Rough Week Quotes

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He shifted over without comment, lifting the blankets, and I scrambled into the warm sheets beside him. He smelled like soap and sleep and bare skin. He smelled familiar. Not the deja vu familiar of Guy or Mel. Familiar like...the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow--or wanting back something you should never have given away.
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Now I can do the bolts," she slurred. "I've been trying to focus enough magic all week." The magic shifted and swirled, finally etching a picture in the air. It was a rough picture of Foaly, and he was laughing. I hate you, centaur!" screamed Opal, lunging toward, and then through, the insubstantial image. Her eyes rolled back into her head, and then she collapsed, snoring, on the floor. Artemis straightened his tie. Freud, he was certain, would have a field day with that.
Eoin Colfer
There's a divinity that shapes beauty from our rough hewn lives.
Brent Weeks (Shadow's Edge (Night Angel, #2))
A circle's unity and never ending smoothness is how we can aim to feel inside. Smooth, gentle, accepted, no rough edges, only love for all parts of our selves.
Amy Leigh Mercree
Until he was right in front of her, his lips curling with the world’s saddest smile. “Back to nervous habits, huh?” he asked as he brushed a fallen eyelash off her cheek. “It’s been a rough few weeks,” she whispered. “Yeah. It really has.” He blew the eyelash away and she wondered if he’d made a wish—until she remembered that elves didn’t have silly superstitions like that. She
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
He smelled familiar. Not the dèjà vu familiar of Guy or Mel. Familiar like...the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow - or wanting back something you should never have given away.
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
Rough week, right? Listen, every book in your home is one of us saying to you, please hold on until the end. We want you to stay with us so we can all see, together, how it all turns out. You're not alone. One of us is with you all the time. Hold on tight. See you next week.
Warren Ellis
It'll be all right, Clay. Really." "So you say, but you have a persecution complex and delusions of grandeur." "That's true," Tom said, "but they're balanced out by poor self-image and ego menstruation at roughly six week intervals...
Stephen King (Cell)
Weekly church attendance alone lowers the divorce rate significantly—roughly 25 to 50 percent, depending on the study.
Shaunti Feldhahn (The Good News About Marriage: Debunking Discouraging Myths about Marriage and Divorce)
No,” she said, not even flinching at his rough description. “I was only in the dungeon for a week. The ankle, the chain … He did that to me long before.” “What chain.” She blinked. And he knew she’d meant to avoid telling him that one particular detail. But now that he looked … he could make out, among the mass of scars, a white band. And there, around her perfect, lovely other ankle, was its twin. A wind laced with the dust and coldness of a tomb gnawed through the field. Marion merely said, “When you kill my uncle, ask him yourself.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
He smelled like soap and sleep and bare skin. He smelled familiar. Not the deja vu familiar of Guy or Mel. Familiar like... the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow--or wanting back something you should never have given away.
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
Today, of course, there’s no need to forage and hunt to survive. Yet our genes are coded for this activity, and our brains are meant to direct it. Take that activity away, and you’re disrupting a delicate biological balance that has been fine-tuned over half a million years. Quite simply, we need to engage our endurance metabolism to keep our bodies and brains in optimum condition. The ancient rhythms of activity ingrained in our DNA translate roughly to the varied intensity of walking, jogging, running, and sprinting. In broad strokes, then, I think the best advice is to follow our ancestors’ routine: walk or jog every day, run a couple of times a week, and then go for the kill every now and then by sprinting.
John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
The average American burns 55 minutes a day-roughly 12 weeks a year-looking for things they know they own but can't find.
Newsweek
had studied law an entire week, and then given it up because it was so prosy and tiresome.
Mark Twain (Roughing It)
The average person weighing 150 pounds burns roughly 100 calories per mile—whether the person walks or runs that mile.
Doug McGuff (Body by Science: A Research-Based Program for Strength Training, Body Building, and Complete Fitness in 12 Minutes a Week)
He, who had translated the madness of a millennia-old guardian angel. He who had been abducted. He who had seen an alien world crawling with earthly horrors. He had feared. He had loved. He had met a man who wanted to be God. He had seen death. It had been a rough few weeks.
Adrian Tchaikovsky (Children of Time (Children of Time #1))
In a sense, those critics who claim we are not working a fifteen-hour week because we have chosen consumerism over leisure are not entirely off the mark. They just got the mechanics wrong. We're not working harder because we're spending all our time manufacturing PlayStations and serving each other sushi. Industry is being increasingly robotized, and the real service sector remains flat at roughly 20 percent of overall employment. Instead, it is because we have invented a bizarre sadomasochistic dialectic whereby we feel that pain in the workplace is the only possible justification for our furtive consumer pleasures, and, at the same time, the fact that our jobs thus come to eat up more and more of our waking existence means that we do not have the luxury of--as Kathi Weeks has so concisely put it--"a life," and that, in turns means that furtive consumer pleasures are the only ones we have time to afford.
David Graeber (Bullshit Jobs: A Theory)
Human drivers in the United States suffer roughly one fatal accident per one hundred million miles traveled, which sets a high bar. Autonomous vehicles, to be accepted, will need to be much better than that: perhaps one fatal accident per billion miles, or twenty-five thousand years of driving forty hours per week.
Stuart Russell (Human Compatible: Artificial Intelligence and the Problem of Control)
I know I don’t deserve this,” he says roughly, “but I’m going to be a selfish bastard and take it. Because I’ve been dying to kiss, taste and fuck every inch of you since I found you singing in that field a week ago.
K.C. Lynn (Resisting Temptation (Men of Honor, #3))
And just how did you arrive at that remarkable conclusion, Mr. Mayor?" "In a rather simple way. It merely required the use of that much-neglected commodity -- common sense. You see, there is a branch of human knowledge known as symbolic logic, which can be used to prune away all sorts of clogging deadwood that clutters up human language." "What about it?" said Fulham. "I applied it. Among other things, I applied it to this document here. I didn't really need to for myself because I knew what it was all about, but I think I can explain it more easily to five physical scientists by symbols rather than by words." Hardin removed a few sheets of paper from the pad under his arm and spread them out. "I didn't do this myself, by the way," he said. "Muller Holk of the Division of Logic has his name signed to the analyses, as you can see." Pirenne leaned over the table to get a better view and Hardin continued: "The message from Anacreon was a simple problem, naturally, for the men who wrote it were men of action rather than men of words. It boils down easily and straightforwardly to the unqualified statement, when in symbols is what you see, and which in words, roughly translated is, 'You give us what we want in a week, or we take it by force.'" There was silence as the five members of the Board ran down the line of symbols, and then Pirenne sat down and coughed uneasily. Hardin said, "No loophole, is there, Dr. Pirenne?" "Doesn't seem to be.
Isaac Asimov (Foundation (Foundation, #1))
You hurt me more than that bullet. Not by lying about who you were but by not coming to see me. You’re supposed to be an expert at working out the most efficient path to get to where you want to be. Since for the last three weeks that path didn’t lead to me, you left me thinking you didn’t want me at all.” He glared. “But I got over my sulk and started to wonder if I was wrong. I think you do want me but you’re afraid. My big, rough, tough bodyguard is scared shitless.
Barbara Elsborg (Every Move He Makes)
He cupped my chin with his big hand and watched me. He breathed hard through his nose. His shoulders heaved way harder than they should have after a few minutes of kissing. I was about to suggest some additional conditioning exercises before football season started. I opened my mouth to tell him. He kissed me again. His tongue passed my lips and played across my teeth. We’d only been kissing like this for a week, but it seemed very natural when I kissed him back the same way. My body was on autopilot as I reached blindly for his waist and dragged him even closer, his torso skin-to-skin with mine against the tree. Who were we? I was turning into any of the assorted older girls who’d been seen leaving the cab of Sean’s truck at night. I’d always viewed those girls with a mixture of awe and derision. Sexual attraction was funny. Lust was hilarious. Now, not so much. Those girls had my sympathy, because I totally got it. I ran my fingers lightly up Adam’s bare back. He gasped. I opened my eyes to see if I’d done something wrong. He still touched the tree, but his muscles were taut, holding on to it for dear life. His eyes were closed. He rubbed his rough cheek slowly against mine. I had done nothing wrong. He was savoring. I knew how he felt. Tracing my fingernails down his back again, I whispered, “Stubble or what?” Eyes still closed, he chuckled. “I’m not shaving until our parents let us date again.” He kissed my cheek. “What if it takes… a… while?” I asked, struggling to talk.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
A rough breath left me, and I shifted my weight to my elbows. I turned my head, finding her mouth. I kissed her. “Don’t forget this.” She splayed her fingers across my jaw. “I don’t think I ever could.” “Promise me.” I lifted my head, catching her stare. “Promise me you won’t forget this, Poppy. That no matter what happens tomorrow, the next day, next week, you won’t forget this – forget that this was real.
Jennifer L. Armentrout (A Soul of Ash and Blood (Blood and Ash, #5))
(First lines) Now a traveler must make his way to Noon City by the best means he can, for there are no trains or buses headed in that direction, though six days a week a truck from the Chuberry Turpentine Company collects mail and supplies at the nextdoor town of Paradise Chapel; occasionally a person bound for Noon City can catch a ride with the driver of the truck, Sam Ratcliffe. It's a rough trip no matter how you come, for these washboard roads will loosen up even brandnew cars pretty fast, and hitchhikers always find the going bad. Also, this is lonesome country, and here in the sunken marshes where tiger lilies bloom the size of a man's head there are luminous green logs that shine under the dark water like drowned corpses. Often the only movement on the landscape is a broken spiral of smoke from a sorry-looking farmhouse on the horizon, or a wing-stiffened bird, silent and arrow-eyed, circling endlessly over the bleak deserted pinewoods.
Truman Capote (Other Voices, Other Rooms)
The following obituary appeared in the Pittsburgh Sun-Telegraph of Sept. 16, 1958: A GREAT POET died last week in Lancieux, France, at the age of 84. He was not a poet's poet. Fancy-Dan dilletantes will dispute the description "great." He was a people's poet. To the people he was great. They understood him, and knew that any verse carrying the by-line of Robert W. Service would be a lilting thing, clear, clean and power-packed, beating out a story with a dramatic intensity that made the nerves tingle. And he was no poor, garret-type poet, either. His stuff made money hand over fist. One piece alone, The Shooting of Dan McGrew, rolled up half a million dollars for him. He lived it up well and also gave a great deal to help others. "The only society I like," he once said, "is that which is rough and tough - and the tougher the better. That's where you get down to bedrock and meet human people." He found that kind of society in the Yukon gold rush, and he immortalized it.
Robert W. Service
The average man lives, and must live, so wholly in convention, that gunpowder charges of the truth are more apt to discompose than to invigorate his creed. Either he cries out upon blasphemy and indecency, and crouches the closer round that little idol of part-truths and part-conveniences which is the contemporary deity, or he is convinced by what is new, forgets what is old, and becomes truly blasphemous and indecent himself. New truth is only useful to supplement the old; rough truth is only wanted to expand, not to destroy, our civil and often elegant conventions.
Robert Louis Stevenson (Books Which Have Influenced Me: A Paper Contributed to the British Weekly, May 13, 1887)
Some six weeks ago I was allowed by the doctor to have white bread to eat instead of the coarse black or brown bread of ordinary prison fare. It is a great delicacy. It will sound strange that dry bread could possibly be a delicacy to any one. To me it is so much so that at the close of each meal I carefully eat whatever crumbs may be left on my tin plate, or have fallen on the rough towel that one uses as a cloth so as not to soil one’s table; and I do so not from hunger—I get now quite sufficient food—but simply in order that nothing should be wasted of what is given to me. So one should look on love.
Oscar Wilde (De Profundis)
Our faces are so close to one another right now, and all I can do is selfishly think how easy it would be for me to lean forward and kiss him like I’ve dreamed about for the last couple of weeks. One kiss, and then I’d let him go. One kiss, to replace the one stolen from me. This would be my first kiss, not what happened with Poseidon. Because a kiss should be born from love, and want, and need. A kiss should be beautiful, something a girl can hold onto for the rest of her life, to pull out in her memory whenever she wants butterflies to come back. A kiss shouldn’t be roughly ripped away from her and turned into a thing of nightmares.
Heather Lyons (The Deep End of the Sea)
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
I will push you, pull you, rattle you as I see fit. Because you've a sparkling wit lurking beneath that dull exterior. Because you can sing, but you don't. Because you've a fiery passion inside you, and it needs release. Because you can keep walking. You just need someone to push you over that next horizon." Surely it was the effect of hunger and fatigue, not his rough, intimate voice. But she trembled, just a little. "Those are rather ironic words," she said, turning to face him. "From a man who can't even ride in a coach.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Chickens once had a life expectancy of fifteen to twenty years, but the modern broiler is typically killed at around six weeks. Their daily growth rate has increased roughly 400 percent.)
Jonathan Safran Foer (Eating Animals)
He would enter silently and wake Magdalyn roughly. He loved Magdalyn's scream. He would beat her savagely and acuse her of plotting against him. If she begged and swore it wasn't true like most frightened women would, he'd throw her off the balcony. If she cursed him, he would bang her, matching her defiance with an equal degree of brutality, and she would live another day. Before he left, he would hold her tenderly in his arms and whisper that he was sorry, that he loved her. Decent women always wanted to see something good in him. He shivered in anticipation.
Brent Weeks (Shadow's Edge (Night Angel, #2))
Let us never fail to have recourse to the Lord, especially when the going gets rough. If we take advantage of the means of spiritual direction, the Lord will be able to work miracles with us.
Francisco Fernández-Carvajal (In Conversation with God – Volume 5 Part 2: Ordinary Time Weeks 29-34)
Last night, at a press conference, the City Council reminded everyone that the Dog Park is there for our community enjoyment and use, and so it is important that no one enter, look at, or think about the Dog Park. They are adding a new advanced camera system to keep an eye on the great black walls of the Dog Park at all times, and if anyone is caught trying to enter it, they will be forced to enter it, and will never be heard from again. If you see hooded figures in the Dog Park, no you didn’t. The hooded figures are perfectly safe, and should not be approached at any costs. The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams. We have also received word via encrypted radio pulses about the opening of a new store: Lenny’s Bargain House of Gardenwares and Machine Parts, which until recently was that abandoned warehouse the government was using for the highly classified and completely secret tests I was telling you about last week. Lenny’s will serve as a helpful new source for all needs involving landscaping and lawn-decorating materials and also as a way for the government to unload all the machines and failed tests and dangerous substances that otherwise would be wasted on things like “safe disposal” or “burying in a concrete tomb until the sun goes out.” Get out to Lenny’s for their big grand opening sale. Find eight government secrets and get a free kidnapping and personality reassignment so that you’ll forget you found them!
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Women are like cats: there's some you can't treat rough—and there's some you can't treat rough enough. ... You start in right now and show her who's master, and you'll have her eating out of your hand in a week.
E.M. Hull (The Lion Tamer)
I go to my father's desk, getting uncomfortable flashbacks to when Allie and I emptied my father's apartment a week after his death. It was rough. The entire place smelled like him - a soothing combo of wool, aftershave and old books. Every item dropped into a cardboard box felt as though a part of his existence was being locked away where no one could see it. Every tattered cardigan. Each worn-edged book. I was erasing my father piece by piece, and it gutted me.
Riley Sager (Home Before Dark)
I loved my family, and I loved our life. Kash and I had gone through rough times at the beginning, but life was good and I prayed it would stay that way. There was never a dull moment—there were plenty of laughs, and plenty of happy and sad tears. He and I still fought like there was no tomorrow, and pancakes were made a few times a week . . . but we loved each other fiercely, and we helped each other through everything. Most importantly, there were never any lies.
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
FACT FILE Excess salt can cause water retention and increase blood pressure. Restrict salt to 6 g, roughly about 1 teaspoon, per day. Substitute extra salt with herbs and spices such as oregano, basil, coriander and parsley, or use seasonings like lemon, garlic or pepper.
Namita Jain (The Four-Week Countdown Diet: Now You Can Choose How You Lose)
In America, lengths of hospital stays had greatly diminished. Patients were sent home to recuperate after procedures that once would have meant a week or more in a hospital bed. But for people without homes this change meant recuperating in the shelters or on the streets.
Tracy Kidder (Rough Sleepers)
Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
Christina Lauren (Roomies)
You looked dead," I tell him, moving closer. He grumbles something. "What?" I ask. "I said I wish," he mumbles. I eye the bottle or coconut rum on the table and the empty mug beside it. "Rough Day?" I'd been caught off guard by the Bridget Jones incident three weeks ago, but now it's almost a relief to see him looking how I've spent the last month and a half feeling.
Emily Henry (Funny Story)
Despite the name, Spanish flu struck the entire world — that’s what made it a pandemic instead of simply an epidemic. It was not the first influenza pandemic, nor the most recent (1957 and 1968 also saw pandemics), but it was by far the most deadly. Whereas AIDS took roughly twenty-four years to kill 24 million people, the Spanish flu killed as many in twenty- four weeks.
Jonathan Safran Foer (Eating Animals)
PIPER TUMBLED THROUGH THE SKY. Far below she saw city lights glimmering in the early dawn, and several hundred yards away the body of the bronze dragon spinning out of control, its wings limp, fire flickering in its mouth like a badly wired lightbulb. A body shot past her – Leo, screaming and frantically grabbing at the clouds. ‘Not coooooool!’ She tried to call to him, but he was already too far below. Somewhere above her, Jason yelled, ‘Piper, level out! Extend your arms and legs!’ It was hard to control her fear, but she did what he said and regained some balance. She fell spread-eagle like a skydiver, the wind underneath her like a solid block of ice. Then Jason was there, wrapping his arms around her waist. Thank god, Piper thought. But part of her also thought: Great. Second time this week he’s hugged me, and both times it’s because I’m plummeting to my death. ‘We have to get Leo!’ she shouted. Their fall slowed as Jason controlled the winds, but they still lurched up and down like the winds didn’t want to cooperate. ‘Gonna get rough,’ Jason warned. ‘Hold on!’ Piper locked her arms around him, and Jason shot towards the ground. Piper
Rick Riordan (The Lost Hero (The Heroes of Olympus #1))
In roughly that same time period, while General George Armstrong Custer achieved world fame in failure and catastrophe, Mackenzie would become obscure in victory. But it was Mackenzie, not Custer, who would teach the rest of the army how to fight Indians. As he moved his men across the broken, stream-crossed country, past immense herds of buffalo and prairie-dog towns that stretched to the horizon, Colonel Mackenzie did not have a clear idea of what he was doing, where precisely he was going, or how to fight Plains Indians in their homelands. Neither did he have the faintest idea that he would be the one largely responsible for defeating the last of the hostile Indians. He was new to this sort of Indian fighting, and would make many mistakes in the coming weeks. He would learn from them. For now, Mackenzie was the instrument of retribution. He had been dispatched to kill Comanches in their Great Plains fastness because, six years after the end of the Civil War, the western frontier was an open and bleeding wound, a smoking ruin littered with corpses and charred chimneys, a place where anarchy and torture killings had replaced the rule of law, where Indians and especially Comanches raided at will. Victorious in war, unchallenged by foreign foes in North America for the first time in its history, the Union now found itself unable to deal with the handful of remaining Indian tribes that had not been destroyed, assimilated, or forced to retreat meekly onto reservations where they quickly learned the meaning of abject subjugation and starvation. The hostiles were all residents of the Great Plains; all were mounted, well armed, and driven now by a mixture of vengeance and political desperation. They were Comanches, Kiowas, Arapahoes, Cheyennes, and Western Sioux. For Mackenzie on the southern plains, Comanches were the obvious target: No tribe in the history of the Spanish, French, Mexican, Texan, and American occupations of this land had ever caused so much havoc and death. None was even a close second.
S.C. Gwynne (Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History)
Homer's epic does not tell of such seemingly essential events as the abduction of Helen, for example, nor of the mustering and sailing of the Greek fleet, the first hostilities of the war, the Trojan Horse, and the sacking and burning of Troy. Instead, the 15,693 lines of Homer's Iliad describe the occurrences of a roughly two-week period in the tenth and final year of what had become a stalemated siege of Troy.
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
These trees were dying. My friends told me I should uproot them to spare the rest of the forest. But I could feel too much life in their trunks to pluck them from the ground.' 'How did you save them?' Biana asked. 'I listened. And I realized their voices had been silenced. So I gave them mine. I sang of sunlight and rain and rich soil. And hope. Always hope.' Calla moved to another tree, one that had the widest curve of them all, and lay in the slope of its trunk. 'For a week, I stayed right here. I didn't stop, even to rest my throat. I could barely rasp by the end, but I could feel their strength returning. They'll forever bear the mark of their trials, but they are survivors. Proof that anything can be overcome.' Keefe sat on one of the curved trunks, and Sophie waited for him to make a joke. But he just slid his fingers over the rough bark.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
The honky-tonk bartender, who doubled as bouncer, waiter, and cashier, was in no mood to compromise. Mercy was not in him. He came out around the open end of the long counter, waddled threatening across the floor in a sullen, red-faced fury and began to shake the inanimate figure lying across the table with its head bedded on its arms. "Hey, you! Do your sleeping in the gutter!" If you gave these bums an inch; they took a yard. And this one was a particularly glaring example of the genus bar-fly. He was in here all the time like this, inhaling smoke and then doing a sunset across the table. He'd been in here since four this afternoon. The boss and he, who were partners in the joint - the bartender called it jernt - would have been the last ones to claim they were running a Rainbow Room, but at least they were trying to give the place a little class, keep it above the level of a Bowery smoke-house; they even paid a guy to pound the piano and a canary to warble three times a week. And then bums like this had to show up and give the place a bad look! He shook the recumbent figure again, more roughly than the first time. Shook him so violently that the whole reedy table under him rattled and threatened to collapse. "Come on, clear out, I said! Pay me for what you had and get outa here!" ("I'm Dangerous Tonight")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Hey." Miles moves closer. "It's okay. It's...fuck." He pulls me roughly into his chest, his wine bottle still hanging from his hand. He kisses the top of my head like it's the most natural thing in the world. In actuality, it's the first time he's touched me, period. I've never been super physically affectionate with even my close friends, but I have to admit that after weeks of exactly no physical contact, it feels nice to be held by a near-perfect stranger.
Emily Henry (Funny Story)
You don’t have a wife then? No family of your own?” Sophia kept her tone light, stealing furtive glances at Quinn’s hawk’s-beak nose and heavy brow between questions. “Not as yet, miss.” “But surely you’ve a sweetheart for Saturdays?” Quinn gave a rough laugh. “Oh, I’ve one for every day of the week, Miss Turner.” Sophia stilled her charcoal and lifted an eyebrow. “What a relief to learn that your calendar is full, Mr. Quinn. For I warn you, I shan’t be tempted to stray from Gervais.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Good show,” Adam says as he cracks his neck. “I’m getting too old for this shit.” “You are old.” “You’re older than I am,” Adam reminds me. Even though I’m forty-two, I enjoy the rush of performing. I’d just like it not to be so rough on my aging body. I don’t remember having to take this many painkillers a few years ago, but between the traveling, shit food, and performing—I feel old as fuck. Even though I love acting much more than I thought I would, I love the fans more. I don’t have this kind of fun when I’m stuck on a set all day. I look over at my brother, “Randy is older than all of us, so there’s that.” “Fuck off,” Randy tosses back. “We’ve got a few weeks before we need to meet up again since the tour is over. I’m going to head home to Savannah. She said the kids are acting up. It’s time for Daddy to come lay the smack down.” “Right.” I laugh. Those kids have him wrapped around his finger. “We all know Vannah is who they listen to.” “Don’t piss in my Cheerios.
Corinne Michaels (We Own Tonight (Second Time Around, #1))
In the end, even the other boys ddn't want it to be over - for two weeks they smoked, flirted, and drank, away from the eyes of their parents. And they learned how to do things. That country, with its chronic breakdowns and shortages, made resourceful improvisers out of the clumsiest hands. A quarter of a century later, at family gatherings in San Francisco and Omaha and Chicago and New Jersey and Brooklyn, we children had to marvel at the hands of our fathers: small, rough with work - sometimes cracked with it - the thumbs squat and broad. Whether molecular biologists, programmers, or taxi drivers, they could dismantle radios, singe potatoes in firepits, swim to the other side of the lake - oh, how these tense men untensed at the sight of a rural body of water - get a chandelier to hang from the ceiling, and strum a guitar. They still worse the mustaches and trimmed beards of their youth, and they were beyond the reach of American fashion. To us, their Americanized children, these men were rigid, frightened, and withdrawn. But you had to love their hands.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
Just sit right back And you'll hear a tale A tale of a fateful trip, That started from this tropic port, Aboard this tiny ship. The mate was a mighty sailin' lad, The Skipper brave and sure, Five passengers set sail that day, For a three hour tour, A three hour tour. The weather started getting rough, The tiny ship was tossed. If not for the courage of the fearless crew The Minnow would be lost. The Minnow would be lost. The ship set ground on the shore Of this uncharted desert isle With Gilligan, The Skipper too. The millionaire And his wife, The movie star, The professor and Mary Ann, Here on Gilligan's Isle. So this is the tale of our castaways, They're here for a long long time. They'll have to make the best of things, It's an uphill climb. The first mate and his Skipper too Will do their very best, To make the others comf'terble In their tropic island nest. No phone, no lights, no motor car, Not a single luxury Like Robinson Crusoe It's primitive as can be. So join us here each week my friends, You're sure to get a smile, From seven stranded castaways Here on Gilligan's Isle!
Sherwood Schwartz (Inside Gilligan's Island: A Three-Hour Tour Through The Making Of A Television Classic)
ESTABLISHING A DAILY MEDITATION First select a suitable space for your regular meditation. It can be wherever you can sit easily with minimal disturbance: a corner of your bedroom or any other quiet spot in your home. Place a meditation cushion or chair there for your use. Arrange what is around so that you are reminded of your meditative purpose, so that it feels like a sacred and peaceful space. You may wish to make a simple altar with a flower or sacred image, or place your favorite spiritual books there for a few moments of inspiring reading. Let yourself enjoy creating this space for yourself. Then select a regular time for practice that suits your schedule and temperament. If you are a morning person, experiment with a sitting before breakfast. If evening fits your temperament or schedule better, try that first. Begin with sitting ten or twenty minutes at a time. Later you can sit longer or more frequently. Daily meditation can become like bathing or toothbrushing. It can bring a regular cleansing and calming to your heart and mind. Find a posture on the chair or cushion in which you can easily sit erect without being rigid. Let your body be firmly planted on the earth, your hands resting easily, your heart soft, your eyes closed gently. At first feel your body and consciously soften any obvious tension. Let go of any habitual thoughts or plans. Bring your attention to feel the sensations of your breathing. Take a few deep breaths to sense where you can feel the breath most easily, as coolness or tingling in the nostrils or throat, as movement of the chest, or rise and fall of the belly. Then let your breath be natural. Feel the sensations of your natural breathing very carefully, relaxing into each breath as you feel it, noticing how the soft sensations of breathing come and go with the changing breath. After a few breaths your mind will probably wander. When you notice this, no matter how long or short a time you have been away, simply come back to the next breath. Before you return, you can mindfully acknowledge where you have gone with a soft word in the back of your mind, such as “thinking,” “wandering,” “hearing,” “itching.” After softly and silently naming to yourself where your attention has been, gently and directly return to feel the next breath. Later on in your meditation you will be able to work with the places your mind wanders to, but for initial training, one word of acknowledgment and a simple return to the breath is best. As you sit, let the breath change rhythms naturally, allowing it to be short, long, fast, slow, rough, or easy. Calm yourself by relaxing into the breath. When your breath becomes soft, let your attention become gentle and careful, as soft as the breath itself. Like training a puppy, gently bring yourself back a thousand times. Over weeks and months of this practice you will gradually learn to calm and center yourself using the breath. There will be many cycles in this process, stormy days alternating with clear days. Just stay with it. As you do, listening deeply, you will find the breath helping to connect and quiet your whole body and mind. Working with the breath is an excellent foundation for the other meditations presented in this book. After developing some calm and skills, and connecting with your breath, you can then extend your range of meditation to include healing and awareness of all the levels of your body and mind. You will discover how awareness of your breath can serve as a steady basis for all you do.
Jack Kornfield (A Path with Heart: A Guide Through the Perils and Promises of Spiritual Life)
You’ve a healthy appetite,” I said, laughing. “I think you’d eat grass if there was nothing else.” “I have,” he said in all seriousness. “It doesna taste bad, but it’s no verra filling.” I was startled, then thought he must be teasing me. “When?” I asked. “Winter, year before last. I was livin’ rough—ye know, in the woods—with the … with a group of lads, raidin’ over the Border. We’d had poor luck for a week and more, and no food amongst us left to speak of. We’d get a bit of parritch now and then from a crofter’s cottage, but those folk are so poor themselves there’s seldom anything to spare.
Diana Gabaldon (Outlander (Outlander, #1))
As with all social service projects, a lexicon of terms accumulated around the Housing First movement. Permanent Supportive Housing (PSH) described the movement’s general aim and means, and a model program conducted in the 1990s in New York had shown that housing for chronically homeless people could indeed be long-lasting and beneficial, provided they received adequate support. This trial—The Consumer Preference Supported Housing Model (CPSH)—had involved 242 people who suffered from either mental illness or substance abuse or both. The model had housed them, via various grants and public subsidies, in apartments situated in “affordable locations throughout the city’s low-income neighborhoods.” And they had been supported by Assertive Community Treatment (ACT) teams, somewhat modified from the general prototype, but substantial. These included nurses, social workers, drug counselors, administrative assistants, and “peer counselors,” who directed the support services with the advice and consent of the tenants. Each team had access to psychiatrists and other professionals, and each stood ready to help the tenants every night and day of the week. After five years, 88 percent remained housed—a remarkable result.
Tracy Kidder (Rough Sleepers)
He arranged the ceremony for two o'clock in the afternoon a week before she was to leave. The exam had gone well and she was almost certain that she would qualify. Because other couples to be married came with family and friends, their ceremony seemed brisk and over quickly and caused much curiosity among those waiting because they had come alone. On their journey to Coney Island on the train that afternoon Tony raised the question for the first time of when they might marry in church and live together. 'I have money saved,' he said, 'so we could get an apartment and then move to the house when it's ready.' 'I don't mind,' she said. 'I wish we were going home together now.' He touched her hand. 'So do I,' he said. 'And the ring looks great on your finger.' She looked down at the ring. 'I'd better remember to take it off before Mrs Kehoe sees it.' The ocean was rough and grey and the wind blew white billowing clouds quickly across the sky. They moved slowly along the boardwalk and down the pier, where they stood watching the fishermen. As they walked back and sat eating hot dogs at Nathan's, Eilis spotted someone at the next table checking out her wedding ring. She smiled at herself. 'Will we ever tell our children that we did this?' she asked.
Colm Tóibín (Brooklyn (Eilis Lacey, #1))
Adding carbon dioxide, or any other greenhouse gas, to the atmosphere by, say, burning fossil fuels or leveling forests is, in the language of climate science, an anthropogenic forcing. Since preindustrial times, the concentration of CO2 in the atmosphere has risen by roughly a third, from 280 to 378 parts per million. During the same period, the concentration of methane has more than doubled, from .78 to 1.76 parts per million. Scientists measure forcings in terms of watts per square meter, or w/m2, by which they mean that a certain number of watts have been added (or, in the case of a negative forcing, like aerosols, subtracted) for every single square meter of the earth’s surface. The size of the greenhouse forcing is estimated, at this point, to be 2.5 w/m2. A miniature Christmas light gives off about four tenths of a watt of energy, mostly in the form of heat, so that, in effect (as Sophie supposedly explained to Connor), we have covered the earth with tiny bulbs, six for every square meter. These bulbs are burning twenty-four hours a day, seven days a week, year in and year out. If greenhouse gases were held constant at today’s levels, it is estimated that it would take several decades for the full impact of the forcing that is already in place to be felt. This is because raising the earth’s temperature involves not only warming the air and the surface of the land but also melting sea ice, liquefying glaciers, and, most significant, heating the oceans, all processes that require tremendous amounts of energy. (Imagine trying to thaw a gallon of ice cream or warm a pot of water using an Easy-Bake oven.) The delay that is built into the system is, in a certain sense, fortunate. It enables us, with the help of climate models, to foresee what is coming and therefore to prepare for it. But in another sense it is clearly disastrous, because it allows us to keep adding CO2 to the atmosphere while fobbing the impacts off on our children and grandchildren.
Elizabeth Kolbert (Field Notes from a Catastrophe)
Outside the study hall the next fall, the fall of our senior year, the Nabisco plant baked sweet white bread twice a week. If I sharpened a pencil at the back of the room I could smell the baking bread and the cedar shavings from the pencil.... Pretty soon all twenty of us - our class - would be leaving. A core of my classmates had been together since kindergarten. I'd been there eight years. We twenty knew by bored heart the very weave of each other's socks.... The poems I loved were in French, or translated from the Chinese, Portuguese, Arabic, Sanskrit, Greek. I murmured their heartbreaking sylllables. I knew almost nothing of the diverse and energetic city I lived in. The poems whispered in my ear the password phrase, and I memorized it behind enemy lines: There is a world. There is another world. I knew already that I would go to Hollins College in Virginia; our headmistress sent all her problems there, to her alma mater. "For the English department," she told me.... But, "To smooth off her rough edges," she had told my parents. They repeated the phrase to me, vividly. I had hopes for my rough edges. I wanted to use them as a can opener, to cut myself a hole in the world's surface, and exit through it. Would I be ground, instead, to a nub? Would they send me home, an ornament to my breed, in a jewelry bag?
Annie Dillard (An American Childhood)
Ya'aburnee1. As in you bury me. A rough translation for the way I want to leave this world before you because I can’t imagine having to go through a single day without you in it. If this last week was a preview of that kind of life, then I can assure you it isn’t a life worth living. You’re my wife and my best friend. The future mother of my children and the one place that truly feels like home. You’re the woman I want to spend the rest of my life with, not because you signed a contract, but because you love me enough to stay without one. “I want to be the kind of man who is worthy of a woman like you—if it’s even possible. I promise to work every damn day to make sure you don’t regret marrying someone as miserable as me. Because when I’m with you, I’m not miserable at all. You make me happy in a way that makes me afraid to blink just in case it all disappears.” The vulnerability of his words tugs at every single one of my heartstrings. “I’ll give you anything you want—anything at all—so long as you give me a chance to make you as happy as you make me. A dog. A family. A home. I want it all. These are my terms and conditions, take it or leave it because I’m not open to negotiations.” “Only you could make a proposal sound like a business acquisition and get away with it.” “Marry me,” he orders with a smile that could make me agree to just about anything.
Lauren Asher (Terms and Conditions (Dreamland Billionaires, #2))
For weeks all opinion polls and all responsible commentators had been predicting that there was no hope of the Labour Party being elected on a programme like this. Ever since Harry Perkins had been chosen to lead Labour at a tumultuous party conference two years earlier, the popular press had been saying that this proved what they had always argued – namely that the Labour Party was in the grip of a Marxist conspiracy. Privately the rulers of the great corporations had been gleeful, for they had convinced themselves that the British people were basically moderate and that, however rough the going got, they would never elect a Labour government headed by the likes of Harry Perkins.
Chris Mullin (A Very British Coup: The novel that foretold the rise of Corbyn)
I was so excited by the thing that I couldn’t sleep that night. I kept dreaming of power stations, ocean liners, even automobiles, being operated by balls bouncing back and forth in cylinders. I even worked out a spaceship in my mind, a bullet-shaped affair with a huge rubber ball on its end, gyroscopes to keep it oriented properly, the ball serving as a solution to that biggest of missile-engineering problems, excess heat. You’d build a huge concrete launching field, supported all the way down to bedrock, hop in the ship and start bouncing. Of course, it would be kind of a rough ride… In the morning, I called my superintendent and told him to get a substitute for the rest of the week; I was going to be busy.
Walter Tevis (Far from Home)
I can’t find out anything, but I’ve put together a network. I’ll find her.” “The thing is, she doesn’t want to be found. That isn’t going to make things any easier.” He didn’t want to ask, but he had to know. “Why doesn’t she want to be found?” “Because you’re marrying Audrey at Christmas,” Colby said simply. “I’m not marrying Audrey,” came the sort reply. “I never meant to marry Audrey. She outflanked me while I was getting used to the idea of being a media snack.” “Well, Cecily doesn’t know that,” Colby replied. “Great,” he muttered. “That’s just great. I leave the country and come home to find myself engaged to a woman I wouldn’t have, at any price!” “That’s not the only reason Cecily left,” Colby said tersely. “She knew you wouldn’t forgive her for not telling you about Matt Holden.” Tate ran a hand through his hair, missing the former length of it. “I’ve had a rough few weeks.” “So has she,” the other man said curtly. “She could have told me about my mother and Holden!” “Cecily gives her word and keeps it. There aren’t a lot of people on the planet who could make that claim. She promised the senator she wouldn’t tell you anything.” The senator. His father. Tate paced with the phone to his ear, his mind busy with possible places she might have gone to. “She might have told my mother where she was going.” “I’d bet good money that she didn’t,” Colby returned immediately. “She doesn’t want you to find her.” Tate stopped pacing. He scowled. “She doesn’t want me to find her?” “Actually, she doesn’t want any of us to find her. Especially you.” Tate’s eyes narrowed thoughtfully. “Any particular reason for that? Other than what I already know?” “Oh, boy.” Colby made a rough sound in his throat. “I still don’t think I should tell you. But if something should happen to her…” “Damn you, tell me!” Colby took a breath and went for broke. “All right. Cecily’s pregnant. That’s why she ran.” “You son of a bitch!” The phone slammed down so hard that Colby shuddered at the noise. He put the receiver down with a grimace. He shouldn’t have blown Cecily’s cover. But what else could he do? She was pregnant and alone and an attempt had been made on her life. It Tate wasn’t told, and Cecily was hurt or lost the baby, he might never get over it. That went double for Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
All of a sudden, he drew his hand away, and Lillian whimpered in protest. Cursing, Marcus tucked her body beneath his and pulled her face into his shoulder just as the door opened. In a moment of frozen silence breached only by her ragged breaths, Lillian peered out from the concealing shelter of Marcus’s body. She saw with a start of fright that someone was standing there. It was Simon Hunt. A ledger book and a few folders secured with black ribbon were clasped in his hands. Blank-faced, Hunt lowered his gaze to the couple on the floor. To his credit, he managed to retain his composure, though it must have been difficult. The Earl of Westcliff, known to his acquaintances as an eternal proponent of moderation and self-restraint, was the last man Hunt would have expected to be rolling on the study floor with a woman clad in her nightgown. “Pardon, my lord,” Hunt said in a carefully controlled voice. “I did not anticipate that you would be… meeting… with someone at this hour.” Marcus skewered him with a savage stare. “You might try knocking next time.” “You’re right, of course.” Hunt opened his mouth to add something, appeared to think better of it, and cleared his throat roughly. “I’ll leave you here to finish your, er… conversation.” As he withdrew from the room, however, it seemed that he couldn’t keep from ducking his head back in and asking Marcus cryptically, “Once a week, did you say?” “Close the door behind you,” Marcus said icily, and Hunt obeyed with a smothered sound that sounded suspiciously like laughter.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
A few more statistics, which speak for themselves. At the start of the twentieth century, the average life expectancy for white Americans was barely fifty, and for black Americans it was roughly thirty-five. Americans spent almost twice as much on funerals as they did on pharmaceuticals; half a century later, the reverse was the case. By then, average life expectancy was around seventy, the black population included. National income rose by close to a third in the 1950s. In 1956 American teenagers had a weekly income of ten dollars and fifty-five cents, more than the disposable income of the average household in 1940. The middle class – that segment of the population able to spend money on non-utilitarian products – accounted for almost half of all American households.
Geert Mak (In America: Travels with John Steinbeck)
There was a basic harmony between Antonia and her mistress [Mrs. Harling]. They had strong, independent natures, both of them. They knew what they liked, and were not always trying to imitate other people. They loved children and animals and music, and rough play, and digging in the earth. They liked to prepare rich, hearty food and to see people eat it; to make up soft white beds and to see youngsters asleep in them. They ridiculed conceited people and were quick to help unfortunate ones. Deep down in each of them there was a kind of hearty joviality, a relish of life, not over-delicate, but very invigorating. I never tried to define it, but I was distinctly conscious of it. I could not imagine Antonia's living for a week in any other house in Black Hawk than the Harlings.
Willa Cather
After two weeks came the first letter from Alexander. Tatiasha, Can there be anything harder than this? Missing you is a physical aching that grips me early in the morning and does not leave me, not even as I draw my last waking breath. My solace in these waning empty summer days is the knowledge that you’re safe, and alive, and healthy, and that the worst that you have to go through is serfdom for four well-meaning old women. The wood piles I’ve left are the lightest in the front. The heaviest ones are for the winter. Use them last, and if you need help carrying them, God help me, ask Vova. Don’t hurt yourself. And don’t fill the water pails all the way to the top. They’re too heavy. Getting back was rough, and as soon as I came back, I was sent right out to the Neva, where for six days we planned our attack and then made a move in boats across the river and were completely crushed in two hours. We didn’t stand a chance. The Germans bombed the boats with the Vanyushas, their version of my rocket launcher, the boats all sank. We were left with a thousand fewer men and were no closer to crossing the river. We’re now looking at other places we can cross. I’m fine, except for the fact that it’s rained here for ten days straight and I’ve been hip deep in mud for all that time. There is nowhere to sleep, except in the mud. We put our trench coats down and hope it stops raining soon. All black and wet, I almost felt sorry for myself until I thought of you during the blockade. I’ve decided to do that from now on. Every time I think I have it so tough, I’m going to think of you burying your sister in Lake Ladoga. I wish you had been given a lighter cross than Leningrad to carry through your life. Things are going to be relatively quiet here for the next few weeks, until we regroup. Yesterday a bomb fell in the commandant’s bunker. The commandant wasn’t there at the time. Yet the anxiety doesn’t go away. When is it going to come again? I play cards and soccer. And I smoke. And I think of you. I sent you money. Go to Molotov at the end of August. Don’t forget to eat well, my warm bun, my midnight sun, and kiss your hand for me, right in the palm and then press it against your heart. Alexander Tatiana read Alexander’s letter a hundred times, memorizing every word. She slept with her face on the letter, which renewed her strength.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
They were fed around 3,200 calories a day, which was considered a normal amount. (Because it is.) They took jobs on the compound and walked around twenty-two miles a week. Then, for six months, their calories were dramatically cut—in half. They were only served two meals a day, which worked out to roughly 1,600 calories total. The participants were encouraged to keep up their walking. In this experiment, 1,600 calories was considered “semi-starvation,” which is really horrifying when you realize that this is the same “conservative protocol” used by the FDA to “combat obesity.” You’ve probably seen that calorie number floating around fitness magazines and doctor-prescribed diets. These days, 1,200–1,600 calories is considered an acceptable daily amount of calories for men and women.
Caroline Dooner (The F*ck It Diet: Eating Should Be Easy)
Caleb told me that our mother said there was evil in everyone, and the first step to loving someone else is to recognize that evil in ourselves, so we can forgive them. So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me? “Hey,” I say, crushing Caleb’s directions into my back pocket. He turns, and his expression is stern, familiar. It looks the way it did the first few weeks I knew him, like a sentry guarding his innermost thoughts. “Listen,” I say. “I thought I was supposed to figure out if I could forgive you or not, but now I’m thinking you didn’t do anything to me that I need to forgive, except maybe accusing me of being jealous of Nita…” He opens his mouth to interject, but I hold up a hand to stop him. “If we stay together, I’ll have to forgive you over and over again, and if you’re still in this, you’ll have to forgive me over and over again too,” I say. “So forgiveness isn’t the point. What I really should have been trying to figure out is whether we were still good for each other or not.” All the way home I thought about what Amar said, about every relationship having its problems. I thought about my parents, who argued more often than any other Abnegation parents I knew, who nonetheless went through each day together until they died. Then I thought of how strong I have become, how secure I feel with the person I now am, and how all along the way he has told me that I am brave, I am respected, I am loved and worth loving. “And?” he says, his voice and his eyes and his hands a little unsteady. “And,” I say, “I think you’re still the only person sharp enough to sharpen someone like me.” “I am,” he says roughly. And I kiss him. His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of wind. I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that’s true of beginnings, but it’s not true of this, now. I fell in love with him. But I don’t just stay with him by default as if there’s no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
Veronica Roth (Allegiant (Divergent, #3))
Zane helped Maya down from her horse, then reached for Phoebe. He was stunned when he felt her cold, soaked clothes. “Run a bath,” he yelled to the housekeeper. He turned back to Phoebe. “Can you feel your toes?” “No, and I don’t want to. They’re going to hurt.” Maya came over and wrapped an arm around her. “Don’t sweat it, Zane. I’ll make sure she gets warmed up. See what happens when you cross a river. When I get back to the city, I’m not leaving my house for at least six weeks. And I’m going to spend all my time ordering things delivered. There will be no roughing it for me.” Phoebe shivered as she walked toward the house. “I liked it. It was all very exciting. Well, not the river, but the rest of it. Wasn’t Manny brave? And he saved my life. I need to get him a gift. What do you think he’d like?” “His balls back.
Susan Mallery (Kiss Me (Fool's Gold, #17))
I revise my suicide plan to slow death by morphling. I will become a yellow-skinned bag of bones, with enormous eyes. I’m a couple of days into the plan, making good progress, when something unexpected happens. I begin to sing. At the window, in the shower, in my sleep. Hour after hour of ballads, love songs, mountain airs. All the songs my father taught me before he died, for certainly there has been very little music in my life since. What’s amazing is how clearly I remember them. The tunes, the lyrics. My voice, at first rough and breaking on the high notes, warms up into something splendid. A voice that would make the mockingjays fall silent and then tumble over themselves to join in. Days pass, weeks. I watch the snows fall on the ledge outside my window. And in all that time, mine is the only voice I hear. What
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Instead Lise, lying unmoving in bed, knew; it was as if she had been upended over the wall of a well like that one in the last paragraph and had been falling in the same monotonous nothing way for weeks, down into it like Alice hazily pondering bats and cats, through nothing but languid gravity, in a place where a second of time was stretched so long and so thin that you could see veins in it; and all these seconds, all this time, she (Lise) had seemed to be hardly moving, though in reality the sides of the tunnel were flying up past her at thousands, maybe millions of miles an hour, the curved wall and its slime-cold roughly surfaced bricks only inches from the skin of her nose and chin and the knuckles of her hands and feet, and her whole body tensed, ready, waiting, always about to hit it, the surface of the water.
Ali Smith (Hotel World)
Take students today They are in some ways freer than they were 60 years ago in their attitudes and commitments and so on. On the other hand they are more disciplined. They are disciplined by debt. Part of the reasoning for arranging education so you come out with heavy debt is so you are disciplined. Take the last 20 years—the neo-liberal years roughly—a very striking part of what is called "globalization" is just aimed at discipline. It wants to eliminate freedom of choice and impose discipline. How do you do that? Well, if you're a couple in the U.S. now, each working 50 hours a week to put food on the table, you don't have time to think about how to become a libertarian socialist. When what you are worried about is "how can I get food on the table?" or "I've got kids to take care of, and when they are sick I've got to go to work and what's going to happen to them?" Those are very well-designed techniques of imposing discipline.
Noam Chomsky (Chomsky On Anarchism)
So, absent the chance to make every job applicant work as hard as a college applicant, is there some quick, clever, cheap way of weeding out bad employees before they are hired? Zappos has come up with one such trick. You will recall from the last chapter that Zappos, the online shoe store, has a variety of unorthodox ideas about how a business can be run. You may also recall that its customer-service reps are central to the firm’s success. So even though the job might pay only $11 an hour, Zappos wants to know that each new employee is fully committed to the company’s ethos. That’s where “The Offer” comes in. When new employees are in the onboarding period—they’ve already been screened, offered a job, and completed a few weeks of training—Zappos offers them a chance to quit. Even better, quitters will be paid for their training time and also get a bonus representing their first month’s salary—roughly $2,000—just for quitting! All they have to do is go through an exit interview and surrender their eligibility to be rehired at Zappos. Doesn’t that sound nuts? What kind of company would offer a new employee $2,000 to not work? A clever company. “It’s really putting the employee in the position of ‘Do you care more about money or do you care more about this culture and the company?’ ” says Tony Hsieh, the company’s CEO. “And if they care more about the easy money, then we probably aren’t the right fit for them.” Hsieh figured that any worker who would take the easy $2,000 was the kind of worker who would end up costing Zappos a lot more in the long run. By one industry estimate, it costs an average of roughly $4,000 to replace a single employee, and one recent survey of 2,500 companies found that a single bad hire can cost more than $25,000 in lost productivity, lower morale, and the like. So Zappos decided to pay a measly $2,000 up front and let the bad hires weed themselves out before they took root. As of this writing, fewer than 1 percent of new hires at Zappos accept “The Offer.
Steven D. Levitt (Think Like a Freak)
There’s kind of a glaring inconsistency here, that’s almost too obvious to dwell on. If they can’t stand physical discomfort and they can’t stand technology, they’ve got a little compromising to do. They depend on technology and condemn it at the same time. I’m sure they know that and that just contributes to their dislike of the whole situation. They’re not presenting a logical thesis, they’re just reporting how it is. But three farmers are coming into town now, rounding the corner in that brand-new pickup truck. I’ll bet with them it’s just the other way around. They’re going to show off that truck and their tractor and that new washing machine and they’ll have the tools to fix them if they go wrong, and know how to use the tools. They value technology. And they’re the ones who need it the least. If all technology stopped, tomorrow, these people would know how to make out. It would be rough, but they’d survive. John and Sylvia and Chris and I would be dead in a week. This condemnation of technology is ingratitude, that’s what it is.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
Oak trees can churn out roughly 500 to 1,000 pounds (225 to 450 kg) of acorns a year, albeit during a brief window of a few weeks. A Native American family living in California a few centuries ago, collecting over the span of two or three weeks, could set aside enough acorns to last two or three years. They could gather acorns from at least seven different species of oak trees, preferring oily acorns over sweet ones, and knew two methods to purge them of noxious tannins. The common technique was to de-hull the acorns, pound the acorn meat into mush and drop it into a pit, then douse the mush with water heated by hot stones until all the bitterness was leached. Alternatively, acorns could be buried in mud by streams or swamps for several months, after which they would become edible. To complement their protein-deficient acorn cuisine, Native Americans in California hunted salmon, deer, antelope, mountain sheep, and black bear and gathered earthworms, caterpillars (smoked and then boiled), grasshoppers (doused with salty water and roasted in earth pits), and bee and wasp larvae.15 The
Stephen Le (100 Million Years of Food: What Our Ancestors Ate and Why It Matters Today)
But what separates human consciousness from the consciousness of animals? Humans are alone in the animal kingdom in understanding the concept of tomorrow. Unlike animals, we constantly ask ourselves “What if?” weeks, months, and even years into the future, so I believe that Level III consciousness creates a model of its place in the world and then simulates it into the future, by making rough predictions. We can summarize this as follows: Human consciousness is a specific form of consciousness that creates a model of the world and then simulates it in time, by evaluating the past to simulate the future. This requires mediating and evaluating many feedback loops in order to make a decision to achieve a goal. By the time we reach Level III consciousness, there are so many feedback loops that we need a CEO to sift through them in order to simulate the future and make a final decision. Accordingly, our brains differ from those of other animals, especially in the expanded prefrontal cortex, located just behind the forehead, which allows us to “see” into the future. Dr. Daniel Gilbert, a Harvard psychologist, has written, “The greatest achievement of the human brain is its ability to imagine objects and episodes that do not exist in the realm of the real, and it is this ability that allows us to think about the future. As one philosopher noted, the human brain is an ‘anticipation machine,’ and ‘making the future’ is the most important thing it does.” Using brain scans, we can even propose a candidate for the precise area of the brain where simulation of the future takes place. Neurologist Michael Gazzaniga notes that “area 10 (the internal granular layer IV), in the lateral prefrontal cortex, is almost twice as large in humans as in apes. Area 10 is involved with memory and planning, cognitive flexibility, abstract thinking, initiating appropriate behavior, and inhibiting inappropriate behavior, learning rules, and picking out relevant information from what is perceived through the senses.” (For this book, we will refer to this area, in which decision making is concentrated, as the dorsolateral prefrontal cortex, although there is some overlap with other areas of the brain.)
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
In one representative study of the situation in the nation today, the sociologists Jill Yavorsky, Claire Kamp Dush, and Sarah Schoppe-Sullivan found that for male-female partners who both worked full-time (roughly forty-hour weeks), first-time parenthood increased a man’s workload at home by about ten hours per week. Meanwhile, the increased workload for women was about twenty hours. So motherhood took double the toll as fatherhood, workwise. Moreover, much of the new work that fathers did take on in these situations was the comparatively “fun” work of engagement with their children—for example, playing with the baby. Fathers did this for four hours per week, on average, while dropping their number of hours of housework by five hours per week during the same time period. Mothers decreased their hours of housework by only one hour per week—while adding about twenty-one hours of child-rearing labor, including fifteen hours of physical child care—for instance, changing diapers and bathing the baby. And mothers still did more by way of infant engagement: about six hours per week, on average.
Kate Manne (Entitled: How Male Privilege Hurts Women)
She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.
Hannah Richell (The Peacock Summer)
I have a good friend, let’s call him Slim Berriss, who’s devised a schedule for himself that combines practical microdosing and pre-planned 1- to 2-day treks into deeper territory. For him, this blend provides a structured approach for increasing everyday well-being, developing empathy, and intensively exploring the “other.” Here is what it looks like: Microdosing of ibogaine hydrochloride twice weekly, on Mondays and Fridays. The dosage is 4 mg, or roughly 1/200 or less of the full ceremonial dosage at Slim’s bodyweight of 80 kg. He dislikes LSD and finds psilocybin in mushrooms hard to dose accurately. Woe unto he who “microdoses” and gets hit like a freight train while checking in luggage at an airport (poor Slim). The encapsulated ibogaine was gifted to him to solve this problem. Moderate dosing of psilocybin (2.2 to 3.5 g), as ground mushrooms in chocolate, once every 6 to 8 weeks. His highly individual experience falls somewhere in the 150 to 200 mcg description of LSD by Jim later in this piece. Slim is supervised by an experienced sitter. Higher-dose ayahuasca once every 3 to 6 months for 2 consecutive nights. The effects could be compared (though very different experiences) to 500+ mcg of LSD. Slim is supervised by 1 to 2 experienced sitters in a close-knit group of 4 to 6 people maximum. NOTE: In the 4 weeks prior to these sessions, he does not consume any ibogaine or psilocybin.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
What can I do for you this time, Miss Oliphant?” “It’s back pain, Doctor,” I told him. “I’ve been in agony.” He still didn’t look at me. “How long have you been experiencing this?” he said. “A couple of weeks,” I told him. He nodded. “I think I know what’s causing it,” I said, “but I wanted to get your opinion.” He stopped reading, finally looked across at me. “What is it that you think is causing your back pain, Miss Oliphant?” “I think it’s my breasts, Doctor,” I told him. “Your breasts?” “Yes,” I said. “You see, I’ve weighed them, and they’re almost half a stone—combined weight, that is, not each!” I laughed. He stared at me, not laughing. “That’s a lot of weight to carry around, isn’t it?” I asked him. “I mean, if I were to strap half a stone of additional flesh to your chest and force you to walk around all day like that, your back would hurt too, wouldn’t it?” He stared at me, then cleared his throat. “How . . . how did you . . . ?” “Kitchen scales,” I said, nodding. “I just sort of . . . placed one on top. I didn’t weigh them both, I made the assumption that they’d be roughly the same weight. Not entirely scientific I know, but—” “I’ll write you a prescription for some more painkillers, Miss Oliphant,” he said, talking over me and typing. “Strong ones this time, please,” I said firmly, “and plenty of them.” They’d tried to fob me off before with tiny doses of aspirin. I needed highly efficient medication to add to my stockpile.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Mum was always so generous to Lara and me growing up, and it helped me develop a very healthy attitude to money. You could never accuse my mum of being tight: she was free, fun, mad, and endlessly giving everything away--always. Sometimes that last part became a bit annoying (such as if it was some belonging of ours that Mum had decided someone else would benefit more from), but more often than not we were on the receiving end of her generosity, and that was a great spirit to grow up around. Mum’s generosity ensured that as adults we never became too attached to, or attracted by money. I learned from her that before you can get, you have to give, and that money is like a river--if you try to block it up and dam it (that is, cling to it), then, like a damned river, the water will go stagnant and stale, and your life will fester. If you keep the stream moving and keep giving stuff and money away, wherever you can, then the river and the rewards will keep flowing in. I love the quote she once gave me: “When supply seems to have dried up, look around you quickly for something to give away.” It is a law of the universe: to get good things you must first give away good things. (And of course this applies to love and friendship, as well.) Mum was also very tolerant of my unusual aspirations. When I found a ninjutsu school through a magazine, I was determined to go and seek it out and train there. The problem was that it was at the far end of the island in some pretty rough council estate hall. This was before the moped, so poor Mum drove me every week…and would wait for me. I probably never even really thanked her. So, thank you, Mum…for all those times and so much more. By the way, the ninjutsu has come in real handy at times.
Bear Grylls (Mud, Sweat and Tears)
Very convenient. Anything else?’ ‘Not really. I’m sure, for instance, that you haven’t the slightest interest in a Berger International flight into the Isle of Man, carrying one Marco Rossi.’ Dillon laughed. ‘Well, imagine that.’ ‘If it’s a sea voyage he’s planning, he’s in for a rough ride. Tomorrow and tomorrow night, there’ll be rain squalls and high seas. You’ll know you’re out there!’ ‘Should be interesting.’ ‘Do you have a game plan, Sean?’ ‘Yeah, the game plan is to blow the hell out of the Mona Lisa and deposit two million quid’s worth of arms on the floor of the Irish Sea.’ ‘What about the crew? I’ve got a Captain Martino listed here and five others: Gomez, Fabio, Arturo somebody, an Enrico, a Sancho. You’re going to kill them all, Sean?’ ‘Why not? They’re a reasonable facsimile of scum. They’ve run everything from heroin to human beings, I’m told, and now arms. They shouldn’t have joined if they didn’t want the risk.’ ‘Fine by me. I’ll stay in touch. Speak to you tomorrow.’ ‘Good, but stay on the Berger case. I’m convinced Rossi was responsible for Sara Hesser’s death.’ ‘I’ll see what I can do.’ Oban was enveloped in mist and rain. Beyond Kerrera, the waters looked disturbed in the Firth of Lorn, and clouds draped across the mountain tops. ‘I’ve said it before,’ Billy moaned. ‘What a bloody awful place. I mean, it rains all the bleeding time.’ ‘No, Billy, it rains six days a week.’ Dillon turned to Ferguson. ‘Am I right, General?’ ‘You usually are, Dillon.’ ‘Good. Please join me in the wheelhouse.’ There was a flap to one side of the instrument panel and he pressed a button. Inside was a fuse box and some clips screwed into place. He opened one of the weapons bags, took out a Browning with a twenty-round magazine protruding from its butt. He clipped it into place and added a Walther in the other clips. ‘Ace in the hole.’ He closed the flap. ‘My goodness, you do mean business,’ Ferguson said. ‘I always did, Charles. Now let’s go ashore and eat.’ The early darkness of the far north was against them
Jack Higgins (Bad Company (Sean Dillon #11))
In a rather simple way. It merely required the use of that much-neglected commodity—common sense. You see, there is a branch of human knowledge known as symbolic logic, which can be used to prune away all sorts of clogging deadwood that clutters up human language.” “What about it?” said Fulham. “I applied it. Among other things, I applied it to this document here. I didn’t really need to for myself because I knew what it was all about, but I think I can explain it more easily to five physical scientists by symbols rather than by words.” Hardin removed a few sheets of paper from the pad under his arm and spread them out. “I didn’t do this myself, by the way,” he said. “Muller Holk of the Division of Logic has his name signed to the analyses, as you can see.” Pirenne leaned over the table to get a better view and Hardin continued: “The message from Anacreon was a simple problem, naturally, for the men who wrote it were men of action rather than men of words. It boils down easily and straightforwardly to the unqualified statement, which in symbols is what you see, and which in words, roughly translated, is, ‘You give us what we want in a week, or we take it by force.’ ” There was silence as the five members of the Board ran down the line of symbols, and then Pirenne sat down and coughed uneasily. Hardin said, “No loophole, is there, Dr. Pirenne?” “Doesn’t seem to be.” “All right.” Hardin replaced the sheets. “Before you now you see a copy of the treaty between the Empire and Anacreon—a treaty, incidentally, which is signed on the Emperor’s behalf by the same Lord Dorwin who was here last week—and with it a symbolic analysis.” The treaty ran through five pages of fine print and the analysis was scrawled out in just under half a page. “As you see, gentlemen, something like ninety percent of the treaty boiled right out of the analysis as being meaningless, and what we end up with can be described in the following interesting manner: “Obligations of Anacreon to the Empire: None!” “Powers of the Empire over Anacreon: None!” Again the five followed the reasoning anxiously, checking carefully back to the treaty, and when they were finished, Pirenne said in a worried fashion, “That seems to be correct.
Isaac Asimov (Foundation (Foundation, #1))
Mrs Vane glanced at her [daughter], and with one of those false theatrical gestures that so often become a mode of second nature to a stage-player, clasped her in her arms. At this moment the door opened, and a young lad with rough brown hair came into the room… Mrs Vane fixed her eyes on him, and intensified the smile. She mentally elevated her son to the dignity of an audience. She felt sure that the tableau was interesting. ‘You might keep some of your kisses for me, Sibyl, I think,’ said the lad, with a good-natured grumble… James Vane looked into his sister’s face with tenderness. ‘I want you to come out with me for a walk, Sibyl. I don’t suppose I shall ever see this horrid London again. I am sure I don’t want to.’ ‘My son, don’t say such dreadful things,’ murmured Mrs Vane, taking up a tawdry theatrical dress, with a sigh, and beginning to patch it. She felt a little disappointed that he had not joined the group. It would have increased the theatrical picturesqueness of the situation… ‘Come, Sibyl,’ said her brother, impatiently. He hated his mother’s affectations… He was conscious also of the shallowness and vanity of his mother’s nature, and in that saw infinite peril for Sibyl and Sibyl’s happiness. Children being by loving their parents; as they grow older they judge them; sometimes they forgive them… After some time, he thrust away his plate, and put his head in his hands. He felt that he had a right to know. It should have been told to him before, if it was as he suspected. Leaden with fear, his mother watched him. Words dropped mechanically from her lips. A tattered lace handkerchief twitched in her fingers. When the clock struck six, he got up, and went to the door. Then he turned back, and looked at her. Their eyes met. In hers he saw a wild appeal for mercy. It enraged him. ‘Mother, I have something to ask you,’ he said. Her eyes wandered vaguely about the room. She made no answer. ‘Tell me the truth. I have a right to know. Were you married to my father?’ She heaved a deep sigh. It was a sigh of relief. The terrible moment, the moment that night and day, for weeks and months, she had dreaded, had come at last, and yet she felt no terror. Indeed in some measure it was a disappointment to her. The vulgar directness of the question called for a direct answer. The situation had not been gradually led up to. It was crude. It reminded her of a bad rehearsal.
Oscar Wilde (The Picture of Dorian Gray)
And she knew her defiance in escaping his grasp, even temporarily, had shown Jasu the depth of her strength. In the months afterward, though he behaved awkwardly, he had allowed her the time and space she needed. It was the first genuine show of respect he had made toward her in their four years of marriage. Jasu’s parents made no such concession, their latent disappointment growing into relentless criticism of her for failing to bear a son.Kavita walks outside and spreads her mat on the rough stone steps, where she sits facing the rising sun in the east She lights the small ghee-soaked diya and thin stick of incense, and then closes her eyes in prayer. The wisp of fragrant smoke slowly circles its way up into the air and around her. She breathes deeply and thinks, as always, of the baby girls she has lost. She rings the small silver bell and chants softly. She sees their faces and their small bodies, she hears their cries and feels their tiny fingers wrap around hers. And always, she hears the sound of Usha’s desperate cry echoing behind the closed doors of the orphanage. She allows herself to get lost in the depths of her grief. After she has chanted and sung and wept for some time, she tries to envision the babies at peace, wherever they are. She pictures Usha as a little girl, her hair wound in two braids, each tied with a white ribbon. The image of the girl in her mind is perfectly clear: smiling, running, and playing with children, eating her meals and sleeping alongside the others in the orphanage.Every morning, Kavita sits in the same place outside her home with her eyes closed until the stormy feelings peak and then, very gradually, subside. She waits until she can breathe evenly again. By the time she opens her eyes, her face is wet and the incense has burned down to a small pile of soft ash. The sun is a glowing orange ball on the horizon, and the villagers are beginning to stir around her. She always ends her puja by touching her lips to the one remaining silver bangle on her wrist, reconciling herself to the only thing she has left of her daughters. These daily rituals have brought her comfort and, over time, some healing. She can carry herself through the rest of the day with these peaceful images of Usha in her mind. Each day becomes more bearable. As days turn to weeks, and weeks to months, Kavita feels her bitterness toward Jasu soften. After several months, she allows him to touch her and then, to reach for her at night.
Shilpi Somaya Gowda (Secret Daughter)
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
I hate like hell to go, especially with things still so up in the air between us.” Liv was watching him from the bed. “Nothing’s up in the air. You’re determined to keep me and I’m determined to go.” His face darkened. “You’re not so damn determined when I have you in the bathing pool.” Liv felt a heated blush creep into her cheeks but she refused to back down. “Be that as it may, what I say or do in the, uh, in the heat of passion doesn’t change how I feel.” A look that was almost despair crossed over his chiseled features. “Damn it, Olivia, can’t you admit to yourself that you feel for me what I feel for you? Can’t you just try to imagine having a life here with me on the ship?” “I could…if I didn’t already have a life waiting for me back on Earth.” She sighed. “Look, let’s not fight about this right now. You have to go, fine. I’ll manage okay on my own here.” To be honest she was looking forward to a reprieve from the constant lust she felt while being cooped up with him in close quarters. He frowned. “I shouldn’t be leavin’ you alone during our claiming period. If I hadn’t had a direct order from my CO—” “It’s okay, really. I’ll find something to keep me occupied. I’ll try the translator and read one of your books. And I can work the wave well enough to make my own lunch without burning a finger off now.” “All right, fine.” He looked slightly mollified. “But whatever you do, stay in the suite. Don’t leave for any reason.” “Yes, sir!” She gave him a mocking salute. “To hear is to obey, oh my lord and master.” “Lilenta…” He sighed. “This is for your safety. I’m not trying to order you around for the hell of it.” “No, you just want to make my decisions for me. Stay here, don’t go there. Live the rest of your life on the ship instead of ever seeing your loved ones on Earth again. Why should this be any different?” Liv knew an edge of bitterness had crept into her voice but she couldn’t seem to help it. Baird scowled. “In time you’ll see that this is best. The only way I can protect you is to keep you close to me.” “Funny how much being protected feels like being owned.” “I thought you didn’t want to fight.” “You started it.” Liv knew it sounded childish but she didn’t care. He ran a hand through his hair. “Damn it, Olivia…” Then he shook his head, as though sensing the futility of any argument. He pointed a finger at her instead. “I’m going but I’ll be back tonight in time for the start of our tasting week.” “You…I’m surprised you want to…to do anything at all.” Liv worked hard to keep the tremble out of her voice but didn’t quite succeed. He raised an eyebrow. “You mean with you trying to pick a fight at every opportunity and generally resisting me every step of the way? I have news for you, Lilenta, none of that affects the way I feel for you—the way I need you—one bit.” He walked over to the bed where she was sitting on the edge and pulled her to her feet. “I still want you more than any other woman I’ve ever seen. Still need to be inside you, bonding you to me, making you mine,” he growled softly, pulling her close. “Baird, stop it!” She wanted to beat against his broad chest in protest but she somehow found herself melting against him instead. “Don’t you want to give me a kiss goodbye?” There was a flicker of bitter amusement in his golden eyes. “No, I guess you don’t. Too bad.” Leaning down, he took her lips in a rough yet tender kiss that took Liv’s breath away.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Evening,” Zane said. It was a pretty wordy opening for him. Phoebe debated inviting him in, then decided it would be too much like an offer to sleep with him. Instead of stepping back and pointing to the bed, which was really what she wanted to do, she moved down the hallway, shutting the door behind her, and did her best to look unimpressed. “Hi, Zane. How are the preparations coming?” He gave her one of his grunts, then shrugged. She took that to mean, “Great. And thanks so much for asking.” They weren’t standing all that close, but she was intensely aware of him. Despite the fact that he’d probably been up at dawn and that it was now close to ten, he still smelled good. He wasn’t wearing his cowboy hat, so she could see his dark hair. Stubble defined his jaw. She wanted to rub her hands over the roughness, then maybe hook her leg around his hip and slide against him like the sex-starved fool she was turning out to be. “Maya’ll be here tomorrow,” he said. “Elaine Mitchell is bringing her out to the ranch with all of the greenhorns in her tourist bus.” She had to clear her throat before speaking. “Maya called me about an hour ago to let me know she’d be getting here about three.” He folded his arms across his broad chest, then leaned sideways against the doorjamb beside her. So very close. Her attention fixed on the strong column of his neck, and a certain spot just behind his jaw that she had a sudden urge to kiss. Would it be warm? Would she feel his pulse against her lips? “She doesn’t need to know what happened,” Zane said. Phoebe couldn’t quite make sense of his words, and he must have read the confusion in her eyes. They were alone, it was night and the man seemed to be looming above her in the hallway. She’d never thought she would enjoy being loomed over, but it was actually very nice. She had the feeling that if she suddenly saw a mouse or something, she could shriek and jump, and he would catch her. Of course he would think she was an idiot, but that was beside the point. “Between us,” he explained. “Outside. She doesn’t need to know about the kiss.” A flood of warmth rushed to her face as she understood that he regretted kissing her. She instinctively stepped backward, only to bump her head against the closed bedroom door. Before she had time to be embarrassed about her lack of grace or sophistication, he groaned, reached for her hips and drew her toward him. “She doesn’t need to know about this one, either.” His lips took hers with a gentle but commanding confidence. Her hands settled on either side of the strong neck she’d been eyeing only seconds ago. His skin was as warm as she’d imagined it would be. The cords of his muscles moved against her fingers as he lifted his head to a better angle. His hands were still, except his thumbs, which brushed her hip bones, slow and steady. His fingers splayed over the narrowest part of her waist and nearly met at the small of her back. She wished she could feel his fingertips against her skin, but her thin cotton top got in the way. He kept her body at a frustrating distance from his. In fact, when she tried to move closer, he held her away even as he continued the kiss. Lips on lips. Hot and yielding. She waited for him to deepen the kiss, but he didn’t. And she couldn’t summon the courage to do it herself. Finally, he drew back and rested his forehead against hers for a long moment. “Do me a favor,” he said. “Try to be a little more resistible. I don’t think I can take a week of this.” Then he turned on his heel, walked to a door at the end of the long hallway, and went inside. She stood in place, her fingers pressed against her still-tingling lips. More than a minute passed before she realized she was smiling.
Susan Mallery (Kiss Me (Fool's Gold, #17))
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
Emma Scott (Endless Possibility (Rush, #1.5))
On the drive over, Richards kept marveling at the transforming power of having a felony to commit. His brother looked more like his "normal" self now than at any time in the previous weeks, that is, like a calm, basically reasonable individual, a manly sort of fellow with a certain presence. They talked about Richards' daughter and along other noncontroversial lines. At the airport Richards stood by quietly, if nervously, while Joel transacted his business at the ticket counter, then passed a blue daypack, containing the kilo of cocaine among other things, through the security x-ray. Richards had planned to stop right here--just say good-bye, go outside and start to breathe again--but for some reason he followed his brother through the checkpoint. In silence they proceeded down a broad, sparsely peopled corridor; Joel, with his daypack slung casually over one shoulder, a cigarette occupying his other hand, had given Richards his fiddle case to carry. Soon they became aware of a disturbance up ahead: a murmurous roar, a sound like water surging around the piles of a pier. The corridor forked and they found themselves in a broad lobby, which was jammed now with Hawaiian travelers, prospective vacationers numbering in the hundreds. Just as they arrived, a flight attendant, dressed like a renter of cabanas on the beach at Waikiki, picked up a mike and made the final announcement to board. In response to which, those travelers not already on their feet, not already formed in long, snaky line three or four people abreast, arose. The level of hopeful chatter, of sweetly anticipatory human excitement, increased palpably, and Richards, whose response to crowds was generally nervous, self-defensively ironic, instinctively held back. But his brother plunged right in--took up a place at the front of the line, and from this position, with an eager, good-natured expression on his face, surveyed his companions. Now the line started to move forward quickly. Richards, inching along on a roughly parallel course, two or three feet behind his brother, sought vainly for something comical to say, some reference to sunburns to come, Bermuda shorts, Holiday Inn luaus, and the like. Joel, beckoning him closer, seemed to want the fiddle case back. But it was Richards himself whom he suddenly clasped, held to his chest with clumsy force. Wordlessly embracing, gasping like a couple of wrestlers, they stumbled together over a short distance full of strangers, and only as the door of the gate approached, the flight attendant holding out a hand for boarding passes, did Richards' brother turn without a word and let him go.
Robert Roper (Cuervo Tales)
On the drive over, Richards kept marveling at the transforming power of having a felony to commit. His brother looked more like his "normal" self now than at any time in the previous weeks, that is, like a calm, basically reasonable individual, a manly sort of fellow with a certain presence. They talked about Richards' daughter and along other noncontroversial lines. At the airport Richards stood by quietly, if nervously, while Joel transacted his business at the ticket counter, then passed a blue daypack, containing the kilo of cocaine among other things, through the security x-ray. Richards had planned to stop right here--just say good-bye, go outside and start to breathe again--but for some reason he followed his brother through the checkpoint. In silence they proceeded down a broad, sparsely peopled corridor; Joel, with his daypack slung casually over one shoulder, a cigarette occupying his other hand, had given Richards his fiddle case to carry. Soon they became aware of a disturbance up ahead: a murmurous roar, a sound like water surging around the piles of a pier. The corridor forked and they found themselves in a broad lobby, which was jammed now with Hawaiian travelers, prospective vacationers numbering in the hundreds.
 Just as they arrived, a flight attendant, dressed like a renter of cabanas on the beach at Waikiki, picked up a mike and made the final announcement to board. In response to which, those travelers not already on their feet, not already formed in long, snaky line three or four people abreast, arose. The level of hopeful chatter, of sweetly anticipatory human excitement, increased palpably, and Richards, whose response to crowds was generally nervous, self-defensively ironic, instinctively held back. But his brother plunged right in--took up a place at the front of the line, and from this position, with an eager, good-natured expression on his face, surveyed his companions.
 Now the line started to move forward quickly. Richards, inching along on a roughly parallel course, two or three feet behind his brother, sought vainly for something comical to say, some reference to sunburns to come, Bermuda shorts, Holiday Inn luaus, and the like.
 Joel, beckoning him closer, seemed to want the fiddle case back. But it was Richards himself whom he suddenly clasped, held to his chest with clumsy force. Wordlessly embracing, gasping like a couple of wrestlers, they stumbled together over a short distance full of strangers, and only as the door of the gate approached, the flight attendant holding out a hand for boarding passes, did Richards' brother turn without a word and let him go.
Robert Roper (Cuervo Tales)
In Milwaukee, a city of fewer than 105,000 renter households, landlords evict roughly 16,000 adults and children each year. That's sixteen families evicted through the court system daily. But there are other ways, cheaper and quicker ways, for landlords to remove a family than through court order. Some landlords pay tenants a couple hundred dollars to leave by the end of the week. Some take off the front door. Nearly half of all forced moves experienced by renting families in Milwaukee are 'informal evictions' that take place in the shadow of the law. If you count all forms of involuntary displacement - formal and informal evictions, landlord foreclosures, building condemnations - you discover that between 2009 and 2011 more than 1 in 8 Milwaukee renters experienced a forced move. There is nothing special about Milwaukee when it comes to eviction. The numbers are similar in Kansas City, Cleveland, Chicago, and other cities. In 2013, 1 in 8 poor renting families nationwide were unable to pay all of their rent, and a similar number thought it was likely they would be evicted soon. This book is set in Milwaukee, but it tells an American story.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
He was rough too, and hurt me in handling, but he did not starve me. He chained me, indeed, by my light collar to the log of a chair, and kept me prisoner in his little sitting-room upstairs that looked out on the market-place; but he was out a great deal, and I was left chiefly alone. I might be there but a day, I might be there for n week; I cannot recollect. I only know I was miserable. The first thing that recalled me to consciousness was the sharp sting of a whip across my back. I shrieked with the pain ; in Ben's house even A vice had never dared to beat me. The only response to my cry was a sharper blow than the first;—and this was repeated, till I was literally blind and stupefied, and was quiet because numbed with anguish.
Ouida (Puck)
friends had started hanging around. Franny could feel her stomach hardening and twisting into knots when they arrived, pushing and shoving one another and tripping over their huge basketball shoes. It was a wonder they didn’t knock over a display rack or topple one of the neatly stacked pyramids of paint cans. They seemed to be everywhere at once, and she couldn’t possibly keep an eye on all of them. Actually, she was a little afraid of them. While they dressed like kids, she knew they were actually young men. They were bigger than she was and full of rough male energy. From what she observed it seemed Ben was their leader and they were reporting to him. She was sure they were up to no good. Their whispered conversation was full of winks and nudges, and they constantly checked over their shoulders to see if they were being overheard. She tried to keep her distance, but if she had to approach them to help a customer, she noticed they would move away or fall silent. Whenever Mr. Slack appeared, they disappeared. Returning to the invoices, Franny went through them one more time. She couldn’t understand it. According to the paperwork, the store had received enough batteries to last through the summer, based on her best estimate using last year’s figures. They’d gotten twenty boxes each of AA and D batteries, the most popular sellers, and ten boxes each of the other sizes. Last week she’d noticed the display rack was nearly empty, and she’d asked Ben to fill it. “Can’t,” he’d said, avoiding her eyes. “They’re all gone.” “There should be plenty in the storeroom,” she’d insisted, looking curiously at his two buddies, who were lounging by the paint display. They seemed to find the conversation extremely amusing. “Go check again.” “There’s no point. I’m telling you, they’re all gone. Look, I’m taking a break now,” he’d said, signaling his friends to follow him outside. Sure enough, she couldn’t find any batteries in the storeroom, either. She was sure they hadn’t been sold; she would have noticed the unusual number of sales and ordered more. Where had they gone? It was very disturbing, especially since she’d been having such a hard time lately making up the bank deposit. That was always the first task of the day. She would take the previous day’s take out of the safe and add up the checks and cash, square them with the total sales figure, and fill out the deposit slip. Then Mr. Slack would put the whole business in a blue vinyl zippered pouch and take it to the red-brick bank across the street. For the past few weeks, however, she hadn’t been able to get the figures to match, even though
Leslie Meier (Tippy Toe Murder (A Lucy Stone Mystery Book 2))
MY MOTHER’S SIRICHA You may have heard of a spicy red sauce labelled ‘siricha’ or ‘sriracha’, but – however it’s spelt – the name encompasses a range of different sauces. My mum gave me this recipe, so I have never had to buy the sauce. In my opinion, this version is the best! MAKES 500ML (17FL OZ) 5 long red Thai chillies, roughly chopped 1 red romano pepper, roughly chopped 10 garlic cloves 250ml (8fl oz) white vinegar 2 tablespoons granulated sugar 2 tablespoons salt Put all the ingredients in a blender and process to make a sauce. Pour the mixture into a small saucepan and cook over a medium heat for 5 minutes until it has thickened. Serve at room temperature. Store the sauce in an airtight container in the refrigerator and use within 4 weeks.
Saiphin Moore (Rosa's Thai Cafe: The Cookbook)
Once the last guest is gone, maintenance crews descend on each attraction. The crews perform inspections of ride vehicles and tracks based upon Disney’s daily, weekly, monthly, and yearly maintenance checklist. They look for wear and potential mechanical problems. The ride engineers and maintenance workers perform their tasks, and by the end of their shift, just mere hours before thousands descend on the parks again, the attractions are powered up and run through their paces again before any guests can climb aboard. All of this preventive and corrective maintenance equates to roughly one thousand daily hours of inspection time, on all attractions.
Aaron H. Goldberg (Disney Declassified: Tales of Real Life Disney Scandals, Sex, Accidents and Deaths)
. Everything’s done for survival to some degree. But there’s a difference between killing a bird that you’ll starve without or killing a man who’s got a knife to your throat and killing a calf that will feed you for a week or killing a man who will probably come back for you with a rifle inside of a month. The man who has a knife to your throat has brought his bones to that place knowing he might leave them there for good. But the man who is gradually readying a bullet for you will not see it coming if you get to him before he thinks to go for you. You always have to survive, but sometimes you have the foresight to survive so much that you move bones.
Rae DelBianco (Rough Animals)
In her hurry, though, she’d forgotten to grab her pajamas, which was a dilemma. She could either go out and get them and return to the bathroom to change, or she could go out there and put them on. If Sean didn’t like it, he didn’t have to watch. After leaving the bathroom, she turned off the overhead light in the bedroom, but it didn’t do much good. The night was clear, the moon was bright, and she knew she was all too visible when she undid her jeans and shimmied them down over her hips. “What the hell are you doing?” “Changing into my pajamas.” “You always do that in the bathroom.” His voice was low and rough, but she noticed he didn’t look away. “I forgot them, and there’s no point in going back in there.” She kicked off the jeans and was going to pull on the shorts before changing shirts, but then she remembered his stupid answers to the stupid questions in that game and changed her mind. “The point is that you don’t do it in front of me.” “Oh, did you forget? Being watched turns me on.” And she pulled her T-shirt over her head. She had to bite down on a surprised yelp once she was free of it because suddenly Sean was standing in front of her, wearing nothing but blue boxer briefs and a scowl. “You said I had no imagination.” “And having no imagination is so much worse than your best friend’s family thinking you’re an exhibitionist.” “And we’re not ever going to talk about the other thing you said. Ever.” He was crowding her personal space, so she put her hands on his chest to push him back, but he caught her wrists. Standing there with her palms pressed against his naked skin, she could feel his heart beating at a quickened pace that matched her own and she knew she had two choices. Walk away or end up in bed with him. She leaned her body a little closer and splayed her fingers across his chest. “Which thing aren’t we talking about? The fast-food-joint bathroom or—” “Don’t push me too far, Emma. It’s been a long time for me.” “How long?” “Too damn long.” He lifted her hands from his chest, but didn’t let go of her wrists. “And I never even got to scope out the dating situation here before you showed up at my door with this half-assed scheme.” “And since we… You haven’t…” “The last thing I need is to get caught cheating on a woman I can’t tell anybody I’m not really in a relationship with.” His gaze dropped from her face to her lacy white bra and he sighed. “You’re killing me.” “Lying awake on the couch every night, wondering what it would be like to slide into bed with you has been killing me for two weeks.” “Yeah.” He let go of her wrists and slid his hands up the back of her neck and into her hair. “I’ve thought about that, too. A lot. Pretty much constantly, actually.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
MICHAEL PILLER As soon as I started, I said, “I need to see every script, every abandoned story, and every submitted piece of material that’s sitting around, because I have to have something to shoot next week.” Somebody gave me a script called “The Bonding,” by a guy named Ron Moore who was about to go into the Marines, and it was a very interesting story about a kid whose mother goes down on an away mission and gets killed. The kid is obviously torn apart by the death of his mother, and seeing how much he’s suffering, aliens provide him with a mother substitute. The writing was rough and amateurish in some ways, but I thought it had real potential to tell an interesting story. I went to Gene and pitched him the story, and he said it didn’t work. I asked him why, and he said, “Because in the twenty-fourth century, death is accepted as a part of life, so this child would not be mourning the death of his mother. He would be perfectly accepting of the fact that she had lived a good life, and he would move on with his life.” I went back to the writing staff and told them what Gene had said, and they sort of smirked and said, “Ah-ha, you see? Now you know what we’ve been going through.” I said, “Wait a minute, let’s think about it. Is there any way we can satisfy Gene’s twenty-fourth-century rules and at the same time not lose the story that we have to shoot on Tuesday?” I finally said, “Look, what if this kid has in fact been taught all of his life not to mourn the death of his loved ones, because that’s what society expects of him? He’s taught that death is a part of life, so he loses his mother and doesn’t have any reaction at all. That’s what Gene is telling us has to happen. Well, that is freaky, that is weird, and that’s going to feel far more interesting on film than if he’s crying for two acts. What if the aliens who feel guilty about killing his mother provide him with a mother substitute and the kid bonds with this mother substitute, and it’s Troi who goes to Picard and says, “We have a problem? The kid is not going to give up this mother substitute until he really accepts and mourns the death of his real mother, and we’re going to have to penetrate centuries of civilization to get to the emotional core of this kid in order to wake up his emotional life.” So the show becomes a quest for emotional release and the privilege of mourning. Well, Gene loved the idea. It respected his universe and at the same time turned a fairly predictable story on its ear, and it became a far better story and episode than it would have if Gene had simply signed off on the original pitch. SANDRA
Edward Gross (The Fifty-Year Mission: The Next 25 Years)