Rose Quartz Quotes

Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.” “But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?” “You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?” We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard. He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all. I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.

you need not bleed for me. you need not leave fruit at my altar. i accept no blood oaths, no special offerings. my loyalty to you is not something you can spell out of thin air with a rose quartz & a pink candle. when it’s there, it’s there—no exceptions. it will never allow itself to fade, either.- the most powerful witch couldn’t banish it.

If an evil spirit had to hide from God, it would hide in a diamond. If an angel had to hide from the Devil, it would hide in rose quartz.

Pink, the color of rose quartz, is a color with a harmonizing, loving vibration. The color and the physical makeup of this kind of quartz combine to make it a powerful force for drawing love into your life. Likewise, the color green has a vibrational resonance with abundance. Therefore, some green stones, such as bloodstone, are particularly good for spellwork involving matters of prosperity.

What do you know about me? What do you know about love that comes into a life in which everything has become questionable? What is your cheap intoxication compared to that? When falling and falling suddenly changes, when the endless Why becomes the final You, when like a fata morgana above the desert of silence feeling suddenly arises, takes shape, and inexorably the delusion of the blood becomes a landscape compared with which all dreams are pale and commonplace? A landscape of silver, a city of filigree and rose quartz, shining like the bright reflection of blooming blood—what do you know about it? Do you think that one can talk about it so easily? That a glib tongue can quickly press it into a cliché of words or even of feelings? What do you know about graves that open and how one stands in dread of the many colorless empty nights of yesterday—yet they open and no skeletons now lie bleaching there, only earth is there, earth, fertile seeds, and already the first green. What do you know about that? You love the intoxication, the conquest, the Other You that wants to die in you and that will never die, you love the stormy deceit of the blood, but your heart will remain empty because one cannot keep anything that does not grow from within oneself. And not much can grow in a storm. It is in the empty nights of loneliness that it grows, if one does not despair. What do you know about it?

You're elegance in a misunderstood form. Crystal quartz in a world of platinum. Oh, my dizzy boy, there's a fire in you that I use to warm my hands on chilly mornings.

keep this / with you / it is part / of your story / sometimes / to remember / a wound / is the way / of healing

Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.

The light sleeps under the skin of the rive stone. What brings out the fire in the feldspar the tiger in the agate the rose in the quartz is the persistence of desire. The intractable will of light invisible things!

Chiron had said once that nations were the most foolish of mortal inventions. 'No man is worth more than another, wherever he is from.' 'But what if he is your friend?' Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. 'Or your brother? Should you treat him the same as a stranger?' 'You ask a question that philosophers argue over,' Chiron had said. 'He is worth more to you, perhaps. But the stranger is someone else's friend and brother. So which life is more important?

Postcolonial Love Poem (excerpt) I’ve been taught bloodstones can cure a snakebite, Can stop the bleeding-most people forgot this When the war ended. The war ended Depending on which war you mean: those we started, Before those, millennia ago and onward, Those which started me, which I lost and won- Those ever-blooming wounds. --- There are wildflowers in my desert which take up to twenty years to bloom. The seeds sleep like geodes beneath hot feldspar sand until a flash flood bolts the arroyo, lifting them in its copper current, opens them with memory— they remember what their god whispered into their ribs: Wake up and ache for your life. Where your hands have been are diamonds on my shoulders, down my back, thighs- I am your culebra. I am in the dirt for you. Your hips are quartz-light and dangerous, two rose-horned rams ascending a soft desert wash before the November sky untethers a hundred-year flood- the desert returned suddenly to its ancient sea. --- The rain will eventually come, or not. Until then, we touch our bodies like wounds- The war never ended and somehow begins again.

Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.” “But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?” “You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

Chiron had said once that nations were the most foolish of mortal inventions. "No man is worth more than another, wherever he is from." "But what if he is your friend?" Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. "Or your brother? Should you treat him the same as a stranger?" "You ask a question that philosophers argue over," Chiron had said. "He is worth more to you, perhaps. But the stranger is someone else's friend and brother. So which life is more important?" We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard. He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all. I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.

Karl was the last to be with him. He found him calm and almost gay. After he had gone, Ludwig put his few things in order and wrote for some time. Then he drew a chair to the window and set a basin with warm water on the table beside him. He locked the door, sat himself on the settle and with his arm in the water, he cut the artery. The pain was slight. He saw the blood flowing, a scene he had often thought on—to let this hateful, poisoned blood pour out of his body. His room became very clear. He saw every hook, every nail, every glint of the quartzes, the iridescence, the colours; he absorbed it: his room. It gathered about him, it passed in with his breath and was one with his life. Then it receded, uncertain. His youth began, in pictures. Eichendorff, the woods, homesickness. Reconciled, without pain. Beyond the woods rose up barbed-wire entanglements, little white shrapnel clouds, the burst of heavier shells. But they alarmed him no longer. They were muffled, almost like bells. The bells became louder, but the woods were still there. The bells pealed in his head so loudly that he felt it must burst. Then it grew darker. The pealing sounded fainter, and the evening came in at the window, clouds floated up under his feet. He had wished once in his life to see flamingoes; now he knew; these were flamingoes, with broad, pinkish-grey wings, lots of them, a phalanx—Did wild ducks not once fly so toward the very red moon, red as poppies in Flanders? —The landscape receded farther and farther, the woods sank deeper, rivers rose up, gleaming, silver, and islands; the pinkish-grey wings flew ever higher and higher, and the horizon became ever brighter—Now, suddenly, a dark cry swelled in his throat, hot, insistent, a last thought spilled over out of the brain into the failing consciousness: fear, rescue, bind it up! —He tried to rise, staggering, to lift his hand; the body jerked, but already it was too weak. —It spun round and spun round, then it vanished; and the giant bird with dark pinions came very gently with slow sweeps and the wings closed noiselessly over him. A

To create your own poppet, you’ll need: 2 large pieces of fabric or felt Scissors A needle and thread Cotton balls and/or dried lavender or rose herbs A few strands of your hair Rose quartz (optional) 1. To create the poppet, take the pieces of fabric/felt and lay them on top of one another. Cut out the shape of the doll you want to make, then sew the sides and top together. 2. Use the opening at the bottom to stuff the doll with the cotton or herbs and your hair (or other small item that symbolizes “you”). Add rose quartz if desired to symbolize high-vibe self-love. 3. Sew the bottom shut. 4. Hold the poppet in your hand and affirm that it is an extension of you. Imagine your energy radiating out from your heart into your arms, through your hands, and into the doll. Allow yourself to feel the emotions as they come, making sure to ground yourself afterward to rebalance. 5. Sleep with the poppet under your pillow for at least one night to solidify the bond. 6. Once you have bonded with your poppet, place it somewhere that is readily accessible to you. Treat it like an extension of yourself, taking care to speak to it kindly and hold it gently, giving it the respect and love that you would want from another to support you in healing. This poppet can be taken out during emotional moments, shadow work, or just when you want a visual cue to remind you that you’re a person too! The ultimate purpose is to create a proxy by which you can hold space for yourself and your healing.

tugging her through the crowds and toward the real tourist draw of the Gate. Jutting out of the quartz about four feet off the ground lay the dial pad: a solid-gold block embedded with seven different gems, each for a different quarter of the city, the insignia of each district etched beneath it. Emerald and a rose for Five Roses. Opal and a pair of wings for the CBD. Ruby and a heart for the Old Square. Sapphire and an oak tree for Moonwood. Amethyst and a human hand for Asphodel Meadows. Tiger’s-eye and a serpent for the Meat Market. And onyx—so black it gobbled the light—and a set of skull and crossbones for the Bone Quarter.

first discovered the magic of rose quartz at my Dentist, when correctly identifying me as a nervous patient, the Dentist handed me a pink stone and told me to close my eyes and concentrate on the feel of it in my hands as she went about her work, and while you will never convince me that dental work is fun, from then on it has been a much calmer experience thanks to the gentle tranquillizing effect of rose quartz....

How is it I have never dated / someone who is also Coast Salish / or at least Indigenous / instead it's Disney's Pocahontas / her animated dad with his hands up / these white men are dangerous / and I come running

The gauntlet whispered, rocking rapidly as I brought myself up to straddle the wall. The particles of quartz rose up, up, up.

She reached into her purse, taking out a smooth lump of rose quartz with a Dragon engraved on it. My heart rate rose as she pushed it into my pocket without a word before anyone could see. Because rose quartz meant belonging to someone.

The Care and Handling of Rose Quartz Place rose quartz in a mason jar. Leave in direct sunlight. Tumble each stone in your hand with love and TLC. In less than 30 days the jar will overflow. Repeat the process with a second, third fourth, and fifth jar, etc. Rose quartz is the love stone.

You are the explosion of carnations in a dark room. Or the unexpected scent of pine miles from the woods of Maine. You are a full moon that gives midnight it's meaning. And the explanation of water For all living things. You are a compass, a sapphire, a bookmark. A rare coin, a smooth stone, a marble. You are an old lore, a small shell, a saved silver dollar. You are a fine quartz, a feathered quill, and a fob from a favorite watch. You are a valentine tattered and loved and reread a hundred times. You are a medal found in the drawer of a once sung hero. You are honey, and cinnamon and West Indies spices, lost from the boat that was once Marco Polo's. You are a pressed rose, a pearl ring, and a red perfume bottle found near the Nile. You are an old soul from an ancient place a thousand years, and centuries and millenniums ago. And you have traveled all this way just so I could love you. I do.

Mystic Moon Dreaming Pillows Sometimes, when we are in need of extra rest, or when we just want to reach a deeper sleep state, we can achieve this by the use of dreaming pillows—small sachet like pillows that we can tuck inside of our pillow cases. Depending on the herbs, the pillows can encourage vivid dreams, astral work, or restful sleep. This recipe is designed to help promote peaceful slumber, since so many of us don’t get enough time in bed in this fast-paced world. You will need: 2 seven-inch squares of sturdy, purple material—linen works well Gold thread and needle or sewing machine Cotton batting 1/2 cup each: dried lavender mugwort rose petals lemon balm chamomile valerian root 3 drops lavender essential oil 3 drops lemon essential oil 2 drops rosemary essential oil Small spike of quartz crystal Mix herbs together in a bowl, focusing on your desire to encourage deep slumber and to work with your Higher Self while asleep. Focus on the nature of dreams, how they can solve problems, and ask that this energy infuse the herbs and bring out their natural magical tendencies. Add drops of essential oil and mix again. Place quartz spike in the middle of the herbs and set aside (in a bottle with a lid if you are going to wait to finish this charm). Place cloth pieces together, wrong sides out, and sew to form a pouch (use a 3/8” seam allowance), leaving on side open. Iron seams open, then reverse so pouch is right side out. Fill halfway with cotton batting. Add herb mixture and crystal, then pack with rest of cotton batting. Sew the end shut. Place this inside your pillowcase at night and, before you go to bed, focus on some thought you’d like to explore in the dream-state, then go to sleep as usual. Write down your dreams when you wake up and eventually, you should see them responding to your requests. You can recharge this pillow by adding two drops each of lavender oil, lemon oil, and rosemary oil when the fragrance starts to fade. Remember: It is up to us to solve our own problems, but we can call on the power of our Higher Self when we need help, or when we seek more information on a subject. Eventually, through focus and determination, we can enter the Dream-Time and learn to hear our inner guidance when we’re awake, not just during our sleep.

Chiti had chosen emerald for the walls of the guest room and covered the bed with linen sheets the color of rose quartz for contrast, transforming what had once been a rather poky office into a precious jewel box of a room. Avery felt that it was an apt analogy for Chiti's effect on her own life.

He circles the shrines, scanning each of them. There's one made in exclusively soft shades of pink, with a bouquet of blush roses at the center. It's surrounded by oysters, each one nestling a pearl. Smooth, heart-shaped rose quartz surrounds the perimeter in a perfect circle. Sliced guava reveals its rosy flesh, next to clamshells full of cherry blossoms. Another is built from a large shell in the center, filled with water that reflects the moon. White magnolias float on the surface, along with golden glitter that sparkles like starlight. Oranges with long stems and blossoms surround the shell, paired with sliced mango drizzled with honey. I swear I know who some of these belong to. The one with green grapes and pears decorated with golden butterfly appliqué must be Genevieve's. Beside it is one crafted from fuchsia carnations and obnoxiously large peonies, with different berries in porcelain dishes painted with bright pink flowers. So obviously Amelia's.

Rose Quartz has a gentle pulse, caring and nurturing, which retains the strength of unconditional love. This contains soothing and reassuring powers, and has a pulse of profound healing. Rose Quartz removes internal bleeding and is a perfect supporting stone for people with self-esteem difficulties. This fosters self-forgiveness and tolerance, and invokes self-confidence and self-worth. Amethyst is a highly potent and defensive stone with a strong mystical resonance. The heightened pulse lets you raise your spiritual awareness. Amethyst lets us heal any kind of harmful habits that are not for the user's highest and best benefit. Selenite is a mental-clearing mineral. Selenite enhances mental flexibility, makes it possible to make decisions, and is a stone of truth and honesty.  It is a stone with a very calming vibration that can be used when doing spiritual work or meditation. Selenite in any cure provides true light.

known as the love stone, rose quartz opens your heart chakra and encourages unconditional love

Jutting out of the quartz about four feet off the ground lay the dial pad: a solid-gold block embedded with seven different gems, each for a different quarter of the city, the insignia of each district etched beneath it. Emerald and a rose for Five Roses. Opal and a pair of wings for the CBD. Ruby and a heart for the Old Square. Sapphire and an oak tree for Moonwood. Amethyst and a human hand for Asphodel Meadows. Tiger’s-eye and a serpent for the Meat Market. And onyx—so black it gobbled the light—and a set of skull and crossbones for the Bone Quarter.

Aphrodite battled Ares to protect her wounded lover Adonis. When she was wounded and fell next to Adonis, their blood combined, turning the white quartz around them pink. The fusion is what made Rose Quartz—love and war. Battle and blood. Unconditional and perfect—just like you.

Rose quartz. The stone of love, self-love, emotional calm, and healing.

Jane could already see the Cherish Hydration merch: mint-green water bottles with wooden caps, rose-quartz tote bags, possibly yoga-friendly T-shirts if she could find the right font. Cooking with Water: Recipes to Help You Cherish Hydration and Breathe Abundantly.

The anger I had felt for years at my father was what I had had instead of him. It was all I had of him. So, I carried it with me always, like a rose quartz in my palm. And it was slowly disappearing, my quartz. Growing tiny. I was hardly feeling the rough edges of it anymore. I realized, as time passed in the kitchen, the grandfather clock in the parlor having sung its swan song three times now, that love was wearing me down. Love, like a tide, just washing over and over that piece of

It is not long before we come to the royal rose garden. The guards stop at the gate, letting us go on alone. As we make our way down a path of shimmering quartz steps, everything is hushed. The wind carries floral scents through the air, a wild perfume that doesn't exist outside of Faerie and reminds me all at once of home and menace.

Wear gemstones that are pink or green: unakite, rose quartz, moss agate, emerald, green jade, aventurine, and tourmaline. You may also wear malachite.

First: Ruby • Second: Coral • Third: Citrine • Fourth: Emerald • Fifth: Sapphire • Sixth: Amethyst • Seventh: Diamond • Eighth: Silver • Ninth: Gold • Tenth: Agate • Eleventh: Rose quartz • Twelfth: Personal to you

Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.

Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.

the boy is in love but he has no idea of what he loves none of us have ever known what we're doing homos each one of us opaque as rose quartz I am so lost

Bellamy had become fascinated by all the different types of semi-precious stones the jewelers worked with - agate, quartz, rose quartz, onyx, obsidian, jade, jasper, red jasper, tiger’s

She reached into her purse, taking out a smooth lump of rose quartz with a Dragon engraved on it. My heart rate rose as she pushed it into my pocket without a word before anyone could see. Because rose quartz meant belonging to someone. It was a promise and a pledge of its own.

quartz at the gift shop. “Can you bring me back a small rose quartz for my stone collection?

He caught my hand, wrapping his around it so the crystal was contained within my fist. I glanced up at him and his eyes flickered with some fierce emotion. “In Solaria we have a tradition of giving rose quartz to someone we want to be exclusive with.” “You do?” I whispered, my heart pounding madly. “Yeah.” He squeezed my hand. “Look, I don’t know what this thing is between us or where it’s going, Blue, but after everything that’s happened, the one thing that’s clear to me is that I don’t want anyone else. So this crystal is a promise from me that I’m yours. For now. Forever. Or till it all goes to shit, I don’t know which yet.” He smiled hopefully and my heart could have burst with how much this meant to me.