Hydrangea Quotes

A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.

Old Money Blue hydrangea, cold cash, divine, Cashmere, cologne and white sunshine. Red racing cars, Sunset and Vine, The kids were young and pretty. Where have you been? Where did you go? Those summer nights seem long ago, And so is the girl you used to call, The Queen of New York City. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. The power of youth is on my mind, Sunsets, small town, I'm out of time. Will you still love me when I shine, From words but not from beauty? My father's love was always strong, My mother's glamour lives on and on, Yet still inside I felt alone, For reasons unknown to me. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. And if you call, I'll run, run, run, If you change your mind, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. Blue hydrangea, cold cash, divine, Cashmere, cologne and hot sunshine. Red racing cars, Sunset and Vine, And we were young and pretty.

He’d never seen a rain quite like this so gentle that it seemed barely to fall yet slowly laid its shine on the bay leaves and hydrangea flowers…

The daisies remind you to be happy. The hydrangeas remind you to be colorful. The lilacs remind us to breath deeply. The pansies reflect our own images back at us. The hollyhocks remind us to stand tall in this world. And the roses - oh, the roses! - they remind us that beauty is always present even amongst the thorns.

Night would settle in like slow blindness, sucking the color from the trees and the low sky and the rocks and the frozen grass and the frost white hydrangeas until there was nothing left in the window but her own reflection.

At Bramasole, the first secret spot that draws me outside is a stump and board bench on a high terrace overlooking the lake and valley. Before I sit down, I must bang the board against a tree to knock off all the ants. Then I'm happy. With a stunted oak tree for shelter and a never-ending view, I am hidden. No one knows where I am. The nine-year-old's thrill of the hideout under the hydrangea comes back: My mother is calling me and I am not answering.

The eggs were extremely interesting, as was the bacon,and the hydrangeas outside the window were absolutely fascinating. hydrangeas.who would have imagined?

Dusty hydrangeas pale as robins' eggs. Delphiniums iridescent as butterfly wings. Cornflowers the hazy blue of the summer skies

Still, the flowers were growing right along with them, miniature roses and hydrangea, lavender and peonies, magenta and red and pink and purple flowers. And not just in the garden, but all around, the orchard was bursting with green, and smells, and birds singing until long after dark.

I'll go see what it was," said Cinder, slipping into the hallway and darting down the stairs. Jacin was siting at the bottom, hunched over something and working intently. "That was Thorne," he said, without glancing up at her. "What did he do? Knock down a wall?" Cinder stepped past Jacin, but hesitated when she saw the vase of white flowers on the floor at his feet. He was meticulously pulling the flowers out of the water, one by one, and wiring their stems together. His brow was knotted in concentration. "Are you making a bouquet?" she asked incredulously. "Shut up." He held the cluster in one hand and turned it a few different directions, before plucking out a white hydrangea and adding it to the mix.

Mount Fuji was mostly invisible n the summer, but on clear days she could see its grand and graceful silhouette dominating the northern sky. White herons gathered in the river upstream from laundry suds pouring out of a city grate, and hydrangeas bloomed on the banks, dropping blue and lavender petals over soda cans and bento cartons littered beside the asphalt.

At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens - that letting go - you let go because you can. The world will always be there - while you sleep it will be there - when you wake it will be there as well. So you can sleep and there is reason to wake. A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.

The hydrangeas are clipped for the winter and there is a gardener with rum on his breath (and odd socks on his feet) who offers to show you the scars on his back, the droppings of a wallaby, the scratchings of a bandicoot or a leech which he will pull inside out with the aid of a twig- "T'only way to kill'un, missus.

He was the color of a hydrangea before it blooms, wilting like one too, every inch of him sunken and bruised.

When you were five years old you turned a laundry tub into a pirate ship and launched an attack against the hydrangeas in my garden.

Just as seeds have the potential of becoming roses or petunias or hydrangeas, the ultimate beauty and strength of each flower is dependent on the nurturing it gets.

pink chiffon dress went down the aisle. Violet in the lilac gown followed. The bouquets she’d crafted for the bridesmaids were a mass of spring flowers: blue hydrangeas, soft purple roses, yellow carnations, pale pink peonies and the soft silvery-green foliage of dusty miller added a bit of shimmer. Each bouquet had a coordinating satin colored ribbon to match the attendant’s

Quite magical how hydrangeas can change their colour depending on the soil they’re growing in.” My Mum says while she places the stems in tiny jugs. “It’s not up to them though. They must change.

Did you know that hydrangeas change color depending on the acidity of the soil they’re planted in?” Ruth paused. “I’ve always loved the idea—that you can change the environment to change the flower itself.

The smell of flowers was overwhelming. They were all imported, some presumably from vast distances. Arkady saw orchids, chrysanthemums, hydrangeas, roses, and tuberoses, splashes of color against winter’s gray.

Some of the cottages have tiny courtyards surrounded by high stone walls. These walls are bright with flowers: valerian, feverfew, mallows, lace cap hydrangeas spring from the crevices in these stones and flourish in the salty air. If she looks across the river Evie can see Kingswear with its tier upon tier of houses stacked on the hill above the marina: narrow terraced houses the color of ice cream: mint, vanilla, bubblegum, coffee.

They made their way to the dining room, where the air was blossom-scented and gilded with candlelight. The mammoth Jacobean table, with its legs and support rails carved like twisted rope, had been covered with pristine white linen. A row of broad silver baskets filled with billows of June roses rested on a long runner of frothy green maidenhair ferns. The walls had been lined with lush arrangements of palms, hydrangeas, azaleas and peonies, turning the room into an evening garden. Each place at the table had been set with glittering Irish crystal, Sèvres porcelain, and no fewer than twenty-four pieces of antique Georgian silver flatware per guest.

Quinnipeague in August was a lush green place where inchworms dangled from trees whose leaves were so full that the eaten parts were barely missed. Mornings meant 'thick o' fog' that caught on rooftops and dripped, blurring weathered gray shingles while barely muting the deep pink of rosa rugosa or the hydrangea's blue. Wood smoke filled the air on rainy days, pine sap on sunny ones, and wafting through it all was the briny smell of the sea.

Morwen kept a good pace over the green lawn, but she paused in the side garden, where the sorrel tree's feathery leaves had turned a brilliant scarlet. A great white hydrangea made a backdrop for clumps of lobelia and lilyturf.

Who" The month of flowering’s finished. The fruit’s in, Eaten or rotten. I am all mouth. October’s the month for storage. The shed’s fusty as a mummy’s stomach: Old tools, handles and rusty tusks. I am at home here among the dead heads. Let me sit in a flowerpot, The spiders won’t notice. My heart is a stopped geranium. If only the wind would leave my lungs alone. Dogsbody noses the petals. They bloom upside down. They rattle like hydrangea bushes. Mouldering heads console me, Nailed to the rafters yesterday: Inmates who don’t hibernate. Cabbageheads: wormy purple, silver-glaze, A dressing of mule ears, mothy pelts, but green-hearted, Their veins white as porkfat. O the beauty of usage! The orange pumpkins have no eyes. These halls are full of women who think they are birds. This is a dull school. I am a root, a stone, an owl pellet, Without dreams of any sort. Mother, you are the one mouth I would be a tongue to. Mother of otherness Eat me. Wastebasket gaper, shadow of doorways. I said: I must remember this, being small. There were such enormous flowers, Purple and red mouths, utterly lovely. The hoops of blackberry stems made me cry. Now they light me up like an electric bulb. For weeks I can remember nothing at all.

He had just fixed his hose on to the nearest garden tap when he noticed an offensive smell which seemed to be coming from the direction of the hydrangeas. Before turning on the tap he thought he had better investigate or Cook would be kicking up a shine with a stink so close to the kitchen door.

Unglamoured, my skin is the pale blue-grey of hydrangea blooms, smeared with dirt along one cheek and across my nose. My hair is so woven with leaves and twigs and mud that it would be almost impossible to know that underneath it is an even darker blue. I have the same pointy chin I had when I thought I was mortal. A thin face, with large eyes, and an expression of startlement, as though I expect someone else when I look in the mirror. At least my eyes could pass for human. They're green, deep and dark. I smile a little to see the awfulness of my sharp teeth. A mouth full of knives. They make even the Folk flinch.

And then there was the expansive garden that ran the length of the rear of the house- lush with color and fragrances that seemed to burst from every branch and bloom. Whoever had designed it possessed a keen eye for beauty, each plant chosen with obvious care and an affinity for nature. She'd even acquired a new cat from its depths, a stray orange tom she found wandering among the hydrangea bushes one morning. An offered dish of milk and he'd been her bosom beau ever since. She'd decided to call him Ranunculus because Buttercup was far too feminine a name for such a large and impressive male. She gazed at him now where he slept in the sunshine, basking like a small potentate in the heat of the day.

He points to the hydrangeas growing in profusion, tall puffballs the size of cabbages, green and purple and pink. "You know, you can grow different colors on the same plant," he tells me. "Depends on how much acid you make the soil." Orange and red camellias line the garden's perimeter. They have no scent, as if to balance the heavy sweetness over the front porch.

A colleague had been murdered, my driver and van had been through a hit-and-run, my sister had been beat up by her boyfriend who then set a bag of poop on fire on my porch, and then did the same to my prized hydrangea bush. I’d met a handsome police officer, found out my dead colleague had been cooking the books, I’d accidentally eavesdropped on a love affair, and I had groped a corpse. Pretty impressive for forty-eight hours.

He had been too busy with the autumn pruning the last few days to stop as he often did to admire the close growing hydrangea bushes, their dark glossy leaves crowned with clusters of deep blue flowers. Now to his annoyance he saw that one of the tallest and most handsome plants, in the back row, a few feet out from the wall directly below the tower, had been badly crushed and broken, the beautiful blue heads limp on their stalks.

They had crossed the terrace where weeds, ivy, and goldenrod had run amuck in the flowerbeds that lined the weather-beaten stone balustrade. Mounds of blue hydrangeas nearly as tall as Lucien crowded the three mossy steps that led down into the formal garden. He went down them, and Alice followed him toward the circular fountain. As they approached, two doves that had perched on the stately stone fountain urn fluttered away, cooing. Alice stopped beside the fountain pool and gazed down with a faraway expression at the lily pads, driven with dreamlike slowness over the surface of the shallow water like tiny sailing vessels. She studied the scene as though memorizing it, while Lucien gazed at her, watching the wind toy with her clothes and the tendrils of her hair that it had worked free from her neat coif. Her waving red-gold hair, blue eyes, and ivory skin, and the chaste, faraway serenity of her face, put him in mind of Botticelli's Venus, rising from the sea upon her scallop shell.

Three days before the Garden Extravaganza, the Vanderbeekers walked to the garden to find the sidewalk in front of the gate filled with plants. There were two big pots of bright blue hydrangeas, four filled with peach-colored roses, a small tree with a scattering of green leaves, and twenty pots of lavender. Laney ran to the tree and hugged it. Hyacinth leaned over to smell the roses. Jessie and Oliver noticed ribbons attached to notes on some of the branches. As they peered at the cards, Orlando arrived carrying

…yet, listen, there was rain, then the swift interval before evaporation, & the stillness of brimming, & the wet rainbowing where oil from exhaust picks up light, sheds glow, then echoes in the drains where deep inside the drops fall individually, plink, & the places where birds interject, & the coming-on of heat, & the girl looking sideways carrying the large bouquet of blue hydrangeas, shaking the water off, & the wondering if this is it, or are we in for another round, a glance up, a quick step over the puddle carrying speedy clouds, birdcall now confident again, heat drying…

My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you. I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time? Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed Burden me with your secrets / so I can carry the weight you're so fearful of letting go To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies

Enormous hydrangeas with vibrant pink sponge-like blooms, rhododendrons and impatiens, tall spears of flowering oyster plants jostled together with Jurassic-looking philodendron leaves and tree ferns, a mixed bag all tied by a wild creeper with bell-shaped blue flowers. The damp smell of the garden reminded Jess of places she'd visited in Cornwall, like St. Just in Roseland, where fertile ground spoke of layers of different generations, civilizations past. At last, beyond the tangled greenery, Jess glimpsed the jutting white chimneys of a large roof. She realized she was holding her breath. She turned a final corner, just like Daniel Miller had done on his way to meet Nora, and there it was. Grand and magnificent, yet even from a distance she could see that the house was in a state of disrepair. It was perched upon a stone plinth that rose about a meter off the ground. A clinging ficus with tiny leaves had grown to cover most of the stones and moss stained the rest, so that the house appeared to sit upon an ocean of greenery. Jess was reminded of the houses in fairy tales, hidden and then forgotten, ignored by the human world only to be reclaimed by nature. Protruding from one corner of the plinth was a lion's head, its mouth open to reveal a void from which a stream of spring water must once have flowed. On the ground beneath sat a stone bowl, half-filled with stale rainwater. As Jess watched, a blue-breasted fairy wren flew down to perch upon the edge of the bowl; after observing Jess for a moment, the little bird made a graceful dive across the surface of the water, skimming himself clean before disappearing once more into the folds of the garden.

The following houseplants are poisonous, some in very small doses: Dumb cane, English ivy, foxglove, hyacinth bulbs (and leaves and flowers in quantity), hydrangea, iris rootstalk and rhizome, lily of the valley, philodendron, Jerusalem cherry. Outdoor plants that are poisonous include: Azalea, rhododendron, caladium, daffodil and narcissus bulbs, daphne, English ivy, foxglove, hyacinth bulbs (and leaves and flowers in quantity), hydrangea, iris rootstalk and rhizome, Japanese yew seeds and leaves, larkspur, laurel, lily of the valley, morning glory seeds, oleander, privet, rhubarb leaves, sweet peas (especially the “peas,” which are the seeds), tomato plant leaves, wisteria pods and seeds, yews. Holiday favorites holly and mistletoe, and to a lesser extent, poinsettia (which is irritating but not poisonous), are also on the danger list.

In a house, as in a garden, there is a point when over-mingling can occur. At first, when the new plants are dug in, there is too much space between them. They seem artificial, temporary. Then, as they grow, the bed finds a point of balance, the taller trees occupying the upper layers, the sprawling shrubs - the hydrangeas, buddleia, pittosporum - filling out the middle, and the smaller bulbs and ground covers punctuating the under-spaces. Then, without warning, equilibrium is lost. A rampant jasmine covers an adolescent tree; a hydrangea thrives, forcing out a lilly pilly that struggles for light beneath a spreading magnolia. The spaces are subsumed. In the house, there was a period when everyone thrived. Even Heloise had been noticed by Jerome, who was sitting down with her on most days and doing sums and geography, and reading poetry. 'She has real talent,' he said to Helena, over the kitchen bench. She raised an eyebrow ambiguously but didn't comment. Then, slowly, the balance began to slip.

He pulled a battered red photo album from his truck’s glove compartment and showed me pictures of green Azorean fields divided by hedges of lilac-colored hydrangeas. He showed me waves crashing against black volcanic rock and his ancient stone house next to the sea, the home where he returned every summer. “Over there the air is so clean, so nice. The ocean is right there. The fish are fresh, you catch and eat them, and the potatoes are so good, you won’t believe it. “We make wine. Put on shorts and get in there and smash grapes, and when you drink right away is sweet like juice. Every year when we get back from there, we’re fat,” Morais said. He loved his island house in the Azores so much that at the end of each summer, when he left, he had to have someone else close the door for him. “I’m a guy that came from the old country. I never go to school five minutes in this country, and still I work and I do good. I love my money. God bless this country,” he said. “But when I leave to close my door over there, I cry like a baby. I try so hard not to, but I cry.

She closed her eyes and listened to the drone of bees as they moved lazily among the flowering bursts of deep pink hydrangea and delicate tendrils of sweet pea that wound through the basket-bed borders. Although she was still very weak, it was pleasant to sit in warm lethargy, half-drowsing like a cat. She was slow to respond when she heard a sound from the doorway... a single light rap, as if the visitor was reluctant to disrupt her reverie with a loud knock. Blinking her sun-dazzled eyes, Annabelle remained sitting with her legs tucked beneath her. The mass of light speckles gradually faded from her vision, and she found herself staring at Simon Hunt's dark, lean form. He had leaned part of his weight on the doorjamb, bracing a shoulder against it in an unselfconsciously rakish pose. His head was slightly tilted as he considered her with an unfathomable expression. Annabelle's pulse escalated to a mad clatter. As usual, Hunt was dressed impeccably, but the gentlemanly attire did nothing to disguise the virile energy that seemed to emanate from him. She recalled the hardness of his arms and chest as he had carried her, the touch of his hands on her body... oh, she would never be able to look at him again without remembering! "You look like a butterfly that's just flown in from the garden," Hunt said softly.

Tonight Ray will tape the the drenched oasis inside of the silver bowl that sits on the top of the candelabra and fill it with the pale green hydrangeas, pink English garden roses, lilies of the valley, and extravagant lavender sweet peas that R.L., the local florist/antique dealer, delivered a few hours ago. The flowers are all soaking in their respective sugar water jugs in her kitchen- out of the direct sunlight, of course- as is the oasis which she'll mold into every bowl and vase in the house with a similar arrangement. She's even going to make an arrangement in a flat sweetgrass basket to hang on the front door and a round little pomander of pale green hydrangea with a sheer white ribbon for Little Hilda to hold as she greets the guests in the foyer. Ray is tempted to snip the last blossoms of gardenias growing secretly behind Cousin Willy's shed. In her estimation they are the quintessential wedding flower, with their intoxicating fragrance and their delicate cream petals surrounded by those dark, waxy leaves. She bought the seedlings when R.L. and the gals weren't looking at the Southern Gardener's Convention in Atlanta four years ago, and no one has any idea she's been growing them. Sometimes she worries that the fragrance will give her away, but they bloom the same time as the confederate jasmine, which grows along the lattice work of the shed, and she can always blame the thick smell on them. It would take a truly trained nose to pick the gardenias out, and Ray possesses the trained nose of the bunch.

I felt as though I were communing directly with a plant for the first time and that certain ideas I had long thought about and written about—having to do with the subjectivity of other species and the way they act upon us in ways we’re too self-regarding to appreciate—had taken on the flesh of feeling and reality. I looked through the negative spaces formed by the hydrangea leaves to fix my gaze on the swamp maple in the middle of the meadow beyond, and it too was now more alive than I’d ever known a tree to be, infused with some kind of spirit—this one, too, benevolent. The idea that there had ever been a disagreement between matter and spirit seemed risible, and I felt as though whatever it is that usually divides me from the world out there had begun to fall away. Not completely: the battlements of ego had not fallen; this was not what the researchers would deem a “complete” mystical experience, because I retained the sense of an observing I. But the doors and windows of perception had opened wide, and they were admitting more of the world and its myriad nonhuman personalities than ever before.

she would cross an empty moor, and the road would slip down into a tiny valley thick with rhododendrons, where enviable gardens were still verdant with hydrangeas and the dangling ballerina blossoms of fuchsia.

If Lady Beatrice left the ring for her descendant... she would need proof, a way of knowing for certain who that person is. I reach my arms out to my sides and brush my hands against the hedge walls, just as I did two weeks ago with Sebastian. The hedges once again change color, my hands painting them a vivid periwinkle. But this time the dirt path beneath my feet also begins to glow with an ethereal yellow light. I gasp as the light beneath my feet winds forward... leading me. I pick up speed, keeping my hands on either side of the hedge walls as I run, following the twists and turns of the glowing path before me. And at last I am in a place I've never been---a curving corner of the Maze highlighted by a bed of hydrangeas, the only flowers I've encountered within. Dad's words from years ago return to me. "...remember the hydrangeas. When you see them, that means you're close." My breath catches. This must be the Maze's center.

I grabbed the closest caterer and sent him for a cup of boiling hot water from the kitchen. I pulled out the wilting hydrangeas one by one, recruit their stems, dipped them into the boiling water for about thirty seconds, and then placed them back into the arrangements. It took a few minutes, but this trick would perk the flowers right up, at least for the next hour or so. Didn't people know hydrangeas were the absolute most finicky flowers? I also grabbed some floral wire to prop up some of the worst offenders. At least they weren't dead. There was no resurrecting a bloom once it had completely wilted.

Hydrangeas climb the crumbling walls beside tall and thin windows, their white blooms kissed with lazy bees. They're the most loved things here.

Inside, it was even more opulent. Black-and-white checkered marble shone at my feet, flowing to countless doors and a sweeping staircase. A long hall stretched ahead to the giant glass doors at the other end of the house, and through them I glimpsed a second garden, grander than the one out front. No sign of a dungeon- no shouts or pleas rising up from hidden chambers below. No, just the low growl from a nearby room, so deep that it rattled the vases overflowing with fat clusters of hydrangeas atop the scattered hall tables.

He was the color of a hydrangea before it blooms, wilting like one too, every inch of him sunken and bruised. I

The Tragedy of Happiness Happiness can only occur without premeditation; it is the salamander revealed curling under an upturned rock; the early morning dew beading on your Hydrangeas; the scent of night jasmine halting your hurried walk; a shaft of sunlight illuminating dust swirling from a book of poetry; a recovered childhood memory when you touch a family photo; an undulating crescendo of frogs serenading the night; that summer sun shower that catches you without an umbrella; the clarity of the country night sky when you stop your car to pee. The tragedy of happiness is that you can only feel it the very moment it's vanished and resides solely in memory.

people, people in every room: Clare, Viviana, Clare’s new father Gordon, Teo’s parents, my parents, Rose sleeping her fragrant sleep a few feet away. “We’ll get hotel rooms,” everyone had offered, but we told them all, “No. Stay.” Sometimes, I think I would like to have us under one roof, all of us, everybody here, which makes no sense, of course. No house is big enough to hold us, with all of our tensions, all our wariness and histories. But imagine the nights, those separate breathings, everyone within my reach and safe, everyone together. I stand here on this spring day in the center of my life. Chaos, din, and beauty. For a moment, I am still. Then “Cornelia,” cuts across the noise, and because one of them is calling me, I go. Acknowledgments I am so grateful to the following people: Brilliant agent and true friend Jennifer Carlson, whose instincts, heart, and good sense never stop amazing me; My editor, Laurie Chittenden, kind, tenacious, and wise, for making me feel that my books and I were born under a lucky star; Everyone at Morrow, especially Lisa Gallagher, Lynn Grady, Will Hinton, Tavia Kowalchuck, Debbie Stier, Sharyn Rosenblum, Dee Dee DeBartlo, Emily Fink, and Mike Brennan; Susan Davis, Dan Fertel, Annie Pilson (seeker of blooming hydrangeas, mellow light, and the perfect shot), and my sister Kristina de los Santos, the sharp and generous early readers without whom I

My hands trembled, afraid to move him, to wake him. Afraid he wouldn’t. Another wave spilled over him, the sand giving way, rocking him. I reached for his shoulder, pushing until he was on his back. He was the color of a hydrangea before it blooms, wilting like one too, every inch of him sunken and bruised.

My hands trembled, afraid to move him, to wake him. Afraid he wouldn’t. Another wave spilled over him, the sand giving way, rocking him. I reached for his shoulder, pushing until he was on his back. He was the color of a hydrangea before it blooms, wilting like one too, every inch of him sunken and bruised. I

I love my parents, my friends, my colleagues, the woman who gives me extra guacamole at Chipotle, hydrangeas, podcasts, clean sheet.

He was nothing but a deep abyss of want, and only she could fill him. He didn’t want to turn at the sound of her voice. If he simply stared into the hydrangea for long enough…then he would be a coward. He turned to face the woman who could bring him to his knees.

At first she felt overwhelmed by the house, its airy symmetry its silence. Now she was accustomed to the place, but she caught herself wondering, Is this still Berkeley? George's neighborhood felt as far from Telegraph as the hanging gardens of Babylon. You could get a good kebab in Jess's neighborhood, and a Cal T-shirt, and a reproduction NO HIPPIES ALLOWED sign. Where George lived, you could not get anything unless you drove down from the hills. Then you could buy art glass, and temple bells, and burled-wood jewelry boxes, and dresses of hand-painted silk, and you could eat at Chez Panisse, or sip coffee at the authentically grubby French Hotel where your barista took a bent paper clip and drew cats or four-leaf clovers or nudes in your espresso foam. You returned home with organic, free-range groceries, and bouquets of ivory roses and pale green hydrangeas, and you held dinner parties where some guests got lost and arrived late, and others gave up searching for you in the fog. That was George's Berkeley, and even in these environs, his home stood apart, hidden, grand, and rambling; windows set like jewels in their carved frames, gables twined with wisteria of periwinkle and ghostly white.

He knew he was not making enough of an effort. Margaret, with her news, her reports and small jokes, her flying starts at conversation, was trying so much harder. Every evening she had some disastrous item to offer up. Tonight the dog, but often it was a story from the news online: “Did you hear about—?” a tornado carrying away a trailer park in Nebraska, pirates kidnapping a family off their sailboat, the stoning of schoolgirls in Kabul, as if to say, “See? What’s happening to us is not so bad.” Then again she might offer something she’d heard on the radio while making dinner, a little mystery explained, how habits are formed or why people applaud after theater performances. She was trying, he realized with a stab of grief, to be interesting. Candles on the table, a vase of flowers, something baked for dessert. It was graceful of her, it was valiant. And all he wanted was for her to stop. The lawn mower from down the street quit and he could hear the cricket again. Margaret was gazing up at the oak trees, leaves dark now but trunks banded with gold. “You know”—he stood up to collect their glasses—“I was thinking I might mow the grass tonight. I might really enjoy something like that.” “Oh, I wish I’d known, Bill. It’s already done. The landscape guys were here yesterday. I got them to put more mulch around the hydrangeas.” Mulch. That explained the smell. Another fusillade of acorns hit car roofs along the street. This time Margaret had her hand on Binx’s collar, holding him back as he lunged forward, toenails scratching the patio slates.

Sorrel always thought herself happy in the little village by the sea. She was content among her flowers and specimen trees, the extraordinary roses and lilacs, sweet peas and hydrangeas that bloomed- somehow simultaneously and for months beyond reason- in the Nursery. She found great pleasure in picking the pears, cherries, and apples for Nettie's tarts, the tender young peas and beans, the lettuce so green it glowed, and the nasturtiums and violas that her sister used in her salads. She was grateful for Patience's remedies on the rare occasion when she felt ill. But Sorrel's hands were happiest deep in the soil and curled around the stems of the flowers she grew and arranged.

hydrangea,

Charlestonians never sweat. We sometimes dew up like hydrangea bushes or well-tended lawns.

I am amazed to think of all the flowers it has sent out into the world: chrysanthemums, peonies, tiger lilies, wisteria, rhododendrons, azaleas, asters, gardenias, begonias, camellias, hydrangeas, primroses, heavenly bamboo, a juniper, a cypress, climbing tea-roses and roses that flower many times over – these and many more.

No lilies. They're a symbol of death. I want the room to be filled with exotic flowers: Passiflora caerulea--- it's a blue passionflower representing that I'm a passionate man. If you can arrange for a bowl of water or mud, I'd also like a few lotus flowers, and a bird-of-paradise flower. Amaryllis will brighten things up--- I'm thinking a mix of salmon and orange. Maybe some hyacinths, calathea, and lilacs for the scent. Throw in some irises, dahlias... oh, and peonies, but not from Leo's greenhouse because they're suffering from a blight, azaleas, hydrangeas...

The first memory I ever have is of boxes. Boxes littering the dark, narrow hallway once filled with light. Boxes stacked higher than I am in a room that echoes the distant memory of laughter. Boxes stealing memories from each room it resides in, locking them up forever. My life belonged in boxes. Peculiar men with ironed uniforms walk in and out of my room with my memories in their hands. Memories my father and I made. Memories my mother and father made. Memories my brother and I made. Memories that no longer belong in this house. I wonder if the next family will care for my mother's hydrangeas that she planted in the front yard on my third birthday. I wonder if the next family will coat the pink walls of my bedroom with a different colour. I wonder if the next family will consist of a mother and father who love each other. I wonder, where I'm going.

The dining room has been transformed into a fairy garden this evening. Flowers are strewn across the long table--- magnolias, anemones, and roses--- paired with hydrangea-and-peony centerpieces. Long taper candles flicker over the display, complemented by the remaining sunlight. A feast sprawls out from one end of the table to the other, a medley of some of my favorites--- crab cioppino with bright tomatoes and red wine, garlic bread flecked with parsley, linguine and clams swimming in broth, seared abalone presented in its opalescent shell, fresh oysters on a bed of ice.

He was certain that his mistress was investigating the right clues, yet something bothered him about the case. Too bad he just couldn’t quite put his paw on what it was.

Well, I would leave the laundry out; it added a certain atmosphere of neglect, as did the lily pad pond overtaken by ivy, the roses choked with weeds. A few hydrangea blossoms hung brown and dry on the shrubs, rattling sadly in the breeze. It was well hidden, the splendor of what had been, and that was fine with me. I could still remember Gran's garden out back the way it used to be- goldfish in the pond; hydrangea blooms heavy and blue, the color of the sky; sunflowers bent down upon themselves.

Doesn't it seem like the thin green stems won't be strong enough to hold its heavy flower cluster? But it is stronger than it looks. See all the tiny white flowers? There has to be at least a hundred individual flowers in every cluster, each with four petals, and some are even tinted with pale-pink dots, like they're trying to set themselves apart from the others. They're so pretty it's hard to believe they're even real. They're hydrangeas and are believed to represent heartfelt feelings, persistence, and thankfulness for being accepted.

There's something hidden in the Maze," he says quietly. "Really?" My eyes widen. "Like buried treasure?" "Something like that. But you'll have to be my good little girl and wait," he cautions. "We can't go get it, not for a while." I frown, unaccustomed to waiting. Sensing my displeasure, Dad takes my hand. "It's there for you when you really need it. You'll know when that day comes." He looks at me intently. "If I'm not here to show you... just remember the hydrangeas. When you see them, that means you're close.

I COULD SEE MY mother slipping away by the day, maybe even the hour, convinced that her public humiliation of Mr. Krauser had caused his suicide. The western sky could be strung with evening clouds that looked like flamingo wings; rain might patter on her caladiums and hibiscus and hydrangeas and roses and fill the air with a smell out of The Arabian Nights, the book that probably saved her sanity as a child. But no matter how grand a place the world might be, my mother’s eyes had the hollow expression of someone staring into a crypt.

The arrangement has peonies, roses, hydrangeas, and tulips of all different colors.

Jack walked me through the garden, naming plants and flowers with dizzying speed: blue spruce, hydrangea, and boxwood gave winter interest to the garden. Quaking aspen and Boston ivy grew along the fence. Pink Spike and Crimson Queen Japanese maple added colorful purple foliage along with First Love speedwell and panicled hydrangeas. "These plants are fighters," he said. "Even without any nurturing, they've managed to flourish. They do what it takes to survive.

A white vintage A-line dress brushed just below her knees. Soft tendrils escaped her honey-colored bun, a grandmother's antique brooch the only accent. She clasped a loose pink bouquet in one hand, his hand in the other as they stood solemnly before the judge. Lush, wild clusters of pink peonies and white hydrangeas interspersed with soft dusty miller lined the aisle of simple white folding chairs. Two larger arrangements in antique silver urns flanked the couple. A single cellist sat in the corner of the room. All simple, but stunningly elegant. She couldn't stop smiling, and I realized I'd never seen her so at ease. They quietly said vows they wrote themselves. Our small crowd watched in happy silence. I tried not to shift too loudly, every movement echoing on the cold marble tiles. Someone sniffled. The sound reverberated in the cavernous space. The groom's mother caught me staring and winked at me across the room. This bride had sent me on quite a journey, forcing me to finally reckon with my past and my future. With my identity, even. It hadn't been easy, but I was grateful. I had no right to be here, but here I was. How I ended up here remained a bit of a mystery to me. Her forgiveness was simply a gift, one of the type I was gradually learning to receive. Maybe, just maybe, that could be me someday.

Habitat. The environmental niche occupied by a plant reflects stresses and conditions which it has had to adapt to, and these often correspond to conditions in the organism. Plants which grow in wet situations often relate to organ systems which handle dampness in the body, such as the lymphatics and kidneys. They correspond to diseases produced by an excess of dampness—respiratory problems, mucus, lymphatic stagnation, swollen glands, kidney and bladder problems, intermittent fever and rheumatic complaints (rheuma = dampness in Greek). Here we think of Horsetail (low, wet sands/kidneys), Eryngo (salty, sandy seashores/kidneys), Gravel Root (swamps/kidneys), Swamp Milkweed (swamps/kidneys), Hydrangea (sides of streams/kidneys), Boneset (wet soils/joints and fever), Willow (low ground/joints and fever), Meadowsweet (low ground/rheumatic pains, intermittent fever), Northern White Cedar (cedar swamps and margins of lakes/lymphatics), Labrador Tea (cedar swamps and margins of lakes/lymphatics), various Knotweeds (low ground/kidneys), Sweet Flag (swamps/mucus, lungs and joints), Angelica (damp, shady, cool valleys/damp, cold rheumatic and respiratory conditions).

Habitat. The environmental niche occupied by a plant reflects stresses and conditions which it has had to adapt to, and these often correspond to conditions in the organism. Plants which grow in wet situations often relate to organ systems which handle dampness in the body, such as the lymphatics and kidneys. They correspond to diseases produced by an excess of dampness—respiratory problems, mucus, lymphatic stagnation, swollen glands, kidney and bladder problems, intermittent fever and rheumatic complaints (rheuma = dampness in Greek). Here we think of Horsetail (low, wet sands/kidneys), Eryngo (salty, sandy seashores/kidneys), Gravel Root (swamps/kidneys), Swamp Milkweed (swamps/kidneys), Hydrangea (sides of streams/kidneys), Boneset (wet soils/joints and fever), Willow (low ground/joints and fever), Meadowsweet (low ground/rheumatic pains, intermittent fever), Northern White Cedar (cedar swamps and margins of lakes/lymphatics), Labrador Tea (cedar swamps and margins of lakes/lymphatics), various Knotweeds (low ground/kidneys), Sweet Flag (swamps/mucus, lungs and joints), Angelica (damp, shady, cool valleys/damp, cold rheumatic and respiratory conditions). It is interesting to note that sandy, gravely soils are also a signature for kidney remedies (Horsetail, Eryngo, Gravel Root, Gromwell, False Gromwell, Uva ursi, etc.)

We dip beneath an underpruned flowering vine that threatens to overthrow the very trellis that has given it life. A crimson flower tickles my cheek as I duck under it. The scene just ahead is like something out of a fairy tale, or at least a fairy tale I'd like to read: at our feet a patch of wooly thyme, so soft it looks like a green pillow, and all around, roses, hydrangeas, alliums as large as dinner plates- flowers everywhere. But the view of Paris from this magical little perch is what really takes my breath away.

Cream chintz curtains, with large pink hydrangea blooms covering them, were tied back, and the mid-morning light pushed its way through the lace drop over the window to show the general chaos of their bedroom

Approaching Elegy It's hard to believe you are dying: like looking at a Jamesian scene, skipping past happiness to a garden bench beyond the trees. You fill the form of heroine: you sit in your black dress, too tired to imagine the rest of yourself. An old suitor appears, grabs you possibly too forcefully by the wrists (he is still impossibly in love—). You disengage your wrists. He leans forward, looks into your eyes, which you close—as if you were all by yourself. He moves closer, talking very fast about happiness. He places his cloak on your shoulders, imagines he'll rescue you. Around you, forms grow darker: house, branch, hydrangea. Above you, freckled expanses of leaves form the beginnings of barbed, lopsided shrouds—a possible solace. If only his kiss could please you, I wouldn't need to imagine past the clean architecture of the story. And perhaps it is wrong to look past that. Wrong to ask about happiness. Past midnight, he continues to offer himself. Before, he had offered aimless passion, but now (you see it for yourself) he has an idea: he points into the darkness. He is grave, formal. The dark has swallowed the long shadows of the oaks (though not your unhappiness) —and it is about to swallow you. Soon, it will no longer be possible (there is just one more page to turn) for me to look through your eyes, so I would like to imagine for you: something past tragedy. Just as I would like to imagine that we are not in danger, that we have selves more solid than stars, that we are safe in the pages of books we can reopen to look at each other. Except that we are not women formed of words, but of impossible longings. What was it that you wanted besides happiness? You are dying. I have no ideas about happiness and no patience to imagine it possible. Soon you will not be the heroine; you will not be yourself. And it's not that you've lost the formula; your form is losing you. Look at how brave you are: I imagined the great point was to be happy, as happy as possible with the quick forms that imagine us—but the last time I looked there you were—distant and bright in the not so blue darkness, imagining yourself.

My roses still bloom, for I will not let them fade, but the weeping willows have choked out the cherry trees, and all the chrysanthemums and snapdragons have become love-lies-bleeding and anemones and hydrangeas of the deepest indigo blue. You are missed, my only violet.

school last month.’ Rayne hunched her shoulders. ‘If you must know, Mam’s got me practising on plants in the garden.’ Yesterday she’d breathed a pruning Spell over a hydrangea. Half the words had landed on its leaves like they were supposed to, the rest had ended up over the well. She’d spent the next hour fishing out the bucket, so Mam could breathe a mending Spell over it. But she wasn’t going to tell Tom. He’d only scoff. Closer to the hall, Rayne began to recognize people in the queue. Ron and Edge the cutler’s apprentices were at the back, laughing and hugging sacks of metal tools. Old Flo was bundled in a floral shawl, bent over her stick, coughing. At the top of the steps, by the double doors, a group of women rocked and shushed crying babies. Mam ran lightly up the steps and waved a greeting. Rayne loitered at the bottom. Tom shook his head. ‘Most of them don’t need whatever it is they’ve come for. Ron and Edge are just lazy, they could sharpen those tools themselves.’ ‘Mam doesn’t judge, she helps everyone.’ ‘Not me,’ said Tom, tapping his pocket. He turned away and disappeared in the crowd. Rayne plodded up the steps, conscious everyone in the queue was staring at her. For the first time in her life she wished more people felt the same as Tom about Spells. Inside the hall, voices burbled around the rafters as people queued patiently to see their Spell Breather. Mam took the

Meg quickened her pace when she saw a meadow peek out over the next hilltop. As she got closer, the sun seemed to pull away from the clouds and the grass under her feet turned a bright green. She heard definite sounds of a party in the distance and quickened her pace. The air started to smell sweeter. Were those apricots she smelled? Or figs? And there were trees again! She hadn't realized how much she missed them till she saw them growing there along the path. They had perfect little green leaves and flowers budding on branches. And at the side of the road was a woman kneeling over a garden tending to a bed of hydrangeas blooming in rich fuchsias, blues, and whites. "Those are gorgeous!" Meg said in surprise. They were the most colorful things she'd seen in the Underworld and the vibrancy warmed her heart for a moment. "I can't believe anything like that grows down here!" The woman looked up at her and smiled, her eyes dark yet warm. "Thanks. I wasn't sure if it was possible myself, but with deep rooting and some good soil, it seems anything is." "You planted these?" Meg said in awe. The woman looked pleased as she glanced at the colorful beds of blooms in the nearby meadows. "You could say that. I love the drama of it all- the seeds being sown, the elements working for and against them, the flower erupting against all odds, then the death of the bloom. So much more exciting than my old life.

News “…she fell into the water from the sky…” Jae-in Doe Decedent is an Asian female. Twenty-two she just had turned. The cause of death we cannot tell Despite the many things we’ve learned. TOP SECRET My Doe-type can be difficult to track. Yet here I am, my voice-box playing back From lips hydrangea-lavender in hue His thoughts during our first few interviews. The hair is shoulder-length, the color black. The height and weight suggest she won’t fight back. The fingernails are unadorned and short. The eyes are brown; no makeup do they sport. The skin appears unpierced and untattooed, Yet scars of ruby-pearl seem to protrude Like self-inflicted jewelry on each arm And wrist—which means she’s vulnerable to harm. The language of her flesh, as I assess her, Reveals Confucian worship of professors. Her deference Korean gives me right To use her innocence for my delight.

She slipped her hands into her apron pockets and stood very still, the sunlight warming her skin, glistening upon her bright, reddish-gold hair. She tensed her body tightly, trying to get rid of the well-hidden tension that plagued her, then forced her shoulders to relax and took deliberate pleasure in gazing upon the vase of dried hydrangeas that she had arranged just yesterday. The flowers graced the center of the table. Beside them lay the elegant silk purses she was sewing as Christmas gifts for a few of her London friends, and her delicate japanning tools, perched well out of Harry's reach. Her latest piece, an intricate jewel box, sat in a middle stage of completion. All of her hobbies ran in an artistic vein, but in her heart, she knew in a sense they were merely distractions, her way of trying to burn off her restlessness.

He was a skinny, black-haired, bespectacled boy who had the pinched, slightly unhealthy look of someone who has grown a lot in a short space of time. His jeans were torn and dirty, his T-shirt baggy and faded, and the soles of his trainers were peeling away from the uppers. Harry Potter’s appearance did not endear him to the neighbors, who were the sort of people who thought scruffiness ought to be punishable by law, but as he had hidden himself behind a large hydrangea bush this evening he was quite invisible to passersby. In fact, the only way he would be spotted was if his Uncle Vernon or Aunt Petunia stuck their heads out of the living room window and looked straight down into the flower bed below.

When I die, I’ll come back             an oakleaf hydrangea— Something bigger             than I was when we began. When you die             I want you to be a boy so I can take you in             on some decrepit path pretending the wind running through             somehow belongs to you. When you bury me             watch out: I’ll spread. And you’ll recognize my autumnal red             psychic flames burning near your split rail fence.             I was what you chose to plant to absorb the emptiness             left from other things. Tasha Cotter, “Hydrangea,” Dialogist: Quartertly Poetry & Art (v.1, no. 3)

THe church is full of flowers-yellow roses, lilies, blue hydrangeas spilling forth-and it is on these that Charlie trains his gaze and looks for his mother, who is nowhere to be found. Not even her ashes are in the church, and no coffin, but this is less hard to comprehend than the fact that she is not herself there, a thin old bird, an egret maybe, standing on one leg, head bobbing, long neck swiveling. Contradicting, adding and subtracting. poking fun. Peering out.

I imagine his landscaping this property like a maestro, arranging the magnolias and the forsythia beneath them to announce the beginning of spring. After a long gray winter, these first pink and yellow blooms shout, “Something’s happening!” By May they’ll have gone green with the rest of the yard, a quiet before the peonies and hydrangea bloom.

It happened to me the year I retired. You reach a certain age, and it all kicks in: Social Security, Medicare, and a fondness for hydrangeas.

But it wasn't their separation that was consuming my mind just then; it was Evelyn's garden. Bee had taken us there when we were children, and it was all rushing back: a magical world of hydrangeas, roses, and dahlias, and lemon shortbread cookies on Evelyn's patio. It seemed like only yesterday that my sister and I sat on the little bench under the trellis while Bee hovered over her easel, capturing on her canvas whatever flower was in bloom in the lush beds. "Your garden," I said, "I remember your garden." "Yes," Evelyn said, smiling. I nodded, a little astonished that this memory, buried so deep in my mind, had risen to the surface just then like a lost file from my subconscious. It was as if the island had unlocked it somehow.