Running The Last Lap Quotes

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I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Ronald Reagan has a stack of three-by-five cards in his lap. He skids up a new one: "What advice do you, as the youngest American fighting man ever to win both the Navy Cross and the Silver Star, have for any young marines on their way to Guadalcanal?" Shaftoe doesn't have to think very long. The memories are still as fresh as last night's eleventh nighmare: ten plucky Nips in Suicide Charge! "Just kill the one with the sword first." "Ah," Reagan says, raising his waxed and penciled eyebrows, and cocking his pompadour in Shaftoe's direction. "Smarrrt--you target them because they're the officers, right?" "No, fuckhead!" Shaftoe yells. "You kill 'em because they've got fucking swords! You ever had anyone running at you waving a fucking sword?
Neal Stephenson (Cryptonomicon)
What - what was I doing the whole time?" So much for Alis's warning. Lucien let out a sharp breath, running a hand through his red hair. "He had you dance for him for most of the night. And when you weren't dancing, you were sitting in his lap." "What kind of dancing?" I pushed. "Not the kind you were doing with Tamlin on Solstice," Lucien said, and my face heated. From the murkiness of my memories of last night, I recalled the closeness of a certain pair of violet eyes - eyes that sparkled with mischief as they beheld me. "In front of everyone?" "Yes," Lucien replied - more gently than I'd heard him speak to me before.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face how did this happen well that's who I wanted to be at last a woman in the old style sitting stout thighs apart under a big skirt grandchild sliding on off my lap a pleasant summer perspiration that's my old man across the yard he's talking to the meter reader he's telling him the world's sad story how electricity is oil or uranium and so forth I tell my grandson run over to your grandpa ask him to sit beside me for a minute I am suddenly exhausted by my desire to kiss his sweet explaining lips.
Grace Paley
As a kid, I had the worst mile time ever. Our gym teacher made us run the mile a few times a year for something called the Presidential Fitness Test. I’d huff and puff and wonder why the hell President Bush cared how fast I could run laps around the playground. I always came in dead last.
Miranda Kenneally (Breathe, Annie, Breathe (Hundred Oaks, #5))
Give, and it will be given to you. A good measure, pressed down, shaken together and running over, will be poured into your lap. For with the measure you use, it will be measured to you.”5
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
Removing the thought about the rotten feather, for now, Yuan calms his core, inhaling prana—the source energy from air. The animal’s wound healing. All the rabbits turn their necks now, watching him. At last, he deserves attention. They run to the Monk; jumping; climbing along the layered folds of his dark shawl; settling on his lap, thighs, and shoulders; competing with one another for the healing energy; seeking a share of the purity coming from the highest possible evolution in the universe. A monk’s purity procured through strict abstention won’t stain. Even a dead bird’s foul feather can’t tinge it.
Misba (The High Auction (Wisdom Revolution, #1))
Like a relay race with a long overlap in which the baton is passed—lasting at least eighteen years and often longer—our job as parents is to position our children to run their solo laps effectively.
Myla Kabat-Zinn (Everyday Blessings: The Inner Work of Mindful Parenting)
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
I am afraid of the run-up to death, because I have had to watch that. But I think that many of us who are on the last lap are too busy with the baggage of old age to waste much time anticipating the finishing line. We have to get used to being the person we are, the person we have always been, but encumbered now with various indignities and disabilities, shoved as it were into some new incarnation. We feel much the same, but clearly are not. We have entered an unexpected dimension; dealing with this is the new challenge.
Penelope Lively (Ammonites And Leaping Fish: A Life In Time)
As Louie bent, gasping, over his spent legs, he marveled at the kick that he had forced from his body. It had felt very, very fast. Two coaches hurried up, gaping at their stopwatches, on which they had clocked his final lap. Both watches showed precisely the same time. In distance running in the 1930s, it was exceptionally rare for a man to run a last lap in one minute. This rule held even in the comparatively short hop of a mile: In the three fastest miles ever run, the winner’s final lap had been clocked at 61.2, 58.9, and 59.1 seconds, respectively. No lap in those three historic performances had been faster than 58.9. In the 5,000, well over three miles, turning a final lap in less than 70 seconds was a monumental feat. In his record-breaking 1932 Olympic 5,000, Lehtinen had spun his final lap in 69.2 seconds. Louie had run his last lap in 56 seconds.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.
Melissa Jensen (The Fine Art of Truth or Dare)
You’re not wearing drawers,” he murmured, his hand wandering avidly over her bare limbs. “It’s too hot today,” she said breathlessly, wiggling to evade him, pushing ineffectually at the mound of his hand beneath her dress. “I most certainly did not discard them for your benefit, and… Nick, stop that. The maid is going to come in at any moment.” “Then I’ll have to be fast.” “You’re never fast. Nick… oh…” Her body curled against his as he reached the patch of hair between her thighs, the sweet cleft already rich with moisture as her well-tutored body responded to his touch. “I’m going to do this to you next week at the Markenfields’ ball,” he said softly, running his thumb along the humid seam of her sex. “I’m going to take you to some private corner… and pull up the front of your dress, and stroke and tease you until you come.” “No,” she protested faintly, her eyes closing as she felt his long middle finger slide inside her. “Oh, yes.” Nick withdrew his wet finger and ruthlessly tickled the softly straining crest until he felt her body tensing rhythmically in his lap. “I’ll keep you quiet with my mouth,” he whispered. “And I’ll be kissing you when you climax with my fingers inside you… like this…” He thrust his two middle fingers inside the warm, pulsing channel and covered her lips with his as she moaned and shuddered violently. When he had siphoned the last few shivers of pleasure from her body, Nick lifted his mouth and smiled smugly into her flushed face. “Was that fast enough for you?” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“A fresh start.” His voice was bitter. “It was never the truth. We were moving to get away from the problems my father had created—from his debts, his drinking. As if he could outrun them. And I—” His eyes were haunted. “I never wanted to be like him, I fought so hard to not be like him. And yet I find myself planning to run away. To do what he would do. Because I’m afraid.” Thomas kicked the blanket off his lap. The carriage rocked under his feet as he moved to sit on the opposite bench beside Alastair. He wanted to put his hand over Alastair’s but held back. “I have never thought of you as afraid,” he said, “but there is no shame in it. What are you afraid of?” “Change, I suppose,” said Alastair, a little desperately. Outside, the branches of trees whipped back and forth in the wind. Thomas could hear a dull roaring sound—thunder, he guessed, though it was oddly muffled. “I know that I must change myself. But I don’t know how to do it. There is no instruction manual for becoming a better person.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Knowing it was her last night on the Arabella, Maia fought against sleep. She must remember it all--the lapping of the water against the side of the boat, the white moths, the fireflies… Finn, too, was awake. “When we’re grown up I’ll come back for you, I promise. No one can stop us then.” But she wasn’t grown up and nor was he, and Finn was going on alone. The professor had tried to persuade him to come back with them, but Finn only said, “I promised my father I’d go and find the Xanti. I promised.” Now, though, lying in the dark, he realized how much he hated the idea of going on by himself. He wasn’t afraid exactly; he knew he could do it--but it suddenly seemed utterly dismal to go on without his friend. “We could still run away into the forest,” said Maia. But Finn said no. “Minty really cares about you. The professor told me she nearly went mad when she thought you’d been killed in the fire. You can’t play tricks on her--or on him. They’re good people. It’s just…oh, why can’t grown-ups understand that we might know what is right for us just as well as they do?
Eva Ibbotson (Journey to the River Sea)
MT: But you are. You are justifying it. RG: I'm trying to show that there's meaning at precisely the point where the nihilistic temptation is strongest today. I'm saying: there's a Revelation, and people are free to do with it what they will. But it too will keep reemerging. It's stronger than them. And, as we have seen, it's even capable of putting mimetic phenomena to work on its behalf, since today everyone is competing to see who is the most “victimized.” Revelation is dangerous. It's the spiritual equivalent of nuclear power. What's most pathetic is the insipidly modernized brand of Christianity that bows down before everything that's most ephemeral in contemporary thought. Christians don't see that they have at their disposal an instrument that is incomparably superior to the whole mishmash of psychoanalysis and sociology that they conscientiously feed themselves. It's the old story of Esau sacrificing his inheritance for a plate of lentils. All the modes of thought that once served to demolish Christianity are being discredited in turn by more “radical” versions of the same critique. There's no need to refute modern thought because, as each new trend one-ups its predecessors, it's liquidating itself at high speed. The students are becoming more and more skeptical, but, and above all in America, the people in power, the department chairs, the “chairpersons,” as they say, are fervent believers. They're often former sixties' radicals who've made the transition to administrative jobs in academia, the media, and the church. For a long time, Christians were protected from this insane downward spiral, and, when they finally dive in, you can recognize them by their naïve modernist faith. They're always one lap behind. They always choose the ships that the rats are in the midst of abandoning. They're hoping to tap into the hordes of people who have deserted their churches. They don't understand that the last thing that can attract the masses is a Christian version of the demagogic laxity in which they're already immersed. Today, it's thought that playing the social game, whether on the individual or the group level, is more indispensable than thinking…it's thought that there are truths that shouldn't be spoken. In America, it's become impossible to be unapologetically Christian, white, or European without running the risk of being accused of “ethnocentrism.” To which I reply that the eulogists of “multiculturalism” place themselves, to the contrary, in the purest of Western traditions. The West is the only civilization ever to have directed such criticisms against itself. The capital of the Incas had a name that I believe meant “the navel of the world.
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis & Culture))
How to Perform Visualization To practice visualization, sit in a comfortable position and relax any muscle tension. Once you feel relaxed, begin to visualize a pleasant scene. Imagine every aspect of the scene, using all of your senses. For instance, if you visualize sitting on a beach watching the ocean waves lapping against the shore, imagine first what the scene looks like, then imagine how the sand feels on your bare feet. Take a deep breath and imagine how the clean ocean air smells and tastes. Next, listen for the sounds of the waves and seagulls. As you become more involved with your mental picture, your body will relax and you will be able to let go of your worrisome thoughts. It often helps to make positive, affirmative statements, such as “I feel calm and relaxed,” while practicing to block negative thoughts more effectively. You could picture also an image that represents the tension you feel when you begin, such as a kite that is stuck in a tree getting more and more tangled. As you become relaxed, imagine the string loosening and the kite becoming free and soaring in the sky. With practice, you will be able to use this technique to help yourself relax whenever you feel distressed. Lori spent last Thanksgiving at her best friend Haley’s house. Most of the members of Haley’s large, extended family were there. Everyone was talking at once, the children were running around, and Lori felt completely overwhelmed. It was so different from her quiet house. As she felt herself getting more agitated and anxious, she went upstairs to the bathroom and began to visualize herself at her family’s quiet cabin. She heard the wind rustling through the leaves and the chirping of birds. She smelled the soil and felt the coolness of the air. Soon, she felt calm and relaxed and was able to return downstairs.
Heather Moehn (Social Anxiety (Coping With Series))
We’re talking now of late August evenings in Minnesota. That world consists of the din of lawn mower blades turning in raucous slicing circles like buzzards over prey, the throb of a racing boat’s outboard motor on the Lake. Garden hoses run with cool water and wash over the last flowers of the year before the autumn turns all the green to brown. In the afternoons, children run through sprinklers on the lawn and men burn piles of last autumn’s leaves. Mothers prepare suppers and read novels under the shade of summer hats, carefully watching over their children from afar. All is safe and good in the summer. But Thom Algonquin can no longer hear the lawn mowers humming, boat motors churning, the hoses splashing or the children playing. He doesn’t smell the leaves burning or help his mother prepare supper. Thom Algonquin is seven years old and he has walked too far into the woods near his home on Lake Superior. He hears nothing save the sound of sunlight and trees, birds, and his own feet pattering along atop the underbrush. He is not so sure he can hear these things exactly though. It has now become clear to him that he has gone too far, too deep into the old woods. He is accustomed to going a little farther than his mother allowed, but he has walked miles past that line now. Though his heart races he does not scream or run or cry. He looks around for home but each direction is identical to the others. He remembers his Cub Scout manual saying that moss grows on the northern side of tree trunks because there is less sunlight. But the aspen trees have no moss on them at all, and the big white oaks have moss on every side of their trunks. He holds his breath and listens. He hears his heart beat, and somewhere behind that, he hears water, waves and lapping tides. The Lake. He can always find home from the Lake. His father told him to simply keep the water on his left hand and walk until he is home, should he ever get lost. Thom moves toward the sound of water. He walks quickly but doesn’t run, doesn’t panic. If he runs he will know that something is wrong and that he is scared. He does not want to know these things, does not want them to become real, so he walks quickly but calmly.
Spencer K.M. Brown (Hold Fast)
cotton wool, decided that it was not good to eat, ran all round the table, sat up and put his fur in order, scratched himself, and jumped on the small boy’s shoulder. “Don’t be frightened, Teddy,” said his father. “That’s his way of making friends.” “Ouch! He’s tickling under my chin,” said Teddy. Rikki-tikki looked down between the boy’s collar and neck, snuffed at his ear, and climbed down to the floor, where he sat rubbing his nose. “Good gracious,” said Teddy’s mother, “and that’s a wild creature! I suppose he’s so tame because we’ve been kind to him.” “All mongooses are like that,” said her husband. “If Teddy doesn’t pick him up by the tail, or try to put him in a cage, he’ll run in and out of the house all day long. Let’s give him something to eat.” They gave him a little piece of raw meat. Rikki-tikki liked it immensely, and when it was finished he went out into the veranda and sat in the sunshine and fluffed up his fur to make it dry to the roots. Then he felt better. “There are more things to find out about in this house,” he said to himself, “than all my family could find out in all their lives. I shall certainly stay and find out.” He spent all that day roaming over the house. He nearly drowned himself in the bathtubs, put his nose into the ink on a writing table, and burned it on the end of the big man’s cigar, for he climbed up in the big man’s lap to see how writing was done. At nightfall he ran into Teddy’s nursery to watch how kerosene lamps were lighted, and when Teddy went to bed Rikki-tikki climbed up too. But he was a restless companion, because he had to get up and attend to every noise all through the night, and find out what made it. Teddy’s mother and father came in, the last thing, to look at their boy, and Rikki-tikki was awake on the pillow. “I don’t like that,” said Teddy’s mother. “He may bite the child.” “He’ll do no such thing,” said the father. “Teddy’s safer with that little beast than if he had a bloodhound to watch him. If a snake came into the nursery now–” But Teddy’s mother wouldn’t think of anything so awful. · · · Early in the morning Rikki-tikki came to early breakfast in the veranda riding on Teddy’s shoulder, and they gave him banana and some boiled egg. He sat on all their laps one after the other, because every well-brought-up mongoose always hopes to be a house mongoose some day and have rooms to run about in; and Rikki-tikki’s mother (she used to live in the general’s house at Segowlee) had carefully told Rikki what to do if ever he came across white men.
Rudyard Kipling (Rikki-Tikki-Tavi)
She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
She brushes a lock of hair back from her face and winces when she tugs through a snag. “Oh, my gosh. I must look like I’ve been tumbled in a dryer, right? Is it bad?” She starts to sweep through her hair and her hand sticks in another knot. “You wouldn’t happen to have a brush, would you? Crap,” she swears as she encounters a huge snarl. “Wait,” I say. “I’ll get it.” I start to work through the tangle with my fingers and she sits still while I work out every last one. When I’m done, her hair is silky and smooth and I am not ready to stop running my fingers through it, but I probably should. “Don’t stop,” she says quietly. “That feels really good.” She pulls her feet from the water. “Wait,” she says, and she adjusts so that she’s lying over my lap. “You don’t mind, do you?” Hell, at this point, I’d be sad if she made me stop. “It’s fine,” I tell her. She relaxes against me and says, “Talk to me, will you?” Her eyes close and I’m pretty sure if she got any more relaxed, she’d fall asleep. My insides settle in a way they never have before. Usually, I have a roiling, boiling sensation in my chest, like something is fighting to get out of me and I must work to contain it at all times. But now… Now I am at peace. My soul and my heart connect like tumblers lining up in a lock. Snap! It opens up. And it scares the hell out of me. I pull my hands from her hair, thinking that her proximity is the problem. But the tumblers don’t realign. They don’t lock her out. They let her in. They invite her in and offer her a fucking apple pie so she’ll sit and stay for a while. “Are you all right?” she asks. “Why wouldn’t I be?” “You stopped rubbing my hair.” I lift her off my lap and set her beside me. “All the tangles are out.” “Oh.” She sighs. “That’s good.” She suddenly looks uncomfortable and it kills me that I caused it. “Thank you for fixing my hair,” she says quietly.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
When at last he sprang to his feet, she retreated a step, lifting her chin so the lapping water couldn’t reach her mouth. He bent to retrieve the buffalo robe and beckoned for her. “Keemah.” She knew by now that the word meant “come.” She shuddered and looked longingly at the fur he held. “Keemah,” he repeated. When she made no move to obey, he sighed. Sinking lower into the water, Loretta accidentally took a mouthful and choked. He glanced skyward, clearly exasperated. “This Comanche is not stupid. You would run like the wind if I took my eyes from you.” She shook her head. Frowning, he studied her for a long moment. “This is not pe-nan-de taquoip, the honey talk. It is a promise you make?” She nodded, her teeth chattering. “And you will not make a lie of it?” When he assured him she wouldn’t with another shake of her head, he dropped the fur to the ground and pivoted on one foot. She could scarcely believe he truly meant to keep his back to her. She stared at the broad expanse of his shoulders, at the curve of his spine, at his long, leather-clad legs. Like the wild animals he hunted, he was lithe and lean, his large frame padded with sleek, powerful muscle. If she tried to run, he would be upon her before she had gone more than a few steps. Plowing her way through the water to shore, she kept her eyes riveted to his back. A small rock cut into the sole of her foot as she scrambled up the bank. She bit her lip and kept going, afraid to hesitate even for a second. By the time she reached him, her heart was slamming. She grabbed up the fur and slung it around her shoulders, clasping the edges tightly to her chest. Standing this close to him, she could see the sheen of oil on his skin, the dark hair that dusted the crease of his armpits. She didn’t want to touch him. The seconds ticked past. Was his hearing so keen that he knew she was still behind him? She sensed he was waiting her out, testing her in some way she couldn’t fathom, proving his mastery over her. She worked one hand free from the heavy robe. So fast that she scarcely felt her fingertips graze his skin, she tapped his shoulder and snatched her hand back. He turned to look at her, his gaze lingering a moment on her bare feet and legs. Humiliation scorched her cheeks. He stepped toward her, stooping as he did to catch her behind the knees and toss her over his shoulder. As Loretta grabbed his belt for support, she realized two things: the cold water had eased her headache, and the hilt of the Comanche’s knife was within her reach… Without stopping to think of the possible consequences, she reached out, imagining how it would feel to bury the blade into his back, to be free of him. Just as her fingers curled around the knife handle, he spoke. “Kill me, Yellow Hair, and my friends will avenge me. The blood of your loved ones will be spilled as slowly as sap drips from a wounded tree.” He kept walking and made no move to grab her hand. “My friends know the way to your wooden walls, eh? Make no grief behind you. It is wisdom.
Catherine Anderson (Comanche Moon (Comanche, #1))
... the door creaked and a golden fox-face appeared- along with a narrowed metal eye. 'Shit,' said Lucien. 'It's freezing in here.' It was but I was too nauseated to notice. Keeping my head up was an effort, let alone keeping the food down. He unclasped his cloak and set it around my shoulders. Its heavy warmth leaked in to me. 'Look at all this,' he said, staring at the paint on me. Thanksfully, it was all intact, save for a few places on my waist. 'Bastard.' 'What happened?' I got out, even though I wasn't sure I truly wanted the answer. My memory was a dark blur of wild music. Lucien drew back. 'I don't think you want to know.' I studied the few smudges on my waist, marks that looked like hands had held me. 'Who did this to me?' I asked quietly, my eyes tracing the arc of the spoiled paint. 'Who do you think?' My heart clenched and I looked at the floor. 'Did- did Tamlin see it?' Lucien nodded. 'Rhys was only doing it to get a rise out of him.' 'Did it work?' I still couldn't look Lucien in the face. I knew, at least, that I hadn't been violated beyond touching my sides. The paint told me that much. 'No,' Lucien said, and I smiled grimly. 'What- was I doing the whole time?' So much for Alis's warning. Lucien let out a sharp breath, running a hand through his red hair. 'He had you dance for him for most of the night. And when you weren't dancing, you were sitting in his lap.' 'What kind of dancing?' I pushed. 'Not the kind you were doing with Tamlin on Solstice,' Lucien said and my face heated. From the murkiness of my memories of last night, I recalled the closeness of a certain pair of violet eyes- eyes that sparkled with mischief as they beheld me. 'In front of everyone?' 'Yes,' Lucien replied- more gently than I'd heard him speak to me before. I stiffened. I didn't want his pity.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Sir Templeton was not feeling himself last night,” said Aunt Saffronia, her eyes flicking from plate to Jane and back to plate, “so Mr. Nobley offered to accompany him to see an apothecary in town, and Colonel Andrews went as well, having some business to attend to there. They are so attentive, such honest, caring lads. I shall feel their loss when they leave.” “I feel it today.” Miss Charming pursed her lips. “Eating breakfast with no gentlemen and that Heartwright girl poaching on my men--this isn’t what I was promised.” She looked at Aunt Saffronia with the eye of a haggler. Aunt Saffronia placed her hands in her lap, a calming gesture. “I know, my dear, but they will be back, and in the meantime…” “I didn’t come here for the meantime. I came for the men.” Poor Aunt Saffronia! Jane felt for her. She put a hand on Miss Charming’s arm. “Lizzy, maybe you and I could go visit the stables and go for a ride or--” “Not today, Jane. My feelings are hurt.” A tear formed in one eye. “I was promised certain things about this place and I can tell you one thing--so far, no one’s made me feel enchanting.” “Oh, my,” Aunt Saffronia said, “I can’t have unhappiness at my table. Spoils the digestion. Miss Charming, what say we call on Mrs. Wattlesbrook? I believe she would be very concerned to hear of any dissatisfaction during your visit.” Miss Charming looked at Aunt Saffronia with her dry eye, like a goose considering biting, then nodded her head and said, “Done.” Jane thought, Mrs. Wattlesbrook will have Mr. Nobley tamed into Charming’s personal pet by sundown. He’d been Miss Charming’s choice from the beginning, though he’d quickly proved too much work to keep the woman’s interest. He was the most eye-catching, no question, and he gave the appearance of having some real depth, if he’d just relax a bit. Jane was curious to see how he changed once Wattlesbrook ordered him to charm Miss Charming. And that would be fine by Jane. So what that he’d come (needlessly) running to her rescue in his shirttails? They way he’d said, “Don’t be a fool, Miss Erstwhile,” made her want to poke him in the eye. He was supposed to be Darcy-adorable, not teeth-grindingly maddening.
Shannon Hale (Austenland (Austenland, #1))
He swallowed hard, and stared into the corner. “I never wanted you to see me like that. When a man faces death, he meets the animal lurking inside him. When it’s hand to hand, blade to blade, kill or be killed . . .” Defiant green eyes met hers, and he slapped a hand to his scar. “The man who did this to me— I killed him. With his bayonet stuck in my flesh, I reached out and grabbed him by the throat and watched his eyes bulge from his skull as he suffocated at my hand.” She would not react, Cecily told herself, calmly dabbing at his wound. That’s what he expected, what he feared— her reaction of revulsion or disgust. “And he wasn’t the only one,” he continued. “To learn what violence you’re truly capable of, in those moments . . . It’s a burden I’d not wish on anyone.” She risked a glance at him then. “Burdens are lighter when they’re shared.” Luke swore. “I’ve shared too much of it with you already. I can’t believe I’m telling you this.” “You can tell me anything. I’ll still love you. And I warn you, I’ve learned something of tenacity in the past four years. I’m not going to let you go.” He shook his head. “You don’t understand. Sometimes, I scarcely feel human anymore. The brutal way I took down that boar, Cecily. That barbarism with the stocking . . .” “Ah, yes.” She put aside her handkerchief and stood. “The stocking.” She propped one boot on the stool and slowly rucked up her skirts to reveal her stocking-clad leg. “Cecy . . .” “Yes, Luke?” She leaned over to untie the laces of her boot, giving him an eyeful of her décolletage. He groaned. “Cecy, what are you doing?” “Tending to your wounds,” she said, slipping the boot from her foot. With sure fingers, she unknotted the ribbon garter at her thigh, then eased the stocking down her leg. “Making it better.” Skirts still hiked thigh-high, she straddled his legs and nestled on his lap. “Shh.” She quieted his objection, then deftly wound the length of flannel around his injured arm, tucking in the end to secure it. “There,” she said in a husky voice, lowering her lips to the underside of his wrist. “All better.” “I wasn’t after your damn stocking,” he blurted out. “When I took you to the ground last night and pushed up your skirts. By all that’s holy, I wanted—” With a muttered oath, he gripped her by the shoulders, hauling her further into his lap. Until she felt the hard ridge of his arousal, pressing insistently against her cleft. “Cecily, what I want from you is not tender. It’s not romantic in the least. It’s plunder. It’s possession. If you had the least bit of sense, you’d turn and run from—” She kissed him hard, raking his back with her fingernails and clutching his thighs between hers like a vise. Boldly, she sucked his lower lip into her mouth and gave it a sharp nip, savoring his startled moan. Wriggling backward, she placed her hands over his, dragging them downward and molding his fingers around her breasts. “For God’s sake, Luke. You’re not the only one with animal urges.” He took her mouth, growling against her lips as he did.
Tessa Dare (The Legend of the Werestag)
You’ve made yourself quite at home, I see.” “You’ve a nice one here, Kerry,” he said quite sincerely, his smile still sparkling with equal sincerity. “Good people, nice little town. I find I’m liking it a great deal. Your ocean is everything you described and more. I’d like to see more of it, through your eyes. When you have the time.” She debated the wisdom of trying to put him off as long as possible, but hell, he’d talked to half the town already and even had Fergus playing wingman for him. “Apparently I have time today,” she said dryly. “I don’t know how long this meeting will go, and I have errands to run. I still have to buy tonight’s special--unless you’re about to tell me that’s already been handled, too.” “Not that I’m aware of,” he replied easily. “But then, I just got into town late yesterday, so I’m not fully up to speed yet.” Oh, he was speedy all right. “It scares me to think what you’ll know after a full twenty-four hours. If you want to go with me to Blue’s to look at the early morning catch, I can meet you down in Half Moon around two.” He grinned. “We have a date, then.” “We have a meeting. Blue’s is--” “I’ll find it.” “I’m sure you will.” She went to climb in the cab of her truck, then paused. “I don’t guess it will do me any good to ask you to stop talking to people about me, will it?” “I don’t guess it would, no.” His accent, the way it wrapped around the os, making them sound like two delicious syllables in one, shouldn’t affect her like it always had. Like it still did. To be fair, given her protracted stay Down Under, she’d grown accustomed to the accent in general. It was the deep, smooth timbre of his voice, speaking in that vowel-curling way of his, that rolled right through her like ocean waves relentlessly lapping at the shore. Lapping at her. “Well, be warned,” she told him, trying to ignore the delicious little shiver that was snaking its way down her spine, and all she was doing was looking at him. “Folks here can tell you everything you ever wanted to know about me, my family, and the entire history of Blueberry Cove, but just know that they’ll also be telling everyone in the Cove every last detail they learn about you, too.” “Not much different from life in the Downs, then.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
So training smart, training effectively, involves cycling through the three zones in any given week or training block: 75 percent easy running, 5 to 10 percent running at target race paces, and 15 to 20 percent fast running or hill training in the third zone to spike the heart and breathing rates. In my 5-days-a-week running schedule, that cycle looks like this: On Monday, I cross-train. Tuesday, I do an easy run in zone one, then speed up to a target race pace for a mile or two of zone-two work. On Wednesday, it’s an easy zone-one run. Thursday is an intense third-zone workout with hills, speed intervals, or a combination of the two. Friday is a recovery day to give my body time to adapt. On Saturday, I do a relaxed run with perhaps another mile or two of zone-two race pace or zone-three speed. Sunday is a long, slow run. That constant cycling through the three zones—a hard day followed by an easy or rest day—gradually improves my performance in each zone and my overall fitness. But today is not about training. It’s about cranking up that treadmill yet again, pushing me to run ever faster in the third zone, so Vescovi can measure my max HR and my max VO2, the greatest amount of oxygen my heart and lungs can pump to muscles working at their peak. When I pass into this third zone, Vescovi and his team start cheering: “Great job!” “Awesome!” “Nice work.” They sound impressed. And when I am in the moment of running rather than watching myself later on film, I really think I am impressing them, that I am lighting up the computer screen with numbers they have rarely seen from a middle-aged marathoner, maybe even from an Olympian in her prime. It’s not impossible: A test of male endurance athletes in Sweden, all over the age of 80 and having 50 years of consistent training for cross-country skiing, found they had relative max VO2 values (“relative” because the person’s weight was included in the calculation) comparable to those of men half their age and 80 percent higher than their sedentary cohorts. And I am going for a high max VO2. I am hauling in air. I am running well over what should be my max HR of 170 (according to that oft-used mathematical formula, 220 − age) and way over the 162 calculated using the Gulati formula, which is considered to be more accurate for women (0.88 × age, the result of which is then subtracted from 206). Those mathematical formulas simply can’t account for individual variables and fitness levels. A more accurate way to measure max HR, other than the test I’m in the middle of, is to strap on a heart rate monitor and run four laps at a 400-meter track, starting out at a moderate pace and running faster on each lap, then running the last one full out. That should spike your heart into its maximum range. My high max HR is not surprising, since endurance runners usually develop both a higher maximum rate at peak effort and a lower rate at rest than unconditioned people. What is surprising is that as the treadmill
Margaret Webb (Older, Faster, Stronger: What Women Runners Can Teach Us All About Living Younger, Longer)
When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.” Bend or break. In all her life, she had never felt quite so helpless. Her attention moved to the knife on his hip. If only he would drop his guard--just for a moment. As if he sensed what she was thinking, he smiled another humorless smile and lowered his gaze to her chest where the water lapped just above her splayed fingertips. She tightened her arms around herself. He said nothing more, but words weren’t necessary. She couldn’t stay in the river forever, and when she emerged, he would be waiting. She was trapped. Always, forever, with no horizon. The seconds stretched into minutes. Loretta grew numb with cold. The Comanche grew tired of crouching and stretched out on the sandy bank, one knee bent, his upper body propped on one elbow so he could watch her. Loretta felt certain her blood had turned to ice. Shivers set in. Her teeth began to clack. And still he watched her, his mouth twisted into that mocking sneer she was coming to know so well. When at last he sprang to his feet, she retreated a step, lifting her chin so the lapping water couldn’t reach her mouth. He bent to retrieve the buffalo robe and beckoned for her. “Keemah.” She knew by now that the word meant “come.” She shuddered and looked longingly at the fur he held. “Keemah,” he repeated. When she made no move to obey, he sighed. Sinking lower into the water, Loretta accidentally took a mouthful and choked. He glanced skyward, clearly exasperated. “This Comanche is not stupid. You would run like the wind if I took my eyes from you.
Catherine Anderson (Comanche Moon (Comanche, #1))
You know, I should start thinking on names. I have to be over two months gone. A name is important. Especially for this baby.” “Why especially this one?” Rachel asked, looking up from the bread she was kneading. “Names are important for everybody.” Loretta sighed. “Well, with Hunter as the father, I have to think of names he’d approve of.” “You call that child Running Water and I’ll disown you.” Loretta giggled. “I don’t know. After hemming all those diapers, maybe Running Water wouldn’t be so far off mark.” Rachel rolled her eyes, then shook her head, her eyes sad. “Unless this baby’s papa comes straggling back to collect his baggage, the child’s gonna be stuck in white society. Being a breed is bad enough. A nice, normal name is a must.” Amy flipped the page in her spelling book. “What you need is a nice white-folk name with an Indian meaning that’ll make Hunter proud.” Concerned about her child’s future, Loretta forced a smile. “Why, Amy, that’s a champion idea!” Rachel paused in her kneading and frowned. “I’m quite a hand on names. Let me think on it.” “Something impressive for a boy, Ma.” Amy pursed her lips. “You know--like Mighty Fighter. Or Wise King. You gotta remember how Hunter thinks. They give boys grand names.” “Swift Antelope, for example?” Loretta grinned. “Makes him sound like he oughta have a tail to wag, don’t it?” Amy dimpled her cheek. “Of course, he hates the name Amy, so we’re even. He says it sounds like a sheep baaing.” “The way he says it, it does sound like a sheep baaing.” “How about naming a boy after his papa and his uncle Warrior?” Rachel asked. “Chase Kelly. Chase means hunter, Kelly means warrior.” Loretta lowered her sewing to her lap, her gaze dreamy. “Chase Kelly--Chase Kelly. It has a nice ring, doesn’t it?” “Be nicer with a proper surname,” Rachel commented. “Wolf!” Amy cried. “That’s as close to a last name for Hunter as you’ll get.
Catherine Anderson (Comanche Moon (Comanche, #1))
How about naming a boy after his papa and his uncle Warrior?” Rachel asked. “Chase Kelly. Chase means hunter, Kelly means warrior.” Loretta lowered her sewing to her lap, her gaze dreamy. “Chase Kelly--Chase Kelly. It has a nice ring, doesn’t it?” “Be nicer with a proper surname,” Rachel commented. “Wolf!” Amy cried. “That’s as close to a last name for Hunter as you’ll get.” “Chase Kelly Wolf.” Loretta rolled the name off her tongue a few times, warming to it. “I like it. What do you think, Aunt Rachel? Wolf as a surname isn’t too strange, is it?” “Sounds like a wonderful name to me. And if Hunter comes back someday, he can’t complain too much. Hunter Warrior is a sight better than Leaky Drawers.” “Running Water,” Loretta corrected. “Whatever.” Rachel smiled. “For a girl, how about Nicole? It means a girl who’s victorious for her people.” “Oh, I like that,” Loretta whispered. “Hunter would love that.” Rachel smiled. “Nicole Wolf. If she has her daddy’s eyes, Indigo would go perfect with it. Nicole Indigo Wolf.” “Doesn’t sound right,” Amy argued. “Indigo Nicole Wolf! That, I like.” “Indigo Nicole.” Tears burned behind Loretta’s eyelids. A girl victorious for her people. “Yes, that’s beautiful, for both worlds.
Catherine Anderson (Comanche Moon (Comanche, #1))
[Racers] always try to keep something in reserve for a final sprint…so far as our bodily health allows, we should aim to be found running the last lap of our Christian life, as we would say, flat out. The final sprint, so I urge, should be a sprint indeed (pp. 21-22).
J.I. Packer (Finishing Our Course with Joy: Guidance from God for Engaging with Our Aging)
Luke Sheppard, bold and brash with wispy curls, football-built shoulders, and that squinty-eyed smile. Oh, any of us could’ve told her to stay away from him. She wouldn’t have listened, of course. What did the church mothers know anyway? Not how Luke held her hand while they slept or played with her hair when they cuddled or how after she’d told him about the pregnancy test, he cradled her bare feet in his lap. A man who laced his fingers through yours all night and held your feet when you were sad had to love you, at least a little bit. Besides, what did a bunch of old ladies know? We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more. —
Brit Bennett (The Mothers)
We can set up sun parasols over the chairs to shield us while we have our drinks.” “That sounds very nice.” Perveen would have preferred to speak to Cora away from the villa. She hadn’t felt safe when she’d met the nawab. “Shall we go up to the veranda and tell Oshadi?” “Just a sec.” Cora went back into the cabana through the open door and came out with the cowbell. Swiftly, she loped a hundred feet or so toward the house and rang the bell vigorously. After a moment, a young man in blue began running down the lawn toward them. Using her hands, Cora instructed him to drag the chairs close to where water lapped the sand and raise the umbrellas. The only words she spoke were about choices of drinks. To Perveen, she said, “I like my orange juice with a splash of champagne. How about you?” “I’m a dreadful bore,” Perveen apologized. “Because of this heat, I’m craving plain water.” “Any ice?” Cora asked. “A luxury indeed!” Perveen said with a nod, repeating the same to the young man. They settled in their chairs as the manservant went off. There was an awkward silence, so Perveen began. “Let me just say that I’m sorry about the last time we were together. I felt wretched after I spoke with you at my office.” “Have you changed your mind about representing me, then?” Perveen hesitated, because she couldn’t lie outright. “I would like to know more about the hospital committee from you. In the brief time I spoke with your husband, he mentioned that there wasn’t enough support from the women’s husbands. I want to know who is involved at this point.” And who might have attended the party where Sunanda was attacked. The begum bit her lip, smearing a bit of red onto the bottom of a front tooth. “You’ll have to ask them yourself, because they won’t answer my calls.” “Do you mean—the ladies on the committee?” “Of course!” Cora’s voice was impatient. “My title might be Princess, but the white ladies in this town have made it clear I’m from the wrong place.” “Australia is respected enough by Britain to have had dominion status since 1901!” Perveen didn’t add that she thought the privilege had been given to Australia, rather than India, because of racism. “I keep my mouth shut around them about my own family, just as I do about my dancing and singing career,” Cora said glumly. “So it must be that they are thinking about Australia being founded as a penal colony. Australia is where men are supposed to go for horses—but not wives.” “Look, there’s the bearer coming!” Perveen said. After the bearer had handed off their drinks, she told Cora, “I also felt like an outsider at the tea party. I heard
Sujata Massey (The Mistress of Bhatia House (Perveen Mistry, #4))
Knowing that there was a contingent expecting me to find the second year far tougher than my first made me determined to enter the season in perfect condition. I retreated to my work ethic, that Canterbury mentality: ‘hard work conquers all’. So if I was pushing a specific weight last year, then I’d need to do 10 per cent more this year. If I was running a particular time, I needed to be 10 seconds faster. I had to kick more balls, run more laps, lift more weights and generally destroy myself in the pre-season to make doubly sure I would avoid losing momentum. It wasn’t just physical, either. I knew that my first year I’d been quiet to a fault, especially for someone playing in a backline position which requires some leadership. And while part of that came from wanting to watch and learn, to earn respect rather than demand it, I knew that it also came down to shyness, and being naturally deferential. It was simple: if I wanted to continue to grow as a player I would need to find my voice on the field. It took a while, but eventually it came.
Dan Carter (Dan Carter: The Autobiography of an All Blacks Legend)
I jolted out of my sleep or so I thought with tunneling sparking flashing light. For a second when I look around the room everything seems soft, unclear, and slightly distorted, I am in my bed naked like I am every day when I get up and hug my stuffed bunny for the last time, as I snap on the lamp on my nightstand. I have to hide my bunny when the girls come over. Ray used to just throw him off the bed onto the floor. That was not cool! I don’t think Marcel would mind my cuddly stuffed bunny, with the cute floppy ears. My alarm has been blaring and Beep- Beeping for five minutes. It's from seven-o to six am. I smash and rub my face in my soft pillow for the last time. I look around the room I am sweating. I wipe my forehead, saying wow, I have had a dream that I’m falling- but never like this. ‘Damn that was a crazy dream!’ So- I start my morning retain- you know grabbing for what inside my Pringles can buy my bed before all hell comes busting through my door. I sit up in bed slightly and I turn on my laptop, might as well live record what going to do on cam, why not. So, push the quilt away, I look down at my unclothed body with my toy in hand, and I see my toes wiggling with nail polish, and my almost smooth legs and everything in-between. Thinking I just shaved and looked at all this stubble, growing here already… don’t you hate that, I sure do? It’s like all you can see and feel. Now I’m covered with sweat even though my room is frigid cold. My throat is dry, my heart is racing, and I’m desperate for a drink, yet I am almost there, my sighing is getting loud, I can feel it building up, I can stop it feeling so good and the tips are just rolling in for the boys that tune into my show. The camera is right there, whoosh- and I feel on top of the world. Yet after I hit a low with having to start my day, running away from me away from who I am, I’ve just been running a long way. My floral sheets are stocked with everything rushing out, and so is my keyboard, yet the boys love it and love me for it, so that is good enough for me. Yet after I do that it’s like I get an embarrassing feeling, I pull it out, then close the lid of my lap, to cover up fast. It’s like I get a rush from it, and then the guilt comes after in my mind saying- ‘That was the wrong missy, yet I can’t stop. Jenny and my girls give me that same rush, always doing something that feels so good yet maybe wrong.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
When Holden was nine, Rufus the family Labrador died. He’d already been an adult dog when Holden was born, so Holden had only ever known Rufus as a big black slobbering bundle of love. He’d taken some of his first steps clutching the dog’s fur in one stubby fist. He’d run around their Montana farm not much bigger than a toddler with Rufus as his only babysitter. Holden had loved the dog with the simple intensity only children and dogs share. But when he was nine, Rufus was fifteen, and old for such a big dog. He slowed down. He stopped running with Holden, barely managing a trot to catch up, then gradually only a slow walk. He stopped eating. And one night he flopped onto his side next to a heater vent and started panting. Mother Elise had told him that Rufus probably wouldn’t last the night, and even if he did they’d have to call the vet in the morning. Holden had tearfully sworn to stay by the dog’s side. For the first couple of hours, he held Rufus’ head on his lap and cried, as Rufus struggled to breathe and occasionally gave one halfhearted thump of his tail. By the third, against his will and every good thought he’d had about himself, Holden was bored. It was a lesson he’d never forgotten. That humans only have so much emotional energy. No matter how intense the situation, or how powerful the feelings, it was impossible to maintain a heightened emotional state forever. Eventually you’d just get tired and want it to end.
James S.A. Corey (Abaddon's Gate (Expanse, #3))
His dismissal shouldn’t hurt. I’m only pretend-dating his son. I don’t even want to like Blake, and I will never meet this man again. Still, to be judged unworthy in so short a space of time really pisses me off. I at least deserve a shot. Blake vanishes into the bathroom. As I’m marshaling the nerve to try and start a polite conversation, Mr. Reynolds looks off into the distance, hoists his water glass, and lets out a sigh. “Fifty thousand dollars.” My first thought is that Blake must have told him about our deal after all. I sit in place, waiting for him to give some explanation, to make some sort of demand. But he takes a long swallow of water and doesn’t say anything more. I fold my hands in my lap. “Well?” he asks after a few interminable seconds. “I can’t wait forever.” He’s not even going to pretend to be polite, and I suspect that everything he says from here on out will only get worse. Fine. If he wants to play that way, I can come along for the ride. “No,” I say with my most charming smile. “You probably can’t. Five minutes of your time is worth a fortune. But my time is worth basically nothing. So if we want to keep staring at each other, I’ll win. Eventually.” He leans against the booth, letting his arm trail along the back. He has Blake’s wiry build, but there’s an edginess to him that Blake lacks, as if he has a low-voltage current running through him at all times. He drums his fingers against the table as if to dispel a constant case of jitters. His glare intensifies. “Cut the innocent act. If you’re smart enough to hold Blake’s interest, you’re smart enough to know what I’m talking about. My son is obviously emotionally invested in you, and I’d rather he not be hurt any more than necessary. If all you want is money, I’ll give you fifty thousand dollars to walk away right now.” I pause, considering this. On the one hand, fifty thousand dollars to walk away from a nonexistent relationship is a lot of money. On the other hand, technically, at this point, Blake has offered me more. Besides, I doubt Mr. Reynolds would ever actually pay me. He’d just spill everything to Blake, assuming that revealing my money-grubbing status would end this relationship. In other words, true to form, he’s being a dick. Surprise, surprise. “I see you’re thinking about it,” he says. “Chances are this thing, whatever it is, won’t last. We’ve established that you don’t really care about Blake. The only thing left to do is haggle over the price.” “That’s not what I’m thinking.” I pick up my own water glass and take a sip. “I think we need to make the stakes even. I’ll accept sixty-six billion dollars. I take cash, check, and nonliquid assets.” His knowing smirk fades. “Now you’re just being ridiculous.” I set my glass down. “No. I’m simply establishing that you don’t love your son, either.” He almost growls. “What the fuck kind of logic is that? Sixty-six billion dollars is materially different than fifty thousand.” The bathroom door opens behind us, and Blake starts toward us. Mr. Reynolds looks away from me in annoyance. Blake approaches the table and slides in next to me. He sits so close I can feel the warm pressure of his thigh against mine. He looks from me to his father and back. “What’s going on?” The fact that I’m not actually dating Blake, and don’t care about the state of his relationship with his terrible father, makes this extremely easy. “Your father and I,” I tell him sweetly, “are arguing over how much he’ll pay me to dump you. Stay out of this; we’re not finished yet.” “Oh.” A curiously amused look crosses Blake’s face. “He offered fifty thousand bucks,” I say. “I countered with sixty-six billion.” Blake’s smile widens. “She’s not negotiating in good faith,” Mr. Reynolds growls. “What the fuck kind of girlfriend did you bring?” “Don’t mind me.” Blake crosses his arms and leans back. “Pretend I’m not here. Carry on.
Courtney Milan
Oh, any of us could’ve told her to stay away from him. She wouldn’t have listened, of course. What did the church mothers know anyway? Not how Luke held her hand while they slept or played with her hair when they cuddled or how after she’d told him about the pregnancy test, he cradled her bare feet in his lap. A man who laced his fingers through yours all night and held your feet when you were sad had to love you, at least a little bit. Besides, what did a bunch of old ladies know? We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.
Brit Bennett (The Mothers)
Last time he ran short of bottles, he and Zoya bought a crate and got smashing drunk. I came in on them running laps around the house, her with their marriage certificate and a lighter in hand, him casting random spells trying to stop her. She kept yelling, ‘You can’t return me without the receipt!
Honor Raconteur (Imagineer (Imagineer #1))