Mute Love Quotes

Tears are the noble language of eyes, and when true love of words is destitute. The eye by tears speak, while the tongue is mute.

I’d love to create a personal profile on a dating site with a headline that reads, “Great Listener Seeks Mute Woman.

You are the Essence of the Essence, The intoxication of Love. I long to sing Your Praises but stand mute with the agony of wishing in my heart !

Goodbye, Room." I wave up at Skylight. "Say goodbye," I tell Ma. "Goodbye, Room." Ma says it but on mute. I look back one more time. It's like a crater, a hole where something happened. Then we go out the door.

Making love without noise is like playing a muted piano-fine for practice, but you cheat yourself out of hearing the glorious results.

Most of conflicts and tensions are due to language. Don't pay so much attention to the words. In love’s country, language doesn't have its place. Love's mute.

Love speaks to the heart like a mime to a mute.

The Quiet World In an effort to get people to look into each other’s eyes more, and also to appease the mutes, the government has decided to allot each person exactly one hundred and sixty-seven words, per day. When the phone rings, I put it to my ear without saying hello. In the restaurant I point at chicken noodle soup. I am adjusting well to the new way. Late at night, I call my long distance lover, proudly say I only used fifty-nine today. I saved the rest for you. When she doesn’t respond, I know she’s used up all her words, so I slowly whisper I love you thirty-two and a third times. After that, we just sit on the line and listen to each other breathe.

Love Sorrow Love sorrow. She is yours now, and you must take care of what has been given. Brush her hair, help her into her little coat, hold her hand, especially when crossing a street. For, think, what if you should lose her? Then you would be sorrow yourself; her drawn face, her sleeplessness would be yours. Take care, touch her forehead that she feel herself not so utterly alone. And smile, that she does not altogether forget the world before the lesson. Have patience in abundance. And do not ever lie or ever leave her even for a moment by herself, which is to say, possibly, again, abandoned. She is strange, mute, difficult, sometimes unmanageable but, remember, she is a child. And amazing things can happen. And you may see, as the two of you go walking together in the morning light, how little by little she relaxes; she looks about her; she begins to grow.

I didn't just love him…I needed him. Not in some desperate "you complete me" sort of way. No, Vincent didn’t make me whole. He improved me. Something about him—something I didn't understand—had a way of amplifying the good in my nature while muting the bad. He was a catalyst for my soul. I didn't need him in order to exist...I needed him in order to be a better me.

I have heard what poets write about women. They rhyme and rhapsodize and lie. I have watched sailors on the shore stare mutely at the slow-rolling swell of the sea. I have watched old soldiers with hearts like leather grow teary-eyed at their king's colors stretched against the wind. Listen to me: these men know nothing of love. You will not find it in the words of poets or the longing eyes of sailors. If you want to know of love, look to a trouper's hands as he makes his music. A trouper knows.

I recall certain moments, let us call them icebergs in paradise, when after having had my fill of her –after fabulous, insane exertions that left me limp and azure-barred–I would gather her in my arms with, at last, a mute moan of human tenderness (her skin glistening in the neon light coming from the paved court through the slits in the blind, her soot-black lashes matted, her grave gray eyes more vacant than ever–for all the world a little patient still in the confusion of a drug after a major operation)–and the tenderness would deepen to shame and despair, and I would lull and rock my lone light Lolita in my marble arms, and moan in her warm hair, and caress her at random and mutely ask her blessing, and at the peak of this human agonized selfless tenderness (with my soul actually hanging around her naked body and ready to repent), all at once, ironically, horribly, lust would swell again–and 'oh, no,' Lolita would say with a sigh to heaven, and the next moment the tenderness and the azure–all would be shattered.

I don’t think anybody’s ever written a song called, “There’s urine on the couch, and the remote control is in the shower.” I would write it myself, but I’ve never been very good at writing love ballads.

Two people in love, alone, isolated from the world, that's very beautiful. But what would they nourish their intimate talk with? However contemptible the world may be, they still need it to be able to talk together.' 'They could be silent.' 'Like those two, at the next table?' Jean Marc laughed. 'Oh, no, no love can survive muteness.

Love is blind, and a deaf-mute too.

I grieve and dare not show my discontent, I love and yet am forced to seem to hate, I do, yet dare not say I ever meant, I seem stark mute but inwardly do prate. I am and not, I freeze and yet am burned, Since from myself another self I turned. My care is like my shadow in the sun, Follows me flying, flies when I pursue it, Stands and lies by me, doth what I have done.

I was in love. With a two-dimensional object. A mute in love with a painting. Lovely. Just lovely.

Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added

I love autumn", Emily said to me. "It wins you over with its mute appeal to sympathy for its decay.

I would recognise you in total darkness, were you mute and I deaf. I would recognise you in another lifetime entirely, in different bodies, different times. And I would love you in all of this, until the very last star in the sky burnt out into oblivion.

And he loves to read. He loves the whisper of the pages and the way his fingertips catch on rough paper, the pour of the words up from the leaves, through soft light, into his eyes, the mute voice in his ears.

He is lying on dirty straw. He has been beaten so many times, his body is one bloodied bruise; he is filthy, he is hideous, he is a sinner and he is utterly unloved. At any moment, at any instant, he will be put on a train in his shackles and taken through Cerberus's mouth to Hades for the rest of his wretched life. And it is at that precise moment that the light shines from the door of his dark cell #7, and in front of him Tatiana stands, tiny, determined, disbelieving, having returned for him. Having abandoned the infant boy who needs her most to go find the broken beast who needs her most. She stands mutely in front of him and doesn't see the blood, doesn't see the filth, sees only the man, and then he knows; he is not cast out. He is loved.

Tonight we're going to listen to this." She skips ahead to "Mute Witness" and hits repeat. "What we do tonight will be stored in this song. Every time I put it on from now on I'll feel exactly like now. So if you die, I can still have you

To love a swamp, however, is to love what is muted and marginal, what exists in the shadows, what shoulders its way out of mud and scurries along the damp edges of what is most commonly praised. And sometimes its invisibility is a blessing. Swamps and bogs are places of transition and wild growth, breeding grounds, experimental labs where organisms and ideas have the luxury of being out of the spotlight, where the imagination can mutate and mate, send tendrils into and out of the water.

Tell me where the swans go in the winter I need to know if the mute ones can sing. Tell me why stars fall from the sky I need to know if it is luck they bring. Tell me why feathers land near you I need to know if you've injured your wing. Now, tell me where you end, my angel For I no longer know where I begin.

We sit silently in our living room. He watches the mute television screen and I watch him. The planes and ridges of his face are more familiar to me than my own. I understand that he wishes even more than I do that he still loved me.

I wanted to keep looking at her because I wanted to never take my eyes from her, but still I had to lower my eyes, I was so ashamed that even now Jenny was reading my mind so perfectly. 'Listen, that's the only goddamn thing I'm asking, Ollie. Otherwise, I know you'll be okay.' That thing in my gut was stirring again, so I was afraid to even speak the word 'okay.' I just looked mutely at Jenny.

I like to think of my people as mute optimists - leave the elephant alone and, eventually, perhaps with the help of a couple mimosas, he will disappear from the room on his own accord.

Unlike you, who must do a cost-benefit analysis of every human interaction," he said, "I have no idea what I hope to accomplish. I only know that I must try to see her. That's what love is about, Roger. It's when a woman drives all lucid thought from your head; when you are unable to contrive romantic stratagems, and the usual manipulations fail you; when all your carefully laid plans have no meaning and all you can do is stand mute in her presence. You hope she takes pity on you and drops a few words of kindness into the vacuum of your mind.

Twas a still, calm night and the moon's pale light Shone over hill and dale When friends mute with grief stood around the deathbed Of their loved, lost Lily Lyle. Heart as pure as forest lily Never knowing guile, Had its home within the bosom Of sweet Lily Lyle.

If I stand alone, It does not mean, I am any less a Human, If my arms do not hold another, It does not mean, They are incapable of holding, If my tongue is silent, And never speaks the words of Love, It does not mean, That it will be mute, When the time comes, That the words can sincerely be spoken. And just because the World, Has not yet introduced, The one that will share my Life, It certainly does not mean, That I am incapable, Of Loving.

When he says “ily”, but Achilles once said “i would recognize you in total darkness, were you mute and i deaf. i would recognize you in another lifetime entirely, in different bodies, different times. and i would love you in all of this, until the very last star in the sky burnt out into oblivion.

The steel door of the incinerator went up and the muted hum of the eternal fire became a red roaring. The heat lunged out at them like a famished beast. Then Rahel's Ammu was fed to it. Her hair, her skin, her smile. Her voice. They way she used Kipling to love her children before putting them to bed: We be of one blood, though and I. Her goodnight kiss. The way she held their faces steady with one hand (squashed-cheeked, fish-mouthed) while she parted and combed their hair with the other. The way she held knickers out for Rahel to climb into. Left leg, right leg. All this was fed to the beast, and it was satisfied. She was their Ammu and their Baba and she had loved them Double.

There is a whisper of light if you can hear Louder than sound of darkness you never fear Numb sky’s muteness leaves you hard of hearing Senses wish to fly feelings disappearing

As that fucking chandelier twinkled overhead, Blay said roughly, "I'm still in love with him." Saxton dropped his eyes and brushed a the top of his thigh, as if there might have been a tiny piece of lint there. "I know. You thought you weren't?" As if that were rather stupid of him. "I'm so fucking tired of it. I really am." "That I believe." "Im so fucking..." God, those sounds, that muted pounding , that audible confirmation of what he had been ignoring for the past year-- On a sudden wave of violence, he pitched the brandy snifter at the marble fireplace, shattering the thing. "Fuck, Fuck!" If he'd been able to, he'd have jumped up and torn that goddamn cocksucking light fixture off the goddamn cocksucking ceiling.

Out of the starless night that covers me, (O tribulation of the wind that rolls!) Black as the cloud of some tremendous spell, The susurration of the sighing sea Sounds like the sobbing whisper of two souls That tremble in a passion of farewell. To the desires that trebled life in me, (O melancholy of the wind that rolls!) The dreams that seemed the future to foretell, The hopes that mounted herward like the sea, To all the sweet things sent on happy souls, I cannot choose but bid a mute farewell. And to the girl who was so much to me (O lamentation of this wind that rolls!) Since I may not the life of her compel, Out of the night, beside the sounding sea, Full of the love that might have blent our souls, A sad, a last, a long, supreme farewell.

The Mute Master had told her that people dealt with their pain in different ways—that some chose to drown it, some chose to love it, and some chose to let it turn into rage.

He did not think of love as an eternally vigilant, blazing flame, which with its powerful, flickering glow shown into all the peaceful folds of life and in some fantastic way made everything seem bigger and stronger than it was. For him, love was more like the calm, smoldering ember that gives off an even heat from its soft bed of ashes and in the muted twilight tenderly forgets what is distant and makes what is near seem twice as close and twice as intimate.

My letters! all dead paper, mute and white! And yet they seem alive and quivering Against my tremulous hands which loose the string And let them drop down on my knee to-night. This said, -- he wished to have me in his sight Once, as a friend: this fixed a day in spring To come and touch my hand ... a simple thing, Yet I wept for it! -- this, ... the paper's light ... Said, Dear I love thee; and I sank and quailed As if God's future thundered on my past. This said, I am thine -- and so its ink has paled With lying at my heart that beat too fast. And this ... O Love, thy words have ill availed If, what this said, I dared repeat at last!

Ars Poetica A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be.

For over twenty-five centuries we’ve been bearing the weight of superb and heterogeneous civilizations, all from outside, none made by ourselves, none that we could call our own. This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn't understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.

I mean, I haven’t done anything wrong, except maybe now I’m aiding and abetting, but that’s just how the cookie crumbles when the love of your life is so good at killing people.

But you must be awash in a sea of compliments, my lady. Every gentleman you meet must voice his admiration, his wish to make love to you. And those are only the ones who may voice such thoughts. All about you are men who cannot speak their admiration, who must remain mute from lack of social standing or fear of offending you. Only their thoughts light the air about you, following you like a trail of perfume, heady but invisible. (Winter Makepeace)

Men, let me plead with you: The greatest fight of your life is not lust. You may think it is, but it isn’t. The greatest fight of your life will be rejecting the passivity that has infected your heart since the fall. Your natural default, especially as it pertains to sacrificial leadership of your wife, will be to mutely witness.

For summer and his pleasures wait on thee, And, thou away, the very birds are mute: Or, if they sing, ’tis with so dull a cheer, That leaves look pale, dreading the winter’s near.

This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!

As I walked out one harvest night About the stroke of One, The Moon attained to her full height Stood beaming like the Sun. She exorcised the ghostly wheat To mute assent in Love's defeat Whose tryst had now begun. The fields lay sick beneath my tread, A tedious owlet cried; The nightingale above my head With this or that replied, Like man and wife who nightly keep Inconsequent debate in sleep As they dream side by side. Your phantom wore the moon's cold mask, My phantom wore the same, Forgetful of the feverish task In hope of which they came, Each image held the other's eyes And watched a grey distraction rise To cloud the eager flame. To cloud the eager flame of love, To fog the shining gate: They held the tyrannous queen above Sole mover of their fate, They glared as marble statues glare Across the tessellated stair Or down the Halls of State. And now cold earth was Arctic sea, Each breath came dagger keen, Two bergs of glinting ice were we, The broad moon sailed between; There swam the mermaids, tailed and finned, And Love went by upon the wind As though it had not been. - Full Moon

Instead of resisting to changes, surrender. Let life be with you, not against you. If you think ‘My life will be upside down’ don’t worry. How do you know down is not better than upside? A good man complains of no one; he does not look to faults. A life without love is of no account. Don't ask yourself what kind of love you should seek, spiritual or material, divine or mundane, eastern or western…divisions only lead to more divisions. Love has no labels, no definitions. It is what it is, pure and simple. Love is the water of life. And a lover is a soul of fire! The universe turns differently when fire loves water. The universe is a complete unique entity. Everything and everyone is bound together with some invisible strings. Do not break anyone’s heart; do not look down on weaker than you. One’s sorrow at the other side of the world can make the entire world suffer; one’s happiness can make the entire world smile. Most of conflicts and tensions are due to language. Don't pay so much attention to the words. In love’s country, language doesn't have its place. Love's mute

The unknown grayish mystifying forest was benumbed into frost-covered cold, and the tremendous pines towering above the dark marshy soil resembled a gathering of severe mute brothers from a forbidden ancient order worshiping forgotten gods no one had ever heard of outside of the world of secret occult visions.

They want a woman who is a canvas, white and empty. Standing still, existing for no other purpose than to serve as a mute object onto which they can paint their own hopes and desires. They want their brides veiled. They want a demure, blank space they can fill with whatever they desire.” “Miss Lowell, you magnificent creature, I want you to paint your own canvas. I want you to unveil yourself.

This species, the mute swan, became holy to Apollo. In remembrance of the death of the beloved Phaeton the bird is silent all its life until the very moment of its death, when it sings with terrible melancholy its strange and lovely goodbye, its swan song. In honour of Cygnus the young of all swans are called ‘cygnets’.

The wind went mute and the trees in the forest stood still. It was time for the last tale.

Gud i himlen, kjærligheten er et flygtig stof!

We didn't say or write anything for a long time. Normally silence like that was uncomfortable and awkward. Like you needed to say something to fill the empty space in the air. But it didn't feel like that with Samantha. Maybe it was because I couldn't say anything and fill the quiet, but I thought it was more about two people just being with each other, enjoying the slowdown and the rare sunshine.

Make no mistake about it. We are born blind, deaf, and mute. It is neither these eyes that give us sight, nor these ears that give us sound. It is not even these lips that give us voice. It is only love. Love makes us seek beauty and truth. Love yearns to connect. To experience. To understand. So close your eyes at once. Don’t utter a word. Perk up your ears and listen to that silent sound inside you where all this is found.

I love the tactile experience of walking in the woods. It's muted browns, grays, and greens comfort me. The moss and leaves five softly under my boots. Large, scattered rocks feel permanent and unshakable. The pull of the mountain is like gravity for my soul.

We wander in our thousands over the face of the earth, the illustrious and the obscure, earning beyond the seas our fame, our money, or only a crust of bread; but it seems to me that for each of us going home must be like going to render an account. We return to face our superiors, our kindred, our friends--those whom we obey, and those whom we love; but even they who have neither, the most free, lonely, irresponsible and bereft of ties,--even those for whom home holds no dear face, no familiar voice,--even they have to meet the spirit that dwells within the land, under its sky, in its air, in its valleys, and on its rises, in its fields, in its waters and its trees--a mute friend, judge, and inspirer.

If suddenly you do not exist, if suddenly you no longer live, I shall live on. I do not dare, I do not dare to write it, if you die. I shall live on. For where a man has no voice, there, my voice. Where blacks are beaten, I cannot be dead. When my brothers go to prison I shall go with them. When victory, not my victory, but the great victory comes, even though I am mute I must speak; I shall see it come even though I am blind. No, forgive me. If you no longer live, if you, beloved, my love, if you have died, all the leaves will fall in my breast, it will rain on my soul night and day, the snow will burn my heart, I shall walk with frost and fire and death and snow, my feet will want to walk to where you are sleeping, but I shall stay alive, because above all things you wanted me indomitable, and, my love, because you know that I am not only a man but all mankind.

THOU wast all that to me, love, For which my soul did pine: A green isle in the sea, love, A fountain and a shrine All wreathed with fairy fruits and flowers, And all the flowers were mine. Ah, dream too bright to last! Ah, starry Hope, that didst arise But to be overcast! A voice from out the Future cries, "On! on!"—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast. For, alas! alas! with me The light of Life is o'er! No more—no more—no more— (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar. And all my days are trances, And all my nightly dreams Are where thy gray eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams.

Did I fuck her? No, I bloody well didn’t. I made mute, frenzied love to her in pitch darkness for six life-altering hours, in an explosion of tension and lust between two bodies that had desired each other from birth and had only the night to live.

If I was blind, I would still see you. If I was deaf, I would still hear you. If I was mute, I would still speak to you. If I was crippled, I would still carry you. If I was dying, I would still live for you.

She still loved him, she would always love him, but it was the kind of love that was muted, safely seen through the rear-view window, like a place you used to call home but no longer visited. There would always be a wound there, but the healing had begun.

When we doubt our minds, we tend to discount its products. If we fear intellectual self-assertiveness, perhaps associating it with loss of love, we mute our intelligence. We dread being visible; so we make ourselves invisible, then suffer because no one sees us.

The universe will bring people whatever they want…Let the magic happen. It’s always there. Abundance and love are always there. Believe in the highest good. There is a higher essence to everything. The realm you’re in has a heaviness that mutes energy. You can penetrate through it, no matter how dark and heavy. Sometimes it has nothing to do with karma. Just don’t forget to keep it open. Don’t get too bogged down…Prosperity can happen at any time. I want to give you everything that you need.-Kuan Yin

It so happens that this is particular love was precisely the sort best suited to the state of her soul. It was a sort of remote worship, a mute contemplation, a deification by an unknown votary. It was the apprehension of adolescence by adolescence, her dreams becoming romance ad remain in dream, the wished-for phantom realized at last and made flash, but still without name or wrong or fault, or need, or defect; in a word, a lover distant and ideal, a chimera having form. Any closer and more palpable encounter at this first stage would have terrified Cosette, still half buried in the magnifying mirage of the cloister. She had all the terrors of children and all the terrors of nuns mingled. The spirit of the convent, in which she had been steeped for five years, was still evaporating from her whole person, and made everything tremulous around her. In this condition, it was not a lover she needed, it was not even an admirer, it was a vision. She began to adore Marius as something charming, luminous, and impossible.

Imagine Persephone for the first time in the absolute intoxication of dark, her senses stretching languid, the cave as moist as lover's breath. The feast, the chair, the plate, the fruit: red. Imagine a story whose moral is mute desire.

Back in the summer of 1941, they had stood to lose so much, it seemed, through the shame and ruination of exposure. Sammy could not have known that one day he would come to regard all the things that their loving each other had seemed to put at so much risk – his career in comic books, his relations with his family, his place in the world – as the walls of a prison, an airless, lightless keep from which there was no hope of escape….He recalled his and Tracy’s parting at Penn Station on the morning of Pearl Harbor, in the first-class compartment of the Broadway Limited, their show of ordinary mute male farewell, the handshake, the pat on the shoulder, carefully tailoring and modulating their behavior through there was no one at all watching, so finely attuned to the danger of what they might lose that they could not permit themselves to notice what they had

O, were I loved as I desire to be! What is there in the great sphere of the earth, Or range of evil between death and birth, That I should fear, - if I were loved by thee! All the inner, all the outer world of pain, Clear love would pierce and cleave, if thou wert mine; As I have heard that somewhere in the main Fresh-water springs come up through bitter brine. ‘I were joy, not fear, clasped hand in hand with thee, To wait for death - mute - careless of all ills, Apart upon a mountain, though the surge Of some new deluge from a thousand hills Flung leagues of roaring foam into the gorge Below us, as far on as eye could see.

We return to face our superiors, our kindred, our friends--- those whom we obey, and those whom we love; but even they who have neither, the most free, lonely, irresponsible and bereft of ties, --- even those for whom home holds no dear face, no familiar voice, --- even they have to meet the spirit that dwells within the land, under its sky, in its air, in its valleys, and on its rises, in its fields, in its waters and its tress--- a mute friend, judge, and inspirer. Say what you like, to get its joy, to breathe its peace, to face its truth, one must return with a clear conscience. All this may seem to you sheer sentimentalism; and indeed very few of us have the will or capacity to look consciously under the surface of familiar emotions. There are the girls we love, the men we look up to, the tenderness, the friendships, the opportunities, the pleasures! But the fact remains that you must touch your reward with clean hands, lest it turn to dead leaves, to thorns, in your grasp.

Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown graveclothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.

Have you ever been kissed, love?” Pandora’s stomach suddenly went very light, as if she were falling. She stared up at him mutely. Her entire vocabulary had collapsed. Her head was nothing but a box of loose moveable type. Gabriel smiled slightly at her dumbstruck silence. “I’ll assume that means no.” His lashes lowered as his gaze fell to her mouth. “Take a breath, or you might faint from lack of oxygen and miss the whole thing.” Pandora obeyed jerkily. Fact #15 she would write in her book later. Today I found out why chaperones were invented.

I believe in your kiss... your touch and the way you make me feel. I believe in your eyes... that make me see the good in most. I believe in your mouth... and your sweet taste... and the softness of the words that flow from you. I believe your love has taken me places, I never dreamed possible. I believe in your laughter... your tears of caring and your muted look of understanding. I believe that your love has made me a better human being. I believe your compassion and patience have enriched all who have come to know you. I believe because of you, I'm the luckiest person on the face of the earth. I believe in you... in everything you say and do. I believe... that you have made this world a better place

8 April 1891 The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth. This hostility to the entire race, this muted detestation of lynxes in human form, I must have rediscovered it later while at school. I had a repugnance and horror for all base instincts, but am I not myself instinctively violent and lewd, murderous and sensual? Am I any different, in essence, from the members of the riotous and murderous mob of a hundred years ago, who hurled the town sergeants into the Seine and cried, 'String up the aristos!' just as they shout 'Down with the army!' or 'Death to the Jews!

Gone, gone again is Summer the lovely. She that knew not where to hide, Is gone again like a jeweled fish from the hand, Is lost on every side. Mute,mute, I make way to the garden, Thither where she last was seen; The heavy foot of the frost is on the flags there, Where her light step has been. Gone, gone again is Summer the lovely, Gone again on every side, Lost again like a shining fish from the hand Into the shadowy tide.

Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements may seem, the pattern is at least familiar from our personal lives. There, too, we may find ourselves anchoring emotions of love on the way a person butters his or her bread, or recoiling at his or her taste in shoes. To condemn ourselves for these minute concerns is to ignore how rich in meaning details may be.

It took a moment to recognize Timothy... her first love. There had been a time when the mere sight of his handsome face had made her catch her breath. It had taken her years to recover from losing Timothy. Now the pain of his loss was muted and somehow apart from her, as if a broken engagement had happened to some other young, naive girl. She looked at him, and all she could think was, Thank Goodness. Thank goodness she's escaped marrying him.

Hades Where we go when he closes my eyes and under what country; some blue darkness, farther from hell; a landscape of absense and root and stone. There are no bodies here, we dream shapeless dreams-- a constant, cloudless storm. Mother, I'll never wake up from him. I have already traveled too far. My mouth is the color of his mouth and his arms are no longer his arms; they're mute as smoke, as my first white dress, and the spear of his name, once ferocious, dissolves on my tongue like sugar, like birdsong, I whisper it: Hades

Because mothers make us, because they map our emotional terrain before we even know we are capable of having an emotional terrain, they know just where to stick the dynamite. With a few small power plays - a skeptical comment, the withholding of approval or praise - a mother can devastate a daughter. Decades of subtle undermining can stunt a daughter, or so monopolize her energy that she in effect stunts herself. Muted, fearful, riddled with self-doubt, she can remain trapped in daughterhood forever, the one place she feels confident she knows the rules.

What made Madeleine sit up in bed was something closer to the reason she read books in the first place and had always loved them. Here was a sign that she wasn’t alone. Here was an articulation of what she had been so far mutely feeling. In bed on a Friday night, wearing sweatpants, her hair tied back, her glasses smudged, and eating peanut butter from the jar, Madeleine was in a state of extreme solitude.

I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils... - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child's heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.

That's my window. This minute So gently did I alight From sleep--was still floating in it. Where has my life its limit And where begins the night? I could fancy all things around me Were nothing but I as yet; Like a crystal's depth, profoundly Mute, translucent, unlit. I have space to spare inside me For the stars, too: so full of room Feels my heart; so lightly Would it let go of him, whom For all I know I have started To love, it may be to hold. Strange, as if never charted, Stares my fortune untold. Why is it I am bedded Beneath this infinitude, Fragrant like a meadow, Hither and thither moved, Calling out, yet fearing Someone might hear the cry, Destined to disappearing Within another I.

If this turns to friendship, it only means That one of us will suffer. That when we meet after the worst of endings, There will only be this skein of words between us— Most of them for boredom, fewer for loneliness— Rising out of our mutual space of breath, leaving Behind a bluer sky each moment of departure. And one of us will cling on to its blue, Hung on partings like a muted cloud, while The other rides on a wing of word away from here.

Aurora shuddered, her face white with anger. The only thing worse than having to compete for Gold Stars was not being allowed to compete anymore. Muting was the Neon God’s favourite punishment, for He loved to hijack human language, almost as much as He loved hijacking perfectly human societal norms. Judging people on their supposed worth was His favourite pastime, and God forbid you didn’t follow His arbitrarily-chosen set of beliefs, which appeared to change every hour. Under the Neon God’s law, innocent words such as “powerline” or “screwdriver” had become obscene, trigger words that would most definitely get you muted, thrown in a Mind Prison or killed.

I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it. Jojo: WHAT THE FUCK JASMINE I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again. Life was all about the little things. So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad. Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared. Jojo: WHY WOULD YOU NOT TELL ME Jojo: HOW COULD YOU DO THIS TO ME Jojo: DID THE REST OF YOU KEEP THIS FROM ME Tali: What happened? What did she not tell you? Tali: OH MY GOD, Jasmine, did you get knocked up? Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty. Sebastian: Jasmine’s pregnant? Rubes: She’s not pregnant. Rubes: What happened, Jojo? Jojo: MOM DID YOU KNOW ABOUT THIS Tali: Would you just tell us what you’re talking about? Jojo: JASMINE IS SKATING WITH IVAN LUKOV Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts. Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW Tali: ARE YOU KIDDING ME? IS THIS TRUE? Tali: JASMINE Tali: JASMINE Tali: JASMINE Jojo: I’m going on Lukov’s website right now to confirm this Rubes: I just called Mom but she isn’t answering the phone Tali: She knew about this. WHO ELSE KNEW? Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you. Jojo: ^^ You’re such a vibe kill Sebastian: No, I’m just not flipping my shit because she got a new partner. Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else? Jojo: I FOUND OUT ON PICTUREGRAM Sebastian: She doesn’t like you. I wouldn’t tell you either. Tali: I can’t find anything about it online. Jojo: JASMINE Tali: JASMINE Jojo: JASMINE Tali: JASMINE Tali: Tell us everything or I’m coming over to Mom’s today. Sebastian: You’re annoying. Muting this until I get out of work. Jojo: Party pooper Tali: Party pooper Jojo: Jinx Tali: Jinx Sebastian: Annoying ... I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me. That didn’t mean my response had to be what they wanted. Me: Who is Ivan Lukov?

She smiled. “I don’t know. I wonder sometimes, too. Then you touch my face with your scarred hand and read my mind. Your eyes know me. That’s why I keep following you all over the realm, barefoot or half-frozen, cursing the sun or the wind, or myself because I have no more sense than to love a man who does not even possess a bed I can crawl into at night. And sometimes I curse you because you have spoken my name in a way that no other man in the realm will speak it, and I will listen for that until I die. So,” she added, as he gazed down at her mutely, “how can I leave you?” He

I LOVE this!!! “‘Jacob have I loved,’” Kingsley said in English once more. “‘Esau have I hated.’ Romans 9:13. I paid attention in school sometimes.” “Not nearly enough attention.” “I was preoccupied.” “Obviously. You learned all the wrong verses. First Samuel 18:1. ‘And it came to pass, when he had made an end of speaking unto Saul, that the soul of Jonathan was knit with the soul of David, and Jonathan loved him as his own soul.’ First Samuel 20:16-17. ‘So Jonathan made a covenant with the house of David, saying, “Let the Lord even require it at the hands of David’s enemies.” And Jonathan caused David to swear again, because he loved him: for he loved as he loved his own soul.’ Second Samuel 1:26. ‘I am distressed for thee, my brother Jonathan…thy love to me was wonderful, passing the love of women.’” Kingsley stared at Søren and found he couldn’t speak. Søren smiled at his sudden muteness. “Don’t get into a scriptural pissing contest with a Jesuit priest, Kingsley,” Søren chided. “You’ll lose every time.

As a people, we have been tolled farther and farther away from the facts of what we have done by the romanticizers, whose bait is nothing more than the wishful insinuation that we have done no harm. Speaking a public language of propaganda, uninfluenced by the real content of our history which we know only in a deep and guarded privacy, we are still in the throes of the paradox of the “gentleman and soldier.” However conscious it may have been, there is no doubt in my mind that all this moral and verbal obfuscation is intentional. Nor do I doubt that its purpose is to shelter us from the moral anguish implicit in our racism—an anguish that began, deep and mute, in the minds of Christian democratic freedom-loving owners of slaves.

...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression! Oh my contemporaries, my dear contemporaries... Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic... Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff... Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!

Never was there so much magic over things as when you spoke, and never were words so powerful. You could make speech flare up, become muddled or mighty. You did everything with words and sentences, came to an understanding with them or transmuted them, gave things a new name; and objects which understand neither the straight nor the crooked words, almost took their being from your words. Oh, nobody was ever able to play so well, you monsters! You invented all games, number games and word games, dream games and love games. Never did anyone speak of himself like that. Almost truthfully. Almost murderously truthfully. Bent over the water, almost abandoned. The world is already dark and I cannot put on the necklace of shells. There will be no clearing. You different from all the others. I am under water. Am under water. And now someone is walking up above and hates water and hates green and does not understand, will never understand. As I have never understood. Almost mute, almost still hearing the call. Come. Just once. Come.

A book is good company. It is full of conversation without loquacity. It comes to your longing with full instruction, but pursues you never. It is not offended at your absent-mindedness, nor jealous if you turn to other pleasures, of leaf, or dress, or mineral, or even of books. It silently serves the soul without recompense, not even for the hire of love. And yet more noble, it seems to pass from itself, and to enter the memory, and to hover in a silvery transfiguration there, until the outward book is but a body, and its soul and spirit are flown to you, and possess your memory like a spirit. And while some books, like steps, are left behind us by the very help which they yield us, and serve only our childhood, or early life, some others go with us in mute fidelity to the end of life, a recreation for fatigue, an instruction for our sober hours, and a solace for our sickness or sorrow. Except the great out-doors, nothing that has no life of its own gives so much life to you.

You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.

When The Lamp Is Shattered When the lamp is shattered, The light in the dust lies dead; When the cloud is scattered, The rainbow's glory is shed; When the lute is broken, Sweet tones are remembered not; When the lips have spoken, Loved accents are soon forgot. As music and splendor Survive not the lamp and the lute, The heart's echoes render No song when the spirit is mute:-- No song but sad dirges, Like the wind through a ruined cell, Or the mournful surges That ring the dead seaman's knell. When hearts have once mingled, Love first leaves the well-built nest; The weak one is singled To endure what it once possessed. O Love! who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier? Its passions will rock thee, As the storms rock the ravens on high; Bright reason will mock thee, Like the sun from a wintry sky. From thy nest every rafter Will rot, and thine eagle home Leave thee naked to laughter, When leaves fall and cold winds come. When The Lamp Is Shattered

Why did you refuse to marry me then?” he demanded. She should be quiet; she should just stay mute. But she was angry and hurt. Only moments before he’d been saying such lovely things; now he was being horrible. “Why can’t you help yourself?” she countered, shouting back. “What?” “Why are you compelled to come after me?” she demanded, setting her hands on her hips. For a moment, he just stared at her as if she was daft. “Because I love you,” he finally said, as if it were the most obvious thing in the world. “What?” She’d waited to hear him say those words for what seemed like an eternity, and now he’d said them just as casually and unconcernedly as he might have said, “I like that dress” or “Spot is a good name for a dog.” “Because I love you,” he repeated. “Why else would I?” “I don’t know. Because you’re mad?” she suggested. How dare he say he loved her here, in such a manner, with so little fanfare? He was watching her carefully. “You seem upset.” “Oh. Do I?” she asked sweetly. Behind her, the horse shifted uneasily. Smart horse. “Perhaps it’s because I do not believe you.

The only one of the early investigators who carried the exploration of hysteria to its logical conclusion was Breuer's patient Anna O. After Breuer abandoned her, she apparently remained ill for several years. And then she recovered. The mute hysteric who had invented the "talking cure" found her voice and her sanity, in the women's liberation movement. Under a pseudonym, Paul Berthold, she translated into German the classic treatise by Mary Wollstonecraft, A Vindication of the Rights of Women, and authored a play, Women's Rights. Under her own name, Bertha Papenheim became a prominent feminist social worker, intellectual, and organizer. In the course of a long and fruitful career she directed an orphanage for girls, founded a feminist organization for Jewish women and traveled throughout Europe and the Middle East to campaign against the sexual exploitation of women and children. Her dedication, energy and commitment were legendary. In the words of a colleague, 'A volcano lived in this woman... Her fight against the abuse of women and children was almost a physically felt pain for her.' At her death, the philosopher Martin Buber commemorated her: 'I not only admired her but loved her, and will love her until the day I die. There are people of spirit and there are people of passion, both less common than one might think. Rarer still are the people of spirit and passion. But rarest of all is a passionate spirit. Bertha Pappenheim was a woman with just such a spirit.

The noise of the town some floors below was greatly muted. In a state of complete mental detachment, he went over the events, the circumstances and the stages of destruction in their lives. Seen in the frozen light of a restrictive past, everything seemed clear, conclusive and indisputable. Now it seemed unthinkable that a girl of seventeen shoudl be so naive; it was particularly unbelieveable that a girl of seventeen should set so much store by love. If the surveys in the magazines were to be believed, things had changed a great deal in the twenty-five years since Annabelle was a teenager. Young girls today were more sensible, more sophisticated. Nowadays they worried more about their exam results and did their best to ensure they would have a decent career. For them, going out with boys was simply a game, a distraction motivated as much by narcissism as by sexual pleasure. They later would try to make a good marriage, basing their decision on a range of social and professional criteria, as well as on shared interests and tastes. Of course, in doing this they cut themselves off from any possibility of happiness--a condition indissociable from the outdated, intensely close bonds so incompatible with the exercise of reason--but this was their attempt to escape the moral and emotional suffering which had so tortured their forebears. This hope was, unfortunately, rapidly disappointed; the passing of love's torments simply left the field clear for boredom, emptiness and an anguished wait for old age and death. The second part of Annabelle's life therefore had been much more dismal and sad than the first, of which, in the end, she had no memory at all.

When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.

He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.

Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.

Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!

Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.