“
Old pictures look very rugged and young, and the people in the photographs always seem a lot happier than you are.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
The look in her eyes told me that under any other circumstances, I would either already be naked with her on top of me, or lying in a pool of my own blood on the rug.
”
”
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
“
I don't trust happiness. I turn it over as if it were a glass at a flea market or a rug at a souk, looking for chipped rims or loose threads.
”
”
Jennifer Weiner
“
I’ll say, G’day to you, Mr. Ryan!” Catherine said as she quickly closed the door in his face. “Oh, the arrogance,” she growled under her breath, leaning her back up against the closed door. “He thinks he’s so irresistible with his rugged good looks and sexy accent.”
“I’m standing right here, and I can hear you!” came Jake’s muffled words from the other side of the door. “Oh, c’mon love. I’m sorry. I didn’t realize I was offending you.
”
”
Diane Merrill Wigginton (A Compromising Position)
“
..in that moment i realize how much i love the little everyday routines of my life..the details that are my life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
so many things become beautiful when you really look.
”
”
Lauren Oliver (Before I Fall)
“
He immediately started charming my mom until she was nothing but a gooey puddle in the middle of the foyer.
He loved her new haircut.She got one?I guessed her hair did look different.Like she’d washed it or something.Daemon told her that the diamond earrings were beautiful.The rug below the steps was really nice.And that leftover scent of mystery dinner—because I still hadn’t figured out what she fed me—smelled divine.He admired nurses worldwide,and by that point,I couldn’t keep my eye rolls to a minimum.
Daemon was ridiculous.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
You picked that out?” Caine asked. “That pink, plastic toy?”
I turned to look at him. “I happen to have been a little girl, once upon a time, detective. I know what they like. Every little girl wants to be a princess.”
A thoughtful frown overcame the angry tension on Caine’s rugged face. “And what happens when they grow up?”
I thought of my mother and sisters and all the horrors that had happened the day they’d died. A bitter laugh escaped from my tight lips.
“Then they just want to be little girls again.
”
”
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
“
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
To my surprise, I recognized Dimitri Belikov-Rose's boyfriend-among those doing crowd control. He was easy to spot since he was almost always taller than everyone around him. Dhampirs look very human, and even I could admit that he was pretty good-looking. There was a rugged handsomeness to him, and even in a still photograph, I could see a fierceness as he watched the crowd.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
I remember years ago a guy I knew told me that people going to England find exactly what they go looking for. I said I'd go looking for the England of English Literature, and he nodded and said: 'It's there.'
Maybe it is, and maybe it isn't. Looking around the rug one thing's for sure: it's here.
”
”
Helene Hanff (84, Charing Cross Road)
“
Rugged and wounded. Those were the words that came to mind when she paired that scar with the broody look in his eyes.
”
”
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
“
She looked up at me with a polite smile, her dark hair long and appealing...I liked the smile.
Maybe I didn't look like a beaten-up bum. Maybe on me it just looked ruggedly determined.
"I'm sorry, sir," she said, "but the addiction counseling center is on twenty-six."
Sigh.
”
”
Jim Butcher (Turn Coat (The Dresden Files, #11))
“
His eyes trapped mine and although I could have stared at that face all night, I had to look away in order to breathe.
I wondered whether I preferred the slick tuxedoed hunk, or the rugged version that looked like he’d just wrestled a bear.
Both.
”
”
J.J. Sorel (A Taste of Peace)
“
It'll make you look rugged,' Mel says.
'Because I woke up this morning,' I say, 'and the one thing I realized I lacked was ruggedness.
”
”
Patrick Ness (The Rest of Us Just Live Here)
“
How do I look to him?" she asked herself. She got up and brought a long mirror towards the window. She stood it on the floor against a chair. Then she sat down in front of it on the rug and, facing it, slowly opened her legs. The sight was enchanting. The skin was flawless, the vulva, roseate and full. She thought it was like the gum plant leaf with its secret milk that the pressure of the finger could bring out, the odorous moisture that came like the moisture of the sea shells. So was Venus born of the sea with this little kernel of salty honey in her, which only caresses could bring out of the hidden recesses of her body.
”
”
Anaïs Nin (Delta of Venus)
“
I smoked and looked down at the bottom of Pittsburgh for a little while, watching the kids playing tiny baseball, the distant figures of dogs snatching at a little passing car, a miniature housewife on her back porch shaking out a snippet of red rug, and I made a sudden, frightened vow never to become that small, and to devote myself to getting bigger and bigger and bigger.
”
”
Michael Chabon (The Mysteries of Pittsburgh)
“
Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.
"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.
"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.
"We've got Father and Mother, and each other," said Beth contentedly from her corner.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
Did you kiss?" asked Hermione briskly.
Ron sat up so fast that he sent his ink bottle flying all over the rug. Disregarding this completely he stared avidly at Harry.
"Well?" he demanded.
Harry looked from Ron's expression of mingled curiosity and hilarity to Hermione's slight frown, and nodded.
"HA!"
Ron made a triumphant gesture with his fist an went into a raucous peal of laughter that made several timid-looking second years over beside the window jump. A reluctant grin spread over Harry's face as he watched Ron rolling around on the hearthrug. Hermione gave Ron a look of deep disgust and returned to her letter.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Um.” Her jaw bobbed like a fish out of water for a second before her brain engaged. “What are you doing here?”
His face was every bit as shocked, but he managed to look ruggedly handsome instead of like a suffocating tuna.
”
”
Lisa Kessler (Light of the Spirit (Muse Chronicles, #4))
“
I found no way to understand whether Dhaka looks by fixing its eyes in the glittering windows of buildings risen on the ground of poverty, or looks up at the sky, placing eyes upon the rugs of the dreams of children of shanty towns, to peer through torn roofs at desires like stars and the moon.
”
”
Suman Pokhrel
“
I'm a spiritual person, she said. "I believe in Allah, you know, though I don't always call It 'Allah' and I pray the way I want to pray. Sometimes I just look out at the stars and this love-fear thing comes over me, you know? And sometimes I might sit in a Christian church listening to them talk about Isa with a book of Hafiz in my hands instead of the hymnal. And you know what, Yusef? Sometimes, every once in a while, I get out my old rug and I pray like Muhammad prayed. I never learned the shit in Arabic and my knees are uncovered, but if Allah has a problem with that then what kind of Allah do we believe in?
”
”
Michael Muhammad Knight
“
Some years ago, there was a lovely philosopher of science and journalist in Italy named Giulio Giorello, and he did an interview with me. And I don’t know if he wrote it or not, but the headline in Corriere della Sera when it was published was "Sì, abbiamo un'anima. Ma è fatta di tanti piccoli robot – "Yes, we have a soul, but it’s made of lots of tiny robots." And I thought, exactly. That’s the view. Yes, we have a soul, but in what sense? In the sense that our brains, unlike the brains even of dogs and cats and chimpanzees and dolphins, our brains have functional structures that give our brains powers that no other brains have - powers of look-ahead, primarily. We can understand our position in the world, we can see the future, we can understand where we came from. We know that we’re here. No buffalo knows it’s a buffalo, but we jolly well know that we’re members of Homo sapiens, and it’s the knowledge that we have and the can-do, our capacity to think ahead and to reflect and to evaluate and to evaluate our evaluations, and evaluate the grounds for our evaluations.
It’s this expandable capacity to represent reasons that we have that gives us a soul. But what’s it made of? It’s made of neurons. It’s made of lots of tiny robots. And we can actually explain the structure and operation of that kind of soul, whereas an eternal, immortal, immaterial soul is just a metaphysical rug under which you sweep your embarrassment for not having any explanation.
”
”
Daniel C. Dennett
“
I'll keep it," she said. "Then, when you get back, after you and the dark one are done making out and planning a future filled with blond-haired, green-eyed, pigment-challeneged rug rats, I'll bring it over and you can add it to your scrapbook, right before you start cooking me dinner. I like vegetarian lasagna with cottage cheese instead of ricotta."
"Gwen?"
"And don't forget the mushrooms. Garlic bread, too, please. That is, as long as your vampire lover doesn't object."
"I want to say thank you," Isobel said. "For... everything."
"No," Gwen said. "Thank you for the delicious dinner. I can almost taste the baklava you and Darth Vader will be making for dessert. Something tells me you're gonna have to look that one up, though.
”
”
Kelly Creagh (Enshadowed (Nevermore, #2))
“
Before Jesse could say another word, the bedroom door jerked open and Lucie’s father stood on the threshold, looking alarmed.
“Lucie?” he said. “Did you call out? I thought I heard you.”
Lucie tensed, but the expression in her father’s blue eyes didn’t change—mild worry mixed with curious puzzlement. He really couldn’t see Jesse.
Jesse looked at her and, very irritatingly, shrugged as if to say, I told you so.
“No, Papa,” she said. “Everything is all right.”
He looked at the manuscript pages scattered all over the rug. “Spot of writer’s block, Lulu?”
Jesse raised an eyebrow. Lulu? he mouthed.
Lucie considered whether it was possible to die of humiliation. She did not dare look at Jesse.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
A cold supper, were you thinking? I asked dubiously.
I was not, he said firmly, I mean to light a roaring fire in the kitchen hearth, fry up a dozen eggs in butter, and eat them all, then lay ye down on the hearth rug and roger ye 'till you - is that all right? he inquired, noticing my look.
'Til I what? I asked fascinated by his description of the evening's program.
'Til ye burst into flame and take me with ye, I suppose, he said, and stooping, swooped me up into his arms and carried me across the darkened threshold.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
Speirs was an officer with a reputation. Slim, fairly tall, dark hair, stern, ruggedly handsome, he cultivated the look of a leader, and acted it.
”
”
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
“
Feyre," he said--softly enough that I faced him again. "Why?" He tilted his head to the side. "You dislike our kind on a good day. And after Andras . . ." Even in the darkened hallway, his usual bright eyes were shadowed. "So why?"
I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings.
"Because I wouldn't want to die alone," I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. "Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie." I swallowed hard, my throat painfully tight. "I regret what I did to Andras," I said, the words so strangled they were no more than a whisper. "I regret that there was . . . such hate in my heart. I wish I could undo it--and . . . I'm sorry. So very sorry.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
The details that are life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. so many things become beautiful when you really look.
”
”
Lauren Oliver (Before I Fall)
“
I felt my heart swell and crack. Of course he was the most ruggedly, powerful beautiful man I'd ever seen. Of course he would be. Of course he would stare at me with eyes so understanding and expressive and intelligent that I couldn't and wouldn't dare look away.
”
”
Jasinda Wilder (Alpha (Alpha, #1))
“
Old pictures look very rugged and young, and the people in the photographs always seem a lot happier than you are... I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
”
”
Stephen Chbosky
“
You know that Yeti-beard doesn’t make you look more manly, right?” Dean says cheerfully as we walk out the door.
Tuck shrugs. “I was going for rugged, actually.”
I snicker. “Well, it’s not that, either, Babyface. You look like a mad scientist.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
But I liked you from the moment I first heard your voice,” he said, “when I had no idea what you looked like. I thought it delicious, the way you bargained for me, as though I were an old rug. Then I loved the way you looked at me. Then I loved the way you ordered me about. I loved your patient and impatient ways of explaining things to me. I love the sound of your voice and the way you move. I love your courage and your kindness and your generosity and your obstinacy and your passion.” He paused. “You’re the genius. What do you think that means?
”
”
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
“
I climbed the stairway (there was no elevator) and put the key in. The door swung open. Somebody had changed all the furniture around, put in a new rug. No, the furniture was new, too.
There was a woman on the couch. She looked all right. Young. Good legs. Blonde.
'Hello,' I said, 'care for a beer?'
'Hi!' she said. 'All right, I'll have one.'
'I like the way this place is fixed up,' I told her.
'I did it myself.'
'But why?'
'I just felt like it,' she said.
We each drank at the beer.
'You're all right,' I said. I put my beercan down and gave her a kiss. I put my hand on one of her knees. It was a nice knee.
Then I had another swallow of beer.
'Yes,' I said, 'I really like the way this place looks. It's really going to lift my spirits.'
'That's nice. My husband likes it too.'
'Now why would your husband...What? Your husband? Look, what's this apartment number?'
'309.'
'309? Great Christ! I'm on the wrong floor! I live in 409.
”
”
Charles Bukowski
“
What Rangers do, or more correctly, what Rangers’ apprentices do, is the housework.”
Will had a sinking feeling as the suspicion struck him that he’d made a tactical error. “The…housework?” he repeated. Halt nodded, looking distinctly pleased with himself.
“That’s right. Take a look around.” He paused, gesturing around the interior of the cabin for Will to do as he suggested, then continued, “See ay servants?”
“No, sir,” Will said slowly.
“No sir indeed!” Halt said. “Because this isn’t a mighty castle with a staff of servants. This is a lowly cabin. And it has water to be fetched and firewood to be chopped and floors to be swept and rugs to be beaten. And who do you suppose might do all those things, boy?”
Will tried to think of some answer other than the one which now seemed inevitable. Nothing came to mind, so he finally said, in a defeated tone, “Would that be me, sir?”
“I believe it would be,” the Ranger told him, then rattled off a list of instructions crisply. “Bucket there. Barrel outside the door. Water in the river. Ax in the lean-to, firewood behind the cabin. Broom by the door and I believe you can probably see where the floor might be?”
“Yes, sir,” said Will, beginning to roll up his sleeves.
”
”
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
“
On the sly, you observe the adults whose childhood lies inside them, torn and full of holes like a used and moth-eaten rug no one thinks about anymore or has any use for. You can’t tell by looking at them that they’ve had a childhood, and you don’t dare ask how they managed to make it through without their faces getting deeply scarred and marked by it. You suspect that they’ve used some secret shortcut and donned their adult form many years ahead of time. They did it one day when they were home alone and their childhood lay like three bands of iron around their heart, like Iron Hans in Grimms’ fairy tale, whose bands broke only when his master was freed. But if you don’t know such a shortcut, childhood must be endured and trudged through hour by hour, through an absolutely interminable number of years. Only death can free you from it, so you think a lot about death, and picture it as a white-robed, friendly angel who some night will kiss your eyelids so that they never will open again.
”
”
Tove Ditlevsen (Childhood (The Copenhagen Trilogy, #1))
“
There was only Matthew. The rugged, straightforward captain, with his square jaw and horseshoe mustache, looking at her with an intensity that made her believe cardiac somersaults were anatomically possible.
”
”
Karen Witemeyer (At Love's Command (Hanger's Horsemen, #1))
“
Lie there panning, looking, all ribs and elbows and dilated eyes. The awake floor is littered with gear and dirty clothes, blond hardwood with sealed seams, two throw-rugs, the bare waxed wood shiny in the windows' snowlight, the floor neutral, faceless, you cannot see any face in the floor, awake, lying there, faceless, blank, dilated, playing beam over floor again and again, not sure all night forever unsure you're not missing something that's right there: you lie there, awake and almost twelve, believing with all your might.
”
”
David Foster Wallace (Infinite Jest)
“
It was blue. All of it: rugs, hangings, curtains ... 'This room looks as if someone vomited the sky,' Layla said.
”
”
Eloisa James (Once Upon a Tower (Fairy Tales, #5))
“
Old pictures look very rugged and young, and the people in the photographs always seem a lot happier than you are. My
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
My heart clutched - it was one of those moments when you feel time is a rug that's been yanked out from under you; everything around you has changed so gradually that it is only all at one you look up and realize how different your life has become.
”
”
Curtis Sittenfeld (American Wife)
“
Our backyard looked like a marketplace. Valuable objects, precious rugs, silver candlesticks, Bibles and other ritual objects were strewn over the dusty grounds- pitiful relics that seemed never to have had a home. All this under a magnificent blue sky.
”
”
Elie Wiesel (Night)
“
Surprisingly, it was Jackal who finally smiled and stepped back, raising his hands. "Okay, bloodbag," he said, looking past me to Zeke. "Fine. I can be civil. For now. Observe." He made a great show of looking around the chamber. "Nice place you got here. Love what you've done with it. If I'd known, I would've brought a housewarming gift. A shag rug to go with the lovely piles of garbage.
”
”
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
“
Tonight, he'd looked broken. She'd been afraid to touch him, as if one brush of skin would send him shattering into a million pieces. But then she had, and he'd clung to her as if he'd been afraid to let go. Some people might see it as weakness, but she didn't. She knew how it felt to have life yank the rug out from under you. She knew what it meant to need someone to hold you, to share the weight of the world for a minute. For a second. She would have held him all night. And then her father had shown up to act like Detective Dickhead. As usual.
”
”
Brigid Kemmerer (Sacrifice (Elemental, #5))
“
Chuck Norris sold his soul to the devil in exchange for his rugged good looks and superior martial arts ability.” Phoenix met Joe's eyes. “Yeah?” “Then Chuck Norris roundhouse-kicked the devil in the face and took his soul back. The devil, who appreciated irony, said he should have seen it coming. Now they play poker every second Wednesday of the month.
”
”
Jennifer Lyon (Blood Magic (Wing Slayer Hunters, #1))
“
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkept beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
”
”
Malak El Halabi
“
He stared at me for a moment, his rugged face looking torn, before he quickly put his arm around me and led me toward the cabin. There was something so wonderfully solid about the gesture, the feeling of him behind me, that it made me momentarily forget who this was. He may have just “saved” me, but it was still Indian-hating Jake McGraw, and we mixed about as well as oil and vinegar.
”
”
Karina Halle (Donners of the Dead)
“
HIDEOUS! Sorry, Mom, but vomit green is NOT my colour. And that dress is impossible to walk in! It’s so tight around my legs that it looks like a giant fish tail. While the other bridesmaids walked gracefully to the “Wedding March” song, I flopped my way down the aisle like a human-sized catfish or something! Those rug burns were pure agony! It was getting late and I was running out of time! The last thing I wanted to do was to traumatise Brandon by showing up at the dance looking like a MUTANT FISH GIRL or something. Right now I’m SO frustrated that I’m seriously considering just NOT going to the dance. Why is my life so hopelessly CRUDDY?!
”
”
Rachel Renée Russell (Dork Diaries: Holiday Heartbreak)
“
This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk.
But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.
”
”
James Baldwin
“
Great. I looked at the two identical bottles of rug detergent on the back porch. One was new and returnable. One was six months old and half empty. But which was which? I couldn't tell! They were opaque. I knew that word because I was in the Gifted Program, but it didn't help me in that split second... I would never be placed in the Common Sense Program.
”
”
Tina Fey (Bossypants)
“
The Monster looks a little as if he’s about to roll himself up in a rug and start yelling and crying. To compensate, he pours more Alcogel on his own hands and rubs, rubs, rubs.
”
”
Fredrik Backman (My Grandmother Sends Her Regards and Apologises)
“
He's what a man would look like if a roman god and rugged cowboy had a baby.
”
”
Maddie C. James (Something In The Texas Sun (The Hennessey Ranch, #1))
“
That's him. Let's throw a rug over the issue. If you can't see it, then maybe all that ugliness isn't even there.
Maybe it's why he can't stand looking at me.
”
”
Lisa M. Matlin (The Stranger Upstairs)
“
He was blond, about six feet tall, muscular, and absurdly good-looking in a rugged, masculine way, as if God had taken Brad Pitt and decided to make him really handsome.
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
Strange how reality was constantly pulling its rug out from under her. But discovery lies where no one is looking.
”
”
Douglas Westerbeke (A Short Walk Through a Wide World)
“
Someone, or someones, more like it, had Little Mermaided their bathroom: There were Little Mermaid towels hanging on all the hooks and rods, a Little Mermaid rug in front of the double sinks . . . Little Mermaid cups and toothbrushes and kids’ toothpaste on the counters . . . Little Mermaid shampoo and conditioner in the shower . . . action figures lined up on the lip around the tub and down the sill of the big window that looked out over the gardens.
”
”
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
“
Then she told him to look in the bedroom and Aureliano Segundo saw the mule. Its skin was clinging to its bones like that of its mistress, but it was just as alive and resolute as she. Petra Cotes had fed it with her wrath, and when there was no more hay or corn or roots, she had given it shelter in her own bedroom and fed it on the percale sheets, the Persian rugs, the plush bedspreads, the velvet drapes, and the canopy embroidered with gold thread and silk tassels on the episcopal bed.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
...I find it hard not to think of our home as a chrysalis from which the butterfly has flown. I miss my daughter. The rug bristles with the absence of her dancing feet. The windows glint with the history of her looking. Water rings on the sills recall where her teacup should be. The air lacks a sweet buzz.
”
”
Scott Russell Sanders (Staying Put: Making a Home in a Restless World (Concord Library))
“
She would think about how her breath had stuck in her throat when he had looked into her eyes. How fierce and protective he had been. How rugged and masculine he had looked with several days of stubble on his cheeks and chin.
”
”
Melanie Dickerson (The Golden Braid (Hagenheim, #6))
“
The woman led us into a living room. A decent-sized space. Expensive furniture and rugs. A big TV. No stereo, no books. It all looked a bit halfhearted. Like somebody had spent twenty minutes with a catalog and ten thousand dollars.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Wasn't this rugged business of taking your life apart, looking at all of it and admitting and remembering and reminding yourself of all the bad - wasn't the big result of it your getting to be honest?
"Exactly that," said Ferguson.
”
”
Paul de Kruif (A Man Against Insanity: The Birth of Drug Therapy in a Northern Michigan Asylum)
“
As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep.
But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere.
I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.
”
”
Eve O. Schaub (Year of No Clutter)
“
I look in the glass sometimes at my two long, cylindrical bags (so picturesquely rugged about the knees), my stand-up collar and billycock hat, and wonder what right I have to go about making God's world hideous. Then wild and wicked thoughts come into my heart. I don't want to be good and respectable. (I never can be sensible, I'm told; so that don't matter.) I want to put on lavender-colored tights, with red velvet breeches and a green doublet slashed with yellow; to have a light-blue silk cloak on my shoulder, and a black eagle's plume waving from my hat, and a big sword, and a falcon, and a lance, and a prancing horse, so that I might go about and gladden the eyes of the people. Why should we all try to look like ants crawling over a dust-heap? Why shouldn't we dress a little gayly? I am sure if we did we should be happier. True, it is a little thing, but we are a little race, and what is the use of our pretending otherwise and spoiling fun? Let philosophers get themselves up like old crows if they like. But let me be a butterfly.
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell. See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
”
”
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
“
They arrived home again to a most peculiar sight. The small garden at the front of the Banana House had been transformed. A tidal wave of cushions, beanbags, quilts, hearth rugs, and sleeping bags appeared to have swept up the lawn and broken at the wall. From Indigo's window a multicolored rope of knotted bedsheets came snaking out and ended among the cushions. As Micheal and Caddy watched, a mattress emerged and fell to the ground, followed by a rain of pillows.
"Indigo!" shouted Caddy, jumping out of the car.
Indigo's and Rose's heads appeared in the window above.
"It's all right, Caddy!" Indigo called cheerfully. "We've been doing it all the time you've been gone."
"We keep finding more stuff to land on!" added Rose. "Look!
”
”
Hilary McKay (Saffy's Angel (Casson Family, #1))
“
The shirt molded to his shoulders and chest. His biceps stretched the sleeves. He looked strong, and rugged, and rough around the edges. He needed an ax or something, so he could casually swing it while he walked. I tilted my head and just watched.
”
”
Ilona Andrews (White Hot (Hidden Legacy, #2))
“
Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.
"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.
"I don't think it's fair for some girls to have plenty of pretty things, and other girls
”
”
Louisa May Alcott
“
[on John Cowper Powys]...there is an indistinct photograph of the great man himself, gazing into the misty cleft of a mountain range, wearing what could be an old rug, or an old cardigan. He looks like a cross between an aged werewolf and a puzzled child.
”
”
Margaret Drabble
“
I looked like an ad for Banana Republic. Maybe Banana Republic would give me a job. They could put my picture in their little catalog and under it they could say: Elvis Cole, famous detective, outfitted for his latest adventure in rugged inner-city climes!
”
”
Robert Crais (Stalking The Angel (Elvis Cole, #2))
“
The best answer I’ve heard came in a sermon given by an elderly priest many years ago. He was traveling in the Middle East and was overwhelmed by the majesty of the Persian rugs he saw. Those gorgeous creations so skillfully woven into such beautiful designs. One day he was in a shop where those rugs were on display. He walked behind one that was hanging on hooks from the ceiling. Looking at it from behind, he was shocked to behold a confusing array of threads that led nowhere. Such beauty on one side, total disharmony on the other, but both part of the same plan. It was then that the message became clear to him. In this life we see only the back side of the rug. We don’t know how or why our unspeakable hardships are part of a beautiful design. That is why having faith is so important.
”
”
Mary Higgins Clark (I've Got My Eyes on You)
“
O.K., then, all right, they would adopt a white-trash dog. Ha ha. They could name it Zeke, buy it a little corncob pipe and a straw hat. She imagined the puppy, having crapped on the rug, looking up at her, going, Cain’t hep it. But no. Had she come from a perfect place? Everything was transmutable. She imagined the puppy grown up, entertaining some friends, speaking to them in a British accent: My family of origin was, um, rather not, shall we say, of the most respectable...
Ha ha, wow, the mind was amazing, always cranking out these—
”
”
George Saunders (Tenth of December)
“
I think it was the Earthrise that really kind of got everybody in the solar plexus … We were looking back at our planet, the place where we evolved. Our Earth was quite colorful, pretty and delicate compared to the very rough, rugged, beat-up, even boring lunar surface. I think it struck everybody that here we’d come 240,000 miles to see the Moon and it was the Earth that was really worth looking at. At
”
”
Julian Barnes (Levels of Life)
“
No one’s there,” I whisper, and no sooner have the words left my lips than someone knocks.
I startle violently enough that I knock over a candle. The silk rug catches almost instantly, yellow fire eating a quick path across the antique pattern. I’m still stamping out sparks when someone says, “What are you doing?”
I look up. Alex’s replacement stands in my doorway. And although it’s past three in the morning, she’s dressed as if she’s about to walk into a law school interview. She’s even wearing collar studs.
“Summoning the devil. What does it look like?
”
”
Victoria Lee (A Lesson in Vengeance)
“
Their home is white and precise, an advertisement for right angles. When he’s sure no one’s looking, Benji silently nudges the shoe-rack one inch out of line and touches a couple of the photos on the wall so that they’re hanging ever so slightly crooked, and as he walks across the rug in the living room he lets his big toe fleetingly mess up some of the fringe. When he reaches the terrace door he sees Kevin’s mom’s reflection in the glass. She’s going around mechanically putting everything back to how it was, without missing a beat of her telephone conversation.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Great sobs choked his utterance. He buried his head in his hands, and his tall frame was convulsed with emotion. I stood at the foot of the bed, my eyes full of tears, looking at the man in silent, awe-stricken wonder. His grief unnerved him, and made him a weak, passive child. I did not dream that his rugged nature could be so moved. I shall never forget those solemn moments—genius and greatness weeping over love’s lost idol.
”
”
George Saunders (Lincoln in the Bardo)
“
Fractals are a kind of geometry, associated with a man named Mandelbrot. Unlike ordinary Euclidean geometry that everybody learns in school—squares and cubes and spheres—fractal geometry appears to describe real objects in the natural world. Mountains and clouds are fractal shapes. So fractals are probably related to reality. Somehow. “Well, Mandelbrot found a remarkable thing with his geometric tools. He found that things looked almost identical at different scales.” “At different scales?” Grant said. “For example,” Malcolm said, “a big mountain, seen from far away, has a certain rugged mountain shape. If you get closer, and examine a small peak of the big mountain, it will have the same mountain shape. In fact, you can go all the way down the scale to a tiny speck of rock, seen under a microscope—it will have the same basic fractal shape as the big mountain.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
Major General Anders later reflected: I think it was the Earthrise that really kind of got everybody in the solar plexus … We were looking back at our planet, the place where we evolved. Our Earth was quite colorful, pretty and delicate compared to the very rough, rugged, beat-up, even boring lunar surface. I think it struck everybody that here we’d come 240,000 miles to see the Moon and it was the Earth that was really worth looking at.
”
”
Julian Barnes (Levels of Life)
“
It was a beautiful room, not an office at all, and much bigger than it looked from outside--airy and white, with a high ceiling and a breeze fluttering in the starched curtains. In the corner, near a low bookshelf, was a big round table littered with teapots and Greek books, and there were flowers everywhere, roses and carnations and anemones, on his desk, on the table, in the windowsills. The roses were especially fragrant; their smell hung rich and heavy in the air, mingled with the smell of bergamot, and black China tea, and a faint inky scent of camphor. Breathing deep, I felt intoxicated. Everywhere I looked was something beautiful--Oriental rugs, porcelains, tiny paintings like jewels--a dazzle of fractured color that struck me as if I had stepped into one of those little Byzantine churches that are so plain on the outside; inside, the most paradisal painted eggshell of gilt and
”
”
Donna Tartt (The Secret History)
“
Clearing his throat “It is very improper for a lady to open the door, to a person of the opposite sex in her… sleeping attire.”
“Improper? I look like I am wearing a rug,” I exclaimed, as I motioned at the calf-length thick red fabric; that I was wearing with wide shoulder straps. “Secondly, I don’t see you as human, let alone a man. You are more like a homicidal invention, of my hormonal teenage nightmare; which I can’t seem to be able to awake from.
”
”
S.R. Gibbs (The Inner Kingdom)
“
There are things that can break you, he’d said. I almost laughed. He had no idea the thing that had broken me most completely was my belief that Barrons was dead.
One look at Lor’s eyes and I decided I would wait until Barrons was back before pressing any issues with him. “You think Barrons has a weakness for me,” I said. “That’s what worries you.”
“It is forbidden.”
“He despises me. He thinks I slept with Darroc, remember?”
“He cares that you slept with Darroc.”
“He cared that I burned his rug, too. He gets a little pissy about those things he likes to think of as his property.”
“You two drive me bug-fuck.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
CALVIN:
Look, Hobbes, I got a magic carpet.
HOBBES:
What's so magic about it?
CALVIN:
Magic carpets FLY! You can ride them.
HOBBES:
Isn't this the rug from the hallway?
CALVIN:
Up, Rug!
Up! Up!
CALVIN:
Hey, Look!
It works!
Ok, rug, warp factor five.
HOBBES:
Is this legal?
Do you have your registration and proof of insurance?
”
”
Bill Watterson (Yukon Ho! (Calvin and Hobbes, #3))
“
When conflict is constantly brushed under the rug, though, the person who decides to lift up the rug and address the issues—the person who’s healing—is naturally going to have a harder time believing their own experiences because no one else is there to say, “Yeah, that did happen, and what you’re feeling makes sense.” The child who’s called “dramatic” is made to feel like they’re the problem, but really, they’re often just the one communicating the problem that others aren’t willing to look at.
”
”
Meg Josephson (Are You Mad at Me?)
“
The sound of thunder awake me, and when I got up, my feet sank into muddy water up to my ankles. Mother took Buster and Helen to high ground to pray, but I stayed behind with Apache and Lupe. We barricaded the door with the rug and started bailing water out the window. Mother came back and begged us to go pray with her on the hilltop.
"To heck with praying!" I shouted. "Bail, dammit, bail!"
Mom look mortified. I could tell she thought I'd probably doomed us all with my blasphemy, and I was a little shocked at it myself, but with the water rising so fast, the situation was dire. We had lit the kerosene lamp, and we could see the walls of the dugout were beginning to sag inward. If Mom had pitched in and helped, there was a chance we might have been able to save the dugout - not a good chance, but a fighting chance. Apache and Lupe and I couldn't do it on our own, though, and when the ceiling started to cave, we grabbed Mom's walnut headboard and pulled it through the door just as the dugout collapsed in on itself, burying everything.
Afterward, I was pretty aggravated with Mom. She kept saying that the flood was God's will and we had to submit to it. But I didn't see things that way. Submitting seemed to me a lot like giving up. If God gave us the strength to bail - the gumption to try to save ourselves - isn't that what he wanted us to do?
”
”
Jeannette Walls (Half Broke Horses)
“
One day, I wish to find a man like in my
books. He has to be just like in one of my books.
And he has to love me, love me more than anything
in the world. Most important of all, he has
to think I’m beautiful.”
“Lily, I need to tell you something.” Fazire
was going to tell her about Becky’s wish and his
mistake and let her look forward to something, let
her look forward to the incomparable beauty she
was going to be.
Most of all, he had to stop her wish now. He
didn’t want her wasting it on some fool idea. He
wanted it to be special, perfect, to make her world
better like she had made Becky and Will’s and,
indeed, his.
But again she didn’t hear him. Her eyes were
bright and they were steady on his.
“He has to be tall, very tall and dark and
broad-shouldered and narrow-hipped.”
Fazire stared. He didn’t even know what
“narrow-hipped” meant.
“And he has to be handsome, unbelievably
handsome, impossibly handsome with a strong,
square jaw and powerful cheekbones and tanned
skin and beautiful eyes with lush, thick lashes.
He has to be clever and very wealthy but hardworking.
He has to be virile, fierce, ruthless and
rugged.”
Now she was getting over his head. He didn’t
think there was such a thing as impossibly handsome.
How cheekbones could be powerful,
Fazire didn’t know. He was even thinking he
might have to look up “virile” in the dictionary
Sarah had given him.
“And he has to be hard and cold and maybe a
little bit forbidding, a little bit bad with a broken
heart I have to mend or one encased in ice I have
to melt or better yet… both!”
Fazire thought this was getting a bit ridiculous.
It was the most complicated wish he’d ever
heard.
But she wasn’t yet finished.
“We have to go through some trials and tribulations.
Something to test our love, make it strong
and worthy. And… and… he has to be daring and
very masculine. Powerful. People must respect
him, maybe even fear him. Graceful too and lithe,
like a… like a cat! Or a lion. Or something like
that.”
She was losing steam and Fazire had to admit
he was grateful for it.
“And he has to be a good lover.” Lily shocked
Fazire by saying. “The best, so good, he could almost
make love to me just by using his eyes.”
Fazire felt himself blush. Perhaps he should
have a look at these books she was reading and
show them to Becky. Lily was a very sharp girl,
sharp as a tack (another one of Sarah’s sayings,
although Fazire couldn’t imagine a tack ever being
as clever as Lily) but she was too young to
be reading about any man making love to her
with his eyes. Fazire had never made love, never
would, genies just didn’t. But he was pretty certain
fourteen year old girls shouldn’t be thinking
about it.
Though, he was wrong about that, or at least
Becky would tell him that later.
Then Fazire realised she’d stopped talking.
“Is that it?” he asked.
She thought for a bit, clearly not wanting to
leave anything out.
Then she nodded.
”
”
Kristen Ashley (Three Wishes)
“
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
”
”
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
“
And right now, some affiliates of the promiscuous persuasion were beckoning, urging the women to join their huge orgy.
‘Come have a go, ladyships!’ said one of the strumpets. Stella mustered a look so disapproving it made steel feel guilty for being hard. Unabated, the prostitute lit herself a cigarette and winked suggestively.
‘Will make it worth your while and no trouble.’
‘Er.’
The strumpet sucked on her cigarette with gusto and hastily turned to Aurora. Under the heavy theatrical greasepaint, she saw a hint of black stubble.
‘What about you, hon? Ever swallowed a sword with its sheath?’
‘Once,’ said Aurora through a wooden expression. ‘It didn’t end too well for the sword.’
‘Oh leave ‘em be, Kevin,’ another strumpet butted in, as she adjusted the apples in her corset. She had a tall voice, coarse, rugged and edged; the sort of edge you cut protons on. ‘Doncha see they ‘av a lil’un with ‘em?’
‘And I’ve a wife. What’s your point, Steve?’ the drag queen retorted.
‘Yer wife’s a corpse, mate.’
‘Guess that makes me a necromancer.
”
”
Louise Blackwick (5 Stars)
“
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkempt beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
”
”
Malak El Halabi
“
He looked at us understandingly, then took grandmother's hand and bent over it. I noticed how white and well-shaped his own hands were. They looked calm, somehow, and skilled. His eyes were melancholy, and were set back deep under his brow. His face was ruggedly formed, but it looked like ashes—like something from which all the warmth and light had died out.
”
”
Willa Cather (My Antonia)
“
Christmas won’t be Christmas without any presents,' grumbled Jo, lying on the rug. 'It’s so dreadful to be poor!' sighed Meg, looking down at her old dress.
”
”
Louisa May Alcott (Little Women by Louisa May Alcott)
“
He really was handsome. Not in some metrosexual, slick, pampered way that many of her male acquaintances were back home. He looked like . . . a man. Broad, rugged, imperfect.
”
”
Lana DeAngeli (Mr. Big Wrench & the Heiress)
“
Are you a lesbian?” She looked at me with a serious expression. “If you are, it’s okay. I don’t want you to munch my rug or anything, but I’ll love you anyway.
”
”
L.D. Davis (Tethered (Accidentally on Purpose, #4))
“
He was adventurer good-looking - you know, the muscular, rugged, "I get punched in the face a lot" type.
”
”
Caitlen Rubino-Bradway (Ordinary Magic)
“
Of course, there has been a lot of speculation over the last couple of years that our wives must have married us bearded ugly ducklings because of our fame and fortune. The fact is that none of us had much at all when we met our wives, and our long, full beards came after we married them. Our crazy uncle Si likes to joke that our gift of gab--or “hot air,” as he puts it--is what helped woo our wives. Actually, our relationships were built on spiritual principles such as faith, hope, and love. Through our poverty, rugged appearances, and, at times, musty aromas, I learned that true joy doesn’t come from what you have or how you look but from what kind of man you are on the inside. On my second date with Missy, I explained to her my love for hunting and fishing, which often causes me to be gone for several days and sometimes weeks at a time. I figured my admission would rule out a third date, but I was surprised when she replied, “Okay.” I knew right then that Missy was a keeper, and she has become my spiritual soul mate and a wonderful mother to our three beautiful children.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you— well, of course you have an intellectual expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless beautiful creature who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
get the collection of blankets and rugs from the boat. They arranged them in the corners of the little room, and thought that it would be very exciting to spend the night there. ‘The two girls can sleep together on this pile of rugs,’ said Julian. ‘And we two boys will have this pile.’ George looked as if she didn’t want to be put with Anne, and classed as a girl. But Anne didn’t
”
”
Enid Blyton (Five on a Treasure Island (Famous Five, #1))
“
Looking at it from behind, he was shocked to behold a confusing array of threads that led nowhere. Such beauty on one side, total disharmony on the other, but both part of the same plan. It was then that the message became clear to him. In this life we see only the back side of the rug. We don’t know how or why our unspeakable hardships are part of a beautiful design. That is why having faith is so important.
”
”
Mary Higgins Clark (I've Got My Eyes on You)
“
Oh, it's you," Sebastian said in a tone of mild surprise, seeming to ponder how he had ended up kneeling on a bathroom rug with his wife in his arms. "I was prepared to debauch a resisting servant girl, but you're a more difficult case."
"You can debauch me," Evie offered cheerfully.
Her husband smiled, his glowing gaze moving gently over her face. He smoothed back a few escaping curls that had lightened from ruby to soft apricot. "My love, I've tried for thirty years. But despite my dedicated efforts..." A sweetly erotic kiss grazed her lips. "...you still have the innocent eyes of that shy wallflower I eloped with. Can't you try to look at least a little bit jaded? Disillusioned?" He laughed quietly at her efforts and kissed her again, this time with a teasing, sensuous pressure that caused her pulse to quicken.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Contemporary American society is the reverse of traditional Native American culture. Whereas Native communities value the group, the dominant society values the individual. In fact, it considers rugged individualism to be a virtue. It looks up to the “self-made” success story. It honors the person who can acquire more than anyone else. It likes heroes who can go it alone and role models who make their own rules. It disparages collective action as a herd mentality and prefers individuals with the right to do as they choose. For millions of people, individuality has evolved into individualism: a cult of personality in which they are the personality.
”
”
Steven Charleston (We Survived the End of the World: Lessons from Native America on Apocalypse and Hope)
“
I looked at the woman next to Bernard Quest on his left. She was middle-aged, with a scrawny neck and dominating ears, and was unquestionably a rugged individualist, since no lipstick had been allowed anywhere near her.
”
”
Rex Stout (Prisoner's Base (Nero Wolfe, #21))
“
about his origins from the holographic ghost of his own long-dead father. But now I was thinking of a young Jedi-in-training named Luke Skywalker, looking into the mouth of that cave on Dagobah while Master Yoda told him about today’s activity lesson: Strong with the Dark Side of the Force that place is. In you must go, mofo. So in I went. When I unlocked the front door of our house and stepped into the living room, Muffit, our ancient beagle, glanced up at me sleepily from where he was stretched out on the rug. A few years earlier he would have been waiting for me just inside the door, yapping like a madman. But the poor guy had now grown so old and deaf that my arrival barely
”
”
Ernest Cline (Armada)
“
To make a good man, God has to use all of his skill. Some of the goodness of God himself goes into such a man. And when the man is ready to take his place on the earth, God must feel the pride that I feel when I look at the rug I am weaving, at the strands that bind closely together and knot and make a pattern, and at the beauty of the colours. Such a long day's work to make a good man! And yet, one bullet that takes a second to speed through the air and strike a man will kill him in an instant. How can God forgive such a thing? And yet He can, so it is said, for His heart is great and His forgiveness infinite, if the sinner repents. But I am not God and I cannot forgive the man who killed my brother.
”
”
Najaf Mazari (The Rugmaker of Mazar-e-Sharif)
“
These are our promise to you," I told Jesse, "that we'll do our best to get back to you if we can. That we will do our best and expect the same from you."
"That's my Mercy, " Adam said. "Not too good with words until it counts. And then she'll pull the rug right out from under you."
Jesse blinked hard and gave Adam a "help me" look out of her watery eyes.
He grinned at her. "Just remember whose daughter you are," he said. "And whose daughter she is." He tipped his chin at me.
”
”
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
“
When people dream something as a child, it doesn’t always come true. But my childhood dream of what kind of man I would marry and spend the rest of my life with did come true.
I always knew my husband would be tall, dark, and handsome, but he also had to have a rugged look, as if he’d just walked out of the wilderness. He had to love the outdoors and be able to survive there if needed. I also wanted him to be able to take command of any situation when needed.
I wanted him to be a leader but with a sense of humor, too. I wanted him to work and make a living. I wanted him to be a man’s man, but with gentleness and love for me and his children, and be ready to defend us at all times. More than anything else, I wanted to feel loved and protected.
What I didn’t know when I found the man who filled my dreams was that I had found a diamond in the rough. It would take a lifetime to perfect that diamond on the long journey of life.
Phil and I have had many good years, some hard years, a few sad years, and a lot of struggling years to get where we are now. God put us in each other’s paths. It has always been a wonderful ride for me.
I have a husband who is my best buddy and friend, my lover, my Christian brother, my champion, and the person who will always be there through thick and thin.
There is no greater love than your love for God, but right under that is your love for your husband, your partner in life. One of the greatest tragedies I see is people not putting every effort into the foundation of their marriage. My grandmother told me that it’s one man and one woman for life and that your marriage is worth fighting for. We had a few hard and bumpy years, but prayer, patience, and some suffering and hope-plus remembering an old lady’s words-were what got me through the difficult times. We have given it our all for our marriage and family, and my dreams did come true. Phil is and will always be my hero!
”
”
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
“
First, I see her catch the scent. It's a combination of many things; the Christmas tree in the corner; the musty aroma of old house; orange and clove; ground coffee; hot milk; patchouli; cinnamon- and chocolate, of course; intoxicating, rich as Croesus, dark as death.
She looks around, sees wall hangings, pictures, bells, ornaments, a dollhouse in the window, rugs on the floor- all in chrome yellow and fuchsia-pink and scarlet and gold and green and white. It's like an opium den in here, she almost says, then wonders at herself for being so fanciful. In fact she has never seen an opium den- unless it was in the pages of the Arabian Nights- but there's something about the place, she thinks. Something almost- magical.
”
”
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
“
An accordion player posted himself at the curb and played La Paloma. The rug peddlers appeared with silken Keshans over their shoulders. A boy sold pistachios at the tables. It looked as it had always looked—until the newspaper boys came. The papers were almost torn from their hands and a few seconds later the terrace, with all the unfolded papers, appeared as if buried under a swarm of huge, white, bloodless moths sitting on their victims greedily, with noiseless flapping wings.
”
”
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
“
But the black kitten had been finished with earlier in the afternoon, and so, while Alice was sitting curled up in a corner of the great arm-chair, half talking to herself and half asleep, the kitten had been having a grand game of romps with the ball of worsted Alice had been trying to wind up, and had been rolling it up and down till it had all come undone again; and there it was, spread over the hearth-rug, all knots and tangles, with the kitten running after its own tail in the middle.
”
”
Lewis Carroll (Through the Looking-Glass)
“
Don’t know if I should be pleased or worried,” Alis said the next night as she slid the golden underdress over my upraised arms, then tugged it down.
I smiled a bit, marveling at the intricate metallic lace that clung to my arms and torso like a second skin before falling loosely to the rug. “It’s just a dress,” I said, lifting my arms again as she brought over the gossamer turquoise overgown. It was sheer enough to see the gleaming gold mesh beneath, and light and airy and full of movement, as if it flowed on an invisible current.
Alis just chuckled to herself and guided me over to the vanity to work on my hair. I didn’t have the courage to look at the mirror as she fussed over me.
“Does this mean you’ll be wearing gowns from now on?” she asked, separating sections of my hair for whatever wonders she was doing to it.
“No,” I said quickly. “I mean—I’ll be wearing my usual clothes during the day, but I thought it might be nice to … try it out, at least for tonight.”
“I see. Good that you aren’t losing your common sense entirely, then.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
And it wasn't just their physical prowess. He liked the character of these particular freshmen. The boys who had made it this far were rugged and optimistic in a way that seemed emblematic of their western roots. They were the genuine article, mostly the products of lumber towns, dairy farms, mining camps, fishing boats, and shipyards. They looked, they walked, and they talked as if they had spent most of their lives out of doors. Despite the hard times and their pinched circumstances, they smiled easily and openly. They extended calloused hands eagerly to strangers. They looked you in the eye, not as a challenge, but as an invitation. They joshed you at the drop of a hat. They looked at impediments and saw opportunities. All that, Bolles knew, added up to a lot of potential...
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
As the prospect gradually revealed itself and disclosed the scene over which the wind had wandered in the dark, like my memory over my life, I had a pleasure in discovering the unknown objects that had been around me in my sleep. At first they were faintly discernible in the mist, and above them the later stars still glimmered. That pale interval over, the picture began to enlarge and fill up so fast that at every new peep I could have found enough to look at for an hour. Imperceptibly my candles became the only incongruous part of the morning, the dark places in my room all melted away, and the day shone bright upon a cheerful landscape, prominent in which the old Abbey Church, with its massive tower, threw a softer train of shadow on the view than seemed compatible with its rugged character.
”
”
Charles Dickens (Bleak House)
“
I climb onto his body, leaning down to tongue his nipple, and he moans. “What kind of situation?” I ask between licks. He lets out a shaky breath. “I thought it would be fun to wear a plug out to breakfast today. That way you could fuck me when we got home…” My eyes snap up to his. “Seriously?” He nods, his expression miserable. “But then you said, ‘Let’s just look at a couple of rugs.’ And that was, like, hours ago. Every time I walk across another store, this thing massages my prostate. If you don’t fuck me in the next five minutes I’m going to explode.
”
”
Sarina Bowen (Him (Him, #1))
“
She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.’
('Left from Dhakeshwari')
”
”
Kunal Sen
“
Buddy had taken to Gillian in a major way. He thumped his leg, the way rabbits in love always do. He paid no attention to her frown, or the fact that she waved her hands at him, as if he were a cat to be shooed away. He trailed behind her into the living room. When Gillian stopped, Buddy sat down on the rug and looked up at her.
"You quit this right now," Gillian said.
She wagged her finger and glared at him, but Buddy stayed where he was. He had big brown eyes that were rimmed with pink. He looked serious and dignified, even when he washed his paws with his tongue.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Somehow, all the talk about tenure and anthropology had given her visions of a thick-walled, libraried adobe, the kind of place that was covered with kilim rugs and fertility sculptures. The white stucco in front of her looked only slightly more substantial than a roadside weigh station.
”
”
Mira Jacob (The Sleepwalker's Guide to Dancing)
“
For the same uprush of fancy which had shown him with all the force of mathematical demonstration that life had no meaning, brought with it another idea; and that was why Cronshaw, he imagined, had given him the Persian rug. As the weaver elaborated his pattern for no end but the pleasure of his aesthetic sense, so might a man live his life, or if one was forced to believe that his actions were outside his choosing, so might a man look at his life, that it made a pattern. There was as little need to do this as there was use. It was merely something he did for his own pleasure.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Bagpipe Music'
It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crêpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.
John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.
It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.
Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.
The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.
It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.
It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.
It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.
It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.
”
”
Louis MacNeice
“
Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak . . . weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things—how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them. Lions may not think, at least not the way people think . . . but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower . . . or maybe because its sense of danger is less developed. And it might even be possible that
”
”
Stephen King (It)
“
You said, the other day, you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money.’
‘So I did, Beth. Well, I think we are ; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say.’
‘Jo does use such slang words!’ observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle.
‘Don’t, Jo ; it’s so boyish!’
‘That’s why I do it.’
‘I detest rude, unladylike girls!’
‘I hate affected, niminy-piminy chits!
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
The Rubber Soul woman stays up late drinking wine on her rug after midnight, until it’s time for bed. She speaks languages he can’t translate. She’s not impressed by the Beatle charm—when you say she’s looking good, she acts as if it’s understood. She’s cool. She makes the Rubber Soul man feel like a real nowhere boy.
”
”
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
“
A comfortable silence fell over us while we watched the TV, when a foul stench assaulted my nose. I almost gagged. “Jesus. Was that you?” Kira sat up, pushing me off him. “It was you! Fucking hell, Matt. What did you eat today?” Then Oscar yawned and stretched out on the rug on the floor, looking rather pleased with himself.
”
”
N.R. Walker (Starting Point (Turning Point, #3))
“
Christmas won’t be Christmas without any presents,” grumbled Jo, lying on the rug. “It’s so dreadful to be poor!” sighed Meg, looking down at her old dress. “I don’t think it’s fair for some girls to have plenty of pretty things, and other girls nothing at all,” added little Amy, with an injured sniff. “We’ve got Father and Mother, and each other,” said Beth contentedly from her corner. The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, “We haven’t got Father, and shall not have him for a long time.” She didn’t say “perhaps never,” but each silently added it, thinking of Father far away, where the fighting was.
”
”
Louisa May Alcott (Little Women: The Original Classic Novel Featuring Photos from the Film!)
“
Ryker, you ride with Orlando,” Ryker mocked in a snarky voice as he turned to the other man. He gestured toward the Pinto with a look of revulsion on his rugged face. “How the hell does he expect both of us to fit into that tiny metal trap? Even if we could squeeze in, the tires will probably pop. In fact, let's just carry it over. It'll be faster that way.
”
”
Rose Wynters (My Wolf Cowboy (Wolf Town Guardians, #3))
“
Blanchette stared toward the room in which Rankin’s future had been diverted. Yes, he could’ve made it, all right, Blanchette thought. Not with his next breath or two, but by the time he was fifty, fifty-five. It was up to someone else now. The end of his cigar had a thumb of ash on it, so Blanchette flicked it on the rug, then rubbed it in with his foot. He looked
”
”
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
“
All elves were jaw-droppingly gorgeous, but there was something particularly handsome about Keefe Sencen—and the boy was well aware of it. Though he seemed a little off his game at the moment. His smug smirk was noticeably absent as he scrounged around his blankets, searching for something. “Here,” Ro said, tossing Keefe a wrinkled black tunic from the floor. “Bet you’re wishing it didn’t smell so much like sweaty boy in here, huh?” “It’s fine,” Sophie promised, even if the room could definitely use some airing out. A good cleaning would work wonders too. Everywhere she looked were piles of crumpled clothes and scattered shoes and stacks of papers and plates of half-eaten food. And all the thick curtains were drawn tight, leaving the space dim and stuffy. The room was clearly designed to be beautiful, with marble floors broken up by rugs woven to look like pristine sand, and seafoam walls inlaid with starfish and anemone shells. But under Keefe’s care, it was a disaster zone. Even the furniture had a strange randomness to the arrangement that made Sophie wonder if he’d moved it all just to bug his dad.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
I stopped by the super for the new key, climbed to my apartment, and studied my new lock. Big, metal, and shiny. Not a scratch on it. Even the key itself had a bizarre groove carved into it, which made the whole setup supposedly completely burglar proof. Pick that, Your Majesty.
I unlocked the door, stepped inside, and shut it behind me. I kicked my shoes off, wincing at the hint of ache in my stomach. It would take a long time before it healed completely. At least I no longer bled.
Tension fled from me. Tomorrow I would worry about Hugh d’Ambray and Andrea and Roland, but now I was simply happy. Aaahh. Home. My place, my smells, my familiar rug under my feet, my kitchen, my Curran in the kitchen chair . . . Wait a damn minute.
“You!” I looked at the lock; I looked at him. So much for the burglar-proof door.
He calmly finished writing something on a piece of paper, got up, and came toward me. My heart shot into overdrive. Little golden sparks laughed in his gray eyes. He handed me the piece of paper and smiled. “Can’t wait.”
I just stared like an idiot.
He inhaled my scent, opened the door, and left. I looked at the paper.
I’ll be busy for the next eight weeks, so let’s set this for November 15th.
Menu.
I want lamb or venison steak. Baked potatoes with honey butter. Corn on the cob. Rolls. And apple pie, like the one you made before. I really liked it. I want it with ice cream.
You owe me one naked dinner, but I’m not a complete beast, so you can wear a bra and panties if you so wish. The blue ones with the bow will do.
Curran.
Beast Lord of Atlanta.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Harrison is wearing a fitted black T-shirt that shows off the tattoos on his arms and charcoal-gray jeans and dark work boots. He's so ruggedly dressed down that I hardly recognize him, though of course he's wearing his aviators. He wouldn't be Harrison without them.
To say he looks hot is an understatement. He looks ridiculously hot. Like, a whole other level of handsome, a whole other league of gorgeousness. For once I'm looking at him not as a bodyguard extraordinaire to the royals but as a man who has turned my ovaries into a ticking time bomb, a man who makes me want to climb him like a jungle gym, turn him into a ride I never want to get off.
Except that I do want to get off.
"Hi," I say brightly. Too brightly. It's like he's hypnotized me with his sex appeal. Sexnotized me.
”
”
Karina Halle (The Royals Next Door)
“
Most of what we got was crockery: from exotic crystal bowls to ceramic anomalies. Then, a cross-section of rugs- from a beautiful Kashmiri original to a memorable one with printed dragons and utterly incomprehensible hieroglyphics. Dibyendu (typically) gave us a scrabble set and Runai Maashi: that rocking chair. Yuppie work friends, trying to be unique and aesthetically offbeat, went for wind-chimes but there were really far too many of them by the end. We also got a fantastic number of white and off-white kurtas, jamdani sarees with complementary blouses, no less than nine suitcases, suit pieces, imported condoms, bed-sheets, bed-covers, coffee makers, coffee tables, coffee-table books, poetry books, used gifts (paintings of sunsets and other disasters), three nights and four days in Darjeeling, along with several variations of Durga, Ganesh and all the usual suspects in ivory, china, terracotta, papier-mâché, and what have you. Someone gave us a calendar that looking back, I think, was laudably sardonic. Others gave us money, in various denominations: from eleven to five hundred and one. And in one envelope, came a letter for her that she read in tears in the bathroom.’
('Left from Dhakeshwari')
”
”
Kunal Sen
“
The villager led me to an open area with a big table and chair. Underneath the table and chair was a cool looking circular rug. It had a red and white pattern of circles within circles. “What a beautiful rug!” I exclaimed. “Errr…yes…very beautiful. We worked very hard on it just for you,” a villager chimed in. The villagers brought over a bunch of food to my table. “Please enjoy yourself, o’ mighty warrior.
”
”
Steve the Noob (Diary of Herobrine the Anti-Hero (Unofficial Minecraft Book))
“
It was deeply humiliating. And there was nothing I was less excited for than to stand up and confess that my bad decisions had gotten us this savage review. In moments like this, in an effort to not look bad in front of their team, leaders tend to brush mistakes under the rug, foolishly hoping that everyone will forget they’ve happened. Instead, I once again stood up in pre-meal to take responsibility and apologize.
”
”
Will Guidara (Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect (The Unreasonable Hospitality Collection))
“
Do you really think my feet smell?”
I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice.
“Take it upstairs,” she says, sitting down on the floor. “This is a public area.”
Disentangling myself, I give her a glare. “We aren’t doing anything private, Katherine.”
“Your sister says my feet stink,” Peter says, pointing his foot in her direction. “She’s lying, isn’t she?”
She deflects it with a pop of her elbow. “I’m not smelling your foot.” She shudders. “You guys are kinky.”
I yelp and throw a pillow at her.
She gasps. “You’re lucky you didn’t knock over my juice! Daddy will kill you if you mess up the rug again.” Pointedly she says, “Remember the nail-polish-remover incident?”
Peter ruffles my hair. “Clumsy Lara Jean.”
I shove him away from me. “I’m not clumsy. You’re the one who tripped over his own feet trying to get to the pizza the other night at Gabe’s.”
Kitty bursts into giggles and Peter throws a pillow at her. “You guys need to stop ganging up on me!” he yells.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
The door opened and Muriel came into the room. She looked round her a moment, smiling; and, instead of the powdered little actress she had expected, Mummie saw a tall slim girl, with light brown hair and no paint on her face, dressed simply in good clothes, a girl with wide-apart eyes who looked right amongst the furniture from New Grove House and Kicky’s drawings on the wall, and the books and the rugs. As Mummie went to greet her, Muriel ran forward and took her hands and kissed her, and said, ‘I am so glad to be here with you all’; then looked a little troubled, and lowered her voice, glancing towards the door, and said, ‘I’m in such a way about Gerald, he is starting one of his horrid colds.’ Mummie looked at the girls and smiled, Trixie nodded her head, and Sylvia and May leant back with a sigh of relief. The ewee lamb was safe in the fold at last.
”
”
Daphne du Maurier (Gerald: A Portrait)
“
knees and your shirt caught in your zipper.” “I don’t remember that part,” Dickie said. “Did I used to do that?” “Yes.” Dickie started laughing. “I wasn’t making a lot of money back then. I couldn’t afford a hotel room.” “It’s not funny!” I said. “Sure it is. Grass stains and rug burns are always funny.” He looked over at Morelli. “She didn’t like to do doggy.” Morelli slid a look at me and smiled. There wasn’t much I didn’t like
”
”
Janet Evanovich (Lean Mean Thirteen (Stephanie Plum, #13))
“
But it is already light. How long has it been light? All this while, light has come percolating in, along with the cold morning air flowing now across his nipples: it has begun to reveal an assortment of drunken wastrels, some in uniform and some not, clutching empty or near-empty bottles, here draped over a chair, there huddled into a cold fireplace, or sprawled on various divans, un-Hoovered rugs and chaise longues down the different levels of the enormous room, snoring and wheezing at many rhythms, in self-renewing chorus, as London light, winter and elastic light, grows between the faces of the mullioned windows, grows among the strata of last night’s smoke still hung, fading, from the waxed beams of the ceiling. All these horizontal here, these comrades in arms, look just as rosy as a bunch of Dutch peasants dreaming of their certain resurrection in the next few minutes.
”
”
Thomas Pynchon (Gravity's Rainbow)
“
The country is proud of its dead poets. It takes terrific satisfaction in the poets’ testimony that the USA is too tough, too big, too much, too rugged, that American reality is overpowering. And to be a poet is a school thing, a skirt thing, a church thing. The weakness of the spiritual powers is proved in the childishness, madness, drunkenness, and despair of these martyrs. Orpheus moved stones and trees. But a poet can’t perform a hysterectomy or send a vehicle out of the solar system. Miracle and power no longer belong to him. So poets are loved, but loved because they just can’t make it here. They exist to light up the enormity of the awful tangle and justify the cynicism of those who say, ‘If I were not such a corrupt, unfeeling bastard, creep, thief, and vulture, I couldn’t get through this either. Look at these good and tender and soft men, the best of us. They succumbed, poor loonies.
”
”
Saul Bellow (Humboldt's Gift)
“
This had been a very productive morning, he thought. He had not accomplished so much in weeks. Looking at the Big Chief tablets that made a rug of Indian headdresses around the bed, Ignatius thought smugly that on their yellowed pages and wide-ruled lines were the seeds of a magnificent study in comparative history. Very disordered, of course. But one day he would assume the task of editing these fragments of his mentality into a jigsaw puzzle of a very grand design; the completed puzzle would show to literate men the disaster course that history had been taking for the past four centuries. In the five years that he had dedicated to this work, he had produced an average of only six paragraphs monthly. He could not even remember what he had written in some of the tablets, and he realized that several were filled principally with doodling. However, Ignatius thought calmly, Rome was not built in a day.
”
”
John Kennedy Toole (A Confederacy of Dunces)
“
If I lived in a big house and had rooms full of different things, if I had big cars and a library full of books, if I had pulled out all the flowers and medicine plants and made a lawn that looked like a rug, people would come to me and ask me about everything because they would say I am a ‘good’ Indian. All it would mean is that I am an Indian with lots of possessions, just like a white man. That would make me good and important in your eyes. Admit it.
”
”
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
“
Ryker grunted, rolling his shoulders with a creaking sound just as the wings came back out. His silver eyes shone brighter than before, and the clawed fingertips I saw on my first day here emerged. He was gorgeous, brutal, otherworldly. Scars and all, he could be the subject of a sculpture in any museum and captivate the observer. What had I been bantering with all this time? Sharing meals, sharing the loft. Shit.
"Hello, Danica. You're looking at a dragon.
”
”
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
“
But the great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free. it was the first thing one saw in the morning, across the rugged cow pasture studded with shaggy pines, and it ran through the days like the weather, not a thing thought about, but a part of consciousness itself. When the ice chunks came in of a winter morning, crumbly and white, throwing off gold and rose-coloured reflections from a copper-coloured sun behind grey clouds, he didn't observe the detail or know what is was that made him happy; but now, forty years later, he could recall all its aspects perfectly. They had made pictures in him when he was un-willing and unconscious, when his eyes were merely wide open.
”
”
Willa Cather (The Professor's House)
“
But these were essentially the accoutrements that appeal to all people who are not actually rich but who want to look rich, though all they manage to do is look like each other: damasks, ebony, plants, rugs and bronzes, anything dark and gleaming-everything that all people of a certain class affect so as to be like all other people of a certain class. And his arrangements looked so much like everyone else's that they were unremarkable, though he saw them as something truly distinctive.
”
”
Leo Tolstoy (The Death of Ivan Ilych)
“
The only piece I liked in the show was by Aiyla Marwazi, a nineteen-year-old who went to Pratt. It was a huge white carpet from Crate & Barrel stained with bloody footprints and a wide bloody streak. It was supposed to look as though a bleeding body had been dragged across it. Natasha told me that the blood on the carpet was human, but she didn’t put that in the press release. “You can order anything online from China, apparently. Teeth. Bones. Body parts.” The bloody rug was priced at $75,000.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being
extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father.
Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold.
Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely
yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.
”
”
Iris Murdoch (The Sea, the Sea)
“
Like most people, when I look back, the family house is held in time, or rather it is now outside of time, because it exists so clearly and it does not change, and it can only be entered through a door in the mind.
I like it that pre-industrial societies, and religious cultures still, now, distinguish between two kinds of time – linear time, that is also cyclical because history repeats itself, even as it seems to progress, and real time, which is not subject to the clock or the calendar, and is where the soul used to live. This real time is reversible and redeemable. It is why, in religious rites of all kinds, something that happened once is re-enacted – Passover, Christmas, Easter, or, in the pagan record, Midsummer and the dying of the god. As we participate in the ritual, we step outside of linear time and enter real time.
Time is only truly locked when we live in a mechanised world. Then we turn into clock-watchers and time-servers. Like the rest of life, time becomes uniform and standardised.
When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed – for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little.
Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you.
Why did I leave home when I was sixteen? It was one of those important choices that will change the rest of your life. When I look back it feels like I was at the borders of common sense, and the sensible thing to do would have been to keep quiet, keep going, learn to lie better and leave later.
I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it.
And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy.
You are unhappy. Things get worse.
It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded.
And then all the cowards come out and say, ‘See, I told you so.’
In fact, they told you nothing.
”
”
Jeanette Winterson
“
For all of you out there, visible & invisible. Closeted or out & proud. Femme & Masc & every glorious stripe on the rainbow in between.
You incandescent queens, deliciously undefinable androgynous souls, chivalrous butches, tomboy dykes, drop-dead yet still invisible femmes. You with your flare, your flamboyance, your rugged individuality, your glorious diversity, your insistence on being seen, your quiet but steady presence in the places that matter. You, the cliche and every unexpected exception. The world’s stereotypes brought to blazing life & you who smashes the boxes & changes the paradigms & refuses to be painted into place. You, who knows that queer looks, speaks, sounds & moves through this world in a million different ways. You, the grieving. You the dancing. You, the proud & the humble & the defiant & the free.
Whatever label you choose & define for yourself.
Whatever identity feels like home to you.
However you have come to know & name yourself & your good, good, love.
You are my family.
I see you.
”
”
Jeanette LeBlanc
“
I know you will laugh at me," he replied, "but I really can't exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you--well, of course you have an intellectual expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless beautiful creature who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Yes, we are raw. Yes, we are in the dark belly of a whale. Yes, we ache. Who can be Jesus' "little sunbeam" at such a time? Would Jesus even want such a thing? He is after much more than happiness in our lives. He is after a sustaining joy and he will give us that joy by giving us himself, whether through the small gifts of life that bring us gladness or through the dark night of suffering. Sweeping affliction under the rug of our heart, therefore, is simple denial, an act of cowardice, and act of ungratefulness. We must dare to look it square in the eyes.
”
”
Ben Palpant (A Small Cup of Light: A Drink in the Desert)
“
He sat down among the evidence at a barren communal desk in the basement of the station. He looked through the stack of extra fliers that my father had made up. He had memorized my face, but still he looked at them. He had come to believe that the best hope in my case might be the recent rise in development in the area. With all the land churning and changing, perhaps other clues whould be found that would provide the answer he needed.
In the bottom of the box was the bag with my jingle-bell hat. When he'd handled it to my mother, she had collasped on the rug. He still couldn't pinpoint the moment he'd fallen in love with her. I knew it was the day he'd sat in our family room while my mother drew stick figures on butcher paper and Buckley and Nate slept toe to toe on the couch. I felt sorry for him. He had tried to solve my murder and he failed. He had tried to love my mother and he had failed.
Len looked at the drawing of the cornfield that Lindsey had stolen and forced himself to acknowledge this: in his cautiousness, he had allowed a murderer to get away. He could not shake his guilt. He knew, if no one else did, that by being with my mother in the mall that day he was the one to blame for George Harvey's freedom.
He took his wallet out of his back pocket and laid down the photos of all the unsolved cases he had ever worked on. Among them were his wife's. He turned them all face-down. 'Gone,' he wrote on each one of them. He would no longer wait for a date to mark an understanding of who or why or how. He would never understand all the reasons why his wife had killed herself. He would never understand how so many children went missing. He placed these photos in the box with my evidence and turned the lights off in the cold room.
”
”
Alice Sebold
“
Aunt Dove stepped behind her and looked at her reflection in the cheval glass. “You haven’t been to India, pet, but in the Nilgiri Hills, there’s a flower called a kurinji flower. It doesn’t bloom often. In fact, you can go a dozen years or more without seeing a single blossom. But then, just when you’ve given up hope of ever seeing one, they burst into flower, whole mountainsides at the same time, carpeted in the most astonishing shades of purple. It’s as if God himself shook out a rug of petals and spread it at your feet. It’s unexpected and magnificent, and very much worth the wait.
”
”
Deanna Raybourn (Whisper of Jasmine (City of Jasmine, #0.5))
“
She started shaping the face, using a wire loop to gently carve the slope of the strong forehead and brow, then the nose and the lean angle of the cheekbones. In little time, her fingers were moving on automatic pilot, her mind disengaged and gone into its own flow, her subconscious directly commanding her hands into action.
She didn’t know how long she’d been working, but when the hard rap sounded on her apartment door some time later, Tess nearly jumped out of her skin. Sleeping next to her feet on the rug, Harvard woke up with a grunt.
“You expecting someone?” she asked quietly as she got up from her stool.
God, she must have been really zoned out while she was sculpting, because she’d seriously messed up around the mouth area of the piece. The lips were curled back in some kind of snarl, and the teeth . . .
The knock sounded again, followed by a deep voice that went through her like a bolt of electricity.
“Tess? Are you there?”
Dante.
Tess’s eyes flew wide, then squeezed into a wince as she did a quick mental inventory of her appearance. Hair flung up into a careless knot on top of her head, braless in her white thermal Henley and faded red sweats that had more than one dried clay smudge on them. Not exactly fit for company.
“Dante?” she asked, stalling for time and just wanting to be sure her ears weren’t playing tricks on her. “Is that you?”
“Yeah. Can I come in?”
“Um, sure. Just a sec,” she called out, trying to sound casual as she threw a dry work cloth over her sculpture and quickly checked her face in the reflection off one of her putty spatulas.
Oh, lovely. She had a slightly crazed, starving-artist look going on. Very glamorous. That’ll teach him to do the pop-in visit, she thought, as she padded over to the door and twisted the dead bolt.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
I was eager to try these delicacies, and was thrilled when Bugnard instructed me on where to buy a proper haunch of venison and how to prepare it. I picked a good-looking piece, then marinated it in red wine, aromatic vegetables, and herbs, and hung the lot for several days in a big bag out the kitchen window. When I judged it ready, by smell, I roasted it for a good long while. The venison made a splendid dinner, with a rich, deep, gamy-tasting sauce, and for days afterward Paul and I feasted on its very special cold meat. When the deer had given us its all, I offered the big leg-bone structure to Minette. “Would you like to try this, poussiequette?” I asked her, laying the platter on the floor. She approached tentatively and sniffed. Then the wild-game signals must have hit her central nervous system, for she suddenly arched her back and, with hair standing on end, let out a snarling groowwwwllll! She lunged at the bone and, grabbing it with her sharp teeth, dragged it out onto the living-room rug—luckily a well-worn Oriental—where she chewed at it for a good hour before stalking off. (Even in such intense circumstances, she rarely laid paw on bone, preferring to use her teeth.)
”
”
Julia Child (My Life in France)
“
There’s a large living area that opens into the kitchen at the far end, with tall windows that look over the wide expanse of sky and sea. The white linen couch and armchairs are rumpled and so soft, they threaten to swallow you when you drop into them. Braided rugs lie higgledy-piggledy, a patchwork of color over wide knotted floorboards. A fireplace is set into a brick wall, painted white and stained with smoke from years of use. There’s a stack of logs on one side and a vintage steamer trunk that’s full of blankets on the other. An upright piano stands under the staircase that leads to the second floor.
”
”
Carley Fortune (This Summer Will Be Different)
“
At the crest of the hill outside Agor, Henry pulled the car to the side of the road and we got out to take in the view. In the falling shadows, the little Arab village at the foot of the Jewish settlement looked nothing like so grim and barren as it had a few minutes before when we’d driven down its deserted main street. A desert sunset lent a little picturesqueness even to that cluster of faceless hovels. As for the larger landscape, you could see, particularly in this light, how someone might get the impression that it had been created in only seven days, unlike England, say, whose countryside appeared to be the creation of a God who’d had four or five chances to come back to perfect it and smooth it out, to tame and retame it until it was utterly habitable by every last man and beast. Judea was something that had been left just as it had been made; this could have passed for a piece of the moon to which the Jews had been sadistically exiled by their worst enemies rather than the place they passionately maintained was theirs and no one else’s from time immemorial. What he finds in this landscape, I thought, is a correlative for the sense of himself he would now prefer to effect, the harsh and rugged pioneer with that pistol in his pocket.
”
”
Philip Roth (The Counterlife)
“
It would take me all night to tell about Old Bull Lee; let's just say now, he was a teacher, and it may be said that he had every right to teach because he spent all his time learning; and the things he learned were what he considered to be and called "the facts of life," which he learned, not only out of necessity but because he wanted to. He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on.... there are pictures of him with the international cocaine set of the thirties — gangs with wild hair, leaning on one another, there are other pictures of him in a Panama hat, surveying the streets of Algiers.... He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at cafe tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and, wound up with two dollars and had to make a run for it. He did all these things merely for the experience....
”
”
Jack Kerouac
“
Every night, millions of Americans spend their free hours watching television rather than engaging in any form of social interaction. What are they watching? In recent years we have seen reality television become the most popular form of television programming. To discover the nature of our current “reality,” we might consider examples such as Survivor, the series that helped spawn the reality TV revolution. Every week tens of millions of viewers watched as a group of ordinary people stranded in some isolated place struggled to meet various challenges and endure harsh conditions. Ah, one might think, here we will see people working cooperatively, like our ancient ancestors, working cooperatively in order to “win”! But the “reality” was very different. The conditions of the game were arranged so that, yes, they had to work cooperatively, but the alliances by nature were only temporary and conditional, as the contestants plotted and schemed against one another to win the game and walk off with the Grand Prize: a million dollars! The objective was to banish contestants one by one from the deserted island through a group vote, eliminating every other contestant until only a lone individual remained—the “sole survivor.” The end game was the ultimate American fantasy in our Age of Individualism: to be left completely alone, sitting on a mountain of cash!
While Survivor was an overt example of our individualistic orientation, it certainly was not unique in its glorification of rugged individualists on American television. Even commercial breaks provide equally compelling examples, with advertisers such as Burger King, proclaiming, HAVE IT YOUR WAY! The message? America, the land where not only every man and every woman is an individual but also where every hamburger is an individual!
Human beings do not live in a vacuum; we live in a society. Thus it is important to look at the values promoted and celebrated in a given society and measure what effect this conditioning has on our sense of independence or of interdependence
”
”
Dalai Lama XIV (The Art of Happiness in a Troubled World)
“
Her younger brother was a rare sort of handsome. His wasn't the usual blunt or rugged masculinity, and it wasn't the over-preened, over-musked, amateur-footballer-style that the boys in her year aspired to. Mungo had high cheekbones and a refined brow that Jodie with her plump cheeks and stub nose, would have killed for. There was a timidness to his gaze. His hazel eyes could bathe you in their glorious warmth, or he could dip them away from you and make you with he would look at you again. If you could coax it from him, then there was real reward in his cautious smile; to earn it made others feel instantly endeared towards him. His unruly mop of hair made women want to mother him.
”
”
Douglas Stuart (Young Mungo)
“
In mid-morning, Qwilleran set out from the barn carrying a baker’s box tied with red plaid ribbon. He said goodbye to the cats, told them where he was going, and estimated when he would return. The more you talk to cats, he believed, the smarter they become. Koko was disturbingly smart. Qwilleran called him a fine fellow and had a great deal of respect for him. Yum Yum was a dainty little female with winning ways and a fondness for laps, the contents of wastebaskets, and small shiny objects she could hide under the rug. He gave them some parting instructions. “Don’t answer the phone. Don’t pull the plug on the refrigerator. Don’t open the door to poll-takers.” They looked at him blankly.
”
”
Lilian Jackson Braun (The Cat Who Sang for the Birds (Cat Who... #20))
“
Herzog nodded. Once more he was being lectured. And he didn’t really mind it. That he needed straightening out was only too obvious. And who had more right than a woman who gave him asylum, shrimp, wine, music, flowers, sympathy, gave him room, so to speak, in her soul, and finally the embrace of her body? We must help one another. In this irrational world, where mercy, compassion, heart (even if a little fringed with self-interest), all rare things—hard-won in many human battles fought by rare minorities, victories whose results should never be taken for granted, for they were seldom reliable in anyone—rare things, were often debunked, renounced, repudiated by every generation of skeptics. Reason itself, logic, urged you to kneel and give thanks for every small sign of true kindness. The music played. Surrounded by summer flowers and articles of beauty, even luxury, under the soft green lamp, Ramona spoke to him earnestly—he looked affectionately at her warm face, its ripe color. Beyond, hot New York; an illuminated night which did not need the power of the moon. The Oriental rug and its flowing designs held out the hope that great perplexities might be resolved. He held Ramona’s soft cool arm in his fingers. His shirt was open on his chest. He was smiling, nodding a little as he listened to her. Much of what she said was perfectly right. She was a clever woman and, even better, a dear woman. She had a good heart. And she had on black lace underpants. He knew she did.
”
”
Saul Bellow (Herzog)
“
Tell me something else instead. Tell me what you’re looking forward to most about going to school here.”
“You go first. What are you most excited about?”
Right away, Peter says, “That’s easy. Streaking the lawn with you.”
“That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.”
He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.”
“Peter!”
“I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do. “Your turn.”
I let myself dream about it for a minute. If I get in, what am I most looking forward to? There are so many things, I can hardly name them all. I’m looking forward to eating waffles every day with Peter in the dining hall. To us sledding down O-Hill when it snows. To picnics when it’s warm. To staying up all night talking and then waking up and talking some more. To late-night laundry and last-minute road trips. To…everything. Finally I say, “I don’t want to jinx it.”
“Come on!”
“Okay, okay…I guess I’m most looking forward to…to going to the McGregor Room whenever I want.” People call it the Harry Potter room, because of the rugs and chandeliers and leather chairs and the portraits on the wall. The bookshelves go from the floor to the ceiling, and all of the books are behind metal grates, protected like the precious objects they are. It’s a room from a different time. It’s very hushed--reverential, even. There was this one summer--I must have been five or six, because it was before Kitty was born--my mom took a class at UVA, and she used to study in the McGregor Room. Margot and I would color, or read. My mom called it the magic library, because Margot and I never fought inside of it. We were both quiet as church mice; we were so in awe of all the books, and of the older kids studying.
Peter looks disappointed. I’m sure it’s because he thought I would name something having to do with him. With us. But for some reason, I want to keep those hopes just for me for now.
“You can come with me to the McGregor Room,” I say. “But you have to promise to be quiet.”
Affectionately Peter says, “Lara Jean, only you would look forward to hanging out in a library.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Anything . . . supernatural?” I asked.
“No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .”
“What?” I said.
“Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.”
I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said.
“Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.”
“Couldn’t that just mean that this place doesn’t have any?”
“Hardly. When you were young, did you ever spill red wine on your parents’ carpet?”
I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.”
“And what did your mother do to clean it up?”
“Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.”
“Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.”
“You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.”
“I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook.
”
”
William Ritter (Ghostly Echoes (Jackaby, #3))
“
On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.
”
”
J.B. West (Upstairs at the White House: My Life with the First Ladies)
“
Anyone looking back at the log later, trying to piece together a mystery, would find nothing but times and dry entries. It was a lazy Sunday. What made it meaningful were not the facts or details, but the imperceptibles. Inner life. The smell of the beach grass and the feel of sand on a bathroom floor when changing out of a swimsuit. The heat of American summer. Line ten of the log read simply: 10:22 Condor ate second breakfast. It couldn’t capture the perfect toasting of the onion bagel or the saltiness of the fish in contrast with the thickness of cream cheese. It was time lost in a book—a journey of imagination, transportation—which to others simply looks like sitting or lying stomach-down on the rug in front of a summertime fire, legs bent at the knees, up ninety degrees, kicking absently, feet languid in the air.
”
”
Noah Hawley (Before the Fall)
“
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.”
“Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.”
“It’s French,” retorted Runny-Nose, before Chloe could speak.
“Then she smells like a French whore.”
“Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.”
“I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.”
I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.”
“How dare you threaten me, you little tart!”
“I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.”
Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“
“I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.”
“What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?”
Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed.
“You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.”
“I’m the one he wants,” I said evenly. “No one’s pretending that.”
I didn’t have to say who.
She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes.
“That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.”
“As if you could,” she scoffed, but there was apprehension behind those tears.
“Try me.”
I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug.
“Cheerio,” I said to them all, and turned around and left.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Don't you think Rycca would like to hear about Hadding, the warrior Odin rescued from his enemies? Indeed, so would I for as I recall, the last time I asked about him, you told the story in great haste without the scantiest details." There was a gleam in her eyes that Rycca had come to understand meant she was up to something, but she had no idea what might lurk behind so seemingly innocent a suggestion.
Dragon grinned and looked at his brother, who leaned back in his chair and laughed. When Rycca appeared puzzled, Cymbra said, "I confess, when I noticed how attentive you are to Dragon's stories I was reminded of myself. At Wolf's and my wedding feast, I persuaded Dragon to tell a great many tales. He was the soul of patience."
"He was?" Wolf interjected. "I was the one with the patience. My dear brother knew perfectly well I was sitting there contemplating various possibilities for doing away with him and he enjoyed every moment of it."
"Now how could I have known that, brother?" Dragon challenged. "Just because the wine goblet you were holding was twisted into a very odd shape?"
"It was that or your neck, brother," Wolf replied pleasantly. He looked at Rycca reassuringly. "Don't worry, if I hadn't already forgiven him, that sword he gave me would force me to."
"It is a magnificent blade," Dragon agreed. "They both are. Every smithy in Christendom is trying to work out what the Moors are doing but..."
"It's got something to do with the temperature of the steel," Wolf said.
"And with the folding. They fold more than we do, possibly hundreds of times."
"Hundreds,really? Then the temperature has to be very high or they couldn't pound that thin. I wonder how much carbon they're adding-"
Cymbra sighed. To Rycca, she said, "We might as well retire.They can talk about this for hours."
Wolf heard her and laughed. He draped an arm over her chair, pulling her closer. Into her ear, he said something that made the redoubtable Cymbra blush.
She cleared her throat. "Oh, well, in that case, you might as well retire, too." Standing up quickly, she took her husband's rugged hand in her much smaller and fairer one. "Good night, Rycca, good night, Dragon. Sleep well." This last was said over her shoulder as she tugged Wolf from the hall.
Her obvious intent startled Rycca, who even now could not think herself as being so bold, but it made both the Hakonson brothers laugh.
"As you may gather," Dragon said in the aftermath of the couple's departure, "my brother and his wife are happily wed.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure.
But there she was.
His mate.
She was nothing like Jesminda.
Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him.
Elain had been... thrown at him.
He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her.
'Do you mind if I held myself to the other?'
He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication.
Rhysand was many things, but he certainly had good taste.
The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness.
He didn't want to admit he liked it. Didn't want to admit he found the city beautiful.
That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be.
An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one.
'There's a plate of biscuits. Would you like one?'
He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return.
But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window.
He had not seen her entire face since that day in Hybern.
Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock.
Looking at her now...
She was pale, yes. The vacancy still glazing her features.
But he couldn't breathe as she faced him fully.
She was the most beautiful female he'd ever seen.
Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once.
But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Feyre,' he said- softly enough that I faced him again. 'Why?' He tilted his head to the side. 'You dislike our kind on a good day. And after Andras...' Even in the darkened hallway, his usually bright eyes were shadowed. 'So why?'
I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings.
'Because I wouldn't want to die alone,' I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. 'Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie.' I swallowed hard, my throat painfully tight. 'I regret what I did to Andras,' I said, the words so strangled they were no more than a whisper. 'I regret that there was... such hate in my heart. I wish I could undo it- and... I'm sorry. So very sorry.'
I couldn't remember the last time- if ever- I'd spoken to anyone like that. But he just nodded and turned away, and I wondered if I should say more, if I should kneel and beg for his forgiveness. If he felt such grief, such guilt, over a stranger, than Andras... By the time I opened my mouth, he was already down the steps.
I watched him- watched every movement he made, the muscles of his body visible through that blood-soaked tunic, watched that invisible weight bearing down on his shoulders. He didn't look at me as he scooped up the broken body and carried it to the garden doors beyond my line of sight. I went to the window at the top of the stairs, watching as Tamlin carried the faerie through the moonlit garden and into the rolling fields beyond. He never once glanced back.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Neliss, why is this rug wet?”
Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before.
“We have a rug there?”
“Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?”
“Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.”
“You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.”
“Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?”
“I swear, Magdelegna, I am never letting you visit that Druid ever again.”
“Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.”
“I would be a hell of a lot less moody if I could figure out what that damn noise is.”
Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them.
“What is that?”
“Remember when you asked me why I cut my hair?”
“Ah yes, the surprise. Took you long enough to get to it.”
“If you do not stop, I am not going to give it to you.”
“Okay. I am stopping. What is it?”
She held out the box tied with a ribbon to him and he accepted it with a lopsided smile.
“I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away.
“Open it.”
He reached for the ribbon and soon was pulling the top off the box.
“What is this?”
“Gideon, what does it look like?”
He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom.
“What does it say?”
“It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.”
“I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?”
“Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.”
“I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.”
“See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him.
“Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
”
”
Edward Abbey
“
This may surprise you, but Elijah, the towering mighty prophet of Israel, the man who spoke for God, Israel’s prophet of prophets, was also just an inadequate, scared little Jewish boy. Nothing about him made him great, not his rugged good looks, his great intellect, or his heroic courage. On his own, he was flawed, petty and a coward. The Bible says that he was a person “just like us.” Why then, would we look at Elijah’s life and hold it up as an example of living a life of power? Precisely because he was just like you and me. Today, centuries later, religious leaders herald Elijah as the Martin Luther of old-time Israel, crediting him with turning the hearts of the people from the corrupt state-sponsored religion back to the worship of the one true God. If Elijah was a person no different than you and me, and if he did it, then why can’t we? Is it possible that God can use us to turn the hearts of the people of our generation back to God?
”
”
Bob Saffrin (Elijah, Steps to a life of power)
“
In love, aside from sipping the wine of timelessness, nothing else exists.
There is no reason for living except for giving one's life.
I say, "First I know you, then I die."
He says, "For the one who knows Me, there is no dying."
It is raining outside and Akbar sits at the desk in the library, reading to Meena Begum, who is lying on a rug and looking up at the glass dome.
"So, jaan, love is to forget yourself," he says as he shuts the volume.
Meena Begum props herself up on her shoulder and turns to him. "Tell me, have you forgot yourself?" she asks.
"Entirely," he says.
"Why?"
"Because we were made for each other before we even met. Our souls found each other on the plains of heaven. I knew it when I saw you."
"Did you not say you fell ill and tried to forget me?"
Akbar smiles. "A foolish effort to fight fate."
Meena Begum's eyes laugh up at him. "You know I do not believe in such things as fate, sir."
"Perhaps you need to read more poetry.
”
”
Shubnum Khan (The Djinn Waits a Hundred Years)
“
You must not enquire too far, Marianne—remember I have no knowledge in the picturesque, and I shall offend you by my ignorance and want of taste if we come to particulars. I shall call hills steep, which ought to be bold; surfaces strange and uncouth, which ought to be irregular and rugged; and distant objects out of sight, which ought only to be indistinct through the soft medium of a hazy atmosphere. You must be satisfied with such admiration as I can honestly give. I call it a very fine country—the hills are steep, the woods seem full of fine timber, and the valley looks comfortable and snug—with rich meadows and several neat farm houses scattered here and there. It exactly answers my idea of a fine country, because it unites beauty with utility—and I dare say it is a picturesque one too, because you admire it; I can easily believe it to be full of rocks and promontories, grey moss and brush wood, but these are all lost on me. I know nothing of the picturesque.
”
”
Jane Austen (Jane Austen: The complete Novels)
“
Though I could guess which doorknob was for Wendell's kingdom, I could not resist trying the loveliest first: the tiny turquoise sea. Hardly daring to breathe, I turned the doorknob, and the door swung open with a gentle sigh.
Salt wind spilled into the faerie's house. Before me stretched a dry, rocky coastline punctuated by groves of yellowish trees. The turquoise sea was endless and far too bright, broken only by an ellipsis of rugged islands. Just beyond the door was a spindly olive tree and a cairn of white pebbles. Largely to see if I could, I reached through and took one--- the sun beat down upon my arm, a most curious sensation, while the rest of me felt only the cozier warmth of the faerie's alpine home.
I closed the door. "Greece," I murmured. "I think. It looks to be situated either in the mortal world or a place of overlap, like Poe's door. I had no idea the nexus led there--- they have no stories of tree fauns in Greece. Perhaps they do not use it much?
”
”
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
“
He had coldly and calculatingly looked at her as he regarded any attractive woman, and he had decided, almost without emotion, that she would make him an ideal wife...
Once that decision made, violent possessiveness followed. His desire for her had grown, stimulated by her own resistance and the barrier of respectability and convention which, for him, had been both new and tantalizing.
He had believed that she needed him, his strength and his protection, and he had been pleased and triumphant, but not surprised, when he had forced her to reveal that need, for he wanted her helpless and dependent upon him.
But now, lying there in the army camp...Curt realized his own need, his own complete, dependency upon her for happiness. He, like Oregon, rugged and violent, had to have the beauty and delicacy and fineness of a woman-and it had to be Kitty. That was the strange thing about it, he considered; the realization, for the first time in his life, that one woman, and only one, would do.
”
”
Mildred Masterson McNeilly (Each Bright River)
“
Lachlan frowned as he misjudged the distance and his forehead hit Cormag's head with a bump. He wrapped his arms around his neck to steady himself, two big hands reaching up to hold onto his arms as if to offer extra support. “You,” he began, talking quietly into his ear, “are so beautiful,” he confessed, resting his heavy skull against Cormag's for a moment.
He meant it as well. Cormag was stunning. He was taller and broader than he was, very much the fine figure of hotness. His dark hair was well kept, but a little messy, he had amazing bone structure; the type that made him look more like a model than a museum manager. A chiselled jaw, nicely defined cheekbones and a rugged quality that
made him so appealing. He had never noticed how handsome a male face could be until those eyes drew him in.
“And so are you,” his companion chuckled, “but we discussed this…I've ruined every relationship I've ever had. I get needy, possessive and my baggage gets in the way.
Besides,” he lowered his voice to a whisper and brushed his hand over his upper arm, “You're not gay,” he protested, reminding him yet again that they were different.
“Nope. Not gay,” he agreed with that, nodding his head as he pulled back a little to see him better. “But that doesn't make you any less beautiful. Why is it wrong that I can see how special you are?” he asked, having difficulty understanding why part of his brain
was telling him he was being a drunken idiot and that the man before him wasn't
attractive. But the rest of his brain – about ninety-eight percent of it – was telling him that he was the most attractive person he'd ever seen.
“It's not, Lachlan. It really isn't.”
“But it's somehow wrong for me to tell you?” Lachlan wondered, glancing across the bar to see Matteo smiling at him. He didn't know what it meant.
Cormag cupped his face, capturing his undivided attention again. “No. Not that
either. But it makes it hard for me to keep my distance. You're stunning. Inside and out,” he claimed, with chocolatey eyes that said he meant every word.
”
”
Elaine White (Decadent (Decadent, #1))
“
When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
Hey…you okay?” Marlboro Man repeated.
My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined.
I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
1150 AD, the north of England
Melina avoided the eyes of her bodyguard. It was something she was becoming adept at, since her father had brought him into the household and given him the task of keeping watch over her all day, every day, and sleeping across the threshold to her chamber every night. But it was no use. Even with her head turned she could feel his dark eyes upon her.
Deep dark pools that drew her into their depths, making her skin burn and her heart flutter. The one and only time she’d made the mistake of gazing into those eyes she’d paid the price, losing her wits entirely for several heartbeats. The man was handsome in a rugged way, his body hard and strong like a warrior’s should be, but it was more than that.
There was something . . . Was it the look of him, the scent of him, the taste of him? Not that she’d touched his skin with her tongue yet, but she’d thought about it. At night, in her chamber, in her luxurious bed with its furs and curtains, all alone with him outside her door.
Oh yes, Melina had the makings of a sensual woman and that was the trouble.
”
”
Evie North (A Knight of Temptation (Knights of Passion, #1))
“
Knowing I may never see the room again makes me look at it with fresh eyes. A fire glows in the hearth nestled into the back wall. A square, worn brown rug sits in the middle of the room. Two sets of bunk beds are arranged on either side of the rug. Only mine, the bottom bed closest to the fireplace, has the sheets tucked in and the quilt smoothed. As soon as the boys graduated from school, Mom declared them old enough to tidy up their own beds. And they decided they were old enough not to care whether they slept in tightly tucked sheets. We each have a wooden chest for our everyday clothes and shoes. The special clothes are hung in the large wooden armoire in the corner. Mother always talks about first impressions. I gnaw on my bottom lip and weigh the merits of all my clothes. Feeling confident is always easier when dressed in something special, but I hear my father’s voice replay in my head. I imagine the abandoned city street he walked in his dream. The two dresses I own won’t help me there. And even if the dreams aren’t real, I know in my heart pretty clothes won’t help once The Testing begins.
”
”
Joelle Charbonneau (The Testing (The Testing, #1))
“
He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on; he married a White Russian countess in Yugoslavia to get her away from the Nazis in the thirties; there are pictures of him with the international cocaine set of the thirties—gangs with wild hair, leaning on one another; there are other pictures of him in a Panama hat, surveying the streets of Algiers; he never saw the White Russian countess again. He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at café tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In English hotels he read Spengler and the Marquis de Sade. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and wound up with two dollars and had to make a run for it. He did all these things merely for the experience.
”
”
Jack Kerouac (On the Road)
“
Tereza occupied his poetic memory like a despot and exterminated all trace of other women. That was unfair, because the young woman he made love to on the rug during the storm was not a bit less worthy of poetry than Tereza. She shouted 'Close your eyes! Squeeze my hips! Hold me tight!'; she could not stand it that when Tomas made love he kept his eyes open, focused and observant, his body ever so slightly arched above her, never pressing against her skin. She did not stream that may be entered only with closed eyes. The reason she refused to get down on all fours was that in that position their bodies did not touch at all and he could observe her from a distance of several feet. She hated that distance. She wanted to merge with him. That is why, looking him straight in the eye, she insisted she had not had an orgasm even though the rug was fairly dripping with it. 'It's not sensual pleasure I'm after,' she would say, 'it's happiness. And pleasure without happiness is not pleasure.' In other words, she was pounding on the gate of his poetic memory. But the gate was shut. There was no room for her in his poetic memory. There was a room for her only on the rug.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
But I feel the exact opposite. I feel like it’s taken decades to get here. “You told me I was supposed to be the greatest player in the history of tennis. You said it since the day I was born! You told me it was all I was ever meant to be! And then one day I wasn’t anymore. You weren’t even sure that I could beat her!” I say. “Are we talking about Stepanova?” he says. “I asked you if you thought I could get the number one ranking over her, and you said, ‘I don’t know.’ ” “And you’ve never forgiven me for it,” he says. “I’m paying that price even today.” “You should pay it for the rest of your life!” I say. “For making me believe in myself like that and then pulling the rug out from under me. For giving up on me when things were at their hardest. I never gave up on this. Ever. And you did!” “Carrie, you asked me if I thought you could take number one from Paulina. And I said I didn’t know. Because I didn’t. I don’t know what the future holds. And I can’t promise the world is going to always turn out the way you want it to. “I owed you that honesty, I thought. So you could assess better—how to grow, how to widen your perspective. It felt like it was time for that. But you didn’t want to do that then, and you don’t want to do that now. “I’ve messed up a lot as your father, and I take responsibility for that. But this one, I’m sorry, only you can solve it. You have to make peace with not being a perfect player,” he said. “That is giving up. I won’t do it,” I said. My father shakes his head. “You have to find a way to be right with who you actually are, to face what life is really like. I expected you to figure that out by now. But you haven’t. And if you don’t, I can’t see how you ever get past this…this moment. You have accomplished so much, but you are instead so focused on keeping it, rather than going out and finding something else in the world.” He walks toward the door. “Everything we achieve is ephemeral. We have it, and then the next second it’s gone. You had that record, and you may lose that record. Or you may defend it now and lose it in two years all over again. I wish you’d accept that.” I shake my head and try to look at him. “I can’t.” “Well,” he says. “It kills me that I cannot fix that for you, hija. But I can’t. Nobody else can.” And then, as if the door were the lightest thing in the world, he opens it and walks right through, leaving me there alone.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.”
“In what way?”
“More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?”
“Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice.
“In what?” Elizabeth automatically stood up, too.
“My home.”
Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly.
Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly.
His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid.
'Stop,' Stella breathed. 'Let me do you, baby.'
George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie.
Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly.
'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.'
'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.'
'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.'
'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
”
”
Robert Anton Wilson (The Illuminatus! Trilogy)
“
The morning after / my death”
The morning after
my death
we will sit in cafés
but I will not
be there
I will not be
*
There was the great death of birds
the moon was consumed with
fire
the stars were visible
until noon.
Green was the forest drenched
with shadows
the roads were serpentine
A redwood tree stood
alone
with its lean and lit body
unable to follow the
cars that went by with
frenzy
a tree is always an immutable
traveller.
The moon darkened at dawn
the mountain quivered
with anticipation
and the ocean was double-shaded:
the blue of its surface with the
blue of flowers
mingled in horizontal water trails
there was a breeze to
witness the hour
*
The sun darkened at the
fifth hour of the
day
the beach was covered with
conversations
pebbles started to pour into holes
and waves came in like
horses.
*
The moon darkened on Christmas eve
angels ate lemons
in illuminated churches
there was a blue rug
planted with stars
above our heads
lemonade and war news
competed for our attention
our breath was warmer than
the hills.
*
There was a great slaughter of
rocks of spring leaves
of creeks
the stars showed fully
the last king of the Mountain
gave battle
and got killed.
We lay on the grass
covered dried blood with our
bodies
green blades swayed between
our teeth.
*
We went out to sea
a bank of whales was heading
South
a young man among us a hero
tried to straddle one of the
sea creatures
his body emerged as a muddy pool
as mud
we waved goodbye to his remnants
happy not to have to bury
him in the early hours of the day
We got drunk in a barroom
the small town of Fairfax
had just gone to bed
cherry trees were bending under the
weight of their flowers:
they were involved in a ceremonial
dance to which no one
had ever been invited.
*
I know flowers to be funeral companions
they make poisons and venoms
and eat abandoned stone walls
I know flowers shine stronger
than the sun
their eclipse means the end of
times
but I love flowers for their treachery
their fragile bodies
grace my imagination’s avenues
without their presence
my mind would be an unmarked
grave.
*
We met a great storm at sea
looked back at the
rocking cliffs
the sand was going under
black birds were
leaving
the storm ate friends and foes
alike
water turned into salt for
my wounds.
*
Flowers end in frozen patterns
artificial gardens cover
the floors
we get up close to midnight
search with powerful lights
the tiniest shrubs on the
meadows
A stream desperately is running to
the ocean
The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
”
”
Elinor Wylie
“
Leaving the paintings for a moment, he turned to a large bench-size object covered with another cloth; upon whipping off the cloth, he found himself staring into the snarling face and exceptionally long, talon-like teeth of a tiger.
He fell back onto the ornately woven red rug beneath them and lay on his back, stunned, as a shower of fine dust fell over him.
“You get that out of your system?” Etta asked, stepping around his prone form. His hand lashed out, closing around her ankle like an iron. The woman was mad if she thought he’d let her take another step forward—
“It’s dead,” she said, looking down at him with an amused smile. “As gross as it is, it’s been preserved and stuffed to be displayed. Look.”
He inhaled sharply through his nose as she reached out a hand to stroke its head. As promised, it did not move. It did not blink. The tiger was dead.
“What are the chances your mother killed and stuffed it herself?”
“Pretty good, I think.” Etta held up a framed photograph of an older man in the garb of an early twentieth-century explorer, who was holding a rifle. The tiger lay dead at the toes of his boots, and beside it was a grinning, tiny, blond girl—a younger version of the woman in the other photograph he’d seen. Rose.
And he’d wondered from whom Etta had inherited her casual disregard for danger.
”
”
Alexandra Bracken (Passenger (Passenger, #1))
“
I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy’s appearance to trouble one’s calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf-locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze. “Well, and you want your fortune told?” she said, in a voice as decided as her glance, as harsh as her features. “I don’t care about it, mother; you may please yourself: but I ought to warn you, I have no faith.” “It’s like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold.” “Did you? You’ve a quick ear.” “I have; and a quick eye and a quick brain.” “You need them all in your trade.” “I do; especially when I’ve customers like you to deal with. Why don’t you tremble?” “I’m not cold.” “Why don’t you turn pale?” “I am not sick.” “Why don’t you consult my art?” “I’m not silly.” The old crone “nichered” a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke.
”
”
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
“
The Duration
Here they are are on the beach where the boy played
for fifteen summers, before he grew too old
for French cricket, shrimping and rock pools.
Here is the place where he built his dam
year after year. See, the stream still comes down
just as it did, and spreads itself on the sand
into a dozen channels. How he enlisted them:
those splendid spades, those sunbonneted girls
furiously shoring up the ramparts.
Here they are on the beach, just as they were
those fifteen summers. She has a rough towel
ready for him. The boy was always last out of the water.
She would rub him down hard, chafe him like a foal
up on its legs for an hour and trembling, all angles.
She would dry carefully between his toes.
Here they are on the beach, the two of them
sitting on the same square of mackintosh,
the same tartan rug. Quality lasts.
There are children in the water, and mothers patrolling
the sea's edge, calling them back
from the danger zone beyond the breakers.
How her heart would stab when he went too far out.
Once she flustered into the water, shouting
until he swam back. He was ashamed of her then.
Wouldn't speak, wouldn't look at her even.
Her skirt was sopped. She had to wring out the hem.
She wonders if Father remembers.
Later, when they've had their sandwiches
she might speak of it. There are hours yet.
Thousands, by her reckoning.
”
”
Helen Dunmore
“
I suspect, however, that the thing that confuses you about Ian is that he’s half Scot. In many ways he’s more Scot than English, which accounts for what you’re calling a ruthless streak. He’ll do what he pleases, when he pleases, and the devil fly with the consequences. He always has. He doesn’t care what anyone thinks of him or of what he does.”
Pausing, Jordan glanced meaningfully at the couple who’d paused to look at a shrubbery on the front lawn. Ian was listening to Elizabeth intently, an expression of tenderness on his rugged face. “The other night, however, he cared very much what people thought of your lovely friend. In fact, I don’t like to think what he might have done had anyone actually dared to openly insult her in front of him. You’re right when you aren’t deceived by Ian’s civilized veneer. Beneath that he’s a Scot, and he has a temper to go with it, though he usually keeps it in check.”
“I don’t think you’re reassuring me,” Alex said shakily.
“I should be. He’s committed himself completely to her. That commitment is so deep that he even reconciled with his grandfather and then appeared with him in public, which I know was because of Elizabeth.”
“What on earth makes you think that?”
“For one thing, when I saw Ian at the Blackmore he had no plans for the evening until he discovered what Elizabeth was going to do at the Willingtons’. The next I knew, he was walking into that ball with his grandfather at his side. And that, my love, is what we call a show of strength.”
She looked impressed by his powers of deduction, and Jordan grinned. “Don’t admire me too much. I also asked him. So you see, you’re worrying needlessly,” he finished reassuringly. “Scots are a fiercely loyal lot, and Ian will protect her with his life.”
“He certainly didn’t protect her with his life two years ago, when she was ruined.”
Sighing, Jordan looked out the window. “After the Willingtons’ ball he told me a little of what happened that long-ago weekend. He didn’t tell me much-Ian is a very private man-but reading between the lines, I’m guessing that he fell like a rock for her and then got the idea she was playing games with him.”
“Would that have been so terrible?” Alexandra asked, her full sympathy still with Elizabeth.
Jordan smiled ruefully at her. “There’s one thing Scots are besides loyal.”
“What is that?”
“Unforgiving,” he said flatly. “They expect the same loyalty as they give. Moreover, if you betray their loyalty, you’re dead to them. Nothing you do or say will change their heart. That’s why their feuds last from generation to generation.”
“Barbaric,” Alexandra said with a shiver of alarm.
“Perhaps it is. But then let’s not forget Ian is also half English, and we are very civilized.” Leaning down, Jordan nipped her ear. “Except in bed.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Eyes closed, she imagined the butterflies soaring over the petals, riding the tail of the breeze. She imagined a fairy leading their dance, her wings shimmering in the sun.
Then one of the butterflies seemed to come alive in her mind, like a character on the silver screen. Twirling in the sunlight that spilled through the window.
She was pale blue, laced with gold, and Libby could see her, inside and out, every detail on her slender body, every color on her wardrobe of wings.
Libby released her legs and sprung down onto the rug on her floor. Under her bed was a box with her old sketchbook and colored pencils. She hadn't wanted to draw in a long time. She'd only wanted to be among the flowers and butterflies.
But if she couldn't be with her friends, perhaps she could entertain them in her room.
The sketchbook in hand, she hopped back on the bed and began drawing the blue butterfly who'd twirled in the lamplight, but her butterfly looked so dull on the paper. Nothing like the butterfly she'd seen moments before.
She- Libby Doyle- was a creator, and her creation begged her for more.
Rushing to the bathroom, she filled a paper cup with water. In her parents' bedroom were tubes of special paint. And a brush. Mummy once told her she'd kept the paints to remember her father- Libby's granddad- but what better way to remember him than to use his paints to birth another life?
'Life.' She wanted to breathe light and color and life into her friends.
”
”
Melanie Dobson (Shadows of Ladenbrooke Manor)
“
Day slammed the door behind Johnson, leaving just him and his partner in the room alone. Day hit the lights.
“Setting the mood, Leo?” God grinned at him.
“I want to talk to you now.”
“You can’t always get what you want, Leonidis,” God rebutted.
“I want you,” Day said with no hesitation.
The room was deathly silent. After a few long seconds God responded simply, “No you don’t.”
“I do. Isn’t it obvious?” Day moved a little closer.
“You don’t know what the fuck you want. I’ve watched you for four years, jumping from bed to bed and fucking your way through half of Atlanta. I have one emotional night and all of a sudden you want me…fuck you,” God said in his gruffest voice.
Day’s body heated instantly at the sound. He moved even closer to where God was standing on the opposite side of the table.
“Oh, I’m sorry. I didn’t realize I was supposed to be saving myself for marriage, and even more so, I didn’t realize you were a goddamn virgin. How many women have I seen you fuck in that pussy-getting truck of yours, huh?” Day lowered his voice as he stood directly in front of God. “Just tell me you didn’t feel what I did last night.” He closed the small gap, not minding God’s height at all, and looked up into electric-green eyes. “Tell me you don’t want me too, and I’ll back the fuck off.”
God looked down at him and Day could see the uncertainty all over that ruggedly handsome face.
“Shit’s complicated, Leo.” God’s breath ghosted across his forehead.
“Make me understand, Cashel,” Day whispered and slowly brought his hands up to rest on God’s waist.
”
”
A.E. Via
“
There is a persistent theory, held by those who prate most steadily about "the American way of life" that the average American is a rugged individualist to whom the whole conception of "leadership" is something foreign and distasteful—and this theory would certainly seem to be in accord with our national tradition of lawlessness and disrespect for authority. But it is not entirely consistent with the facts. We Americans are inveterate hero worshipers, to a far greater extent than are the British and the French. We like to personalize our loyalties, our causes. In our political or business or labor organizations, we are comforted by the knowledge that at the top is a Big Boss whom we are free to revere or to hate and upon whom we can depend for quick decisions when the going gets tough. The same is true of our Boy Scout troops and our criminal gangs. It is most conspicuously true of our passion for competitive sport. We are trained from childhood to look to the coach for authority in emergencies. The masterminding coach who can send in substitutes with instructions whenever he feels like it—or even send in an entirely new team—is a purely American phenomenon. In British football the team must play through the game with the same eleven men with which it started and with no orders from the sidelines; if a man is injured and forced to leave the field the team goes on playing with only ten men. In British sport, there are no Knute Rocknes or Connie Macks, whereas in American sport the mastermind is considered as an essential in the relentless pursuit of superiority.
”
”
Robert E. Sherwood (Roosevelt and Hopkins: An Intimate History)
“
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.”
Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?”
Elizabeth shook her head. “He wants me, he says, and he wants children.”
Alex swallowed embarrassed laughter. “He what?”
“He wants me, and he wants children.”
A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks.
“I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex.
“Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?”
“Yes, of course,” Elizabeth said without hesitation.
“Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.”
“I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly.
As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room.
Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
For five hours, he doesn't shower or change his clothes or laugh or smile or cry. It's eight in the morning when he's finally released and told to stay in the Residence and standy for further instructions.
He's handed his phone, at last, but there's no answer when he calls Henry, and no response when he texts. Nothing at all.
Amy walks him through the colonnade sand up the stairs, saying nothing, and when they reach the hallway between the East and West Bedrooms, he sees them.
June, her hair in a haphazard knot on the top of her head and a pink bathrobe, her eyes red-rimmed. His mom, in a sharp, no-nonsense black dress and pointed heels, jaw set. Leo, barefoot in his pajamas. And his dad, a leather duffel still hanging off one shoulder, looking harried and exhausted.
They all turn to look at him, and Alex feels a wave of something so much bigger than himself sweep over him like when he was a child standing bowlegged in the Gulf of Mexico, riptide sucking at his feet. A sound escapes his throat uninvited, something that he barely even recognizes, and June has him first, then the rest of them, arms and arms and hands and hands, pullin him close and touching his face and moving him until he's on the floow, the goddamn terrible hideous antique rug that he hates, sitting on the floor and staring at the rug and the threads of the rug and hearing the Gulf rushing in his ears and thinking distantly that he's having a panic attack, and that's why he can't breathe, but he's just staring at the rug and he's having a panic attack and knowing why his lungs won't work doesn't make them work again.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.
”
”
William H. Gass (The Tunnel)
“
That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland.
It is as wild and rugged a place as anywhere on earth, and I love it there.
It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb.
This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion.
I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me.
Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away.
Falling in love was way off my radar.
One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly.
There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once.
All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks.
I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain.
I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Ye told me ye had no’ seen the man in the clearing yesterday.” “I did not,” Annabel assured him, swiveling to look at him with a bit of excitement as she was recalled to the day’s events. “But I saw his plaid and the man today was wearing the same color plaid. He was big too. And, he was the same man as the one who startled me in England on our journey here, so I am beginning to think it was the same man all three times.” “Ye’re sure it was the same man as in England?” he asked, not happy at the thought. “Aye. I only caught a glimpse that first time, but he is hard to mistake,” she assured him. “He is very large and has a pretty face.” That brought a scowl to Ross’s lips. He didn’t at all like her finding someone else attractive, which was silly, he supposed. It wasn’t like she was going to run off with her attacker. According to Giorsal, she’d stabbed him. Besides, he himself wouldn’t have been flattered to be called pretty. “Ye mean handsome, do ye no’?” he suggested. “Nay. You are handsome, husband. He is pretty,” she said in a tone of voice that suggested that should clear the matter up. It didn’t. “Is there a difference?” Ross asked cautiously. “Aye,” Annabel said as if that should be obvious. “Handsome is rugged and manly and . . . well . . . handsome,” she finished helplessly, and then added, “Pretty is big eyes, sculpted jaw and hair that flops across the eyes.” She paused briefly before continuing with some consideration, “He would make a lovely girl were he not so muscular across the shoulders and chest.” “Ah,” Ross said, unable to repress a grin. Whether she realized it or not, his wife was saying she thought he was a sexy beast, while the pretty boy was . . . pretty, but not in a way she found especially attractive. He liked that. His
”
”
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
“
One night, Kevin and I were at a pool hall where we saw a guy playing pool by himself; this guy looked like a hustler. He asked me if I wanted to play for twenty dollars.
“I’ll tell you what,” I told him. “You can play my buddy Kevin. If you win two out of three games, I’ll give you twenty dollars. If he wins, you have to leave with us and go to a Bible study.”
The guy looked at me like I was nuts. He walked around the pool table a few times, pondering my offer. I took a twenty-dollar bill out and placed it on the table.
“Okay,” he said. “Let’s do it.”
What he didn’t know was that Kevin is quite the player and that I don’t make bets with eternal consequences on the line unless I know we’re going to win! Of course, my buddy Kevin beat him. In fact, Kevin broke and ran the table in two straight games. The other guy never even took a shot! To my surprise, the guy followed through on his bet, although he didn’t seem too happy about it. As we walked to my truck to leave, he threw a full can of beer across the road and declared he was ready for a change in his life anyway. I thought that was a powerful statement since he didn’t even know what we were going to share with him. He knew how we rolled, despite our presence in such a rugged place. We studied the Bible with him for several hours and baptized him the same night. What I didn’t know was that the guy was sentenced to prison for an earlier crime the very next day! I wouldn’t see him again until he showed up unannounced with his Bible in hand at my house on Christmas Day a couple of years later.
“Hey, I just got out of jail,” he told me.
“Did they let you out or did you escape?” I asked him.
“I was released,” he said.
He then tearfully thanked me for sharing with him and let me know that was the best thing that could have happened to him before the two years of prison. Obviously, neither one of us believed our encounter had been an accident. He came to our church a couple of times over the next few months, and I continued to study with him. After a while, though, he quit coming around and I lost track of him.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Hey…you okay?” Marlboro Man repeated.
My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined.
I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
“You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip.
“Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you.
“I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice.
“What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices.
“I’m not sure,” Marlboro Man answered. The geyser began spraying again.
I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
This was the last time I ever saw my Mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my Father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my Mother rocks a little from the waist, and my Father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop - will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.
”
”
James Baldwin
“
In Mississippi, where I lived from 1967 to 1974, people who challenged the system anticipated menace, battery, even murder, every day. In this context, I sometimes felt ashamed that my contributions at the time were not more radical. I taught in two local black colleges, I wrote about the Movement, and I created tiny history booklets which were used to teach the teachers of children enrolled in Head Start. And, of course, I was interracially married, which was illegal. It was perhaps in Mississippi during those years that I understood how the daily news of disaster can become, for the spirit, a numbing assault, and that one's own activism, however modest, fighting against this tide of death, provides at least the possibility of generating a different kind of "news." A "news" that empowers rather that defeats.
There is always a moment in any kind of struggle when one feels in full bloom. Vivid. Alive. One might be blown to bits in such a moment and still be at peace. Martin Luther King, Jr., at the mountaintop. Gandhi dying with the name of God on his lips. Sojourner Truth baring her breasts at a women's rights convention in 1851. Harriet Tubman exposing her revolver to some of the slaves she had freed, who, fearing an unknown freedom, looks longingly backward to their captivity, thereby endangering the freedom of all. To be such a person or to witness anyone at this moment of transcendent presence is to know that what is human is linked, by a daring compassion, to what is divine. During my years of being close to people engaged in changing the world I have seen fear turn into courage. Sorrow into joy. Funerals into celebrations. Because whatever the consequences, people, standing side by side, have expressed who they really are, and that ultimately they believe in the love of the world and each other enough *to be that* - which is the foundation of activism.
It has become a common feeling, I believe, as we have watched our heroes falling over the years, that our own small stone of activism, which might not seem to measure up to the rugged boulders of heroism we have so admired, is a paltry offering toward the building of an edifice of hope. Many who believe this choose to withhold their offerings out of shame.
This is the tragedy of our world.
For we can do nothing substantial toward changing our course on the planet, a destructive one, without rousing ourselves, individual by individual, and bringing our small, imperfect stones to the pile.
In this regard, I have a story to tell.
”
”
Alice Walker (Anything We Love Can Be Saved)
“
Fuck you.”
“Oh, now you want me too.” Syn barked a laugh. “I thought you were straight.”
“Syn,” Furi snapped. “Knock it off.”
Syn took Furi’s backpack off his shoulder and slid it on to his own. He intertwined their fingers and Furi couldn’t ignore how much he liked that gesture from his tough Sergeant. Doug still stood very close to Furi, watching them both through narrowed eyes.
“Stop looking like that,” Furi whispered.
“Are you sure you know what you’re doing?” Doug whispered back.
Furi turned and looked behind him at Syn’s ruggedly gorgeous face then down at their joined hands. He turned back to Doug’s concerned eyes. “Yes, I do.” Furi leaned in and chastely kissed Doug on the lips and watched him turn and leave.
When Furi turned back, Syn was wearing a large frown and his chest was frozen like he was holding his breath. Furi got as close to Syn as he could. “What’s the matter?”
“Don’t do that again.” Syn’s voice was rough and low.
“Do what?” Furi frowned in confusion.
Syn brought his free hand up and wiped the pad of his thumb across Furi’s full lips. “Don’t put your lips on him again.” Syn shook his head when Furi opened his mouth to argue. “I know it was friendly, and it didn’t mean anything, but humor me, okay? Don’t put your mouth on his. Syn leaned in and pulled Furi’s bottom lip into his mouth and gently sucked on it, right there in the IHOP parking lot. “Only I get to taste these pretty lips,” Syn moaned inside Furi’s mouth.
Furi put his arms around Syn’s shoulders. “Okay,” he whispered back, kissing Syn’s cheek.
“Let’s go.” Syn carried Furi’s backpack to the large Suburban he’d parked beside the building and placed it in the back seat.
“Whose truck is this?” Furi asked.
“I borrowed it from work. It belongs to the team. We can use them if needed.” Syn started the powerful engine. Furi hooked his seat belt and turned to look at Syn, realizing he was just sitting there, staring straight ahead.
Furi unhooked his belt. “Babe. What’s the matter?”
Syn took his glasses back off and turned his body so he was facing Furi. “Furi. What you did today ... don’t do that again. I can respect your privacy. Really, I can. But in light of recent events, please don’t cut yourself off like that. I was ... I thought ..."
“Fuck, Syn. I’m so sorry. I wasn’t thinking. I wanted to call you so many times today.”
Syn’s eyes widened.
“Just to hear your voice. Not because I was in trouble. But, I didn’t want to seem all clingy and shit. We fucked once and already I’m acting sprung. Can’t stop thinking of you.” Furi knew his embarrassment was making him blush. But Syn was trying to find the words to say he was scared today, so Furi wasn’t holding back on his feelings.
They closed the distance over the large console and let their kiss be their words.
”
”
A.E. Via
“
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab.
Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there?
Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.”
Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop.
“It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi.
“Want to take it for a spin?” Tim asked.
I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel.
Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night.
After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.”
“Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother.
But he was nothing like the real thing.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage.
“Where were you?”
“Just out.”
“Out where?”
“Down the street.”
Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park.
“Frank, could you rinse the milk bottles before you put them on the stoop?”
“Sorry. I’ll do it now.”
“Too late. I’ve done it already. You know, I can’t do everything.”
“Nobody can.”
“But you can do something, can’t you?”
“Lily, please. I’ll do anything you want.”
“What I want? This place is ours.”
The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.”
The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up
and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
”
”
Toni Morrison (Home)
“
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
”
”
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))