Rosie's Rules Quotes

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It's funny because when you're a child, you believe you can be anything you want to be, go wherever you want to go. There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you just might have to settle for a little bit less. Or perhaps a variation of what you once wanted. Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?
Cecelia Ahern (Love, Rosie)
Somewhere along the way, without me even noticing, I grew up Alex. For once, I couldn’t take advice from anyone around me about what I should or shouldn’t do. I couldn’t go running to mum and dad and I can’t compare my marriage to anybody else’s, we all follow our own rules.
Cecelia Ahern (Love, Rosie)
It is often advantageous to forget. Forget your wincing humiliations, forget life's blows, and get on. For blocks in every direction, down every street in the city, people not yet old enough to have lines on their foreheads were laughing away memory, warmly ensconced in shrines of forgetfulness. Those who followed the word of God and those who preferred what the priests called "hoodoo" alike. People everywhere forgetting with drink or forgetting with religion or forgetting with the numbing quality of their many heaps of things. They looked forward and imagined rosy tomorrows, and gave up whatever horrors heckled their dreams, and listened to the pretty stories of whomever ruled their pulpit.
Anna Godbersen (Bright Young Things (Bright Young Things, #1))
Watch some kids, watch them play. You’ll see they’re just little adults, only they don’t know all the rules and tricks yet.
Graeme Simsion (The Rosie Effect (Don Tillman, #2))
Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?
Cecelia Ahern (Love, Rosie)
See how it works? When men are the majority, they make the rules; when they're a minority they get special treatment.
Graeme Simsion (The Rosie Result (Don Tillman, #3))
Such a tough life. This is not the easy way." "No," Penn agreed, "but I'm not sure easy is what I want for the kids anyway." She looked up at him. "Why the hell not?" "I mean, if we could have everything, sure. If we can have it all, yeah. I wish them easy, successful, fun-filled lives, crowned with good friends, attentive lovers, heaps of money, intellectual stimulation, and good views out the window. I wish them eternal beauty, international travel, and smart things to watch on tv. But if I can't have everything, if I only get a few, I'm not sure easy makes my wish list." "Really?" "Easy is nice. But its not as good as getting to be who you are or stand up for what you believe in," said Penn. "Easy is nice. But I wonder how often it leads to fulfilling work or partnership or being." "Easy probably rules out having children," Rosie admitted. "Having children, helping people, making art, inventing anything, leading the way, tackling the world's problems, overcoming your own. I don't know. Not much of what I value in our lives is easy. But there's not much of it I'd trade for easy either, I don't think.
Laurie Frankel (This Is How It Always Is)
It's funny because when you're a child, you believe you can be anything you want to be, go whenever you want to go. There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you just might have to settle for a bit less. Or perhaps a variation of what you once wanted. Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives? But now my mind is changed again. Nothing is impossible - it was there all the time. I just wasn't reaching out far enough that's all. Nothing is impossible.
Cecelia Ahern (Love, Rosie)
...you could just tell that if Rosie couldn't romance her way to the top of the Empire State Building, she was prepared to climb it like King Kong.
Amor Towles (Rules of Civility)
Time has been redefined. Previous rules no longer apply. Alcohol is hereby declared mandatory in the Rosie Time Zone.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
You considered me as a partner?’ ‘Sure,’ she said. ‘Except for the fact that you have no idea of social behaviour, your life’s ruled by a whiteboard and you’re incapable of feeling love – you’re perfect.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
Lots of people have a “timeline” in mind for their life: the age when they want to get married, have kids, retire. The best advice I ever got was to forget all about this schedule. Why try to squeeze your life into a totally artificial construct based on meaningless rules? You’ll end up doing stupid things, like randomly marrying the guy you happen to be dating when you’re 29 because your self-imposed wedding deadline is age 30. Despite people hotly debating the “correct” age to tick off life’s milestones, it’s different for everyone – there’s no right or wrong answer.
Rosie Blythe (The Princess Guide to Life)
See how it works? When men are the majority, they make the rules; when they’re a minority they get special treatment.
Graeme Simsion (The Rosie Result (Don Tillman, #3))
Love is for happy people, not me.
Caragh M. O'Brien (The Rule of Mirrors (The Vault of Dreamers, #2))
You wish to rule the Dreaming City; you must excel in all its ways. Play with me, a single game of Lo Shen. If you best me, I will go into seclusion as you ask, and you will ascend to the Tower without the slightest argument, and without battle. No one will contest you, and you will rule as well as you are able. If you lose, however, you must disband your army, and take the vows of one of our Towers, enter it as a novice, and pledge yourself to our City for the rest of your days. In the Anointed City, this is the way disputes are settled. If you would rule us, you must behave as one of us. Show me that you are the rightful Papess. Show me that you exceed us in all things." Ragnhild seemed to laugh, but no sound issued from her rosy mouth. Her eyes glittered like snowflakes catching the sun. "You cannot be serious. A single game to decide five hundred years of history?" "Were it not that once my predecessor harmed you, I would simply kill you where you stand.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
It's funny because when you're a child, you believe you can be anything you want to be, go wherever you want to go. There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you might have to settle for a little bit less. Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?
Cecelia Ahern (Love, Rosie)
As we drank champagne in the lounge, I explained that I had earned special privileges by being particularly vigilant and observant of rules and procedures on previous flights, and by making a substantial number of helpful suggestions regarding check-in procedures, flight scheduling, pilot training, and ways in which security systems might be subverted. I was no longer expected to offer advice, having contributed “enough for a lifetime of flying.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
It's funny because when you're a child, you believe you can be anything you want to be, go wherever you want to go. There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you just might have to settle for a little bit less. Or perhaps a variation of what you once wanted. Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?
Cecelia Ahern (Love, Rosie)
Ernst of Edelsheim I'll tell the story, kissing   This white hand for my pains: No sweeter heart, nor falser   E'er filled such fine, blue veins. I'll sing a song of true love,   My Lilith dear! to you; Contraria contrariis—   The rule is old and true. The happiest of all lovers   Was Ernst of Edelsheim; And why he was the happiest,   I'll tell you in my rhyme. One summer night he wandered   Within a lonely glade, And, couched in moss and moonlight,   He found a sleeping maid. The stars of midnight sifted   Above her sands of gold; She seemed a slumbering statue,   So fair and white and cold. Fair and white and cold she lay   Beneath the starry skies; Rosy was her waking   Beneath the Ritter's eyes. He won her drowsy fancy,   He bore her to his towers, And swift with love and laughter   Flew morning's purpled hours. But when the thickening sunbeams   Had drunk the gleaming dew, A misty cloud of sorrow   Swept o'er her eyes' deep blue. She hung upon the Ritter's neck, S he wept with love and pain, She showered her sweet, warm kisses   Like fragrant summer rain. "I am no Christian soul," she sobbed,   As in his arms she lay; "I'm half the day a woman,   A serpent half the day. "And when from yonder bell-tower   Rings out the noonday chime, Farewell! farewell forever,   Sir Ernst of Edelsheim!" "Ah! not farewell forever!"   The Ritter wildly cried, "I will be saved or lost with thee,   My lovely Wili-Bride!" Loud from the lordly bell-tower   Rang out the noon of day, And from the bower of roses   A serpent slid away. But when the mid-watch moonlight   Was shimmering through the grove, He clasped his bride thrice dowered   With beauty and with love. The happiest of all lovers   Was Ernst of Edelsheim— His true love was a serpent   Only half the time!
John Hay (Poems)
In The Tombs of Atuan, the Old Powers, the Nameless Ones, appear as mysterious, ominous, and yet inactive. Arha/Tenar is their priestess, the greatest of all priestesses, whom the Godking himself is supposed to obey: But what is her realm? A prison in the desert. Women guarded by eunuchs. Ancient tombstones, a half-ruined temple, an empty throne. A fearful underground labyrinth where prisoners are left to die of starvation and thirst, where only she can walk the maze, where light must never come. She rules a dark, empty, useless realm. Her power imprisons her. This isn’t the rosy reassurance many novels at the time offered adolescents. It’s a very bleak picture of what a girl may expect. Arha’s life is dreary, unchanging, with almost no experience of kindness except from Manan the eunuch. The third chapter may be the cruelest, most hopeless passage in all the Earthsea books. By consenting to the death of “her” prisoners, Arha locks the prison door upon herself. Her whole life will be lived in a trap.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
It just seems like such a hard road"-she took deep breaths until she felt herself inflated to the brink of bursting-"such a tough life. This is not the easy way." "no," Penn agreed, "but I'm not sure easy is what I want for the kids anyway." She looked up at him. "why the hell not?" "I mean, if we could have everything, sure. If we can have it all, yeah, I wish them easy, successful, fun-filled lives, crowned with good friends, attentive lovers, heaps of money, intellectual stimulation, and good views out the window. I wish them eternal beauty, international travel, and smart things to watch on TV. But if I can't have everything, if I only get a few, I'm not sure easy makes my wish list." "Really?" "Easy is nice, but it's not as good as getting to be who you are or stand up for what you believe in," said Penn. "Easy is nice, but I wonder how often it leads to fulfilling work or partnership or being." "Easy probably rules out having children," Rosie admitted. "Having children, helping people, making art, inventing anything, leading the way, tackling the world's problems, overcoming your own. I don't know. Not much of what I value in our lives is easy. But there's not much of it I'd trade for easy either, I don't think.
Laurie Frankel (This Is How It Always Is)
There was a certain logic underlying Rosie’s response. I would only be eating a single serve of dinner. It was the final step in the abandonment of the evening’s schedule. I announced the change. ‘Time has been redefined. Previous rules no longer apply. Alcohol is hereby declared mandatory in the Rosie Time Zone.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
recent issue of the weekly magazine The Economist (2 June 2012) on ‘Morals and the machine’ raises some pertinent issues about the degree of autonomy reached by robots and calls for society to develop new rules to manage them.
Rosi Braidotti (The Posthuman)
When men are the majority, they make the rules; when they’re a minority they get special treatment.
Graeme Simsion (The Rosie Result (Don Tillman, #3))
when you’re a child, you believe you can be anything you want to be, go wherever you want to go. There’s no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you’re hit by the realization that you can’t be all you wanted to be, you just might have to settle for a little bit less. Or perhaps a variation of what you once wanted. Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?
Cecelia Ahern (Love, Rosie)
Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck. He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her. Hunter grew amused, watching Loretta. When she threw him an accusing glance, he noted that her pupils had flared until her irises were almost black. Crimson rode her cheeks, and a rosy flush colored her slender throat. He wondered if her entire body was pink and wish they were alone so he could find out. Soon. Tonight he would build a fire so she couldn’t hide in shadows, and he would learn every inch of her, slowly.
Catherine Anderson (Comanche Moon (Comanche, #1))
A young man married is a man that’s marred.’ That’s a golden rule, Arthur; take it to heart. Anne Hathaway, I have not a doubt, suggested it; experience is the sole abestos, only unluckily one seldom gets it before one’s hands are burnt irrevocably. Shakespeare took to wife the ignorant, rosy-cheeked, Warwickshire peasant girl, at eighteen! Poor fellow! I picture him, with all his untried powers, struggling like new-born Hercules for strength and utterance, and the great germ of poetry within him, tinging all the common realities of life with its rose hue; genius giving him power to see with God-like vision, the ‘fairies nestling in the cowslip chalices,’ and the golden gleam of Cleopatra’s sails; to feel the ‘spiced Indian air’ by night, and the wild working of kings’ ambitious lust; to know by intuition, alike the voices of nature unheard by common ears, and the fierce schemes and passions of a world from which social position shut him out!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
Life goes on. The rules were this: you might sit for a time on the sidelines feeling overwhelmed and paralysed by it all. But sooner or later you picked yourself up and got on with it, or you were left behind.
Anna Smith (Death Trap (Rosie Gilmour #8))
See how it works? When men are the majority, they make the rules; when they are the minority they get special treatment.
Graeme Simsion (The Rosie Result (Don Tillman, #3))
Sometimes I miss the good old days when priests were stern taskmasters instead of aspiring stand-up comics. “What are my odds?” “Not good. I have to hold you to a higher standard because you used to be one of us.” “There’s a sliding scale for sin?” “Yes.” “That rule wasn’t in effect when I was a priest.” “It is now.” He chuckles. “One of the things I love about this job is that I get a lot of latitude in deciding what constitutes a sin.
Sheldon Siegel (The Confession (Mike Daley/Rosie Fernandez #5))
But sometimes the right thing isn’t about following the rules. It’s about looking after the people you care about. Making sure that you have the tools to protect them when it everything is on the line.
Rosie A. Point (The Mission Inn-Possible Cozy Mysteries Box Set (Mission Inn-Possible #1-6))
Would you feel safer if I stayed tonight?” “I don’t know.” “Yeah, you do. Everything else aside, would you feel safer?” He tapped his cheek to ask her to look him in the eye and answer. “Up here, honey.” She did look up into those expectant blue eyes. Yes. In every way that mattered, she felt safe with Max. Rosemary nodded. “Say it, Rosie. Don’t make me think I’m bullying you into this.” “I’m not inviting you into my bed. But you are awfully warm, and I can’t seem to shake this chill and...” She hugged her arms around her waist but bravely held his gaze. “I don’t want to be alone tonight. Would you stay with me?” The taut line of his mouth relaxed. “I like a clear set of rules, too. So no hanky-panky, but you wouldn’t be adverse to a little cuddling? You know, so I can keep an eye on you and you could borrow some body heat?” “That would be enough for you?” He brushed a copper tendril off her cheek and tucked it behind her ear. “That would be perfect.” Rosemary smiled. “Then I can live with those rules, too.
Julie Miller (Kansas City Secrets (The Precinct: Cold Case #2; The Precinct #26))
After Joe Kennedy’s stroke in December 1961, Rose Kennedy and the rest of the family discovered Rosemary’s whereabouts and the strict rules Joe had set in place. Mrs. Kennedy was shaken by what she learned about her husband’s edicts. Although she grieved for her wheelchair-bound husband, she was shocked by his beliefs. Rosie’s safety had been an issue, of course—Rosemary was part of the rich and famous Kennedy family. But she was convinced that Rosemary deserved a more fulfilling life.
Elizabeth Koehler-Pentacoff (The Missing Kennedy: Rosemary Kennedy and the Secret Bonds of Four Women)
When he died penniless in 1880, more than 30,000 people lined Market Street for his funeral procession. In the 1890s, the gauntlet passed to Mayor Adolph Sutro, who used his fortune from the Comstock Lode silver mine to build monuments to himself, including the Sutro Baths, an indoor swimming complex next to the Cliff House that was more elaborate than the fantasy pools in Hawaii. The Baths closed when I was a kid, but you can still see the ruins. Over the decades, other luminaries included beat poets Jack Kerouac and Allen Ginsberg, a stripper named Carol Doda who headlined the city’s first topless club a few blocks from where we were sitting, and a high-end madam named Sally Stanford who became a restauranteur and later the Mayor of Sausalito. The list would not be complete without mentioning flamboyant lawyers like Melvin Belli, Jake Ehrlich, Vincent Hallinan, Tony Serra, and Nate Cohn. Nick “the Dick” was one of San Francisco’s few
Sheldon Siegel (Felony Murder Rule (Mike Daley/Rosie Fernandez Mystery, #8))
For Lord Halifax, Britain was a geographical entity, a place of hills, dales, moors and tors, an H. E. Bates world durable enough to resist whatever brutal regime was in effective charge. For Churchill, Britain was more than this. It was the original model of liberty, a land whose existence depended on freedom and the rule of law. If these were extinguished, her survival meant nothing. And while both views were rosy and sentimental in their different ways, the latter was closer to the truth – and a great deal more humane.
Joshua Levine (Dunkirk: The History Behind the Major Motion Picture)
On December 22, 1941, both Time and Life magazines ran stories helpfully guiding readers on how to distinguish their new Chinese "friends" from the enemy "Japs." Life's story included photographs. The first featured a Chinese government official smiling humbly at the camera. The other featured a stern-looking General Hideki Tojo, the Japanese prime minister responsible for the attack on Pearl Harbor. Both portraits were covered with handwritten notes identifying defining features and racial rules. The Chinese, for example, had a "parchment yellow complexion," a "higher bridge," a "longer, narrower face," a "scant beard," and "never has rosy cheeks." In contrast, the Japanese had an "earthy yellow complexion," "flatter nose," "sometimes rosy cheeks," "heavy beard," and "broader, shorter face." Time's description of "how to tell your friends from the Japs" was even more specific. "Virtually all Japanese are short... seldom fat, [and] often dry up and grow lean as they age" whereas the Chinese "often put on weight." Chinese had more "placid, kindly, open" facial expressions, while the Japanese were "more positive, dogmatic, arrogant." Perhaps unsurprisingly, some Chinese Americans sought ways to help white Americans distinguish them from Japanese Americans and wore "I am Chinese" buttons during the war.
Erika Lee