Sax Player Quotes

Mind you, he looks a bit out of it, gazing around in confusion, as if his sax player’s brain has been removed and replaced with a drummer’s.

Bruce is still my friend. We don't talk much. We don't have to. He is great and in his own league. I'm not him and he is not me. But we are on similar paths, writing and singing out own kind of songs around the world, along with Bob and a few other singer/songwriters. It is a a silent fraternity of sorts, occupying this space in people's souls with our music. Last year, I lost my right-hand man, the pedal steel guitarist Ben Keith. This year Bruce lost his right-hand man, the saxophonist Clarence Clemons. It's time for another talk; friends can help each other just by being there. Now both of us will look to our right and see a giant hole, a memory, the past and the future. I won't play with another steel player trying to recreate Ben's parts, and I know Bruce won't play with another sax man trying to play Clarence's. Those parts are not going to happen again. They already did. That takes a lot out of our repertoires.

You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears. Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister. Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line. “I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.

I went to the CD player, choosing some soft and soothing soprano sax, courtesy of the late Art Porter.

You either have it, or want it Nothing else will fly. Do you know any songs? What can you play? Can you sing? Do you have a piano, tuba, or strings? . . . The musicians began vamping, What can this Rabbit cat do? Is he going to blow hot air Or fart in the rain? Rabbit turned his back to the band Like that genius Miles Davis Pulled out his stick He made a horn with his hands. This stick is so special, bragged Rabbit. As he turned back to the jam No one else has one like this. You’ve never heard it before. It’s called a sax-oh-oh-phone. Rabbit’s newborn horn made a rip in the sky It made old women dance, and girls fall to their knees It made singers of tricksters, it made tricksters of players It made trouble wherever it sang after that— The last time we heard Rabbit was for my cousin’s run for chief. There was a huge feed. Everyone showed up to eat. Rabbit’s band got down after the speeches. We danced through the night, and nobody fought. Nor did anyone show up the next day to vote. They were sleeping.

In Hartford, Connecticut, on the Working on a Dream tour, Max Weinberg’s son was sitting in on drums. There’s a lot of buzz about this, and Bruce thinks it would make a perfect Rolling Stone story, which it will. Clarence Clemons, Bruce’s iconic sax player, is taken from his dressing room to the stage on a golf cart.