Is A Speech Underlined Or In Quotes

The form of observation , which underlines all speech and language development, always expresses a peculiar spiritual character , a special way of conceiving and apprehending. The difference between the several languages, therefore, is not a matter of different sounds and marks, but of different world conceptions.

The speeches revealed his public face—articulate, championing an end to slavery—but the notes he’d written in the margins of the essay were more personal, more private. This was the man uncensored. Each jotted word, each underlined sentence, gave her a glimpse of who he was. His thoughts, his opinions, his values—all were laid out for her to see.

I have underlined words and sentences in one of the Bibles that has always been my study Bible, but when I look at those words and sentences now, I can’t remember why they were underlined. One day I was rereading a short story by Joanne Greenberg, and I came across a long passage that I had marked off, but as I looked at it, I couldn't remember why. Perhaps I had meant to ask her about it the next time we talked on the phone, but now I have no idea what it could be that I wanted to ask her. My Revised Standard version of the Bible is filled with markings, for I have gone through it word for word with study groups at least four times, and of course, I have used it on various occasions to begin speeches. I know that the underlined passages served some purpose, but here and there are verses that have no special meaning to me. It is almost as if a friend had secretly opened the book and made some markings just to tease me. What was the spirit trying to say to me then that I no longer need to hear? Or, what was I listening for then that I no longer care about?

In The Acharnians of 425 B.C., for example, the protagonist arranges a separate peace treaty with the Spartans for himself and his family while humiliating a character who portrays one of Athens’s prominent military commanders of the time. In other words, the triumphant hero in this play was a traitor who got away with betraying Athens. The play won first prize in competition for comedies that year, a fact that underlines the strength of the freedom of public speech in Classical Age Athens and suggests just how much many citizens yearned to end the war and return to “normal” life.

Another important way in which the erotic connection functions is the open and fearless underlining of my capacity for joy. In the way my body stretches to music and opens into response, hearkening to its deepest rhythms, so every level upon which I sense also opens to the erotically satisfying experience, whether it is dancing, building a bookcase, writing a poem, examining an idea. That self-connection shared is a measure of the joy which I know myself to be capable of feeling, a reminder of my capacity for feeling. And that deep and irreplaceable knowledge of my capacity for joy comes to demand from all of my life that it be lived within the knowledge that such satisfaction is possible, and does not have to be called marriage, nor god, nor an afterlife.

We already had our big romantic moment on the last day of school, our epic love story that ended with both of us admitting our feelings for each other after years of animosity. We fulfilled the trope, in its most basic terms: we started out enemies and became lovers. We gave the speeches that characters deliver in all my romance novels. The declarations of love. Period, underlined, THE END in big bold letters. What comes after that?