“
Daemon!" Dee called from the kitchen. "I need your help!"
"We should go see what she's doing before she destroys your kitchen." He rubbed his hands down his face. "It's possible.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand.
Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed.
Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence.
"You. Do you haf any qualities dat distinguish you in any way?"
Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit.
His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings."
"Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!"
"Hardly a special talent," ter Borcht said witheringly.
Nudge was offended. "Yeah? Let's see YOU do it."
...
"I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing."
Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony."
Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?"
"Only when I'm trying to steal their dessert"
...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica."
"I vill now destroy de Snickuhs bahrs!" Gazzy barked.
”
”
James Patterson
“
He won’t stop staring.
“What?” I ask.
“How much do you weigh?”
“Wow. Is that how you talk to every girl you meet? That explains so much.”
“I’m about one hundred seventy-five pounds,” he says. “Of muscle.”
I stare at him. “Would you like an award?”
“Well, well, well,” he says, cocking his head, the barest hint of a smile flickering across his face. “Look who’s the smart-ass now.”
“I think you’re rubbing off on me,” I say.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
She sighed as she set her spade down before turning to look at him.
She was crying.
Linus didn’t hesitate as he scooped her up in his arms.
She buried her face in his neck, beard tickling his throat. “I am going to bury you right here,” she sobbed. “I’m digging your grave, just so you know.”
“I know,” he said, rubbing a hand over her back. “I would expect nothing less.
”
”
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
“
Why were you in a vehicle with Kate, alone? What were you wearing? What was she wearing? How long were you there? Did you do something or did you talk? What was the nature of your discussion? Could this trip have been avoided?"
I rubbed my face. "So basically you're scared that His Lordship might get his panties in a bunch?"
"That's one way to put it.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
She rubbed her eyes, and after a long study of his face, she spoke
"Is it really you?"
Is it from your cheek, she thought, that I took the seed?
The man nodded.
His heart wobbled and he held tighter to the branches.
It is.
”
”
Markus Zusak (The Book Thief)
“
Stop it!" she hissed. I frowned and rubbed my arm. "What are you talking about?" I whispered back. Riley pointed at me, waggling her finger. "I know that look on your face! You're picturing him naked with you naked.
”
”
A. Meredith Walters (Bad Rep (Bad Rep, #1))
“
Fenestra was silent for a while, and Morrigan thought she’d fallen asleep standing up. Then she felt something warm, wet, and sandpapery lick the entire right side of her face. She sniffled again, and Fen’s big gray head rubbed her shoulder affectionately. “Thanks, Fen,” Morrigan said quietly. She heard Fenestra padding softly to the door. “Fen?” “Mmm?” “Your saliva smells like sardines.” “Yeah, well. I’m a cat.” “Now my face smells like sardines.” “I don’t care. I’m a cat.” “Night, Fen.
”
”
Jessica Townsend (Nevermoor: The Trials of Morrigan Crow (Nevermoor, #1))
“
One must bear what cannot be escaped," she told Alma, as she rubbed clean her face. "You will not die of your grief - no more than the rest of us ever have.
”
”
Elizabeth Gilbert (The Signature of All Things)
“
Tally sighed, tipping her feet again to follow. "Maybe that's because they have better stuff to do than kid tricks. Maybe partying in town is better than hanging out in a bunch of old ruins."
Shay's eyes flashed. "Or maybe when they do the operation-when they grind and stretch your bones to the right shape, peel off your face and rub all your skin away, and stick in plastic cheekbones so you look like everyone else-maybe after going through all that you just aren't very interesting anymore.
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
I grasped her chin and angled her face toward mine. “Tell me who or what I need to kill,” I growled. “What happened at your father’s house?” “I told you, nothing. It was just the lake.” Ava eked out a wobbly smile. “You can’t kill a lake.” “I’ll drain every fucking lake and ocean in the world if I have to.” A tiny crystal tear slipped from her eye. “Alex…” “I mean it.” I rubbed the tear away with my thumb. My heart raged in my chest, a snarling beast furious at the sight of her distress and the thought there was something in the world that would dare hurt her.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.”
She stuck her tongue out.
“Maybe after you’re clean,” he said.
Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises.
She raised her finger, licked it, and rubbed some dirt off her forehead.
Now what?
The girl showed him her stained finger and reached toward him slowly, aiming for his face.
“No,” William said. “Bad hobo.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
The sun has blessed you," Sarita used to say. "Look how he has left his kisses on your face for all to see and be jealous."
"The sun loves you more," I said, rubbing my hands over her dry arms, the color of an aged wine gourd, and she laughed.
But this is not India and we are not prized for our freckles here. The sun is not allowed to show his love.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
I'm going to rub your faces in things you try to avoid. I don't find it strange that all you want to believe is only that which comforts you. How else do humans invent the traps which betray us into mediocrity? How else do we define cowardice?
”
”
Frank Herbert (Children of Dune (Dune #3))
“
And just as she was about to leave the microphone, she said, “And to anyone tempted to kiss the TV tonight, please don’t chip your tooth.” “Mom, why are you crying?” Connor asked. I put my hand to my face and realized that I had teared up. Harry smiled at me and rubbed my back. “You should call her,” he said. “It’s never a bad idea to bury hatchets.” Instead, I wrote a letter. My Dearest Celia, Congratulations! You absolutely deserve it. There is no doubt you are the most talented actress of our generation. I wish for nothing more than your complete and total happiness. I did not kiss the TV this time, but I did cheer just as loudly as I did the other times. All my love, Edward Evelyn
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Why, aren’t you just about as sweet as syrup on a sundae? I sure would appreciate that, ma’am.” He winked. “How’d you like ta stroll the deck of this fine ship with me and watch the sunset? I need a purty girl to put her arm around me and steady this bow-legged cowboy as he finds his sea legs.” I raised an eyebrow and affected a southern accent. “Why, I think you’re a pullin’ my leg there, Texas. You’ve had your sea legs a lot longer than I have.” He rubbed the stubble on his face. “You might be right at that. Well then, how about you taggin’ along to keep me warm?” “It’s about eighty degrees.” “Shoot, you’re a smart one, you are. Then how ‘bout I jes say that a feller can get pretty lonesome by hisself in a strange country and he’d like to keep compn’y with you fer a while longer.
”
”
Colleen Houck
“
And indeed there will be time for the yellow smoke that slides along the street rubbing its back upon the window-panes; there will be time , there will be time to prepare a face to meet the faces that you meet; there will be time to murder and create, and time for all the works and days of hands that lift and drop a question on your plate; time for you and time for me, and time yet for a hundred indecisions, and for a hundred visions and revisions, before the taking of toast and tea.
”
”
T.S. Eliot (The Waste Land and Other Poems)
“
Let me look at you.” I pull away and put my hands on his cheeks, examining his face. Blue eyes, of course. And how could I forget that mouth? Thin pink lips with one crooked corner always suggesting a mocking smile. My God, how had I never noticed before how handsome he is? “You need a haircut.”
He rubs the side of his thumb over my cheekbone. “You’re beautiful.
”
”
Cristin Terrill (All Our Yesterdays)
“
What’s going on with your face, by the way?”
Gansey rubbed his chin, rueful. His skin felt reluctantly stubbled. He knew he was being diverted, but he allowed it. “Is it growing?”
“Dude, you aren’t really going to do that beard thing, are you? I thought you were joking. You know that stopped being cool in the fourteen century or whenever it was that Paul Bunyan lived.” Ronan looked over his shoulder at him. He was sporting the five o’clock shadow that he was capable of growing at any time of the day. “Just stop. You look mangy.”
“It’s irrelevant. It’s not growing. I’m doomed to be a man-child.”
“If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
You’re right, because we’re just friends.”
“Christ, Cami, I know. You don’t have to keep rubbing it in my face.”
My eyes widened. “Wow. Rubbing it in your face? Okay.”
Trenton laughed, frustrated. “How can you not know? Everyone else in the entire fucking world knows but you!”
“I know. I’m just trying to keep things simple.”
Trenton took a step toward me. “This isn’t simple. Not even close.
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
“
Puck swung the cannon around in anger. The nozzle spun and hit Sabrina in the chest. The force was so pawerful she was knocked right off the platform and fell backward off the tower. She saw sky above her and felt the wind in her hair. How ironic, she thought, as she fell to her certain death, that at that moment she would have given anything to be a giant goose again.
Air rushed past Sabrina's ears and suddenly she felt her back tingling again. A moment later she was hanging upside down, inches from the ground. She looked up to find her savior, only to find that her her wasn't a person but a long, furry tail sticking out of the back of her pants. It was wrapped around a beam in the tower a kept her swinging there like a monkey.
Puck floated down to her, his wings flapping softly enough to allow him to hover.
"I bet you think this is hilarious. Look what you did to me with your stupid pranks. I have a tail!" she raged.
Puck's face was trembling. "I'm sorry."
"What?" Sabrina said blankly.
"I almost killed you. I'm sorry, Sabrina," he said, rubbing his eyes on his filthy hoodie. He lifted her off the tower and set her on the ground.
"Since when do you care?" Sabrina said, still stunned by the boy's apology.
”
”
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
“
Or maybe when they do the operation- when they grind and stretch your bones to the right shape, peel off your face and rub all your skin away, and stick in plastic cheekbones so you look like everybody else- maybe after going through all that you just aren't very interesting anymore. -Shay, Uglies
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
Modern womanhood was more about rubbing snail mucus on your face than she had thought it would be. But it had always been something, hadn’t it? Taking drops of arsenic. Winding bandages around the feet. Polishing your teeth with lead. It was so easy to believe you freely chose the paints, polishes, and waist-trainers of your own time, while looking back with tremendous pity to women of the past in their whalebones; that you took the longest strides your body was capable of, while women of the past limped forward on broken arches.
”
”
Patricia Lockwood (No One Is Talking About This)
“
All right," Spook said. He reached to the ground, scooping up a pile of ash. "Let's just rub this into your clothing and on your face...."
Breeze froze. "I'll meet you back ath the lair," he finally said.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
He didn’t hold the door open, instead letting it fly back and knock me in the face.
“Thanks,” I muttered, rubbing my nose.
“You’re welcome,” he said, my sarcasm lost on him as always.
”
”
A. Meredith Walters (Reclaiming the Sand (Reclaiming the Sand, #1))
“
I wanted to be strong when I went back to Persuasion. Strong and beautiful and totally together. I dreamed of the day I’d get to rub all your faces in my sheer awesomeness.
”
”
Susan Donovan (The Girl Most Likely To...)
“
Marry the man who’s going to walk with you through the next fifty or sixty years. Open doors, hold your hand, make your coffee, rub lotion on the cracks of your feet, put you up on a pedestal where you belong. Is he marrying your face and your bottle-blond hair, or will he love you when you look like whoever you’re going to look like in fifty years?
”
”
Charles Martin (The Mountain Between Us)
“
She buried her face in his neck, beard tickling his throat. "I am going to bury you right here," she sobbed. "I'm digging your grave, just so you know."
"I know," he said, rubbing a hand over her back. "I would expect nothing less."
"No one would ever be able to find you! And even if they did, it would be too late and you'd be only bones!"
"Perhaps we can hold off on that, for at least a little while, I have something important to say to all of you."
She sniffled. "Perhaps. But if I don't like what I hear, we come right back and you will climb inside the hole without arguing.
”
”
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
“
God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says.
No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit.
I think you're right, Joe,' I say, but softly enough not to disturb his concentration.
”
”
W.P. Kinsella (Shoeless Joe)
“
Look at me and tell me you don't want me to kiss you. Tell me you don't like it when I do this," he said, running his hand down my arm. "Tell me you don't like it when I touch your face." HE brushed his hands on both of my cheeks, moving up to my forehead and then back down. HE rubbed both thumbs over my lips. "Tell me you don't like it when I do this." He leaned hisjead closer, stopping just short of my lips. "Tell me to stop and I will. You're in charge, Missy.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
In the shower today I tried to think about the best advice I'd ever been given by another writer. There was something that someone said at my first Milford, about using style as a covering, but sooner or later you would have to walk naked down the street, that was useful...
And then I remembered. It was Harlan Ellison about a decade ago.
He said, "Hey. Gaiman. What's with the stubble? Every time I see you, you're stubbly. What is it? Some kind of English fashion statement?"
"Not really."
"Well? Don't they have razors in England for Chrissakes?"
"If you must know, I don't like shaving because I have a really tough beard and sensitive skin. So by the time I've finished shaving I've usually scraped my face a bit. So I do it as little as possible."
"Oh." He paused. "I've got that too. What you do is, you rub your stubble with hair conditioner. Leave it a couple of minutes, then wash it off. Then shave normally. Makes it really easy to shave. No scraping."
I tried it. It works like a charm. Best advice from a writer I've ever received.
”
”
Neil Gaiman
“
--- What is the victory of a cat on a hot tin roof? --- I wish I knew ...
Just staying on it, I guess, as long as she can ...
[More croquet sounds]
Later tonight I'm going to tell you I love you an' maybe by that time you'll be drunk enough to believe me. Yes, they're playing croquet ...
Big Daddy is dying of cancer ...
What were you thinking of when I caught you looking at me like that? Were you thinking of Skipper?
[Brick crosses to the bar, takes a quick drink, and rubs his head with a towel]
Laws of silence don't work ...
When something is festering in your memory or your imagination, laws of silence don't work, it's like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant ....
Get dressed, Brick.
”
”
Tennessee Williams (Cat on a Hot Tin Roof and Other Plays)
“
I got you, love." I rubbed my face along hers and pressed her as tight as I could to my body. "You're mine. You're safe." It was my promise to her, and my declaration of war on whatever demons that dared keep her from me. Keep her from my love.
”
”
Lucian Bane (Dom Wars: Round Three (Dom Wars, #3))
“
A little boy and his friends are being called bastards and bitches by bullies at school. The boy goes home and asks, "Dad, what are bastards and bitches?" And his dad replies, "Bitches are ladies and bastards are gentlemen." Then the boy goes upstairs to see his mom. As he enters the room, he accidentally drops a perfume bottle, and his mom says, "Shit!" "Mom, what is shit?" and she says, "Perfume." So he goes to see his dad (who is carving a chicken), and his dad cuts himself and yells, "Fuck!" The boy asks, "Dad, what does fuck mean?" and dad says "preparing." Then he follows his dad upstairs. A few minutes later his mom and dad are about to have sex when his dad says, "Where are the condoms?" The little boy asks, "What are condoms?" and his father says, "Condoms are coats and jackets." The following night his father invites over some important business clients. The boy opens the door for them and says, "Hello! Please come in, Bastards and bitches. Hang your condoms up here, my mom is upstairs rubbing shit on her face and my dad is downstairs fucking the chicken.
”
”
Various (101 Dirty Jokes - sexual and adult's jokes)
“
The dragon flew up and settled in the crook of Mina’s hood, and quickly became invisible again.
“I don’t trust that thing,” Jared shot back.
“Relax, I find him quite cute. Isn’t that right, Ander?” She held up a finger and felt the invisible dragon rub its face against her.
“Great, you’ve named it, now you’re gonna want to keep it. But I’m telling you that thing better be house-trained.” He turned to the bookshelf and began to pull open the book to open the hidden exit door.
Mina felt Ander leave her shoulder but didn’t let Jared know he was missing. She saw Constance’s teacup float mysteriously above Jared’s head. She clapped her hand over her mouth to contain the laughter. A second later the cup turned over, spilling lukewarm tea on Jared’s unsuspecting head.
“Oh, it better not have just peed on me!” he screamed.
”
”
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
“
Sophie was fine up until the point where she fell flat on her face when she got a look at my delicious abs,” he said and pulled up his shirt rubbing his chiseled stomach.
I blushed and then mocked him, “Delicious huh?”
“Oh yeah,” he said jokingly. “My basement floor is now flooded with your drool.”
-Caeden and Sophie
”
”
Micalea Smeltzer (Outsider (Outsider, #1))
“
I, too, stood on the sacred image. For a moment this foot was on his face. It was on the face of the man who has been ever in my thoughts, on the face that was before me on the mountains, in my wanderings, in prison, on the best and most beautiful face that any man can ever know, on the face of him whom I have always longed to love. Even now that face is looking at me with eyes of pity from the plaque rubbed flat by many feet. « Trample ! » said those compassionate eyes. « Trample ! Your foot suffers in pain ; it must suffer like all the feet that have stepped on this plaque. But that pain alone is enough. I understand your pain and your suffering. It is for that reason that I am here. »
« Lord, I resented your silence. »
« I was not silent. I suffered beside you. »
”
”
Shūsaku Endō (Silence)
“
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit.
It? I ast.
Yeah, It. God ain't a he or a she, but a It.
But what do it look like? I ast.
Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It.
Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate
at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh.
Shug! I say.
Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like.
God don't think it dirty? I ast.
Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration.
You saying God vain? I ast.
Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.
What it do when it pissed off? I ast.
Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.
Yeah? I say.
Yeah, she say. It always making little surprises and springing them on us when us least expect.
You mean it want to be loved, just like the bible say.
Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?
Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall.
Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere.
Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock.
But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it.
Amen
”
”
Alice Walker (The Color Purple)
“
I love you,” he whispered, rubbing his
jaw against her temple. “And you love me. I can feel it when you’re in my arms.” He felt her stiffen slightly
and draw a shaky breath, but she either couldn’t or wouldn’t speak. She hadn’t thrown the words back in his face, however, so Ian continued talking to her, his hand roving over her back. “I can feel it, Elizabeth, but if you don’t admit it pretty soon, you’re going to drive me out of my mind. I can’t work. I can’t think. I make decisions and then I change my mind. And,” he teased, trying to lighten the mood by using the one topic sure to distract her, “that’s nothing to the money I squander whenever I’m under this sort of violent stress. It wasn’t just the gowns I bought, or the house on Promenade...”
Still talking to her, he tipped her chin up, glorying in the gentle passion in her eyes, overlooking the doubt in their green depths. “If you don’t admit it pretty soon,” he teased, “I’ll spend us out of house and home.” Her delicate brows drew together in blank confusion, and Ian grinned, taking her hand from his chest, the emerald betrothal ring he had bought her unnoticed in his fingers. “When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of these in every color.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
But this isn’t just sex for me, Rachel,” Jake adds, his face solemn. “Hell, at this point, I’ll settle for just breathing your air. I’ll rub your feet on the couch after a long day. I’ll do your laundry. I’ll hold your purse while you shop for trail mix. That’s how crazy I am about you. I have to be me, and this is who I am. This is how I feel. Move in and be with me. With us. Whatever that looks like to you, we’ll figure it out. Just give me more than this nothing. I can’t bear another second of the nothing.
”
”
Emily Rath (Pucking Around (Jacksonville Rays, #1))
“
I'm not sure I even believe in marriage," Hadley says and he looks surprised.
"Aren't you on your way to a wedding?"
"Yeah," she says with a nod. "But that's what I mean."
He looks at her blankly.
"It shouldn't be this big fuss, where you drag everyone halfway across the world to witness your love. If you want to share your life together, fine. But it's between two people, and that should be enough. Why the big show? Why rub it in everyone's faces?"
Oliver runs a hand along his jaw, obviously not quite sure what to think. "It sounds like its weddings you don't believe in," he says finally. "Not marriage."
"I'm not such a big fan of either at the moment."
"I don't know," he says. "I think they're kind of nice."
"They're not," she insists. "They're all for show. You shouldn't need to prove anything if you really mean it. It should be a whole lot simpler than that. It should mean something."
"I think it does," Oliver says quietly. "It's a promise."
"I guess so," she says, unable to keep the sigh out of her voice. "But not everyone keeps that promise." she looks over toward the woman, still fast asleep. "Not everyone makes it fifty-two years, and if you do, it doesn't matter that you once stood in front of all those people and said that you would. The important part is that you had someone to stick by you all that time. Even when everything sucked.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
I didn't mean to mess things up, I don't know what got into me-"
He rubs his temples. "Please don't apologize.It's not your fault."
"But if I hadn't dragged you out to dance-"
"Anna." Etienne speaks slowly. "You didn't make me do anything I didn't want to do."
My face grows hot as the knowledge explodes inside of me like dynamite.
He likes me.Etienne really does like me.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
Max, you can change your mind.” His voice was like autumn leaves dropping
lightly onto the ground.
“I don’t know how.”
Then my throat felt tight, and I rubbed my fists against my eyes. I dropped
my face onto my arms, crossed over my knees. This sucked! I wanted to be back
with the oth-
Fang’s hand gently smoothed my hair off my neck. My breath froze in my
chest, and every sense seemed hyperalert. His hand stroked my hair again, so
softly, and then trailed across my neck and shoulder and down my back, making
me shiver.
I looked up. “What the heck are you doing?”
“Helping you change your mind,” he whispered, and then he leaned over,
tilted my chin up, and kissed me.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
There was a tiny box left on the table by the window- a box the Mor lifted, squinted and the name tag, and said, "Az, this one's for you."
The shadowsinger's brows lifted, but his scarred hand extended to take the present.
Elain turned from where she'd been speaking to Nesta. "Oh, that's from me."
Azriel's face didn't so much as shift at the words. Not even a smile as he opened the present and revealed-
"I had Madja make it for me," Elain explained. Azreil's brows narrowed at the mention of the family's preferred healer. "It's a powder to mix in with any drink."
Silence.
Elain bit her lip and then smiled sheepishly. "It's for the headaches everyone always gives you. Since you rub your temples so often."
Silence again.
Then Azriel tipped his head back and laughted.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
I'm not an advocate of promiscuity; but then I'm also not an advocate of being virginal. It's not like I put virginity or celibacy on a pedestal, and as long as I don't get your promiscuity rubbed into my face— I don't care about it! What I do care about is the ability to recognize the sanctity of a union of two souls— you just can't say your soul isn't being united with others' when you have sex with them. So I think you'd better own up to what you're doing— no matter how frequently or infrequently or with how many different people you do it. I mean, make good choices! You are, after all, entwining your soul with another's.
”
”
C. JoyBell C.
“
He sipped again, more deeply. “Is this an interrogation, Lieutenant?” It was the smile in his voice that rubbed her wrong.
“It can be,” she said shortly.
“As you like.” He rose, set his glass aside, and began to unbutton his shirt.
“What are you doing?”
“Getting into the swim, so to speak.” He tossed the shirt aside, unhooked his trousers.
“If I’m going to be questioned by a naked cop, in my own tub, the least I can do is join her.”
“Damn it, Roarke, this is murder.” He winced as the hot water all but scalded him.
“You’re telling me.” He faced her across the sea of froth.
“What is it in me that is so perverse it thrives on ruffling you? And,” he continued before she could give him her short, pithy opinion, “what is it about you that pulls at me, even when you’re sitting there with an invisible badge pinned to your lovely breast?
”
”
J.D. Robb (Glory in Death (In Death, #2))
“
Thank you, baby," he breathes, covering my upturned face in soft feather-light kisses. I open my eyes and gaze up at him, and he wraps his arms tighter around me.
"Your cheek is pink from the baize," he murmurs, rubbing my face tenderly. "How was that?" His eyes are wide and cautious.
"Teeth-clenchingly good," I mutter. "I like it rough, Christian, and I like it gentle, too. I like that it's with you."
He closes his eyes and hugs me even tighter.
”
”
E.L. James
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
When people are broken on the outside, society is taught to never be rude to them. When people are broken on the inside, society is taught to rub happiness in their faces and show them how perfect life should be. When someone has half of an arm, you are not supposed to go up to them and show them how great of an arm wrestler you are. But when someone has a broken mind or a broken soul, you're taught to go up to them and tell them to look for joy in everything. Society has a very long way to go in terms of what it means to heal this world's broken people.
”
”
C. JoyBell C.
“
There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of one’s own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)
“
My hand touches his cheek. “You want me to keep fighting this?”
His eyes close as he rubs his face in my palm. “I love watching your walls crumble. I love watching your reasons diminish. I’m really going to enjoy it when you finally realize just how much you want me.” His voice drops, and he looks at me again, serious this time. “Because make no mistake— you’ll want me. I’m makin’ damn sure of it.
”
”
Corinne Michaels (Say You Want Me (The Hennington Brothers, #2))
“
I'm sorry." Her voice cracked. "McKenna-"
"Not sorry enough." He pressed his wet face to hers, his mouth rubbing over her cheeks and chin in feverish, rough half kisses, as if he wanted to devour her. "Not nearly enough. You say you've had to live without your heart...how would you like to lose your soul as well? I've cursed every day I've had to live without you, and every night that I spent with another woman, wishing that it was you in my arms-"
"NO-" she moaned.
"Wishing," he continued fiercely, "for some way to stop the memories of you from eating away at me until there was nothing left inside. I've found no peace anywhere, not even in sleep. Not even in dreams..." He broke off and assaulted her with hungry, shuddering kisses. The taste of his tears, his mouth, made Aline disoriented and hot, her head reeling from shocks of pleasure. McKenna seemed possessed by a passion that bordered on violence, his lungs wracked with hard breaths, his hands tightening with a force that threatened to leave bruises on her tender flesh. "By God," he said with the vehemence of a man to whom entirely too much had happened, "In the past few days I've suffered the torments of the damned, and I've had enough!
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
I stopped at a red light, turned my head, and allowed myself to enjoy the handsomeness that was Brent.
He noticed my staring and asked, "What?"
"As if you don't know. You're not the type of guy that a girl gets tired of looking at."
"Oh. Well in that case, you're welcome to look all you want," he said and gestured to himself. "You're allowed to touch, too." He wiggled his eyebrows suggestively.
I lowered my voice into its sexy-husky range. "I was hoping you'd say that." With my flirtiest look on my face, I rubbed my hand slowly up his arm and then pinched him firmly on the shoulder.
"Ow!" Brent rubbed his shoulder and grinned. "Not what I had in mind!
”
”
Lani Woodland (Indelible (The Yara Silva Trilogy, #2))
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
you can do all sorts of stuff that full-grown wizards can't, Viktor always said --"
Ron looked around at her so fast he appeared to crick his neck; rubbing it, he said, "Yeah? What did Vicky say?"
"Ho ho," said Hermione in a bored voice. "He said Harry knew how to do stuff even he didn't, and he was in the final year at Durmstrang."
Ron was looking at Hermione suspiciously.
"You're not still in contact with him are you?"
"So what if I am?" said Hermione coolly, though her face was a little pink. "I can have a pen pal if I --"
"He didn't only want to be your pen pal," said Ron accusingly.
Hermione shook her head exasperatedly and ignored Ron, who was continuing to watch her.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Great!” I rubbed my hands together. “Which one first?”
Anders’s eyebrows rose. “Tory, that’s a hefty request. Those machines are extremely expensive. We rarely log time on them for side projects.” He pauses, lips pursed. “Your teacher couldn’t have reasonably expected you to conduct a full microscopic analysis. How would you? I think you’ll be okay with just the swab.”
“Of course we will.” Hi elbow-jabbed my side. “Tory’s such a kidder. Let’s run the mass spectrometer.” He flashed a “get a load of this guy” face at Anders while aiming a thumb back at me. “What a joker!
”
”
Kathy Reichs (Code (Virals, #3))
“
A few minutes after discovering we had a goal but no plan, Brent was laughing heartily at a pathetic joke I had made. It reminded me of the first
day on campus when I had thought his laughter sounded like a melody. It did now, even more so. It was music, beautiful, in a manly way, like a
sensual, slow jazz. I loved jazz.
“Jazz, huh?” Brent asked, his voice suddenly husky.
“Uh . . . what?”
“My laugh reminds you of jazz? Is there anything about me you don’t find attractive?” He rubbed his hand over his lips trying to cover his smirk.
“So tell me, how much do you love jazz?”
I’m sure my face was pinker than the inside of a watermelon. “I didn’t say any of that.”
“You didn’t have to say it, Yara, I could hear it.” Brent tapped the side of his head. “I can hear your thoughts.”
“You’re not serious.”
“Oh, but I am,” he said, completely straight-faced.
”
”
Lani Woodland (Intrinsical (The Yara Silva Trilogy, #1))
“
I was just wishing for you," he said. "And here you are."
"Must be your lucky day, Ace."
"Eve." He lifted a hand, not quite steady, skimmed his fingers along her jaw. "Eve," he said again, and his arms were around her, banded like steel as he lifted her off her feet. "Oh God. Eve."
She felt the shudder run through him as he buried his face in her hair, against the curve of her neck. And knew she'd been right to come. Whatever else there was, she'd been right to come.
"Everything's okay now." To soothe, she ran her hands over his back. "It's okay."
"You landed in a field of cows, in a jet-copter."
"You're telling me?"
He rubbed his hands up and down her arms before linking them with hers and easing back to look at her face. "You must love me madly."
"I must."
His eyes were wild and beautiful, his lips warm and tender as he pressed them to her cheeks. "Thank you."
"You're welcome, but you missed a spot." She found his mouth with hers and let him sink in. When she felt the heat, the punch, her lips curved against his. "That's better.
”
”
J.D. Robb (Portrait in Death (In Death, #16))
“
He’d spent the night in the boat. Next to the spaghetti queen.
William glanced at the hobo girl. She sat across from him, huddled in a clump. Her stench had gotten worse overnight, probably from the dampness. Another night like the last one, and he might snap and dunk her into that river just to clear the air.
She saw him looking. Dark eyes regarded him with slight scorn.
William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.”
She stuck her tongue out.
“Maybe after you’re clean,” he said.
Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead.
Now what?
The girl showed him her stained finger and reached toward him slowly, aiming for his face.
“No,” William said. “Bad hobo.”
The finger kept coming closer.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
Jason and Ferrin turned. Aram, face shiny with sweat, pulled a small pair of pants over his skinny legs. His shrunken hands trembled.
Ferrin struggled not to smile. He was unsuccessful.
Ferrin's involuntary grin forced Jason to bite his lip to keep from laughing. Ferrin noticed and began to shake, eyes watering.
Aram hastily pulled on a shirt. Then he folded his arms, glaring grumpily up at the others. "Go ahead, let it out, have a good laugh."
They did.
Feeding off each other, magnified by the knowledge that their laughter was so inappropriate, their mirth was uncontrollable. Ferrin buried his face, attempting to compose himself. Jason stared at the ground, trying to summon sober thoughts.
"We need to go," Aram said indignantly, clambering up onto his suddenly oversized horse. Atop the huge stallion, he looked like a little jockey.
Jason coughed out a final laugh.
Ferrin shook quietly, wiping tears from flushed cheeks.
"Finished?" Aram asked. "You two are ruthless." He looked down at himself. "I guess it's quite a contrast."
"We don't mean to rub it in," Jason apologized. "We've already seen you both ways. It isn't that big of a deal."
"It doesn't help that you're so shy about it," Ferrin tried to explain. "It was more your expression than anything."
"Let's leave it behind us," Aram said, nudging his horse with his heels. The stallion didn't respond.
Ferrin buried his face in the crook of his arm. Jason ground his teeth.
”
”
Brandon Mull (Seeds of Rebellion (Beyonders, #2))
“
God does not exist, as neither does our hereafter, that second bogey being as easily disposed of as the first. Indeed, imagine yourself just dead—and suddenly wide awake in Paradise where, wreathed in smiles, your dear dead welcome you.
Now tell me, please, what guarantee do you possess that those beloved ghosts are genuine; that it is really your dear dead mother and not some petty demon mystifying you, masked as your mother and impersonating her with consummate art and naturalness? There is the rub, there is the horror; the more so as the acting will go on and on, endlessly; never, never, never, never, never will your soul in that other world be quite sure that the sweet gentle spirits crowding about it are not fiends in disguise, and forever, and forever, and forever shall your soul remain in doubt, expecting every moment some awful change, some diabolical sneer to disfigure the dear face bending over you.
”
”
Vladimir Nabokov (Despair)
“
I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love?
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Ariel looked at her then, instead of the sky, instead of the horizon that surely beckoned to him. “Out of a thousand different winds, I think I can resist nine hundred and ninety-nine of them.
Now she was the one unable to swallow. “And the last one?”
"That one wrenches the beating heart from my chest, the blood from my veins, the marrow from my bones.” Grasping her hand, he brought it up to his face and rubbed it against his cheek. Pain radiated from his pale skin, from his eyes, from his lips when they grazed her knuckles. “You’ve two birds to do your bidding, my fair huntress, but I want you to choose me, to love me above all others, to make the pain in my soul worthwhile… or I would be free of you.
”
”
Lisa Mantchev (So Silver Bright (Théâtre Illuminata, #3))
“
Sorry about the question thing," Butch said to the black robes. "But I just... I'm glad I know what's in my veins. And honestly, if I die today, I'm grateful I finally know what I am." He took Marissa's hand. "And who I love. If this is where my life took me after all those years of being lost, I'd say my time here wasn't wasted."
There was a long silence. Then the Scribe Virgin said, "Do you regret that you leave behind your human family?"
"Nope. This is my family. Here with me now and elsewhere in the compound. Why would I need anything else?" The cursing in the room told him he'd thrown another question out there. "Yeah.. ah, sorry-"
A soft feminine laugh came from under the robes. "You are rather fearless,human."
"Or you could call it stupid." As Wrath's mouth fell open, Butch rubbed his face. "You know, I'm trying here. I really am. You know, to be respectful."
"Your hand, human."
He offered his left, the one that was free.
"Palm up," Wrath barked.
He flipped his hand over.
"Tell me, human," the Scribe Virgin said, "if I asked for the one you hold this female with, would you offer it to me?"
"Yeah. I'd just reach over to her with the other guy." As that little laugh came again, he said, "You know, you sound like birds when you do that chuckle thing. It's nice."
Over to the left, Vishous put his head in his hands.
There was a long silence.
Butch took a deep breath. "Guess I'm not allowed to say that.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.
”
”
Kiran Manral (The Face at the Window)
“
Keep his mind on the inner life. He thinks his conversion is something inside him, and his attention is therefore chiefly turned at present to the state of his own mind--or rather to that very expurgated version of them which is all you should allow him to see. Encourage this. Keep his mind off the most elementary duties of directing it to the most advanced and spiritual ones. Aggravate the most useful human characteristics, the horror and neglect of the obvious. You must bring him to a condition in which he can practise self-examination for an hour without discovering any of those facts about himself which are perfectly clear to anyone who has ever lived in the same house with him or worked in the same office.
2. It is, no doubt, impossible to prevent his praying for his mother, but we have means of rendering the prayers innocuous. Make sure that they are always very 'spiritual', that is is always concerned with the state of her soul and never with her rhuematism. Two advantages will follow. In the first place, his attention will be kept on what he regards are her sins, by which, with a little guidance from you, he can be induced to mean any of her actions which are inconvenient or irritating to himself. Thus you can keep rubbing the wounds of the day a little sorer even while he is on his knees; the operation is not at all difficult and you will find it very entertaining. In the second place, since his ideas about her soul will be very crude and often erroneous, he will, in some degree, be praying for an imaginary person, and it will be your task to make that imaginary person daily less and less like the real mother--the sharp-tongued old lady at the breakfast table. In time you may get the cleavage so wide that no thought or feeling from his prayers for the imagined mother will ever flow over into his treatment of the real one. I have had patients of my own so well in hand that they could be turned at a moment's notice from impassioned prayer for a wife's or son's soul to beating or insulting the real wife or son without any qualm.
3. When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face whice are almost unedurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother's eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy--if you know your job he will not notice the immense improbablity of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this is easily managed.
”
”
C.S. Lewis (The Screwtape Letters)
“
This is it
I’m not coming after you
I’m going to lie down for half an hour
This is it
I’m not going down
On your memory
I’m not rubbing my face in it anymore
I’m going to yawn
I’m going to stretch
I’m going to put a knitting needle
Up my nose
And poke out my brain
I don’t want to love you
For the rest of my life
I want your skin
To fall off my skin
I want my clamp
To release your clamp
I don’t want to live
With this tongue hanging out
And another filthy song
In the place
Of my baseball bat
This is it
I’m going to sleep now darling
Don’t try to stop me
I’m going to sleep
I’ll have a smooth face
And I’m going to drool
I’ll be asleep
Whether you love me or not
This is it
The new world order
Of wrinkles and bad breath
It’s not going to be
Like it was before
Eating you
With my eyes closed
Hoping you won’t get up
And go away
It’s going to be something else
Something worse
Something sillier
Something like this
Only shorter
”
”
Leonard Cohen (Book of Longing)
“
We’re the blue line, sir, and that will resonate on-screen. But Peabody is the face, the very human element. And she would symbolize who we are, contrast sharply against what Renee Oberman is.”
He rubbed his chin, and his lips curved a little above his fingers. “You can carve out an angle like that, an excellent angle, and believe the idea of your ass in the chair someday down the road is terrifying?” He waved off her response before she could make it. “I should have thought of it myself, should have thought it through exactly that way. I’ll contact Furst.”
Something inside her unknotted. “Thank you, sir.”
“Don’t thank me. I’m wondering why I haven’t assigned you to Media and PR.”
“Because, sir, I hope I’ve done nothing to deserve that kind of punishment.
”
”
J.D. Robb (Treachery in Death (In Death, #32))
“
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation.
you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser.
do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on.
do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.
this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition.
the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence.
avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
”
”
Leonard Cohen (Death of a Lady's Man)
“
Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll—
Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils?
Did I break the king?
He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter.
I feel my limbs grow tight, my face grow hot, anger pooling into every muscle.
“What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter.
He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs.
And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact?
I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it.
“I’ve an inclination to kill again,” I say, glaring at him.
Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head.
“My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!”
I swallow, thoroughly confused. “You’re not going to hang me?”
“Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.
”
”
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
“
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I’d ever make. It would make my life worth living or it would crush me against stony rocks and break me utterly. Perhaps the wise thing to do would be to slow things down. Being friends would be so much simpler.
Ren came back, picked up my empty dinner packet, and stowed it in the backpack. Sitting down across from me, he asked, “What are you thinking about?”
I kept staring glassily at the fire. “Nothing much.”
He tilted his head and considered me for a moment. He didn’t press me, for which I was grateful-another characteristic I could add to the pro relationship side of my mental list.
Pressing his hands together palm to palm, he rubbed them slowly, mechanically, as if cleaning them of dust. I watched them move, mesmerized.
“I’ll take the first watch, even though I really don’t think it’ll be necessary. I still have my tiger senses, you know. I’ll be able to hear or smell the Kappa if they decide to emerge from the water.
“Fine.”
“Are you alright?”
I mentally shook myself. Sheesh! I needed a cold shower! He was like a drug, and what did you do with drugs? You pushed them as far away as possible.
“I’m fine,” I said brusquely, then got up to dig through the backpack. “You let me know when your spidey-senses start to tingle.”
“What?”
I put my hand on my hip. “Can you also leap tall buildings in a single bound?”
“Well, I still have my tiger strength, if that’s what you mean.”
I grunted, “Fabulous. I’ll add superhero to your list of pros.”
He frowned. “I’m no superhero, Kells. The most important consideration right now is that you get some rest. I’ll keep an eye out for a few hours. Then, if nothing happens,” he said with a grin, “I’ll join you.”
I froze and suddenly became very nervous. Surely, he didn’t mean what that sounded like. I searched his face for a clue, but he didn’t seem to have any hidden agenda or be planning anything.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles."
“We’re doing all right.”
“We’re sitting in this huge moldy room. It’s like we’re flung back.”
“We have heat, we have light.”
“These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?”
“‘Boil your water,’ I’d tell them.”
“Sure. What about ‘Wash behind your ears.’ That’s about as good.”
“I still think we’re doing fairly well. There was no warning. We have food, we have radios.”
“What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.”
“There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.”
“They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.
”
”
Don DeLillo (White Noise)
“
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak.
“Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet.
Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird.
Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue.
Bright, brilliant, shimmering blue.
Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color.
“Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!”
I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?”
He caws mournfully, still pulling at his own feathers.
“Finn.”
He puts his hands behind his back, trying to look innocent. “What? He deserved it.”
“He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?”
His voice comes out just a tad petulant. “He started it.
”
”
Kiersten White (Illusions of Fate)
“
You asked what my intentions are, Mrs. Brenner, and I would like to answer your question.” Dibs opened his mouth as if preparing to argue and she glared at him from across the table. Did he really think not to let her state her case in front of his family? He snapped his mouth shut and briskly rubbed a palm across his forehead before tossing that same hand in the air. “My intentions are these.” She gathered her thoughts, folding her hands in her lap. “When David is sad, I intend to make him happy. When he is ill, I intend to make him well. When he is angry or upset, I intend to listen and find the words to make him feel better. When he is depressed, I intend to bring him joy, and when he is hurt, I intend to find the source of his pain and take it away from him.” She bridged the distance to Dibs’s devoted gaze, and radiant love crested the last barricade surrounding her heart. “You see, Mr. and Mrs. Brenner, I’m in love with your son. But I don’t want anything from him. You don’t need to worry because my only intention is to give to him. That’s the way it’s supposed to be when you love someone, isn’t it? To think only of their needs, instead of your own?” She broke off from Dibs and faced his mother. “Those are my intentions, Mrs. Brenner. I hope you find them satisfactory.
”
”
A.J. Nuest
“
What's going on between us?"
I don't know. I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love? "I want you."
"Do you? Really? Because these scars are sexy."
How did she see her self? "I don't give a fuck about your scars."
She stalked toward me, hips swaying side to side, eyes hardened with anger. Echo pushed her body agaist mine, parts of her fitting perfectly into parts of me. I swore under my breath, fighting for control over my body.
"How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?"
She pulled away from me, leaving my body cold after experiencing her warmth. "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?"
Her anger only fed mine. "For the last time I don't give a fuck about your scars."
"Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?"
She'd summed me up perfectly. I didn't love people-only my brothers. Echo deserved more. Better than me. One shot. Take it or go home. Kiss her and risk an attachment or leave her and watch some other guy enjoy what could have been mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I poisoned my skin,” Genya said harshly, “my lips. So that every time he touched me—” She shuddered slightly and glanced at David. “Every time he kissed me, he took sickness into his body.” She clenched her fists. “He brought this on himself.”
“But the poison would have affected you too,” Nikolai said.
“I had to purge it from my skin, then heal the burns the lye would leave. Every single time.” Her fists clenched. “It was well worth it.”
Nikolai rubbed a hand over his mouth. "Did he force you?"
Genya nodded once. A muscle in Nikolai's jaw ticked.”
-//-
She held up her hands, warding us off. “I don’t want your pity,” she said ferociously. Her voice was raw, wild. We stood there helplessly. “You don’t understand.” She covered her face with her hands. “None of you do.”
“Genya—” David tried.
“Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.”
I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.”
“What does that have to do with anything?” Genya cried.
David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Slowly the lights of the torches in front of Merry flicked and went out, and he was walking in a darkness; and he thought: ‘This is a tunnel leading to a tomb; there we shall stay forever.’ But suddenly into his dream there fell a living voice.
‘Well, Merry! Thank goodness I have found you!’
He looked up and the mist before his eyes cleared a little. There was Pippin! They were face to face in a narrow lane, but for themselves it was empty. He rubbed his eyes.
‘Where is the king?’ He said. ‘And Eowyn?’ Then he stumbled and sat down on a doorstep and began to weep again.
‘They must have gone up into the Citadel,’ said Pippin. ‘I think you must have fallen asleep on your feet and taken the wrong turning. When we found out you were not with them, Gandalf sent me to look for you. Poor old Merry! How glad I am to see you again! But you are worn out, and I won’t bother you with any talk. But tell me, are you hurt, or wounded?’
‘No,’ said Merry. ‘Well, no, I don’t think so. But I can’t use my right arm, Pippin, not since I stabbed him. And my sword burned away like a piece of wood.’
Pippin’s face was anxious. ‘Well, you had better come with me as quick as you can,’ he said. ‘I wish I could carry you. You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from battle is easily overlooked.’
‘It’s not always a misfortune being overlooked,’ said Merry. ‘I was overlooked just now by—no, no, I can’t speak of it. Help me, Pippin! It’s all going dark again, and my arm is so cold.’
‘Lean on me, Merry lad!” said Pippin. ‘Come now. Foot by foot. It’s not far.’
‘Are you going to bury me?’ said Merry.
‘No, indeed!’ said Pippin, trying to sound cheerful, though his heart was wrung with fear and pity. ‘No, we are going to the Houses of Healing.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Finding her voice at last, she asked, “What dreams are you having, sir?”
“I dreamt I was in a spring field and a woman stands in the shadows just at the edge of the nearby forest. I haven’t yet seen her face, only her long beautiful hair. I always wake too soon.” He reached up to touch the hawk touchstone around his throat as he described his dream, rubbing it absently between his fingers.
Lily lowered her lashes to hide her astonishment. “When you see someone in a dream but cannot see their face, it means you haven’t met them yet,” she explained.
“Then perhaps I’ll dream of her again tonight and this time I’ll see her face.” He smiled, reaching across the table to take her left hand and lift it to his lips. “My name is Ian Kelly, and it would give me the greatest pleasure to know yours.”
“Lily Evans. Around here I go by Raven.” She raised a shoulder, indicating the gypsy tent.
“Lily--indeed, a most beautiful name. Now tell me,” he stared pointedly at her hand, “I see no ring that another has claimed you as his, so my confidence is strengthened. Look at your cards again, milady, and tell me if you see me in your future…
”
”
Shannon MacLeod (The Celtic Knot: Suit of Cups (Arcana Love Vol. 1))
“
One thing he would tell me, though, he said, had to do with babies. Not that he was any kind of expert, but for a brief while, long ago, he had cared for his son, and that experience more than any other had taught him the importance of following your instincts. Tuning in to the situation with all your five senses, and your body, not your brain. A baby cries in the night, and you go to pick him up. Maybe he’s screaming so hard his face is the color of a radish, or he’s gasping for breath, he’s got himself so worked up. What are you going to do, take a book off the shelf, and read what some expert has to say?
You lay your hand against his skin and just rub his back. Blow into his ear. Press that baby up against your own skin and walk outside with him, where the night air will surround him, and moonlight fall on his face. Whistle, maybe. Dance. Hum. Pray.
Sometimes a cool breeze might be just what the doctor ordered. Sometimes a warm hand on the belly. Sometimes doing absolutely nothing is the best. You have to pay attention. Slow things way down. Tune out the rest of the world that really doesn’t matter. Feel what the moment calls for.
”
”
Joyce Maynard (Labor Day)
“
That looks cozy," I said in a timid voice.
He turned at the sound and-taking in my appearance-immediately spit hot chocolate all over.
"What?" I demanded.
With an obvious effort to compose himself, he forced his lips into a frown and wiped his chin with the back of his hand. "Breathtaking."
I raised an eyebrow,and his lips started to quiver, and then there was no stopping him. The laughter came in waves.
"Well,that's not exactly the reaction I was going for," I said.
"Isn't it?" he said, gasping for breath.
I put my hand on my hip and tapped my foot as he inhaled deeply and rubbed his eyes with the palm of his hand. "Finished?" I asked.
He shook his head. "I love you."
"I'm sorry?"
"You heard me." He stood and walked toward me.
I glanced down at my sweats,and then back at his face. "Did you not notice my getup?"
He halved the distance between us. "Oh yeah. I noticed," he said,like it was the sexiest thing he'd ever seen. His lips curled up into a smile.
"Okay,so that's not the reaction I was going for either," I said,taking a small step backward as he closed the gap between us.
He grabbed my hands in his and his grin disappeared. "Becks.I think I know what you're worried about,but I meant what I said.I love you. And I would never push you."
My entire body turned red. "But don't you mythological higher beings-" I tried to remember how Jules had put it-"need...the...um..."
Jack looked confused,and then he chuckled. "Please don't even try to finish that sentence.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
If he scratches my baby . . .” Ben tried to scowl, but it didn’t take. He seemed relieved. And still hadn’t let go of my hand.
I heard a shoe scuff the ground. Shelton and Hi were standing across from Ben and me.
Shelton took a deep breath. “So it’s like that, huh?”
“Guys.” I felt my stomach lurch. “I know this is weird. Ben and I, we—”
Hi’s face was pained. “I don’t even get a chance? No shot to say how I feel?”
My head jerked back. “What?”
“So it’s all decided.” Shelton sullenly kicked a rock, his voice resentful. “What does Ben have that I don’t?”
I stared, openmouthed.
Hi dropped to a knee and pinned me with solemn eyes. “I can’t hide it anymore, Victoria. You need to know the truth. I love you, too. Forever and ever. I want to be your sweet babushka.”
My mind reeled. “Hi, I . . . I didn’t—”
“I’m gonna wring your stupid necks.” Ben’s face was burning.
Hi burst out laughing, rolling away from his kick. I glanced at Shelton, who was trying—and failing—to hold it together.
“I love you, Tory Brennan!” Hi bounced to his feet, ready to bolt at Ben’s slightest twitch. “Let me rub your supple feet!”
I covered my face with both hands. “Oh God.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Stop that." Mortified, she reached out to slam the door shut. "Somebody could come in." "Then stop squirming," he suggested, and gently peeled back the bandage. He nodded in approval. "You did a decent job." Even as she hissed at him, he lowered his head and touched his lips to the cut. "All better," he said with a grin just as the door opened. Peabody gaped, flushed, then
stammered out, "Excuse me." "Just leaving," Roarke said, patting the bandage back in place while Eve ground her teeth. "How did you come through this
morning's excitement, Peabody?" "Okay, it was... well, actually." She cleared her throat and shot him a hopeful glance. "I got this little nick right here." She rubbed her finger at her jawline, heart fluttering pleasantly when he
smiled at her. "So you do." He stepped to her, angled his head, and touched his lips to the tiny cut. "Take care of yourself." "Man, man, oh man," was the best she could manage when he'd left. "He's got such a great mouth. How do you stop yourself from just biting it?" "Wipe the drool off your chin, for Christ's sake. And sit down. We've got a report to write for the
commander." "I almost got blown up and got kissed by Roarke all in the same morning. I'm writing it on my calendar." "Settle down." "Yes, sir." She took out her log and got to work. But with a smile on her face.
”
”
J.D. Robb (Loyalty in Death (In Death, #9))
“
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.”
I blushed and grumbled, “Well, I’m glad someone enjoyed it.”
He smiled smugly and said, “I did.”
I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand.
“Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.”
He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.”
I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come”
“Why did you come?”
“I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed.
He grinned lopsidedly. “I would have missed you too.”
I wrung the hem of my shirt between my hands.
Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“
I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation.
Softly, I asked, “When will you change into a tiger?”
“Soon.”
“Does it hurt?”
“Not as much as it used to.”
“Do you understand me when you are a tiger? Can I still speak to you?”
“Yes, I’ll still be able to hear and understand you.”
I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.”
“I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.”
“Ren?”
“Yes?”
“The jungle frightens me, and this situation frightens me.”
He let go of the apron string and looked into my eyes. “I know.”
“Ren?”
“Yes?”
“Don’t…leave me, okay?”
His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.”
I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
In her fantastic mood she stretched her soft, clasped hands upward toward the moon.
'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.'
Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand.
The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously.
"Music! more music!" she cried.
Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream.
The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
”
”
Barry Pain (Ghostly By Gaslight)
“
In your madness you said you loved me," she murmured shyly.
His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers.
Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth."
Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?"
"Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?"
...
"I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping."
Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke.
"My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love."
Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more."
Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
”
”
Kathleen E. Woodiwiss (Shanna)
“
Atticus adjusted his glasses as he peered down at the blanket. “Hey, is that the book Nellie told us about?”
Jake’s eyes flicked to Olivia’s book. “You’ve got it outside in the sun? Are you out of your minds?”
Amy crossed her arms. “We’re being careful.”
“It’s not about careful, this is a five-hundred-year-old manuscript! You should be wearing gloves—Atticus brought some—and keeping it out of the sunlight.”
“It didn’t take you long to start barking orders!” Any exclaimed, her face flushing. “But then you always know best, don’t you?”
“Somebody has to be mature in this situation,” Jake said, his gaze flashing at Ian, who was now intently trying to brush cookie crumbs off his pants.
“True. In that case, we’d rather consult your little brother,” Ian said with a smirk. “Medieval manuscripts are his field, am I right?”
“Technically, it’s early Renaissance,” Jake said.
“Thanks for the correction, my good man. Amy is right—you do know best.” Ian slipped his arm around Amy. “She’s so perceptive. One of the many things I adore about her.”
“It’s getting chilly. Why don’t we go inside?” Amy suggested brightly as she tried to step out of the circle of Ian’s arm.
Ian took the opportunity to rub her shoulder. “You do feel rather cold,” he said. “Let’s sit by the fire. Jake, since you’re so interested in proper handling, why don’t you take the book?”
Jake snatched up the book and furiously stomped off toward the house.
“You forgot to wear gloves!” Ian called after him.
Amy pushed him away. “Really, Ian.”
“What a touchy guy,” Ian said. “Frankly, I don’t know what you see in him.”
He winced as the kitchen door slammed, then glanced at Amy’s red face. “Hmmm. It might be a good time for me to take a walk.
”
”
Jude Watson (Nowhere to Run (The 39 Clues: Unstoppable, #1))
“
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly.
Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.”
“And they said?”
“Mom said, ‘Have a nice time, dear.’ Dad just looked at me.”
“Embarrassing much?”
“Worth it.”
He walks slowly over, his eyes locked on mine, then puts his hands around my waist.
“Um. So . . . are we going to study?” My tone’s deliberately casual.
Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt.
In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor.
“Sorry!” he says, and we both freeze, even though no one’s home to hear the sound.
In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack.
In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again.
But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.”
Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me.
Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?”
“I don’t know. That’s all that Mr. Kadam told me.”
He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.”
He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren.
Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?”
I just smiled back stupidly. He quirked an eyebrow at me.
“What were you thinking about just now?”
“Nothing important.”
He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.”
Gads. His smile was brilliant, even in the fog. I laughed nervously.
“If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.”
He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.”
The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.”
He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.”
He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head.
Disappointed that he’d stopped, I asked, “What does rajkumari mean?”
He laughed quietly, carefully set me down, and said, “It means princess.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose.
Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here."
"Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man."
Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench."
"I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat."
Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone."
The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya."
"Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet."
...
The one-eyed man said softly, "Think - somebody'd like - me?"
"Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.
”
”
John Steinbeck (The Grapes of Wrath)
“
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
”
”
Robert Jordan
“
When I took it off, I glanced in the mirror behind the dresser, and I nearly screamed when I saw the reflection. Finn was sitting behind me on the bed. His eyes, dark as night, met mine in the mirror, and I could hardly breathe.
"Finn!" I gasped and whirled around to look at him. "What are you doing here?"
"I missed your birthday," he said, as if that answered my question. He lowered his eyes, looking at a small box he had in his hands. "I got you something."
"You got me something?" I leaned back on the dresser behind me, gripping it.
"Yeah." He nodded, still staring down at the box. "I picked it up outside of Portland two weeks ago. I meant to get back in time to give it to you on your birthday." He chewed the inside of his cheek. "But now that I'm here, I'm not sure I should give it to you at all."
"What are you talking about?" I asked.
"It doesn't feel right." Finn rubbed his face. "I don't even know what I'm doing here."
"Neither do I," I said. "Don't get me wrong. I'm happy to see you. I just...I don't understand."
"I know." He sighed. "It's a ring. What I got you." His gaze moved from me to the engagement ring sitting on the dresser beside me. "And you already have one."
"Why did you get me a ring?" I asked tentatively, and my heart beat erratically in my chest. I didn't know what Finn was saying or doing.
"I'm not proposing to you, if that's what you're asking." He shook his head. "I saw it and thought of you. But now it seems like poor taste. And here I am, the night before your wedding sneaking in to give you a ring."
"Why did you sneak in?" I asked.
"I don't know." He looked away and laughed darkly. "That's a lie. I know exactly what I'm doing, but I have no idea why I'm doing it."
"What are you doing?" I asked quietly.
"I..." Finn stared off for a moment, then turned back to me and stood up.
"Finn, I-" I began, but he held up his hand, stopping me.
"No, I know you're marrying Tove," he said. "You need to do this. We both know that. It's what's best for you, and it's what I want for you." He paused. "But I want you for myself too."
All I'd ever wanted from Finn was for him to admit how he felt about me, and he'd waited until the day before my wedding. It was too late to change anything, to take anything back. Not that I could have, even if I wanted to.
"Why are you telling me this?" I asked with tears swimming in my eyes.
"Because." Finn stepped toward me, stopping right in front of me.
He looked down at me, his eyes mesmerizing me the way they always did. He reached up, brushing back a tear from my cheek.
"Why?" I asked, my voice trembling.
"I needed you to know," he said, as if he didn't truly understand it himself.
He set the box on the dresser beside me, and his hand went to my waist, pulling me to him. I let go of the dresser and let him. My breath came out shallow as I stared up at him.
"Tomorrow you will belong to someone else," Finn said. "But tonight, you're with me.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood."
He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest.
The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?"
I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always."
Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled.
"Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked.
"Yes," Rob said. "I will."
"You have the rings?" the priest asked Rob.
"I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him.
Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger.
He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you."
The priest coughed. "Say the words, my son, and you will marry her."
Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…”
A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…”
When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment.
“What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.”
Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her.
Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.”
The image was so absurd that Elizabeth chuckled.
Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped.
Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I-“ she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant-“
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.”
“I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm.
She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances.
“Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.”
Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?”
“What about it?” she asked.
“I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.”
She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby.
“Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.”
“Obviously,” came a deep, gruff voice that cut like a knife.
Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said.
Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind.
“Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?”
“What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?”
His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice.
Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her.
Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
What did you think when I first told you about the animals I found?”
He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.”
She made a face at him. “Didn’t you think it was creepy? Or that I was weird?”
“Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.”
Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt?
She tried again. “Did you ever tell anyone? Does your mom know?”
He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.”
He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair.
He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could.
It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him.
His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?”
She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first.
“Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation.
He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.”
“I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.”
He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.”
She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing.
But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))