Said The Shotgun To The Head Quotes

We've searched our database for all the quotes and captions related to Said The Shotgun To The Head. Here they are! All 44 of them:

Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life. A kiss that confirms that the universe is aligned, that the world's greatest resource is love, and maybe even that God is a woman. With or without a belief in God, all kisses are metaphors decipherable by allocations of time, circumstance, and understanding
Saul Williams (, said the shotgun to the head.)
Come, my love, we have oceans to sail.
Saul Williams (, said the shotgun to the head.)
she kissed as if she, alone, could forge the signature of the sun
Saul Williams (, said the shotgun to the head.)
intelligence is intuitive you needn't learn to love unless you've been taught to fear and hate
Saul Williams (, said the shotgun to the head.)
I surrendered my beliefs and found myself at the tree of life injecting my story into the veins of leaves only to find that stories like forests are subject to seasons
Saul Williams (, said the shotgun to the head.)
only through new words might new worlds be called into order
Saul Williams (, said the shotgun to the head.)
When I can feel you breathing into me i, like a stone gargoyle atop some crumbling building, spring to life a resuscitated angel.
Saul Williams (, said the shotgun to the head.)
i am like a survivor of the flood walking through the streets drenched with God surprised that all of the drowned victims are still walking and talking
Saul Williams (, said the shotgun to the head.)
I have offered myself to the inkwell of the wordsmith that I might be shaped into new terms of being.
Saul Williams (, said the shotgun to the head.)
The greatest Americans have not been born yet they are waiting patiently for the past to die.
Saul Williams (, said the shotgun to the head.)
the anchor man thrown overboard has simply rooted us in history's repeating cycle
Saul Williams (, said the shotgun to the head.)
pools of blood are not recreational even lifeguards drown when the undertow breaks bread with the underbelly demons disguised as sharks have not put enough thought into their costumes a wiseman stays ashore when pointed fins read like italian subtitles the end is near (...) the beginning
Saul Williams (, said the shotgun to the head.)
THERE WAS ALWAYS a boy in your life that common sense and the prayers of parents told you to stay away from: fast talker, fast car, and fast hands. He was the boy your father kept a loaded shotgun by the door for and met on the front porch if he ever thought about venturing onto his property…let alone the threshold. He was the tall, dark, mysteriously handsome, and uncharacter-istically quiet one that made you wonder what was going on in his head, and that little voice in your head said it wasn’t always so honorable. He was the boy you broke all of the rules over because bad-boys equaled excitement and the rebel in you liked the ride.
A.J. Lape (Grade A Stupid (The Darcy Walker Series, #1))
I think that’s everything,” she said, rising to her feet. “Thank you, Mr. MacIntyre.” He shook his head. “Lucas. Or the deal is off.” She pressed her lips together. “All right. Lucas. And I must tell you, I don’t particularly care for you shortening my name. Emily is perfectly fine.” “I know, Em. I’ll keep that in mind.
Susan Mallery (Shotgun Grooms)
And then Winnie said something she had never said before, but the words were words she had sometimes heard, and often longed to hear. They sounded strange on her own lips and made her sit up straighter. “Mr. Tuck,” she said, “don’t worry. Everything’s going to be all right.” The constable glanced heavenward and shook his head. Then, clutching his shotgun, he climbed up behind Winnie and turned the horse toward the path. “You first,” he barked at Mae, “I got to keep an eye on you. And as for you,” he added grimly, speaking to Tuck, “you better hope that feller don’t die on you. I’ll be back soon as I can.” “Everything’ll be all right,” Tuck repeated slowly. Mae, slumped on the back of the fat old horse, did not respond. But Winnie leaned round the constable and looked back at Tuck. “You’ll see,” she said. And then she faced forward, sitting very straight. She was going home, but the thought of that was far from her mind. She watched the rump of the horse ahead, the swish of coarse, dusty hairs as he moved his tail. And she watched the swaying, sagging back of the woman who rode him. Up through the dim pine trees they went, the constable’s breath wheezing in her ears, and emerging from the coolness and the green, Winnie saw again the wide world spread before her, shimmering with light and possibility. But the possibilities were different now. They did not point to what might happen to her but to what she herself might keep from happening. For the only thing she could think of was the clear and terrible necessity: Mae Tuck must never go to the gallows. Whatever happened to the man in the yellow suit, Mae Tuck must not be hanged. Because if all they had said was true, then Mae, even if she were the cruelest of murderers and deserved to be put to death--Mae Tuck would not be able to die.
Natalie Babbitt (Tuck Everlasting)
Then headed for the kitchen. Fuck. I headed through the lounge… …just as two indistinct pitch-black masses, Kevlar laden, shotguns raised, crept ninja-like through the front door. This time, I didn't even get a bellowed warning. The lead ninja, upon seeing me, sprang forward… and crushed me face flat to the floor. That hurt. It was five long hard seconds before he eased up an iota so I could take a breath, "Hello again, Dennis. Busy night?" I managed from somewhere under his arm or knee or gun-butt. "Bean-bags or bullets?" "Bullets," said Harry. "Easy up, lads. He's scarpered…" Dennis got off of me, locked his shotgun and helped me up, "Sorry," he said. "No worries…
Morana Blue (Gatsby's Smile)
Yes, there is a science to the aroma of sleeping women (AND TO THINK OF THE GIRLFRIEND i WAS TEMPTED TO BREAK UP WITH BECAUSE SHE SLEPT TOO MUCH) i now know, they nurtured her there: they slept in packs dreamt in cycles nursed her in shifts and became her on rotation.
Saul Williams (, said the shotgun to the head.)
RULE #3 — DO NOT ATTEMPT TO EAT TEXANS OR ANY OTHER ANGRY REDNECKS: Beware as these individuals tend to carry shotguns packed full of enough buckshot to blow a zombie’s head to smithereens, at which point, it will be difficult to feast on brains when the said zombie is missing a head.
P.J. Jones (The Vampire Handbook)
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
He was scowling. "What the hell? If I had a daughter and she was dating a guy like me, I'd take him out back and threaten him with a shotgun to make sure he treated her right." Kit's mouth fell open. "You?" "Yeah." He folded his arms, his scowl growing heavier. "Jeez, Kit, he didn't even tell me to be good to you. That's bullshit." Realizing he was dead serious, she bit the inside of her cheek to keep from smiling. "Where did you pick up this chivalrous instinct?" "My father," he said, the sneer that usually accompanied any mention of Robert St. John missing from his voice. "He's a son of a bitch, but he brought me up to look after any women under my care." "Under your care?" Kit raised an eyebrow. "Chauvinistic much?" He shrugged. "Yeah, well, maybe it is, but I'm not changing. My imaginary daughters are never dating musicians. Ever." Stomach somersaulting at the idea of little girls with Noah's features and talent, she shook her head. "Noah St. John, bad boy of rock and concerned father of imaginary daughters. Hell hath frozen over and become an ice rink.
Nalini Singh (Rock Redemption (Rock Kiss, #3))
I looked sadly at my final note on the page: July. Five whole months. An eternity. But what did it matter? Holmes and I would go ahead as we were - as we had been before I stood on a London pier and, seeing him resurrected from a fiery death, literally embraced an unexpected future. Patience, Russelll. And yet, I was afraid. That real life would intervene. That doubts would chew at our feet, causing one or both of us to edge away from the brink. That neither of us had really meant it, and the memory of those dockside sensations would turn to threat. That my gift to him was nothing but selfish impulse of an uncertain young girl. I felt his gaze on me, and put on a look of good cheer before raising my face. "Of course. July will do nicely-and will give us plenty of time to arrange a distraction to get your cousin and his shot-guns away from the house." He did not reply. Under his gaze, my smile faltered a bit. "It's fine, Holmes. You have commitments in Europe next month. I have much to do in Oxford. I will be here when you get back." Abruptly, he jumped to his feet and swept across the room to the door. I watched him thrust his long arms into the sleeves of his overcoat. "Thursday, Russell," he said, clapping his hat onto his head. "Be ready on Thursday." "For what?" I asked, but he was gone. For anything, knowing him.
Laurie R. King (The Marriage of Mary Russell (Mary Russell and Sherlock Holmes, #2.5))
Said Red Molly to James that's a fine motorbike A girl could feel special on any such like Said James to Red Molly, my hat's off to you It's a Vincent Black Lightning, 1952 And I've seen you at the corners and cafes it seems Red hair and black leather, my favourite colour scheme And he pulled her on behind And down to Boxhill they did ride Said James to Red Molly, here's a ring for your right hand But I'll tell you in earnest I'm a dangerous man I've fought with the law since I was seventeen I robbed many a man to get my Vincent machine Now I'm 21 years, I might make 22 And I don't mind dying, but for the love of you And if fate should break my stride Then I'll give you my Vincent to ride Come down, come down, Red Molly, called Sergeant McRae For they've taken young James Adie for armed robbery Shotgun blast hit his chest, left nothing inside Oh, come down, Red Molly to his dying bedside When she came to the hospital, there wasn't much left He was running out of road, he was running out of breath But he smiled to see her cry And said I'll give you my Vincent to ride Says James, in my opinion, there's nothing in this world Beats a 52 Vincent and a red headed girl Now Nortons and Indians and Greeveses won't do They don't have a soul like a Vincent 52 He reached for her hand and he slipped her the keys He said I've got no further use for these I see angels on Ariels in leather and chrome Swooping down from heaven to carry me home And he gave her one last kiss and died And he gave her his Vincent to ride
Richard L. Thompson
office. “Freaking glorious.” I hefted my bag higher on my shoulder and I headed out. Tank was standing guard on the sidewalk, in front of my car. “I have a couple FTAs,” I said to Tank. “One’s in the Burg and one’s in Hamilton Township. I have to stop at my apartment first to get some clean clothes and stuff.” “It might be easier if we took one car for the busts,” Tank said. I agreed. “Do you want to drive or ride shotgun?” Tank’s eyebrows raised a fraction of an inch. Shocked that I would even consider driving. Tank only rode shotgun to Ranger. “It’s the twenty-first century,” I told Tank. “Women drive.” “Only in my bed,” Tank said. “Never in my car.” I didn’t have a reply to that, but I thought it sounded like an okay philosophy. So I beeped the Escape locked, got into Tank’s SUV, and we chugged off for my place.
Janet Evanovich (To the Nines (Stephanie Plum, #9))
Her mother called.” “Her mother?” he asked, half asleep. “Wondering where she was since she didn’t come home last night.” “She must have forgotten to call. We talked until dawn.” “Her mother was very worried.” “She’s an adult, Miss Potts. She’s twenty-six.” “Tell that to Judy Carmichael.” Miss Potts pursed her lips. “What about her reputation?” “This isn’t the 1800s.” “Lucky for you, or Frank Carmichael might be out here with a shotgun in the next little while. And she’d be the next Mrs. Lee.” He refused to rise to that specific bait, regardless of how the very idea made his heart beat faster. “Humph,” said Miss Potts. “Wake her up and come up to the house. I’ll make eggs and biscuits before she goes.” She turned to go, and Asher called after her softly, careful not to wake up Sleeping Beauty. “Miss Potts.” She turned, her expression still disapproving. “I care about her. A lot.” “Caring about someone means looking out for their best interest. Always. Without exception.” She put a finger to her chin, tapping thoughtfully. “I’ll have to make something special for Sunday. As a peace offering.” Asher grinned. “Mama’s peach cobbler?” “The very thing,” said Miss Potts nodding approvingly, before turning to head back into the woods.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
One of the gunmen in the room, ending his call to his wife, and seeing me typing, came across and shook my hand. “You going to make a lot of money off this story!” the gunman with the Rastafarian hairstyle said. His pump-action shotgun was slung in the crook of his arm. He was smiling. “Yeah”, I said. “If I get out of here alive.” “You all right, you going to be all right”, he said, laughing. But you see me? I don’t know too much about my future right now.” “Everybody’s going to be all right,” I said. He laughed again. And reached into his back pocket and came out with a little white slip of paper in his hand. “I don’t know about me,” he said, smiling. “But if you write the story and make a lot of money, maybe you could get these things for the wife for me.” He handed me the slip of paper. On it, in block letters, was an itemized list: TV SET VIDEO SET WASHING MACHINE FRIDGE For a moment I shook my head in bewilderment, looking at that list. But he was laughing again and saying: “So if you make a lot of money off your book, get those things for the wife for me, nuh.” I said: “Sure.” I pocketed the note and walked away, flooded by nausea, thinking: so this is what he’s in it for, this young Trinidadian with the Rasta hairdo, the fake army camouflage shirt and pants tucked into his big soldier-looking black boots, with the wicked-looking shotgun crooked in his arm. A free television set. A video set. A washing machine. A fridge.
Raoul Pantin (Days of Wrath: The 1990 Coup in Trinidad and Tobago)
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
I’ll never forget the time I went duck-hunting with my buddy Mike Williams; you’ll read a lot about our adventures and shenanigans in this book. Mike and I were hunting blue-winged teal ducks, which tend to move en masse, so typically you’ll either shoot your limit or not see a duck. In other words, there is a lot of idle time involved with teal hunting, so we usually bring along our fishing poles. After a hunt with Mike one morning, in which we had not seen a single teal, I hooked a four-pound bass. Almost simultaneously, one lone blue-winged teal flew over our heads. As I was reeling in the bass, I reached for my shotgun, raised it with only my left hand, and shot the duck. Now, I’m right-handed but left-eye dominant. It was the first duck I ever shot left-handed, but it would be the first of many. I eventually made the switch to shooting left-handed permanently. It was the hardest obstacle I’ve ever had to overcome in hunting, but it made me a better shot because I’m left-eye dominant. When Mike and I went back to my dad’s house and told him what happened, Phil didn’t believe us, even though we had the teal and bass as evidence. He’d told us about a similar feat many times before, when his friend Hookin’ Bull Thompson pulled in a fish with one hand and shot a duck with the other. I had heard the story many time, but only then did I realize it had now been duplicated. No matter how many times we told Phil about what I did, he didn’t believe us. He thought we made the entire story up because of the countless times he’d bragged about witnessing his buddy’s epic feat. Now, Mike is one of the most honest people you’ll meet, so he couldn’t believe Phil thought we were lying to him. “I’m going to sign an affidavit about what you did,” Mike told me. “Maybe then he’ll believe us.” “Oh, drop it,” I said. “That’s just how my family rolls.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
Robert A. Heinlein
behind me. They patted me down. Very thorough. I saw the sergeant acknowledge the shakes of the heads. No weapon. The backup guys each took an elbow. The shotgun still covered me. The sergeant stepped up in front. He was a compact, athletic white man. Lean and tanned. My age. The acetate nameplate above his shirt pocket said: Baker. He looked up at me. ‘You are under arrest for murder,’ he said. ‘You have the right to remain silent. Anything you say may be used as evidence against you. You have the right to representation by an attorney. Should you be unable to afford an attorney,
Lee Child (Killing Floor (Jack Reacher, #1))
Then Beverley Brook stepped onto the footplate and pointed a shotgun straight at the Queen’s head – I recognised the Purdey from my trunk. It was nice to see it getting an airing. Beverley herself was wearing an oversized leather jerkin and jeans. Her dreads had been tied into a plait down her back and a pair of antique leather and brass goggles were pushed up onto her brow. ‘Put your hands on your head,’ she said, ‘and step away from the boyfriend.’ The Queen hissed and gripped the rope harder.
Ben Aaronovitch
Bowers dried his hands on his overalls and stepped inside the wagon. He returned with his shotgun. “And I aim to blow the top of your head off ef you try it,” Bowers said, breathing heavily. “That little innercent sheep don’t mean no harm to nobody. Sence we’re speakin’ plain, I don’t like you nohow. I don’t like the way you act; I don’t like the way you talk; I don’t like the way your face grows on you; I don’t like nothin’ about you, and ef I never see you agin it’ll be soon enough. You’d better go while I’m ca’m, for when I gits mad I breaks in two in the middle and flies both ways!” Panting
Caroline Lockhart (The Fighting Shepherdess)
But surely, if Fergus had actually spoken to Cooper, he wouldn’t have kept mum on that little detail. Who are you kidding? The man thrived on meddling, especially where his beloved McCrae girls were concerned. That would also explain why he’d so conveniently disappeared once Cooper had taken the floor. And why he hadn’t come back out carrying the shotgun they kept handy in the back. “Uncle Gus” was all she said. He smiled briefly. “I thought that was a better bet than your chief-of-police brother. I’ve already guessed Fergus didn’t tell you about our little conversation.” She shook her head. “How long ago?” “A week. Not so long as all that.” Long enough, she thought, already mentally rehearsing the conversation she’d be having with her uncle the minute she got back to the pub. “We only had the one chat.” “One was apparently all that was needed. What else did he share with you?” She immediately held up her hand. “On second thought, don’t tell me. I’ll have that little chat with him directly.” “He wants you to be happy,” Cooper said. “And he thought encouraging a man I haven’t seen in over a year, a man who was my former employer and nothing more, to hop on a plane and bop on up this side of the equator to see me was what would make me happy?” Cooper’s smile deepened, and that twinkle sparked to life in his eyes again, making them so fiercely blue it caught at her breath. “He might have mentioned that you’d be less than welcoming of a surprise visit. He also said if I had a prayer of your still being here when I arrived, a surprise visit was pretty much my only shot. And how the frosty reception I was sure to receive was simply your automatic defense system, and how I should just ignore all that and ‘press my suit’ anyway, as I believed he called it.” Kerry closed her eyes, willed her short fuse to wink out before it had the chance to get dangerously lit up. Yep, too late. She turned abruptly and moved to go around Cooper, aiming herself back toward the lot where the truck was parked. Cooper’s hand shot out and took hold of her arm, releasing it the moment she stopped and turned to look at him, her balance intact. “His heart was in the right place, Starfish. He warned me. It was my choice to come here and risk it anyway. Don’t go unloading all the frustration you’re feeling about my unexpected arrival, not to mention the unfortunate public spectacle I made of this whole thing, on your poor uncle.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Do you think the stars stare back at us? I asked... "Oh, I think they watch us with rapt attention," Blue said. "Especially during the day, when we ignore them, when our eyes can't see past the blue. It's quite the partnership, you know. We put on a show for each other. We're both spectacles." As he spoke, I stretched out on my back, hands clasped behind my head, admiring his profile. The slope of his nose. The curve of his lips. The set of his jaw. Then I turned my gaze to the endless stars above us, and the constellations I knew by name. They were all there, shining the same as they do over two hundred years in the future. They traveled with me, my companions on this journey. Orion was driving, Cassiopeia was riding shotgun, and I was in the backseat singing 'Stardust' and 'Orion is Arising' and 'Catch a Falling Star.
M.G. Buehrlen (The Untimely Deaths of Alex Wayfare (Alex Wayfare #2))
Yes, there is a science to the aroma of sleeping women (and to think of the girlfriend I was tempted to break up with because she slept too much) i now know, they NURTURED here there: they slept in packs dreamt in cycles nursed her in shifts and became her ON ROTATION
Saul Williams (, said the shotgun to the head.)
Sandringham, the royal family’s winter fortress, was also surrounded by the media. The House of Windsor, protected by police, press secretaries, and endless private acres, showed less composure than the House of Spencer. The Queen shouted: “Why don’t you go away?” at the crowd of hacks while Prince Charles heckled: “A very happy New Year, and to your editors a particularly nasty one!” Prince Edward is even said to have fired a shotgun over the head of a Daily Mirror photographer.
Andrew Morton (Diana: Her True Story in Her Own Words)
Caleb’s eyes shifted to something in the corner and went narrow, and a dangerous calm replaced his outrage. “My shotgun,” he said disbelievingly. “Isn’t that my shotgun?” “I only borrowed it,” Lily said, squaring her shoulders. “You shouldn’t make such an issue of a little thing like that.” “Have you fired it?” Lily thought of the large round bruise on her stomach where the butt of the weapon had struck her when she pulled the trigger. She wasn’t about to talk about that, or the fact that the force had thrown her ignobly to the ground. “Yes, sir,” she said, putting a pointed and mocking emphasis on the word “sir.” Caleb let out a long sigh and shoved splayed fingers through his dirty hair. “Lily, you could hurt yourself with that thing. You’ve got no damned business being out here without a man to protect you.” Lily ladled water into her shiny new enamel coffeepot and set it on the stove with a bang. “Well, I won’t have to worry anymore, will I? Now I’ll have you for a neighbor!” “You could be a little happier about it.” “Why should I be? Velvet and Hank are settling just over the next hill. What do I need with a man who won’t marry me, who thinks I’m sneaky? Besides, you’re not interested in settling here—you just want to be handy so you can gloat every time I make a mistake!” Caleb chuckled ruefully and shook his head. “To think I actually imagined you’d be waiting for me at home.” “This is home,” Lily said tautly, spooning coffee grounds into the pot. “We’ll see how you feel when the snow is six feet deep and you’ve been eating beans for two months straight,” Caleb replied.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
What’s it like for you, Velvet? Being married, I mean?” Velvet permitted herself a dreamy sigh and gazed into the bonfire as though she saw some wonderful pageant being played out there. “It gets better every day,” she answered after a long time. “Hank and me, we work together, side by side, all day through. And come night, we—well, we’re together then, too.” Lily was touched, and a little amused, to see that her worldly friend was blushing. “Do you think that’s enough, though—liking what a man does to you in bed?” Velvet shook her head. “Wouldn’t be enough by itself, I reckon. It’s if you can laugh and talk together, and if you know you’d stand by him no matter what, and he’d stand by you.” Glancing toward Caleb, Lily let out a long sigh. “I just don’t know. That man is so stubborn, sometimes I think I’d better just give in and marry him.” “Why don’t you?” “He’d own me then, just like he owns his horse and his land and his shotgun.” Velvet smiled. “I don’t mind Hank ownin’ me,” she said. “That’s silly, Velvet,” Lily protested. “You’re a human being, not a saddle blanket or a wheelbarrow. Nobody can own you.” “Can if you let ’em,” Velvet insisted. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
She yanked open the door, and her smile faded. The same Indian who had wanted to trade two horses for her was standing on the apple crate that served as a front step, his black hair dripping with water, his calico shirt so wet that his copper skin showed through in places. “No house!” he said. Lily was paralyzed for a moment. Here it was, she thought, the moment she’d been warned about. She was going to be scalped, or ravaged, or carried off to an Indian village. Maybe all three. She cast a desperate glance toward the shutgun, at the same time smiling broadly at the Indian. “I’m terribly sorry,” she said, “but of course you can see that there is a house.” “Woman go away!” the Indian insisted. Lily’s heart was flailing in her throat like a bird trapped in a chimney, but she squared her shoulders and put out her chin. “I’m not going anywhere, you rude man,” she replied. “This is my land, and I have the papers to prove it!” The Indian spouted a flock of curses; Lily knew the words for what they were only because of their tone. She started to close the door. “If you’re going to be nasty,” she said, “you’ll just have to leave.” Undaunted, the red man pushed past Lily and strode right over to the stove. He got a cup from the shelf, filled it with coffee, and took a sip. He grimaced. “You got firewater?” he demanded. “Better with firewater.” Lily had never been so frightened or so angry in her life. With one hand to her bosom she edged toward the shotgun. “No firewater,” she said apologetically, “but there is a little sugar. There”—she pointed—“in the blue bowl.” When her unwanted guest turned around to look for the sugar, Lily lunged for the shotgun and cocked it. There was no shell in the chamber; she could only hope the Indian wouldn’t guess. “All right, you,” she said, narrowing her eyes and pointing the shotgun. “Get out of here right now. Just ride away and there won’t be any trouble.” The Indian stared at her for a moment, then had the audacity to burst out laughing. “The major’s right about you,” he said in perfectly clear English. “You are a hellcat.” Now it was Lily who stared, slowly lowering the shotgun. “So that’s why Caleb wasn’t alarmed that day when you and your friends rode up and made all that fuss about the land. He knows you.” “The name’s Charlie Fast Horse,” the man said, offering his hand. Lily’s blood was rushing to her head like lava flowing to the top of an erupting volcano. “Why, that polecat—that rounder—that son-of-a—” Charlie Fast Horse set his coffee aside and held out both hands in a plea for peace. “Calm down, now, Miss Lily,” he pleaded. “It was just a harmless little joke, after all.” “When I see that scoundrel again I’m going to peel off his hide!” Charlie was edging toward the door. “Lord knows I’d like to warm myself by your fire, Miss Lily, but I’ve got to be going. No, no—don’t plead with me to stay.” “Get out of here!” Lily screamed, and Charlie Fast Horse ran for his life. Obviously he didn’t know the shotgun wasn’t loaded. The
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Clovis then asked what had happened to the head of the man who was strangling a snake and Sir Aubrey said that Dudley had blasted it with a shotgun. “He was after some poachers,” he said, and fell silent, looking very sad. “Splendid chap, Dudley. Ask anyone.” Clovis said that he had heard from his father how strong Dudley was, and tried to think if he had heard anything nice about Dudley, but he hadn’t. Fortunately, since Sir Aubrey was looking very upset, the butler announced Mrs. Smith and her three older daughters. The youngest daughter, Prudence, was still in nappies and did not go out to dinner. Again Clovis had no difficulty in recognizing Mrs. Smith as the Basher, and her daughters as the ones who were no use to Sir Aubrey because they were the wrong sex. “How do you do, Aunt Joan,” said Clovis, smiling winningly and hoping that the Basher had settled down since her marriage. “Well, you led us quite a dance,” brayed Joan, and introduced her daughters.
Eva Ibbotson (Journey to the River Sea)
Just as I was sure this excruciating interview was at an end and she was on her way out, Freyda turned. “Is it true you killed Lorena Ball?” she asked, her voice cool and indifferent. “Yeah.” My eyes didn’t leave her. Now we were on very, very delicate ground. “Did you have anything to do with the death of Kym Rowe?” “I don’t even know who that is,” Freyda said. “But I’ll find out. Did you also kill Bruno, Victor’s second?” I didn’t say anything. I returned her look. She shook her head, as if she could hardly believe it. “And a shapeshifter or two?” she asked. In Debbie Pelt’s case, I’d used a shotgun. Not the same thing as hand-to-hand combat. I lifted one shoulder slightly, which she could take as she chose. “What about fairies?” she said, smiling slightly, apparently at how ridiculous a question she was asking me. “Yeah,” I said without elaborating. “Right outside this house, as a matter of fact.” Her rich brown eyes narrowed. Clearly, Freyda was having second thoughts about something.
Charlaine Harris (Deadlocked (Sookie Stackhouse, #12))
If you hurt my dog, I will kill you," I said, trembling with rage and worry. "I don't care how many baseball bats you have, I will kill you. I don't care if you've got a shotgun in that truck, I will kill you. I will kill all of you. I will kick your fucking teeth out of your heads. I will rip your fucking chests open. I will break off your exposed ribs and stab you in the fucking eyeballs with them. I will scalp you with my bare hands; I'll just dig my fingernails underneath the skin and rip your scalps right off, and then I'll wad them into a fucking ball and shove them down your fucking throats so that you choke on your own fucking head-skin. I will break your fucking toes. I will break your fucking fingers. I will punch a hole in your fucking stomach. Do not hurt my dog. Put him down.
Jeff Strand (Blister)
The flock headed towards them. ‘Quick, we better get under cover,’ Tracker said desperately to Georgia. Tracker handed the shotgun to Steven whilst he took a bundle of keys from his pocket and started sorting through
Tim Flanagan (The Moon Stealers and the Quest for the Silver Bough (The Moon Stealers, #1))
When investigators determined that Coley had been an unarmed spectator, police changed their story and said he had been the accidental victim of stray shotgun pellets fired over the rioters’ heads. Motorcades rolled through the city, with white protesters waving Confederate flags.
Jonathan Eig (King: A Life)