“
What a terrible mistake to let go of something wonderful for something real.
”
”
Miranda July (No One Belongs Here More Than You)
“
i wondered if i would spend the rest of my life inventing complicated ways to depress myself..
”
”
Miranda July (No One Belongs Here More Than You)
“
I looked at other couples and wondered how they could be so calm about it. They held hands as if they weren't even holding hands. When Steve and I held hands, I had to keep looking down to marvel at it. There was my hand, the same hand I've always had - oh, but look! What is it holding? It's holding Steve's hand! Who is Steve? My three-dimensional boyfriend. Each day I wondered what would happen next. What happens when you stop wanting, when you are happy. I supposed I would go on being happy forever. I knew I would not mess things up by growing bored. I had done that once before.
”
”
Miranda July (No One Belongs Here More Than You)
“
I’m erasing myself from the narrative. Let future historians wonder how Eliza reacted when you broke her heart.
”
”
Lin-Manuel Miranda (Hamilton: The Revolution)
“
It was a real whale, a photograph of a real whale. I looked into its tiny wise eye and wondered where that eye was now. Was it alive and swimming, or had it died long ago, or was it dying now, right this second? When a whale dies, it falls down through the ocean slowly, over the course of a day. All the other fish see it fall, like a giant statue, like a building, but slowly, slowly.
”
”
Miranda July (No One Belongs Here More Than You)
“
There are some wonderful aspects to Christmas. It's magical. And each year, from at least November, well, September, well, if I'm honest, May, I look forward to it hugely.
”
”
Miranda Hart (Is It Just Me?)
“
The word God asks a question and then answers it before there is any chance to wonder.
”
”
Miranda July (It Chooses You)
“
some of my happiest funniest times have been spent in offices. Perhaps because the work was mudane, even the tiniest of distractions become wildly hilarious and wonderful. Actually, I'd say that 90 per cent of my doubled-over-gasping-with-laughther-laughing-so-much-that-you-can't-breathe-and-you-think-you-might-die laughing has occurred during slow days in offices.
”
”
Miranda Hart (Is It Just Me?)
“
I know some people wonder whether Heaven and Hell truly exist, but do those people question whether gravity exists? Or oxygen? You can't see those with your naked eye, either. I can't see cologne on a guy's body, but I can smell it. I may not be able to see Heaven, but deep inside, I can feel it
”
”
Miranda Kenneally (Things I Can't Forget (Hundred Oaks, #3))
“
I was wondering if my life, the life in which I had a son and a beautiful, young girlfriend, could exist outside of the hospital. Or was the hospital its container? Was I like honey thinking it's a small bear, not realizing the bear is just the shape of its bottle?
”
”
Miranda July (The First Bad Man)
“
I wonder if he would love me if he could see inside my head, the pettiness, the dirty linen of my thoughts, the terrible things that I have done.
”
”
Miranda Cowley Heller (The Paper Palace)
“
Truth is, I don't know. I don't know... what I'm doing. Or why I'm doing it," he said. Which was the worst excuse in the history of excuses. "I don't know what's up or down anymore. I feel like I'm..." He stopped speaking and winced.
"Drowning," I said. "You were going to say you feel like you're drowning."
He nodded. I wonder how many people I took with me when I feel into the lake. How many sunk with me. I thought I had been alone under the water, but maybe I wasn't.
”
”
Megan Miranda (Fracture (Fracture, #1))
“
My eyes fell on the gray linoleum floor and I wondered how many other women had sat on this toilet and stared at this floor. Each of them the center of their own world, all of them yearning for someone to put their love into so they could see their love, see that they had it.
”
”
Miranda July (The First Bad Man)
“
And may I just make my position very clear on this – there is no such thing as a FUN RUN as, even if you are dressed as an elephant, you still have to RUN. 'Fun' and 'run' are two words which, when the wonderful laws of Miranda-Land come into play, will be illegal to put together. I thank you. And relax.
”
”
Miranda Hart (Is It Just Me?)
“
Other than along certain emotional tangents there was little in the book that felt as if it had actually been lived. It was a fiction produced by someone who knew only fictions, The Tempest as written by isolate Miranda, raised on the romances in her father's library.
”
”
Michael Chabon (Wonder Boys)
“
I drove to the doctor's office as if I was starring in a movie Phillip was watching -- windows down, hair blowing, just one hand on the wheel. When I stopped at red lights, I kept my eyes mysteriously forward. Who is she? people might have been wondering. Who is that middle-aged woman in the blue Honda?
”
”
Miranda July (The First Bad Man)
“
Oh, the future. I see.” A shadow fell over the doctor’s face. “You’re wondering if your son will get cancer? Or be hit by a car? Or be bipolar? Or have autism? Or drug problems? I don’t know, I’m not a psychic. Welcome to parenthood.
”
”
Miranda July (The First Bad Man)
“
As a kid, I had the worst mile time ever. Our gym teacher made us run the mile a few times a year for something called the Presidential Fitness Test. I’d huff and puff and wonder why the hell President Bush cared how fast I could run laps around the playground. I always came in dead last.
”
”
Miranda Kenneally (Breathe, Annie, Breathe (Hundred Oaks, #5))
“
We said together, wistfully, 'Life, eh?' It says everything without having to say anything: that we all experience moments of joyful or painful reflection, sometimes alone, sometimes sharing laughs and tears with others; that we all know and appreciate that however wonderful and precious life is, it can equally be a terribly confusing and mysterious beast. 'Life, eh?
”
”
Miranda Hart (Is It Just Me?)
“
I wondered how many other things had flown past me into death. Perhaps many. Perhaps I was flying past them, like the grim reaper, signaling the end. This would explain so much.
”
”
Miranda July (No One Belongs Here More Than You)
“
He didn't call me for a few weeks. This was customary within our friendship, confide and retreat, but I wondered. I wondered if perhaps our last conversation had been an overture. Not the conversation, exactly, but the silences within it. There had been many dark pits of tea-sipping silence; looking back, I could imagine placing my hand on his hand while kneeling in one of these dark pits. And in such a pit could one even be sure what one was doing? One might seek solace in a friend and literally go inside this friend to get the solace; and the friend, being old and familiar, might give especially good solace.
”
”
Miranda July (No One Belongs Here More Than You)
“
For the first six months I just walked around in a constant state of amazement. I looked at other couple and wondered how they could be so calm about it. They held hands as if they weren't even holding hands.
”
”
Miranda July (No One Belongs Here More Than You)
“
If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn’t, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost.If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn't, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost. Yet, I had been wondering lately. What was this job costing me? Yet, I had been wondering lately. What was this job costing me?
”
”
Miranda Parker (A Good Excuse to Be Bad (Angel Crawford Series, #1))
“
The only acceptable hobby, throughout all stages of life, is cookery. As a child: adorable baked items. Twenties: much appreciated spag bol and fry-ups. Thirties and forties: lovely stuff with butternut squash and chorizo from the Guardian food section. Fifties and sixties: beef wellington from the Sunday Telegraph magazine. Seventies and eighties: back to the adorable baked items. Perfect. The only teeny tiny downside of this hobby is that I HATE COOKING.
Don't get me wrong; I absolutely adore the eating of the food. It's just the awful boring, frightening putting together of it that makes me want to shove my own fists in my mouth. It's a lovely idea: follow the recipe and you'll end up with something exactly like the pretty picture in the book, only even more delicious. But the reality's rather different. Within fifteen minutes of embarking on a dish I generally find myself in tears in the middle of what appears to be a bombsite, looking like a mentally unstable art teacher in a butter-splattered apron, wondering a) just how I am supposed to get hold of a thimble and a half of FairTrade hazelnut oil (why is there always the one impossible-to-find recipe ingredient? Sesame paste, anyone?) and b) just how I managed to get flour through two closed doors onto the living-room curtains, when I don't recall having used any flour and oh-this-is-terrible-let's-just-go-out-and-get-a-Wagamama's-and-to-hell-with-the-cost, dammit.
”
”
Miranda Hart (Is It Just Me?)
“
Tom began screaming, and I wondered if the baby's soft brain was, in this moment, changing shape in response to the violent stimuli. I tried to intellectualize the noise to protect the baby's psyche. I whispered: Isn't that interesting to hear a man scream? Doesn't that challenge our stereotypes of what men can do? And then I tried, Shhhhhhhhh.
”
”
Miranda July (No One Belongs Here More Than You)
“
Miranda: O, wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world, that has such people in it!
Prospero: 'Tis new to thee!
”
”
William Shakespeare (The Tempest)
“
Throughout middle school, Miranda, Ella, and I were pretty much our own little group.
”
”
R.J. Palacio (Wonder)
“
Miranda:
'O, wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world, that has such people in it!'
Prospero:
'Tis new to thee!
”
”
William Shakespeare (The Tempest)
“
Miranda: "O, wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world, that has such people in it!"
Prospero: "Tis new to thee!
”
”
William Shakespeare (The Tempest)
“
Doesn’t it sound so wonderful to call your dreams castles in the sky?
”
”
Miranda Atchley (A Castle in the Sky)
“
I wonder if he would love me if he could see inside my head-the pettiness, the dirty linen of my thoughts, the terrible things I have done.
”
”
Miranda Cowley Heller (The Paper Palace)
“
Do not give up, or enter into a relationship of convenience... In all likelihood, your Steve is out there somewhere on an equally bad date, wondering where the fuck you are.
”
”
Chelsea Fairless (We Should All Be Mirandas: Life Lessons from Sex and the City's Most Underrated Character)
“
Each day I wondered what would happen next. What happens when you stop wanting, when you are happy.
”
”
Miranda July (No One Belongs Here More Than You)
“
I never faked my feelings with Miranda
”
”
R.J. Palacio (Wonder)
“
Emily walked out. “She looks so different.…” “It’s not Miranda,” I whispered. “It’s Via.” “Oh my God!” said Mom, lurching forward in her seat. “Shh!” said Dad. “It’s Via,” Mom whispered to him. “I know,” whispered Dad, smiling. “Shhh!
”
”
R.J. Palacio (Wonder)
“
And I wonder if people do this all the time: fall for people because of their ability to pick getaway cars; or fall for people because of the way they look when they think nobody is watching; or fall for people because of the things they say, or the way they look at them, or the things they give up, or the things they cannot do.
-Alina Chase
”
”
Megan Miranda (Soulprint)
“
Then I caught Peggy out of the corner of my eye. I saw how she was behaving; completely absorbed in her surroundings, responding sharply to everything around her, every smell, every sight, every new and wonderful sound. She was so committed to the landscape that she almost became a part of it, and I knew that the only way I could be happy was if I did the same; forced myself to be where I was, relax into the now. I realized I had been shuffling along emailing and missed the best bluebell wood. What an idiot. It dawned on me then how much I have missed in life. Truly. I have missed so many moments and memories by being stuck in my head worrying, 'what if this?', 'what if that?' What a BIG FAT WASTE OF TIME.
”
”
Miranda Hart (Peggy and Me)
“
I believed, strongly, what I had told Trey during our hike. That some people didn’t want to be found. And I’d believed Alice had run. Why else concoct the story she had told the other hikers on the ridge that day. I believed that she had taken stock of her life and decided to change course. I believed if there was a secret kept in Cutter’s Pass, it was this. I had wondered, back then, if maybe they had all left.
”
”
Megan Miranda (The Last to Vanish)
“
Okay, that’s fair,” I said. “But it’s not a contest about whose days suck the most, Auggie. The point is we all have to put up with the bad days. Now, unless you want to be treated like a baby the rest of your life, or like a kid with special needs, you just have to suck it up and go.” He didn’t say anything, but I think that last bit was getting to him. “You don’t have to say a word to those kids,” I continued. “August, actually, it’s so cool that you know what they said, but they don’t know you know what they said, you know?” “What the heck?” “You know what I mean. You don’t have to talk to them ever again, if you don’t want. And they’ll never know why. See? Or you can pretend to be friends with them, but deep down inside you know you’re not.” “Is that how you are with Miranda?” he asked. “No,” I answered quickly, defensively. “I never faked my feelings with Miranda.” “So why are you saying I should?” “I’m not! I’m just saying you shouldn’t let those little jerks get to you, that’s all.” “Like Miranda got to you.” “Why do you keep bringing Miranda up?” I yelled impatiently. “I’m trying to talk to you about your friends. Please keep mine out of it.” “You’re not even friends with her anymore.” “What does that have to do with what we’re talking about?” The way August was looking at me reminded me of a doll’s face. He was just staring at me blankly with his half-closed doll eyes. “She called the other day,” he said finally. “What?” I was stunned. “And you didn’t tell me?” “She wasn’t calling you,” he answered, pulling both comic books out of my hands. “She was calling me. Just to say hi. To see how I was doing. She didn’t even know I was going to a real school now. I can’t believe you hadn’t even told her. She said the two of you don’t hang out as much anymore, but she wanted me to know she’d always love me like a big sister.” Double-stunned. Stung. Flabbergasted. No words formed in my mouth. “Why didn’t you tell me?” I said, finally. “I don’t know.” He shrugged, opening the first comic book again. “Well, I’m telling Mom and Dad about Jack Will if you stop going to school,” I answered. “Tushman will probably call you into school and make Jack and those other kids apologize to you in front of everyone, and everyone will treat you like a kid who should be going to a school for kids with special needs. Is that what you want? Because that’s what’s going to happen. Otherwise, just go back to school and act like nothing happened. Or if you want to confront Jack about it, fine. But either way, if you—
”
”
R.J. Palacio (Wonder)
“
So, The Knight of the Rose? It’s about a girl named Miranda who becomes a knight, who has a bunch of really wonderful adventures…who falls in love with a princess, and marries her at the end of the book. A girl knight. Marries a princess. And is the heroine of the book. Everyone does need a heroine like them. I’d never realized how much, until I read that story. And it saved my life. It changed me, in a way that only books can. It gave me a sense of strength, of place in the world, because I was no longer “Holly the homo” (as charmingly unoriginal as it was), what they chanted at me in the hallways of my stupid little school. I was just me. Just Holly. And I could do or be anything, because there was a story about someone like me. And hey, the heroine of that story had done pretty all right for herself. So maybe I could, too. I
”
”
Bridget Essex (A Knight to Remember (Knight Legends, #1))
“
Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible.
'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?'
Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.
”
”
Lin-Manuel Miranda
“
There are some wonderful aspects to Christmas. It's magical. And each year, from at least November, well, September, well, if I'm honest, May, I look forward to it hugely. The singing, eating, log fires, eating, drinking, singing, eating, the good will, the cheer, ice skating, singing, the eating, the drinking, the show, the scarves, singing, eating, drinking, eating, singing, eating. Yes, I embrace the season in all its candle-lit, log-fire-lighting, chestnut-roasting gloriousness, and ponder the people to whom I can spread bounty and joy in this glorious season of giving. *sings* 'Well, I wish it could be Christmas every da-a-a-a-ay!
”
”
Miranda Hart (Is It Just Me?)
“
But to be clear, I had not, at any age, desired a specific male body in the way I did now. While all my boyfriends and crushes had been reasonably good-looking, my attraction hovered up near their face, where they kept their talent and power. Lusting for the whole length of a person, head to toe, was what body-rooted fuckers did, Jordi, and men. Now, for the first time, I understood what all the fuss was about. How something beautiful could strike your heart, move you, bring you down on your knees and then, somewhat perversely, you wanted to fuck that pure, beautiful thing. Sex was a way to have it, to not just look at it but to be with it. I suddenly understood all of classical art. The endless carved nudes, Venus in her shell, David. And sexy clothes. I had worn them without really understanding why, thinking of sexy as one of many styles, not realizing it was the only style. You should always be emerging from a shell if possible. Without knowing it, without really understanding it, I had been a body for other people but I had not gotten to have one myself. I had not participated in the infuriating pleasure of wanting a real and specific body on Earth. I lay in the center of the bed, unblinking. Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. — How’s
”
”
Miranda July (All Fours)
“
wander down the hallway to our old bedroom off the kitchen. It is exactly as it has always been: our twin beds made, our favorite children’s books still on the shelf, a red tobacco tin filled with crayon stubs. I know if I go into the guest bathroom and reach up blindly onto the top shelf above the toilet I will find a pack of menthol cigarettes, hidden where she thinks no one will find them. The most wonderful thing about my grandmother, among many wonderful things, is that everything is always the same. The lovely lemon-wood smell of the house, the little bottles of ginger ale pushed to the back of the icebox for hot days. The silver thimble her mother gave her when she was a girl, nestled in a lavender box on her bureau.
”
”
Miranda Cowley Heller (The Paper Palace)
“
Or are they? Maybe her eyes aren’t wide because of innocence. Maybe it’s fear. He has a split instant of seeing Prospero through the gaze of Miranda—a petrified Miranda who’s suddenly realized that her adored father is a full-blown maniac, and paranoid into the bargain. He thinks she’s asleep when he’s talking out loud to someone who isn’t there, but she’s heard him doing it, and it scares her. He says he can command spirits, raise storms, uproot trees, open tombs, and cause the dead to walk, but what’s that in real life? It’s sheer craziness. The poor girl is trapped in the middle of the ocean with a testosterone-sodden thug who wants to rape her and an ancient dad who’s totally off his gourd. No wonder she throws herself into the arms of the first sane-looking youth who bumbles her way. Get me out of here! is what she’s really saying to Ferdinand. Isn’t it?
”
”
Margaret Atwood (Hag-Seed)
“
I’m not going on!” I said loudly, and the tears came to my eyes fairly easily. “Fine!” he screamed, not looking at me. Then he turned to a kid named David, who was a set decorator. “Go find Olivia in the lighting booth! Tell her she’s filling in for Miranda tonight!” “What?” said David, who wasn’t too swift. “Go!” shouted Davenport in his face. “Now!” The other kids had caught on to what was happening and gathered around. “What’s going on?” said Justin. “Last-minute change of plans,” said Davenport. “Miranda doesn’t feel well.” “I feel sick,” I said, trying to sound sick. “So why are you still here?” Davenport said to me angrily. “Stop talking, take off your costume, and give it to Olivia! Okay? Come on, everybody! Let’s go! Go! Go!” I ran backstage to the dressing room as quickly as I could and started peeling off my costume. Two seconds later there was a knock and Via half opened the door. “What is going on?” she said. “Hurry up, put it on,” I answered, handing her the dress. “You’re sick?
”
”
R.J. Palacio (Wonder)
“
I want my kids to grow up seeing their lives through the lens of what is right and good, rather than discontentedly wondering what could be different. Opportunities to tell my kids “be grateful
”
”
Miranda Anderson (More Than Enough: How One Family Cultivated A More Abundant Life Through A Year Of Practical Minimalism)
“
I stared at my phone, wondering whom to call to ground myself. The truth is, I’m not good at close friends. I’m great at casual, at meeting up after work and bringing lasagna to the potluck. I’m excellent at being friends with Everett’s friends. But not at exchanging numbers and calling up just to talk.
”
”
Megan Miranda (All the Missing Girls)
“
What good part?" Kylie asked.
Miranda's grin spread into the perfect smile-one that could be used to sell teeth-whitening strips. "Pleeeassse. You were there, in the dark, late at night, for several hours, and alone with Lucas. Who happens to be the hottest werewolf alive. I mean, I'm so not into werewolves, but even I can see it. He's like a god. So..." She held out her two palms. "What happened? And don't you dare tell me nothing. Because I will totally, completely lose faith in romance if nothing happened."
Kylie opened her mouth to answer and then saw Della leaning forward, turning her head slightly, as if to listen to Kylie's heartbeat to see if she attempted to lie.
"The little witch has a point," Della said. "This might be the good part."
Kylie frowned at Della. For a girl who always kept secrets, she sure didn't give anyone else a break. Then Kylie looked at Miranda, who held her breath in anticipation of Kylie baring her soul.
"Sorry," she said. "Nothing happened."
"Ugh." Miranda dropped her arms on the table and sank into them.
Della stared, and Kylie knew the vamp was listening to her heartbeat and checking for lies again. Frankly, Kylie wasn't sure what Della would hear. It wasn't actually a lie. Nothing happened. Except ... She'd felt so safe when Lucas had held her, except that she'd turned into Wonder Woman when she'd heard the rogue hurting Lucas. What did that mean? Kylie wasn't sure. So how could she explain it?
Miranda lifted her head off the table. "See what I mean? You're Mother Teresa. Pure. Without lust."
"No," Kylie snapped, not wanting to be viewed as a saint. "I ... lust."
Della and Miranda shared a pensive stare. "Sorry," Della said. "When it walks like a saint, and quacks like saint-it's a quacking saint."
"He held me," Kylie said. "Held me close. And I fell asleep on his shoulder. It was nice. And kind of ... He was hot." Though she meant temperature hot, she didn't mind if they drew their own conclusions.
"Yes!" Miranda smiled extra big again."Did he kiss you? Like the awesome kiss he gave you at the creek when you first got here?"
"No," Kylie said.
Her two friends met each other's gazes again. "Mother Teresa," they said in unison.
”
”
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
“
There were things people here knew. Things people had seen. I wondered, not for the first time, what else they might've seen - and what they'd decided to keep hidden.
”
”
Megan Miranda (Such a Quiet Place)
“
I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful.
”
”
Miranda July (All Fours)
“
She bludgeoned me with a look of such limitless compassion that I immediately began to cry. I wondered briefly if she might adopt me or hire me as her assistant or become my lesbian lover.
”
”
Miranda July (No One Belongs Here More Than You)
“
I wondered how many other women had sat on this toilet and stared at this floor. Each of them the center of their own world, all of them yearning for someone to put their love into so they could see their love, see that they had it.
”
”
Miranda July (The First Bad Man)
“
With this group I have always been an also-ran. People have often wondered, I’m sure, what someone like me is doing with a friend like Miranda. But in friendship, as in love, opposites often attract. Extrovert and introvert, yin and yang.
”
”
Lucy Foley (The Hunting Party)
“
Lovely lines in stories were like little golden treasures that gave her heart a wonderful thrill.
”
”
Miranda Atchley (All The Future Holds)
“
And Feuer works with you?” “No. She’s just been helping me with one case I’m working on. Just as a favor.” “Some favor,” Conroy said. He handed my license back. “You want to tell us what happened?” Gianakouros said. How to answer that? I wanted to, but this was not a story I could tell quickly. Where did it even start? When Susan began making calls for me, or before that when I first saw her dancing at the Sin Factory, or before that, when I opened the paper and saw Miranda’s face staring out at me, all innocence and accusation? Or ten years earlier, when I’d seen Miranda last, when I’d sent her off on a boomerang voyage from New York to New Mexico and back again, from possibility to disaster and from life to death? I’d have to explain an awful lot if I wanted them to understand what had happened. And I wouldn’t mind explaining — but right now I couldn’t afford the time. Jocelyn was still in town, but for how long? She was packed and ready to go. She’d just needed to sew up some loose ends, like the troublemaker who was calling all the strip clubs she’d ever worked at and trying to track her down. I’d set Susan on Jocelyn’s trail, and somehow it had gotten back to her. Was it any wonder that Jocelyn had decided to eliminate Susan before leaving the city? Now, Jocelyn probably just needed to pick up the money from wherever she’d stashed it and then she’d vanish forever. One of the country’s best agencies hadn’t been able to find her the last time she’d gone on the road, and back then she hadn’t had a half million dollars to help her hide. “We’re looking for a missing woman named Jocelyn Mastaduno,” I said. “Her parents haven’t heard from her in six years and they want to know what happened to her. Susan was helping me make some calls to track her down.” “What was she doing in the park?” “I don’t know,” I said. “How did you know she was there?” “Susan was staying with my mother. She told her she was going to the park, and my mother mentioned it to me.” “So you went there.” “I was worried,” I said. “I didn’t understand why she’d gone there, and the park can be dangerous at night.” Conroy spoke up. “Any idea who might have done this?” “None,” I said. “What about this woman you’re looking for, Mastaduno?” “It’s possible. I just don’t know.” “How close are you to finding her?” Pretty close, I thought — if I can get out of here. I fought to keep my voice calm. “I can’t say. We’re not the
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Richard Aleas (Little Girl Lost (John Blake #1))
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By now everyone must have realized that this person is not coming back to the picnic. Everyone was wrong; this person is not who they thought this person was. This person plunges underwater and moves her hair around like a sea anemone. This person can stay underwater for an impressively long time but only in a bathtub. This person wonders if there will ever be an Olympic contest for holding your breath under bathwater. If there were such a contest, this person would surely win it. An Olympic medal might redeem this person in the eyes of everyone this person has known. But no such contest exists, so there will be no redeeming. The person mourns the fact that she has ruined her one chance to be loved by everyone; as this person climbs into bed, the weight of this tragedy seems to bear down upon this person's chest. And it is a comforting weight, almost human in heft.
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Miranda July (No One Belongs Here More Than You)
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Felicity was in the process of unpacking her valise on the bed. “Then let us make sure no one else makes that mistake,” she said, pulling out ribbons and laces, a set of fancy hair combs and a few cosmetic pots. “Nanny Tasha always said a lady’s age should be a mystery.” Miranda closed her eyes. Truly, she was starting to wonder about Lord Langley’s choice of nannies for his daughters. Most of what the girls repeated from their dear caretakers sounded more like the advice of an experienced Cyprian, not that of a doting governess for small, impressionable children. Felicity
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Elizabeth Boyle (This Rake of Mine (Bachelor Chronicles, #2))
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Everything in the bathroom was white. I sat on the toilet and looked at my thighs nostalgically. Soon they would be perpetually entwined in his thighs, never alone, not even when they wanted to be. But it couldn’t be helped. We had a good run, me and me. I imagined shooting an old dog, an old faithful dog, because that’s what I was to myself. Go on, boy, get. I watched myself dutifully trot ahead. Then I lowered my rifle and what actually happened was I began to have a bowel movement. It was unplanned, but once begun it was best to finish. I flushed and washed my hands and only by luck did I happen to glance back at the toilet. It was still there. One had to suppose it was the dog, shot, but refusing to die. This could get out of hand, I could flush and flush and Phillip would wonder what was going on and I’d have to say The dog won’t die gracefully. Is the dog yourself, as you’ve known yourself until now? Yes. No need to kill it, my sweet girl, he’d say, reaching into the toilet bowl with a slotted spoon. We need a dog. But it’s old and has strange, unchangeable habits. So do I, my dear. So do we all. I flushed again and it went down. I could tell him about it later.
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Miranda July (The First Bad Man)
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And as they shook hands, he almost told Bishop about the little voice in his head that was whispering, He'll find Miranda. But not yet. Not just yet.
Then he saw the flicker in Bishop's pale eyes, and realized that the telepath had read him and his little voice. But he hadn't needed a seer to tell him what he was utterly convinced of. He would find his Miranda. Sooner or later.
Quentin wondered if he would be so lucky with the end of his own troubled quest.
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Kay Hooper (Chill of Fear (Bishop/Special Crimes Unit, #8; Fear, #2))
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Don’t you wonder sometimes,” Miranda asked, “whether women have all the power or no power at all?
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David Burr Gerrard (Short Century)
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I wonder if the Corporate Ton even thinks about how much the staff know. I wonder if they know that the staff know but just cover themselves by hiding behind a corporate version of the Miranda Rights[35] - the right to remain silent and avoid giving employees any proof of concept.
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Lata Subramanian (A Dance with the Corporate Ton: Reflections of a Worker Ant)
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Food seemed impossibly strange. Children thought I was a child and tried to play with me, but I could neither play nor work, I could only wonder why. Why do people live at all.
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Miranda July (No One Belongs Here More Than You)
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He’d told me, back when we first met, that I was the embodiment of everything he wished he could be. Setting out in a car by myself, working my way through school, self-made. But as I’d told him back then, you have to come from nothing to have that chance. You have to pay your debts. “Yeah, well, I have ten years’ worth of loans,” I’d said. Sometimes I wondered if, when we got married, he would pay them off. If that would make me a different person. If he’d like me quite as much.
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Megan Miranda (All the Missing Girls)
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On the appointed day, I waited in the vestibule of the boardinghouse until his car rolled up the Chermin de Verey, turned around, and parked outside the gate. He disliked my housemistress intensely and refused to park on school property in case he ran into her. I got into the car, and we drove south in silence, over little highways that wiggled precariously through the mountains, on main streets through half-abandoned villages, on back roads past quiet factories with dark eyes shattered into their windowpanes, past geraniums and lace curtains and dingy cafes. My grandfather pointed out monuments to the Resistance along the way, sad gray stones tucked up onto the banks of the road, where bands of men had been denounced, discovered, shot down. Entire villages, he told me, had been massacred because they wouldn't surrender their resistance fighters. Women and children had burned alive because they would not speak. As I listened, I thought of all the times my grandmother complained to me that Americans had no sense of history. Now I understood that she meant Americans had no sense of her history, of our history. Here the past was everywhere, an entire continent sown with memories. For the first time, I wondered if she had sent me back so I could learn what it was like to live in that punishing landscape. I cracked open the window a tiny bit; I felt suffocated. The wind pierced the silence inside the car, whose pneumatic suspension system I imagined pumping more air into itself to hold the weight of those stories. I wondered what life would be like without that load to carry.
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Miranda Richmond Mouillot (A Fifty-Year Silence: Love, War, and a Ruined House in France)
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And when she finally dozed off, it wasn’t a cry that woke her, but the soft sound of a footstep.
“Psst. You awake, cher?”
Miranda fought her way up from sleep. “I am now.” Annoyance gave way to relief. She wondered why she wans’t more startled; it was almost as if she’d expected Etienne to show up. “What do you think you’re doing?”
“Well, you musta been wishing for me, yeah?” he teased. “’Cause here I am.”
Switching on the lamp, Miranda solemnly patted the edge of the bed. “Sit down. We need to talk.”
“Awww, don’t be mad now. I just--”
“I know. You wanted to check on me. And I’m glad--I’m glad you came.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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Psst. You awake, cher?”
Miranda fought her way up from sleep. “I am now.” Annoyance gave way to relief. She wondered why she wans’t more startled; it was almost as if she’d expected Etienne to show up. “What do you think you’re doing?”
“Well, you musta been wishing for me, yeah?” he teased. “’Cause here I am.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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Something happened tonight, Etienne. And I need to tell you.”
Pausing a moment, he scanned her face with narrowed eyes. Then he lowered himself beside her.
“Something’s changed, hasn’t it, cher?” he murmured.
“Yes.”
“And you’ve changed with it.”
And then she told him. About her feelings at the funeral home, her sadness and sense of loss, her sudden and overwhelming revelation of purpose, and hearing her grandfather’s voice. Everything but having hidden and watched and eavesdropped on his own personal sorrow. When she’d gotten it all out, neither of them spoke. He’d moved closer to her, and, for the moment, it made her feel safe.
“You know what I keep wondering?” Miranda’s tone went even more serious. “I keep wondering if all those spirits think I’m the one who’s lost.”
That not-quite-smile brushed his lips. “We’re all a little lost. We’re all trying to find something.”
Miranda considered this. “I know you and Grandpa tried to tell me before. About my gift…and how I can do so much good with it. But tonight--for the first time--it was real to me. Like I finally got it. Like it finally all made sense.”
“Sometimes we can be hearing the same stuff over and over again, yeah? And we know it’s true, we know it there”--Etienne lightly tapped her forehead--“but what matters is when we finally know it here.” As he touched his heart, she couldn’t help giving a wan smile.
“The weird thing is…I’m okay with it. I mean, I’m still sort of scared…but I’m okay.”
“You’ve always been okay, cher. Way more than okay.”
As her cheeks flushed, she hoped he hadn’t noticed. “How am I ever going to know all the stuff I need to know? I mean, I need to learn everything.”
“Tonight?” Etienne kept a perfectly straight face. “I’m not sure I’m up to it.”
Miranda’s stare was deliberately reproachful. “This is about Nathan. He needs me. Now.”
Groaning softly, Etienne lay back, pillowing his arms beneath his head. “I can see I’m gonna have to be humoring you. So what do you wanna talk about?
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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You know what I keep wondering?” Miranda’s tone went even more serious. “I keep wondering if all those spirits think I’m the one who’s lost.”
That not-quite-smile brushed his lips. “We’re all a little lost. We’re all trying to find something.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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Can you come up the back way?” Miranda asked.
Etienne had dropped the others off. Now he and Miranda sat in his truck, parked in the driveway of Hayes House. The stress of the evening had eased since they’d left The Tavern, and she leaned back with her eyes closed while Etienne stared silently out the fogged-up windshield.
“Can you?” she asked again. She still hadn’t told him about the attic, about Nathan’s unexpected appearance, or about the connection she’d sensed between Nathan and Hayes House. Several times during dinner, she’d wanted to bring it up, but with so many other things to talk over, she’d decided to put it on hold till a later time. And now’s that time.
“Etienne?”
“We gotta stop meeting like this,” he said, poker-faced. “The neighbors, they’re starting to talk.”
“You’re the one who started it.”
“What, you don’t want me to meet your mama?”
“It’s not that--”
“I promise she’ll like me. Your aunt Teeta, she likes me.”
“My aunt Teeta loves you. She thinks you’re wonderful.”
“See. What’d I tell you?”
“She also thinks Gage is adorable.”
“What can I say? Gage is adorable.”
Miranda had to laugh. “Look, if we go in the front, they’ll both want to fuss over you, and we won’t have any privacy, and I can’t mention ghosts and weird things in front of them.”
“You know, cher, I’ve had a lotta girls talk me into their bedrooms, but this is the first time I’ve heard that excuse.”
“This is not that kind of invitation. Understand?”
Etienne gave her a solemn stare. He let out a long-suffering sigh. “Okay. Since you twisted my arm--I’ll come up the back.”
Miranda thought maybe this time he might actually smile. But like all the times before, only a fleeting hint of amusement touched his lips.
“Fifteen minutes,” she said, climbing out.
“At least. I gotta park my truck somewhere else. And walk all the way back. And sneak all the way in. Secret rendezvous, you know…they take time.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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Many of the people there were in their twenties and thirties, and I wondered if they were Blanca or the friends of Blanca..There were also people in their forties, fifties, sixties, and seventies, and these people had a chance of being Blanca, too, or the parents of Blanca, or grandparents or even great-grandparents of Blanca, if Blanca was a child. There were a few children running around, sisters of brothers, who could be Blanca or Blanca’s grandchild...
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Miranda July (No One Belongs Here More Than You)
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I’ve told Miss Teeta a thousand times, it’s no good to keep fixing this ole piece of junk. Everything’s gotta die sometime.” The young man seemed to be talking more to himself than to her. As Miranda watched, he wrestled the air conditioner off the sill and set it carefully on the floor.
The prospect of spending even one more minute in this heat was unthinkable. “You mean you can’t fix it?”
“I can fix anything, cher.”
“That’s not my name,” she corrected him. And aren’t you just pretty impressed with yourself, Mr. Repair Guy.
For a split second he looked almost amused, but then his features went unreadable once more. While he knelt down to resume his work, she gave him another curious appraisal. She hadn’t noticed those scars on his arms before--faint impressions, some straight, some jagged, some strangely crisscrossed. She wondered briefly if he’d been in an accident when he was younger.
Her eyes moved over the rest of his body. He was busy unscrewing the back off the air conditioner, his movements quick and fluid. She saw him glance at her, and she quickly looked away.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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I wonder, for instance, if our laws reflect some deep aversion amongst medical professionals here towards the idea of relinquishing control of the dying process into the hands of the patient. I wonder if this aversion might stem from a more general belief in the medical profession that death represents a form of failure. And I wonder if this belief hasn’t seeped out into the wider world in the form of an aversion to the subject of death per se, as if the stark facts of mortality can be banished from our consciousness altogether.
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Miranda July (No One Belongs Here More Than You)
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Miss Nell,” Ashley said, pulling Miranda over. “This is Miranda.”
Miranda felt the instant appraisal of those coal-black eyes. When Nell Boucher took her hand, Miranda sensed strength, survival, and a heart of immense kindness.
“It’s nice to meet you, Mrs. Boucher,” she answered shyly.
“Nell,” the woman corrected, a dimple showing at each corner of her mouth. She cocked an eyebrow at Etienne. “Okay, I guess you win the bet. She’s just as cute as you said she was.”
Blushing, Miranda was all too conscious of the others’ amused stares. As she had with the rest of them, Miss Nell put one hand to Miranda’s cheek and leaned in close.
“I’m glad we’re finally meeting,” she murmured. “Because I’ve certainly heard a lot of wonderful things about you.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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He and his mama run swamp tours back in the bayou.” Roo flicked ashes into the trampled weeds. “Tourists really like that kind of thing, don’t ask me why. He works construction jobs, too. Mows lawns, cuts trees, takes fishermen out in his boat. Stuff like that.”
“Quite a résumé.”
“And not bad to look at either.” Roo arched an eyebrow. “Or haven’t you noticed?”
“I don’t even know him.”
“You don’t have to know him to notice.”
Miranda hedged. “Well…sure. I guess he’s kind of cute.”
“Cute? Kind of? I’d say that’s the understatement of the century.”
“Does he have a girlfriend or something?” As Roo flicked her an inquisitive glance, she added quickly, “He keeps calling me Cher.”
Clearly amused, Roo shook her head. “It’s not a name, it’s a…” She thought a minute. “It’s like a nickname…like what you call somebody when you like them. Like ‘hey, love’ or ‘hey, honey’ or ‘hey, darlin’. It’s sort of a Cajun thing.”
Miranda felt like a total fool. No wonder Etienne had gotten that look on his face when she’d corrected him about her name.
“His dad’s side is Cajun,” Roo explained. “That’s where Etienne gets that great accent.”
Miranda’s curiosity was now bordering on fascination. She knew very little about Cajuns--only the few facts Aunt Teeta had given her. Something about the original Acadians being expelled from Novia Scotia in the eighteenth century, and how they’d finally ended up settling all over south Louisiana. And how they’d come to be so well known for their hardy French pioneer stock, tight family bonds, strong faith, and the best food this side of heaven.
“Before?” Roo went on. “When he walked by? He was talking to you in French. Well…Cajun French, actually.”
“He was?” Miranda wanted to let it go, but the temptation was just too great. “What’d he say?”
“He said, ‘Let’s get to know each other.’”
A hot flush crept up Miranda’s cheeks. It was the last thing she’d expected to hear, and she was totally flustered. Maybe Roo was making it up, just poking fun at her--after all, she didn’t quite know what to make of Roo.
“Oh,” was the only response Miranda could think of.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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Let him help.” Her grandfather’s voice was fading. As Miranda looked down at him once more, his body went limp with exhaustion, his ramblings lowered to murmurs. She wondered if he’d already slipped into his strange, private dreams.
“Ssh…” Freeing her hand, she placed it gently on his forehead. “Ssh…just rest now…”
“It’s lonely, Miranda. He’ll help you. Let him do that.”
She stepped back from the bed, watching the rise and fall of her grandfather’s chest--his deep, easy breathing of sleep. All around them, the shadows had grown darker. They’d lengthened and thickened and crept in from the musty hall, and now they slid along the walls and over the headboard, covering the old man’s face like a death mask.
“Oh, Grandpa,” Miranda whispered. “I wish I knew what you were talking about.”
“I think,” said a voice behind her, “he’s talking about me.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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She groaned again as a knock sounded at the door, and she stumbled over to answer it.
“Roo said you’d forget,” Etienne greeted her.
“I didn’t forget.” Conscious of her thin nightgown, Miranda stepped behind the door.
“And Roo said even if you didn’t forget, you still wouldn’t be there on time.”
His hair was damp, as though he’d just washed it. His black jeans fit casually over his narrow hips, and his black T-shirt had BOUCHER SWAMP TOURS stamped across the front in faded red letters.
“You should be feeling proud of yourself,” he added offhandedly. “So far she hasn’t told me one word about boiling you in oil. Not many people can pass the Roo test.”
“Is that supposed to thrill me?”
“It thrills me. You sure don’t want Roo putting a gris-gris on you. Very bad luck, cher.”
“I have to get dressed,” Miranda grumbled.
“I’ll wait.”
“I don’t need you to wait for me.”
“You might get lost.”
“It’s only a fifteen-minute walk to the inn, right? How lost could I get?”
She felt his eyes rake over her. She doubted if those eyes ever missed much.
“Bad night?” he asked her.
Miranda hesitated. Was he trying to be funny? Self-righteous? But the expression on his face wasn’t joking or smug, and she didn’t feel like answering any questions right now.
“I’ll be out in a minute.”
“Your grand-père? Miss Teeta says he’s better,” Etienne said. “Just in case you were wondering.”
“Great. Maybe today he’ll do something else for the whole town to talk about.”
“The town, it won’t talk if it doesn’t know.” Etienne’s voice hardened. “I don’t think you give your friends enough credit.”
“What friends?” But she shut the door before he had a chance to respond.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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She prayed no one had followed, but there were footsteps behind her, gaining steadily.
“Miranda! Wait up!”
She pretended not to hear. When Etienne grabbed her arm, she gasped as he swung her around to face him.
“Come on, cher, where you going?”
“It’s a mistake!” Miranda insisted. “What I said at the gallery. I didn’t know anything about it--I made it up!”
“You know you didn’t.”
She tried to shake him off, but he only held her tighter. “Etienne, please--I need to talk to my grandfather. I need him to explain. I need to understand what this is--what’s happening to me!”
“He already told you. You can communicate in ways the rest of us can’t. With people the rest of us can’t.”
“Dead people.” Miranda could barely choke out the words. “That’s what you’re saying, isn’t it? That suddenly I’ve got this--this horrible power…”
“Gift, cher.”
As his eyes fixed on hers with calm intensity, she found it impossible to look away. She wondered if those eyes had eve shown the slightest trace of fear. She wondered why her own fears seemed to be calming inside her, leaving only a quiet resentment in their place.
“So I’m supposed to believe that. And accept that. Like it’s perfectly normal.”
“Yes. Your grand-père, he always helped them. When they had secrets they needed to share. When they were in pain. He was the only one they could turn to.”
Miranda’s heart was an icy knot. “Please don’t tell me this.”
“You need to hear the truth. And I promised him.”
“This is crazy. You know that, right? Things like this don’t happen to normal people.” Biting her lip, she fought back sudden tears. “Why did that hurricane ever have to hit? Why did I ever have to come here in the first place?”
“Because,” Etienne said gently, “maybe this is the place you’re supposed to be.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Why are clowns so creepy?”
“You’re afraid of clowns?”
“I didn’t say that. I just said they’re creepy.”
Miranda watched him, amused. The best defense was an even better offense.
“You’re staring,” Gage mumbled.
“I can’t help it.”
“Why? Do I have a messy face, too?”
“No.” Miranda couldn’t resist. “You have dimples.”
He squirmed self-consciously. “I guess.”
“I bet you get teased a lot.”
“Is there some relevant point to this?”
Miranda did her best to keep a straight face. “Just that they’re so cute.”
“Stop it.”
“Are you blushing?”
“Shut up.”
Oh, Gage, you have no idea…if Marge and Joanie were here right now, they’d jump all over you.
Still flustered, Gage signaled the waitress. But it was someone else who walked over instead.
“Private conversation?” Etienne greeted them.
“No,” Gage answered, a little too quickly.
“Intimate conversation?”
“I was just telling him about his…” Miranda began, but Gage looked so trapped, she didn’t have the heart to bring Etienne into it. “Just telling him about--”
“We were talking about the gallery,” Gage broke in. “That building she was wondering about.”
Etienne glanced purposefully from Gage to Miranda and back again. “I don’t know, from where I was standing over there, you were looking a little embarrassed.”
“The opera house. I was telling her what I found out.”
“Okay, if you say so.”
“It’s true!”
“And I said okay. I believe you. You gonna eat the rest of those fries?”
Gage slid his plate across the table as Etienne slid in beside Miranda. Etienne shot her a secret wink.
“It’s not the thing with the dimples again, is it?” he asked innocently. “I don’t know what it is with girls, the way y’all love his--”
“Why are you here?” Gage asked. Getting to his feet, he pointed toward the restrooms. “I’ll be right back. You can leave the tip.”
“I was going to anyway.
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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Magnolia Gallery,” she said at last, “Etienne…it was an opera house.”
“You sound surprised.”
“I…I don’t know what to think.”
“How about the truth?”
For a long moment, she gazed down at her plate. It was the intensity of Etienne’s stare that made her look up again.
“I’m sorry I didn’t pass by your house.” His voice, though lower now, had tightened. “I should have. I wanted to.”
“Don’t apologize. You were my grandpa’s friend. This must be really hard for you.”
Etienne didn’t answer. Resting his elbows on the table, he wiped his mouth with the napkin, then crumpled the napkin in one fist. Miranda wondered what he was feeling. She understood that sense of loss, of being left behind. But with Etienne, it was almost impossible to know what emotions he was hiding.
"Maybe…maybe there’s something of Grandpa’s you’d like to have?” she suggested. “To remember him by? I could make sure you get it.”
He seemed to mull this over. “Thanks. I’ll think about it.”
“I’d really like to.”
The hard lines softened around his mouth. “I know,” he said quietly.
”
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Etienne’s going to find out stuff about voodoo. Oh, and Roo and I are going to research that little boy who died at the feed store. And Miranda gets Magnolia Gallery--but of course we’ll all help her with that. And…and I guess that’s about it.”
“Damn.” Parker did his best to sound disappointed. “I was hoping for a whole lot more.”
Nodding sympathetically, Roo swept him with solemn eyes. “How sad. That’s exactly what Ashley always says about you.”
“Oh, except for this other idea I had.” Ashley glanced hopefully around the group. “Instead of calling it Ghost Walk, why don’t we call it something else?”
“Great idea.” Parker was adamant. “Why don’t we call it off?”
“How about”--Ashley paused dramatically, her eyes sparkling--“Walk of the Spirits?”
As everyone traded glances, Gage repeated it several times out loud. “Yeah. I like it.”
“Me, too,” Miranda spoke up. “I think it’s good.”
“I think it’s romantic,” Ashley sighed. “Walk of the Spirits…don’t you think it’s wonderfully romantic?”
“I think it’s wonderfully…you.” Etienne patted Ashley’s shoulder. “But could we move a little faster here? I got me a lotta work to do this evening.”
“That’s okay, this is just our first outline. We still have to refine it. And we still have a lot more research to do.”
Gage nodded. “Then we have to write up a script for the tour. And everything has to be timed. And--”
“Enough torture.” Parker glowered at each of them. “I get the idea.”
“But hey, y’all.” Ashley fairly glowed with pride. “The important thing is that Miss Dupree loves our project even more now. Did you see the look on her face when she was reading our outline? I’ve never seen her that excited about any assignment before, have you?”
“I’ve never seen her excited about anything.” Parker exchanged guy looks with Etienne. “She needs to get laid.”
“You know, at some point, we really need to do a trial run of this thing,” Gage advised, ignoring Parker. “Seeing it in daylight is totally different than seeing it at night. If we’re gonna get the full effect, we need to walk it after dark.
”
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Heyer is wonderful, isn’t she?” I chuckled. “I have to confess, I love a good historical romance novel occasionally myself, and there’s nobody better than Heyer. I like to reread her, too.
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Miranda James (File M for Murder (Cat in the Stacks Mystery #3))
“
Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. —
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Miranda July (All Fours)