Sarah Movie Quotes

You want to take me to a movie?" I asked. "Well, not really," he said. "What I really want is for you to be my girlfriend. But I thought saying that might scare you off.

He wasn't the type for displays of affection, either verbal or not. He was disgusted by couples that made out in the hallways between classes, and got annoyed at even the slightest sappy moments in movies. But I knew he cared about me: he just conveyed it more subtly, as concise with expressing this emotion as he was with everything else. It was in the way he'd put his hand on the small of my back, for instance, or how he'd smile at me when I said something that surprised him. Once I might have wanted more, but I'd come around to his way of thinking in the time we'd been together. And we were together, all the time. So he didn't have to prove how he felt about me. Like so much else, I should just know.

So," he said as we turned onto the main road, the muffler rattling, "I've been thinking." "Yeah?" He nodded. "You really need to go out with me." I blinked. "I'm sorry?" "You know. You, me. A restaurant or movie. Together." He glanced over, shifting gears. "Maybe it's a new concept for you? If so, I'll be happy to walk you through it." "You want to take me to a movie?" I asked. "Well, not really," he said. "What I really want is for you to be my girlfriend. But I though saying that might scare you off.

Sarah drops her spent handgun and grabs some crazy-looking lightweight machine gun, the kind of thing I used to believe didn’t exist outside of action movies. “You know how to use that thing?” I ask. “They all work pretty much the same,” she replies. “You just point and click.

I think people expect too much from marriage today" he said. "They expect perfection. Every moment should be a bliss. That´s TV or movies. But that is not the human experience. Like Sarah says, twenty good minutes here, forty good minutes there, it adds up to something beautiful. The trick is when things aren´t so great, you don´t junk the whole thing. It´s okay to have an argument. It´s okay that the other one nudges you a little, bothers you a little. It´s part of being close to someone. But the joy you get from the sam closeness - when you watch your children, whan you wake up and smile at each other - that, as our tradition teaches us, is a blessing. People forget that. Why do they forget it? Because the word "commitment" has lost its meaning. I´m old enough to remember when it used to be positive. A committed person was someone to be admired. He was loyal and steady. Now a commitment is something you avoid. You don´t want to tie yourself down

A typical race morning usually starts out looking like a scene from a zombie movie: individuals or pairs of people walking down a deserted street, all headed in the same direction.... Inevitably, regardless of the weather, U2's "Beautiful Day" streams out of loudspeakers.

But I have never had the privilege of unhappiness in Happy Valley. California is about the good life. So a bad life there seems so much worse than a bad life anywhere else. Quality is an obsession there—good food, good wine, good movies, music, weather, cars. Those sound like the right things to shoot for, but the never-ending quality quest is a lot of pressure when you’re uncertain and disorganized and, not least, broker than broke. Some afternoons a person just wants to rent Die Hard, close the curtains, and have Cheerios for lunch.

He looks pretty broken up about the fact he won't see me tonight." "Absolutely crushed," Sarah agreed with a nod. "We were supposed to rent a movie together, you know." Sarah shrugged. "It must be terrible to be forgotten so easily." Miles laughed. He was smitten about her, no doubt about it.

I read sad stories to inoculate myself against grief. I watch action movies to identify with the quick-witted heroes. Both the same fantasy: I'll escape the worst of it.

At the Redbox we gather essential movies: Johnny Depp, Jude Law, Michael Cera, and Jon Heder (because we all have a weak spot for the skinny, homely, Leftover, Napoleon Dynamites of the world).

But even now, especially now, it seems to me that women have a strength about them that men never had. And I wonder how did men always get portrayed in the movies and such as the strong ones? How did it come to be that women are made to look like the weak ones who need protectin'? Truth is, it's men who need the protectin'. Really they do. Women have the strong thing inside of them and the can get through anything. They just can. They're used to pain of child birthing - pain no man knows - and some women being battered around and not treated right through all the centuries and having to learn at a real young age how to stay alive on the inside when the outside is being hurt real bad. Most all women know that. But men. Those poor men. They just don't have the inside strength the women do. It's harder for men to feel pain.

I don't really know how dating works," Jared told her. "High school for me was mostly musical numbers. That's how it is in the States, you've seen the movies. Every time someone had an emotional dilemma or epiphany, they would burst into song, and we would all have to break out into perfectly choreographed dance sequences. It took a lot of intensive training. So many jazz squares, no time for love.

I will wake you up early even though I know you like to stay through the credits. I will leave pennies in your pockets, postage stamps of superheroes in between the pages of your books, sugar packets on your kitchen counter. I will Hansel and Gretel you home. I talk through movies. Even ones I have never seen before. I will love you with too many commas, but never any asterisks. There will be more sweat than you are used to. More skin. More words than are necessary. My hair in the shower drain, my smell on your sweaters, bobby pins all over the window sills. I make the best sandwiches you've ever tasted. You'll be in charge of napkins. I can't do a pull-up. But I'm great at excuses. I count broken umbrellas after every thunderstorm, and I fall asleep repeating the words thank you. I will wake you up early with my heavy heartbeat. You will say, Can't we just sleep in, and I will say, No, trust me. You don't want to miss a thing.

At the point when Jared relayed Ash's habit of hiding his cuddly toys in the freezer, Kami started to laugh in the movie theater. Ash glanced over at her. "Sorry," Kami murmured. "Just - the movie's funny." Ash looked back at the movie, in which a small blond child was dying of leukemia. "I have a very warped sense of humor," Kami whispered.

It was the beginning of the end of the world but not everyone noticed right away. Some people were dying. Some people were busy. Some people were cleaning their houses while the war movie played on television.

Looking back, I wonder why a gangster movie kidnapped my life. The Godfather had nothing to do with me. I was a feminist, not Italian, and I went to school at Montana State. I had never set foot in New York, thought ravioli came only in a can, and wasn't blind to the fact that all the women in the film were either virgins, mothers, whores, or Diane Keaton.

A couple of days after the last time I saw him, I got a typically well-written postcard. He said that after he kissed me goodbye at LAX he was driving away and turned on the radio. Elvis was singing "It's Now or Never." In my personal religion, a faith cobbled together out of pop songs and books and movies, there is nothing closer to a sign from God than Elvis Presley telling you "tomorrow will be too late" at precisely the moment you drop off a girl you're not sure you want to drop off. Sitting on the stairs to my apartment, I read that card and wept. It said he heard the song and thought about running after me. But he didn't. And just as well--those mixed-faith marriages hardly ever work. An Elvis song coming out of the radio wasn't a sign from God to him, it was just another one of those corny pop tunes he could live without.

You looked me right in the eyes and said, ‘You couldn’t pay me a million dollars to date you, Ryan Henderson. Mark my words. One day, I will move to this city and date a sophisticated man and—'” “I’ll be a sophisticated, sexy lady, and my man will pick up Chinese takeout after work and bring it back to our fancy apartment, and he’ll be wearing a fancy suit from his fancy job, and we will drink fancy wine and watch my favorite movie.” A laugh bubbles through me. “And then I told you that you could never be sophisticated like that.” He’s chuckling too now. “As if Chinese takeout and fancy wine is the most sophisticated and grown-up thing in the world.

Do most gay women love each other?” Doc asked. “A lot of them love closeted movie stars.

have to bleach it with happy thoughts of another contender for my heart—Rupert Everett in character as Dr. Claw from the 1999 Inspector Gadget movie

(Sadie)"I'm not judging you, Dylan. I love vampire movies. If I looked surprised it was only because it's so different from your TV work, that's all." His shoulders relaxed a notch. "Sorry. Olly gives me a lot of shit for selling out. He doesn't get that no one is ever going to make his movie about two old men on a fishing trip. Or, even if they do, no one is every going to go see it.

I used to think John Waters movies were on the outlandish side until I came to Maryland. Klam and I stop for lunch at a dark roadside joint that feels like more of a throw-back than the Surratt House ever could. The vegetable of the day is succotash to give you an idea. Technically, it’s a family restaurant, but it will only remind you of your family if your mom chain-smoked menthols.

Frankly, Pedro Almodóvar's recent box office hit, Volver, is the first movie I've seen in which a young woman's retaliation against sexual violence doesn't ultimately boomerang around to destroy her

For as long as I’d been dating, I’d had a mental flow chart, a schedule, of how things usually went. Relationships always started with that heady, swoonish period, where the other person is like some new invention that suddenly solves all life’s worst problems, like losing socks in the dryer or toasting bagels without burning the edges. At this phase, which usually lasts about six weeks max, the other person is perfect. But at six weeks and two days, the cracks begin to show; not real structural damage yet, but little things that niggle and nag. Like the way they always assume you’ll pay for your own movie, just because you did once, or how they use the dashboard of their car as an imaginary keyboard at long stoplights. Once, you might have thought this was cute, or endearing. Now, it annoys you, but not enough to change anything. Come week eight, though, the strain is starting to show. This person is, in fact, human, and here’s where most relationships splinter and die. Because either you can stick around and deal with these problems, or ease out gracefully, knowing that at some point in the not-too-distant future, there will emerge another perfect person, who will fix everything, at least for six weeks.

What makes books more special than, say, a movie, is that you can hold them. When your own world feels bleak, a book is a portal to anywhere. You can hide within the pages, linger there for comfort or protection.

In Woody Allen movies people stood in line for Ingmar Bergman films or Holocaust documentaries talking up media theory to pass the time. At 16 that was my idea of fun. Now that I live in New York I can tell you that people lined up for tickets don't debate theory. They talk about cute guys at the gym or whether or not they live within walking distance of a Krispy Kreme. I was such a young fogy that growing up involved becoming less mature.

Hi, Jared,” she said, leaning out of the window. “Are you brooding?” He was leaning back on the roof, looking up at the sky, at the gray clouds spiraling as if to make steps to climb up to the silver hook that was the moon. His hands were linked behind his head, his body one long lean line. “No, I was about to strip off all my clothes, stand on the edge of the roof, and shout, ‘I’m a golden god,’ ” Jared said. “That’s the cool thing to do at parties; I saw it in a movie. Except I’m afraid that in this town, considering I’m a Lynburn and the worst family trait we have besides the constant murdering is our crushing arrogance, people would take it seriously.” He paused. “Just kidding, I was brooding. Brooding’s my favorite.

Team-building exercises. It’s bad enough that we all have to work together day in and day out; do we really have to work on our working? It’s like starring in a bad Fellini movie but with worse coffee. Beginner: Take a vacation day. Intermediate: Take a sick day. Expert: Take a personal day.

Consider that in most post-apocalyptic movies, you see hordes of bad guys wearing leather, riding motorcycles, armed to the teeth, and living in bad-guy strongholds. I always wonder where their underlying support system is and ask about the thousands of people tanning their clothing, processing the fuel for their vehicles, and working in the fields to feed them. Whenever

I think romance is maligned in large part because at first glance, love seems so pedestrian. It’s all around us. It’s in books and songs and movies and on billboards, so how could it really hold literary value? But what people tend to forget is that the search for love—for the simple idea that there is someone out there who will see us for who we are and accept us isn’t trite. It’s a huge part of our lives. And it’s an enormous part of our dreams. There are so many fabulous romances out there—there’s something for everyone. I really believe that. And I believe that most of the people who look down their noses at the genre haven’t ever read a romance novel. I think that if they did, they’d be really surprised by how good great romance can be.

We need to help her,” Bryce panted to Azriel. “I promise you, she’s fine,” Azriel countered, urging them further into the tunnel. Out of the impact zone, Bryce realized. The Wyrm must have sensed the sword’s approach, because it bucked against the bones and claws pinning it to the rock. It managed to nudge the undead creature back, but only for a heartbeat. Nesta raised her free hand again, and the undead creature slammed the Wyrm back into the ground. The Wyrm thrashed, desperate now. With a dancer’s grace, Nesta scaled the undead beast’s tail, running along the knobs of its spine like rocks in a stream. Getting to higher ground, to a better angle. The Wyrm shrieked, but Nesta had reached the undead beast’s white skull. And then she was jumping, sword arcing above her, then down, down— Straight into the head of the Wyrm. A shudder of silver fire rushed down the Wyrm. That cold, dry wind shivered through the caves again, death in its wake. The Wyrm slumped to the ground. The silence was worse than the sound. Azriel was instantly gone, wings tucking in tight as he rushed toward Nesta and the undead beast that still held the Wyrm in its grip. “Take it off,” Azriel ordered her. The female turned her head toward him with a smooth motion that Bryce had only seen from possessed dolls in horror movies. “Take it off,” Azriel snarled.

Do you want my jacket?” Jared asked. He was taking it off as he spoke, a little awkwardly as he still had to hang onto her. “Yes,” said Kami instantly. He drew it close around her shoulders. “Also your pin and your class ring. That’s how you do dating in America, isn’t it? You see, I know the ways of your people.” “I don’t really know how dating works,” Jared told her. “High school for me was mostly musical numbers. That’s how it is in the States, you’ve seen the movies. Every time someone had an emotional dilemma or epiphany, they would burst into song, and we would all have to break out into perfectly choreographed dance sequences. It took a lot of intensive training. So many jazz squares, no time for love.

In the elaborate con that is American electoral politics, the Republican voter has long been the easiest mark in the game, the biggest dope in the room. Everyone inside the Beltway knows this. The Republican voters themselves are the only ones who never saw it. Elections are about a lot of things, but at the highest level, they’re about money. The people who sponsor election campaigns, who pay the hundreds of millions of dollars to fund the candidates’ charter jets and TV ads and 25-piece marching bands, those people have concrete needs. They want tax breaks, federal contracts, regulatory relief, cheap financing, free security for shipping lanes, antitrust waivers and dozens of other things. They mostly don’t care about abortion or gay marriage or school vouchers or any of the social issues the rest of us spend our time arguing about. It’s about money for them, and as far as that goes, the CEO class has had a brilliantly winning electoral strategy for a generation. They donate heavily to both parties, essentially hiring two different sets of politicians to market their needs to the population. The Republicans give them everything that they want, while the Democrats only give them mostly everything. They get everything from the Republicans because you don’t have to make a single concession to a Republican voter. All you have to do to secure a Republican vote is show lots of pictures of gay people kissing or black kids with their pants pulled down or Mexican babies at an emergency room. Then you push forward some dingbat like Michele Bachmann or Sarah Palin to reassure everyone that the Republican Party knows who the real Americans are. Call it the “Rove 1-2.” That’s literally all it’s taken to secure decades of Republican votes, a few patriotic words and a little over-the-pants rubbing. Policywise, a typical Republican voter never even asks a politician to go to second base. While we always got free trade agreements and wars and bailouts and mass deregulation of industry and lots of other stuff the donors definitely wanted, we didn’t get Roe v. Wade overturned or prayer in schools or balanced budgets or censorship of movies and video games or any of a dozen other things Republican voters said they wanted.

Our meals, the dishes we're creating, bring on new sensations---an awakening of sorts for certain people, albeit nostalgia or something else. Food brings on emotions---and we're doing things right if we're bringing them out in people." "Food is about balance of flavors and textures and taste, not emotion." Charles grips my shoulders. "Kate, when you cook, how are you doing it? With anger or with love?" "Probably a little of both sometimes," I gasp. "What are you saying? People are eating my emotions? Like in that movie with Sarah Michelle Gellar? Simply Irresistible? She was a chef, like me, with a flailing restaurant, and there was a rich guy, like you. And a crab." He snickers. "This is real life, not the movies. And I have absolutely no idea what you're talking about.

Cookies are the cornerstone of pastry. But for many of us, they are also at the core of our memories, connecting our palate to our person. Cookies wait for us after school, anxious for little ones to emerge from a bus and race through the door. They fit themselves snugly in boxes, happy to be passed out to neighbors on cold Christmas mornings; trays of them line long tables, mourning the loss of the dearly departed. While fancy cakes and tarts walk the red carpet, their toasted meringue piles, spun sugar, and chocolate curls boasting of rich rewards that often fail to sustain, cookies simply whisper knowingly. Instead of pomp and flash, they offer us warm blankets and cozy slippers. They slip us our favorite book, they know the lines to our favorite movies. They laugh at our jokes, they stay in for the night. They are good friends, they are kind words. They are not jealous, conceited, or proud. They evoke a giving spirit, a generous nature. They beg to be shared, and rejoice in connection. Cookies are home.

GIVE ME THE SONGS OF A NATION” Sing for joy to God our strength; shout aloud to the God of Jacob! Begin the music, strike the timbrel, play the melodious harp and lyre. Psalm 81:1–2 Let these two quotations wash over you:           “I am the art in your arthouses, the ideas in your institutions, the laws in your land, the message in your movies, the thoughts of your teachers, the values your kids value. I affect you. Do you affect me?”—Culture And also this one, from the fifth-century BC Greek musician Damon of Athens:           Give me the songs of a nation, and it matters not who writes its laws. I wish more of us—especially our politicians—realized that ideas have consequences in the real world. When we embrace certain ideals in our movies and songs (sex without restraint, for example, which happened during the “free love” 1970s), it affects our culture in ways that rules and regulations can’t undo. SWEET FREEDOM IN Action Today, don’t let movies, songs, and the arts be dominated by liberals. Instead, arm your Christian children and grandkids with a solid worldview and encourage them to enter these areas boldly and with excellence.

Living in this niche therefore requires both individual and collective creativity, intensive cooperation, a tolerance for strangers and crowds, and a degree of openness and trust that is entirely unmatched among our closest primate relatives. Compared to fiercely individualistic and relentlessly competitive chimpanzees, for instance, we are like goofy, tail-wagging puppies. We are almost painfully docile, desperately in need of affection and social contact, and wildly vulnerable to exploitation. As Sarah Blaffer Hrdy, an anthropologist and primatologist, notes, it is remarkable that hundreds of people will cram themselves shoulder to shoulder into a tiny airplane, obediently fasten their seat belts, eat their packets of stale crackers, watch movies and read magazines and chat politely with their neighbors, and then file peacefully off at the other end. If you packed a similar number of chimpanzees onto a plane, what you’d end up with at the other end is a long metal tube full of blood and dismembered body parts.6 Humans are powerful in groups precisely because we are weak as individuals, pathetically eager to connect with one another, and utterly dependent on the group for survival.

Harvard pointed. “You know, right there is when the stuntman catches the sword out of frame.” “I know.” Aiden did know. Harvard always told him this fact at this precise moment. Aiden had watched this movie without Harvard once—on a date. Seeing the sword fly without the familiar murmur had upset Aiden enough to turn off the movie. Tonight, Harvard was here with him. They were both lying on their stomachs with their legs kicked up and their hands cupped in their chins, as though they were six years old. They weren’t. Aiden tangled their legs together slightly, deliberately. It felt far more dangerous than crossing swords. Aiden couldn’t imagine a match with so much at stake. “During a date when you stay in,” Aiden said, teaching, “you should try to see if the other person is receptive to you getting closer.” Harvard gave Aiden a look out of the corner of his eye, and let their legs stay tangled, resting with light pressure against one another. Love was a delusion, nothing but an electrical impulse in the brain, but there were many impulses running electric under Aiden’s skin right now. The man in black smiled beneath his mask and switched his sword to his right hand. The clash of swords rang over the sound of the sea. Aiden sneaked another look at Harvard, the shine of his dark eyes and white teeth in the silvery glow from the screen. Harvard caught him looking, but he returned Aiden’s look with a look of his own, warmly affectionate and never suspicious at all. Harvard never suspected a thing. Because Aiden was his best friend, and Harvard trusted him. And Harvard could trust him. Aiden would never do anything to hurt Harvard, not anything at all. Aiden moved in still closer, his arm set against Harvard’s, solid muscle under the thin material of his shirtsleeve. He could put his arm around Harvard’s shoulders or slip an arm around his waist or lean in. He was allowed, just for tonight.

I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?

There is no word to describe exactly what the High Line is to the non-architects among us, nor the collective reframing process required to see beyond its dingy path. 24 The promenade’s landscaping and minimal architectural interference is meant to find a balance between “melancholia and exuberance,” Diller told me. “Whatever that intermediate thing is, it’s ineffable and is kind of what makes the High Line so popular.” “Part of what is so successful about the High Line is that it looks like it’s about nothing,” Diller said. Everything is prohibited on the promenade but the act of moving forward or stopping to look at the vistas from that vantage point. A dedicated place for strolling, where there are no dogs, no bicycles, or wheeled objects of any kind, it is “radically old fashioned,” designed to let us do what we ordinarily don’t, like taking time to linger and gaze at passing traffic. There is even a “sunken overlook” viewing station with movie-theater-style rows of descending seats and a window instead of a screen to see Tenth Avenue’s traffic instead of a featured film. Looking at the path beneath our feet and the view before us are the High Line’s activities. The High Line’s path will extend up the island in nearly interminable stages, “perpetually unfinished.” 25 As if to underscore it, on the west-facing side of the High Line, with views of the skyline and the Hudson River, sculptor Anatsui erected a monumental mural, Broken Bridge II, a three-dimensional painting the size of a city block made of flattened, dull-finish tin and mirrors with expert placement and hours of scaling. The vista in its upper reaches blends sky and land “in such a way that you do not know where mirrors end and sky begins.” 26 Anatsui, known for his radiant, monumental murals with a unique luster, fashioned as they are out of recycled metal bottle caps from his studio in Nigeria, starts his work from an approximate center with exquisite discards. He then builds outward, unscrolling the once-scattered shards so that they shine in their new form, as if they could unfurl to the full extent of vision.

You did good, Mistah Jake,” Heaven said with a giggle.  “You gotted Momma purty flowers and me a teddy and a movie.  Momma,” the little girl announced, “We is gonna keep him, ‘kay?

I climbed under the covers and shone the flashlight on Mason's gift: a roll of something or somethings, bound in string. I unfurled it to reveal an 8x10 black-and-white photograph. The girl in the picture was me. Me in the Mystery Machine, eyes locked with the eye of Mason's camera, mouth tilted in an incredulous smirk. It was the girl from the mirror, it was the girl from the wall in McGrath's tomb, it was the girl from the moon, as far away as that. A familiar girl with a faraway look in her eye. I'd know her anywhere; I didn't know her at all. Over her eyes Mason had outlined a pair of 3-D movie glasses–a nod to Weegee's 3-D-movie lovers, no doubt, although this girl–me, I– was alone, not locked in some passionate embrace. Underneath her/my face, Mason had taped a fortune cookie message: One who admires you greatlyis hidden before your eyes. God! He almost had me. So if I was the 3-D girl with hidden eyes, did he think I was his admirer? Oh, Mr. Mad Hatter, I thought. How fearfully wrong thou art.

Many people believed that it was Julio Antonio Mella’s oversized ego that motivated him, but others said that he really was sincere and believed that he could bring about significant changes by his demands. There were also a number of female students known for being political radicals, who played an important part in shaping Julio’s life at that time. Rosario Guillauma (Charito) and Sarah Pascual were both close friends of Julio, as well as being fellow travelers. The overt communist cell at the University of Havana continued to grow dramatically under his leadership and many of the university students became active members of the party. Although, during the time he was at the university he was linked to women radicals and was married to Oliva Zaldivar Freyre. However, following his marriage, it was Tina Modotti, a movie star, model, notorious spy and renowned photographer who became the love of his life!

The house was quieter than usual, the sounds muffled and soft. It made her throat ache: The darkness, the kitchen, the single light. It felt like she was watching a movie of her life from an earlier era. Before Mom left, before all the trouble. Guilt twinged in Madi’s stomach. Before I took off and left Dad to deal with Sarah alone.

At the point when Jared relayed Ash’s habit of hiding his cuddly toys in the freezer, Kami started to laugh in the movie theater. Ash glanced over at her. “Sorry,” Kami murmured. “Just—the movie’s funny.” Ash looked back at the movie, in which a small blond child was dying of leukemia.

She looks sort of like a nurse, Ruby thought. Or a nun, but a movie star nun, not a real one, and an old-fashioned rescuing-the-orphans sort of movie star nun, not the comedy sort. It was her face. It was open and fresh and happy and she had shiny dark hair pulled back in a ponytail.

Sarah,’ Hugo smirked, ‘we’re only making movies here, not inciting a Marxist uprising. I mean, there’s only room in history for one film-maker like Tarkovsky, right?

am grateful to Jessica Lange for creating, and starring in, the movie Country, which so accurately depicts what happened to my clients, and I am grateful to John Hanson for the movie Northern Lights, which shows the drama of the early NPL movement.

I haven’t watched enough heated teen Netflix movies to know what to do in this situation!

Don’t know if you have any hobbies.” She nodded. “I do. I may have to take a break from it for a bit while I’m out here, but normally when I have a light day on campus, I go to a class . . .” I waited. “It’s . . . pole dancing.” I stopped breathing, but at least I didn’t choke. Nodding, I took a sip of my wine to block my face, which I was pretty sure had turned the shade of a beet. “So, like Flashdance? Welder by day, dancer by night?” I barked out, feeling a stirring in my pants that was wholly inappropriate for my roomie, who’d been talking about diode lasers a minute earlier. She’s a goddamn pole dancer. She chuckled and crossed her arms over her chest as though trying to keep me from picturing her dancing. “Excellent movie reference. But no, that’s not even close to what I do.” It hardly mattered. My brain was stuck. Like a white-hot strobe had blinded me to everything except Sarah wearing lingerie and grinding on a pole under hot lights. For me. Stop picturing it. Fuck! “Cool,” I finally managed to say with a straight face. Like it meant nothing. She nodded. Like it meant nothing. Then she spread some brie cheese on a cracker and took a bite. I choked out an excuse and went to the bathroom to get a grip. This will be okay. It will. It has to be. In the bathroom, I splashed some cold water on my face and took a hard look at myself in the mirror. What was happening? I hadn’t been this jacked up over a woman anytime in the past two years. My emotions had been buried in caverns so deep I felt confident they were gone for good. I was fine with that. It made no sense. Or . . . maybe it did. I’ve always been competitive as fuck. If I’m told I can’t have something, I want it all the more and do anything in my power to make it mine. That had to be what was happening here. It was all in my head. I knew she was off limits, so the competitive motherfucker in me started bucking against that. I just needed to get my head together and think of her like any other human who happened to be using my second bedroom. When I got back to the table, Sarah looked up at me with a thin slice of Parma ham twirled around her fork and put the bit into her mouth. I had no defensible reason to focus on her lips or the soft contour of her jaw while she chewed. She swallowed and smiled at me. “I figured I should get a head start on eating while you were gone. In case you had more questions.” “Good plan. Maybe we should focus on the food for a few minutes, or we could be here all night.” I bit into a slider and closed my eyes at how delicious the slow-roasted meat tasted on the brioche bun. Who needed to cook when someone else could make food that tasted like this? It was how I’d become addicted to takeout and why I rarely ate at home anymore. That, and I spent a lot of time at work. Sarah finished the last of the cheesy bread and wiped her lips gingerly on a napkin before looking right at me with those gorgeous eyes. “This is weird, right? It’s not just me?” I tilted my head, trying to read her expression and decipher her meaning. “Could you be specific? She waved her hands between us. “This. Us. We’re in our thirties and we’re roommates. I don’t know about you, but I haven’t had a roommate for about ten years. Does it freak you out a little bit?” Yes, but not for the reasons she meant.

TRAGIC RACISM HERETOFORE IGNORED Rich and poor have this in common: The Lord is the Maker of them all. Proverbs 22:2 Planned Parenthood’s founder Margaret Sanger was a racial eugenicist, a proponent of the idea that through birth control, abortion, and sterilization of the “unfit” we could create a “cleaner” human race and enable “the cultivation of the better racial elements.” She actually addressed this with the Ku Klux Klan. Yet far from repudiating Sanger, liberal leaders defend her. Hillary Clinton expresses great admiration for her; Barack Obama praises Planned Parenthood and asks God to bless what they do; the New York Times has mentioned Sanger as a replacement for Andrew Jackson on the twenty-dollar bill. When the media went into hysterics trying to ban the Confederate Battle Flag—while simultaneously ignoring the revelations about Planned Parenthood harvesting the organs of aborted babies, and babies born alive, for profit—I posted a graphic of the rebel flag alongside the Planned Parenthood logo with this question: “Which symbol killed 90,000 black babies last year?” Our government—using your tax dollars—is not to be subsidizing abortion. It’s illegal and immoral. Yet, Planned Parenthood receives more than a million tax dollars out of your pocket every single day. It shouldn’t get a penny. Good news: light now shines on this darkness. The abortionists were caught on tape nibbling lunch and sipping wine while nonchalantly pondering where to spend the profits made from bartering the bodies of innocent babies . . . just another day at the office. I know that it sounds unbelievable, like something from a macabre horror movie script—but the exposé must stir you to action, lest a nation, through complacency, accept the most revolting mission of Margaret Sanger. SWEET FREEDOM IN Action Today, don’t just pray for unborn children. Demand that Congress stop funding abortion mills; elect a pro-life president; support pro-life centers that provide resources to give parents a real choice in this debate—knowing that choosing life is ultimately the beautiful choice.

There is a book to be written, for instance, on small errors in subtitles. In the Fred Astaire musical Royal Wedding, for instance, the English girl he falls for, played by Sarah Churchill (daughter of Sir Winston), is engaged to an American, whom we never see but who’s called Hal—like Falstaff’s prince, like a good high Englishman. That English H, though, was completely inaudible to the French translator who did the subtitles, and so throughout the film the absent lover is referred to in the subtitles as Al—Al like a stagehand, Al like my grandfather. If you have the habit of print addiction, so that you are listening and reading at the same time, this guy Al keeps forcing his way into the movie. “But what shall I say to Hal—that I have never loved him?” Patricia says to Fred. Down below it says, “Et Al—qu’est-ce que je vais lui dire?

Sorry.” I’m surprised and glad she doesn’t recognize it. I run my thumb back and forth over a crusty bit on the shoulder strap as a five-second version of the cake fight flashes behind my eyes like a movie stuck on quick search. Don’t cry over spilt frosting, Anna. “I just – I like this one.” “What for?” she asks. Just tell her. “It’s from the – it’s just the–” I bite my lower lip. Tell her. “Anna? What’s wrong?” Oh, it’s nothing, really. Just that it’s from the first time your brother kissed me and made me promise not to tell you. And I was in love with him forever, and he was supposed to tell you about it in California, and we were all going to live happily ever after. I still write him letters in the journal he gave me, which he doesn’t answer, since he’s dead and all. But other than that? Honestly, it’s nothing. “Anna?” She watches me with her sideways face again. “Huh? Oh, sorry. Nothing. I’m fine. I – I’ll get rid of it later.

Rarely are youth challenged to take up their cross and follow Jesus down the narrow road called faith—but even when they are, they can’t imagine what that really means unless someone famous makes a movie out of it. Without

Alfred Hitchcock suffered from anxiety attacks," Sarah told him, "and he said that the sources behind them were, in order, small children, policemen, high places, and that his next movie wouldn't be as good as the last one." "Small children can be terrifying.

music—Sarah Brightman, Il Divo, Latin Jazz, Bette Midler, and a collection of movie tunes. Driving through the Idaho mountains while listening to the theme song from Out of Africa can be

If any of you haven't tried going to the movies alone, I suggest you do. It's not like I do it because I'm single; I've gone to the movies alone when I'm in a relationship, too. It's just a nice escape, time to zone out. Plus, nobody talks to you during the film, nobody puts their grubby hands in your popcorn, and nobody judges you for bringing in airplane bottles of vodka to spike your lemonade with.

I think people expect too much from marriage today,” he said. “They expect perfection. Every moment should be bliss. That’s TV or movies. But that is not the human experience. “Like Sarah says, twenty good minutes here, forty good minutes there, it adds up to something beautiful. The trick is when things aren’t so great, you don’t junk the whole thing. It’s okay to have an argument. It’s okay that the other one nudges you a little, bothers you a little. It’s part of being close to someone. “But the joy you get from that same closeness—when you watch your children, when you wake up and smile at each other—that, as our tradition teaches us, is a blessing. People forget that.

Hi, Jared,” she said, leaning out of the window. “Are you brooding?” He was leaning back on the roof, looking up at the sky, at the gray clouds spiraling as if to make steps to climb up to the silver hook that was the moon. His hands were linked behind his head, his body one long lean line. “No, I was about to strip off all my clothes, stand on the edge of the roof, and shout, ‘I’m a golden god,’ ” Jared said. “That’s the cool thing to do at parties; I saw it in a movie. Except I’m afraid that in this town, considering I’m a Lynburn and the worst family trait we have besides the constant murdering is our crushing arrogance, people would take it seriously.” He paused. “Just kidding, I was brooding. Brooding’s my favorite.” “I know the ambiance isn’t as good as a starry night overlooking your shadowed town, but might you consider coming down and brooding on a bar stool?

FLEAS AND OTHER BLESSINGS Who has known the mind of the Lord? Or who has been his counselor? Romans 11:34 One of the first movies I saw was The Hiding Place. It changed my life. The movie, a true story, is about Corrie ten Boom and her sister, who were put into the Ravensbruck Nazi concentration camp after they were caught hiding Jews. Somehow, they managed to sneak in a Bible, which they read repeatedly for comfort and guidance. “Rejoice always, pray constantly, give thanks in all circumstances; for this is the will of God in Christ Jesus,” Betsy read aloud. Then she looked around the grimy place and suggested they thank God that she and Corrie were in the same barracks, that the barracks were crowded—so that they could tell more people about Christ—that they had a Bible, and even for the fleas that infested their barracks. That last part was too much. Corrie emphatically told her sister that even God couldn’t make her thankful for disgusting fleas! The sisters began holding open Bible studies there in the middle of a Nazi concentration camp, leading numerous people to Christ. Mysteriously, the guards never entered their barracks, which meant their Bible studies could go on uninterrupted. And the young women were inexplicably untouched when others around them were assaulted. Only later did they learn why they were left alone: the guards kept a safe distance from them because they didn’t want to get fleas. SWEET FREEDOM IN Action Today, make a gratitude list . . . and don’t leave anything off.

They’d fallen into conversation as easily as if they were old friends, talking about astronomy and science and movies and Harry Potter.

She was someone who would hang around in the same circles as me, but not someone I would call on a Saturday night for a veg out and movie night. --Silent Child

Money messages are everywhere. They are in our homes, on our televisions and movie screens; they shout at us from billboards, and whisper to us through social norms. We are steeped in money messages before we can speak, and by the time we are adults, often without our knowing, they have matured into personal narratives and core beliefs. The stories that we tell each other eventually become the stories that we tell ourselves.

I never knew what exactly it was. Until I saw from Hope’s ‘movie’ about a flying human child that a ‘kiss’ is one of those small nuts that fall from those verdant trees so different from the ash trees back in Sombra. ...if Duke Haures pleases his mate by giving her a ‘kiss’, I will give my beloved Hope hundreds. I spend hours gathering ‘kisses’ for Hope every evening, when the shadows fall and the brightness of the human sun doesn’t weaken me. I can only use my essence to move those that she’s stepped on as she leaves her quarters, but while I can pass through her door, the acorns cannot. So I leave them just outside, waiting for her to see them and know that it’s a sign of affection from her male.

Will everything (books, music, pornography, education, movies, friendship, camaraderie, love, and television) all be free if they're consumed online and prohibitively expensive to experience in person?

don’t have children or a partner or even a boyfriend to show off. I am just Sarah, the one who moved out to LA to make movies, but that didn’t work out, and now she’s back in New York, teaching at a no-name community college. A cautionary tale for those who aspire too high.

Live somewhere slow. Zen blogger Leo Babauta moved to Hawaii to get away from the distraction that is city life. Novelist Pico Iyer moved from Manhattan to rural Japan, 'in part so I could more easily survive for long stretches entirely on foot, and every trip to the movies would be an event...Nothing makes me feel better - calmer, clearer and happier - than being in one place'.

Nothing. You’re just interesting to observe. Like a movie, except your movie is about someone who has been stuck in the beginning part of the movie for a long, long time. You know what I mean? The first half, before they’ve learned to grow and change.” “I’m like a movie?” I feel the confused expression I’m making, which makes him laugh. “What do you mean about a first half?” “Nothing bad, only interesting. I’ve been people-watching since the Neanderthal days. So far, you’re my favorite person to watch.

movie—that’s swell,” Jack said. “I like movies. They’re like plays with no ambition.

Tharion finished Sofie’s inbox, checked the junk folder, and then finally the trash. It was mostly empty. He clicked open her sent folder, and groaned at the tally. But he began reading again. Click after click after click. His phone chimed with an alert: thirty minutes until he needed to get into the water. He could reach the air lock in five minutes, if he walked fast. He could get through another few emails before then. Click, click, click. Tharion’s phone chimed again. Ten minutes. But he’d halted on an email dated three years ago. It was so simple, so nonsensical that it stood out. Subject: Re: Dusk’s Truth The subject line was weird. But the body of her email was even weirder. Working on gaining access. Will take time. That was it. Tharion scanned downward, toward the original message that Sofie had replied to. It had been sent two weeks before her reply. From: BansheeFan56 Subject: Dusk’s Truth Have you gotten inside yet? I want to know the full story. Tharion scratched his head, opened another window, and searched for Dusk’s Truth. Nothing. No record of a movie or book or TV show. He did a search on the email system for the sender’s name: BansheeFan56. Another half-deleted chain. This one originating from BansheeFan56. Subject: Project Thurr Could be useful to you. Read it. Sofie had replied: Just did. I think it’s a long shot. And the Six will kill me for it. He had a good feeling he knew who “the Six” referred to: the Asteri. But when Tharion searched online for Project Thurr, he found nothing. Only news reports on archaeological digs or art gallery exhibits featuring the ancient demigod. Interesting. There was one other email—in the drafts folder. BansheeFan56 had written: When you find him, lie low in the place I told you about—where the weary souls find relief from their suffering in Lunathion. It’s secure. A rendezvous spot? Tharion scanned what Sofie had started to reply, but never sent. Thank you. I’ll try to pass along the info to my She’d never finished it. There were any number of ways that sentence could have ended. But Sofie must have needed a place where no one would think to look for her and her brother. If Sofie Renast had indeed survived the Hind, she might well have come here, to this very city, with the promise of a safe place to hide. But this stuff about Project Thurr and Dusk’s Truth … He tucked those tidbits away for later. Tharion opened a search field within Declan’s program and typed in the sender’s address. He started as the result came in. Danika Fendyr.

Not that,” said June. “I’m not making another movie where I play a sexy Asian lady on a beach—fuck no. She meant Altogether Too Many Murders.” She took a drag on her cigarette. “Good title. Has a ring of truth to it.

And Sarah? She is strictly by the book. If Burroughs was set up, if he didn’t do it, I’m not like that guy in The Fugitive—remember that movie?

It’s only because MGM wants complete control of our lives. Movie stars are products the whole world buys. We have to keep a wholesome public image.

California

You know," Penny says, "it would make sense to move movie night to Friday night permanently, don't you think? It'll be Penny, Robin, Abby, and Frankie movie night." She grins. "We'll call it PRAFM!

I knew it immediately then, accepting the fact without faltering. Whatever happened with us now from here on out, it would all be worth it for this moment. To see her so thrilled as she ran down the street, looking like she was laughing as she did so. To know that I was able to make her feel this way, even just once. A hint of this realization had come when we went to the movies, when I’d looked over at her and found her snorting at the scary movie that literally gave me nightmares. But now, I knew it for a fact. Someone write it on a stone tablet. Whatever Gemma Settler wanted, I was in it for the long haul. And whatever would happen, it would be worth it. Just for this moment.

You don't know what to do with the jam jar, the chicken stink, the sinister mountain fog that is everywhere, but the adults pretend to ignore when you are in the room. It seems the only thing you can do is listen for it. You hear it in the four measures of Vivaldi's "Winter" that you can still remember from Sarah and the Squirrel, and once you make the connection between the music and mountain fog you play the notes over and over again inside your head. You paw up the trash-strewn ravine. The sky is low and gray, the color of the cinder blocks the men in your town manufacture from ash and dust. The dirt-filled strawberry jam jar is in your denim coat pocket. Vivaldi is in your head. The music you hear is like the blaze-orange clothing the men wear on the mountainsides while deer hunting in autumn. The music is like a bulletproof vest, a coiled copperhead, a rabies shot. The music is both a warning and a talisman. The music tells you things: You're not imagining this. Better children than you die in the snow for no reason. The music says: What's hidden beneath this picture of strawberry jam? The music says: This isn't a Disney movie. Death doesn't just take the wicked villain. Look at that dirt in the jar. It will take you. It will take everyone, and everyone, and everyone. The music says: What you feel is real. Follow me. Run.

Movies mirror us and invite us to go beyond the obvious,” Marsha Sinetar tells us. “Their themes and images can powerfully equip us to see ourselves as we are at our worst, and our best, or help us invent new scripts about who we hope to be.

Consider an actual city park in contrast to a faux public space like Universal CityWalk, which one passes through upon leaving the Universal Studios theme park. Because it interfaces between the theme park and the actual city, CityWalk exists somewhere in between, almost like a movie set, where visitors can consume the supposed diversity of an urban environment while enjoying a feeling of safety that results from its actual homogeneity. In an essay about such spaces, Eric Holding and Sarah Chaplin call CityWalk “a ‘scripted space’ par excellence, that is, a space which excludes, directs, supervises, constructs, and orchestrates use.”13 Anyone who has ever tried any funny business in a faux public space knows that such spaces do not just script actions, they police them. In a public space, ideally, you are a citizen with agency; in a faux public space, you are either a consumer or a threat to the design of the place.

need sleep? I need to do whatever it takes to restore physically. 2. Have I been reading my Bible? Even if it is putting an app on my phone with a voice I can listen to while still in bed in the mornings or at night, I need to hear from the God who walks through these valleys with me. 3. Do I feel alone? I need to call someone who is a spiritually engaging friend, one who loves God, loves me, and whom I can completely trust. I will meet that person for coffee or lunch to share my heart and to ask for prayer. 4. Am I watching my health? Exercise is a stress reducer and helps happy hormones to develop. I have developed the habit of walking and hiking. 5. How can I get help? Is there someone who can help me clean my home? Do I have a friend I can ask to keep my kids, so I can have a little time away? 6. What do I need to invest in the joy factor of my life? Am I creating spaces of beauty for my own soul—candles, music, fresh flowers, and other such life-giving things? Perhaps it’s as simple as going to a movie with my husband or friend, or buying a new scarf.

I love food. I love soda. I love watching movies and reading books. I love these things a little to much. I should stop before it's to late.

I don’t think we’re as far apart as you say. I mean, when the shit comes down, we’ll both be on the same side of the barricades.’ ‘The shit is already down.’ ‘I mean when people are dying in the streets.’ ‘Kate, people are dying in the streets. It’s not the movies, where the world divides into freedom fighters and brownshirts. Here in New York City there are people who take action and people who do nothing. Doing nothing is a position. It means giving approval without having actively to say so.

When she shows up again in the movies . . .” Auntie Och shrugs. “Easier to act like they never see her before. Easier to pretend she’s a whole new person.

I’m really trying not to deploy my temper—Auntie Och calls it “Rika-chan’s kaiju,” or giant monster, after all the Japanese creature movies she watches on “the YouTube,” holding her phone screen way too close to her face.

He’s babbling about getting dinner before the movie. I already regret saying yes. I’m going to have to listen to him for hours. He wants to “get to know me,” which is code for trying to get some action. I don’t do action. I have no need for it. It’s messy and dramatic and far less impressive than a well-timed Volcano spell.

When Paxton was a teenager, her friends had even envied her relationship with her mother. Everyone knew that neither Paxton nor Sophia scheduled anything on Sunday afternoons, because that was popcorn-and-pedicures time, when mother and daughter sat in the family room and watched sappy movies and tried out beauty products. And Paxton could remember her mother carrying dresses she'd ordered into her bedroom, almost invisible behind tiers of taffeta, as they'd planned for formal dances. She'd loved helping Paxton pick out what to wear. And her mother had exquisite taste. Paxton could still remember dresses her mother wore more than twenty-five years ago. Imprinted in her memory were shiny blue ones, sparkly white ones, wispy rose-colored ones.

We want the kind of love that sells movie tickets.

Beyond the dogs’ motion, things seemed dire and unmoving. But then Harry Connick Jr. appeared with TV cameras and buses showed up. I wasn’t worried about getting on no bus, Carl said, opening another beer. Look like a movie, like the world coming to an end, people was just running. People just trying to get the fuck out of Dodge. “What about the drug addicts?” I want to know. All them was out there. Shaking like a fucking leaf. After days as part of a growing crowd that seemed to go nowhere, Carl set out from the Convention Center with two men he knew from the Grove. They headed toward the interstate where they found

In the movies, if every guy in an indie romance wanted a manic pixie dream girl, then you were my Sarah Connor girl. Strong jawed, road rager, hell-bent on achieving your goals, who also believed people could be good if you were patient with them: “Come with me if you want to live and let live.” The way this would have worked in the movies, you would have been the first to sense something was wrong. You would have told me about this weird feeling you were having and I would have dismissed it. But you didn’t see it coming. No funny feeling or women’s intuition. No foreboding sense of something on the horizon. You were just as unassuming as I was. In the movies, that’s why you died first. Because you were too smart for your own good. You’d figured it out before the film’s run time, so you had to go. In the movies, you would be my inciting incident, as if I was the more interesting one to follow, like I had more to offer. In what universe was that true? Not this one. Sarah Connor was always a main character, at least in the ones that were any good.

As they move from stall to stall chatting with people, it’s like a scene from a buddy movie, one with a large budget for extras.

I wanted people I could cry and laugh with, share memories and inside jokes. I wanted to go to malls and movie theatres. I wanted to get invited to parties and maybe even work up the nerve to go once or twice. To accomplish that, I was going to need a new plan to attack. Being myself was still. unfortunately, out. I was starting to like me, but I'd also established that I was a girl of obscure tastes, so I couldn't really count on anyone else being on board. My earlier method was also out now that I recognized its two glaring flaws: 1. No matter how hard I tried, the normals seemed to smell the not normal on me; and 2. I always seemed to hit a point where I resented the failing effort that I was putting into all of that bullshit and morphed into a snarky contrarian who wanted to set everything on fire.