Sarah Kay Quotes

We've searched our database for all the quotes and captions related to Sarah Kay. Here they are! All 100 of them:

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I have seen the best of you, and the worst of you, and I choose both.
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Sarah Kay
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Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.
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Sarah Kay
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Life will hit you hard in the face, wait for you to get back up just so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.
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Sarah Kay
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You can only fit so many words in a postcard, only so many in a phone call, only so many into space before you forget that words are sometimes used for things other than filling emptiness.
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Sarah Kay
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You are a woman. Skin and bones, veins and nerves, hair and sweat. You are not made of metaphors. Not apologies, not excuses.
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Sarah Kay
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Forgive yourself for the decisions you have made, the ones you still call mistakes when you tuck them in at night
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Sarah Kay (No Matter the Wreckage: Poems)
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Still now I send letters into space Hoping that some mailman somewhere will track you down And recognise you from the descriptions in my poems That he will place the stack of them in your hands and tell you, There is a girl who still writes you, she doesn't know how not to
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Sarah Kay
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But I have seen the best of you and the worst of you, and I choose both. I want to share every single one of your sunshines and save them for later. I will tuck them into my pockets so I can give them back to you when the rain falls hard. Friend, I want to be the mirror that reminds you to love yourself. I want to be the air in your lungs that reminds you to breath. When the walls come down, when the thunder rumbles, when nobody else is home, hold my hand, and I promise I won’t let go.
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Sarah Kay
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It does not matter how strong your gravity is, we were always meant to fly.
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Sarah Kay
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My world was the size of a crayon box, and it took every colour to draw her
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Sarah Kay (No Matter the Wreckage: Poems)
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Such a little thing really, a kiss... most people don't give it a moment's consideration. They kiss on meeting, they kiss on parting, that simple touching of flesh is taken entirely for granted as a basic human right.
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Sarah Kay
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If I should have a daughterβ€¦β€œInstead of β€œMom”, she’s gonna call me β€œPoint B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say β€œOh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And β€œBaby,” I’ll tell her β€œdon’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, β€˜cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, β€œThere’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say β€œthank you,” β€˜cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the β€œwind” in win some lose some, you will put the β€œstar” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. β€œBaby,” I’ll tell her β€œremember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
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Sarah Kay
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Is there a word for the moment you win tug-of-war? When the weight gives, and all that extra rope comes hurtling towards you, how even though you've won, you still end up with muddy knees and burns on your hands? Is there a word for that? I wish there was.
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Sarah Kay (No Matter the Wreckage: Poems)
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I will love you with too many commas, but never any asterisks.
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Sarah Kay (No Matter the Wreckage: Poems)
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My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
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Sarah Kay
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Some people read palms to tell your future, but I read hands to tell your past. Each scar makes a story worth telling. Each callused palm, each cracked knuckle is a missed punch or years in a factory.
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Sarah Kay
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Oh, Brother. No matter your wreckage. There will be someone to find you beautiful, despite the cruddy metal. Your ruin is not to be hidden behind paint and canvas. Let them see the cracks.
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Sarah Kay (No Matter the Wreckage)
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Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I've tried.
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Sarah Kay (B)
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How strange, that when you are away, I reach for my cell phone's buzz as if it were your hand. Each shiver in my pocket, a way to find you.
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Sarah Kay (No Matter the Wreckage: Poems)
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It is December, and nobody asked if I was ready.
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Sarah Kay
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I promise to tidy up before company arrives, wouldn't want my socks and daydreams all over the carpet
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Sarah Kay (No Matter the Wreckage: Poems)
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It is equally important to listen as it is to speak.
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Sarah Kay
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There was no secret I did not tell him, there was no moment we did not share. We didn't grow up, we grew in; like ivy wrapping, molding each other into perfect yins and yangs
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Sarah Kay (No Matter the Wreckage: Poems)
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And know this: Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You were born to build.
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Sarah Kay
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Some nights, I wake up knowing he is anxious. He is across the world in another woman's arms and the years have spread us like dandelion seeds, sanding down the edges of our jigsaw parts that used to only fit each other
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Sarah Kay (No Matter the Wreckage: Poems)
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There is a girl who still writes you; she doesn’t know how not to.
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Sarah Kay
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If I should have a daughter… I’m gonna paint the solar system on the backs of her hands so she has to learn the entire universe before she can say β€˜oh I know that like the back of my hand.
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Sarah Kay
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We both know how to hide our sharpest parts, I just don’t always recognize my own weaponry.
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Sarah Kay (No Matter the Wreckage)
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When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
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Sarah Kay
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They'll be days like this" my momma said. When you open your hands to catch, and wind up with only blisters and bruises. When you try to step out of the phone booth and try to fly , and the very people you want to save, are the ones standing on your cape. When your boots will fill with rain, and you'll be up to your knees with disappointment And those are the very days you have all the more reason to say "Thank you".
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Sarah Kay
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You are not made of metaphors, Not apologies, not excuses.
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Sarah Kay
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Hands learn. More than minds do.
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Sarah Kay (No Matter the Wreckage: Poems)
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There are so many things I would tell you if I thought that you would listen and so many more you would tell me if you believed I would understand
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Sarah Kay (No Matter the Wreckage: Poems)
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You can only fit so many words into a postcard. Only so many in a phone call. Only so many into space, before you forget that words are sometimes used for things other than filling emptiness.
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Sarah Kay (No Matter the Wreckage: Poems)
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I love you as much as the ocean kisses the shore no matter how many times it is sent away.
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Sarah Kay
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Maybe Love stays. Maybe Love can’t. Maybe Love shouldn’t. Love arrives exactly when Love is supposed to and Love leaves exactly when Love must. When Love arrives, say, β€œWelcome. Make yourself comfortable.” If Love leaves, ask her to leave the door open behind her. Turn off the music. Listen to the quiet. Whisper, β€œThank you for stopping by.
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Sarah Kay
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You're just smelling for smoke so you can follow the trail back to a burning house, so you can find the boy who lost everything in the fire to see if you can save him. Or else-- find the boy who lit the fire in the first place, to see if you can change him.
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Sarah Kay (B)
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He likes driving very fast on the wrong side of the road," said Sarah. "Which I can completely understand.
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Hilary McKay (Saffy's Angel (Casson Family, #1))
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And I know we live in different worlds, and we're always really busy, but in my dreams you spin around me so fast, I always wake up dizzy. So maybe one day you'll grow tired of the road and roll on back to me.
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Sarah Kay (No Matter the Wreckage: Poems)
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Fingers interlocked like a beautiful accordion of flesh or a zipper of prayer
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Sarah Kay (No Matter the Wreckage: Poems)
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When you fall in love, it is discovering the ocean after years of puddle jumping.
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Sarah Kay
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There's nothing more beautiful then the way the ocean refuses to stop kissing the shoreline, no matter how many times it's sent away.
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Sarah Kay
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Practice does not make perfect. Practice makes permanent. Repeat the same mistakes over and over, and you don't get any closer to Carnegie Hall.
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Sarah Kay (No Matter the Wreckage: Poems)
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She makes tea by hand. Nettles, slippery elm, turmeric, cinnamon - my mother is a recipe for warm throats and belly laughs. Once she fell off a ladder when I was three. She says all she was worried about was my face as I watched her fall.
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Sarah Kay (No Matter the Wreckage: Poems)
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This life will hit you--hard. In the face! It'll wait for you to get back up, just so it can kick you in the stomach. But getting the wind knocked out of you, is the only way to remind your lungs how much they like the taste of air.
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Sarah Kay
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If loving you means getting dirty, bring on the grime.
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Sarah Kay (No Matter the Wreckage: Poems)
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We were dandelion seeds released to the wind, she asked for no return. We are saplings now. With gentle hands.
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Sarah Kay (No Matter the Wreckage: Poems)
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There is hurt here that cannot be fixed by band-aids or poetry.
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Sarah Kay
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I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
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Sarah Kay
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The Type Everyone needs a place. It shouldn't be inside of someone else. -Richard Siken If you grow up the type of woman men want to look at, you can let them look at you. But do not mistake eyes for hands. Or windows. Or mirrors. Let them see what a woman looks like. They may not have ever seen one before. If you grow up the type of woman men want to touch, you can let them touch you. Sometimes it is not you they are reaching for. Sometimes it is a bottle. A door. A sandwich. A Pulitzer. Another woman. But their hands found you first. Do not mistake yourself for a guardian. Or a muse. Or a promise. Or a victim. Or a snack. You are a woman. Skin and bones. Veins and nerves. Hair and sweat. You are not made of metaphors. Not apologies. Not excuses. If you grow up the type of woman men want to hold, you can let them hold you. All day they practice keeping their bodies upright-- even after all this evolving, it still feels unnatural, still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, admit they do not have the answers they thought they would have by now; some men will want to hold you like The Answer. You are not The Answer. You are not the problem. You are not the poem or the punchline or the riddle or the joke. Woman. If you grow up the type men want to love, You can let them love you. Being loved is not the same thing as loving. When you fall in love, it is discovering the ocean after years of puddle jumping. It is realizing you have hands. It is reaching for the tightrope when the crowds have all gone home. Do not spend time wondering if you are the type of woman men will hurt. If he leaves you with a car alarm heart, you learn to sing along. It is hard to stop loving the ocean. Even after it has left you gasping, salty. Forgive yourself for the decisions you have made, the ones you still call mistakes when you tuck them in at night. And know this: Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You were born to build.
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Sarah Kay
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Our model ships look perfect in their bottles, but we do not know if they are seaworthy. Sometimes the one that reaches your harbor has already been through the storm.
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Sarah Kay (No Matter the Wreckage)
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This is how I disappear in pieces. This is how I leave while not moving from my seat. This is how I dance away. This is how I'm gone before you wake.
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Sarah Kay
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people used to tell me that i had beautiful hands told me so often, in fact, that one day i started to believe them until i asked my photographer father, β€œhey daddy could i be a hand model” to which he said no way, i dont remember the reason he gave me and i wouldve been upset, but there were far too many stuffed animals to hold too many homework assignment to write, too many boys to wave at too many years to grow, we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three. hands learn more than minds do, hands learn how to hold other hands, how to grip pencils and mold poetry, how to tickle pianos and dribble a basketball, and grip the handles of a bicycle how to hold old people, and touch babies , i love hands like i love people, they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future, but i read hands to tell your past, each scar marks the story worth telling, each calloused palm, each cracked knuckle is a missed punch or years in a factory, now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies. even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer. one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom. kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long, but hands are not about politics, when did it become so complicated. i always thought its simple. the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
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Sarah Kay
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And I'm going to pain the solar systems on the backs of her hands, so she has to learn the entire universe before she can say, "Oh, I know that like the back of my hand.
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Sarah Kay (B)
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It is hard to stop loving the ocean. Even after it has left you gasping, salty.
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Sarah Kay (The Type)
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I didn't tell him that even after a crash, a key still fits the ignition. There just isn't anything left to drive.
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Sarah Kay (No Matter the Wreckage: Poems)
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But I want her to know that this world is made out of sugar: it can crumble so easily, but don't be afraid to stick your tongue out and taste it.
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Sarah Kay (B)
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It does not matter how long we have been kept in cages. It does not matter how strong your gravity is. We were always meant to fly.
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Sarah Kay (No Matter the Wreckage: Poems)
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Because rain will wash away everything, if you let it.
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Sarah Kay
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Be careful, darling. Your footsteps land heavy here. Your racket will wake the dragons.
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Sarah Kay
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Getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.
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Sarah Kay (No Matter the Wreckage: Poems)
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When I meet you, in that moment, I am no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share a part of your present. And you get to share a part of mine. And that is the greatest present of all.
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Sarah Kay (No Matter the Wreckage: Poems)
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I love hands like I love people. They are the maps and compasses with which we navigate our way through life, feeling our way over mountains passed and valleys crossed; they are our histories.
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Sarah Kay
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Her dress is the colour of marmalade, she chirps songs that have no words
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Sarah Kay (No Matter the Wreckage: Poems)
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Is this your holiday homework?" asked Sarah. "Don't do it, Rose! And Eve will write you a note to say it's iniquitous to give eight-year-olds homework. You will, won't you, Eve?" "I could never spell 'iniquitous,' Sarah darling!" "Hot concrete," said Rose mournfully, prodding her porridge. "Write this," ordered Saffron. "'The ancient Egyptians are all dead. Their days are very quiet.' Porridge is meant to look like hot concrete. Eat it up.... Read the next question!"... "What would you say if you bumped into Tutankhamen in the street?" "'Sorry!'" said Sarah at once. "Put that." "We have to answer in proper sentences." "'Sorry, but it was your fault! You were walking sideways!
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Hilary McKay (Indigo's Star (Casson Family, #2))
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Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled β€œprivate parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
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Sarah Kay
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If he leaves you with a car alarm heart, you learn to sing along.
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Sarah Kay (The Type)
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When I hear what I have written out loud, the cliches hang in the air between us like bad breath
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Sarah Kay
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I am watching parts of me evaporate like sidewalk water. This wet grey, this nighttime dew, gone before morning.
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Sarah Kay (No Matter the Wreckage: Poems)
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We build model ships in bottles, whispering life into the toothpicks and wire; we make plans and blueprints for the one we hope is coming. And come they do. Fleets of vessels. Battleships and barges. They arrive on the horizon, flags to the sky.
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Sarah Kay (No Matter the Wreckage)
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He will never marry her, the translator tells me, after we have been driving in the dark for a few minutes. Yes, I say, but he can love her.
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Sarah Kay (No Matter the Wreckage)
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Maybe love stays. Maybe love can’t. Maybe love shouldn’t. Love arrives exactly when love is supposed to. And love leaves exactly when love must. When love arrives, say, β€˜Welcome. Make yourself comfortable.’ If love leaves, ask her to leave the door open behind her. Turn off the music, listen to the quiet. Whisper, β€˜Thank you for stopping by.
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Sarah Kay
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A sky still fits the ignition. There just isn’t anything left to drive.
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Sarah Kay (No Matter the Wreckage: Poems)
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No powdery residue. But definitely suspicious. Smell." He slides a makeup catalog from beneath a microscope made out of a plate, a toilet paper roll, and an intricate arrangement of pipe cleaners. "Any ideas?" I take a scientific whiff. "Gardenia. Looks like those Mary Kay terrorists are at it again.
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Sarah Ockler (Bittersweet)
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Remember that good things come in three's. And so do bad things. And always apologize when you've done something wrong. But don't you ever apologise for the way your eyes refuse to stop shining; your voice is small, but don't ever stop singing.
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Sarah Kay (B)
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And then there are days when sleeping is the hardest. The fight of muscle against world becomes so constant, that surrendering to slumber doesn't promise nearly enough relief. These are times when hands feel nothing but empty
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Sarah Kay (No Matter the Wreckage: Poems)
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For Saffron," it said in shaky old writing on the damaged base, and on the other side, "Saffy's angel." Saffron, picking up the broken fragments one by one, said it didn't matter. She hugged Rose and Indigo and Caddy and Sarah, and said again and again that it didn't matter, it didn't matter at all.
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Hilary McKay (Saffy's Angel (Casson Family, #1))
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There are all sorts of families," Tom's grandmother had remarked, and over the following few weeks Tom became part of the Casson family, as Micheal and Sarah and Derek-from-the-camp had done before him. He immediately discovered that being a member of the family was very different from being a welcome friend. If you were a Casson family member, for example, and Eve drifted in from the shed asking, "Food? Any ideas? Or shall we not bother?" then you either joined in the search of the kitchen cupboards or counted the money in the housekeeping jam jar and calculated how many pizzas you could afford. Also, if you were a family member you took care of Rose, helped with homework (Saffron and Sarah were very strict about homework), unloaded the washing machine, learned to fold up Sarah's wheelchair, hunted for car keys, and kept up the hopeful theory that in the event of a crisis Bill Casson would disengage himself from his artistic life in London and rush home to help.
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Hilary McKay (Indigo's Star (Casson Family, #2))
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I love people who play guitars on roofs!" said Rose, hopping along the pavement in one of her sudden happy moods. "Don't you?" "Never knew anyone else who did it!" "Don't you like Tom?" "Of course I do. But I don't know about all the other guitar-on-roof players! They might be really awful people, with just that one good thing about them. Playing guitars on roofs... or bagpipes... Or drums... Sarah would like that, and Saffy could have the bagpipes! Caddy could have a harp.... What about Mum?" "One of those gourds filled with beans!" said Rose at once. "And Daddy could have a grand piano. On a flat roof. With a balcony and pink flowers in pots around the edge! And I'll have a very loud trumpet! What about you?" "I'll just listen," said Indigo.
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Hilary McKay (Indigo's Star (Casson Family, #2))
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And somewhere in between then and now irony slipped its way into my vocabulary. Laughter became the antidote for guilt. Sacrifice grew to be a Band-Aid for shame.
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Sarah Kay (No Matter the Wreckage: Poems)
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I will love you with too many commas, but never any asterisks.
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Sarah Kay (No Matter the Wreckage: Poems)
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Sure, I know where most things are but give me enough time and I can lose anything.
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Sarah Kay (No Matter the Wreckage)
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Darling Daddy, This is Rose. Saffy says everyone says it is Indigo's fault that their Head has two black eyes and a swelled-up nose. Love from Rose. P.S. Sarah who is here says to tell you love from wheelchair woman too. Rose's father telephoned especially to tell Rose not to call Sarah Wheelchair Woman. "That's what she called herself," protested Rose. "She thought of it! Aren't you worried about what I told you about Indigo and the Head?" "What?" asked Bill. "Oh that! Two black eyes and a swollen nose! I don't think I can believe that one, Rose darling!
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Hilary McKay (Indigo's Star (Casson Family, #2))
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Suddenly Saffron had a picture in her mind of Sarah waiting at the bottom of the wall, and she was angry with herself. Something changed in Saffron at that moment. She knew all about feeling left out.... That was why she wanted her angel so badly; proof that she mattered as much as anyone else. "I couldn't really climb the wall," she said. "And if I could, what if I got caught? What would I say?" "You'd think of something." "No. It was a stupid idea. Let's try your way, early in the morning." "Before breakfast?" "Yes. All right Mission Control?" "All right," said Sarah. "All right, Superhero.
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Hilary McKay (Saffy's Angel (Casson Family, #1))
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Darling Daddy, Poor Saffy. She had a big fight in the boys toilets on Monday, did you know? A very big fight and Sarah helped and it was terrifying. Said a boy in my class who has a brother who was there. Saffy washed her hands and said Never Ever Never Dare You Touch My Brother. (Indigo). And the plug holes were blocked with hair. Love from Rose. -Sarah's mother has given us soup. Soup soup soup and then it was all gone. L.F.R.
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Hilary McKay (Indigo's Star (Casson Family, #2))
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Whenever I hurt myself, my mother says it is the universe’s way of telling me to slow down. She also tells me to put some coconut oil on it. It doesn’t matter what it is. She often hides stones underneath my pillow when I come home for the weekend. The stones are a formula for sweet dreams and clarity. I dig them out from the streets, she tells me what each one is for. My throat hurts, so she grinds black pepper into a spoonful of honey, makes me eat the entire thing. My mother knows how to tie knots like a ship captain, but doesn’t know how I got that sailor mouth. She falls asleep in front of the TV only until I turn it off, shouts, I was watching that! The sourdough she bakes on Friday is older than I am. She sneaks it back and forth across the country when she flies by putting the starter in small containers next to a bag of carrots. They think it’s ranch dressing, she giggles. She makes tea by hand. Nettles, slippery elm, turmeric, cinnamon- my mother is a recipe for warm throats and belly laughs. Once she fell off of a ladder when I was three. She says all she was worried about was my face as I watched her fall.
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Sarah Kay (No Matter the Wreckage: Poems)
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Me - I was not born with enough fuel. My anger often melts into sadness, it will just disintegrate into shame or fear, my clenched teeth release into chatter.
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Sarah Kay (No Matter the Wreckage: Poems)
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I will wake up early with my heavy heartbeat. You will say. Can't we just sleep in, and I will say, No, trust me. You don't want to miss a thing.
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Sarah Kay (No Matter the Wreckage: Poems)
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No, I don't think poems will save us. And yet, and yet
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Sarah Kay
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Darling Daddy, This is Rose. Very good news. Caddy is going to marry Micheal. In case you have forgotten because you have not been home for so long he is the one with the ponytail and the earring that you do not like. And Caddy says she will have a white lace dress and three bridesmaids, Saffron and Sarah and me, and a big party for everyone, all her old boyfriends too. Fireworks. A band. A big tent called a marquee. But where will we put it? Carriages with white horses for us all to go to the church. Afterward Caddy and Micheal will go for a holiday to Australia to visit the Great Barrier Reef. Caddy has it all worked out and Mummy says Yes She Can Of Course You Can Darling Of Course You Must Do That. Saffron said That Will Cost a Few Weeks Housekeeping and Mummy said Yes But We Do Not Need to Worry About That. DADDY WILL PAY. Love, Rose.
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Hilary McKay (Indigo's Star (Casson Family, #2))
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You can only fit so many words in a postcard. Only so many in a phone call. Only so many into space, before you forget that words are sometimes used for things other than filling emptiness.
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Sarah Kay
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I will wake you up early even though I know you like to stay through the credits. I will leave pennies in your pockets, postage stamps of superheroes in between the pages of your books, sugar packets on your kitchen counter. I will Hansel and Gretel you home. I talk through movies. Even ones I have never seen before. I will love you with too many commas, but never any asterisks. There will be more sweat than you are used to. More skin. More words than are necessary. My hair in the shower drain, my smell on your sweaters, bobby pins all over the window sills. I make the best sandwiches you've ever tasted. You'll be in charge of napkins. I can't do a pull-up. But I'm great at excuses. I count broken umbrellas after every thunderstorm, and I fall asleep repeating the words thank you. I will wake you up early with my heavy heartbeat. You will say, Can't we just sleep in, and I will say, No, trust me. You don't want to miss a thing.
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Sarah Kay (No Matter the Wreckage: Poems)
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...I was not born with enough fuel. My anger often melts into sadness, it will just disintegrate into shame or fear, my clenched teeth release into chatter. But you have found the right mix of arrogance and alcohol. Place your hands on me one more time, then again, exhale the cigarette into my eyes, tell me again how I’m just not understanding the point, remind me how you are an expert, touch my knee, my thigh, my lower back, ignore me twice, three times, continue talking over me with the man to my right. There is a beast in my veins that was birthed by my father. It is quiet, it sleeps through most nights. Tonight, sir, my tail twitches in the darkest caves. Be careful, darling. Your footsteps land heavy here. Your racket will wake the dragons.
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Sarah Kay (No Matter the Wreckage: Poems)
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Love is an emotion.Β  Emotions can change at a blink of an eye.
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Sarah Kay Carter (The Trials of Life)
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If you grow up the type of woman men want to hold, You can let them hold you. All day they practice keeping their bodies upright. Even after all this evolving it still feels unnatural, Still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, Admit they don’t have the answers they thought they would by now.
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Sarah Kay (No Matter the Wreckage: Poems)
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Impossible is trying to connect in this world; trying to hold on to others when things are blowing up around you; knowing that while you are speaking, they aren’t just waiting for their turn to talk. They hear you.
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Sarah Kay (No Matter the Wreckage: Poems)
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I tilted my head, looked into the distance. I don’t even notice you falling in love with me, I practiced to the mirror. I am too preoccupied with what I am doing. Nobody wants to be noticed when they are falling in love. It is a private moment. Whoever was falling in love with me, I reasoned, deserved not to be disturbed.
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Sarah Kay (No Matter the Wreckage)
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If you grow up the type of woman men want to look at, You can let them look at you. But do not mistake eyes for hands, Or windows for mirrors. Let them see what a woman looks like. They may not have ever seen one before. If you grow up the type of woman men want to touch, You can let them touch you. Sometimes it is not you they are reaching for. Sometimes it is a bottle, a door, a sandwich, a Pulitzer, another woman – But their hands found you first. Do not mistake yourself for a guardian, or a muse, or a promise, or a victim or a snack. You are a woman – Skin and bones, veins and nerves, hair and sweat You are not made of metaphors, Not apologies, not excuses. If you grow up the type of woman men want to hold, You can let them hold you. All day they practice keeping their bodies upright. Even after all this evolving it still feels unnatural, Still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, Admit they don’t have the answers they thought they would by now. Some men will want to hold you like the answer. You are not the answer. You are not the problem. You are not the poem, or the punchline, or the riddle, or the joke. Woman, if you grow up the type of woman men want to love, You can let them love you. Being loved is not the same thing as loving. When you fall in love, It is discovering the ocean after years of puddle jumping. It is realising you have hands. It is reaching for the tightrope after the crowds have all gone home. Do not spend time wondering if you are the type of woman men will hurt. If he leaves you with a car alarm heart. You learn to sing along. It is hard to stop loving the ocean, Even after it’s left you gasping, salty. So forgive yourself for the decisions you’ve made, The ones you still call mistakes when you tuck them in at night, And know this. Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You are born to build.
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Sarah Kay
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Caddy came home on Friday evening. Perfectly Harmless Patrick brought her in his battered old car... "Crikey, Caddy!" said Indigo, and he disappeared upstairs to tell Rose. Eve murmured, "Sweet," rather doubtfully. Sarah said, not doubtfully at all, "Horrendous! The worst yet. Rock bottom." "He had a very difficult childhood," said Caddy.... "Who didn't?" asked Saffron unsympathetically. "Gosh, he's ancient, Caddy! Look, he's going bald! All that long trailing stuff is just a disguise!" "If I was going bald," said Sarah, "I would face the fact and have it all shaved off." "Well, I thought Mummy would like him," said Caddy defensively. "...Anyway, I can always take him back." "I think you're going to have to, Caddy darling," said Eve... "Hello, Rose darling! Come in and see what Caddy has brought home to show us!" She escaped, and Rose, who had already heard the news from Indigo, glanced at Patrick and began laughing. "See?" said Sarah. "Rose knows! Absolutely rock bottom! You cannot be serious, Caddy!" "Oh, stop looking at him!" said Caddy, uncomfortably. "I'll find something to cover him up with in a minute!" "How long are you leaving him there for?" asked Rose. "Just until Sunday," said Caddy, trying to sound casual. "Till Sunday!" repeated Saffron. "So is Micheal dumped?" "Of course he isn't!" said Caddy indignantly. "I've never dumped anyone!" "Start!" said Saffron. "Otherwise they just pile up, taking up the sofas...
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Hilary McKay (Indigo's Star (Casson Family, #2))
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[...] You're not in love with anyone, are you?' 'No,' said Kay. 'Someone's in love with me, as it happens. A grand person, too… But that's another secret. I'm thinking of the morphia, you see. I'm counting on your not being able to remember any of this.' 'Why is it a secret?' 'I promised the person it would be, that's all.' 'But you won't love him back?' Kay smiled. 'You'd think I would, wouldn't you? But, isn't it funnyβ€”we never seem to love the people we ought to, I can't think why…
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Sarah Waters (The Night Watch)