Rowing Sport Quotes

We've searched our database for all the quotes and captions related to Rowing Sport. Here they are! All 66 of them:

If a man watches three football games in a row, he should be declared legally dead.
Erma Bombeck
Rowing is perhaps the toughest of sports. Once the race starts, there are no time-outs, no substitutions. It calls upon the limits of human endurance. The coach must therefore impart the secrets of the special kind of endurance that comes from mind, heart, and body. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I was just telling Steve how much you appreciate motorcycles and it just so happens that he has one” Whoopee. Like I fucking cared. “Oh yeah?” I said, glancing at Steve. “What kind of ride?” The douche canoe grinned at me, revealing two perfectly straight and glaringly white rows of teeth. “A BMW,” he said. “R12—“ “A sports bike?” I interrupted, wrinkling up my nose. “How super gay for you.” … “Sports bikes are for pussies. True fucking story.
Madeline Sheehan (Unattainable (Undeniable, #3))
Pain? Yes, of course. Racing without pain is not racing. But the pleasure of being ahead outweighed the pain a million times over. To hell with the pain. What's six minutes of pain compared to the pain they're going to feel for the next six months or six decades. You never forget your wins and losses in this sport. YOU NEVER FORGET.
Brad Alan Lewis (Assault on Lake Casitas)
One of the most painful parts of teaching mathematics is seeing students damaged by the cult of the genius. The genius cult tells students it’s not worth doing mathematics unless you’re the best at mathematics, because those special few are the only ones whose contributions matter. We don’t treat any other subject that way! I’ve never heard a student say, “I like Hamlet, but I don’t really belong in AP English—that kid who sits in the front row knows all the plays, and he started reading Shakespeare when he was nine!” Athletes don’t quit their sport just because one of their teammates outshines them. And yet I see promising young mathematicians quit every year, even though they love mathematics, because someone in their range of vision was “ahead” of them.
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
This is very simple in the world of chicks: some are hoochies, some are not, and some should never try to be. It's no different from the idea of sports. Now, I can go on my little rowing machine for four times a week, twenty-two minutes a time, and I can feel as if I flirt with the sporting world. Similar to the idea that a woman can put on something cuter for her man, for those moments, and flirt with garments that a hoochie woman might be pushing. But never for one moment should you get confused. My little rowing machine and I cannot consider ourselves athletes. Wearing the same garment does not a hoochie woman make. So if you are a true hoochie woman, may garments below the navel always be in your future. If you are not, then please don't throw away your cotton zippy jacket.
Tori Amos (Piece by Piece)
Rowing is, in a number of ways, a sport of fundamental paradoxes. For one thing, an eight-oared racing shell—powered by unusually large and physically powerful men or women—is commanded, controlled, and directed by the smallest and least powerful person in the boat. The coxswain (nowadays often a female even in an otherwise male crew) must have the force of character to look men or women twice his or her size in the face, bark orders at them, and be confident that the leviathans will respond instantly and unquestioningly to those orders. It is perhaps the most incongruous relationship in sports.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I believe hurling is the best of us, one of the greatest and most beautiful expressions of what we can be. For me that is the perspective that death and loss cast on the game. If you could live again you would hurl more, because that is living. You'd pay less attention to the rows and the mortgage and the car and all the daily drudge. Hurling is our song and our verse, and when I walk in the graveyard in Cloyne and look at the familiar names on the headstones I know that their ownders would want us to hurl with more joy and more exuberance and more (as Frank Murphy used to tell us) abandon than before, because life is shorter than the second half of a tournament game that starts at dusk.
Dónal Óg Cusack (Come What May)
The common denominator in all these conditions—whether in the lungs, the muscles, or the bones—is overwhelming pain. And that is perhaps the first and most fundamental thing that all novice oarsmen must learn about competitive rowing in the upper echelons of the sport: that pain is part and parcel of the deal. It’s not a question of whether you will hurt, or of how much you will hurt; it’s a question of what you will do, and how well you will do it, while pain has her wanton way with you.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
She detested rows and scenes, but enjoyed quietly pitting her cool will against opposition. It amused her; and when she was defeated, she withdrew in good order and lost interest in the campaign. She had little or no sporting spirit. Bloody battles to the death bored her, nor did she like other people to win.
Stella Gibbons (Cold Comfort Farm)
What I find interesting about rowing,” Dr. Mason was saying, “is that it’s always done backwards. It’s almost as if the sport itself is trying to teach us not to get ahead of ourselves.
Bonnie Garmus (Lessons in Chemistry)
But the greatest paradox of the sport has to do with the psychological makeup of the people who pull the oars. Great oarsmen and oarswomen are necessarily made of conflicting stuff—of oil and water, fire and earth. On the one hand, they must possess enormous self-confidence, strong egos, and titanic willpower. They must be almost immune to frustration. Nobody who does not believe deeply in himself or herself—in his or her ability to endure hardship and to prevail over adversity—is likely even to attempt something as audacious as competitive rowing at the highest levels. The sport offers so many opportunities for suffering and so few opportunities for glory that only the most tenaciously self-reliant and self-motivated are likely to succeed at it. And yet, at the same time—and this is key—no other sport demands and rewards the complete abandonment of the self the way that rowing does. Great crews may have men or women of exceptional talent or strength; they may have outstanding coxswains or stroke oars or bowmen; but they have no stars. The team effort—the perfectly synchronized flow of muscle, oars, boat, and water; the single, whole, unified, and beautiful symphony that a crew in motion becomes—is all that matters. Not the individual, not the self.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Charlie followed where they were looking and stopped dead in her tracks. Other people walked around her, grumbling and grouchy. She was bumped several times and none of it mattered. Because past the row of seats in the center aisle, right there at her gate, stood Cole, holding a sign with a rainbow on it that said “Charlie”. His handsome face sported a charming smile, which made her laugh and start crying like a total girl.
Jennifer Kacey (No Place Like Home (Coming Home, #1))
A boat was a place where no one could reach you, a place where some boy couldn't slide into your path to make you a prop in his joke. Even when the boys rowed past us, all we'd do was holler or chant; we didn't have to drop everything to watch them, which was the usual expectation. (Do you remember, for instance, the fake Woodstock that Marco Washington and Mike Stiles set up on the quad? They hauled couches from the dorms, used extension cords for guitars and stand mics. I joined the audience to listen to their terrible playing because it was the thing to do. Just as Open Dorm nights were for girls to feign interest in boys playing video games. Just as the only sporting events with full stands were for boys' teams. At the time, what rankled was the idea that we were supposed to see these boys as the stars, to fall at their sweaty feet. What bothers me now is those boys internalizing girls as audience, there only to act as mirrors, to make their accomplishments realer.)
Rebecca Makkai (I Have Some Questions for You)
Nearby Vanniv grinned and opened his arms as well. Not toward anyone in particular. Patrick, always a good sport, rose from his chair and gave Vanniv a hug. Vanniv seemed briefly startled, then grinned and pulled Patrick in closer, like they’d been long-lost brothers.
Andrew Rowe (On the Shoulders of Titans (Arcane Ascension, #2))
I have never heard anyone profess indifference to a boat race. Why should you row a boat race? Why endure long months of pain in preparation of a fierce half hour, or even six minutes, that will leave you all but dead? Does anyone ask the question? Is there anyone who would not go through all its costs, and more, for the moment when anguish breaks into triumph - or even for the glory of having nobly lost? Is life less than a boat race? If a man will give all the blood in his body to win the one, will he not spend all the might of his soul to prevail in the other?
Oliver Wendell Holmes Jr.
Safely on the sidelines, the first place my eyes go is to where Summer was sitting. For the second night in a row, she’s on her feet, whistling like a grizzled, old sports fan. It makes me laugh. When she sees me laughing, she gives me a timid thumbs up, followed by a shy smile. And fuck, it feels good. Because that—right there—is not part of her job description.
Elsie Silver (Flawless (Chestnut Springs, #1))
As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seas, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt so easy.
Bonnie Garmus
First, no one learns to row in a month. (. . .) As for the skimming part – there is no skimming. To get to the point where rowing might resemble skimming, you’ve probably reached the Olympic level and the look on your face as you fly down the racecourse is not one of calm satisfaction but controlled agony. This is sometimes accompanied by a look of determination – usually one that indicates that right after this race is over, you plan to find a new sport.
Bonnie Garmus (Lessons in Chemistry)
What I find interesting about rowing,” Dr. Mason was saying, “is that it’s always done backwards. It’s almost as if the sport itself is trying to teach us not to get ahead of ourselves.” He opened his car door. “Actually, when you think about it, rowing is almost exactly like raising kids. Both require patience, endurance, strength, and commitment. And neither allow us to see where we’re going—only where we’ve been. I find that very reassuring, don’t you?
Bonnie Garmus (Lessons in Chemistry)
I watch CNN every night, but never afterward think much about anything I see--even the election, as stupid as it is. I've come to loathe most sports, which I used to love--a loss I attribute to having seen the same thing over and over again too many times. Only death-row stories and sumo wrestling (narrated in Japanese) will keep me at the TV longer than ten minutes. My bedside table, as I've said, has novels and biographies I've read thirty pages into but can't tell you much about.
Richard Ford (The Lay of the Land)
In the very middle of the front row sat Cornelius Fudge, the Minister for Magic. Fudge was a portly man who often sported a lime-green bowler hat, though today he had dispensed with it; he had dispensed, too, with the indulgent smile he had once worn when he spoke to Harry. A broad, square-jawed witch with very short grey hair sat on Fudge’s left; she wore a monocle and looked forbidding. On Fudge’s right was another witch, but she was sitting so far back on the bench that her face was in shadow.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
What I find interesting about rowing,” Dr. Mason was saying, “is that it’s always done backwards. It’s almost as if the sport itself is trying to teach us not to get ahead of ourselves.” He opened his car door. “Actually, when you think about it, rowing is almost exactly like raising kids. Both require patience, endurance, strength, and commitment. And neither allow us to see where we’re going—only where we’ve been. I find that very reassuring, don’t you? Except for the flip-outs—of course. I could really do with fewer flip-outs.
Bonnie Garmus (Lessons in Chemistry)
Competitive rowing is an undertaking of extraordinary beauty preceded by brutal punishment. Unlike most sports, which draw primarily on particular muscle groups, rowing makes heavy and repeated use of virtually every muscle in the body, despite the fact that a rower, as Al Ulbrickson liked to put it, “scrimmages on his posterior annex.” And rowing makes these muscular demands not at odd intervals but in rapid sequence, over a protracted period of time, repeatedly and without respite. On one occasion, after watching the Washington freshmen practice, the Seattle Post-Intelligencer’s Royal Brougham marveled at the relentlessness of the
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
What I find interesting about rowing,” Dr. Mason was saying, “is that it’s always done backwards. It’s almost as if the sport itself is trying to teach us not to get ahead of ourselves.” He opened his car door. “Actually, when you think about it, rowing is almost exactly like raising kids. Both require patience, endurance, strength, and commitment. And neither allow us to see where we’re going—only where we’ve been. I find that very reassuring, don’t you? Except for the flip-outs—of course. I could really do with fewer flip-outs.” “You mean flips.” “Flip-outs,” he insisted, getting in his car. “Yesterday one of my kids hit the other with a shovel.
Bonnie Garmus (Lessons in Chemistry)
One headline read: ‘West Ham supporters set light to a yacht.’ Now, if that boat was a yacht, then it probably only needed two paddles to row it. But if the headlines were exaggerated, the events of that night weren’t. Some nasty things happened that night. It was inevitable when you had a thousand young men down for a football match with nowhere to stay and nowhere open. [...] It was well into the wee hours before we at last found somewhere to crash out. We met a bird and bloke who were local, and for some unknown reason they offered us the use of their flat on the seafront. Needless to say, we showed our appreciation of their generosity by guzzling the spirits cabinet dry and trashing the flat. The bloke was so pissed he was half joining in while the bird, who we all thought was a bit odd, was going mental. In fact, she was like a fucking animal. - Jimmy Smith
Cass Pennant (Congratulations, You Have Just Met the I.C.F.)
Sorry,’ said Harry nervously. ‘I – I didn’t know the time had been changed.’ ‘That is not the Wizengamot’s fault,’ said the voice. ‘An owl was sent to you this morning. Take your seat.’ Harry dropped his gaze to the chair in the centre of the room, the arms of which were covered in chains. He had seen those chains spring to life and bind whoever sat between them. His footsteps echoed loudly as he walked across the stone floor. When he sat gingerly on the edge of the chair the chains clinked threateningly, but did not bind him. Feeling rather sick, he looked up at the people seated at the bench above. There were about fifty of them, all, as far as he could see, wearing plum-coloured robes with an elaborately worked silver ‘W’ on the left-hand side of the chest and all staring down their noses at him, some with very austere expressions, others looks of frank curiosity. In the very middle of the front row sat Cornelius Fudge, the Minister for Magic. Fudge was a portly man who often sported a lime-green bowler hat, though today he had dispensed with it; he had dispensed, too, with
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
A writer spinning out the manuscript of a book is like a banker generating debts he knows can never be repaid. From one perspective it’s a waste of time, ‘the deliberate pouring of water through a sieve’, in Dostoyevsky’s phrase. The effort will not be repaid. From another, however, it’s an incredibly important process in which cultural charisma – intellectual glamour – is generated via a mechanism of guilt. A bookshelf is a glamorous row of reproaches. We know that there are books we ought to read, and ought to have read, because they are said to be wonderful and capable of making us better people. They sit there on the shelf, seeming to watch us, waiting for our best moment of spiritual preparedness. Yet we fail to read them. As a result we feel guilty. The books seem to say to us: – You are trivial and lazy. Your life could be so much richer and more creative, yet you fritter away your attention on television and Facebook, or idle gossip, or sports, or Olafur Eliasson installations. This guilt is much more wonderful than the contents of the books themselves could ever be, and spiritually much more uplifting. The unreadness of books outstrips their readness in beauty and in utility. It’s tremendously important to believe that there are heights which we’ve failed to attain, mountains we can glimpse in the distance but not climb. It’s almost like believing in heaven. To quote Kafka once more: Theoretically there is a perfect possibility of happiness: believing in the indestructible element in oneself and not striving towards it.
Momus (HERR F)
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
Thirteen Reasons I Don’t Go to Sporting Events Anymore 1. Every time I went, they asked me for money. 2. The people sitting in my row didn’t seem very friendly. 3. The seats were very hard. 4. The coach never came to visit me. 5. The referees made a decision I didn’t agree with. 6. I was sitting with hypocrites—they only came to see what others were wearing! 7. Some games went into overtime, and I was late getting home. 8. The marching band played some songs I had never heard before. 9. The games are scheduled on my only day to sleep in and run errands. 10. My parents took me to too many games when I was growing up. 11. Since I read a book on sports, I feel that I know more than the coaches anyway. 12. I don’t want to take my children because I want them to choose for themselves what sport they like best. 13. I can play sports anywhere, I don’t need to go to a stadium. Do these reasons sound familiar? Have you lost your passion for local church ministry? Are you treating Jesus’ bride like a social club or an extra-curricular activity?
Paul Chappell (Sacred Motives: 10 Reasons To Wake Up Tomorrow and Live for God)
I’m thinking deep thoughts like, ‘Hey if Gracie decides she wants to play softball, then she’s gonna have to dream a lot smaller than the little boys playing the same fucking sport on the field right next door.’ And that kinda sucks, if you stop and think about it.” I
Lauren Rowe (Ball Peen Hammer (The Morgan Brothers, #3))
Blocks of row homes sported empty lots where random houses had been torn down, like missing teeth in a rotting smile.
Melinda Leigh (Midnight Obsession (Midnight, #4))
Any harder edge may also have been a subconscious reaction to the accusations of ‘dinosaur rock’ that were being thrown at bands like Led Zeppelin, Emerson, Lake & Palmer and ourselves. We were all aware of the arrival of punk – even anyone who didn’t listen to the music could not have failed to notice the Sex Pistols’ explosion into the media spotlight. Just in case we had missed this, locked in our Britannia Row bunker, Johnny Rotten kindly sported a particularly fetching ‘I hate Pink Floyd’ T-shirt.
Nick Mason (Inside Out: A Personal History of Pink Floyd (Reading Edition): (Rock and Roll Book, Biography of Pink Floyd, Music Book))
For the second night in a row, she’s on her feet, whistling like a grizzled, old sports fan. It makes me laugh. When she sees me laughing, she gives me a timid thumbs up, followed by a shy smile. And fuck, it feels good. Because that—right there—is not part of her job description.
Elsie Silver (Flawless (Chestnut Springs, #1))
I want to show you something,” he said, his voice dropping a little lower than usual and causing a shiver to run down my spine. “What?” I asked. “I said show, not tell. You have to come with me.” Curiosity nagged at me and the champagne urged me into recklessness. He’d promised to be nice after all, so why not? And even though I’d said I wanted to go back to the snooze fest party, I didn’t really. Given the choice, I’d just head back to the Academy. “You’d better not be about to whip your junk out again,” I warned. “Because I’ve seen way too much of you for my liking.” “Oh I think you liked it just fine,” he countered and the heat that flooded my cheeks at his tone stopped me from raising any further argument on the subject. He stepped a little closer to me and I fought against the impulse to lean in. “Come on then, don’t keep me in suspense,” I demanded though a little voice in the back of my head wondered if I meant something else by that statement. Darius’s mouth hooked up at one side and he inclined his head to yet another door on the other side of the room. I followed him as he led the way through the manor to a grand atrium before opening the door onto a dark stairwell which led down to what must have been an underground chamber. I eyed him warily but at this point I was pretty sure he’d have attacked me already if he was going to. Darius Acrux may have been a lot of things but it seemed he was a man of his word; he’d promised to be nice to me tonight and that was what he was delivering. I’d have to keep an eye on the time though, at midnight his Cinderella spell might come undone and he’d turn back into an asshole shaped pumpkin. Lights came on automaticaly as we descended and at the foot of the stairs, he opened another door and led me out into into an underground parking lot. I eyed the row of flashy sports cars in every make and model imaginable but he didn’t pause by them, instead leading me to the far end of the lot. A smile tugged at my lips as I spotted the lineup of super bikes. They were all top of the range, ultra-sleek, ultra-beautiful speed machines. My fingers tingled with the desire to touch them as the tempting allure of adrenaline called to me. “You said you could ride,” Darius said, offering me a genuine smile. “So I thought maybe you’d like to see my collection.” Damn, the way he said ‘my collection’ made me want to punch the entitlement right out of him but I didn’t miss the fire burning in his eyes as he looked at the bikes. That was a passion I knew well. He was a sucker for my kind of temptation too. “Have you done any modifications on them?” I asked, reaching out to brush my fingers along the saddle of the closest red beauty. “They’re top of the line,” he said dismissively like I didn’t know what I was looking at. “They don’t need any mods.” I snorted derisively. So he liked to ride the pretty speed machines but he didn’t know how to work on them. “Figures pretty boy wouldn’t know how to get his hands dirty,” I teased. “Maybe the kinds of bikes you’re used to riding need work to make them perform better but this kind of quality doesn’t require any extras. Besides, I could just pay someone to do it for me even if they did.” “Of course you could. That’s not really the point though.” And he was wrong about the kinds of bikes I was used to riding. I spotted four models amongst his collection which I’d ridden within the last six months. The others could easily be mine with a little bit of time and a tool or two. Not that I felt the need to tell him that. “You wanna take one for a ride?” he offered. “You can test your supposed skill against mine; there’s a circuit to the west of the estate.” My eyes widened at that offer. I’d missed riding since coming to the Academy and I hadn’t really thought I’d be able to get out again any time soon. ...
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
An rud is annamh is iontach. A uniquely Irish phrase, not just in language but in attitude. We’re a post-colonial nation, and in many ways we don’t expect – or even, in a stubborn way, want – too many nice things. Going without will make the having, whenever it comes along, all the sweeter. That’s the reasoning, anyway. It’s why culturally we love when teams end famines and are deeply suspicious of anything more than a three-in-a-row.
Eimear Ryan (The Grass Ceiling: On Being a Woman in Sport)
Sports teams conduct practice sessions and call time-outs mid-game to quickly review what’s going wrong and introduce modified approaches. This is true even in sports that don’t allow breaks. In rowing, for instance, a coxswain might call on a crew to focus on a particular aspect of their technique for five or ten strokes to recover their timing. A basketball point guard might dribble a few seconds off the shot clock while shouting directions to her teammates so they can regroup. Similarly, leaders must reserve time for slowification. Toyota, studied for their organizational learning and outstanding performance, routinely puts breaks between shifts so leaders can run problem-solving and improvement activities before production resumes. When production is interrupted, downtime is often used as a slowification opportunity.
Gene Kim (Wiring the Winning Organization: Liberating Our Collective Greatness through Slowification, Simplification, and Amplification)
He watched as Milton sat down. His eyes were implacable. He looked a little shabby, a little worn around the edges. Control recalled him when he joined the service. He had sported Savile Row suits, shirts from Turnbull & Asser, and was perfectly groomed at all times. He did not seem to care for any of that any longer. Control didn’t care what his agents looked like, so long as they were good at their job, and Milton was his best; that was why this latest misadventure was so troubling.
Mark Dawson (The Cleaner (John Milton, #1))
Second Week Of June 2012 My response to my ex-lover’s message: Hi Andy, What exciting adventures have you been up to recently? You mentioned that you go on rowing expeditions; where have you been to lately? Walter is an avid paddleboarder and he inquires if you paddleboard besides rowing. Although he doesn’t belong to any paddling club or associations, he does go some distance out into the Pacific Ocean. Personally, I’m not into paddleboarding, although I have done it on occasion. It is not my idea of a work-out. I prefer swimming in our heated swimming pool and working out with weights. I’ve been doing that for years, ever since Nikee introduced me to the sport when I was at Daltonbury Hall. I stopped working out after our separation as I was wallowing in the misery of losing you. When I met Jorge (my boyfriend for the next six years) in early 1972, he (being an Oxford gentleman) was never big on sports or any form of active physical activities. It was not until I lived in Hong Kong after my separation from Jorge that I returned to the gym with a vengeance. I will tell more as we continue our regular correspondence or when we have a chance to meet in person.
Young (Unbridled (A Harem Boy's Saga, #2))
Gough was a serious student but found time to gain a blue in rowing; he was later to say that the sport was an apt one for men in public life because you could face one way while going in the other.
Mungo MacCallum (The Good, the Bad & the Unlikely: Australia's Prime Ministers)
You look healthy,” Dev said. “If I did not know you were sporting the remains of a bullet wound, I would think you in the pink.” “Thank you.” Anna smiled. “I slept well last night.” For the first time in weeks, she truly had. “Well”—Val sat down and reached for the iced lemonade pitcher—“I did not sleep well. We need another thunderstorm.” “I wonder.” Anna’s eyes met Val’s. “Does Morgan still dread the thunderstorms?” “She does,” he replied, sitting back. “She figured out that the day your parents died, when she was trapped in the buggy accident, it stormed the entire afternoon. Her associations are still quite troubling, but her ears don’t physically hurt.” Dev and Anna exchanged a look of surprise, but Val was tucking into his steak. Dev turned his attention back to his plate. “Anna, are you ready to remove to the ducal mansion?” “As ready as I’ll be,” Anna replied, her steak suddenly losing its appeal. “Would you like me to cut that for you?” Dev asked, nodding at the meat on her plate. “I’ve pulled a shoulder now and then or landed funny from a frisky horse, and I know the oddest things can be uncomfortable.” “I just haven’t entirely regained my appetite,” Anna lied, eyeing the steak dubiously. “And I find I am tired, so perhaps you gentleman will excuse me while I catch a nap before we go?” She was gone before they were on their feet, leaving Dev and Val both frowning. “We offered to assist him in any way,” Dev said, picking up his glass. “I think this goes beyond even fraternal devotion.” “He’s doing what he thinks is right,” Val responded. “I have had quite enough of my front-row seat, Dev. Tragedy has never been my cup of tea.” “Nor farce mine.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Without allowing herself a moment to contemplate the matter further, she surged into motion, scooting around the first row of chairs and plopping to the floor directly behind Miss Griswold and right in between two young ladies, neither of whom Wilhelmina had ever been introduced to. “Pretend I’m not here,” she whispered to a young lady sporting a most unfortunate hairstyle, who looked down at her as if she’d lost her mind. The young lady blinked right before she smiled. “That might be a little difficult, Miss Radcliff, especially since you’re sitting on my feet.” “Goodness, am I really?” Wilhelmina asked, scooting off the feet in question even as she pushed aside a bit of ivory chiffon that made up the young lady’s skirt. “Shall we assume you’re hiding from someone?” the young lady pressed. “Indeed, but . . . don’t look over at the refreshment table. That might draw unwanted notice.” Unfortunately, that warning immediately had the young lady craning her neck, while the other young lady sat forward, peering over Miss Griswold’s shoulder in an apparent effort to get a better view of the refreshment table. “Who are you hiding from?” Miss Griswold asked out of the corner of her mouth, having the good sense to keep her attention front and center. “Mr. Edgar Wanamaker, the gentleman you were inquiring about,” Wilhelmina admitted. “Mr. Wanamaker’s here?” the young lady with the unfortunate hairstyle repeated as she actually stood up and edged around Wilhelmina, stepping on Wilhelmina’s hand in the process. “Is he the gentleman with the dark hair and . . . goodness . . . very broad shoulders . . . and the one now looking our way? Why, I heard earlier this evening that he’s returned to town with a fortune at his disposal—a fortune that, rumor has it, is certain to turn from respectable to impressive in the not too distant future.” “You don’t say,” Wilhelmina muttered as she tried to tug her hand out from underneath the lady’s shoe. “Miss Cadwalader, you’re grinding poor Miss Radcliff’s hand into the floor.” Looking up, Wilhelmina stopped her tugging as she met the gaze of the other young lady sitting in the second row of the wallflower section, a lady who was looking somewhat appalled by the fact she’d apparently spoken those words out loud. Without saying another word, the lady rose to her feet, shook out the folds of a gown that was several seasons out of date, whispered something regarding not wanting to be involved in any shenanigans, and then dashed straightaway. “I wasn’t aware Miss Flowerdew was even capable of speech,” the lady still standing on Wilhelmina’s hand said before she suddenly seemed to realize that she was, indeed, grinding Wilhelmina’s hand into the ground. Jumping to the left, she sent Wilhelmina a bit of a strained smile. “Do forgive me, Miss Radcliff. I fear with all the intrigue occurring at the moment, paired with hearing Miss Flowerdew string an entire sentence together, well, I evidently quite lost my head and simply didn’t notice I was standing on you.” She thrust a hand Wilhelmina’s way. “I’m Miss Gertrude Cadwalader, paid companion to Mrs. Davenport. Please do accept my apologies for practically maiming you this evening, although rest assured, it is an unusual event for me to maim a person on a frequent basis.” Taking the offered hand in hers—although she did so rather gingerly since her hand had almost been maimed by Miss Cadwalader—Wilhelmina gave it a shake, a circumstance she still found a little peculiar, but resisted when Miss Cadwalader began trying to tug her to her feet. “How fortunate for Mrs. Davenport that you don’t participate in maiming often,” she began. “But if you don’t mind, I prefer staying down here for the foreseeable future, since I have no desire for Mr. Wanamaker to take notice of me this evening.” “Ah,
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Having rowed myself since the tender age of twelve and having been around rowing ever since, I believe I can speak authoritatively on what we may call the unseen values of rowing—the social, moral, and spiritual values of this oldest of chronicled sports in the world. No didactic teaching will place these values in a young man’s soul. He has to get them by his own observation and lessons. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Competitive rowing is an undertaking of extraordinary beauty preceded by brutal punishment. Unlike most sports, which draw primarily on particular muscle groups, rowing makes heavy and repeated use of virtually every muscle in the body,
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Every few years, in the world of sport, someone ascends to the most rarefied of all levels—the one at which it becomes news not when they win, but when they lose. It must have been like that in the early Fifties, when a tubby Italian called Alberto Ascari was stitching together nine Grand Prix wins in a row, a record not even Fangio, Clark or Senna could match. Or when the great Real Madrid side of Alfredo Di Stefano and Ferenc Puskas won the first five European Cup finals, between 1956 and 1960. Or when Martina Navratilova dominated Wimbledon's Centre Court, winning nine ladies' singles titles in thirteen years. The current Australian cricket team is in just such a run at present, having just completed nine consecutive victories, putting them four wins away from establishing an all-time record. And then there is Tiger Woods.
Richard Williams
During batting practice Sexson hit a ball that broke a window at Friday’s Front Row Sports Grill in left field. Leftfielder Geoff Jenkins, Sexson’s teammate and closest friend, razzed him mercilessly about having to pay for the window. A day or two later, general manager Dean Taylor dropped a fake invoice on the chair in front of Sexson’s locker. Sexson read it and was simultaneously incredulous and livid. The letter said that he had to pay for the replacement window and that $3,200 would be withheld from his next paycheck.
Bill Schroeder (If These Walls Could Talk: Milwaukee Brewers: Stories from the Milwaukee Brewers Dugout, Locker Room, and Press Box)
For now I’m enjoying my company and rowing several days a week. The sport is immensely meditative, clearing my mind to face new challenges. Being close to nature, away from the maddening crowd, also helps ease me through the grieving process. I moved to Casterton, Victoria, Australia after Albert’s death. I’m semiretired from engineering, although I continue working on a few consultancy jobs for a couple of major companies. Life is good. Now tell me about you…
Young (Unbridled (A Harem Boy's Saga, #2))
I reached a point in my own life where I had enough. There was so much stuff around me that I just wanted to scream. I started to get really distressed when looking around my home at all the unnecessary things laying around. At first I took to “tidying up”, putting things away in neat little plastic boxes and lining these boxes up in perfect rows in my closets, desk and other storage areas. This didn’t do it for me, because the clutter would always return and I felt like I wasn’t getting to the root of the issue. I realized that my issue wasn’t just wasn’t the disorganization, but it was the matter of why I had all this stuff to begin with. In my mind, throwing stuff away became less wasteful than having acquired it in the first place. It was almost like this stuff I had acquired was a crutch. The expensive stuff I had was a way to tell myself that I am successful. The activity items, like cookbooks and sports equipment, was a way of pretending that I am consistently an active and dynamic person. The redundant items, like extra jackets and clothing, kitchen supplies, and books were a security blanket guarding against an unknown future (i.e. “you never know”). I suspect that the sentimental items from my past were also a way of holding on to what I know and a fear of moving forward.
Samuel J. Strauss (The 30-Day Clutter Challenge: Guide To Reducing Anxiety and Letting Go Of What's Holding You Back)
Schools also tend to minimize powerful healing and resilience-building activities like sports, music, and art. These are often viewed as elective or enrichment activities, when in fact they can be the very bedrock of academic learning, thanks to their regulatory and relational elements. Patterned, repetitive, rhythmic activity makes the overactive and overly reactive core regulatory networks (see Figure 2) get back “in balance.” Music falls into this category—both playing and listening. All sports involve doses of it. Dance, too. And, of course, each of these activities also has very important relational elements. You learn when to pass the ball to your teammate; you learn how to move with your dance partner; you synchronize playing your violin with other members of the orchestra. Finally, there are cognitive elements to sports, music, and other arts; they engage, activate, and synchronize activity throughout the brain, from the bottom up and from the top down. These are whole-brain healthy activities. Now imagine thirty children, sitting in rows in a classroom, passively listening to the teacher
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
But Pocock’s influence didn’t end with his command of the technical side of the sport. It really only began there. Over the years, as he saw successive classes of oarsmen come and go, as he watched immensely powerful and proud boys strive to master the vexing subtleties of their sport, as he studied them and worked with them and counseled them and heard them declare their dreams and confess their shortcomings, George Pocock learned much about the hearts and souls of young men. He learned to see hope where a boy thought there was no hope, to see skill where skill was obscured by ego or by anxiety. He observed the fragility of confidence and the redemptive power of trust. He detected the strength of the gossamer threads of affection that sometimes grew between a pair of young men or among a boatload of them striving honestly to do their best. And he came to understand how those almost mystical bonds of trust and affection, if nurtured correctly, might lift a crew above the ordinary sphere, transport it to a place where nine boys somehow became one thing—a thing that could not quite be defined, a thing that was so in tune with the water and the earth and the sky above that, as they rowed, effort was replaced by ecstasy. It was a rare thing, a sacred thing, a thing devoutly to be hoped for. And in the years since coming to Washington, George Pocock had quietly become its high priest.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
It was the USSR, as an emerging basketball power in the 1950s, that first called on Olympic leaders to officially add women's basketball to the program as a medal sport, a half century after the Fort Shaw girls demonstrated the game in St. Louis. Their first attempt came during a June 1955 meeting of the International Olympic Committee in Paris, where the Soviets asked delegates to vote on the adding women's competitions in volleyball, basketball, speed skating, and rowing, all of which were already open to male athletes.
Andrew Maraniss (Inaugural Ballers: The True Story of the First US Women's Olympic Basketball Team)
A well-conditioned oarsman or oarswoman competing at the highest levels must be able to take in and consume as much as eight liters of oxygen per minute; an average male is capable of taking in roughly four to five liters at most. Pound for pound, Olympic oarsmen may take in and process as much oxygen as a thoroughbred racehorse. This extraordinary rate of oxygen intake is of only so much value, it should be noted. While 75–80 percent of the energy a rower produces in a two-thousand-meter race is aerobic energy fueled by oxygen, races always begin, and usually end, with hard sprints. These sprints require levels of energy production that far exceed the body’s capacity to produce aerobic energy, regardless of oxygen intake. Instead the body must immediately produce anaerobic energy. This, in turn, produces large quantities of lactic acid, and that acid rapidly builds up in the tissue of the muscles. The consequence is that the muscles often begin to scream in agony almost from the outset of a race and continue screaming until the very end. And it’s not only the muscles that scream. The skeletal system to which all those muscles are attached also undergoes tremendous strains and stresses. Without proper training and conditioning—and sometimes even with them—competitive rowers are apt to experience a wide variety of ills in the knees, hips, shoulders, elbows, ribs, neck, and above all the spine. These injuries and complaints range from blisters to severe tendonitis, bursitis, slipped vertebrae, rotator cuff dysfunction, and stress fractures, particularly fractures of the ribs. The common denominator in all these conditions—whether in the lungs, the muscles, or the bones—is overwhelming pain. And that is perhaps the first and most fundamental thing that all novice oarsmen must learn about competitive rowing in the upper echelons of the sport: that pain is part and parcel of the deal. It’s not a question of whether you will hurt, or of how much you will hurt; it’s a question of what you will do, and how well you will do it, while pain has her wanton way with you.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
There is scarcely a book of mine that didn't have The Pigeon Tunnel at some time or another as its working title. Its origin is easily explained. I was in my mid-teens when my father decided to take me on one of his gambling sprees to Monte Carlo. Close by the old casino stood the sporting club, and at its base lay a stretch of lawn and a shooting range looking out to sea. Under the lawn ran small, parallel tunnels that led in a row to the sea's edge. Into them were inserted live pigeons that had been hatched and trapped on the casino roof. Their job was to flutter their way along the pitch-dark tunnel until they emerged in the Mediterranean sky as targets for well-lunched sporting gentlemen who were standing or lying in wait with their shotguns. Pigeons who were missed or merely winged then did what pigeons do. They returned to the place of their birth on the casino roof, where the same traps awaited them. Quite why this image has haunted me for so long is something the reader is perhaps better able to judge than I am.
John Le Carré
few other rows too, to be honest. She listens to Radio 2 instead of talkSPORT, made him watch a French film, that sort of thing. Though once you’re used to Radio 2 it’s not bad.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
Ted L. Nancy 560 N. Moorpark Rd., #236 Thousand Oaks, CA 91360 July 10th, 1995 MR. ALBERT H. MEYER, PRESIDENT AMERICAN SEATING COMPANY 901 Broadway Grand Rapids, Michigan 49504 Dear Mr. Meyer: I had a seating question and I was referred to you because I understand you manufacture stadium and arena seating. My question: When entering or exiting a seat in a stadium which is the proper side to face the person sitting down? Rear to them or crotch to them? I am always at a quandry when this problem comes up. To hence: last week at a sporting event I had to leave my seat. There were a row of people - ALL FROM THE SAME FAMILY - that were sitting down the row. I exited my seat, stood up and faced away from this family. Then I moved down the row realizing my buttocks were not 2 inches from this whole guy’s family. I had shown an entire family my rear end! But then again If I had turned around and moved down the aisel THAT WAY, wouldn’t that be worse? Stadium seating is the only situation in life where you can show whole rows of people your butt or crotch. And it’s acceptable! Can something be done about this seating? Should the rows be changed? I suggest a single row straight up to the top. You walk into the stadium you simply find your seat number and go up until you get it. Question: Is there a gracious way to exit? Thank you, Sir, for your response. Ted L. Nancy
Ted L. Nancy (Letters from a Nut)
No matter where you are on the pathway of your life, please don’t let the pain of an imperfect past hinder the glory of your fabulous future. You are so much more powerful than you may currently understand. Splendid victories—and outright blessings—are coming your way. And you’re exactly where you need to be to receive the growth necessary for you to lead the unusually productive, extremely prodigious and exceptionally influential life that you’ve earned through your harshest trials. Nothing is wrong at this moment, even if it feels like everything’s falling apart. If you sense your life’s a mess right now, this is simply because your fears are just a little stronger than your faith. With practice, you can turn down the volume of the voice of your scared self. And increase the tone of your most triumphant side. The truth is that every challenging event you’ve experienced, each toxic person that you’ve encountered and all the trials you’ve endured have been perfect preparation to make you into the person that you now are. You needed these lessons to activate the treasures, talents and powers that are now awakening within you. Nothing was an accident. Zero was a waste. You’re definitely exactly where you need to be to begin the life of your most supreme desires. One that can make you an empire-builder along with a world-changer. And perhaps even a history-maker.” “This all sounds easy but it’s a lot harder in reality,” shouted a man in a red baseball cap, seated in the fifth row. He sported a gray t-shirt and ripped jeans, the type you can buy torn at your local shopping mall. Though this outburst could have seemed disrespectful, the pitch of the participant’s voice and his body language displayed genuine admiration for The Spellbinder. “I agree with you, you wonderful human being,” responded The Spellbinder, his grace influencing all participants and his voice sounding somewhat stronger, as he stood up from his chair. “Ideas are worth nothing unless backed by application. The smallest of implementations is always worth more than the grandest of intentions. And if being an amazing person and developing a legendary life was easy, everyone would be doing it. Know what I mean?
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
But on the left-hand boundary of the lot is the stern and stately whore house of Dora Flood; a decent, clean, honest, old-fashioned sporting house where a man can take a glass of beer among friends.
John Steinbeck (Cannery Row (Cannery Row, #1))
Despite my misgivings, I was addicted to the cachet and perks of my job. Cold-pressed fruit juices lined up in neat colourful rows in the office drinks fridge, free gym membership, vouchers for massages and facials that would suddenly appear on my desk as part of the employee welfare program. The never-ending supply of free tickets to Broadway shows or prime seats at sports games. And, most importantly, the money they dangled in front of us. It all gave me temporary amnesia, or perhaps wilful blindness, at the damage we wrought on the lives of the nameless people at that factory in Michigan, or a hundred other places affected by our decisions. We used profit as justification for shattering lives. It was that simple.
Megan Goldin (The Escape Room)
Though he “never conquered asthma completely,” suffering spasms at irregular intervals for decades, he had strengthened his body sufficiently so that he could participate in a wide array of sports. He wrestled and sparred, ran three or four miles a day, took up rowing and tennis, and continued to work out in the gym. Though he failed to excel in any of these activities, he derived immense satisfaction from the sheer fact of overcoming his earlier invalidism.
Doris Kearns Goodwin (Leadership: In Turbulent Times)
Water pumps generally had four bolts the thickness of thumbs that screwed them into the base. My job was to remove the nuts from these four bolts. Because the workshop floor was damp, over the years the nuts had rusted into iron lumps. I put the wrench in place and started to turn it forcefully, using the exact same arm motion as rowing. Later I met a man from England who’d been on the Cambridge University rowing team and had nearly competed in the Olympics. He’d talked about this noble sport, proudly rolling up his sleeves and giving me a look at his biceps, round and smooth, like half-globes. I pulled up my sleeves too and showed him my biceps, which were in the same league as his. The English man was overjoyed and asked me what sport I played. I told him I played Rusty Screws.
Lu Nei (Young Babylon)
Instead it is about non-hurry rowing. It is about enjoying and having an appreciation. It is about finding what is good in our sport, and happiness. It is about going slow so you can go fast.
Mike Davenport (Rowing Slow: The Secret For Going Fast And Getting What You Want From Your Rowing (Rowing workbook Book 4))
Monastery Nights I like to think about the monastery as I’m falling asleep, so that it comes and goes in my mind like a screen saver. I conjure the lake of the zendo, rows of dark boats still unless someone coughs or otherwise ripples the calm. I can hear the four AM slipperiness of sleeping bags as people turn over in their bunks. The ancient bells. When I was first falling in love with Zen, I burned incense called Kyonishiki, “Kyoto Autumn Leaves,” made by the Shoyeido Incense Company, Kyoto, Japan. To me it smelled like earnestness and ether, and I tried to imagine a consciousness ignorant of me. I just now lit a stick of it. I had to run downstairs for some rice to hold it upright in its bowl, which had been empty for a while, a raku bowl with two fingerprints in the clay. It calls up the monastery gate, the massive door demanding I recommit myself in the moments of both its opening and its closing, its weight now mine, I wanted to know what I was, and thought I could find the truth where the floor hurts the knee. I understand no one I consider to be religious. I have no idea what’s meant when someone says they’ve been intimate with a higher power. I seem to have been born without a god receptor. I have fervor but seem to lack even the basic instincts of the many seekers, mostly men, I knew in the monastery, sitting zazen all night, wearing their robes to near-rags boy-stitched back together with unmatched thread, smoothed over their laps and tucked under, unmoving in the long silence, the field of grain ripening, heavy tasseled, field of sentient beings turned toward candles, flowers, the Buddha gleaming like a vivid little sports car from his niche. What is the mind that precedes any sense we could possibly have of ourselves, the mind of self-ignorance? I thought that the divestiture of self could be likened to the divestiture of words, but I was wrong. It’s not the same work. One’s a transparency and one’s an emptiness. Kyonishiki.... Today I’m painting what Mom calls no-colors, grays and browns, evergreens: what’s left of the woods when autumn’s come and gone. And though he died, Dad’s here, still forgetting he’s no longer married to Annie, that his own mother is dead, that he no longer owns a car. I told them not to make any trouble or I’d send them both home. Surprise half inch of snow. What good are words? And what about birches in moonlight, Russell handing me the year’s first chanterelle— Shouldn’t God feel like that? I aspire to “a self-forgetful, perfectly useless concentration,” as Elizabeth Bishop put it. So who shall I say I am? I’m a prism, an expressive temporary sentience, a pinecone falling. I can hear my teacher saying, No. That misses it. Buddha goes on sitting through the century, leaving me alone in the front hall, which has just been cleaned and smells of pine.
Chase Twichell
He could not see all of the room because there were depths that the darkness seized and filled, and the great fiery place, with its black-stained settle, was full of mysterious shadows. A huge fire was burning and leaping in the fastnesses of that stone cavity, and it was by the light of this alone that the room was illumined—and this had the effect as Peter noticed, of making certain people, like Mother Figgis and Jane Clewer, quite monstrous, and fantastic with their skirts and hair and their shadows on the wall. Before Frosted Moses had said that sentence about Courage, Peter had been taking the room in. Because he had been there very often before he knew every flagstone in the floor and every rafter in the roof and all the sporting pictures on the walls, and the long shining row of mugs and coloured plates by the fire-place and the cured hams hanging from the ceiling … but to-night was Christmas Eve and a very especial occasion, and he was sure to be beaten when he got home, and so must make the very most of his time.
Hugh Walpole (Fortitude)
One drawback to living in a medical research town is that they’re paranoid about health, both physical and mental. The adults get off easy. Not the kids. Sneeze twice in a row and the teacher calls the school nurse. Drop out of a sport or let your grades fall and you’re whisked off to Dr. Fodor’s couch. They especially monitor the teens, as if hormonal surges could make us spontaneously combust at any moment.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Now, faced with the black ocean, she confronts a vastness that makes the Atlantic seem little more than a pond. As she watches, huge backs slide up out of and back under the waves; Lottie’s reasonably sure they aren’t whales, since no whale she knows of sports a row of spikes down its spine. She has the sense of more, and bigger, beasts waiting beneath the water’s surface, forms as immense as a nightmare. The ocean is everywhere. Not only does it stretch to the horizon in all directions, it’s under everything as well. I don’t mean underground, I mean - it’s fundamental, you might say. If what’s around us is a picture, then this is what it’s drawn on.
John Langan