Ruark Quotes

We've searched our database for all the quotes and captions related to Ruark. Here they are! All 24 of them:

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It was terrible of you," Shanna pouted, but her eyes danced as they turned askance to meet his. "I could have left, you know. I was that angry." "I would have followed you," Ruark assured with a flash of white teeth. "You have my heart and my baby. You would not have escaped.
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Kathleen E. Woodiwiss (Shanna)
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I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
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Any time a boy is ready to learn about guns is the time he’s ready, no matter how young he is, and you can’t start too young to learn how to be careful.
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Robert Ruark (The Old Man and the Boy)
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You might as well learn that a man who catches fish or shoots game has got to make it fit to eat before he sleeps. Otherwise it’s all a waste and a sin to take it if you can’t use it.
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Robert Ruark (The Old Man and the Boy)
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Time just seems to fly away for a boy. That, I s’pose, is why one day you wake up suddenly and you ain’t a boy any longer.
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Robert Ruark (The Old Man and the Boy)
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When we take away from a man his traditional way of life, his customs, hi religion, we had better make certain to replace it with SOMETHING OF VALUE
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Robert Ruark (Something of Value)
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Shanna - Madam Beauchamp. You have provided the brightest moment in my day." As she stared, his lips moved further in soundless vow. "I love you.
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Kathleen E. Woodiwiss (Shanna)
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If they keep exposing you to education, you might even realize some day that man becomes immortal only in what he writes on paper, or hacks into rock, or slabbers onto a canvas, or pulls out of a piano.
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Robert Ruark (The Old Man and the Boy)
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You deny our vows. You deny my rights. You abuse my pride and leave me nothing of yourself. You send me from you on some lackey's strength. You betray me at every turn." Shanna met his glare and hurled a fierce reply. "You took my heart and set your fingers firm around it, then, no doubt delighted at your success, you rent it with unfaithfulness." "Unfaithfulness is only from a husband. You play the same to me and yet do say I am no spouse." "You plead you are my husband true and spite the suitors come to woo me." "Yea!" Ruark raged. "Your suitors flock about your skirts in heated lust, and you yield them more than me." Shanna paused before him, rage etched upon her face. "You're a churlish cad!" "They fondle you boldly and you set not their hands away from you." "A knavish blackguard!" "You are a married woman!" "I am a widow!" "You are my wife!" Ruark shouted to be heard over the rising wind outside.
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Kathleen E. Woodiwiss (Shanna)
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It was the sound of her name being called that brought Shanna into full wakefulness. "Shanna! Shanna! Don't go!" It seemed a call of distress, lonely in the silence of night, and she could not mistake the voice. She flew from her bed and out onto the balcony, not pausing for her robe, and entered Ruark's room... "Are you really there, Shanna? Or does my dream befuddle my sight?" His fingers closed lightly around her wrist and brought it against his lips. Kissing her soft skin, he murmured, "No maiden of my dreams could taste as sweet. Shanna, Shanna," he sighed. "I thought I had lost you." She bent low to press her trembling mouth upon his. "Oh, Ruark," she breathed against his lips. "I thought I had lost you." He laid an arm about her nape and pulled her down beside him, searching her eyes in the meager glow. "I'll hurt your leg!" Shanna protested in concern. "Come here!" he commanded. "I would know if this is a dream or more heady stuff.
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Kathleen E. Woodiwiss (Shanna)
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Shanna - Madam Beauchamp. You have provided the brightest moment in my day." As she stared, his lips moved further in soundless vow. "I love you.
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Kathleen E. Woodiwiss
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In your madness you said you loved me," she murmured shyly. His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers. Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth." Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?" "Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?" ... "I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping." Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke. "My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love." Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more." Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
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Kathleen E. Woodiwiss (Shanna)
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Ruark held the door open for her to pass through. β€œThe first I cannot deny, Shanna, for then I did not know of you. But you are my only love and shall remain for as long as I live.” His eyes were serious and seemed to probe her being. β€œI
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Kathleen E. Woodiwiss (Shanna)
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The Old Man just claimed that the stature of the man was measured by how much he could smile when fate was beating him over the head with a stick.
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Robert Ruark (The Old Man's Boy Grows Older)
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I reckon the years between forty and sixty are the best a man's apt to put in. He can do dang near anything as good as he could when he was a youngster, and what he can't jump over he's smart enough to walk around.
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Robert Ruark (Old Man’s Boy Grows Up)
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I got to thinking that maybe this was what God had in mind when He invented religion, instead of all the don’t and must-nots and sins and confessions of sins. I got to thinking about all the big churches I had been in, including those in Rome, and how none of them could possibly compare with this place, with its brilliant birds and its soothing sounds of intense life all around and the feeling of ineffable peace and goodwill so that not even man would be capable of behaving very badly in such a place. I thought that this was maybe the kind of place the Lord would come to sit in and get His strength back after a hard day’s work trying to straighten out mankind. Certainly He wouldn’t go inside a church. If the Lord was tired, He would be uneasy inside a church.
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Robert Ruark (Horn of the Hunter: The Story of an African Safari)
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To understand Africa you must understand a basic impulsive savagery that is greater than anything we civilised people have encountered in two centuries
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Robert Ruark (Something of Value)
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That night, they were drinking at the bar with the big game hunter and novelist Robert Ruark, whose recent book about the Mau Mau uprising, titled Something of Value, was an international bestseller. In high spirits, Holden proposed buying the outmoded hotel, which was listed for sale. β€œPut up or shut up,” said Ruark. β€œWell, that did it for me,” Holden told Stefanie Powers, as their car bounced along the dusty road. β€œIf I was sober I would not have bought the hotel,” he yelled over the noise of the car’s engine. β€œBut I’m glad I did.
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Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
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you pinned me right down to it,” the Old Man said, β€œI don’t like nothing very much but a hot fire and a warm bed and a quiet woman to fetch me my food. I can generally manage the first two, but I been looking constantly for the basic ingredient of the third. Quiet, I mean.
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Robert Ruark (Old Man’s Boy Grows Up)
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When man made fire, he lifted himself up, over, and above the animals. Fire is actually too good for people. Let us sit in front of one of these tiny, gleaming blazes and drink a little gin.
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Robert Ruark (Horn of the Hunter: The Story of an African Safari)
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Rich," the Old Man said dreamily, "is not baying after what you can't have. Rich is having the time to do what you want to do. Rich is a little whisky to drink and some food to eat and a roof over your head and a fish pole and a boat and a gun and a dollar for a box of shells. Rich is not owing any money to anybody, and not spending what you haven't got.
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Robert Ruark (The Old Man's Boy Grows Older)
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A brave man is frightened three times by a lion: when he first sees its track, when he first hears its roar, and when he first sees the lion in the flesh.
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Robert Ruark (Old Man’s Boy Grows Up)
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A brave man is frightened three times by a lion: when he first sees its track, when he first hears its roar, and when he first sees the lion in the flesh
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Robert Ruark (The Old Man's Boy Grows Older)
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A man and a gun and a star and a beast are still ponderable in a world of imponderables. The essence of the simple ponderable is man’s potential ability to slay a lion. It is an opportunity that comes to few, but the urge is always present. Never forget that man is not a dehydrated nellie under his silly striped pants. He is a direct descendant of the hairy fellow who tore his meat raw from the pulsing flanks of just-slain beasts and who wiped his greasy fingers on his thighs if he bothered to wipe them at all. I wiped my greasy fingers on my thigh for practice. This is the only deeply rooted reason I can produce for the almost universal
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Robert Ruark (Horn of the Hunter: The Story of an African Safari)