Saltwater Quotes

Remind me again-why do you hate me so much?" I don't hate you." Could've fooled me." She folded her cap of invisibility. "Look...we're just not supposed to get along, okay? Our parents are rivals." Why?" She sighed. "How many reasons do you want? One time my mom caught Poseidon with his girlfriend in Athena's temple, which is hugely disrespectful. Another time, Athena and Poseidon competed to be the patron god for the city of Athens. Your dad created some stupid saltwater spring for his gift. My mom created the olive tree. The people saw that her gift was better, so they named the city after her." They must really like olives." Oh, forget it." Now, if she'd invented pizza-that I could understand.

I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin." It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand. "About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.

There either is or is not, that’s the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it’s red. But what colour it may be in memory, depends on the day. I’m not going to tell you the story the way it happened. I’m going to tell it the way I remember it. — Great Expectations (1998) directed by Alfonso Cuarón

We walked on the beach, fed blue corn ships to the seagulls, and munched on blue jelly beans, blue saltwater taffy and all the other free samples my mom brought home from work. I guess I should explain the blue food. See, Gabe had once told my mom there was no such thing. They had this fight, which seemed like a really small thing at the time. But ever since, my mom went out of her way to eat blue. She baked blue birthday cakes. She mixed blueberry smoothies. She bought blue-corn tortilla chips and brought home blue candy from the shop.

This is where he struck the earth, Annabeth said, where he made a saltwater spring appear when he had the contest with my mom to sponsor Athens. So this is where the rivalry started, Percy said. Yeah Percy pulled Annabeth close and kissed her. The rivalry ends here, Percy said. I love you Wise Girl.

Tears upon tears splat on to the lined pages in my hands as I read about a nightmare come true. Quickly, I wipe away the saltwater so it won't fade the ink. Because even as my chest caves in and makes me hate the chipper birds and everything else, I know that I needed to read this today, and I need to read it again tomorrow. For me, reading is remembering.

The best way to hide a body is to convert it to saltwater and then dump it in the ocean. But whatever you do, do not drink it!

drenching his shirt with saltwater

Why is it so embarrassing to admit you like someone? It should be a compliment to them, and even if they don't like you back, they should at least commend you on your refined taste.

Listen, now, you're going to die, Ray-mond K. K. K. Hessel, tonight. You might die in one second or in one hour, you decide. So lie to me. Tell me the first thing off the top of your head. Make something up. I don't give a shit. I have a gun. Finally, you were listening and coming out of the little tragedy in your head. Fill in the blank. What does Raymond Hessel want to be when he grows up? Go home, you said you just wanted to go home, please. No shit, I said. But after that, how did you want to spend your life? If you could do anything in the world. Make something up. You didn't know. Then you're dead right now, I said. I said, now turn your head. Death to commence in ten, in nine, in eight. A vet, you said. You want to be a vet, a veterinarian. You could be in school working your ass off, Raymond Hessel, or you could be dead. You choose. I stuffed your wallet into the back of your jeans. So you really wanted to be an animal doctor. I took the saltwater muzzle of the gun off one cheek and pressed it against another. Is that what you've always wanted to be, Dr. Raymond K. K. K. K. Hessel, a veterinarian?... So, I said, go back to school. If you wake up tomorrow morning, you find a way to get back into school. I have your license. I know who you are. I know where you live. I'm keeping your license, and I'm going to check on you, mister Raymond K. Hessel. In three months, and then six months, and then a year, and if you aren't back in school on your way to being a veterinarian, you will be dead... Raymond K. K. Hessel, your dinner is going to taste better than any meal you've ever eaten, and tomorrow will be the most beautiful day of your life.

People say that it's the big decisions that are important... that these are the type of issues worthy of prolonged consideration. But no one ever explains how it's the little choices that send your life careening in another direction.

But I don't believe coincidences are chance events. I think they're the times we happen to see the mysterious pattern connecting everything.

We hit the sunny beaches where we occupy ourselves keeping the sun off our skin, the saltwater off our bodies, and the sand out of our belongings.

The sea was like another member of the household, a recalcitrant child at times, a soothing aunt at others. She crooned them awake; she crooned them to sleep. Everywhere, there was the smell of salt.

This is where he struck the earth, Annabeth said, where he made a saltwater sprong appear when he had the contest with my mom to sponsor Athens. So this is where the rivalry started, Percy said. Yeah Percy pulled Annabeth close and kissed her. The rivalry ends here, Percy said. I love youm Wise Girl.

In the sea, Corr’s clumsiness will disappear, his weight cradled by the saltwater. I don’t want to say good-bye. I blink to clear my vision and reach up. I pull off his halter. The ocean is his love and now, finally, he’ll have it. I back out of the surf. There’s a thin, long wail. Corr takes a labored step away from the November sea. And another. He is slow, and the sea sings to us both, but he returns to me.

Kissing her is like drinking salted water, he thinks. His thirst only increases.

Not everybody gets a happy ending, however deserved it may be. Life had been doing its damnedest to teach me that, starting with my first saltwater breath, the day my mother died at sea. But that didn't mean we were giving up.

Tears The first woman who ever wept was appalled at what stung her eyes and ran down her cheeks. Saltwater. Seawater. How was it possible? Hadn't she and the man spent many days moving upland to where the grass flourished, where the stream quenched their thirst with sweet water? How could she have carried these sea drops as if they were precious seeds; where could she have stowed them? She looked at the watchful gazelles and the heavy-lidded frogs; she looked at glass-eyed birds and nervous, black-eyed mice. None of them wept, not even the fish that dripped in her hands when she caught them. Not even the man. Only she carried the sea inside her body.

As their saltwater tears combined with the sea, Lewis finally understood the log line of their love story: He was an aimless kite in search of a string to ground him to the world, but instead, he'd found Wren, a great, strong wind who supported his exploration of the sky.

...Food serves two parallel purposes: it nourishes and it helps you remember. Eating and storytelling are inseparable—the saltwater is also tears; the honey not only tastes sweet, but makes us think of sweetness; the matzo is the bread of our affliction.

May you study the pink of yourself. Know yourself riverine and coast. May you taste the fresh and the saltwater of yourself and know what only you can know. May you live in the mouth of the river, meeting place of the tides, may all blessings flow through you.

Two chemicals called actin and myosin evolved eons ago to allow the muscles in insect wings to contract and relax. Thus, insects learned to fly. When one of those paired molecules are absent, wings will grow but they cannot flap and are therefore useless. Today, the same two proteins are responsible for the beating of the human heart, and when one is absent, the person’s heartbeat is inefficient and weak, ultimately leading to heart failure. Again, science marvels at the way molecules adapt over millions of years, but isn’t there a deeper intent? In our hearts, we feel the impulse to fly, to break free of boundaries. Isn’t that the same impulse nature expressed when insects began to take flight? The prolactin that generates milk in a mother’s breast is unchanged from the prolactin that sends salmon upstream to breed, enabling them to cross from saltwater to fresh.

May your bones be washed by the saltwater, your spirit return to the sand and the love we have for you be forever around us.

I’m thirsting for fame. I’m so fucking thirsty. Somebody bring me a tall glass of saltwater with a side order of desert.

pools of saltwater that once dripped from your eyelashes like oil from a wrecked car,

She shoved my shoulder. “I want you to note that there are still no aftereffects of surfing yesterday. No—how do you put it? —saltwater trauma.” “Well, that’s because you have beautiful magic Asian hair. Mine wouldn’t be as kind.” “Magic Asian hair?” “Don’t try to deny it.

I want it and I do not want it. I want to be visible and I want to be invisible, or perhaps I want to be visible to some people and not to others. It seems unfair that I can't choose.

Kissing Amber was like falling into the sea: Her body surrendered to the pull of the tide, buoyed by the saltwater, every breath tasting like the ocean. Reese lost all sense of where the surface was. All there was, was this. Amber’s lips, her tongue, her hands stroking back Reese’s hair, curling around her head and holding her steady. If their first kiss had been a bit awkward, that was gone now.

Why does finding out someone has pain in their life make you appreciate them more as a human being? Shouldn't we all assume everyone we meet has their own pain?

There was an old legend that said pearls were the tears of the gods, but we mortals wept only saltwater, and we had more than enough of that around here.

The high salt content in the water allowed tank users to float silently and without effort, achieving ultimate relaxation. If the makers of the tanks were to be believed, floating in the saltwater would improve mental alertness, decrease pain, facilitate healing, improve sports performance, wash your car, do your taxes, and clean the clutter out of your attic.

Why do people who already have so much get bitter about those who have a little more?

No one seemed to understand. I’d go to movies, see friends, but after a couple days I’d catch myself reading plane schedules, looking for something, someplace to go: a bomb in Afghanistan, a flood in Haiti. I’d become a predator, endlessly gliding in saltwater seas, searching for the scent of blood.

But no one ever explains how it's the little choices that send your life careening in another direction, like deciding to send a poem in the mail or saying yest to a walk on a moonless night.

I would like to have something to believe in, but it is difficult. Everything my generation was promised got blown away like clouds of smoke curling from the ends of cigarettes in the mouths of politicians and bankers. It is hard not to be cynical and critical of everything, and yet perhaps there is an opening, too. When the present begins to fracture, there is room for the future to be written.

Jamie's eyes met hers and recognition passed between them. He wondered if that was how it was going to be for the rest of their lives. They'd talk as if they were just two people who used to hang out, but all the time their eyes would be saying, I know you well and I miss you badly.

It was time for me to go, to accept the dream was over and the poem exchange meant nothing; that the person I though I was no longer existed.

THE BIRD AND THE WATER A bird which has not heard of fresh water Dips his beak in salt-water year after year. (Anwar-i-Suhaili)

Isn’t that what vacations are for? To have experiences that you don’t usually have in your everyday life?

It seems you have saltwater and stardust in your veins.

The body moves naturally, automatically, unconsciously, without any personal intervention or awareness. But if we begin to use our faculty of reasoning, our actions become slow and hesitant.

It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!)

As on many mornings in Marin, there is this sly strip of fog - water in it's most mystical incarnation - slithering over, around, and through the hills, making everything look ancient and unsolved.

Brynne was changing, too. Her eyes looked ocean-tinted. In a matter of seconds, she blurred through a dozen menacing shapes—a growling panther, an azure bear, a sharp-clawed wolverine, and even a massive saltwater crocodile. Crocodile-Brynne snapped, and a cold wind blew around them. “Uh, what’s going on with you guys?” asked Aiden. “Is it puberty?” whispered Rudy nervously. Aiden swatted him.

What are friends, anyways? You pick some people you have similar interests with, and you hang out and talk. You give each other pep talks and listen to each other's problems. I could replace most of Courtney's job duties as best friend with a book of inspirational slogans and a journal.

You had to be ready for the sea because, if not, then the sea would be ready for you.

Auden? Does he rhyme? I only like poetry that rhymes. All the best poets write in rhyme." "Really?" "Dr. Seuss and Shakespeare. You can't do better than that.

Roughly 97 percent of the globe’s water is saltwater. Of the 3 percent or so that is freshwater, most is locked up in the polar ice caps or trapped so far underground it is inaccessible. And of the sliver left over that exists as surface freshwater readily available for human use, about 20 percent of that—one out of every five gallons available on the planet—can be found in the Great Lakes.

For supper Jill cooks a filet of sole, lemony, light, simmered in sunshine, skin flaky brown; Nelson gets a hamburger with wheatgerm sprinkled on it to remind him of a Nutburger. Wheatgerm, zucchini, water chestnuts, celery salt, Familia: these are some of the exotic items Jill's shopping brings into the house. Her cooking tastes to him of things he never had: candlelight, saltwater, health fads, wealth, class.

I guess even the prettiest things eventually end up stinking. Everything does. We all will die and rot and decay and be reborn as dirt or flowers or worms, or polar bears who will drown because their ice is all melting, or presidents of war-torn countries, or whales swimming around acidifying seas. And then we will rot and decay again. And so it goes.

It's like the moment just before sleep, when you're not quite unconscious - you're awake enough to realize that you're falling asleep - but your thoughts and your memories begin unspooling into narrative and you realize you have already started to dream: one last moment of waking, choking on saltwater...

The pelicans paddle in coils of waves and light. Low tide reveals fissures of saltwater and rock. From the smallest crevices color insists-colonies of jade anemones, a purple starfish harvest, barnacles hiding beaks of unbleached linen, black mussel bouquets. Between the air and sea, -this, one large prayer. I kneel.

Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.

Back before there was time, I lived with my father on an island, tucked away in an endless archipelago that reached up out of the cold salt water, hungry for air.

disbelief in magic can force a poor soul into believing in government and business.

What is more malleable is always superior over that which is immovable. This is the principle of controlling things by going along with them, of mastery through adaptation.

We compare our thighs in the reflection of doors and people tell us that’s where our value lies.

Our souls are salt-water cured. - Liz Talbot, Lowcountry Boil.

Papa always says, you can fix soil, and you can build houses, but there's no point if the land don't have water.

She was a saltwater, sunsets, and road trips kinda girl.

But at least there is revenge, which is like justice the way saltwater is like fresh.

She was very busy fighting a full-facial, saltwater cavity wash when two big hands gripped her arms and hauled her upright.

a beautiful, intelligent woman with a body like Salome and a mouth like a saltwater crocodile.

Surfing is kind of a good metaphor for the rest of life. The extremely good stuff - chocolate and great sex and weddings and hilarious jokes - fills a minute portion of an adult lifespan. The rest of life is the paddling: work, paying bills, flossing, getting sick, dying.

His hand that's wrapped in my hair angles my head back even more, and then he kisses me with confidence. It’s slow and deep, like he might not survive if he doesn’t swallow a little bit of my soul in this kiss. He tastes like saltwater and my blood feels like the sea, raging and crashing through my veins. I want to live in this feeling. Sleep in it. Wake up in it.

He was terrified (his word) of us becoming “isolated.” What alarmed me is that his idea of isolated was much closer to my concept of ideal. If we lived on a great expanse of land, Dennis would want a grand swimming pool so that we could invite all our friends over for long, leisurely weekends. Whereas I would want a moat filled with saltwater crocodiles to keep the riffraff out. *

I want to wash your hair with a shampoo that smells like fruit - mango, or strawberries. I want to walk on a beach with you, dragging a big stick behind us, making a message in the sand that we try to believe an airplane will really see. I want to kiss saltwater from your lips. I want us to listen to music with our eyes closed; I want to read musty books while lying next to you - books about fascinating things like mummies and eccentric artists and old shipwrecks in the Pacific. I want to have picnics on our bed and crawl into cotton sheets that smell like summer because we left the windows open when we were gone. I want to wake in the night with you and marvel at the stars and try to find the moon through the trees. I want all the sweet things in life. But only by your side.

The coast is an edgy place. Living on the coast presents certain stark realities and a wild, rare beauty. Continent confronts ocean. Weather intensifies. It's a place of tide and tantrum; of flirtations among fresh- and saltwaters, forests and shores; of tense negotiations with an ocean that gives much but demands more. Every year the raw rim that is this coast gets hammered and reshaped like molten bronze. This place roils with power and a sometimes terrible beauty. The coast remains youthful, daring, uncertain about tomorrow. The guessing, the risk; in a way, we're all thrill seekers here.

This was different. It had synths droning and sending saltwater waves under my feet. It had drumbeats bursting like fireworks, rumbling the furniture out of place, and then a crazy, irregular, disharmonious, spiral crescendo of pure electric noise, like a typhoon dragging our bodies into it. It featured brass orchestras and choirs of mermaids and a piano in Iceland, all of them right there, visible, touchable, in Axton House. It shook us, fucked us, suspended us far above the reach of Help bouncing on his hind legs. It spoke of magenta sunsets and plastic patio chairs growing moss under summer storms rolling on caterpillar tracks. It sprinkled a bokeh of car lights rushing through night highways and slapped our faces like the wind at a hundred and twenty miles an hour. It pictured Niamh playing guitar, washed up naked on a beach in Fiji.

He imagines Owens' body dotted with saltwater reservoirs just below the skin. An entire wetland, populated with tiny fish and birds, thriving in his agitation. A species of dwarf crocodile lazing beside an artery.

As our ship tumbled, free-falling through the eye of a saltwater cyclone, the nine giant maidens spiraled around us, weaving in and out of the tempest so they appeared to drown over and over again. Their faces contorted in anger and glee. Their long hair lashed us with icy spray. Each time they emerged, they wailed and shrieked, but it wasn’t just random noise. Their screams had a tonal quality, like a chorus of whale songs played through heavy feedback. I even caught snippets of lyrics: boiling mead...wave daughters...death for you! It reminded me of the first time Halfborn Gunderson played Norwegian black metal for me. After a few bars, it dawned on me...Oh, wait. That’s supposed to be music!

Time stretched, expanded so there was just him and me and the closenss, and I thought how it was all very well to tell yourself what you should and shouldn't feel but in the end the should word didn't make the slightest scrap of difference.

I linger too long in his embrace; the night is so warm, the rocking of the boat so lulling, I have to stop myself from swaying to the music. Daniel smells really good—a masculine cocktail of saltwater, citrus, and probably just full-on testosterone.

The day before, they had started eating the saltwater-damaged bread. The bread, which they had carefully dried in the sun, now contained all the salt of seawater but not, of course, the water. Already severely dehydrated, the men were, in effect, pouring gasoline on the fire of their thirsts—forcing their kidneys to extract additional fluid from their bodies to excrete the salt. They were beginning to suffer from a condition known as hypernatremia, in which an excessive amount of sodium can bring on convulsions.

Both Jews and Muslims believe that salt protects against the evil eye. The Book of Ezekial mentions rubbing newborn infants with salt to protect them from evil. The practice in Europe of protecting newborns either by putting salt on their tongues or by submerging them in saltwater is thought to predate Christian baptism. In France, until the practice was abolished in 1408, children were salted until they were baptized. In parts of Europe, especially Holland, the practice was modified to placing salt in the cradle with the child.

Saltwater marsh, some say, can eat a cement block for breakfast, and not even the sheriff’s bunker-style office could keep it at bay. Watermarks, outlined with salt crystals, waved across the lower walls, and black mildew spread like blood vessels toward the ceiling.

So, to start with, you might be wondering how this chick with a monkey on her back about the size of King Kong is running about staking nasties and whatnot. Well, truth be told, I’ve been stretching the truth like it was a big handful of raspberry-flavored saltwater taffy.

Aubade to Langston" When the light wakes & finds again the music of brooms in Mexico, when daylight pulls our hands from grief, & hearts cleaned raw with sawdust & saltwater flood their dazzling vessels, when the catfish in the river raise their eyelids towards your face, when sweetgrass bends in waves across battlefields where sweat & sugar marry, when we hear our people wearing tongues fine with plain greeting: How You Doing, Good Morning when I pour coffee & remember my mother’s love of buttered grits, when the trains far away in memory begin to turn their engines toward a deep past of knowing, when all I want to do is burn my masks, when I see a woman walking down the street holding her mind like a leather belt, when I pluck a blues note for my lazy shadow & cast its soul from my page, when I see God’s eyes looking up at black folks flying between moonlight & museum, when I see a good-looking people who are my truest poetry, when I pick up this pencil like a flute & blow myself away from my death, I listen to you again beneath the mercy of a blue morning’s grammar. Originally published in the Southern Humanities Review, Vol. 49.3

I had a dream you died, it was so horrible, it was worse than anything, I don't want you to go, please don't leave me, I can't bear being alive without you, I just want our souls to fly around forever and have adventures together. She cries raw as a child, sliming Isidol's toes with hot saltwater and mucus. Isidol starts crying too. She sinks to the floor and holds Vellus so tight and their hair tangles together in the smear of their faces. For days after, when Isidol is sleeping, Vellus will listen to see if she's still breathing. When Isidol goes outside, she will go with her, no matter how she feels, and hold her arm tightly. It was so hard, she sobs. I was alone for so long.

Aw, bugger it. Don't die wondering.

So, without telling any of my Zen-snob buddies, I liked to pretend everything was the Pure Land, that my life was already perfect as it was.

Nothing could define her unless she let it. She had God in her life to heal those broken places, but she hadn't let him do it.

It’s not the tragedy that can ruin you—it’s your own attitude toward it. You can let adversity make or break you, Jason. It’s up to you.

I felt a taste of that other kind of contentment that doesn't come from acquiring information or getting praise or building a resume, the kind that is just there, like a hidden pearl.

They stared at each other for a long time. The rest of the world had gone somewhere else and everything that needed to be said was being said without talking. And Jamie knew how much he'd lost.

Method 1: Use the saltwater flush (SWF), which involves drinking uniodized sea salt with water. To tolerate the taste, you can drink two teaspoons of sea salt in eight ounces of water to make it go down and then follow immediately with three more 8-ounce glasses of water. Do this first thing in the morning while you have an empty stomach, and you will have several bowel movements within thirty minutes to an hour.

I keep staring at the bag in Mrs. Parks's hand: yellows, greens, blues, whites, pastel colors so soft they look as if they have faded in the sea. The washed colors of the sea and sleep. Pajama colors. The colors of baby clothes. In my nose is the smell of my brothers' heads after they are born. Maybe this is why people making journeys buy saltwater taffy. It gives you the lovely dreamy sense that you can start all over again from the beginning.

I’ve been scratching my skin raw in my sleep. “You know, if you scratch you’ll bring on infection,” says Finnick. “That’s what I’ve heard,” I say. I go into the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward, and snap, “Hey, Haymitch, if you’re not too drunk, we could use a little something for our skin.” It’s almost funny how quickly the parachute appears above me.

I was on one of my world 'walkabouts.' It had taken me once more through Hong Kong, to Japan, Australia, and then Papua New Guinea in the South Pacific [one of the places I grew up]. There I found the picture of 'the Father.' It was a real, gigantic Saltwater Crocodile (whose picture is now featured on page 1 of TEETH). From that moment, 'the Father' began to swim through the murky recesses of my mind. Imagine! I thought, men confronting the world’s largest reptile on its own turf! And what if they were stripped of their firearms, so they must face this force of nature with nothing but hand weapons and wits? We know that neither whales nor sharks hunt individual humans for weeks on end. But, Dear Reader, crocodiles do! They are intelligent predators that choose their victims and plot their attacks. So, lost on its river, how would our heroes escape a great hunter of the Father’s magnitude? And what if these modern men must also confront the headhunters and cannibals who truly roam New Guinea? What of tribal wars, the coming of Christianity and materialism (the phenomenon known as the 'Cargo Cult'), and the people’s introduction to 'civilization' in the form of world war? What of first contact between pristine tribal culture and the outside world? What about tribal clashes on a global scale—the hatred and enmity between America and Japan, from Pearl Harbor, to the only use in history of atomic weapons? And if the world could find peace at last, how about Johnny and Katsu?

The great irony, then, is that the nation’s most famous modern conservative economist became the father of Big Government, chronic deficits, and national fiscal bankruptcy. It was Friedman who first urged the removal of the Bretton Woods gold standard restraints on central bank money printing, and then added insult to injury by giving conservative sanction to perpetual open market purchases of government debt by the Fed. Friedman’s monetarism thereby institutionalized a régime which allowed politicians to chronically spend without taxing. Likewise, it was the free market professor of the Chicago school who also blessed the fundamental Keynesian proposition that Washington must continuously manage and stimulate the national economy. To be sure, Friedman’s “freshwater” proposition, in Paul Krugman’s famous paradigm, was far more modest than the vast “fine-tuning” pretensions of his “salt-water” rivals. The saltwater Keynesians of the 1960s proposed to stimulate the economy until the last billion dollars of potential GDP was realized; that is, they would achieve prosperity by causing the state to do anything that was needed through a multiplicity of fiscal interventions. By contrast, the freshwater Keynesian, Milton Friedman, thought that capitalism could take care of itself as long as it had precisely the right quantity of money at all times; that is, Friedman would attain prosperity by causing the state to do the one thing that was needed through the single spigot of M1 growth.

It was something they'd done a thousand times before. If Jamie went surfing with a mate and paddled in first, he always took time for that final wave. And there was something so familiar in the ritual that for a moment he felt like everything was right. He felt forgiven.

All summers take me back to the sea. There in the long eelgrass, like birds' eggs waiting to be hatched, my brothers and sister and I sit, grasses higher than our heads, arms and legs like thicker versions of the grass waving in the wind, looking up at the blue sky. My mother is gathering food for dinner: clams and mussels and the sharply salty greens that grow by the shore. It is warm enough to lie here in the little silty puddles like bathwater left in the tub after the plug has been pulled. It is the beginning of July and we have two months to live out the long, nurturing days, watching the geese and the saltwater swans and the tides as they are today, slipping out, out, out as the moon pulls the other three seasons far away wherever it takes things. Out past the planets, far away from Uranus and the edge of our solar system, into the brilliantly lit dark where the things we don't know about yet reside. Out past my childhood, out past the ghosts, out past the breakwater of the stars. Like the silvery lace curtains of my bedroom being drawn from my window, letting in light, so the moon gently pulls back the layers of the year, leaving the best part open and free. So summer comes to me.

But I looked out at the waves far below the bluff. They looked violent, erupting against the cliff. I watched them rising - up, up, higher, higher - then falling, crashing, swirling into chaos, passing away. I breathed deeply. I tried to breathe space between my thoughts, find the space between the anger.

Or awa’ upon Islay, in January, the wind was honed to a cutting edge across the queer flatness of Loch Gorm and the strand and fields ’round. The roe deer had taken shelter in good time and the brown trout had sought deeper waters. An auld ram alone huddled against the wind, that had swept clear the skies even of eagle, windcuffer, and goose. The scent of saltwater rode the wind over the freshwater loch, and the dry field-grasses rattled, and there was the memory of peat upon the air: a whisky wind in Islay. The River Leòig was forced back upon itself as the wind whipped the loch to whitecaps; only the cairn and the Standing Stones stood unyielding in the blast as of old.

I've been thinking about what it means to bear witness. The past ten years I've been bearing witness to death, bearing witness to women I love, and bearing witness to the [nuclear] testing going on in the Nevada desert. I've been bearing witness to bombing runs on the edge of the Cabeza Prieta Wildlife Refuge, bearing witness to the burning of yew trees and their healing secrets in slash piles in the Pacific Northwest and thinking this is not so unlike the burning of witches, who also held knowledge of heading within their bones. I've been bearing witness to traplines of coyotes being poisoned by the Animal Damage Control. And I've been bearing witness to beauty, beauty that strikes a chord so deep you can't stop the tears from flowing. At places as astonishing as Mono Lake, where I've stood knee-deep in salt-water to watch the fresh water of Lee Vining Creek flow over the top like water on vinegar....It's the space of angels. I've been bearing witness to dancing grouse on their leks up at Malheur in Oregon. Bearing witness to both the beauty and pain of our world is a task that I want to be part of. As a writer, this is my work. By bearing witness, the story that is told can provide a healing ground. Through the art of language, the art of story, alchemy can occur. And if we choose to turn our backs, we've walked away from what it means to be human.

Dear Matt, In less than a day, I’ ll be standing on the same sand you stood on so many times before. Well, not the same sand, with the tides and winds and erosion and all of that, but the same symbolic sand. I’m so excited and scared that I can’ t sleep – even though I have to wake up in five hours! You know, I saved every one of your postcards. They’re here in a box under my bed – all the little stories you sent, like little pieces of California. Like the beach glass you guys always brought me. Sometimes I dump it out on my desk and press my ear to the pieces, trying to hear the ocean. Trying to hear you. But you don’ t say anything. Remember how you’ d come back from your vacation on the beach and tell me what it really felt like? What the ocean sounded like at dawn when the beach was deserted? What your hair and skin tasted like after swimming in saltwater all day? How the sand could burn your feet as you walked on it, but if you stuck your toes in, it was cold and wet underneath? How you spent three hours sitting on Ocean Beach just to watch the sun sink into the water a million miles away? If I closed my eyes as you were talking, it was like I was there, like your stories were my stories. In many ways, I feel as if I have memories of you there, too. Do you think that’s crazy? Matt, please don’ t think badly about Frankie’s contest. It’s just a silly game. It’s so Frankie, you know? No, I guess you wouldn’ t. You’ d kill her if you did! She just misses you. We all do. I’ ll look out for her, though. I promise. Please watch over us tomorrow, and for the next few weeks while we’re away. You’ ll be in my thoughts the whole time, like always. I’m going to find some red sea glass for you. I miss you more than you could ever know. Love, Anna

Ella.” The sound was so quiet, I barely heard it through the blood-rush in my ears. I turned to look down the hallway. A man was coming toward me, his lean form clad in a pair of baggy scrub pants and a loose T-shirt. His arm was bandaged with silver-gray burn wrap. I knew the set of those shoulders, the way he moved. Jack. My eyes blurred, and I felt my pulse escalate to a painful throbbing. I began to shake from the effects of trying to encompass too much feeling, too fast. “Is it you?” I choked. “Yes. Yes. God, Ella . . .” I was breaking down, every breath shattering. I gripped my elbows with my hands, crying harder as Jack drew closer. I couldn’t move. I was terrified that I was hallucinating, conjuring an image of what I wanted most, that if I reached out I would find nothing but empty space. But Jack was there, solid and real, reaching around me with hard, strong arms. The contact with him was electrifying. I flattened against him, unable to get close enough. He murmured as I sobbed against his chest. “Ella . . . sweetheart, it’s all right. Don’t cry. Don’t . . .” But the relief of touching him, being close to him, had caused me to unravel. Not too late. The thought spurred a rush of euphoria. Jack was alive, and whole, and I would take nothing for granted ever again. I fumbled beneath the hem of his T-shirt and found the warm skin of his back. My fingertips encountered the edge of another bandage. He kept his arms firmly around me as if he understood that I needed the confining pressure, the feel of him surrounding me as our bodies relayed silent messages. Don’t let go. I’m right here. Tremors kept running along my entire frame. My teeth chattered, making it hard to talk. “I th-thought you might not come back.” Jack’s mouth, usually so soft, was rough and chapped against my cheek, his jaw scratchy with bristle. “I’ll always come back to you.” His voice was hoarse. I hid my face against his neck, breathing him in. His familiar scent had been obliterated by the antiseptic pungency of antiseptic burn dressings, and heavy saltwater brine. “Where are you hurt?” Sniffling, I reached farther over his back, investigating the extent of the bandage. His fingers tangled in the smooth, soft locks of my hair. “Just a few burns and scrapes. Nothing to worry about.” I felt his cheek tauten with a smile. “All your favorite parts are still there.” We were both quiet for a moment. I realized he was trembling, too. “I love you, Jack,” I said, and that started a whole new rush of tears, because I was so unholy glad to be able to say it to him. “I thought it was too late . . . I thought you’d never know, because I was a coward, and I’m so—” “I knew.” Jack sounded shaken. He drew back to look down at me with glittering bloodshot eyes. “You did?” I sniffled. He nodded. “I figured I couldn’t love you as much as I do, without you feeling something for me, too.” He kissed me roughly, the contact between our mouths too hard for pleasure. I put my fingers to Jack’s bristled jaw and eased his face away to look at him. He was battered and scraped and sun-scorched. I couldn’t begin to imagine how dehydrated he was. I pointed an unsteady finger at the waiting room. “Your family’s in there. Why are you in the hallway?” My bewildered gaze swept down his body to his bare feet. “They’re . . . they’re letting you walk around like this?” Jack shook his head. “They parked me in a room around the corner to wait for a couple more tests. I asked if anyone had told you I was okay, and nobody knew for sure. So I came to find you.” “You just left when you’re supposed to be having more tests?” “I had to find you.” His voice was quiet but unyielding.

In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale. Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell. Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.

Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.