Salt Water Beach Quotes

The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember?

When I walk down the beach and smell the salt water, hear the waves crashing against the shoreline, and feel the granular sand under my feet, I can't help but realize why I'm here on this green earth

To give yourself over to another body That’s all you want really To be out of your own and consumed by another To swim inside the skin of your lover Not have to breathe Not have to think But you can’t live on love And salt water’s no drink We're dying of thirst so we feast on each other The sea is still our violent mother The blood round here pours down like water Each wave a lamb lead to the slaughter And like children that she just can’t teach We break, and break, and break And break ourselves upon the beach- Body of Water

He is so beautiful that he makes a part of my soul weep. I don't understand those tears. They aren't like the ones I cry for Alina. They aren't made of water and salt. I think they're made of blood.

It was beautiful, and that is a word I would not need to explain to the girls from back home, and I do not need to explain to you, because now we are all speaking the same language. The waves still smashed against the beach, furious and irresistible. But me, I watched all of those children smiling and dancing and splashing one another in salt water and bright sunlight, and I laughed and laughed and laughed until the sound of the sea was drowned.

Finally we came over a rise and I saw the Caribbean...My first feeling was a wild desire to drive a stake in the sand and claim the place for myself. The beach was white as salt, and cut off from the world by a ring of steep hills that faced the sea. We were on the edge of a large bay and the water was that clear, turquoise color that you get with a white sand bottom. I had never seen such a place. I wanted to take off all my clothes and never wear them again.

I wanted to get in the car and drive, just drive. Just get to you. That’s all I could think of, was getting to you. But I knew I had to sober up first. So I went out, to the beach. I thought if I walked awhile that might help. And it was cold, you know? The water was cold. I thought if I splashed some on my face…well, if I took a swim. That would help. I thought I’d only jump in, get wet. I thought it would only take a few minutes and I could be on my way. To you.” His voice snagged like a burr on silk. Heat leaked from the corners of Bess’s eyes and slipped between her lips. Salt water. Always salt water. I was stupid,” Nick whispered. You didn’t know,” she whispered back. It took my feet out from under me. And all I could think of was how you were waiting, and I was going to fuck it all up again. How I was going to let you down.

Thank you. This line of salt is the beach. And this piece of bread is a rock at low-water level.’ Wimsey twitched his chair closer to the table. ‘And this salt-spoon,’ he said, with childlike enjoyment, ‘can be the body.

I’d like to be a nest if you were a little bird. I’d like to be a scarf if you were a neck and were cold. If you were music, I’d be an ear. If you were water, I’d be a glass. If you were light, I’d be an eye. If you were a foot, I’d be a sock. If you were the sea, I’d be a beach. And if you were still the sea, I’d be a fish, and I’d swim in you. And if you were the sea, I’d be salt. And if I were salt, you’d be lettuce, an avocado or at least a fried egg. And if you were a fried egg, I’d be a piece of bread. And if I were a piece of bread, you’d be butter or jam. If you were jam, I’d be the peach in the jam. If I were a peach, you’d be a tree. And if you were a tree, I’d be your sap… and I’d course through your arms like blood. And if I were blood, I’d live in your heart.

As she'd hoped, the two of them were the sole occupants of this stretch of windswept beach. Sipping the steaming liquid, she let the familiar peace seep into her soul. The cerulean water sparkled in the morning sun, as if sprinkled with diamonds, and she drew in a cleansing breath of the tangy salt air. She watched a sandpiper play tag with the surf. Listed to the caw of a gull high overhead and the muted thunder of the breaking waves. Felt the breeze caress her cheek.

The cycles of Eric’s life took in stony beaches and pine forests where you could walk in a daylight all but night dark and fields where there was no grass, only stones and moss, alongside tar and macadam measured at its edge with poles and wires and solar panels, and water, broken, flickering, so much water, as much water—salt and silver—as there was sky, enough to make you scream or laugh at such absurd vastness, swelling within until Eric became his self exploding through today toward tomorrow, water green as glass falling between rocks and wet grass, the smell of dust and docks and distances, and sometimes Shit stepped up and took Eric’s rough hand in his rough hand.

On a relatively unfrequented, stony beach there is a great rock which juts out over the sea. After a climb, an ascent from one jagged foothold to another, a natural shelf is reached where one person can stretch at length, and stare down into the tide rising and falling below, or beyond to the bay, where sails catch light, then shadow, then light, as they tack far out near the horizon. The sun has burned these rocks, and the great continuous ebb and flow of the tide has crumbled the boulders, battered them, worn them down to the smooth sun-scalded stones on the beach which rattle and shift underfoot as one walks over them. A serene sense of the slow inevitability of the gradual changes in the earth’s crust comes over me; a consuming love, not of a god, but of the clean unbroken sense that the rocks, which are nameless, the waves which are nameless, the ragged grass, which is nameless, are all defined momentarily through the consciousness of the being who observes them. With the sun burning into rock and flesh, and the wind ruffling grass and hair, there is an awareness that the blind immense unconscious impersonal and neutral forces will endure, and that the fragile, miraculously knit organism which interprets them, endows them with meaning, will move about for a little, then falter, fail, and decompose at last into the anonomous [sic] soil, voiceless, faceless, without identity. From this experience I emerged whole and clean, bitten to the bone by sun, washed pure by the icy sharpness of salt water, dried and bleached to the smooth tranquillity that comes from dwelling among primal things. From this experience also, a faith arises to carry back to a human world of small lusts and deceitful pettiness. A faith, naïve and child like perhaps, born as it is from the infinite simplicity of nature. It is a feeling that no matter what the ideas or conduct of others, there is a unique rightness and beauty to life which can be shared in openness, in wind and sunlight, with a fellow human being who believes in the same basic principles.

You’re just going to leave me here?” I shout after her. “I’m not leaving you here, Emma. You’re keeping yourself here.” She leaves me with those crazy words, and then she’s gone. I am paralyzed on the beach in my school clothes. I can’t help but feel that I’m in huge trouble. But why should I? She was babysitting me, not the other way around, right? It’s not like I can chase her down and follow her. Her fins have already gone a distance I can’t cover with my puny human legs. Besides, these are my favorite jeans; the salt water would be unforgiving. Except…There is that shiny new jet ski sitting there. I could close the distance between us, put my foot in the water, and find her. She would sense me, come back to see why I was in the water. Wouldn’t she? Of course she would. Then I could talk her into staying here, not leaving me alone to drive myself crazy. I could manipulate her into feeling sorry for me. Unless she’s the complete sociopath I think she is.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

Athlen smelled of seaweed and salt and crisp ocean wind. The scent reminded Tal of the depths of the blue, the cool rush of water, and the beaches near the castle, smooth stones and swirling eddies, coarse sand on the soles of his bare feet.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

Our crab pots are out front, and Francis has fixed a big metal barrel right on the beach. He lights a good fire to get the water boiling, and after the crabs are cooked, we women sit on the patio shucking until we have a mountain of meat in the middle of the table. We stir up buckets of cocktail sauce from catsup, mayonnaise, Worcestershire, lemon juice, and celery salt, and the kids come running. They eat on their towels on the sand, soaking up as much sun as possible to get them through the next winter.

For in their interflowing aggregate, those grand fresh-water seas of ours,--Erie, and Ontario, and Huron, and Superior, and Michigan,--possess an ocean-like expansiveness, with many of the ocean's noblest traits; with many of its rimmed varieties of races and climes. They contain round archipelagoes of romantic isles, even as the Polynesian water do; in large part, are shored by two great contrasting nations, as the Atlantic is; they furnish long maritime approaches to our numerous territorial colonies from the East, dotted all round their banks; here and there are frowned upon by batteries, and by the goat-like craggy guns of Mackinaw; they have heard the fleet thunderings of naval victories; at intervals, they have yield their beaches to wild barbarians, whose red painted faces flash from out their pelty wigwams; for leagues and leagues are flanked by ancient and unentered forests, where the gaunt pines stand like serried lines of kings in Gothic genealogies; those same woods harboring wild Afric beasts of prey, and silken creatures whose exported furs gives robes to Tartar Emperors; they mirror the paved capitals of Buffalo and Cleveland, as well as Winnebago villages; they float alike the full-rigged merchant ship, the armed cruiser of the State, the steamer, and the birch canoe; they are swept by Borean and dismasting blasts as direful as any that lash the salted wave; they know what shipwrecks are, for out of sight of land, however inland, they have drowned full many a midnight ship with all its shrieking crew.

When I describe for my far-away friends the Northwest’s subtle shades of weather — from gloaming skies of ‘high-gray’ to ‘low-gray’ with violet streaks like the water’s delicate aura — they wonder if my brain and body have, indeed, become water-logged. Yet still, I find myself praising the solace and privacy of fine, silver drizzle, the comforting cloaks of salt, mold, moss, and fog, the secretive shelter of cedar and clouds. Whether it’s in the Florida Keys, along the rocky Maine coast, within the Gulf of Mexico’s warm curves, on the brave Outer Banks; or, for those who nestle near inland seas, such as the brine-steeped Great Salk Lake or the Midwest’s Great Lakes — water is alive and in relationship with those of us who are blessed with such a world-shaping, yet abiding, intimate ally. Every day I am moved by the double life of water — her power and her humility. But most of all, I am grateful for the partnership of this great body of inland sea. Living by water, I am never alone. Just as water has sculpted soil and canyon, it also molds my own living space, and every story I tell. …Living by water restores my sense of balance and natural rhythm — the ebb and flow of high tides and low tides, so like the rise and fall of everyday life. Wind, water, waves are not simply a backdrop to my life, they are steady companions. And that is the grace, the gift of inviting nature to live inside my home. Like a Chambered Nautilus I spin out my days, drifting and dreaming, nurtured by marine mists, like another bright shell on the beach, balancing on the back of a greater body.

The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you heard it? Can you remember?

Ocean people are different from land people. The ocean never stops saying and asking into ears, which don’t sleep like eyes. Those who live by the sea examine the driftwood and glass balls that float from foreign ships. They let scores of invisible imps loose out of found bottles. In a scoop of salt water, they revive the dead blobs that have been beached in storms and tides: fins, whiskers, and gills unfold; mouths, eyes, and colors bloom and spread. Sometimes ocean people are given to understand the newness and oldness of the world; then all morning they try to keep that boundless joy like a little sun inside their chests. The ocean also makes its people know immensity.

e said, as he has often said, that [...] there is a persistence of the ancient Celtic belief that death is simply a step—a passage—between two stages of a man’s existence. That there are many stages, and this life is one, and that many worlds exist simultaneously, round and about each other, interpenetrating perhaps here or there. So that in uncertain areas—the dark of night, or sleep, or the curtain of spray where the solid beach meets the running Ocean, which is itself always a threshold of death for men who cross and recross it—messengers might hover between states. Such as God’s little dancing thing. Or owls or those butterflies who have been known to be blown in off the salt waters of the Atlantic.

Diana, meanwhile, reads every novel she can find that's set on the Cape, and describes for her father the pristine, golden beaches, sand dunes with cranberry bogs and poets' shacks hidden in their declivities. She conjures the taste of briny oysters and butter-drenched lobsters, fried clams eaten with salt water-pruned fingers, ice-cream cones devoured after a day in the sun.

But I don't have any real interest in anything, you know. I don't really care about anything. Not about the sea or the outdoors or nature or anything. I don't really have any hobbies. My mother and grandmother used to sew things.' She picked up one of the embroidered cushions. 'But it doesn't interest me. I do things for a bit and then get bored. Like painting or writing. It interested me for a while but I gave up. I think about swimming but I don't swim,' she said. 'I imagine what it would be like to be in the water, especially the sea. I imagine what it would be like to dip my body into the freezing salt water and how it would feel to be fully submerged and then come up for air but I never do it. I don't go to the beach and I don't get into the water. Sometimes I think I could have been an actor. It's the one profession I've never tried. In one way or another, I have spent my whole life impersonating other people. Acting out fantasies with personalities that I've made up in my head. Brave people that go about the world and do things. But it's not like it's the achievements that matter to me, it's the interest. The interest the people I play take in the world around them. I suppose they love it in a way that I don't. They're fanatics.

The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.

To give yourself over to another body That’s all you want really, To be out of your own and consumed by another. To swim inside the skin of your lover... Not have to break Not have to think But you can’t live in love And salt waters no drink. We’re dying of thirst so we feast on each other. The sea is still our violent mother The blood round here pours down Like water, each wave a lamb Led to the slaughter. And like children that she just can’t teach We break, and break, and break And break ourselves upon the beach...

He said, as he has often said, that [...] there is a persistence of the ancient Celtic belief that death is simply a step—a passage—between two stages of a man’s existence. That there are many stages, and this life is one, and that many worlds exist simultaneously, round and about each other, interpenetrating perhaps here or there. So that in uncertain areas—the dark of night, or sleep, or the curtain of spray where the solid beach meets the running Ocean, which is itself always a threshold of death for men who cross and recross it—messengers might hover between states. Such as God’s little dancing thing. Or owls or those butterflies who have been known to be blown in off the salt waters of the Atlantic.

There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?

Oh, it’s so gorgeous!” They were full on to the sun, which glowed low directly ahead of them, heavy with golden light and warmth. Maddie cut to idle speed so that they could float gently and watch it make its way toward the water. It looked as if it might splash down right in front of them. They watched it in awed silence as it appeared to melt, spreading a golden glow across the surface. “It’s so different watching it on the water,” Avery said. “So up close and personal.” Maddie drew the salt-tinged air into her lungs and felt the play of the warm breeze in her hair and across her cheek. A white heron winged through the sky. With her back turned to U.S. 1, the bay and its canals branching out toward mangrove-covered spits of land made civilization seemed far away.

He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3

The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.

It hovers, creeps in, comes close, withdraws, turns on tiptoe and, if I reach out my hand, disappears: a Word. I can only make out its proud crest: Cri. Cricket, Cripple, Crime, Crimea, Critic, Crisis, Criterion? A canoe sails from my forehead carrying a man armed with a spear. The light, fragile boat nimbly cuts the black waves, the swells of black blood in my temples. It moves further inward. The hunter-fisherman studies the shaded, cloudy mass of a horizon full of threats; he sinks his keen eyes into the rancorous foam, he perks his head and listens, he sniffs. At times a bright flash crosses the darkness, a green and scaly flutter. It is Cri, who leaps for a second into the air, breathes, and submerges again in the depths. The hunter blows the horn he carries strapped to his chest, but its mournful bellow is lost in the desert of water. There is no one on the great salt lake. And the rocky beach is far off, far from the faint lights from the huts of his companions. From time to time Cri reappears, shows his fatal fin, and sinks again. The oarsman, fascinated, follows him inward, each time further inward.

They contain round archipelagoes of romantic isles, even as the Polynesian waters do; in large part, are shored by two great contrasting nations, as the Atlantic is; the furnish long maritime approaches to out numerous territorial colonies from the East, dotted all round their banks; here and there are frowned upon by batteries, and by the goat-like craggy guns of lofty Mackinaw; they have heard the fleet thunderings of naval victories; at intervals, they yield their beaches to wild barbarians, whose red painted faces flash from out their peltry wig-wams; for leagues and leagues are flanked by ancient and unentered forest, where the gaunt pines stand like serried lines of kings in Gothic genealogies; those same woods harboring wild Afric beasts of prey, and silken creatures whose exported furs give robes to Tartart Emperors; they mirror the paved capitals of Buffalo and Cleveland, as well as Winnebago villages; they float alike the full-rigged merchant ship, the armed cruiser of the State, the steamer, and the beech canoe; they are swept by Borean and dismasting blasts as direful as any that lash the salted wave; they know what shipwrecks are, for out of sight of land, however inland, they have drowned full many a midnight ship with all its shrieking crew.

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

LATE ONE AFTERNOON, after watching for Chase Andrews, Kya walks from her shack and lies back on a sliver of beach, slick from the last wave. She stretches her arms over her head, brushing them against the wet sand, and extends her legs, toes pointed. Eyes closed, she rolls slowly toward the sea. Her hips and arms leave slight indentions in the glistening sand, brightening and then dimming as she moves. Rolling nearer the waves, she senses the ocean’s roar through the length of her body and feels the question: When will the sea touch me? Where will it touch me first? The foamy surge rushes the shore, reaching toward her. Tingling with expectancy, she breathes deep. Turns more and more slowly. With each revolution, just before her face sweeps the sand, she lifts her head gently and takes in the sun-salt smell. I am close, very close. It is coming. When will I feel it? A fever builds. The sand wetter beneath her, the rumble of surf louder. Even slower, by inches she moves, waiting for the touch. Soon, soon. Almost feeling it before it comes. She wants to open her eyes to peek, to see how much longer. But she resists, squinting her lids even tighter, the sky bright behind them, giving no hints. Suddenly she shrieks as the power rushes beneath her, fondles her thighs, between her legs, flows along her back, swirling under her head, pulling her hair in inky strands. She rolls faster into the deepening wave, against streaming shells and ocean bits, the water embracing her. Pushing against the sea’s strong body, she is grasped, held. Not alone. Kya sits up and opens her eyes to the ocean foaming around her in soft white patterns, always changing.

Remarkably, we still have a ‘wild’ Indian’s account of his capture and incarceration. In 1878, when he was an old man, a Kamia called Janitin told an interviewer: I and two of my relatives went down ... to the beach ... we did no harm to anyone on the road, and ... we thought of nothing more than catching and drying clams in order to carry them to our village. While we were doing this, we saw two men on horseback coming rapidly towards us; my relatives were immediately afraid and they fled with all speed, hiding themselves in a very dense willow grove ... As soon as I saw myself alone, I also became afraid ... and ran to the forest ... but already it was too late, because in a moment they overtook me and lassoed and dragged me for a long distance, wounding me much with the branches over which they dragged me, pulling me lassoed as I was with their horses running; after this they roped me with my arms behind and carried me off to the Mission of San Miguel, making me travel almost at a run in order to keep up with their horses, and when I stopped a little to catch my wind, they lashed me with the lariats that they carried, making me understand by signs that I should hurry; after much travelling in this manner, they diminished the pace and lashed me in order that I would always travel at the pace of the horses. When we arrived at the mission, they locked me in a room for a week; the father [a Dominican priest] made me go to his habitation and he talked to me by means of an interpreter, telling me that he would make me a Christian, and he told me many things that I did not understand, and Cunnur, the interpreter, told me that I should do as the father told me, because now I was not going to be set free, and it would go very bad with me if I did not consent in it. They gave me atole de mayz[corn gruel] to eat which I did not like because I was not accustomed to that food; but there was nothing else to eat. One day they threw water on my head and gave me salt to eat, and with this the interpreter told me that I was now Christian and that I was called Jesús: I knew nothing of this, and I tolerated it all because in the end I was a poor Indian and did not have recourse but to conform myself and tolerate the things they did with me. The following day after my baptism, they took me to work with the other Indians, and they put me to cleaning a milpa [cornfield] of maize; since I did not know how to manage the hoe that they gave me, after hoeing a little, I cut my foot and could not continue working with it, but I was put to pulling out the weeds by hand, and in this manner I did not finish the task that they gave me. In the afternoon they lashed me for not finishing the job, and the following day the same thing happened as on the previous day. Every day they lashed me unjustly because I did not finish what I did not know how to do, and thus I existed for many days until I found a way to escape; but I was tracked and they caught me like a fox; there they seized me by lasso as on the first occasion, and they carried me off to the mission torturing me on the road. After we arrived, the father passed along the corridor of the house, and he ordered that they fasten me to the stake and castigate me; they lashed me until I lost consciousness, and I did not regain consciousness for many hours afterwards. For several days I could not raise myself from the floor where they had laid me, and I still have on my shoulders the marks of the lashes which they gave me then.

Their laughter didn’t register with Hailey, whose gaze remained fixed on the envelope clutched in her hands. It smelled of salt, reminding her of sunny days at the beach. The address read: Miss Hailey Woods 12 Golden Fleece Place Calliope Gardens London A gold trident bordered by the letters P and A was stamped on the back, with a swirl of gold water encircling it. Hailey’s stomach grew heavy as she thought about the letter inside, which would either inform her of her acceptance to or rejection from Poseidon’s Academy: the high school every eligible teenager in the world strived to get into. Poseidon’s Academy was no ordinary high school. It was an underwater palace that had once been the Olympian god Poseidon’s home. No one had ever seen it—aside from accepted students, who whispered of jewel-encrusted walls and sea-nymphs.

Morgan noticed that the dog was off leash and way ahead of the guy, and she instinctively tensed up as it ran toward where they were standing. Bernadette kept her eye on the dog as well, but Palmer was oblivious, sniffing something invisible in the sand. As the dog got closer, Morgan saw that he was carrying a piece of driftwood like it was a trophy, head up at an awkward angle to compensate for the weight of it. It was a beautiful black Lab, its coat wet with salt water. She relaxed when she realized that the dog hadn’t even noticed they were there, so focused on the joy of kicking up sand that nothing else mattered. It was the essence of dog happiness distilled to a moment, and Morgan’s heart pinched when she realized it was a pleasure that Hudson couldn’t experience. Yet. Someday he’s going to be able to race down the beach with wet fur and a smile on his face, carrying a piece of driftwood with a buddy like they’re running a relay race.

The cure for anything is salt water—sweat, tears, or the salt sea. —Isak Dinesen

TRUE STORIES Don't ask for the true story; why do you need it? It's not what I set out with or what I carry. What I'm sailing with, a knife, blue fire, luck, a few good words that still work and the tide. The true story was lost on the way down to the beach, it's something I never had, that black tangle of branches in a shifting light, my blurred footprints filling with salt water, this handful of tiny bones, this owl's kill. a moon, crumpled papers, a coin, the glint of an old picnic, the hollows made by lovers in the sand a hundred years ago: no clue The true story lies among the other stories; a mess of colors, like jumbled clothing, thrown off or away, like hearts on marble, like syllables like butchers' discards. The true story is vicious and multiple and untrue after all. Why do you need it? Don't ever ask for the true story.

But the thought nagged on. Let me out. I tested the words out loud. My voice sounded like tearing paper. “Let me out.” I said it over and over, briny water filling my mouth. “Let me out.” Minutes. Hours. Days. Let. Me. Out. Then, out of nothingness, a long black beach appeared. Upon it, something moved. I blinked, my eyes clouded by a film of salt. A man, clad in golden armor, stood on the dark shore just beyond the break in the tide, watching me. The tide drew me in, closer and closer. The man was aged. He bore the weight of his armor without wavering, his strength deeply rooted—like an ancient tree. I tried to call out to him, but I knew only the three words. “Let me out!” I cried. I became aware of my wool dress, the heaviness of it. It pulled me down and I slipped beneath the surface, my words cutting off. “Let me—” His hands were cold as he pulled me from the water. He carried me onto black sand. When he tried to stand me up, my legs faltered like a newborn fawn’s. I did not know his face. But he knew mine. “Elspeth Spindle,” he said quietly, his eyes—so strange and yellow—ensnaring me. “I’ve been waiting for you.

He’s still there. Kay diligently avoided eye contact—not that she could even make out the stranger’s eyes by moonlight from thirty yards away. She’d assumed she’d have the beach to herself on this brisk Tuesday night in late May. Didn’t everyone else have a life? The wet sand at the water’s edge was smooth and frigid under her bare toes—her sandals dangled from her fingers. The crisp, salt-scented breeze billowed her calf-length skirt and open cotton blazer, and whipped strands of pale blonde hair across her face. She planted her feet as the next icy wave surged ashore, leaving her toes buried in sand. After two more waves, only the insteps showed. A flash of silver drew her eye down the beach. Not silver, she saw now, but a white dress shirt being balled up and tossed to the sand. The shirt belonging to the stranger she mustn’t make eye contact with because you never know. He wasn’t looking her way, so she watched him. She watched him pull off his black shoes and socks. She watched him unzip his dark slacks and step out of them. She watched him drop his briefs and kick them away. Her head snapped forward. That’s why you never make eye contact! Because you never know! Because the most normal-looking man can turn out to be some nut job who thinks nothing of stripping in front of a strange woman and—and— She sneaked a peek. And running into the ocean full-tilt.

Virgin Sands I kayaked to the far side of the island, too remote for the fishermen’s cast. Her virgin sands blistered white by the sun molded my footprints like a first kiss pressed upon her heated lips. I swam until my lungs heaved in exhausted bliss and I laid my body upon her timeless sands. She caressed me, stroked her fingers through my hair and let the salt water trickle on my lap. I closed my eyes. The sun beat brighter beneath my lids as I contemplated all the beaches where I had been and how none could compare to this one. The setting sun aroused me. Night fell impetuously. I made my bed in a deserted hut on piles of heather and tall grasses and though the stars signaled to me in glittery seduction and though the ocean flirted with me in breathy song, that night I dreamt only I dreamt only of my beach.

Somers and Newport, too, knew there was no way to bring the Sea Venture to anchor. Her hull was so open, her planks so sprung, that the ship would sink like one of the cannon they’d already jettisoned if they tried to anchor in deep water. Their only hope was to run on until the battered ship took the ground. Closer and closer to land the vessel inched. By this time, Somers and the others could see a beach ahead. Sir George may have wanted to try to run the ship up on the beach. He surely wanted to get as close to terra firma as possible. For a few moments, as the ship wallowed toward land, the old salt may have thought he would be able to drive the ship high and dry on the beach. Suddenly, though, Somers would have seen white water ahead and probably heard the sound of waves breaking on what he would have instantly known was a reef. Even if the old admiral had wanted to, there was no way to turn the vessel—barely time, in fact, to shout a warning to the passengers and crew on the deck. Then the Sea Venture struck, driving into a V-shaped opening in the reef that surrounds the Bermudas like a ship-killing necklace. She plunged like a wedge between massive coral heads that tore at the vessel’s hull like the claws of a huge beast.

Ignoring her protests, he swept her up in his arms and carried her toward the hut. “Put me down!” Elizabeth cried. “I said put me down!” Her mouth tasted of ashes, and the sudden knowledge that she was afraid turned her fear into white-hot anger. “Release me at once, you . . . you red savage!” Balling her right hand into a fist, she struck him as hard as she could on the side of the face. Cain gasped, and Elizabeth felt his muscles tense. “Tshingue,” he muttered between clenched teeth. She raised her fist to strike him again. “Do not,” he warned softly. His stride quickened. They were past the hut and moving swiftly toward the beach. “Where are you taking me?” she demanded as the sound of the ocean grew louder. “Cain!” Her voice took on a shrill edge. “Cain!” “You want down,” he said. “You get down.” “Cain, no!” Water splashed around his ankles. “Cain!” “If you have fever, cool.” Without warning, Elizabeth was in the air. Before she could catch her breath, she plunged into the icy water of the Atlantic. “Ohhh!” Coughing and sputtering, she struggled to get her feet under her. An incoming wave tripped her, and before she could recover her balance, an iron hand closed around hers and dragged her back to the beach. She sank down on the warm ground, spitting out sand and salt water. “Damn you,” she choked. “You tried to drown me.” Cain’s answering chuckle was almost more than she could bear. “You’re inhuman!” “This one does not know this word inhuman,″ he said solemnly. “Stop it! Stop taunting me. I hate you!” she cried. He dropped to the sand beside her. “I do not think you hate me.” ″I do! I—” Fiercely, Cain pulled her into his arms and silenced her words with his mouth against hers. Elizabeth tried to pull away, but he was too strong. Her struggles went unheeded as Cain seared her lips with a fiery, all-consuming kiss. Then, as suddenly as he had begun his assault, he released her. “Look into your heart, Englishwoman,” he said huskily. “Wipe the salt from your eyes and truly look. Tell me then if it is hate you feel for Shaakhan Kihittuun.” Before she could reply, he was gone, walking back toward the hut.

Grilled Yellowfin Tuna with a White Bean and Oregano Salad 6 ounces sushi-grade yellowfin tuna Salt Cracked black pepper ¼ teaspoon crushed garlic ½ lemon, juice of 2 ounces olive oil ¼ cup water 1 teaspoon fresh basil, chopped ½ tablespoon dried oregano 12 ounces cooked white beans 1 teaspoon parsley, chopped Season the tuna with the salt and pepper and grill each side for 30–45 seconds. Set aside to cool. Mix the garlic, lemon juice, olive oil, water, basil, oregano, and beans in a cold mixing bowl and let marinate for 3 hours in the refrigerator. To serve, bring the salad to room temperature and place it in the middle of a shallow bowl. Slice the tuna thinly, and lay it on top of the bean mixture. Garnish the plate with the chopped parsley.

I sighed as I worried about that and Thick asked sympathetically, “You got a gut ache?” “No. Not exactly. Worrying about Hap. My son back in Buckkeep Town.” “Oh.” He did not sound very interested. Then, as if this was a thing he had pondered for a long time, he added, “You’re always somewhere else. You never do the music where you are.” I looked at him for a moment, and then lowered my perpetual guard against his music. Letting it in was like letting the night into my eyes when twilight came over the land and it was a good time to hunt. I relaxed into the moment, letting the wolf’s enjoyment of the now come into me, as I had not for far too long. I had been aware of the water and the light wind. Now I heard the whispering of blowing sand and snow, and deep behind it, the slow groaning creak of the glacier across the land. I could suddenly smell the salt of the ocean and the iodine of the kelp on the beach and the icy breath of old snow. It was like opening a door to an older place and time. I glanced at Thick and suddenly saw him complete and whole in this setting, for he gave himself to it. While he sat here and enjoyed the night, he lacked nothing. I felt a smile bend my mouth. “You would have made a good wolf,” I told him.

With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.

Then she plunged into the salt water. She let herself go under and felt the huge, rocking cradle of the waves rolling her forward to the beach, nearly weeping with relief—like going to the bathroom when you were really desperate, or drinking when you were really thirsty, or hearing the door open when you were really lonely.

It was evening of the following day when they entered San Diego. The expriest turned off to find them a doctor but the kid wandered on through the raw mud streets and out past the houses of hide in their rows and across the gravel strand to the beach. Loose strands of ambercolored kelp lay in a rubbery wrack at the tideline. A dead seal. Beyond the inner bay part of a reef in a thin line like something foundered there on which the sea was teething. He squatted in the sand and watched the sun on the hammered face of the water. Out there island clouds emplaned upon a salmoncolored othersea. Seafowl in silhouette. Down-shore the dull surf boomed. There was a horse standing there staring out upon the darkening waters and a young colt that cavorted and trotted off and came back. He sat watching while the sun dipped hissing in the swells. The horse stood darkly against the sky. The surf boomed in the dark and the sea’s black hide heaved in the cobbled starlight and the long pale combers loped out of the night and broke along the beach. He rose and turned toward the lights of the town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship’s light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men’s knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.

Who's Gonna Ride Your Wild Horses" You're dangerous 'cause you're honest You're dangerous, you don't know what you want Well you left my heart empty as a vacant lot For any spirit to haunt Hey hey sha la la Hey hey You're an accident waiting to happen You're a piece of glass left there on the beach Well you tell me things I know you're not supposed to Then you leave me just out of reach Hey hey sha la la Hey hey sha la la Who's gonna ride your wild horses Who's gonna drown in your blue sea Who's gonna ride your wild horses Who's gonna fall at the foot of thee Well you stole it 'cause I needed the cash And you killed it 'cause I wanted revenge Well you lied to me 'cause I asked you to Baby, can we still be friends Hey hey sha la la Hey hey sha la la Who's gonna ride your wild horses Who's gonna drown in your blue sea Who's gonna ride your wild horses Who's gonna fall at the foot of thee Oh, the deeper I spin Oh, the hunter will sin for your ivory skin Took a drive in the dirty rain To a place where the wind calls your name Under the trees the river laughing at you and me Hallelujah, heaven's white rose The doors you open I just can't close Don't turn around, don't turn around again Don't turn around, your gypsy heart Don't turn around, don't turn around again Don't turn around, and don't look back Come on now love, don't you look back Who's gonna ride your wild horses Who's gonna drown in your blue sea Who's gonna taste your salt water kisses Who's gonna take the place of me Who's gonna ride your wild horses Who could tame the heart of thee U2, Achtung Baby (1991)

The waves tossed Vortigern around like a rag doll. Seaweed entangled his legs and salt water blurred his vision. Weighed down by his sodden clothes, he waded the last few yards to the beach. The waves kept pulling him back but with a huge effort he broke free of their grip and collapsed onto the damp sand. There he lay, fighting for breath as the foamy surf lapped around his legs. The sound of the sea’s constant wash and drag filled his ears.

The summer sun glowed on the white clapboards, which were in desperate need of a coat of paint. The air was sweet with the scents of salt water and a jumble of untended rosebushes in riotous bloom along one side of the house. The garden was vivid with greenery, though it seemed all the plants had grown into a tangled mass. Rich, well-dug black soil showed here and there. I looked over my shoulder and saw an aging apple orchard at the end of an empty field and beyond it an enticing glimpse of sapphire water. "Is that Hood Canal?" Will followed my gaze. "Yes!" He jumped down from the porch and started back to the garden gate. "Let's go see it." My sandals weren't the best shoes for tramping through the long grass of the field or for navigating the root-choked earth beneath the apple trees. I had to slip-slide my way down the cut in the bank to the gravelly beach beside the canal. There was no wind, and the smooth water glistened like satin.

On the beach, they took turns burying one another up to their necks in the sand and then chased each other with jellyfish hanging on the ends of sticks. They stood in the ocean as waves gently broke across their legs while they ate cotton candy that held the slight tang of salt water. If told this kind of happiness was something that could be attained by everyone, the Fangs would not have believed it.

Libby's been lecturing me, she claims seawater is the surest antidote for heartbreak. 'It's the salt. Makes up for all the crying.

Rowan’s smile was nothing short of wicked as he pulled away to run a broad hand from her throat down to the juncture of her thighs. She shuddered at the sheer possession in the touch, her breath coming in tight pants as he gripped either thigh and spread her legs, baring her fully for him. Another wave crashed, parting around them, the cool water like a thousand kisses along her skin. Rowan kissed her navel, then her hip. Aelin couldn’t take her eyes from his silver hair shining with salt water and moonlight, from the hands holding her wide for him as his head dipped between her legs. And as Rowan tasted her on that beach, as he

As she screams her words, she slaps me like the worldchampion surf lifesaver she is, with full hip rotation and follow-through. Magnificent core strength. Textbook technique. Open hand to cheekbone, cheek, and jaw. Nope, she couldn’t have hit me better. Ten out of ten, say the judges. The crowd cheers. Deuce, no make that game to Chelsea. The nose—that’s where I feel it. It’s just like at the beach when a dumping wave strikes with the power of Aquaman, causing salt water to dance, prance, and gurgle in and out of the nostrils. I feel the pressure of that slap like that wave is holding me down for seconds and seconds. I see this weird combination of circling stars. Under pressure such as this, my core values are wobbling. I could whack her right across the chops. I’m livid. That’s how I feel. In my eyes, she’s a piece of shit right at this point. A fake. A liar. A fucking pretender. I always knew she was hiding something. She was always too damn good to be true. That’s why she does so much for the community: because she’s rotten to the core. No. I fucking love her way more than I can cope with. Jerome Kremers, book 2, TEAM PURSUIT.

changed. Inside, Kate took a shower, washing off the sweat and salt from her beach walk. The hot water felt good against her skin, and she scrubbed her hair with shampoo, before standing in place to let the water pummel the aching muscles around her shoulders and neck. She’d tried calling the restaurant the previous evening but hadn’t been able to get a hold of Marco. When she called Davis, his assistant had told her he’d left the office for the day. Yet his home number went straight to the answering machine. She felt so cut off from the rest of the world in Cabarita. The inn had a computer and dial-up modem, but she didn’t know her grandmother’s logon, so hadn’t progressed far in her attempts to send emails. The stress of the funeral, living in the inn with her sisters, and not having contact with anyone from her life back in Brisbane was manifesting as tension in her shoulders. She massaged them with her fingertips and rolled her head from one side to the other. Her plan for the day was to spend time in Nan’s room in the hope of finding some photographs for the funeral, and possibly a copy of her will. She

Perhaps the best place to forage was our lagoon, an oval of protected water, ringed by rocks and fed by a narrow channel that churned with the tide. You could spend your whole day harvesting there. Along the shore were wild onions and sea asparagus and the grassy stalks of sea plantains; under the beach rocks were tiny black crabs no bigger than my thumbnail. The boulders that lined the shores were packed with barnacles and mussels, and the seaweed came in infinite varieties. My favorite was bladderwrack, with its little balloons that popped in your mouth and left the smell of salt behind.

Salt water weighs sixty-four pounds per cubic foot, and a moderately large breaker that is six feet high, ten feet across, and six feet thick carries, at a speed as high as thirty knots, twenty-three thousand pounds of water. The average boat in the Fastnet race weighed considerably less than that. When a wave of such size and velocity breaks over a boat like a breaker on an Hawaiian beach, its force overwhelms the stability provided by the hull’s shape and the keel. The unlucky vessel rolls perhaps through ninety degrees, perhaps all the way.