Sam Cooke Love Quotes

We've searched our database for all the quotes and captions related to Sam Cooke Love. Here they are! All 12 of them:

Sam loved to listen to music and make his own songs, to wear soft velvets, to play in the castle kitchen beside the cooks, drinking in the rich smells as he snitched lemon cakes and blueberry tarts. His passions were books and kittens and dancing, clumsy as he was.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Sam feels the loss of her old life like a wound. The world is full of lasts, she thinks. The last time you pick up your child. The last time you hug a parent. The last time you cook dinner in a house full of the people you love. The last time you make love to the husband you once adored who will walk away from you because you turned into a crazy, resentful hormone-fueled idiot. And with all these moments you don’t know that this will be the last or you would be overwhelmed by the poignancy of them, hang on to them like someone unhinged, bury your face in them, never let them go.
Jojo Moyes (Someone Else's Shoes)
Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
Lauren Oliver (Before I Fall)
Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew,” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. So many things become beautiful when you really look.
Lauren Oliver (Before I Fall)
It was in Oklahoma, within a month of her arrival, that they established the Fuck Yorick School of Forensics. This was not just a principle of necessary levity but the name of their bowling team. Wherever she worked, first in Oklahoma, then in Arizona, her cohorts ended the evenings with beer in one hand, a cheese taco in the other, cheering or insulting teams and scuffing along the edges of the bowling alleys in their shoes from the planet Andromeda. She had loved the Southwest, missed being one of the boys, and was now light-years beyond the character she had been in London. They would go through a heavy day’s work load, then drive to the wild suburban bars and clubs on the outskirts of Tulsa or Norman, with Sam Cooke in their hearts. In the greenroom a list was tacked up of every bowling alley in Oklahoma with a liquor license. They ignored job offers that came from dry counties. They snuffed out death with music and craziness. The warnings of carpe diem were on gurneys in the hall. They heard the rhetoric of death over the intercom; ‘vaporization’ or ‘microfragmentation’ meant the customer in question had been blown to bits. They couldn’t miss death, it was in every texture and cell around them. No one changed the radio dial in a morgue without a glove on.
Michael Ondaatje (Anil's Ghost)
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
Everyone loves her shit on Atlantic, and no doubt they’re classics, but when I heard her sing ‘Skylark,’ I told Esther Phillips, my running buddy back then, ‘That girl pissed all over that song.’ It came at a time when we were all looking to cross over by singing standards. I had ‘Sunday Kind of Love’ and ‘Trust in Me,’ and Sam Cooke was doing ‘Tennessee Waltz’ and ‘When I Fall in Love’ at the Copa. We were all trying to be so middle class. It was the beginning of the bougie black thing. I truly believe Aretha had a head start on us since she was the daughter of a rich preacher and grew up bougie. But, hell, the reasons don’t matter. She took ‘Skylark’ to a whole ’nother place. When she goes back and sings the chorus the second time and jumps an octave—I mean, she’s screaming—I had to scratch my head and ask myself, How the fuck did that bitch do that? I remember running into Sarah Vaughan, who always intimidated me. Sarah said, ‘Have you heard of this Aretha Franklin girl?’ I said, ‘You heard her do “Skylark,” didn’t you?’ Sarah said, ‘Yes, I did, and I’m never singing that song again.
David Ritz (Respect: The Life of Aretha Franklin)
You know, Kate, I’m here for you if you ever need me.” The strange thing was, I knew he meant it. Sure, he was usually clueless, but he was my brother, and I knew he loved me—as much as I loved him. “Thanks, Sam.” He stood up and tucked the part of the quilt he’d borrowed around me. “Don’t stay out here too long. Don’t want to find you here in the morning, a frozen statue. Who’d cook me breakfast?” “I love you, Sam.” “Course you do.” He gave me his usual arrogant grin. “What’s not to love?” Before I could start listing all the things, he disappeared into the condo, leaving me alone with my thoughts. I realized there were times when Sam wasn’t half bad as a brother. So maybe I could understand why Allie had hooked up with him. Of course, I’d never tell him that!
Rachel Hawthorne (Love on the Lifts)
The November Road Playlist “Don’t Think Twice, It’s All Right”—Bob Dylan “’Round Midnight”—Billy Taylor Trio “Will You Love Me Tomorrow?”—The Shirelles “Follow the Yellow Brick Road” from The Wizard of Oz—Judy Garland “How Can You Lose”—Art Pepper “Night and Day”—Ella Fitzgerald “I Saw Her Standing There”—The Beatles “Jack O’Diamonds”—Ruth Brown “Ring of Fire”—Johnny Cash “Somebody Have Mercy”—Sam Cooke “Something Cool”—June Christy “Prisoner of Love”—James Brown “It’s My Party”—Lesley Gore “Blowin’ in the Wind”—Peter, Paul and Mary “I’m Walkin’”—Fats Domino “You’re Getting to Be a Habit with Me”—Frank Sinatra “’Round Midnight”—Thelonious Monk
Lou Berney (November Road)
Fair enough. How’s it going with Mr. Reed?” “Fine.” He chuckles. “That’s all I get? Fine?” He laughs out loud. “Seriously?” “He made me dinner.” I can almost hear his smile through the phone. “Well, that was nice.” “We talked.” “And?” “Then his old girlfriend showed up, and we didn’t talk anymore.” He whistles. “Well, that wasn’t what I expected.” I hear him inhale and exhale. “Where is he now?” “Watching TV, I think.” “Let me talk to him.” “Me-li-o,” I whine. “Go get him. I have dad business to discuss with him. You wouldn’t understand.” I get up and go to the door. Sam is sitting on the couch watching the end of the cook-off show. He pauses it when I walk up. “Melio wants to talk you. Would you mind?” He holds out his hand and takes my phone, lifting it gently to his ear. He’s wary of my phone. That’s funny. “Yes, sir,” I hear him say. Sam’s eyes meet mine and I see him grin. I lift my hands in question and he waves me away. I go and sit down on the other end of the sofa. “Of course,” he says into the phone. He glances in my direction and then quickly away. “You don’t have to worry. I’ll take care of her.” He laughs. But then I hear a sharp retort through the phone and he sobers, his cheeks growing red. “Yes, sir,” he says. He hands the phone back to me. I lift it to my ear. “What did you do?” I ask Emilio. “Nada damn thing that didn’t need doing.” He chuckles. “Love you, kid.” “Love you too, Melio.” “Think about what I asked you.” I nod like he can see me. “I will. I’ll let you know.” He says goodbye and hangs up. I sink back against the couch cushion. Sam laughs. “What’s so funny?” I glare at him. “Nothing.” But he’s still biting back laughter. “What did he say to you?” “You really want to know?” He grabs my foot and jerks it into his lap. My bottom slides across the couch. I don’t think I’ve ever had a man bodily move me around before. I’m not sure I like it. And I’m not sure I don’t like it, either. “What did he say?” “He said the only thing that could be referenced as a woody around here had better be the Woodpecker. I think he meant you. And that I should worry about castration if I try to get in your pants.” “Oh.” What little breath I can get in and out stalls. Sam sort of stole it all with that declaration. “I’m sorry about that.” I wince. “He’s your dad.” He shrugs. “I respect that.” I
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
...Sam Cooke's 'You Send Me' is on repeat in my head and the world would be a happier place if more people would lift their souls with music instead of ugh-inducing podcasts.
Caroline Kepnes (You Love Me (You, #3))
Of special note are Nic Parkhill, Bill Whittaker AM, David Buchanan, Don Baxter, Ross Duffin, Paul van Reyk, Robert French, Anne Malcolm, Bill Bowtell, Brent Mackie, Graeme Head, Gray Sattler, Greg Tillett, Julie Bates, Kirsty Machon, Lyle Chan, Phillip Keen, Robert Griew, Sara Lubowitz, Sue Kippax AO, Terry Goulden, Reg Domingo, Nikki Lusk, Paul O’Beirne and Julie Williams. Extra special thanks to Jacki for your unfaltering support, along with Joni and Sam for your limitless love.
Nick Cook (Fighting For Our Lives: The history of a community response to AIDS)