramatic words, made life seem more vivid to her. She was familiar with the atmosphere. She breathed more freely, and for the first time for many months she really admired her son. She would have liked to have continued the scene on the same emotional scale, but he cut her short. Trunks had to be carried down, and mufflers looked for. The lodging-house drudge bustled in and out. There was the bargaining with the cabman. The moment was lost in vulgar details. It was with a renewed feeling of disappointment that she waved the tattered lace handkerchief from the window, as her son drove away. She was conscious that a great opportunity had been wasted. She consoled herself by telling Sibyl how desolate she felt her life would be, now that she had only one child to look after. She remembered the phrase. It had pleased her. Of the threat she said nothing. It was vividly and dramatically expressed. She felt that they would all laugh at it some day.
Oscar Wilde (The Picture of Dorian Gray)
He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.
Philip Pullman (His Dark Materials)
Like an AWOL soldier saying goodbye to his
Lee Child (Never Go Back (Jack Reacher, #18))
The Guildhall was in the middle of Plano, Texas. Plano Texas, is brown and not much else. They have a Frito-Lay factory, parking lots, and a videogame school. At the time, I kept a strict vegan diet and didn’t drive. There was nothing to eat and nowhere to go. But the latter didn’t matter; when you were at the Guildhall you had no life outside the Guildhall. I remember the first day of orientation, sitting in a lecture hall with my future classmates and the spouses they’d brought with them to this wasted brown land. One of the other level design students had his wife and their year-old child with him. “Give her a kiss and say good-bye,” the director of the school told him in front of the assembly. “You’re not going to see her for two years.” I was in Plano, Texas, for six months. You’re at school from nine to five. You stay after and do your work with the teams they’ve assigned you to. Late at night you drag yourself home and do your actual homework. Maybe you get a few hours of sleep. The idea behind the school is that you’re always in what the Big Games Industry calls “crunch time”: unpaid overtime. Your masters want the game done by Christmas, so you don’t leave the office until it’s done. This is why people in the industry aren’t healthy; this is why they burn out and quit games within a few years. This is why you miss the second year of your daughter’s life. This is their scheme: you put up with crunch time all the time while you’re in school, so when you work for a big publisher—or, rather, a studio contracted by a big publisher—you won’t complain about being told you can’t see your daughter until the game’s done. The Guildhall boasts an over 90 percent employment rate, and it’s true: they will get you a job in the games industry. That’s because they will make you into exactly the kind of worker the games industry wants. It’s that kind of school. And it works; that’s the horrifying thing. My classmates were all self-identified gamers and game fans and were willing to put up with anything in order to live their dream of making videogames. That’s the carrot the industry dangles, and it’s what we take away from the industry when we create a form to which anyone can contribute. As long as the industry is allowed to continue acting as the gatekeeper to game creation, people will continue to accept the ways in which the industry tramples the lives and well-being of the creative people who make games, rather than challenging the insane level of control that publishers ask over developers’ lives.
Anna Anthropy (Rise of the Videogame Zinesters: How Freaks, Normals, Amateurs, Artists, Dreamers, Drop-outs, Queers, Housewives, and People Like You Are Taking Back an Art Form)
If an adult is married to an abusive spouse, divorce is a sensible solution. Yet, there is normal grief in the decision-making to sever the relationship. Longing for the positive times with the former spouse is balanced against knowing the destructiveness of abuse. Similarly, if a partner callously abandons an adult, grief is normal. Even though the partner may have lacked qualities like loyalty, commitment, or sensitivity, the degree of felt pain is not initially measured by the worthiness of the partner. Only after grieving do people start to realize that their partner’s abandonment might be a bit of luck! The legal and emotional ties of children to their birthparents are similar to marriage. Even though their parents may have abandoned, abused, or neglected them, children will not calibrate their love or longing by the worthiness of their lost parents. Methods that are most successful for grieving children do not emphasize parent replacement, especially in the beginning of placement. Parents who acknowledge that their children are still missing and loving their former parents affirm their children. Parents do not shame their children in any way for their devotion. Instead, parents say that it sounds like the children loved that previous parent the best they could. Sometimes questions give parents a sense of the degree of resolution that a child has about their loss. Examples are, “Did you have a chance to say goodbye? Are you still thinking that you will move back? What might happen so that you could go back?” It helps to ease children into bonding when parents say that they will be giving their children all the love they need, and that children can still care for birthparents or former foster parents. Parents can give matter-of-fact information that all children need someone to love them day-to-day, even if children want to be in another home.
Deborah D. Gray (Attaching in Adoption: Practical Tools for Today's Parents)
OH, CRY ME A RIVER Bear with each other and forgive one another if any of you has a grievance against someone. Forgive as the Lord forgave you. Colossians 3:13 So I wasn’t overly sympathetic. Can you blame me? I was talking to a young lady who was devastated after a Facebook comment dissed her appearance. “Umm, they didn’t like your new ‘do’?” I feigned understanding. “How many Facebook followers you got there?” “Three,” she said. OhDearLordJesusSpareMe. Big hurts and little hurts, we’ve all got ’em. I won’t bore you with my own bumps and bruises, but a wealth of “Palin stuff,” true or not, paraded before the world, seemingly on a regular basis, gives me experience to help others persevere. God can use indignities for His purposes! One way to survive is to keep your perspective. Kissing a firstborn goodbye—off to war; cradling a newborn struggling with special needs; preparing for a teenager’s pending motherhood; governing the nation’s largest state; and campaigning for vice president of those states . . . all at once, Lord? This, while ruthless rumormongers felt big by making others feel small. How to handle all that? My “sufferings” are minuscule compared to others: those who have lost a family member in military service, or lost a child, or who are single moms with no supportive family to help them. It’s hard for all of us to keep perspective. But one way to gain perspective is to get out there and help other people. SWEET FREEDOM IN Action Today, volunteer for people who are really hurting, hurting worse than you are. Don’t dwell on anything out of your control—especially don’t worry about what people say about you. Give it all to God. And, darling Piper, ignore Facebook slights about your purple hair.
Sarah Palin (Sweet Freedom: A Devotional)
I hit him for every single thing that was wrong in my life and kicked him in a fierce fury of madness as he sobbed and covered his face and screamed. I hit him because Walter hit me and I hit him because I hated my life and I hit him because I just wanted to go home and I hit him because I didn’t know where home was.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
There’s nothing more uplifting than to hear the sound of an innocent child being so happy in a place that people are sad. It reminds you that life goes on and on and on, just not for the one you’re saying good-bye to. People come and people go and we know this happens, yet we get such a shock when it does. To use that old cliché, the only certainty in life is death. It’s a certainty, it’s the one condition of living that we’re given but we often let it tear us apart.
Anonymous
When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life. Wes, Joy, and Frank came into the house with me and the kids. We never entertained, we never had anyone over, and now suddenly our living room seemed full. Unaccustomed to company, Robert greeted each one at the door. “Take your shoes off before you come in,” he said seriously. I looked over at him. He was clearly bewildered but trying so hard to be a little man. We had to make arrangements to bring Steve home. I tried to keep things as private as possible. One of Steve’s former classmates at school ran the funeral home in Caloundra that would be handling the arrangements. He had known the Irwin family for years, and I recall thinking how hard this was going to be for him as well. Bindi approached me. “I want to say good-bye to Daddy,” she said. “You are welcome to, honey,” I said. “But you need to remember when Daddy said good-bye to his mother, that last image of her haunted him while he was awake and asleep for the rest of his life.” I suggested that perhaps Bindi would like to remember her daddy as she last saw him, standing on top of the truck next to that outback airstrip, waving good-bye with both arms and holding the note that she had given him. Bindi agreed, and I knew it was the right decision, a small step in the right direction. I knew the one thing that I had wanted to do all along was to get to Steve. I felt an urgency to continue on from the zoo and travel up to the Cape to be with him. But I knew what Steve would have said. His concern would have been getting the kids settled and in bed, not getting all tangled up in the media turmoil. Our guests decided on their own to get going and let us get on with our night. I gave the kids a bath and fixed them something to eat. I got Robert settled in bed and stayed with him until he fell asleep. Bindi looked worried. Usually I curled up with Robert in the evening, while Steve curled up with Bindi. “Don’t worry,” I said to her. “Robert’s already asleep. You can sleep in my bed with me.” Little Bindi soon dropped off to sleep, but I lay awake. It felt as though I had died and was starting over with a new life. I mentally reviewed my years as a child growing up in Oregon, as an adult running my own business, then meeting Steve, becoming his wife and the mother of our children. Now, at age forty-two, I was starting again.
Terri Irwin (Steve & Me)
Toddlers need the opportunity to say good-bye to their friends. Some may wish to present their friend with a special farewell gift, or they may want to take something with them as a remembrance of their friend. Photos can be used to remember a friend in a Lifebook, and post-placement visits and letters can assist a child who is grieving the loss of a special peer relationship.
Mary Hopkins-Best (Toddler Adoption: The Weaver's Craft Revised Edition)
¡Zape! (Shoo!) Go away, go away, espíritu maligno (bad spirit)!” they sang. “Go back to where you came from!” The festive musical celebration combined the prayers and songs with expressive dancing to the rhythm of percussion and string instruments, which accompanied the child’s ascent into heaven, where she would become an angel. Women, men and children ate, drank, prayed, sang and danced. They also played games like la gallina ciega (the blind chicken) where children tried to escape the touch of a blindfolded child who would walk around trying to feel for them. Whoever she touched was disqualified from the game. The baquiné lasted throughout the night. In a time when so many children perished to disease, this was a way for the child’s loved ones to say good-bye and endure the painful loss. But when all were gone, the crude reality set in. Manuel will never forget the image of those poor parents, devastated, sitting alone right next to the altar where their child lay dead, weeping desperately at her loss. He prayed for Ana’s soul. He prayed for those parents. And he prayed that he would never have to suffer the agony of losing a child.
Yasmin Tirado-Chiodini (Antonio's Will)
As the breeze grew in strength they didn’t go inside, but in silence watched the surface of the water grow more and more choppy. The only quiet was between them. The sound of the ocean and gale were roaring, the coldness of the air making each inch of their skin alert. Helen’s arms around the girl tightened, and the little one in turn only sank more into Helen’s chest. Despite the thinness of her dress, Helen couldn’t pick herself up to go indoors. Perhaps it was because the wind blew from her mind the fog that had been with her for days. Maybe, Helen realized, it was because the child was curled into her and Helen simply didn’t have the strength right now to pry her away. But most of all, she knew it was because the ocean seemed a fitting place to go to say farewell.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
On Your Face On your face you have a nose. And way down here you have ten toes. Two eyes that blink, And a head to think. You have a chin and very near, You have two ears to help you hear. Arms go high and arms go low [Arms go low and arms go high] A great big hug to say hello [to say good-bye]. Preparation and Instructions: Sit in front of the child, either on the floor or in two chairs. Remember that your facial expressions need to be exaggerated and filled with delight. “On your face you have a nose.” Touch your child’s nose. “And way down here you have ten toes.” Starting with your hands on the child’s shoulders, slide down the child’s arms and then touch or point to the child’s toes. “Two eyes that blink,” Touch the child on the temples next to his or her eyes. “And a head to think.” With both your hands, gently cradle the sides of the child’s head. “You have a chin and very near,” Touch the child’s chin. “You have two ears to help you hear.” Touch both ear lobes and whisper something short into the child’s ear. Some suggestions are, “I like you,” “I am glad to see you,” “I love you,” “I’m glad you are my granddaughter.” “Arms go high and arms go low [Arms go low and arms go high].” Grasp the child’s wrists and hold the arms high over his or her head; then bring them back down (or vice versa if you are using the variant line).
Becky A. Bailey (I Love You Rituals)
Family Handshakes Preparation and Instructions: To begin the game, greet the child with a big smile, “Good morning,” and a handshake. The Game: As you hold the child’s hand, tell the child, “We are going to play a handshake game. After I shake your hand, I am going to add another movement to the handshake.” You may give the handshake and then raise your thumb (have the child raise his or her thumb also) and touch thumbs together. Repeat the two-part handshake. Then add another movement to your handshake, perhaps sliding the hands apart. Repeat the handshake: Shake hands, touch thumbs, and slide apart. By now the child will have an idea of the game. Ask the child to add the next movement to the handshake. It may be a high five. Repeat the handshake: Shake hands, touch thumbs, slide apart, and do a high five. Involve the whole family in creating a handshake. Each family member can add a movement. The handshake could then become a special family ritual for saying hello or good-bye. Variations: Instead of doing handshakes, play the game pinky hugs. The game begins with the adult interlocking his or her pinky finger with the pinky finger of the child and announcing, “This is a pinky hug.” Add different “hugs” to the pinky hug as you did in the handshake game. You can use elbow hugs, thumb hugs, and knee hugs. After you add each element, remember to repeat the entire series, always beginning with the pinky hug. My Hand Is Stuck Preparation and Instructions: This game begins by placing your hand on the child and saying, “My hand is stuck.
Becky A. Bailey (I Love You Rituals)
In a small fishing village in Japan, there lived a young, unmarried woman who gave birth to a child. Her parents felt disgraced and demanded to know the identity of the father. Afraid, she refused to tell them. The fisherman she loved had told her, secretly, that he was going off to seek his fortune and would return to marry her. Her parents persisted. In desperation, she named Hakuin, a monk who lived in the hills, as the father. Outraged, the parents took the infant girl up to his door, pounded until he opened it, and handed him the baby, saying "This child is yours; you must care for it!" "'Is that so?" Hakuin said, taking the child in his arms, waving good-bye to the parents. A year passed and the real father returned to marry the woman. At once they went to Hakuin to beg for the return of the child. "We must have our daughter," they said. "Is that so?" said Hakuin, handing the child to them.
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
Douglas Pavlick works a clear-cut as big as downtown Eugene, saying goodbye to his plants as he tucks each one in. 'Hang on. Only ten or twenty decades. Child's play, for you guys. You just have to outlast us. Then no one will be left to fuck you over.
Richard Powers
Douglas Pavlicek works a clear-cut as big as downtown Eugene, saying goodbye to his plants as he tucks each one in. Hang on. Only ten or twenty decades. Child’s play, for you guys. You just have to outlast us. Then no one will be left to fuck you over.
Richard Powers (The Overstory)
Almost every child will complain about their parents sometimes. It is natural, because when people stay together for a long time, they will start to have argument. But ignore about the unhappy time, our parents love us all the time. No matter what happen to us, they will stand by our sides. We should be grateful to them and try to understand them. 카톡►ppt33◄ 〓 라인►pxp32◄ 홈피는 친추로 연락주세요 팔팔정판매,팔팔정팝니다,팔팔정구입방법,팔팔정구매방법,팔팔정판매사이트,팔팔정약효, 비아그라복용법,시알리스복용법,레비트라복용법 The fire of the liquid, which makes you, when you wake up, when you wake up, when you're stoned, when you're stoned, when you turn heaven and earth upside down, when you turn black and white, when the world turns right and wrong, when it turns human history upside down, when it turns four arts of the Chinese scholar, when it turns red and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white and white, when it turns black and white and white, when it turns Crazy poem immortal, Make Public Cao Cao, write hongmen banquet, Wet Qingming Apricot rain, thin Begonia Li Qingzhao, Jingyanggang, help Wu Song three Fists Kill Tigers, Xunyang Tower, Vertical Song Jiang Poem Rebellion, you Ah, you, how many Heroes Jin Yong's Linghu Chong put down how many village men singing and dancing with you, beauty with you, urge poetry, Zhuang Literati Bold, some people borrow you crazy, some people borrow you to seize power, sometimes you are just a prop, to set off the atmosphere at the negotiating table, sometimes you are more like a hidden weapon, knocking out the opponents who drink too much. You, you, have entered both the luxurious houses of Zhu men and the humble cottages, both overflowing the golden bottles of the Royal Family and filling the coarse bowls of the peasant family. You are needed for sorrow, and you are needed for joy, on your wedding night, when you meet a friend from another country, when your name is inscribed on the gold list, the migrating and exiled prisoners, the down-and-out Literati, the high-flying officials of the imperial court, are all your confidants, your companions, and even the condemned prisoners who are about to go on their way, they all want you to say goodbye to them because of you, how many great events have been delayed, because of you, how many unjust cases have been made, because of you, how many anecdotes have been kept alive, because of you, how many famous works have been produced, but also because of you, how many people's liver cancer has been created, and the soul has gone to heaven, it is true, there are successes and failures as well as you, life also has you, death also has you, you drown sorrow more sorrow, poor also has you, rich also has you, thousands of families also can not leave you.
팔팔정처방 via2.co.to 카톡:ppt33 팔팔정판매 팔팔정구매 팔팔정파는곳 팔팔정구입사이트
Where did you grow up? What’s your native language? What’s your religious affiliation? How many people are in your family? What did the apartment or house you grew up in look like? How did your parents meet? Was there a TV? Where did you sleep? What did you eat? What was your favorite hiding place when you were a child? Did you go to school? What sort of clothing did you wear? Did you have pets? Did you learn a trade? Do you have a family of your own? When did you leave the country of your birth? Why? Are you still in contact with your family? What was your goal when you left home? How did you say your goodbyes? What did you take with you when you left? What did you think Europe would be like? What’s different? How do you spend your days? What do you miss most? What do you wish for? If you had children who were growing up here, what would you tell them about your homeland? Can you imagine growing old here? Where do you want to be buried?
Jenny Erpenbeck (Go, Went, Gone)
But when we arrived at the house where she was going visiting, she would turn to me and hand me a fifty-sen piece wrapped in paper and say, “Saraba,” a northern dialect word for “goodbye.” At that time fifty sen was a huge amount of money for a child. But it wasn’t for the money that I enjoyed escorting my aunt. It was because that word “saraba” had a charm that sent shivers down my spine. In my aunt’s way of saying it there was a great store of implicit warmth and kindness.
Akira Kurosawa (Something Like An Autobiography)
what, or to whom? She’d long ago given up on any sort of God—probably while she was still a child—particularly the one forced on her by her parents. It seemed wrong to drag that relationship back into play now simply because she was afraid. It felt two-faced and selfish. She
Catherine Ryan Hyde (Say Goodbye for Now)
You’re really going?” Except it wasn’t a question. “You’ve asked it of me,” Val reminded her gently, “and you are convinced Freddy will pester me literally to death if I don’t leave you to continue on with him as you did before, and you have forbidden me to call him out.” She nodded and leaned into him, fell into him, because her knees threatened to buckle with the magnitude of the loss she was to endure. Val embraced her, resting his cheek against her hair. “You’re a strong woman, Ellen Markham, and I have every faith in your ability to soldier on. I need to know as I trot out of your life that you will be fine and you will manage here without me. So”—he put a finger under her chin and forced her to meet his gaze—“tell me some pretty lies, won’t you? You’ll be fine?” Ellen blinked and obediently recited the requested untruth. “I’ll be fine.” “I’ll be fine, as well.” Val smiled at her sadly. “And I’ll manage quite nicely on my own, as I always have. You?” “Splendidly,” Ellen whimpered, closing her eyes as tears coursed hot and fast down her cheeks. “Oh, Val…” She clutched him to her desperately, there being no words to express the pure, undiluted misery of the grief she’d willingly brought on herself. “My dearest love.” Val kissed her wet cheeks. “You really must not take on so, for it tortures me to see it. This is what you want, or do I mistake you at this late hour?” “You do not.” The sigh Ellen heaved as she stepped back should have moved the entire planet. She wanted Val safe from Freddy’s infernal and deadly machinations, and this was the only way to achieve that goal. She had the conviction Valentine Windham, a supremely determined and competent man—son of a duke in every regard—would not take Freddy’s scheming seriously until it was too late. It was up to her to protect the man she loved, and that thought alone allowed her to remain true to the only prudent course. “You have not mistaken me, not now—not ever.” “I did not think you’d change your mind.” Val led her back toward the house by the hand. “I have left my direction in the library, and in the bottom drawer of the desk you will find some household money. I know you’d prefer to cut all ties, Ellen, but if you need anything—anything at all—you must call upon me. Promise?” “I promise,” she recited, unable to do otherwise. “And Ellen?” Val paused before they got to the stable yard. “Two things. First, thank you. You gave me more this summer than I could have ever imagined or deserved, and I will keep the memories of the joy we shared with me always. Second, if there should be a child, you will marry me.” “There will not be a child,” she murmured, looking back toward the wood. He was thanking her? She’d cost him a fortune and put his well-being in jeopardy, and he was thanking her? “I do not, and never will, deserve you.” “Promise me you’ll tell me if there’s a child?” Val’s green eyes were not gentle or patient. They were positively ducal in their force of will. “If there is a child I will tell you.” “Well, then.” Val resumed their progress. “I think that’s all there is to say, except, once again, I love you.” “I love you, too,” Ellen replied, wishing she’d given him the words so much more often and under so many different circumstances. “Good-bye, my dearest love.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
...what I'm saying isn't for him. If my words were for him they would be different; softer, and more meaningful. They would be whispered in his ear instead of projected to a crowd.
Cheyenne Berandi (The Last Word: an anthology of memories)
her rest. If she had lived in the Middle Ages, she would surely have been a witch and flown a broomstick Saturday night to keep a date with the devil. But the Bronx is one place where the devil would have died of boredom. Her mother is also a witch in her own way, but a good witch: half rebbetzin, half fortuneteller. Every female sits in her own net weaving like a spider. When a fly happens to come along, it’s caught. If you don’t run away, they’ll suck the last drop of life out of you.” “I’ll manage to run away. Goodbye.” “We can be friends. The rabbi is a savage, but he loves people. He has unlimited connections and he can be of use to you. He’s angry at me because I won’t read electronics and television into the first chapter of Genesis. But he’ll find someone who will. Basically he’s a Yankee, although I think he was born in Poland. His real name isn’t Milton but Melech. He writes a check for everything. When he arrives in the next world and has to give an accounting, he’ll take out his checkbook. But, as my grandmother Reitze used to say, ‘Shrouds don’t have pockets.’ ” 3 The telephone rang, but Herman didn’t answer it. He counted the rings and went back to the Gemara. He sat at the table, which was covered with a holiday cloth, studying and intoning as he used to do in the study house in Tzivkev. Mishnah: “And these are the duties the wife performs for the husband. She grinds, bakes, washes, cooks, nurses her child, makes the bed, and spins wool. If she has brought one servant with her, she doesn’t grind, bake, or wash. If
Isaac Bashevis Singer (Enemies, A Love Story (Isaac Bashevis Singer: Classic Editions))
Sometimes the world didn’t make sense. No parent should ever have to bury their own child. I couldn’t even imagine that kind of pain that raced through her heartbeats on a daily basis. If I could offer up only one set of prayers for the remainder of my life, it would be for the parents who had to say goodbye too early to one of their own.
Brittainy C. Cherry (The Mixtape)
I came across an Etruscan word, saeculum, which is a concept, or marker, of a temporal interval. Generally speaking, it is the span of time lived by the oldest person present. The day will come…when the last person to have fought in Vietnam will die. . . .Who will remember when . . . a car had to be cranked to start or when the clank of an ice delivery man carrying fifty-pound block in tongs brought merriment to the afternoon? I wonder, then, what would be my saeculum. Or whom. I wonder what young nephew or niece’s child, siphoned through the tunnel of time, would see a faded photograph of me and search their memories for my name. I think he was some sort of great-uncle, she or he will say. I don’t remember exactly. Look at his clothes!
Joseph Monninger (Goodbye to Clocks Ticking: How We Live While Dying)
My friend Doggie was gone, and I never even got a chance to say good-bye to him for keeps.
Jennings Michael Burch (They Cage the Animals at Night: The True Story of an Abandoned Child's Struggle for Emotional Survival (Signet))
When we did she said, ‘Freud said that primitives are like Western children. I don’t believe that for a second, but most anthropologists don’t blink an eye at it, so we’ll let it stand for the sake of my argument, which is: Every child seeks meaning. When I was four I remember asking my quite pregnant mother: What’s the point of all this? Of all what? she asked. Of all this life. I remember how she looked at me and I felt like I’d said something very bad. She came and sat beside me at the table and told me I’d just asked a very big question, and that I wouldn’t be able to answer it until I was an old, old woman. But she was wrong. Because she had that baby, and when she brought her home I knew I’d found the point. Her name was Katie but everyone called her Nell’s Baby. She was my baby. I did everything for her: fed her, changed her, dressed her, put her to sleep. And then when she was nine months old, she got sick. I was sent to my aunt’s in New Jersey and when I came back she was gone. They didn’t even let me say goodbye. I couldn’t even touch her or hold her. She was gone like a rug or a chair. I feel like I got most of life’s lessons before I turned six. For me, other people are the point, but other people can disappear. I guess I don’t have to tell you that.
Lily King (Euphoria)
Downstairs I left a candle burning In its light I'll read a few lines when I return By the time I returned the candle had burned out Those few lines had faded like innocence You walk with me The way moon walks along with a child sitting in a train window I stood in the balcony one day Waved a handkerchief toward the sky Those who have gone without saying their goodbyes Will recognize it even from far In my handkerchief they have left behind their tears The way early humans left behind their etchings on cave walls Lyotard said, every sentence is a now No. Actually it's a memory of now Every memory is a poem In our books, the count of the unwritten poems is so much more - Geet Chaturvedi Translated by Anita Gopalan
Geet Chaturvedi (The Memory of Now (Chapbook, 26))
Hello, my loves." Padraig enters carrying a stack of wood. My heart reaches for him; it has never stopped moving toward him since the evening at the castle, or maybe even before, on a bridge over the River Cherwell when he ran after me to walk me halfway to the Kilns. Padraig's hair is silver, pure silver, as if a child with a paint box took his bright red curls and painted them. His face is lined with wrinkles to mark his smiles. Twenty best-sellers my husband has written now, fairy tales and legends of the Irish countryside, even while tutoring at Merton for all these years. But the book young George and I are reading? Once Upon a Wardrobe. I wrote it. My brother illustrated it. Of course, he hadn't known he was illustrating a book; he merely drew while I told him stories. The book came later. Much later. Padraig drops the logs into the fire and comes to kiss us both. "What part are we on?" "The end," George says, "until we read it again." I look up to Padraig, and he smiles down at me with that crooked and dear grin that melts everything in me. I think of the first time I knew what that smile meant - on my front porch on Christmas morning - but it was at my brother's final good-bye that I knew for sure.
Patti Callahan Henry (Once Upon a Wardrobe)
The concept of internalization helps us understand what kids need to separate successfully; kids literally have to “take in” something from a parent so they can hold on to the good feelings of the relationship even when a parent says goodbye. English pediatrician and psychoanalyst Donald Winnicott introduced the idea that children create a mental representation of the parent-child relationship so that they can access the feelings of the relationship even when a parent is absent. Transitional objects help children with this process; a blanket or stuffed animal or object from home becomes a physical representation of the parent-child bond, reminding a child that parents still exist and are “there” for you even when they are not right in front of you. I always recommend transitional objects to parents whose kids struggle with separation anxiety—they are a way to help make tricky transitions feel more manageable. After all, to ease separation anxiety, we have to help kids “hold on to us” in our absence.
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
Come up with a routine that is easy to practice and repeat—something short and sweet. Maybe you say, “When we say goodbye, I’ll give you one hug, say ‘See ya later, alligator!’ and ‘Daddy always comes back!,’ and then I’ll turn around and leave. You’ll be with your teachers then, and if any big feelings come up, they’ll know how to help you. Let’s practice!” Then, act out the scene of drop-off—feel free to be the kid first and have your child be the adult, and then switch roles. Practice will make the whole routine feel more familiar, and eventually lead to mastery, which helps separation feel safer.
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
A dry run for separation might start like this: “On Monday, you’ll have your first day of school. Let’s think about how we want to say goodbye and then practice it a few times so our bodies are ready for the moment when it comes!” Then come up with a short routine and practice it, maybe even acting out the walking away or taking a deep breath and using a mantra if a child feels sad. Even if your child becomes distressed, keep in mind that this rehearsal will not make your child more anxious; rather, it will allow your child to gain mastery and comfort with a tricky situation.
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
Today's marbles were then called,  ‘blorot'. It is possible that the source of this strange name came from the language spoken by the people of  Tiberias. The  blorot  was an entire world. There was no self-respecting child who did not have them in his possession. There were those who walked proudly with a fixed 'Rasiot'. The Rasiot was a special brand of  blorot,  usually larger, but what was important was that they were trusted by the user, who could rely upon them when shooting. The  blorot was in abundance and appeared in different forms, in different colors, and in different sizes. There were giants and small  blorots, there were those that were made of glass or ceramic. There were transparent  butterflies, some that were decorated in a way that only someone with a wild imagination could design. Every  blora was more beautiful than the other, but most beautiful of all, was no doubt the variety of games you could play with them.
Nahum Sivan (Till We Say Goodbye)
I had developed a very complicated and little-understood disorder called misophonia, which means “hatred of sound.” Certain sounds act as triggers that turn me from a Teddy bear into an agitated grizzly bear. People with misophonia are annoyed, sometimes to the point of rage, by ordinary sounds such as people eating, breathing, sniffing, or coughing, certain consonants, or repetitive sounds. Those triggers, and there are dozens of them, set off anxiety and avoidant behaviors. What is a mild irritation for most people -- the person who keeps sniffling, a buzzing fly in a closed room—those are major irritants to people with misophonia because we have virtually no ability to ignore those sounds, and life can be a near constant bombardment of noises that bother us. I figured out that the best way to cope was to avoid the triggers. So I turned off the television at certain sounds and avoided loud people. All of these things gave me a reputation as a high-strung, moody and difficult child. I knew my overreactions weren’t normal. My playmates knew it
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
I don’t know what I would have done if they had hugged me. I probably would have frozen in place, become stiff. It took most of my life to overcome my distaste for physical contact and not to stiffen when I was touched, or flinch, twitch, fidget, and eventually figure out how to move away. I learned to accept being hugged by my children when they were infants. Their joy at seeing me enter a room was real and filled with true love and affection and it showed in their embraces. Like a convert, when I learned the joy and comfort of being hugged by and hugging those I loved, I became a regular practitioner.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
Otherwise, there were no long goodbyes or emotional scenes. That isn’t part of foster care. You just leave and you just die a little bit. Just a little bit because a little bit more of you understands that this is the way it’s going to be. And you grow hard around the edges, just a little bit. Not in some big way, but just a little bit because you have to, because if you don’t it only hurts worse the next time and a little bit more of you will die. And you don’t want that because you know that if enough little bits of you die enough times, a part of you leaves. Do you know what I mean? You’re still there, but a part of you leaves until you stand on the sidelines of life, simply watching, like a ghost that everyone can see and no one is bothered by. You become the saddest thing there is: a child of God who has given up.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care.)
In late October of 1962, it was our turn to go. Miss Hanrahan appeared in her state Ford Rambler, which, by that point, seemed more like a hearse than a nice lady’s car. Our belongings were packed in a brown bags. The ladies in the kitchen, familiar with our love of food, made us twelve fried-fish sandwiches each large enough to feed eight grown men and wrapped them in tinfoil for the ride ahead of us. Miss Louisa, drenched with tears, walked us to the car and before she let go of my hand she said, “When you a big, grown man, you come back and see Miss Louisa, you hear?” “But,” I said, “you won’t know who I am. I’ll be big.” “No, child,” she said as she gave me her last hug, “you always know forever the peoples you love. They with you forever. They don’t never leave you.” She was right, of course. Those we love never leave us because we carry them with us in our hearts and a piece of us is within them. They change with us and they grow old with us and with time, they are a part of us, and thank God for that.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care.)
I can think of no greater privilege than being a child bearer of the gods! And that privilege begins today. All those women who desire the Sacred Marriage say your goodbyes to your fathers, your husbands, your siblings and your lords, and come to the holy shrine of Enlil this evening. We will perform a mass marriage ceremony and celebrate your newly exalted status!” Inanna was smugly satisfied with her delivery.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
Potters. Mrs. Potter was Mrs. Dursley’s sister, but they hadn’t met for several years; in fact, Mrs. Dursley pretended she didn’t have a sister, because her sister and her good-for-nothing husband were as unDursleyish as it was possible to be. The Dursleys shuddered to think what the neighbors would say if the Potters arrived in the street. The Dursleys knew that the Potters had a small son, too, but they had never even seen him. This boy was another good reason for keeping the Potters away; they didn’t want Dudley mixing with a child like that. When Mr. and Mrs. Dursley woke up on the dull, gray Tuesday our story starts, there was nothing about the cloudy sky outside to suggest that strange and mysterious things would soon be happening all over the country. Mr. Dursley hummed as he picked out his most boring tie for work, and Mrs. Dursley gossiped away happily as she wrestled a screaming Dudley into his high chair. None of them noticed a large, tawny owl flutter past the window. At half past eight, Mr. Dursley picked up his briefcase, pecked Mrs. Dursley on the cheek, and tried to kiss Dudley good-bye but missed, because Dudley was now having a tantrum and throwing his cereal at the walls. “Little tyke,” chortled Mr. Dursley as he left the house. He got into his car and backed out of number four’s drive. It was on the corner of the street that he noticed the first sign of something peculiar — a cat reading a map. For a second, Mr. Dursley didn’t realize what he had seen — then he jerked his head around to look again. There was a tabby cat standing on the corner of Privet Drive, but there wasn’t a map in sight. What could he have been
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
Yet the structure we have built to protect and nurture these children actually does the opposite. Imagine an impoverished six-year-old boy who rarely gets a healthy meal and rarely has parental supervision. He finally goes to school and falls in love with the first person who has ever been there every day for him—his first-grade teacher. She loves and encourages and teaches him. She won’t let the kids bully one another, and she makes sure he gets a good breakfast, lunch, and an after-school snack. Only the weekends are scary. The sixyear-old has a daily routine that includes a committed relationship for the very first time. Life is good; hope is learned. Then the school year ends, and this wonderful teacher says, “Good-bye. You will have a great teacher in second grade.” So the seven-year-old survives the short summer and begins the process all over. But now he has a homeroom teacher, a math and science teacher, a language arts teacher, and a music teacher. Which one is he to fall in love with? Who will fall in love with him? Each of these teachers has dozens of students to care for an hour at a time. And so, at the end of second grade it’s a little less painful to part with his teachers because he never really got to know them. But at least he was physically safe and was fed every day. And so, by the end of third grade, he hardly notices his teacher because he has formed a strong attachment to the friends who move along from class to class with him. They share multiple hours together daily. Instead of taking his signals of proper behavior from a committed adult, since he has none at home or school, he models his life after the future football captain, just as the girls in his class likely emulate the future prom queen. This child from an impoverished culture was taught, in effect, that no adult cares enough to hang out and teach him for more than the 150 hours required to complete a credit. And as he got older, he also learned that the teachers were not quite as able to physically protect him as when he and his classmates were small, and it’s humiliating to have to eat the government-provided free lunch. Even our elementary
Leigh A. Bortins (The Core: Teaching Your Child the Foundations of Classical Education)
Ayo, molay, what were you trying to say? That’s me, isn’t it? If it were you, she’d be taller, younger, and the brow wouldn’t have that wrinkle. Are you telling me to care for your baby? You asked me that already. You know I will. But I’m sixty-three years old! Fathers might be dispensable, but a child needs its mother. Oh, Elsie, what have you done? Was this to say goodbye?” She’s overcome and must sit on the ground. Her body tells her with certainty that Elsie will never return; that Elsie gave herself to the river deliberately. The thought of Elsie leaving this message here, moments before she went to the river and took her life, is wrenching. She clutches the paper to her bosom and gives in to her sorrow.
Abraham Verghese (The Covenant of Water)
Ayo, molay, what were you trying to say? That’s me, isn’t it? If it were you, she’d be taller, younger, and the brow wouldn’t have that wrinkle. Are you telling me to care for your baby? You asked me that already. You know I will. But I’m sixty-three years old! Fathers might be dispensable, but a child needs its mother. Oh, Elsie, what have you done? Was this to say goodbye?” She’s overcome and must sit on the ground. Her body tells her with certainty that Elsie will never return; that Elsie gave herself to the river deliberately. The thought of Elsie leaving this message here, moments before she went to the river and took her life, is wrenching. She clutches the paper to her bosom and gives in to her sorrow. She hears the distant sound of Anna Chedethi calling out from the kitchen. “Big Ammachi-o?” From the rising, musical o at the end, she knows that whatever it is Anna wants, it isn’t urgent. But the melodic summons feels like a conclusion. It is a reminder that Parambil must go on. A householder, a mother, a grandmother has precious duties that don’t cease, that go on till her dying day.
Abraham Verghese (The Covenant of Water)
And when I looked back up from the song, Talia was gone. I wanted to be relieved, but I felt sad that she left her own child’s birthday party without even saying goodbye to him.
Elsie Silver (Heartless (Chestnut Springs, #2))
Shit," Sirius says, staring after Teddy, who has run off after flatout stating that they couldn't make him leave to go meet a family that might want him, not when he has a family here. He intends to stay forever, apparently. It's not the first time a child they've taken in has been wary to leave, but every kid they've taken in has known that they would go, so despite trepidation and tears and swearing they'd miss them, they did say goodbye. Teddy is the first who outright refuses to, because he has everything he wants right here. Dorcas clears her throat. "I…didn't see that coming, I won't lie." "Believe me," Remus mutters, "we didn't either." "It was touch-and-go there for a bit," Sirius murmurs, then heaves a sigh. "Right, well, that's that, then." "What's what?" Dorcas asks, blinking. Remus stares at her. "He's staying." "He…can't," Dorcas says slowly. "That's not how the process works, Remus. You're only fostering him." "Yeah, uh, Dorcas, I love you—I do, I really do, but you're not taking our kid," Sirius tells her.
Zeppazariel (Crimson Rivers)