Roses Are Red Violets Are Blue Quotes

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Roses are red, violets are blue, I have five fingers, the middle one is for you.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Dearest Annie, Roses are red. Violets are blue. I’m using my hand But I’m thinking of you. - Ronan P.S. Just to clarify, I’m using my hand to write this note…get your mind out of the gutter.
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Blue is for cruel bargains; green is for daring what you oughtn’t; violet is for brute force. I will say to you: Coral coaxes; pink insists; red compels. I will say to you: You are dear to me as attar of roses. Please do not get eaten.
Catherynne M. Valente (Deathless)
Roses are red Violets are blue Everything's possible Nothing is true.
Alan Moore (V for Vendetta #8 (of 10))
Roses are red, violets are blue, I'm schizophrenic, and so am I.
Oscar Levant
Roses are red Violets are blue Be very afraid We're coming for you.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Roses are red, Violets are blue, No amount of money, Can stop me from loving you, Try as they may, Try as they might, I’m not letting go, Without a fight, Some say it’s wicked, Some say it’s sinful, Some it’s wrong, And just wrong, I don’t know much, But when push comes to shove, I definitely don’t believe, There’s such thing wrong as love.
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
This came from Sandra. "Roses are red, violets are blue, rhyming is hard. Wine.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Roses are red, love; violets are blue. Birds in the heavens know I love you.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Pickup line... pickup line... she racked her brain until she found an explanation and brightened. "Mine would be—roses are red, violets are blue, if you don't do what I say I will kill you.
Gena Showalter (The Darkest Touch (Lords of the Underworld, #11))
Roses are red and violets are blue, That played-out shit isn’t for you. I got your love letter right here in my eyes. If you look deep enough, you’ll see through the lies.
Wendy Higgins (Sweet Temptation (Sweet, #4))
Roses are red violets are blue, God made me pretty, what happened to you?
rocky quicksilver
Roses are red, violets are blue. You may not know it, but someone loves you.
Meg Cabot (Princess in Love (The Princess Diaries, #3))
Roses are red, Violets are blue, Never Ross, I heart the fuck out of you.
C.M. Stunich (Keeping Never (Tasting Never, #3))
The rose is red, the violet's blue, Sugar's sweet and so are you. If you love me as I love you, No knife can cut our love in two. My love for you will never fail As long as pussy has a tail.
Maud Petersham (The Rooster Crows: A Book of American Rhymes and Jingles)
Roses are red violets are blue i am awesome and so are you.
Jwadams1906
Roses are red, violets are blue, I'm sick of this poem, you probably are too.
Anne Mazer
Roses are red, violets are blue, sugar is sweet, but Carrie White eats shit.
Stephen King (Carrie)
Roses are red, Violets are blue, The Devil will pay, And so will you. A spell for vengeance, requiring thorns and blood.
Alix E. Harrow (The Once and Future Witches)
I’m feeling fuckin’ poetic at the moment, too,” Mack said on a laugh. “Oh yeah?” “Roses are fuckin’ red. Violets are ball-blue. You’re my bitch now, ’cause I fuckin’ love you,” Mack rasped. “Fucking poetic genius.
Mia Watts (Bad Boys, Bad Boys (Boys in Blue, #1))
Roses are red, violets are blue, This room's a psycho shopping zoo. The fashion's a disaster, the mirrors are large, And somebody left a crazy lady with needles in charge.
Debora Geary (Witches Under Way (WitchLight Trilogy, #2))
Roses are red. Violets are blue. Garbage gets dumped, and now so have you. - Brian (to Amy)
Elizabeth Eulberg (The Lonely Hearts Club (The Lonely Hearts Club, #1))
Agree!” This came from Sandra. “Roses are red, violets are blue, rhyming is hard. Wine.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Roses are red, violets are blue, I would even trim my mustache for you!
Marissa Meyer (Heartless)
Roses are red, violets are blue, if I get you in bed, it would be really cool.
Lauren Oliver (Before I Fall)
Dearest Annie, Roses are red. Violets are blue. I’m using my hand But I’m thinking of you. - Ronan
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Roses are red. Violets are blue. The match has been made. I’m coming for you. Happy Valentines Day, Lila
Lauren Palphreyman (Valentine's Day (Cupid's Match, #2))
She received fine silk gloves and music boxes and even a curled lock of prickly white hair tied with a red velvet ribbon. That particularly appalling gift had even come with a poem: Roses are red, violets are blue, I would even trim my mustache for you! She had memorized the short stanza against her will and the words had nauseated her on multiple occasions since.
Marissa Meyer (Heartless)
For there upon a bed of soft wool lay the most splendid jewel, a jewel such as Dyson had never dreamed of, and within it shone the blue of far skies, and the green of the sea by the shore, and the red of the ruby, and deep violet rays, and in the middle of all it seemed aflame as if a fountain of fire rose up, and fell, and rose again with sparks like stars for drops.
Arthur Machen (The Inmost Light)
Roses are Red Violets are Blue When I flush the toilet It reminds me of you :>
The Internet
Roses are Red Violets are Blue Zombies are Dead And soon you be too - Frosty, Zombie Slayer
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
Roses are red, violets are blue, get in my bed and be ready to screw.
K. Bromberg (Raced (Driven, #3.5))
roses are red, violets are blue. a clown killed a boy, and ate him up too.
Tim Burton (The Art of Tim Burton)
Roses are red Violets are blue I got a boner And it’s because of you. Happy Valentine’s Day.
Lindy Zart (Take Care, Sara)
Roses are red Violets are blue I am your brother And you are mine, too.
Judy Blume (Tiger Eyes)
The rose is red, the violet's blue, The honey's sweet, and so are you. Thou art my love and I am thine; I drew thee to my Valentine. The lot was cast and then I drew, And fortune said it should be you.
Tomie dePaola (Tomie dePaola's Mother Goose)
If ever there was a plant that speaks to its connection to your heart, it is sweet blue violet. Not only does violet help your body dissolve cysts, lumps, and bumps, this plant’s soothing nature can help you dissolve the red-hot burn of anger, cool the draining white heat of frustration and resentment, and relieve the simmering roil of feeling stuck in separation when ruled by your judgmental mind.
Robin Rose Bennett (The Gift of Healing Herbs: Plant Medicines and Home Remedies for a Vibrantly Healthy Life)
Your love is my treasure And my heart is buried there. Your touch is my pleasure Soothing my soul with every care.   Subject of my poetry, Love of my youth, Melody to my songs Of joy absolute, Would you believe me? I speak the truth When in poem and song I say to you, That when violets turn red And roses bloom blue That's the day I'll stop loving you.
Warren L.G. De Mills (Affections: Collection of Poetry (Vol.1))
Roses are red, Violets are blue. I’m just a fucked up hit man, And nothing rhymes with that.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
roses are red, violets are blue, I would love it if I could put my penis in you.
T.J. Klune (The Consumption of Magic (Tales From Verania #3))
Roses are red, Violets are blue. I’m in love with a broken man, And there’s nothing I can do.
T.L. Swan (Mr. Masters (Mr. Series, #1))
Roses are red, violets are blue, all I want to do is wrap my words around you!
David Lubkin (Animal Rules Ok!)
Roses are red, Violets are blue, I feel slightly less dread, When I am with you.
Jenny Offill (Weather)
Roses are Reds, Violets are Blue, a simple sweet bouquet of flowers can brighten up anyone's day.
Regalo Manila
The secret to keeping your marriage filled with love in a cup Whenever you’re wrong, admit it, whenever you’re right, shut up
Karen Cicero (Roses Are Red Violets Are Blue I'm Using My Hand But Thinking Of You (Best Cure For Your Blues Book 1))
Roses are red, violets are blue, bad hair days are okay, but bad air days will screw you.
Abhijit Naskar
Graffiti scratched on a desk in Chamberlain Junior High School: Roses are red, violets are blue, sugar is sweet, but Carrie White eats shit.
Stephen King (Carrie)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
A Poem for a Trick Roses are red, Violets are blue Dumb ass nigguh I was never in love with U I peeped your game from the start That's why I never let you inside my heart couldn't let you tear it apart dumb bitch easy trick you made the mistake when you fell in love Then you had nerves to go around behind my back callin' me a trick While I went around your small dick Roses are red Violets are blue Dumb punk ass nigguh I used U
Pamela M. Johnson
Today, I’m taking the long way around this vast strange city, trying to find some roses. Red roses, white roses, even blue violets. Any flowers I can find. I don’t know the Russian names of any of them. I just grunt and point.
Edward Snowden (Permanent Record)
Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo. "Down in the valley, valley so low, Late in the evening, hear the train blow. The train, love, hear the train blow. Late in the evening, hear the train blow." Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through. "Go build me a mansion, build it so high, So I can see my true love go by. See him go by, love, see him go by. So I can see my true love go by." That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life. "Go write me a letter, send it by mail. Bake it and stamp it to the Capitol jail. Capitol jail, love, to the Capitol jail. Bake it and stamp it to the Capitol jail." Should he say hello first? Or just kiss her? "Roses are red, love; violets are blue. Birds in the heavens know I love you." Kiss her. Definitely, just kiss her. "Know I love you, oh, know I love you, Birds in the heavens know I love you. "Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
The Buried Bishop’s a gridlocked scrum, an all-you-can-eat of youth: ‘Stephen Hawking and the Dalai Lama, right; they posit a unified truth’; short denim skirts, Gap and Next shirts, Kurt Cobain cardigans, black Levi’s; ‘Did you see that oversexed pig by the loos, undressing me with his eyes?’; that song by the Pogues and Kirsty MacColl booms in my diaphragm and knees; ‘Like, my only charity shop bargains were headlice, scabies, and fleas’; a fug of hairspray, sweat and Lynx, Chanel No. 5, and smoke; well-tended teeth with zero fillings, revealed by the so-so joke — ‘Have you heard the news about Schrodinger’s Cat? It died today; wait — it didn’t, did, didn’t, did…’; high-volume discourse on who’s the best Bond … Sartre, Bart Simpson, Barthes’s myths; ‘Make mine a double’; George Michael’s stubble; ‘Like, music expired with the Smiths’; and futures all starry; fetal think-tankers, judges, and bankers…power and money, like Pooh Bear and honey, stick fast — I don’t knock it, it’s me; and speaking of loins, ‘Has anyone told you you look like Demi Moore from Ghost?’; roses are red and violets are blue, I’ve a surplus of butter and Ness is warm toast.
David Mitchell
Come all you fair and tender girls That flourish in your prime Beware, beware, keep your garden fair Let no man steal your thyme Let no man steal your thyme For when your thyme, it is past and gone He'll care no more for you And every place your time was waste Will all spread over with rue Will all spread over with rue The goddess son was standing by Three flowers he gave to me The pink, the blue and the violet true And the red, red rosy tree And the red, red rosy tree But I refused the red rose bush And gave the willow tree That all the world may plainly see How my love slighted me How my love slighted me
traditional folk ballad
Ant then, opening her eyes, how fresh like frilled linen clean from a laundry, laid in wicker trays the roses looked; and dark and prim the red carnations, holding their heads up; and all the sweet peas spreading in their bowls, tinged violet, snow white, pale - as if it were the evening and girls in muslin frocks came out to pick sweet peas and roses after the superb summer's day, with its almost blue-black sky, its delphiniums, its carnations, its arum lilies was over; and it was the moment between six and seven when every flower - roses, carnations, irises, lilac - glows; white, violet, red, deep orange; every flower seems to burn by itself, softly, purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!
Virginia Woolf (Mrs. Dalloway)
Red Red is the wine, red are the carnations. Red is beautiful. Red flowers and red. Color itself is beautiful. The red color is red. Red is the flag, red the poppy. Red are the lips and the mouth. Red are the reality and the Fall. Red are many Blue Leaves. Yellow Yellow is the sand of the earth. Yellow is the color of the bronze forests. Yellow is the hearts of flowers. Yellow are the asters. Yellow is the meadow. of money. the franc is yellow.–brunette. i have seen a yellow franc. yellow is for example my pencil. Violet The color was rose-red then blue came along and cried viola viola violeta. violet was lovely but only in the sky. quite simply this color was lovely you violet. The cry of violet colors. Blue The Red Color. The Yellow Color. The Dark Green. The Sky ELLENO The Patentender The Pedestal, The Ship. The Rainbow. The Sea The Shoreleaves The Water The Leaf Vein The Kleyf (R) “r.” The Locks + The Lock.
Herbeck
Auric Colors and Their Meanings. Ÿ Black: represents hatred, malice, revenge, and similar feelings. Ÿ Gray: of a bright shade, represents selfishness. Ÿ Gray: of a peculiar shade (almost that of a corpse) , represents fear and terror. Ÿ Gray: of a dark shade, represents depression and melancholy. Ÿ Green: of a dirty shade, represents jealousy. If much anger is mingled with the jealousy, it will appear as red flashes on the green background. Ÿ Green: of almost a slate color shade, represents low deceit. Ÿ Green: of a peculiar bright shade, represents tolerance to the opinions and beliefs of others, easy adjustment to changing conditions, adaptability, tact, politeness, worldly wisdom, etc., and qualities which some might possibly consider "refined deceit." Ÿ Red: of a shade resembling the dull flame when it bursts out of a burning building, mingled with the smoke, represents sensuality and the animal passions. Ÿ Red: seen in the shape of bright red flashes resembling the lightning flash in shape, indicates anger. These are usually shown on a black background in the case of anger arising from hatred or malice, but in cases of anger arising from jealousy they appear on a greenish background. Anger arising from indignation or defense of a supposed "right," lacks these backgrounds, and usually shows as red flashes independent of a background. Ÿ Blue: of a dark shade, represents religious thought, emotion, and feeling. This color, however, varies in clearness according to the degree of unselfishness manifest in the religious conception. The shades and degrees of clearness vary from a dull indigo to Ÿ Crimson: represents love, varying in shade according to the character of the passion. A gross sensual love will be a dull and heavy crimson, while one mixed with higher feelings will appear in lighter and more pleasing shades. A very high form of love shows a color almost approaching a beautiful rose color. Ÿ Brown: of a reddish tinge, represents avarice and greed. Ÿ Orange: of a bright shade, represents pride and ambition. Ÿ Yellow: in its various shades, represents intellectual power. If the intellect contents itself with things of a low order, the shade is a dark, dull yellow; and as the field of the intellect rises to higher levels, the color grows brighter and clearer, a beautiful golden yellow betokening great intellectual attainment, broad and brilliant reasoning, etc. a beautiful rich violet, the latter representing the highest religious feeling. § Light Blue: of a peculiarly clear and luminous shade, represents spirituality. Some of the higher degrees of spirituality observed in ordinary mankind show themselves in this shade of blue filled with luminous bright points, sparkling and twinkling like stars on a clear winter night.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!
Georges Simenon
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
Roses are Red. Violets are blue. If you're going to review my book, perhaps you should try to write one too!
Shepherd Halvorsen
Roses are red, That much is true, But violets are violet, AND NOT FREAKING BLUE.
Anonymous
Paleontology and the Poet A fossilized poet remains where once stood mankind, consigned to the strata of toxic rubble he unmindfully left behind. The fossil record reads: 'Roses were red, violets were blue, I had a heart, why the fuck didn't you!
Beryl Dov
roses are red violets are blue what may be true will always be with you forever like your best friend who is your husband who i've known for 8 yrs been married for over a year i will always love you forever love always.
Brittany Malmo
Roses are red, violets are blue. I love queso and tacos, too.
Lani Lynn Vale (Fries Before Guys (SWAT Generation 2.0 #2))
Roses are red, violets are blue, watch out beastie, I’m going to kill you.
Caroline Peckham (The Death Club (Dead Men Walking, #1))
Dearest Annie, Roses are red. Violets are blue. I’m using my hand But I’m thinking of you. - Ronan P.S. Just to clarify, I’m using my hand to write this note…get your mind out of the gutter. I choked and then choked a startled laugh. Then I choked again
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Did you ever look back? To the times where things are easy. Its beautiful. Roses are red, as the sun shone its light on a crispy meadowed leaves. All the laughter and joy, memories of long lost innocence and naive optimism. Its another day in paradise. Have you ever wondered about the future? People grow apart, life gets lonely with your mind playing chase with you. Its daunting. Violets might not be blue, but I certainly do. Like the cold wind that freezes you in your track as you venture the dark, soulless night in this city of stars. Is this really the life in paradise? I walk alone on a crowded street, can't shake my loneliness in these busy madness. But the dawn did come, enlightening lost souls in its radiant crimson light. Like a fire rekindled to ignite this young body of an old soul. Its another day in paradise, and youre hoping to see it coming. And when the time comes, it will be nothing like you've ever seen.
Jonathan Davy
ME: Roses are red, violets are blue, a face like yours belongs to the zoo, but don’t worry, I’ll be there
John Joker (Text Fails: The Best 101 Crazy Conversation, Autocorrect Fails, Mishaps, Hilarious Autocorrect and Funny Jokes)
How about ‘Roses are red, / violets are blue, / Sandy is gone, / Gertrude will do’?” suggested Roger.
Helen Simonson (Major Pettigrew's Last Stand)
Roses are red, violets are blue. How did I ever get so blessed to have shared my heart and soul with you? Even though you’re no longer here with me, I promise to never stop changing the world for everyone to see. For our love knows no bounds not even that of life and death, that is why I’ll hold on to you until my last breath. Love, H.M.
F.M. Kamel (B For Beretta)
Before 1800 the word “light,” apart from its use as a verb and an adjective, referred just to visible light. But early that year the English astronomer William Herschel observed some warming that could only have been caused by a form of light invisible to the human eye. Already an accomplished observer, Herschel had discovered the planet Uranus in 1781 and was now exploring the relation between sunlight, color, and heat. He began by placing a prism in the path of a sunbeam. Nothing new there. Sir Isaac Newton had done that back in the 1600s, leading him to name the familiar seven colors of the visible spectrum: red, orange, yellow, green, blue, indigo, and violet. (Yes, the colors do indeed spell Roy G. Biv.) But Herschel was inquisitive enough to wonder what the temperature of each color might be. So he placed thermometers in various regions of the rainbow and showed, as he suspected, that different colors registered different temperatures.† Well-conducted experiments require a “control”—a measurement where you expect no effect at all, and which serves as a kind of idiot-check on what you are measuring. For example, if you wonder what effect beer has on a tulip plant, then also nurture a second tulip plant, identical to the first, but give it water instead. If both plants die—if you killed them both—then you can’t blame the alcohol. That’s the value of a control sample. Herschel knew this, and laid a thermometer outside of the spectrum, adjacent to the red, expecting to read no more than room temperature throughout the experiment. But that’s not what happened. The temperature of his control thermometer rose even higher than in the red. Herschel wrote: [I] conclude, that the full red falls still short of the maximum of heat; which perhaps lies even a little beyond visible refraction. In this case, radiant heat will at least partly, if not chiefly, consist, if I may be permitted the expression, of invisible light; that is to say, of rays coming from the sun, that have such a momentum as to be unfit for vision.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
Darcy read the poem. “The rose is red, the violet’s blue The honey’s sweet and so are you. Thou art my love and I am thine I drew thee to my Valentine. The lot was cast and then I drew And fortune said it should be you.
Heather Moll (Mr Darcy's Valentine)
but some are essential–prussian and cobalt blue, cadmium yellow, red ochre and emerald green. Plus, some cobalt violet and zinc white. And of course, you may like to try Sennelier’s own creation–Chinese orange.
Penny Fields-Schneider (The Sun Rose in Paris (Portraits in Blue #1))
Roses are red Violets are blue I shot your dad his blood was blue
Piers
You want a happy poem? O k a y. Roses are red Violets are blue My mind is fucked up Happy poems are shit
Gracie Adams (A Poetry Book For Sad, Messed-Up Teenagers (Giving Up On Giving Up 1))
Rose are red, Violets are blue. I caught feelings for a psycho, and I don’t know what to do.
Rachel Leigh (You Will Bow (Wicked Boys of BCU #2))
Roses are red and violets are blue, Merry Christmas, little monster, I want to bone you.
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
Roses are red, violets are blue, and when God Almighty pisses on you from heaven, why wouldn’t you boogie in his piss?
Briggs (The Acid Actor: Volume 1)
Roses are red, violets are blue, try to kiss me and I will actually kill you.
Jane Washington (Plier (Ironside Academy, #1))
Roses are red Violets are blue You are my friend And I am yours, too.
Judy Blume (Tiger Eyes)
Roses are red. Violets are blue. I’m trying to hit that pussy from here to Wyzoo. This lifetime and next lifetime, too. So, will you be my lady, Kleu?
Grey Huffington (Lawe (The Domino Effect Book 2))
Roses are red Violets are blue I love my coffee And if you talk to me before I drink it I will cut you I let out a happy snort. Is it possible that I’ve found my people?
Sarina Bowen (Roommate (Vino & Veritas))
Noa sleeps with the curtains open, allowing as much moonlight as possible to flood her bedroom, allowing her to see each and every picture on the walls, if only as a pale glimmer. It took Noa weeks to perfect the art display. Reproductions of Monet's gardens at Giverny blanket one wall: thousands of violets- smudges of purples and mauves- and azaleas, poppies, and peonies, tulips and roses, water lilies in pastel pinks floating on serene lakes reflecting weeping willows and shimmers of sunshine. Turner's sunsets adorn another: bright eyes of gold at the center of skies and seas of searing magenta or soft blue. The third wall is splashed with Jackson Pollocks: a hundred different colors streaked and splattered above Noa's bed. The fourth wall is decorated by Rothko: blocks of blue and red and yellow blending and bleeding together. The ceiling is papered with the abstract shapes of Kandinsky: triangles, circles, and lines tumbling over one another in energetic acrobatics.
Menna Van Praag (The Witches of Cambridge)
Autumn Psalm A full year passed (the seasons keep me honest) since I last noticed this same commotion. Who knew God was an abstract expressionist? I’m asking myself—the very question I asked last year, staring out at this array of racing colors, then set in motion by the chance invasion of a Steller’s jay. Is this what people mean by speed of light? My usually levelheaded mulberry tree hurling arrows everywhere in sight— its bow: the out-of-control Virginia creeper my friends say I should do something about, whose vermilion went at least a full shade deeper at the provocation of the upstart blue, the leaves (half green, half gold) suddenly hyper in savage competition with that red and blue— tohubohu returned, in living color. Kandinsky: where were you when I needed you? My attempted poem would lie fallow a year; I was so busy focusing on the desert’s stinginess with everything but rumor. No place even for the spectrum’s introverts— rose, olive, gray—no pigment at all— and certainly no room for shameless braggarts like the ones that barge in here every fall and make me feel like an unredeemed failure even more emphatically than usual. And here they are again, their fleet allure still more urgent this time—the desert’s gone; I’m through with it, want something fuller— why shouldn’t a person have a little fun, some utterly unnecessary extravagance? Which was—at least I think it was—God’s plan when He set up (such things are never left to chance) that one split-second assignation with genuine, no-kidding-around omnipotence what, for lack of better words, I’m calling vision. You breathe in, and, for once, there’s something there. Just when you thought you’d learned some resignation, there’s real resistance in the nearby air until the entire universe is swayed. Even that desert of yours isn’t quite so bare and God’s not nonexistent; He’s just been waylaid by a host of what no one could’ve foreseen. He’s got plans for you: this red-gold-green parade is actually a fairly detailed outline. David never needed one, but he’s long dead and God could use a little recognition. He promises. It won’t go to His head and if you praise Him properly (an autumn psalm! Why didn’t I think of that?) you’ll have it made. But while it’s true that my Virginia creeper praises Him, its palms and fingers crimson with applause, that the local breeze is weaving Him a diadem, inspecting my tree’s uncut gold for flaws, I came to talk about the way that violet-blue sprang the greens and reds and yellows into action: actual motion. I swear it’s true though I’m not sure I ever took it in. Now I’d be prepared, if some magician flew into my field of vision, to realign that dazzle out my window yet again. It’s not likely, but I’m keeping my eyes open though I still wouldn’t be able to explain precisely what happened to these vines, these trees. It isn’t available in my tradition. For this, I would have to be Chinese, Wang Wei, to be precise, on a mountain, autumn rain converging on the trees, a cassia flower nearby, a cloud, a pine, washerwomen heading home for the day, my senses and the mountain so entirely in tune that when my stroke of blue arrives, I’m ready. Though there is no rain here: the air’s shot through with gold on golden leaves. Wang Wei’s so giddy he’s calling back the dead: Li Bai! Du Fu! Guys! You’ve got to see this—autumn sun! They’re suddenly hell-bent on learning Hebrew in order to get inside the celebration, which explains how they wound up where they are in my university library’s squashed domain. Poor guys, it was Hebrew they were looking for, but they ended up across the aisle from Yiddish— some Library of Congress cataloger’s sense of humor: the world’s calmest characters and its most skittish squinting at each other, head to head, all silently intoning some version of kaddish. Part 1
Jacqueline Osherow
Roses are red Violets are blue A flash of green light Means goodbye to you. —a poem by Voldemort
Brian Boone (The Unofficial Joke Book for Fans of Harry Potter 4-Book Box Set: Includes Volumes 1–4 (Unofficial Jokes for Fans of HP))
An online game of Scrabble Makes you think of many words But when nature calls you leave And beat angry birds
Karen Cicero (Roses Are Red Violets Are Blue I'm Using My Hand But Thinking Of You (Best Cure For Your Blues Book 1))
Roses are red, nuts are brown Skirts go up, pants goes down
Karen Cicero (Roses Are Red Violets Are Blue I'm Using My Hand But Thinking Of You (Best Cure For Your Blues Book 1))
Roses are red, violets are blue, I’m no poet, I just wanna kiss you! love u zakiya
Zakiya and Majid
Roses are red Violets are blue I don't go on this account So go away SHOO!
bob C Cow
Flares of light began to pulse from Evie’s chest, just as they had when her father’s scale sank into the cauldron. She glared at Hardcastle with fierce righteousness, and found that she was no longer alone on that black tower. She stood in a vast, sun-washed meadow of flowing grass and tiny yellow flowers. A figure materialized from the crisp, clear air behind her, a woman in an ethereal violet gown with a lily in her hair. The same princess she had seen the first time she looked into the dragon’s blood. “You are not alone,” she said. “Who are you?” “I am Princess Middlemiss. And I am always with you. We are all always with you.” A sheet of air glistened behind her, and dozens of others appeared. They were princesses of all ages, all shapes and shades and types. She saw a woman with black hair and sharp blue eyes and knew her instantly as Princess Snow White. There were others she recognized from Volf’s books: Blackstone and Rose-Red and Chambéry. The great princesses of the past and present, all standing with her now. “As long as there is goodness in your heart, you are never alone.
M.A. Larson (Pennyroyal Academy (Pennyroyal Academy, #1))
Roses are red, violets are blue, I thought Voldemort was ugly, but then I saw you.
Lilly Winchester (101 Harry Potter Jokes: The Ultimate Joke Book for Wizards and Witches)
There were twenty-four cubs in Sister’s class, and every cub had to send a valentine to every other cub. They didn’t have to be expensive and you could make them if you wanted to. Sister thought she might just make one for that no-good, rotten Billy Grizzwold. She began to think about what it might say. Roses are red. Violets are blue. Nobody needs a doofus like you. Or: Daffodils are yellow. Roses are red. I need you like a hole in the head! “A penny for your thoughts,” said Mama. “Er--uh,” said Sister, “I was just thinking of a valentine to send to Billy Grizzwold.
Stan Berenstain (The Berenstain Bears' Funny Valentine)
There were twenty-four cubs in Sister’s class, and every cub had to send a valentine to every other cub. They didn’t have to be expensive and you could make them if you wanted to. Sister thought she might just make one for that no-good, rotten Billy Grizzwold. She began to think about what it might say. Roses are red. Violets are blue. Nobody needs a doofus like you. Or: Daffodils are yellow. Roses are red. I need you like a hole in the head! “A penny for your thoughts,” said Mama. “Er--uh,” said Sister, “I was just thinking of a valentine to send to Billy Grizzwold.” “Is Billy a special friend of yours?” asked Mama. “A special friend?” said Sister, her eyes flashing. “Does a friend knock you down when you’re jumping rope? Does a friend chase after you with a dead mouse? Does a friend put a hop toad in your lunch box?” “I suppose not,” said Mama. “But--” “There are no buts about it, Mama,” continued Sister. “That Billy Grizzwold is a no-good nuisance and if he doesn’t stop bothering me…” “Why don’t you ask your boyfriend, Herbie Cubbison, to make him stop?” said Brother, who had come back to the table. “Boyfriend? Boyfriend?” shouted Sister. “You take that back!” “Everyone knows that Sister Bear has a huge crush on Herbie Cubbison.” “Mama, make him take that back!” cried Sister. “I’ve hardly ever said a word to Herbie Cubbison! Brother’s the big valentine sweetheart around here.
Stan Berenstain (The Berenstain Bears' Funny Valentine)
Roses are red, violets are blue. Extend only one, but implement two.
Kathy Sierra (Head First Java)
Roses are Red, Violets are blue. God made me pretty, and what the heck are you!
Caleb Walter Williams
Roses are red violets are blue, I have a big fat fart for you!
Katrina Kahler (Diary of a Super Clone, Books 1-4)