School Benches Quotes

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I didn't have any friends at school, didn't want any. I felt better being alone. I sat on a bench and watched the others play and they looked foolish to me.
Charles Bukowski
In high school I barely made the rodeo team. But I wasn’t good enough to start, so I just rode the bench.
Jarod Kintz (Great Listener Seeks Mute Women)
In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in. Humiliation and joy warred furiously inside Adam. Gansey strode between the pews as Adam's father stared at him. He went directly to the bench, straight up to the judge. Now that he stood directly beside Adam, not looking at him, Adam could see that he was a little out of breath. Ronan, behind him, was as well. they had run. For him.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
She sat down on a wooden bench that was bolted to the floor . . . in case some high school hooligan like herself decided to make off with it, she supposed.
Kimberly Derting (The Body Finder (The Body Finder, #1))
But then something happened, Ray, something amazing. Something... "That white cop sitting next to me? He took a long look at my mother when she came in, just like, absorbed her, and then without even turning to me, he just put his hand on my back, up between my neck and shoulder... "And all he did was squeeze. Give me a little squeeze of sympathy, then rubbed that same spot with his palm for maybe two, three seconds, and that was it. "But I swear to you, nobody, in my entire life up to that point had ever touched me with that kind of tenderness. I had never experienced a sympathetic hand like that, and Ray, it felt like lightning. "I mean, the guy did it without thinking, I'm sure. And when dinnertime rolled around he had probably forgotten all about it. Forgot about me, too, for that matter... But I didn't forget. "I didn't walk around thinking about it nonstop either, but something like seven years later when I was at community college? The recruiting officer for the PD came on campus for Career Day, and I didn't really like college all that much to begin with, so I took the test for the academy, scored high, quit school and never looked back. "And usually when I tell people why I became a cop I say because it would keep Butchie and Antoine out of my life, and there's some truth in that. "But I think the real reason was because that recruiting officer on campus that day reminded me, in some way, you know, conscious or not, of that housing cop who had sat on the bench with me when I was thirteen. "In fact, I don't think it, I know it. As sure as I'm standing here, I know I became a cop because of him. For him. To be like him. God as my witness, Ray. The man put his hand on my back for three seconds and it rerouted my life for the next twenty-nine years. "It's the enormity of small things... Adults, grown-ups, us, we have so much power... And sometimes when we find ourselves coming into contact with certain kinds of kids? Needy kids? We have to be ever so careful...
Richard Price
It embarrasses me to admit this, but on the first day of school, I sat on a bench, next to one of the new kids. I crossed my fingers, hoping he’d talk to me. Either he didn’t notice me or thought I wasn’t very popular. I’m not. So, maybe the word has gotten out.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
Taalim-o-tadrees ki barhi bad naseebi yeh hai ky aam ustaad amuman oast darjay ka shakhs hota hai aur woh zehni, jismani aur jazbaati tor per lakiir key fakiir qisam ki batin sochta hai. Isy zabt-o-nazam sy middle calss logo sy aur parhaku talbah ko parhany sy muhabbat hoti hai. Lykin sara din woh barhi qadar awar shakhsieto aur in ky karnaamo ki misalen dyta hai. Aysy log jinhuny kabhi mawshray ky saath mutabqat na ki. aam tareen hoty hoy woh aysy logo ki taalim-e-aam kerta hai jin ki satah per woh soch bhi nahi sakta , jin ki satah per woh soch bhi nahi sakta. Is ka apna kirdaar in bechu ko aam banany per masar rehta hai aur iski taalim bechu ko khaas banany per uksati hai. School sy bhaag jany waly bechu ki jagah school mai nahi hoti lykin inhi baaghi bechu ko bench per kharha ker ky in azeem shakhsieto ki rosahn misalen di jati hain jo khud school sy bhagy hoty hyn. Woh bechu ko geniouses ki kitaaben padha ker aam bnany ki koshish kerta hai aur yehi taalim ka sub sy barha almiyah hy." Bano Qudsia
Bano Qudsia (Raja Gidh / راجه گدھ)
Children are not cruel. Children are mirrors. They want to be "grownup," so they act how grown-ups act when we think they're not looking. They do not act how we tell them to act at school assemblies. They act how we really act. They believe what we believe. They say what we say. And we have taught them that gay people are not okay. That overweight people are not okay. That Muslim people are not okay. That they are not equal. That they are to be feared. And people hurt the things they fear. We know that. What they are doing in the schools, what we are doing in the media -- it's all the same. The only difference is that children bully in the hallways and the cafeterias while we bully from behind pulpits and legislative benches and sitcom one-liners.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
No more Latin, no more French, No more sitting on a hard school bench. No more dirty bread and butter, No more water from the gutter. No more maggots in the ham, No more yukky bread and jam. No more milk in dirty jugs, No more cabbage boiled with slugs. Now’s the time to say hurray. We’re eating the Infants today!
Francesca Simon (Don't Cook Cinderella: A School Story with a Difference)
He knew that people were staring at him. He looked different. Even different from other Erasers. He wasn't as —seamless. He didn't look as human as the rest of them did when they weren't morphed. He kind of looked morphy all the time. He hadn't seen his plain real face in —a long time. "I know who you are." Ari almost jumped —he hadn't noticed the boy slide onto the bench next to him. He frowned down at the small, open face. "What?" he growled. This was when the little boy would get scared and probably turn and run. It always happened. The boy smiled. "1 know who you are," he said, pointing at Ari happily. Ari just snarled at him. The boy wiggled with excitement. "You're Wolverine!" Ari stared at him. "You look awesome, dude," said the boy. "You're totally my favorite. You're the strongest one of all of them and the coolest too. I wish 1 was like you." Ari almost gagged. No one had ever, ever said anything like that to him.
James Patterson (School's Out—Forever (Maximum Ride, #2))
Love is what makes two people sit in the middle of a bench when there is plenty of room at both ends. Love means nothing in tennis,But it's everything in life
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
An enormous emotion beat on him; it was like something trying to get in, the pressure of gigantic wings against the glass. Dona nobis pacem. He withstood it, with all the bitter force of the school bench, the cement playground, the St. Pancras waiting room, Dallow's and Judy's secret lust, and the cold and unhappy moment on the pier. If the glass broke, if the beast--whatever it was--got in, God knows what it would do. He had a sense of huge havoc--the confession, the penance, and the sacrament--an awful distraction, and he drove blind into the rain.
Graham Greene
We'd taken up our positions on the benches between the school hall and a newly-installed outdoor basketball court. Being hip-hoppers, we were obliged to be obsessed with basketball. None of us had a ball.
Nikesh Shukla (Coconut Unlimited)
. . . anyone who wants to elaborate relevant liberation theology must be prepared to go into the 'examination hall' of the poor. Only after sitting on the benches of he humble will he or she be entitled to enter a school of 'higher learning.
Leonardo Boff
Jack?" "Mmmm?" The band was playing a softer song, mellow and slow. "Why did you ask me out when you did?" I tried to sound casual. "What do you mean?" "I mean,did something specific happen to make you ask me out?" "Yes," he said. "What was it?" Had I thrown myself at Jack Caputo? Had I done something to get in Lacey's way? "You remember the first game of the season?" "Yeah," I said. It was Jack's first game as starting quarterback, the youngest starter in school history. I remembered sitting in the second row, directly behind the team bench. "After I threw for the first touchdown of the game?" "Yes." I still couldn't figure out where he was going with this.Had I flashed him or something,and blocked it out of my memory? I was pretty sure I wasn't holding up any large signs declaring my love or anything. "Our defense took the field, and I was on the bench.When I turned around to look at the fans..." He paused. Oh,no. "What did I do?" He smiled. "You looked at me.Not the game." He sighed,as if reliving the memory. I felt my face scrunch up in confusion. "That's it?" "That's it." He shrugged. "It was the first time I thought there might be a chance. I asked Jules about it." I bit my lip. "Apparently she doesn't understand that trusty sidekicks aren't supposed to spill secrets." In a flash,I was suspended in air, the back of my head inches from the ground, Jack's face a breath away from mine, his lips in a wicked grin. I gasped,more from surprise at the sudden dip than from fear. "There are no secrets between us,Becks." His smile remained,but his eyes were intense.
Brodi Ashton (Everneath (Everneath, #1))
No, we won’t forget this.” I pull a lilac off a low branch and tuck it behind Liza’s ear. “Bonita,” I say. Before we get up, I kiss her on the cheek. “We’re going to make memories this summer so when high school is over we can meet back on this bench and remember it all, okay?” Liza smiles. “It’s a date.
Carrie Firestone (Dress Coded)
Isabelle had always thought of her mind as a garden, a magical place to play as a child, when the grown-ups were having conversations and she was expected to listen politely-- and even, although she hated to admit this, later with Edward, her husband, when listening to the particularities of his carpet salesmanship wore her thin. Every year the garden grew larger, the paths longer and more complicated. Meadows of memories. Of course, her mental garden hadn't always been well tended. There were the years when the children were young, fast-moving periods when life flew by without time for the roots of deep reflection, and yet she knew memories were created whether one pondered them or not. She had always considered that one of the luxuries of growing older would be the chance to wander through the garden that had grown while she wasn't looking. She would sit on a bench and let her mind take every path, tend every moment she hadn't paid attention to, appreciate the juxtaposition of the one memory against another.
Erica Bauermeister (The School of Essential Ingredients)
I don't know why I always felt the need to educate my friends when I learned some new bit of information most of the rest of the world didn't know, such as the secret existence of Jesus' older, smarter brother, or, later, that you could crawl into our coal furnace and freeze or that the water coming out of our C tap was actually warm. But I did, and ended up on the wooden bench outside Mr. Mautz's Sunday school classroom the very next Sunday for what would become the first in a long string of blasphemous statements.
Chris Crutcher
Before I came to this school, I was never in a group, so being in one- especially one with a name- was quite the novelty. It still is, because I mean, I belong to six other people and they say they miss me when I'm not there. I've sat on the bench under the tree by the fence for just over two years now, laughing and saying things I think I'm supposed to. And almost every second of every minute I'm with them, I feel like I'm seeing the scene from somewhere else. In front of a screen maybe, watching someone else's life.
Helena Fox (How It Feels to Float)
Soeur Marie Emelie" Soeur Marie Emelie is little and very old: her eyes are onyx, and her cheeks vermilion, her apron wide and kind and cobalt blue. She comforts generations and generations of children, who are "new" at the convent school. When they are eight, they are already up to her shoulder, they grow up and go into the world, she remains, forever, always incredibly old, but incredibly never older... She has an affinity with the hens, When a hen dies,she sits down on a bench and cries, she is the only grown-up, whose tears are not frightening tears. Children can weep without shame, at her side... Soeur Marie Emelie... her apron as wide and kind as skies on a summer day and as clean and blue.
Caryll Houselander (Flowering Tree (Prayer & Practice))
In high school, I was on the carpentry team, but I got benched. It was awkward sitting on it while my teammates built it.
Jarod Kintz (The Lewis and Clark of The Ozarks)
Umi didn’t know that I had cut school to visit the art museum downtown I had cut school to sit in the park on a bench with my sketch pad drawing trees and leaves and sky and birds just to get my skills up just to understand the rules of line and texture and shading and black and white Just so I can break those rules And I didn’t need Ms. Rinaldi to tell me that I wasn’t advanced or I didn’t have history
Ibi Zoboi (Punching the Air)
And sometimes, when the bell rang for call-over, he would go to the window and look across the road and over the School fence and see, in the distance, the thin line of boys filing past the bench. New times, new names . . . but the old ones still remained . . . Jefferson, Jennings, Jolyon, Jupp, Kingsley Primus, Kingsley Secundus, Kingsley Tertius, Kingston . . . where are you all, where have you all gone to?
James Hilton (Good-Bye, Mr. Chips)
Do not oversleep and miss the school bus- you'll be late. That's a habit teachers generally don't appreciate. Never tell your friends at school that you still wet your bed. They are sure to tease you, and you'll wish that you were dead. Never call your teacher a name when she's not near you. Teachers' ears are excellent, so they can always hear you. Do not read a textbook when your hands aren't clean-it's tricky to separate the pages when the pages get real sticky. When you go out for a team it's always wise to practice. When you are a substitute, the bench can feel like cactus. Do not copy homework from a friend who is a dummy. If you do, I'm sure that you will get a grade that's crummy. And if your report card's bad, don't blame it on your buddy. Kiss up to your parents quick, or they might make you study.
Bruce Lansky
During the school year, I practically lived in Dongguk’s modern, glass-walled library, with its stacks of tantalizing books and its high-speed Internet access. It became my playground, my dining room, and sometimes my bedroom. I liked the library best late at night, when there were fewer students around to distract me. When I needed a break, I took a walk out to a small garden that had a bench overlooking the city. I often bought a small coffee from a vending machine for a few cents and just sat there for a while, staring into the sea of lights that was metropolitan Seoul. Sometimes I wondered how there could be so many lights in this place when, just thirty-five miles north of here, a whole country was shrouded in darkness. Even in the small hours of the morning, the city was alive with flashing signs and blinking transmission towers and busy roadways with headlights traveling along like bright cells pumping through blood vessels. Everything was so connected, and yet so remote. I would wonder: Where is my place out there? Was I a North Korean or a South Korean? Was I neither?
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
I want to live simple. I want orange and red leaves and high school football and small town life. I want to erase the days lived in the hollow and free my mind and body from the trickery of a fast life. I am throwing out the Gucci shoes and Prada bags and the heavy burden and the in crowd.
Jacqueline Cioffa (THE RED BENCH: A DESCENT AND ASCENT INTO MADNESS)
Sometime in high school it dawned on me that perhaps I was a little different...I realized music wasn't swirling in the minds of my friends drowning out conversations and making it difficult to concentrate in class. I concluded I had a some sort of mental illness and that it was best to keep it to myself.
Robin Spielberg (Naked on the Bench: My Adventures in Pianoland)
Boys normally attended the school for seven or eight years, beginning at the age of seven. The schoolday was long and characterized by an extreme devotion to tedium. Pupils sat on hard wooden benches from six in the morning to five or six in the evening, with only two short pauses for refreshment, six days a week.
Bill Bryson (Shakespeare: The World as Stage)
Sir Thomas More, son of Sir John More, a justice of the King's Bench, was born in 1478, in Milk Street, in the city of London. After his earlier education at St. Anthony's School, in Threadneedle Street, he was placed, as a boy, in the household of Cardinal John Morton, Archbishop of Canterbury and Lord Chancellor. It was not unusual for persons of wealth or influence and sons of good families to be so established together in a relation of patron and client. The youth wore his patron's livery, and added to his state. The patron used, afterwards, his wealth or influence in helping his young client forward in the world. Cardinal Morton had been in earlier days that Bishop of Ely whom Richard III. sent to the Tower; was busy afterwards in hostility to Richard; and was a chief adviser of Henry VII., who in 1486 made him Archbishop of Canterbury, and nine months afterwards Lord Chancellor. Cardinal Morton—of talk at whose table there are recollections in "Utopia"—delighted in the quick wit of young Thomas More. He once said, "Whoever shall live to try it, shall see this child here waiting at table prove a notable and rare man.
Thomas More (Utopia (Norton Critical Editions))
It had to do with the way the mail wasn't delivered on time, and how potholes never got fixed, or the thievery at City Hall, or the race riots, or the 801 fires set around the city on Devil's night. The Lisbon girls became a symbol of what was wrong with the country, the pain it inflicted on even its most innocent citizens, and in order to make things better a parents' group donated a bench in the girls' memory to our school.
Jeffrey Eugenides (The Virgin Suicides)
schoolgirls in pantyhose sitting on bus stop benches looking tired at 13 with their raspberry lipstick. it’s hot in the sun and the day at school has been dull, and going home is dull, and I drive by in my car peering at their warm legs. their eyes look away— they’ve been warned about ruthless and horny old studs; they’re just not going to give it away like that. and yet it’s dull waiting out the minutes on the bench and the years at home, and the books they carry are dull and the food they eat is dull, and even the ruthless, horny old studs are dull.   the girls in pantyhose wait, they await the proper time and moment, and then they will move and then they will conquer.   I drive around in my car peeking up their legs pleased that I will never be part of their heaven and their hell. but that scarlet lipstick on those sad waiting mouths! it would be nice to kiss each of them once, fully, then give them back. but the bus will get them first.
Charles Bukowski (Love Is a Dog from Hell)
Before I came to this school, I was never in a group, so being in one- especially one with a name- was quite the novelty. It still is, because, I mean, I belong to six other people and they say they miss me when I'm not there. I've sat on the bench under the tree by the fence for just over two years now, laughing and saying things I think I'm supposed to. And almost every second of every minute I'm with them, I feel like I'm seeing the scene from somewhere else. In front of a screen maybe, watching someone else's life.
Helena Fox (How It Feels to Float)
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
But the child grows up, and reaches adolescence. He stands on the threshold of life, and the school-bench is left behind him. School has taught him but little—a few facts and some elementary information. But he has learnt to reason logically, and to examine the solid foundations on which the world rests. He begins to apply his logic to everything, and when he approaches religion, doubt trembles in his soul. The absurd improbability of the legends of the Middle Ages disgusts him, and at the same time he is obsessed by the fear of remaining without a relegion, a fear which has been inculcated into his mind by his entire upbringing. Calm and cold-blooded people think it all out, and become confirmed Atheists. Not so, however, those others with fervent, burning souls!
Aimée Dostoyevsky (The Emigrant)
When I got off the phone, my earbuds were still in from the call and my phone started playing a song, which it sometimes does, without my explicit instruction. The song it played was a U2 song from an album that was released when I was finishing high school, an album I played on a CD boom box, lying on my bed, staring up at the ceiling, thinking about how I was at the end of some beginning, which made what came next the beginning of the end. I walked over to the bodega on a corner at Sixth and bought a pack of cigarettes. The man who sold them to me didn’t look at me funny; he didn’t tell me I was too old to be playing games like this. I went back to the bench and lit a cigarette and inhaled, the smoke entering my body and filling it with poison, with something. — THE HOUSE IN East Hampton was no longer Toby’s, as if it ever was,
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Benedick sat down on a bench. He would write a love poem to Beatrice. The god of love… He made up a melody for his first line and hummed it. That sits above… He tried to develop the tune. And knows me… Hmmm. And knows me… How pitiful I deserve… He laughed to himself and gave up. How pitiful he deserved in singing, he meant. As for loving, well… Leander, who swam the Hellispont for love, Troilus, who used a go-between, and all the other famous lovers who fill the pages of poetry, were never as smitten by love as he had been. No, he couldn’t express it in verse. He had tried, but he couldn’t find a word that rhymed with ‘lady’, except ‘baby’, which was a silly rhyme. For ‘scorn’, ‘horn’. He laughed. That was a hard rhyme! For ‘school’, ‘fool’: that was a nonsense rhyme. Very bad rhyming. No, he wasn’t born under a rhyming star. He couldn’t woo with poetry.
William Shakespeare (Much Ado About Nothing)
She sits with shoulders slumped, staring at the wall, waiting for an answer, waiting to feel some joy. She's holding her breath without knowing it, listening to her body like a pregnant woman, listening, bending down deep into herself. But nothing stirs, everything is silent and empty like a forest when no birds are singing. She tries harder, this twenty-eight-year-old woman, to remember what it is to be happy, and with alarm she realizes that she no longer knows, that it's like a foreign language she learned in childhood but has now forgotten, remembering only that she knew it once. When was the last time I was happy? She thinks hard, and two little lines are etched in her bowed forehead. Gradually it comes to her: an image as though from a dim mirror, a thin-legged blond girl, her schoolbag swinging above her short cotton skirt. A dozen other girls are swirling about her: it's a game of rounders in a park in suburban Vienna. A surge of laughter, a bright trill of high spirits following the ball into the air, now she remembers how light, how free that laughter felt, it was never far away, it tickled under her skin, it swirled through her blood; one shake and it would spill out over her lips, it was so free, almost too free: on the school bench you had to hug yourself and bite your lip to keep from laughing at some funny remark or silliness in French class. Any little thing would set off waves of that effervescent girlish laughter. A teacher who stammered, a funny face in the mirror, a cat chasing its tail, a look from an officer on the street, any little thing, any tiny, senseless bit of nonsense, you were so full of laughter that anything could bring it out. It was always there and ready to erupt, that free, tomboyish laughter, and even when she was asleep, its high-spirited arabesque was traced on her young mouth.
Stefan Zweig (The Post-Office Girl)
We were already in school by then. Your friends had made fun of me. I was twelve. My higher brain functions weren’t fully developed. I was so in love with you.” The cold had woven its way into the fabric of my jeans and settled like a coating of ice in the folds of my jacket. Now I warmed again, puzzling through Hunter’s words. I didn’t know whether to take him seriously. “Your love for me was a symptom that your brain hadn’t developed, or-“ “Shut up.” He turned to face me. “I am drunk and I am trying to confess, so just let me do it, okay? I had fallen in love with you over the summer. Then this horrible thing happened to you and you stopped talking t me. I thought you blamed me, or my dad. Which he deserved.” “No,” I protested. “It was an acc-“ “I took it as a rejection.” He put his hand on my knee and looked me straight in the eyes. “It’s taken me all this time to figure that out. But I regretted it every day. And I’m truly sorry.” He sat back against the bench and faced the stars. The place where his hand had rested on my knee felt colder than ever. “I’m sorry, too,” I said, “so we’re even. I didn’t visit you in the hospital when you got crushed by a horse. For much the same reasons regarding love and rejection and being young.
Jennifer Echols (Love Story)
We don't have to do this," I said. His jaw set in a way that reminded me of how he'd look some times back in grade school, standing around the fringes of s kickball game or on that bench by Mr. Lloyd's room. "We do, though." I shook my head, staring at the house. Right then, a woman walked out, carrying a bag of trash. "Let's ask her if we can go in," Cameron said. "Go in?" He turned to me. "Yeah." I lowered my voice to a whisper. "Shouldn't we, like, talk about it first? About what happened?" "Why? We know what happened." "I can't." "But I'm with you. We're together." My eyes filled. He looked out the window. The woman went back in the house and closed the door. "We can come back some other time," I said, "after we've talked." I put the car in drive. "Let's go somewhere. Coffee. Something." "Doesn't matte." His jaw was set again, his voice dead flat. "It does matter, Cameron. That's the point. If it didn't matter I could just go in right now. I'm not ready. You can't just show up after all these years and expect me to be ready." He opened the door and started to get out. "Wait, where are you going?" "Sorry I came here and messed up your life." "That's not what I said!" But he was out of the car, walking down the block, away from me.
Sara Zarr (Sweethearts)
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
While we waited on a bench outside the motel office, I bought a copy of the Nashville Tennessean out of a metal box, just to see what was happening in the world. The principal story indicated that the state legislature, in one of those moments of enlightenment with which the southern states often strive to distinguish themselves, was in the process of passing a law forbidding schools from teaching evolution. Instead they were to be required to instruct that the earth was created by God, in seven days, sometime, oh, before the turn of the century. The article reminded us that this was not a new issue in Tennessee. The little town of Dayton—not far from where Katz and I now sat, as it happened—was the scene of the famous Scopes trial in 1925, when the state prosecuted a schoolteacher named John Thomas Scopes for rashly promulgating Darwinian hogwash. As nearly everyone knows, Clarence Darrow, for the defense, roundly humiliated William Jennings Bryan, for the prosecution, but what most people don’t realize is that Darrow lost the case. Scopes was convicted, and the law wasn’t overturned in Tennessee until 1967. And now the state was about to bring the law back, proving conclusively that the danger for Tennesseans isn’t so much that they may be descended from apes as overtaken by them.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
She ran into a problem at the tunnel exit, though. Her father chose one of the exits with a ladder up to the sky, where a Wingwatcher stood guard at the bottom. Ivy crouched behind a bench carved out of the rock. Her heart was pounding. She’d never been this close to this exit before — certainly never without permission. It smelled different here. She didn’t think she was imagining that. “Hello, Holly!” Heath boomed cheerfully as he approached the bottom of the ladder. “It’s Foxglove, sir,” the Wingwatcher said. Ivy didn’t know her very well, although Foxglove had left school only a couple of years ago to train with the Wingwatchers. Her hair was shaved into a close dark fuzz over her head and her forest-green uniform was neat and unwrinkled. Most interestingly, Foxglove’s expression was hard to read. It wasn’t the usual adoring gaze Ivy’s father got all over Valor. She looked calm, focused … unimpressed. Ivy smushed her face around, trying to imitate her. Violet and Daffodil would be so startled if Ivy could make a cool “I don’t care” expression like that. “Any dragon sightings today?” Heath asked, ignoring the name correction. “No, sir.” “Too bad, too bad.” He cracked his knuckles. “Can’t wait to meet another dragon with the pointy end of this guy.” He patted the sword at his waist with a grin. Foxglove raised her eyebrows but said nothing. “Well, I’ll be back soon,” Heath said. He put one hand on the ladder.
Tui T. Sutherland (Dragonslayer (Wings of Fire: Legends))
Men traveling alone develop a romantic vertigo. Bech had already fallen in love with a freckled embassy wife in Russia, a buck-toothed chanteuse in Rumania, a stolid Mongolian sculptress in Kazakhstan. In the Tretyakov Gallery he had fallen in love with a recumbent statue, and at the Moscow Ballet School with an entire roomful of girls. Entering the room, he had been struck by the aroma, tenderly acrid, of young female sweat. Sixteen and seventeen, wearing patchy practice suits, the girls were twirling so strenuously their slippers were unraveling. Demure student faces crowned the unconscious insolence of their bodies. The room was doubled in depth by a floor-to-ceiling mirror. Bech was seated on a bench at its base. Staring above his head, each girl watched herself with frowning eyes frozen, for an instant in the turn, by the imperious delay and snap of her head. Bech tried to remember the lines of Rilke that expressed it, this snap and delay: did not the drawing remain/that the dark stroke of your eyebrow/swiftly wrote on the wall of its own turning? At one point the teacher, a shapeless old Ukrainian lady with gold canines, a prima of the thirties, had arisen and cried something translated to Bech as, “No, no, the arms free, free!” And in demonstration she had executed a rapid series of pirouettes with such proud effortlessness that all the girls, standing this way and that like deer along the wall, had applauded. Bech had loved them for that. In all his loves, there was an urge to rescue—to rescue the girls from the slavery of their exertions, the statue from the cold grip of its own marble, the embassy wife from her boring and unctuous husband, the chanteuse from her nightly humiliation (she could not sing), the Mongolian from her stolid race. But the Bulgarian poetess presented herself to him as needing nothing, as being complete, poised, satisfied, achieved. He was aroused and curious and, the next day, inquired about her of the man with the vaguely contemptuous mouth of a hare—a novelist turned playwright and scenarist, who accompanied him to the Rila Monastery. “She lives to write,” the playwright said. “I do not think it is healthy.
John Updike (Bech: A Book)
Commencez!' cried I, when they had all produced their books. The moon-faced youth (by name of Jules Vanderkelkov, as I afterwards learned) took the first sentence. The 'livre de lecteur' was 'The Vicar of Wakefield', much used in foreign schools, because it is supposed to contain prime samples of conversational English. It might, however, have been a Runic scroll for any resemblance the worse, as enunciated by Jules, bore to the language in ordinary use amongst the natives of Great Britain. My God! how he did snuffle, snort, and wheeze! All he said was said in his throat and nose, for it is thus the Flamands speak; but I heard him to the end of his paragraph without proffering a word of correction, whereat he looked vastly self-complacent, convinced, no doubt, that he had acquitted himself like a real born and bred 'Anglais'. In the same unmoved silence I listened to a dozen in rotation; and when the twelfth had concluded with splutter, hiss, and mumble, I solemnly laid down the book. 'Arrêtez!', said I. There was a pause, during which I regarded them all with a steady and somewhat stern gaze. A dog, if stared at hard enough and long enough, will show symptoms of embarrassment, and so at length did my bench of Belgians. Perceiving that some of the faces before me were beginning to look sullen, and others ashamed, I slowly joined my hands, and ejaculated in a deep 'voix de poitrine' - 'Comme c'est affreux!' They looked at each other, pouted, coloured, swung their heels, they were not pleased, I saw, but they were impressed, and in the way I wished them to be. Having thus taken them down a peg in their self-conceit, the next step was to raise myself in their estimation - not a very easy thing, considering that I hardly dared to speak for fear of betraying my own deficiencies. 'Ecoutez, messieurs!' I said, and I endeavoured to throw into my accents the compassionate tone of a superior being, who, touched by the extremity of the helplessness which at first only excited his scorn, deigns at length to bestow aid. I then began at the very beginning of 'The Vicar of Wakefield,' and read, in a slow, distinct voice, some twenty pages, they all the while sitting mute and listening with fixed attention. By the time I had done nearly an hour had elapsed. I then rose and said, - 'C'est assez pour aujourd'hui, messieurs; demain nous recommençerons, et j'espère que tout ira bien.' With this oracular sentence I bowed, and in company with M. Pelet quitted the schoolroom.
Charlotte Brontë
He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.
Hugo
He was also a more astute politician than even his admirers realized. During his rise to power, he constructed his own base as an independent candidate not beholden to the oil interests in Southern California. For party loyalty, he substituted personal connections to the state’s two most important (and quite conservative) publishers—Joe Knowland in Oakland, and Harry Chandler in Los Angeles. At the very least, these friendships helped neutralize papers that might otherwise have rejected his increasingly liberal agenda. He was a distinguished governor of California. The state was growing by as many as ten thousand new residents a week, and the pressures on the state’s schools, roads, and its water resources were enormous. Facing that challenge had made him tough-minded and pragmatic about government, its limits, and how best it could benefit ordinary people. He was both an optimist and an activist: If he did not exactly bring an ideology to the Court, then he brought the faith of someone who had seen personally what government could and should do to ameliorate the lives of ordinary people. That the great figures on the bench had so much more judicial experience—Black with sixteen years of service on the Court, Frankfurter and Douglas with fourteen each, and Jackson with twelve—did not daunt him. As he saw it, they knew more about the law, but he knew more about the consequences of the law and its effect on ordinary citizens. His law clerk, Earl Pollock, said years later that there were three things that mattered to Earl Warren: The first was the concept of equality; the second was education; and the third was the right of young people to a decent life. He had spent a lifetime refining his view of the role of government, and he came to the Court ready to implement it.
David Halberstam (The Fifties)
He was also a more astute politician than even his admirers realized. During his rise to power, he constructed his own base as an independent candidate not beholden to the oil interests in Southern California. For party loyalty, he substituted personal connections to the state’s two most important (and quite conservative) publishers—Joe Knowland in Oakland, and Harry Chandler in Los Angeles. At the very least, these friendships helped neutralize papers that might otherwise have rejected his increasingly liberal agenda. He was a distinguished governor of California. The state was growing by as many as ten thousand new residents a week, and the pressures on the state’s schools, roads, and its water resources were enormous. Facing that challenge had made him tough-minded and pragmatic about government, its limits, and how best it could benefit ordinary people. He was both an optimist and an activist: If he did not exactly bring an ideology to the Court, then he brought the faith of someone who had seen personally what government could and should do to ameliorate the lives of ordinary people. That the great figures on the bench had so much more judicial experience—Black with sixteen years of service on the Court, Frankfurter and Douglas with fourteen each, and Jackson with twelve—did not daunt him. As he saw it, they knew more about the law, but he knew more about the consequences of the law and its effect on ordinary citizens. His law clerk, Earl Pollock, said years later that there were three things that mattered to Earl Warren: The first was the concept of equality; the second was education; and the third was the right of young people to a decent life. He had spent a lifetime refining his view of the role of government, and
David Halberstam (The Fifties)
I didn’t know that princes sat on wooden benches.” Prince Rakturan’s grin was humorless and threatening - as usual. “I didn’t know that peasant girls ran off to fight Magikas. We learn new things every day. It’s what makes being alive so exciting, am I right?
Sarah K.L. Wilson (Sworn (Dragon School, #5))
In the second year at school you were precipitated out of the warm, easy-going kindergarten of Frau Tissel, smelling of finger paint, salt dough and inadequate toilet training, and on to the cold benches governed by Frau Shambers, smelling of Education. It was as bad as being born, with the added disadvantage that your mother wasn’t there.
Terry Pratchett (Going Postal (Discworld, #33))
What’s wrong, Mom?” Anna asked. Mom looked like she’d been crying, but she said, “Nothing, sweetie.” “Who is Dad talking to?” I asked. I knew she’d protect us from whatever was happening, so I went straight for facts. If I gathered enough facts I could figure it out on my own. “Some friends of his from work.” “Uncle Jack?” I asked. Jack wasn’t an uncle but we called him that. He was my dad’s foreman in the roofing business. “No, honey. From the Army. His old work.” It was September 11, 2001, and the call he’d made was to his commanding officer in the Reserve. I’d figure that out later. And I’d learn that he’d done ROTC through college, then served with the Fifth Special Forces Group in Desert Storm. I’d learn that his shoulder injury had come from shrapnel embedded in his rotator cuff. I’d learn, just from watching him, from listening to him talk to his buddies, about Ranger School. Jump school. The Ranger Battalions. The Scroll. The Creed. That Rangers lead the way. But I didn’t know any of that then. I knew my dad as a roofer. A fisherman. A lover of Pearl Jam and Giants baseball. He was the guy who launched me over the waves on the beach, and who bench-pressed Anna because it made her giggle in a way that nothing else did. He was my mom’s best friend, with some additional elements like kissing that seemed pretty gross because, you know, I was six. But I learned something new about him that morning. I learned that when bad things happened, my dad stepped forward first. I learned he was a hero. A real one. And that I wanted to be like him
Veronica Rossi (Riders (Riders, #1))
The experimental courtroom in Red Hook was created along very different lines. Setup in an abandon parochial school in the heart of the neighborhood, the Cortex Windows to let the sun in, light colored wood and an unusual judge's bench. The planners chose to build the bench at eye level, so that the judge could have these personal interactions with litigants coming before him, invite them up to the bench... so people could see that people could see that he's not looking down on them, both literately and figuratively.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
The best thing to do," said one of the malingerers, "is to sham madness. In the next room there are two other men from the school where I teach and one of them keeps shouting day and night : 'Giordano Bruno's stake is still smoldering ; renew Galileo's trial !'” “I meant at first to act the fool too and be a religious maniac and preach about the infallibility of the Pope, but finally I managed to get some cancer of the stomach for fifteen crowns from a barber down the road." "That's nothing," said another man. "Down our way there's a midwife who for twenty crowns can dislocate your foot so nicely that you're crippled for the rest of your life.” “My illness has run me into more than two hundred crowns already," announced his neighbor, a man as thin as a rake. "I bet there's no poison you can mention that I haven't taken. I'm simply bung full of poisons. I've chewed arsenic, I've smoked opium, I've swallowed strychnine, I've drunk vitriol mixed with phosphorus. I've ruined my liver, my lungs, my kidneys, my heart—in fact, all my insides. Nobody knows what disease it is I've got." "The best thing to do," explained someone near the door, "is to squirt paraffin oil under the skin on your arms. My cousin had a slice of good luck that way. They cut off his arm below the elbow and now the army'll never worry him any more.” “Well," said Schweik, "When I was in the army years ago, it used to be much worse. If a man went sick, they just trussed him up, shoved him into a cell to make him get fitter. There wasn't any beds and mattresses and spittoons like what there is here. Just a bare bench for them to lie on. Once there was a chap who had typhus, fair and square, and the one next to him had smallpox. Well, they trussed them both up and the M. O. kicked them in the ribs and said they were shamming. When the pair of them kicked the bucket, there was a dust-up in Parliament and it got into the papers. Like a shot they stopped us from reading the papers and all our boxes was inspected to see if we'd got any hidden there. And it was just my luck that in the whole blessed regiment there was nobody but me whose newspaper was spotted. So our colonel starts yelling at me to stand to attention and tell him who'd written that stuff to the paper or he'd smash my jaw from ear to ear and keep me in clink till all was blue. Then the M.O. comes up and he shakes his fist right under my nose and shouts: 'You misbegotten whelp ; you scabby ape ; you wretched blob of scum ; you skunk of a Socialist, you !' Well, I stood keeping my mouth shut and with one hand at the salute and the other along the seam of my trousers. There they was, running round and yelping at me. “We'll knock the newspaper nonsense out of your head, you ruffian,' says the colonel, and gives me 21 days solitary confinement. Well, while I was serving my time, there was some rum goings-on in the barracks. Our colonel stopped the troops from reading at all, and in the canteen they wasn't allowed even to wrap up sausages or cheese in newspapers. That made the soldiers start reading and our regiment had all the rest beat when it came to showing how much they'd learned.
Jaroslav Hašek (The Good Soldier Schweik)
I spend most of my Mondays with blood. I am a hematologist by training. I study blood and treat blood diseases, including cancers and precancers of white blood cells. On Monday, I arrive much earlier than my patients, when the morning light is still aslant across the black slate of the lab benches. I close the shutters and peer through the microscope at blood smears. A droplet of blood has been spread across a glass slide, to make a film of single cells, each stained with special dyes. The slides are like previews of books, or movie trailers. The cells will begin to reveal the stories of the patients even before I see them in person. I sit by the microscope in the darkened room, a notepad by my side, and whisper to myself as I go through the slides. It’s an old habit; a passerby might well consider me unhinged. Each time I examine a slide, I mumble out the method that my hematology professor in medical school, a tall man with a perpetually leaking pen in his pocket, taught me: “Divide the main cellular components of blood. Red cell. White cell. Platelet. Examine each cell type separately. Write what you observe about each type. Move methodically. Number, color, morphology, shape, size.” It is, by far, the favorite time of my day at work. Number, color, morphology, shape, size. I move methodically. I love looking at cells, in the way that a gardener loves looking at plants—not just the whole but also the parts within the parts: the leaves, the fronds, the precise smell of loam around a fern, the way the woodpecker has bored into the high branches of a tree. Blood speaks to me—but only if I pay attention.
Siddhartha Mukherjee (The Song of the Cell: An Exploration of Medicine and the New Human)
Why are you so bitter?” Tuck asked. “It seems like there’s more than the cheating boyfriend?” I didn’t bother responding. “Why do you do that?” Tuck asked another burning question. “Do what?” confusion struck my thoughts as I asked. The sun found its way to us as we sat on the bench at the back of the school. “Let him get to you like that?” Tuck pried himself in and ended it with a smile. He was a nosy devil. “He who,” I asked, but I knew who’s he talking about, but I didn’t want to get too deep in it. “Your ex,” Tuck raised his eyebrows. He seemed angry and jealous. “He does nothing to me. What are you talking about?” I replied, biting down on my tongue. “Yes, he does, or what else is the reason for your putting yourself in prison,” Tuck said with a bite. “I’m not in prison.” I bit harder. The air becomes chilly, and a rock hits the side of my foot. “Yes, you are, and you’re in a war, a war where you’re the only one fighting.” Tuck’s tone was grave.
Kiki Fulton (Young Love (Ghostly Shadow, Book 1))
We had won 3-1, not that I’d contributed anything beyond cheering from the bench. I wondered if I would ever get to play. I knew how the fire hoses in the glass cases at school felt. They sat behind glass for year after year, a part of the school, but never used. They sat and waited for the day when someone would follow the instructions, “In case of fire, break glass,” but would that day ever come?
Mark A. Roeder (Ugly)
At nineteen, I needed more than confidence; I needed permission to break free from the only values system I'd ever known, a value system shared by so many in my social universe... I was probably the billionth eighteen-year-old to feel that way, the billionth bewildered teenager who left home for school, only to be shocked that the wider world didn't operate the same way as Anytown, USA. But being the billionth didn't make it any easier... to swing against the current--even if that current was nothing but a lazy river compared to what others have to face.
Evan Puschak (Escape into Meaning: Essays on Superman, Public Benches, and Other Obsessions)
The present school-house stands in an open place beside the main road to Muirtown, treeless and comfortless, built of red, staring stone, with a playground for the boys and another for the girls, and a trim, smug-looking teacher's house, all very neat and symmetrical and well-regulated... It has pitch-pine benches and map-cases, and a thermometer to be kept at not less than 58 degrees and not more than 62 degrees, and ventilators which the Inspector is careful to examine.
Ian Maclaren (Beside the Bonnie Brier Bush)
Who designed the circuit? What do they say?” “They’re all either long retired or long dead. And they didn’t expect the programs to last more than a few years anyway. So there’s no documentation. It was just a bunch of geeks standing around a lab bench, trying to figure things out. No one remembers the exact details. No one is smart enough to work it out again backward. And
Lee Child (Night School (Jack Reacher, #21))
Reaching a bench, he dismounted and tied Dancer to the arm. “Are you intending to be a student here?” one of the older boys asked, looking him over. Hadrian got the impression from the wrinkled nose that the student didn’t approve. The boy had a haughty tone for someone so young, small, and weaponless. “I’m here to see a man by the name of Arcadius.” “ Professor Arcadius is in Glen Hall.” “Which one of these…” He looked up at the columned buildings that appeared even taller with his feet on the grass. “The big one,” the boy said. Hadrian almost chuckled, wondering which ones the boy thought were small. The student pointed to the hall with the bell tower. “Ah … thanks.” “You didn’t answer me. Do you expect to attend this school?” “Naw-already graduated.” The young man looked stunned. “From Sheridan?” Hadrian shook his head and grinned. “Different school. Easier to get into but literally murder to pass. Hey, watch my horse, will you? But be careful-she bites.” He left the boy and three others standing bewildered by the bench, watching him cross to the big doors of Glen Hall.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
The voice went into his head, bored down through his memories, riffled through his fears, found the right levers, battened onto them, and pulled. In Moist’s case, it found Frau Shambers. In the second year at school, you were precipitated out of the warm, easygoing kindergarten of Frau Tissel, smelling of finger paint, playdough, and inadequate toilet training, and onto the cold benches governed by Frau Shambers, smelling of Education. It was as bad as being born, with the added disadvantage that your mother wasn’t there. Moist
Terry Pratchett (Going Postal (Discworld, #33))
Jessie was sitting on a green bench in Central Park, enjoying the last of the autumn sun as she watched Luke break-dancing with two of his friends. She had to admit it—the kid had some serious moves. There were several clusters of middle school girls watching and letting out squeals as Luke executed a series of flips ending with splits. “Careful!” Jessie called. “If you break your neck, your parents will break mine!” A cute girl named Connie with long blond hair plopped down next to Jessie.
Lexi Ryals (Crush Crazy (Jessie Junior Novel))
Ebenezer Rockwood Hoar, a bespectacled Republican with a grizzled beard, who was born in Concord, Massachusetts, and attended Harvard College and Law School. A former member of the Free-Soil Party, an upright gentleman of starchy integrity, he had served on the Massachusetts Supreme Judicial Court where he used sarcasm to savage lesser mortals. “When on the bench,” wrote an observer, “he was said to be unhappy because he could not decide against both litigants.
Ron Chernow (Grant)
George Mumford, a Newton-based mindfulness teacher, one such moment took place in 1993, at the Omega Institute, a holistic learning center in Rhinebeck, New York. The center was hosting a retreat devoted to mindfulness meditation, the clear-your-head habit in which participants sit quietly and focus on their breathing. Leading the session: meditation megastar Jon Kabat-Zinn. Originally trained as a molecular biologist at MIT, Kabat-Zinn had gone on to revolutionize the meditation world in the 1970s by creating a more secularized version of the practice, one focused less on Buddhism and more on stress reduction and other health benefits. After dinner one night, Kabat-Zinn was giving a talk about his work, clicking through a slide show to give the audience something to look at. At one point he displayed a slide of Mumford. Mumford had been a star high school basketball player who’d subsequently hit hard times as a heroin addict, Kabat-Zinn explained. By the early 1980s, however, he’d embraced meditation and gotten sober. Now Mumford taught meditation to prison inmates and other unlikely students. Kabat-Zinn explained how they were able to relate to Mumford because of his tough upbringing, his openness about his addiction — and because, like many inmates, he’s African-American. Kabat-Zinn’s description of Mumford didn’t seem to affect most Omega visitors, but one participant immediately took notice: June Jackson, whose husband had just coached the Chicago Bulls to their third consecutive NBA championship. Phil Jackson had spent years studying Buddhism and Native American spirituality and was a devoted meditator. Yet his efforts to get Michael Jordan, Scottie Pippen, and their teammates to embrace mindfulness was meeting with only limited success. “June took one look at George and said, ‘He could totally connect with Phil’s players,’ ’’ Kabat-Zinn recalls. So he provided an introduction. Soon Mumford was in Chicago, gathering some of the world’s most famous athletes in a darkened room and telling them to focus on their breathing. Mumford spent the next five years working with the Bulls, frequently sitting behind the bench, as they won three more championships. In 1999 Mumford followed Phil Jackson to the Los Angeles Lakers, where he helped turn Kobe Bryant into an outspoken adherent of meditation. Last year, as Jackson began rebuilding the moribund New York Knicks as president, Mumford signed on for a third tour of duty. He won’t speak about the specific work he’s doing in New York, but it surely involves helping a new team adjust to Jackson’s sensibilities, his controversial triangle offense, and the particular stress that comes with compiling the worst record in the NBA. Late one April afternoon just as the NBA playoffs are beginning, Mumford is sitting at a table in O’Hara’s, a Newton pub. Sober for more than 30 years, he sips Perrier. It’s Marathon Monday, and as police begin allowing traffic back onto Commonwealth Avenue, early finishers surround us, un-showered and drinking beer. No one recognizes Mumford, but that’s hardly unusual. While most NBA fans are aware that Jackson is serious about meditation — his nickname is the Zen Master — few outside his locker rooms can name the consultant he employs. And Mumford hasn’t done much to change that. He has no office and does no marketing, and his recently launched website, mindfulathlete.org, is mired deep in search-engine results. Mumford has worked with teams that have won six championships, but, one friend jokes, he remains the world’s most famous completely unknown meditation teacher. That may soon change. This month, Mumford published his first book, The Mindful Athlete, which is part memoir and part instruction guide, and he has agreed to give a series of talks and book signings
Anonymous
The door cracked open. Adam didn’t want to look, but he did anyway. In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in. Humiliation and joy warred furiously inside Adam. Gansey strode between the pews as Adam’s father stared at him. He went directly to the bench, straight up to the judge. Now that he stood directly beside Adam, not looking at him, Adam could see that he was a little out of breath. Ronan, behind him, was as well. They had run. For him.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
At school, Pablo found it hard to concentrate. Rather than completing classwork, he filled the margins of his notebook with pencil sketches of animals, birds, and people. His teacher grew exasperated with his lack of attention. She wrote a note to his mother saying: “Pablo should stop drawing in class and pay attention to his lessons.” It was clear that Pablo hated rules, and he took every opportunity to disobey them. When adults told him what to do, he did the opposite. He once got in trouble for coloring the sky a bright red instead of the “normal” blue. Pablo was often banished to the “calaboose,” a bare cell with white walls and a bench, which served as a holding pen for unruly students. “I liked it there, because I took along a sketch pad and drew incessantly,” Pablo later said. “I could have stayed there forever drawing without stopping.” He even began misbehaving on purpose so that he would be sentenced to detention and sent to the calaboose. The one person who understood that Pablo wasn’t acting out for no reason was his father. One day when Pablo’s mother caught him drawing on the wall with a nail, Don José took him to the beach to blow off steam. As Don José stretched out to take a nap, Pablo sat beside him and drew a dolphin in the wet sand. When Don José awoke, he was astonished by the beauty of his son’s drawing. “Could it be Pablo who drew this?” he wondered. That afternoon, Don José took a closer look at the image Pablo had drawn on their living room wall. What at first looked like random scratches soon took shape. Don José recognized a reindeer and a bison running away from a group of men on horseback who were armed with bows and arrows. At that moment, Don José knew what to do to get Pablo to stop misbehaving. He decided to take him into his studio and teach his son how to paint. From that day onward, Pablo and his father were inseparable art partners. In search of new subjects to portray, they began going to the bullfights. Pablo was mesmerized by the sight of the brave picadors as they charged ferocious bulls. He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha,
David Stabler (Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors)
She liked to think things through sometimes, his Mercy. But she put a hand on his leg and he wished for the Chevy truck he’d driven in high school because it had had a bench seat. Eventually she said, “It was easier when I was mad at you. I can’t shake the feeling that this is stupid.
Patricia Briggs (Winter Lost (Mercy Thompson, #14; Mercy Thompson World, #20))
The typical day went something like this. I’d wake up at 4:30 a.m., munch a banana, and hit the ASVAB books. Around 5 a.m., I’d take that book to my stationary bike where I’d sweat and study for two hours. Remember, my body was a mess. I couldn’t run multiple miles yet, so I had to burn as many calories as I could on the bike. After that I’d drive over to Carmel High School and jump into the pool for a two-hour swim. From there I hit the gym for a circuit workout that included the bench press, the incline press, and lots of leg exercises. Bulk was the enemy. I needed reps, and I did five or six sets of 100–200 reps each. Then it was back to the stationary bike for two more hours. I was constantly hungry. Dinner was my one true meal each day, but there wasn’t much to it. I ate a grilled or sautéed chicken breast and some sautéed vegetables along with a thimble of rice. After dinner I’d do another two hours on the bike, hit the sack, wake up and do it all over again, knowing the odds were stacked sky high against me. What I was trying to achieve is like a D-student applying to Harvard, or walking into a casino and putting every single dollar you own on a number in roulette and acting as if winning is a foregone conclusion. I was betting everything I had on myself with no guarantees.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
A common feature of country or eclectic interiors is a multipurpose hall bench that combines seating, coat pegs, hat shelf, and basket storage (for gloves, mittens, shoes, and scarves).
Ellen S. Fisher (New York School of Interior Design: Home: The Foundations of Enduring Spaces)
Mulaney’s right: the bit has a lot going on beneath the surface. It speaks to our selfishness, our laziness, our child-like craving for fairness and revenge. It speaks to the ease with which we dehumanize others, and the system that makes it even easier by forcing us into transactional relationships. After all, it’s the theater company that rips us off, that sells us the “overpriced, oversized crap we shouldn’t be eating to begin with.” We get even by leaving our popcorn buckets behind, but it’s not the company that cleans our trash. It’s the minimum wage employee, who works two jobs just to keep her kids in school. But that doesn’t stop us, does it?
Evan Puschak (Escape into Meaning: Essays on Superman, Public Benches, and Other Obsessions)
He was doing chinning exercies in the closet, using a bar clamped to the doorway. 'Where did you get that?' 'It's Mercator's.' 'Who's that?' 'He's this senior I hang around with now. He's almost nineteen and he's still in high school. To give you some idea.' 'Some idea of what?' 'How big he is. He bench-presses these awesome amounts.
Don DeLillo (White Noise)
Corie Mae knelt beside him to get a good look. “Oh lordy, looks like you got the chickenpox.” Maggie nodded. “You know, Mama, Charlie Haskins got chickenpox during Bible School, and Johnny Ray sat by him on the church bus. I guess that’s where he got them.” “This explains why you complained of feeling poorly the last couple days. Do you feel like eating some breakfast?” Johnny Ray nodded and took his usual place on the bench at the back side of the table. “Now I guess Jay and Junior’ll get them too.  I’m glad the rest of you kids done had chicken pox.
Mary Jane Salyers (Appalachian Daughter)
To me, ending up an exhibit in the Mütter Museum or a skeleton in a medical school classroom is like donating money for a park bench after you’re gone: a nice thing to do, a little hit of immortality.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Hey, I’m Alex and you won’t believe what happened today when I was coming home from school. As I was walking through the park, I saw a creepy man on a bench. He was watching the sky for something. I don’t know why  (maybe because he was watching me when he wasn't watching the sky) but I decided to take a shortcut through this alley behind an apartment building (in hindsight, I would not have gone through that alley) anyways I was walking pretty fast because I was kinda creeped out plus it was pretty cold for August. I had to look at the ground because of all the broken glass so I didn’t see the carrier pigeon until it was like a centimeter away from my nose.
Abe Schwieger (The Magic Paste: Or The Story Of How I Became Famous (The Adventures of Alex Book 1))
Old Jiko’s past is very far away, but even if the past happened not so long ago, like my own happy life in Sunnyvale, it’s still hard to write about. That happy life seems realer than my real life now, but at the same time it’s like a memory belonging to a totally different Nao Yasutani. Maybe that Nao of the past never really existed, except in the imagination of this Nao of the present, sitting here in a French maid café in Akiba Electricity Town. Or maybe it’s the other way around. If you’ve ever tried to keep a diary, then you’ll know that the problem of trying to write about the past really starts in the present: No matter how fast you write, you’re always stuck in the then and you can never catch up to what’s happening now, which means that now is pretty much doomed to extinction. It’s hopeless, really. Not that now is ever all that interesting. Now is usually just me, sitting in some dumpy maid café or on a stone bench at a temple on the way to school, moving a pen back and forth a hundred billion times across a page, trying to catch up with myself.
Ruth Ozeki (A Tale for the Time Being)
In the morning I walk back across the park after my shift. Stop, sit on a bench. The sun is shining - the park is beautiful this time of day, peaceful - but there is grime around the edges, as there always is in a city. In leafy villages and expensive independent schools, too, if you know where to look
Teri Terry (The Patient)
While in junior high school, I became aware of social castes and realized they were weightier than racial categories. In the seventh grade, for the first time in my life, I was subjected to condescension by children of wealth, most of whom I considered jerks. It was frustrating because normal remedies did not apply: punching them out, earning better grades, consigning them to the bench in sports--nothing seemed to weaken the mind-set that assigned me an intrinsically inferior status: I still lived in Oildale and they summered in La Cresta; I summered at a packing shed, they summered at a country club.
Gerald Haslam
her mental garden hadn’t always been well tended. There were the years when the children were young, fast-moving periods when life flew by without time for the roots of deep reflection, and yet she knew memories were created whether one pondered them or not. She had always considered that one of the luxuries of growing older would be the chance to wander through the garden that had grown while she wasn’t looking. She would sit on a bench and let her mind take every path, tend every moment she hadn’t paid attention to, appreciate the juxtaposition of one memory against another. But now that she was older and had time, she found more often than not that she was lost—words, names, her children’s phone numbers arriving and departing from her mind like trains without a schedule.
Erica Bauermeister (The School of Essential Ingredients (The School of Essential Ingredients, #1))
An average of fifteen days each school term. With her parents’ knowledge?” “I . . . assumed so. We tend to deal with Mrs. Persey.” “You tend to deal with Mrs. Persey.” Natasha let that one hang. Along the bench, she could see Mr. Persey whispering urgently to his brief. “And what reasons did Mrs. Persey give for her daughter’s absences on those days?” “It wasn’t anything very specific. She would say Lucy wasn’t feeling up to it. Sometimes a headache. A couple of times she didn’t give any reason.
Jojo Moyes (The Horse Dancer)
Judge Winmill stepped in from a door to the right of the bench and climbed to his high-back leather chair. Perhaps an inch over six feet with a slender, athletic build and youthful, boyish features, Winmill was an Idaho native. He grew up in Pingree, a small town in southeast Idaho near the Snake River, and attended college at Idaho State University in Pocatello, where he was student body president. He left the state to attend Harvard Law School but returned to Pocatello to live and practice law. A Mormon, Winmill was the father of four and active in the Democratic Party. He practiced for ten years in Pocatello, until 1987, when Governor Cecil Andrus appointed him to the bench in the Sixth Judicial District of the State of Idaho. Eight years later, in August 1995, he was a Clinton appointee to the federal bench. Breitsameter and Miller told Uhlmann that Idaho prosecutors and the defense bar universally considered Winmill extremely bright and even-handed. He was a judge who labored over his decisions, frequently taking matters under advisement rather than ruling from the bench, and he often conducted his own legal research to ensure the accuracy of his decisions.1
Robert Dugoni (The Cyanide Canary: A True Story of Injustice)
She flushed and looked away and saw on Sue Annie's wash bench, packed tightly in the scant space and perspiring from the heat, a row of the neighbor women, school mothers Sue Annie had put near the hearth in a place of honor...Suse studied them, then shivered and looked away; she would never be like that, dull and dead and uncaring; she thought of Milly sleeping at home; she would fit well with the others on the bench. Had she or any of them ever heard the trains blow far away and sad, calling you to come away, calling so clearly you wanted to cry? Or had they ever wanted to run and run through the woods on a windy moonlight night in spite of what God would thin and the neighbors say? How could they sit so quietly now? How?
Harriette Simpson Arnow (Hunter's Horn)
I perch on the thin, freezing bench (on my arse, not like a canary) and tense everything, retracting into myself like a spooked whelk, while teenagers in school blazers chirp in sarcastic bursts and giggles around me.
Rob Temple (Born to be Mild: Adventures for the Anxious)
A classic old school dad-style trick you can do in a moment when submarine shell breaching seems imminent is to run the starting line up of your favorite sports team through your head. Add the bench players, full names, uniform numbers.
D.J. Born (How To Get A Girlfriend: Guide to Attracting, Understanding, Dating and Romancing Your Dream Girl)
The guys had made log benches for spectators, back when they were twelve and had visions of every girl in class lining those benches, swooning as they showed off in the ring. Never quite worked out that way--if there were spectators, they were more likely to be heckling than swooning--but the memory made me smile as I lowered myself quietly onto the bench behind Daniel. He was shadowboxing, throwing punches and dodging an imaginary opponent. He was dressed in his usual gear--sweatpants and a tank top, both emblazoned with the school logo. I sat there and watched him, muscles flexing, sweat dripping from his dark blond hair, spraying with every swing, the silence punctuated by soft grunts when a blow seemed right and frustrated snorts when it didn’t. As I watched him, I started to relax. This was familiar. The sight, the sounds, the feel of the bench under my fingers, even the faint smell of perspiration--it was familiar and it was real and it made the last few hours drift away, wisps of a nightmare disconnected from reality. Finally, he sensed me there and danced in a circle, fists falling to his sides, feet still moving. His face lit up in a grin so big it chased away the last of my worries.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
For some reason, I found the fact that our two men were naked, while Jester and I were, in a way, clothed, particularly exciting. Jester was adorned in paint, and I had my feathered pinioned wings and my owl mask. I was a totem, my man was transparent and naked; he was my servant and my slave, and he was that pure thing – a naked male animal, and, tonight, he was mine. “To-wit, to-whoo,” I invited my servant with my owl call. He kissed me; the kiss was fierce and unending, or so it seemed, an eternal kiss, a kiss that would carry us into infinity, his arms around me, grasping me, clasping me under my pinioned arms; his lips explored mine; our lips merged in one; my eyes were closed; it was pure sensation: the pouring rain, my dripping feathers, my pinioned arms pressed together, my shoulders pulled back tight, my breasts tensed and straining forward; his chest, hard and smooth and muscular against my breasts; his hands on me; his lips meeting my lips; his tongue mingling with my tongue. I breathed him in. Inwardly, I sighed, “Oh, Master!” But it came out as a quizzical “To-wit, to-whoo?” He whispered, “Oh, Goddess, oh, beautiful Owl.” He held me so tight it was as if he wanted to consume me, merge my body in his, to absorb me totally. Finally, he stepped back, unhooked the owl mask-and-hood from the collar, and lifted it off, and placed it carefully on an iron bench, which was the only furniture in the gazebo. My face, now, was naked. And then, standing in the rain, we made love, me with my arms still pinioned behind me, totally at his mercy, thrilling at my helplessness, and entrusting myself totally to his love ...
Gwendoline Clermont (Gwendoline Goes To School)
He turned to Ebenezer Rockwood Hoar, a bespectacled Republican with a grizzled beard, who was born in Concord, Massachusetts, and attended Harvard College and Law School. A former member of the Free-Soil Party, an upright gentleman of starchy integrity, he had served on the Massachusetts Supreme Judicial Court where he used sarcasm to savage lesser mortals. “When on the bench,” wrote an observer, “he was said to be unhappy because he could not decide against both litigants.
Ron Chernow (Grant)
You could belong here,” he says, his tone surprisingly serious. I turn from him and look back at the cluster of buildings, one on top of the other. A beautiful and unique place to visit, but to live long term? “I don’t know about that,” I say. “This could be your life.” He spreads his arms out as if to encompass the whole of Cinque Terre. And him. I let out an uncomfortable laugh, unsure if he’s joking. “I’m not just going to move to a foreign country. I haven’t even finished high school yet.” “Si.” He slumps a little, but he’s still observing me closely, intently. “I would like things to be different.” “What do you mean?” “I like when you are here. Things feel, ah, bene. Good. Better.” I open my mouth to speak, but I’m at a complete loss how to react. Bruno stows the camera away again and moves to sit next to me, straddling the bench. The inside of his thigh brushes against my knee, his other leg dangerously close behind me, and I shift away so we’re not touching. He reaches for a section of my hair and twists it in his fingers. “I like you,” he says quietly.
Kristin Rae (Wish You Were Italian (If Only . . . #2))