Kathryn Bigelow Quotes

There is no one way of seeing. Nor is there a right way of seeing. Yet simply to accept the notion that both the male and the female gaze are equally valid and equally to be valued in cinema (and in life) is to welcome with relief the rise of women directors. Needless to say, there are whole aspects of human experience that women are much better positioned to explore, including friendship between women, anxieties about women’s careers, women’s parenting and aging, women’s social concerns and, as in the work of Kathryn Bigelow, men as seen through women’s eyes. Likewise, though romance may be of equal concern to both sexes, a woman’s perspective will inevitably be different.

The man in the bar who reminded me of Sean Penn turns out to have been Sean Penn. Jeff Bridges’s standing ovation reaches all the way to the top mezzanine. Sandra Bullock’s standing ovation only reaches the front rows of our level and stops there. Kathryn Bigelow’s standing ovation covers the entire hall except, for some reason, the top right of the first mezzanine, where I am sitting, where we remain sitting and clap politely.

Over the years, filmmakers as diverse as Rainer Werner Fassbinder, Allison Anders, Todd Haynes, and Kathryn Bigelow have all paid tribute to the film’s operatic intensity and its mesmerizing, dreamlike imagery. Oscar-winning Spanish director Pedro Almodóvar echoed the feelings of many when he said, “I have seen Written on the Wind a thousand times and I can’t wait to see it again.

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