Ruark Quotes

We've searched our database for all the quotes and captions related to Ruark. Here they are! All 35 of them:

It was terrible of you," Shanna pouted, but her eyes danced as they turned askance to meet his. "I could have left, you know. I was that angry." "I would have followed you," Ruark assured with a flash of white teeth. "You have my heart and my baby. You would not have escaped.
Kathleen E. Woodiwiss (Shanna)
I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
Any time a boy is ready to learn about guns is the time he’s ready, no matter how young he is, and you can’t start too young to learn how to be careful.
Robert Ruark (The Old Man and the Boy)
You might as well learn that a man who catches fish or shoots game has got to make it fit to eat before he sleeps. Otherwise it’s all a waste and a sin to take it if you can’t use it.
Robert Ruark (The Old Man and the Boy)
Time just seems to fly away for a boy. That, I s’pose, is why one day you wake up suddenly and you ain’t a boy any longer.
Robert Ruark (The Old Man and the Boy)
When we take away from a man his traditional way of life, his customs, hi religion, we had better make certain to replace it with SOMETHING OF VALUE
Robert Ruark (Something of Value)
Shanna - Madam Beauchamp. You have provided the brightest moment in my day." As she stared, his lips moved further in soundless vow. "I love you.
Kathleen E. Woodiwiss (Shanna)
If they keep exposing you to education, you might even realize some day that man becomes immortal only in what he writes on paper, or hacks into rock, or slabbers onto a canvas, or pulls out of a piano.
Robert Ruark (The Old Man and the Boy)
You deny our vows. You deny my rights. You abuse my pride and leave me nothing of yourself. You send me from you on some lackey's strength. You betray me at every turn." Shanna met his glare and hurled a fierce reply. "You took my heart and set your fingers firm around it, then, no doubt delighted at your success, you rent it with unfaithfulness." "Unfaithfulness is only from a husband. You play the same to me and yet do say I am no spouse." "You plead you are my husband true and spite the suitors come to woo me." "Yea!" Ruark raged. "Your suitors flock about your skirts in heated lust, and you yield them more than me." Shanna paused before him, rage etched upon her face. "You're a churlish cad!" "They fondle you boldly and you set not their hands away from you." "A knavish blackguard!" "You are a married woman!" "I am a widow!" "You are my wife!" Ruark shouted to be heard over the rising wind outside.
Kathleen E. Woodiwiss (Shanna)
It was the sound of her name being called that brought Shanna into full wakefulness. "Shanna! Shanna! Don't go!" It seemed a call of distress, lonely in the silence of night, and she could not mistake the voice. She flew from her bed and out onto the balcony, not pausing for her robe, and entered Ruark's room... "Are you really there, Shanna? Or does my dream befuddle my sight?" His fingers closed lightly around her wrist and brought it against his lips. Kissing her soft skin, he murmured, "No maiden of my dreams could taste as sweet. Shanna, Shanna," he sighed. "I thought I had lost you." She bent low to press her trembling mouth upon his. "Oh, Ruark," she breathed against his lips. "I thought I had lost you." He laid an arm about her nape and pulled her down beside him, searching her eyes in the meager glow. "I'll hurt your leg!" Shanna protested in concern. "Come here!" he commanded. "I would know if this is a dream or more heady stuff.
Kathleen E. Woodiwiss (Shanna)
Shanna - Madam Beauchamp. You have provided the brightest moment in my day." As she stared, his lips moved further in soundless vow. "I love you.
Kathleen E. Woodiwiss
In your madness you said you loved me," she murmured shyly. His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers. Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth." Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?" "Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?" ... "I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping." Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke. "My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love." Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more." Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
Kathleen E. Woodiwiss (Shanna)
Ruark held the door open for her to pass through. “The first I cannot deny, Shanna, for then I did not know of you. But you are my only love and shall remain for as long as I live.” His eyes were serious and seemed to probe her being. “I
Kathleen E. Woodiwiss (Shanna)
The Old Man just claimed that the stature of the man was measured by how much he could smile when fate was beating him over the head with a stick.
Robert Ruark (The Old Man's Boy Grows Older)
I reckon the years between forty and sixty are the best a man's apt to put in. He can do dang near anything as good as he could when he was a youngster, and what he can't jump over he's smart enough to walk around.
Robert Ruark (Old Man's Boy Grows Up)
I got to thinking that maybe this was what God had in mind when He invented religion, instead of all the don’t and must-nots and sins and confessions of sins. I got to thinking about all the big churches I had been in, including those in Rome, and how none of them could possibly compare with this place, with its brilliant birds and its soothing sounds of intense life all around and the feeling of ineffable peace and goodwill so that not even man would be capable of behaving very badly in such a place. I thought that this was maybe the kind of place the Lord would come to sit in and get His strength back after a hard day’s work trying to straighten out mankind. Certainly He wouldn’t go inside a church. If the Lord was tired, He would be uneasy inside a church.
Robert Ruark (Horn of the Hunter: The Story of an African Safari)
To understand Africa you must understand a basic impulsive savagery that is greater than anything we civilised people have encountered in two centuries
Robert Ruark (Something of Value)
you pinned me right down to it,” the Old Man said, “I don’t like nothing very much but a hot fire and a warm bed and a quiet woman to fetch me my food. I can generally manage the first two, but I been looking constantly for the basic ingredient of the third. Quiet, I mean.
Robert Ruark (Old Man's Boy Grows Up)
Do you hate me overmuch, my Lord Captain Pirate Ruark?" "Aye," he muttered hoarsely. "I hate you when you hold yourself from me. But it never lasts beyond your first kiss.
Kathleen E. Woodiwiss (Shanna)
That night, they were drinking at the bar with the big game hunter and novelist Robert Ruark, whose recent book about the Mau Mau uprising, titled Something of Value, was an international bestseller. In high spirits, Holden proposed buying the outmoded hotel, which was listed for sale. “Put up or shut up,” said Ruark. “Well, that did it for me,” Holden told Stefanie Powers, as their car bounced along the dusty road. “If I was sober I would not have bought the hotel,” he yelled over the noise of the car’s engine. “But I’m glad I did.
Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
When man made fire, he lifted himself up, over, and above the animals. Fire is actually too good for people. Let us sit in front of one of these tiny, gleaming blazes and drink a little gin.
Robert Ruark (Horn of the Hunter: The Story of an African Safari)
A man and a gun and a star and a beast are still ponderable in a world of imponderables. The essence of the simple ponderable is man’s potential ability to slay a lion. It is an opportunity that comes to few, but the urge is always present. Never forget that man is not a dehydrated nellie under his silly striped pants. He is a direct descendant of the hairy fellow who tore his meat raw from the pulsing flanks of just-slain beasts and who wiped his greasy fingers on his thighs if he bothered to wipe them at all. I wiped my greasy fingers on my thigh for practice. This is the only deeply rooted reason I can produce for the almost universal
Robert Ruark (Horn of the Hunter: The Story of an African Safari)
A brave man is frightened three times by a lion: when he first sees its track, when he first hears its roar, and when he first sees the lion in the flesh.
Robert Ruark (Old Man's Boy Grows Up)
A brave man is frightened three times by a lion: when he first sees its track, when he first hears its roar, and when he first sees the lion in the flesh
Robert Ruark (The Old Man's Boy Grows Older)
Rich," the Old Man said dreamily, "is not baying after what you can't have. Rich is having the time to do what you want to do. Rich is a little whisky to drink and some food to eat and a roof over your head and a fish pole and a boat and a gun and a dollar for a box of shells. Rich is not owing any money to anybody, and not spending what you haven't got.
Robert Ruark (The Old Man's Boy Grows Older)
he reckoned Somebody, no matter what name you called Him, was responsible for sun, moon, mountains, sea, stars, heat, cold, seasons, animals, birds, fish, and food—”even small boys, although that may have been a basic mistake”—and whether you called him God, Allah, Jehovah, or Mug-Mug didn’t make much difference as long as you believed in Him.
Robert Ruark (Old Man's Boy Grows Up)
At least if you can laugh instead of cry the troubles will either kill you or go away, and it is a bit better to die laughing than to die crying.
Robert Ruark (Old Man's Boy Grows Up)
At this moment a blood-pressure estimate would bust the machine that takes it. Your heart is so loud it sounds like a pile driver. There is something in your throat about the size of a football, and your lips are dry from the temperature you're running, which is maybe just under 110 degrees Fahrenheit. You are looking straight ahead of the dog—never down at the ground—and you are carrying your shotgun slanted across your chest the stock slightly cocked under your elbow. Nothing happens. The dog creeps forward another six yards, and you come up behind him when he freezes again. This time he’s looking right down at his forefeet, and when you walk past him he jumps and the world blows up. The world explodes, and a billion bits of it fly out in front of you, tiny brown bits with the thunder of love in each wing. They go in all directions—right, left, behind you, over your head, sometimes straight at you, sometimes straight up before they level. Then a miracle happens. Out of these billion bits you choose one bit and fire, and if the bit explodes in a cloud of feathers you choose another bit and fire again, and if this bit also explodes you break your gun swiftly and load, figuring maybe there’s a lay bird and you can turn to the Old Man with a grin, and when he says, “How many?” you can answer, “Three.” More likely you’ll answer, “One” or “None.”’ - November Was Always the Best By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)
Each man builds his dog in his own image, but the definition of a good dog, like the definition of a good man, is one who knows and respects the bobwhite. No sincere hunter will overshoot a covey. No good dog will flush a covey until the hunter is at his side. No good dog will encroach on another's point. A smart dog knows more than any man about the likeliest spot to find his quarry. No good man or good dog is happy to leave a wounded bird unfound. No good man hogs the best shot, as no good dog is disrespectful of the rights of his hunting companion. Altogether, the quail manages to bring out a great deal of fineness in both dogs and men. - The Brave Quail By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)
Boy,” he said, “I will tell you a very wise thing, If a man is really intelligent, there's practically nothing a good dog can’t teach him. But a dumb man can’t learn anything from a smart dog, while a dumb dog can occasionally learn something from a smart man. Remember that." - Old Dogs and Old Men Smell Bad By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)
Some people step into their backyards to shoot quail; others spend thousands of dollars annually for the same privilege. But they all share one defect of character: All quail shooters are abject liars. I know, for | have been lying steadily about quail and bird dogs since I was 8, and got physically sick from excitement when I killed my first one. The quail shooter’s mind works roughly like this: They aren't making the same kind of cartridges anymore, because when you point them at the bird the bird won’ drop. Obviously something is wrong with the powder... The sun was in my eyes... The damn bird flew around a branch just as I shot. The dogs have lost their sense of smell... . The rabbit hounds ran up all the quail... One of the other hunters was in the way, or I would have killed two... It was getting too dark to shoot with safety. All the birds got up wild, ahead of the dogs . . . I slipped and fell... I had a headache and my timing was off... When I was going good after the first two coveys, we couldn't find any more for an hour and I cooled off. The safety on my gun jammed ... The little single dog won't backstand a point any more... The woods were too thick... The birds wouldn't hold to a point. These are the things you tell yourself. You tell other people that you only used half as many shells as you really used, and then you say that you had to run down a couple of wounded birds and shoot some more.’ - The Brave Quail By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)
If there is a broad explanation for the fascination of quail shooting, it must be that no man can bet on just how good he’ll be on any given day. The challenge of bird to man is permanent. You will catch a full night's sleep, find perfect shooting the next day, and miss everything that flies. You can get drunk as an owl, sit up all night, fly a plane from dawn until noon, and with a bellyful of butterflies kill all that rustles. My personal record of 15 out of 18 shots was set on a basis of no sleep at all for two nights, due to work and travel, with a splitting headache and hands that shook like maraca gourds. Recently I had 11 in the bag with 13 shots. We couldn't find bird No. 12, and this so upset my timing that it took me 22 shots to get the other four quail. And we had to chase the last one to death. - The Brave Quail By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)
What's your idea of November?” he asked, his eyes half-closed. I wanted to tell him that it was mostly the opening of the bird season, and the Thanksgiving holidays, the persimmons wrinkled and ripe on the trees, when the weather was real nice, and it was hog-killing time in the country, and the pumpkins looked yellow and jolly in the fields, and the sun set good and red, and a lot of other things, but I couldn’t manage to squeeze it all out because I had no way with words. “The bird season,” I said. - November Was Always the Best By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)
It is difficult, very hard, to try to explain what a boy feels when he sees the dogs sweeping the browned peafields, or skirting the edges of the gallberry bays, or crisscrossing the fields of yellow, withered corn shocks, running like racehorses with their heads high and their tails whipping. And then that moment, after nearly a year, of the first dog striking the first scent, and the excitement communicating to the other dogs, and all hands crowding in on the act—the trailers trailing, the winders sniffing high, but slow now, and the final eggshell-creeping, the tails going feverishly and the bellies low to the ground, presaging a point. Then the sudden freeze, then the slight uncertainty, then ja minor change of course, and then the swift, dead-sure cock of head, which says plainly the bird is here, boss, right under my nose, and now it’s all up to you. - November Was Always the Best By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)
The man scuffs his boot. The lead dog switches his snout and points it downward. The man says the old cliché: “This is it.” He kicks, and the world erupts around him. The noise has something of the sound of an exploding landmine, something of the rapid belch of an Oerlikon 20 millimeter. It is otherwise indescribable. Small birds burst from the ground. They take off in all directions. They are traveling at more than 40 miles an hour, and they present a target as large as a big orange. If they are to be killed they must be killed before they have traveled 60 yards, and if the cover is heavy they may need to be shot within 20 yards. They may have to be shot from the hip, or off the biceps, or even off the nose. First, though, the gunner must select a bird from the thundering mass of rocketing fowl, because the man who shoots into the brown takes home no meat. A split-second selection must be made. The quail comes into the eye, the gun goes under the eye, the trigger is pressed, and if the man is good the bird drops in a shower of feathers. If the man is very good, he then switches to another bird, which he selects from the speeding gang, and fires again. If he is very, very good, another bird drops. - The Brave Quail By Robert Ruark
Jim Casada (The Greatest Quail Hunting Book Ever, Collector’s Edition)