Gentleman In Moscow Quotes

if a man does not master his circumstances then he is bound to be mastered by them.

...what matters in life is not whether we receive a round of applause; what matters is whether we have the courage to venture forth despite the uncertainty of acclaim.

Fate would not have the reputation it has, if it simply did what it seemed it would do.

After all, what can a first impression tell us about someone we’ve just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.

For as it turns out, one can revisit the past quite pleasantly, as long as one does so expecting nearly every aspect of it to have changed.

If patience wasn’t so easily tested, then it would hardly be a virtue. . . 

Here, indeed, was a formidable sentence--one that was on intimate terms with a comma, and that held the period in healthy disregard.

For what matters in life is not whether we receive a round of applause; what matters is whether we have the courage to venture forth despite the uncertainty of acclaim.

He had said that our lives are steered by uncertainties, many of which are disruptive or even daunting; but that if we persevere and remain generous of heart, we may be granted a moment of lucidity—a moment in which all that has happened to us suddenly comes into focus as a necessary course of events, even as we find ourselves on the threshold of the life we had been meant to lead all along.

Manners are not like bonbons, Nina. You may not choose the ones that suit you best; and you certainly cannot put the half-bitten ones back in the box.

To what end, he wondered, had the Divine created the stars in heaven to fill a man with feelings of inspiration one day and insignificance the next?

It is a sad but unavoidable fact of life," he began, "that as we age our social circles grow smaller. Whether from increased habit or diminished vigor, we suddenly find ourselves in the company of just a few familiar faces.

No matter how much time passes, those we have loved never slip away from us entirely.

On those we love: "Every year that passed, it seemed a little more of her had slipped away; and I began to fear that one day I would come to forget her altogether. But the truth is: No matter how much time passes, those we have loved never slip away from us entirely.

...the tenure of friendships has never been governed by the passage of time.

Without a doubt. But imagining what might happen if one’s circumstances were different was the only sure route to madness.

I’ll tell you what is convenient,” he said after a moment. “To sleep until noon and have someone bring you your breakfast on a tray. To cancel an appointment at the very last minute. To keep a carriage waiting at the door of one party, so that on a moment’s notice it can whisk you away to another. To sidestep marriage in your youth and put off having children altogether. These are the greatest of conveniences, Anushka—and at one time, I had them all. But in the end, it has been the inconveniences that have mattered to me most.

The principle here is that a new generation owes a measure of thanks to every member of the previous generation. Our elders planted fields and fought in wars; they advanced the arts and sciences, and generally made sacrifices on our behalf. So by their efforts, however humble, they have earned a measure of our gratitude and respect.

A king fortifies himself with a castle,” observed the Count, “a gentleman with a desk.” As

If you are ever in doubt, just remember that unlike adults, children want to be happy. So they still have the ability to take the greatest pleasure in the simplest things.” By

It is of interest of times to change, Mr. Helecki. And it is the business of gentlemen to change with them.

Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate and our opinions evolve--if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew.

The first was that if one did not master one’s circumstances, one was bound to be mastered by them; and the second was Montaigne’s maxim that the surest sign of wisdom is constant cheerfulness.

Either way, he figured a cup of coffee would hit the spot. For what is more versatile? As at home in tin as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleagured in the middle of the night.

Fate does not take sides. It is fair-minded and generally prefers to maintain some balance between the likelihood of success and failure in all our endeavors.

the wise man celebrates what he can.

Life is every bit as devious as Death. It too can wear a hooded coat. It too can slip into town, lurk in an alley, or wait in the back of a tavern.

That sense of loss is exactly what we must anticipate, prepare for, and cherish to the last of our days; for it is only our heartbreak that finally refutes all that is ephemeral in love.

coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleagured in the middle of the night. “It’s

I assure you, my dear, were you to play the piano on the moon, I would hear every chord.

By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.

In the end, a parent’s responsibility could not be more simple: To bring a child safely into adulthood so that she could have a chance to experience a life of purpose and, God willing, contentment.

For his part, the Count had opted for the life of the purposefully unrushed. Not only was he disinclined to race toward some appointed hour - disdaining even to wear a watch - he took the greatest satisfaction when assuring a friend that a worldly matter could wait in favor of a leisurely lunch or stroll along the embankment. After all, did not wine improve with age? Was it not the passage of years that gave a piece of furniture its delightful patina? When all was said and done, the endeavors that most modern men saw as urgent (such as appointments with bankers and the catching of trains), probably could have waited, while those they deemed frivolous (such as cups of tea and friendly chats) had deserved their immediate attention.

The only difference between everybody and nobody is all the shoes

...the Confederacy of the Humbled is a close-knit brotherhood whose members travel with no outward markings, but who know each other at a glance. For having fallen suddenly from grace, those in the Confederacy share a certain perspective. Knowing beauty, influence, fame, and privilege to be borrowed rather than bestowed, they are not easily impressed. They are not quick to envy or take offense. They certainly do not scour the papers in search of their own names. They remain committed to living among their peers, but they greet adulation with caution, ambition with sympathy, and condescension with an inward smile.

Who would have imagined,” he said, “when you were sentenced to life in the Metropol all those years ago, that you had just become the luckiest man in all of Russia.

For after all, if attentiveness should be measured in minutes and discipline measured in hours, then indomitability must be measured in years.

Now, when a man has been underestimated by a friend, he has some cause for taking offense—since it is our friends who should overestimate our capacities.

In a state of self-pity, one may retreat from the world in which one has been blessed to live.

Invariably dressed in black, the Countess was one of those dowagers whose natural natural independence of mind, authority of age, and impatience with the petty made her the ally of all irreverent youth.

If you are in doubt, just remember that unlike adults, children want to be happy.

Yes, thought the Count, the world does spin. In fact, it spins on its axis even as it revolves around the sun. And the galaxy turns as well, a wheel within a greater wheel, producing a chime of an entirely different nature than that of a tiny hammer in a clock. And when that celestial chime sounds, perhaps a mirror will suddenly serve its truer purpose - revealing to a man not who he imagines himself to be, but who he has become.

Silence can be a form of protest. It can be a means of survival. But it can also be a school of poetry—one with its own meter, tropes, and conventions. One that needn’t be written with pencils or pens; but that can be written in the soul with a revolver to the chest.” With

...the book had been written with winter nights in mind. Without a doubt, it was a book for when the birds had flown south, the wood was stacked by the fireplace, and the fields were white with snow; that is, for when one had no desire to venture out and one's friends had no desire to venture in.

It is the mark of a fine chess player to tip over his own king when he sees that defeat is inevitable, no matter how many moves remain in the game.

It is a well-known fact that of all the species on earth Homo sapiens is among the most adaptable. Settle a tribe of them in a desert and they will wrap themselves in cotton, sleep in tents, and travel on the backs of camels; settle them in the Arctic and they will wrap themselves in sealskin, sleep in igloos, and travel by dog-drawn sled. And if you settle them in a Soviet climate? They will learn to make friendly conversation with strangers while waiting in line; they will learn to neatly stack their clothing in their half of the bureau drawer; and they will learn to draw imaginary buildings in their sketchbooks. That is, they will adapt.

For if a room that exists under the governance, authority, and intent of others seems smaller than it is, then a room that exists in secret can, regardless of its dimensions, seem as vast as one cares to imagine. Rising

History is the business of identifying momentous events from the comfort of a high-back chair. With the benefit of time, the historian looks back and points to a date in the manner of a gray-haired field marshal pointing to a bend in a river on a map: There it was, he says. The turning point. The decisive factor. The fateful day that fundamentally altered all that was to follow. There

But imagining what might happen if one’s circumstances were different was the only sure route to madness. Sitting

All poetry is a call to action.

The Count took pride in wearing a well-tailored jacket; but he took greater pride in knowing that a gentleman’s presence was best announced by his bearing, his remarks, and his manners. Not by the cut of his coat. Yes,

While the splendors that elude us in youth are likely to receive our casual contempt in adolescence and our measured consideration in adulthood, they forever hold us in their thrall.

Man must master his circumstances or otherwise be mastered by them

But, alas, sleep did not come so easily to our weary friend. Like in a reel in which the dancers form two rows, so that one of their number can come skipping brightly down the aisle, a concern of the Count’s would present itself for his consideration, bow with a flourish, and then take its place at the end of the line so that the next concern could come dancing to the fore.

Does a banquet really need an asparagus server?” “Does an orchestra need a bassoon?

Papa, when they put the dirt on my grave, crumble a crust of BREAD on it so the sparrows will come, and I’ll hear that they’ve come and be glad that I’m not lying alone.

One must make ends meet,' confirmed Audrius matter-of-factly, 'or meet one's end.' Richard studied the bartender for a moment. 'Well, that's the very essence of it, isn't it?

By the smallest of one's actions one can restore some sense of order to the world.

For when life makes it impossible for a man to pursue his dreams, he will connive to pursue them anyway.

Long had he believed that a gentleman should turn to a mirror with a sense of distrust. For rather than being tools of self-discovery, mirrors tended to be tools of self-deceit.

History is the business of identifying momentous events from the comfort of a high-back chair.

The minds of Americans, he says, are universally preoccupied with meeting the body’s every need and attending to life’s little comforts.

After all, isn’t that why the pages of books are numbered? To facilitate the finding of one’s place after a reasonable interruption?) As

We turn the gun on ourselves not because we are more indifferent and less cultured than the British, or the French, or the Italians. On the contrary. We are prepared to destroy that which we have created because we believe more than any of them in the power of the picture, the poem, the prayer, or the person.

The times do, in fact change. They change relentlessly. Inevitably. Inventively. And as they change, they set into bright relief not only outmoded honorifics and hunting jorns, but silver summoners and mother-of-pearl opera glasses and all manner of carefully crafted things that have outlived their usefulness. Carefully crafted things that have outlived their usefulness, thought the Count. I wonder...

Yes, the burning of Moscow was especially Russian, my friend. Of that there can be no doubt. Because it was not a discrete event; it was the form of an event. One example plucked from a history of thousands. For as a people, we Russians have proven unusually adept at destroying that which we have created.” Perhaps

I suppose a room is the summation of all that has happened inside it.

Mishka would pine for Katerina the rest of his life! Never again would he walk Nevsky Prospekt, however they chose to rename it, without feeling an unbearable sense of loss. And that is just how it should be. That sense of loss is exactly what we must anticipate, prepare for, and cherish to the last of our days; for it is only our heartbreak that finally refutes all that is ephemeral in love.

But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just

All little girls outgrow their interest in princesses,” she said. “In fact, they outgrow their interest in princesses faster than little boys outgrow their interest in clambering about.

I guess the point I’m trying to make is that as a species we’re just no good at writing obituaries. We don’t know how a man or his achievements will be perceived three generations from now, any more than we know what his great-great-grandchildren will be having for breakfast on a Tuesday in March. Because when Fate hands something down to posterity, it does so behind its back.

In a single week, there might be committees, caucuses, colloquium, congresses, and conventions variously coming together to establish codes, set courses of action, levy complaints, and generally clamor about the world's oldest problems in its newest nomenclature.

Was the minding of one’s own business no longer a subject taught in schools? “Like

the best-bred dogs belong in the surest hands.

From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough.

From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion.

Such is the magic of Christmas in childhood, thought the Count a little wistfully, that a single gift can provide one with endless hours of adventure while not even requiring one to leave one’s house.

Surely, the span of time between the placing of an order and the arrival of appetizers is one of the most perilous in all human interaction. What young lovers have not found themselves at this juncture in a silence so sudden, so seemingly insurmountable that it threatens to cast doubt upon their chemistry as a couple? What husband and wife have not found themselves suddenly unnerved by the fear that they might not ever have something urgent, impassioned, or surprising to say to each other again?

Suddenly—I shone in all my might, and morning rang its round. Always to shine, to shine everywhere, to the very depths of the last days, to shine— and to hell with everything else! That is my motto— and the sun’s!

Whichever wine was within, it was decidedly not identical to its neighbors. On the contrary, the contents of the bottle in his hand was the product of a history as unique and complex as that of a nation, or a man. In its color, aroma, and taste, it would certainly express the idiosyncratic geology and prevailing climate of its home terrain. But in addition, it would express all the natural phenomena of its vintage. In a sip, it would evoke the timing of that winter's thaw, the extent of that summer's rain, the prevailing winds, and the frequency of clouds. Yes, a bottle of wine was the ultimate distillation of time and place; a poetic expression of individuality itself.

imagining what might happen if one’s circumstances were different was the only sure route to madness.

Ah, yes. Well. Life has been generous to me in its variety.

And as she talked, the Count had to acknowledge once again the virtues of withholding judgment.

unlike adults, children want to be happy. So they still have the ability to take the greatest pleasure in the simplest things.

True, it would not be a new venture for him. But need it be? Could one possibly accuse him of nostalgia or idleness, of wasting his time simply because he had read the story two or three times before?

...the Count had restricted himself to two succinct pieces of parental advice. The first was that if one did not master one's circumstances, one was bound to be mastered by them; the second was Montaigne's maxim that the surest sign of wisdom is constant cheerfulness.

For centuries champagne has been used to launch marriages and ships. Most assume this is because the drink is so intrinsically celebratory; but, in fact, it is used at the onset of these dangerous enterprises because it so capably boosts one’s resolve. When the glass was placed on the table, the Count took a swig large enough to tickle his sinuses.

These two would have felt like old friends had they met just hours before. To some degree, this was because they were kindred spirits—finding ample evidence of common ground and cause for laughter in the midst of effortless conversation;

A slouching posture tends to suggest a certain laziness of character as well as a lack of interest in others. Whereas an upright position can confirm a sense of self-possession and a quality of engagement.

But in a period of abundance any half-wit with a spoon can please a palate. To truly test a chef’s ingenuity, one must instead look to a period of want. And what provides want better than war? In

If they (ghosts) wander the halls of night, it is not from a grievance with or envy of the living. Rather, it is because they have no desire to see the living at all. Any more than snakes hope to see gardeners, or foxes the hounds. They wander about at midnight because at that hour they can generally do so without being harried by the sound and fury of earthly emotions. After all those years of striving and struggling, of hoping and praying, of shouldering expectations, stomaching opinions, navigating decorum, and making conversation, what they seek, quite simply, is a little peace and quiet.

But having mastered the art of descending the stairs to a gathering of admirers, she had yet to master the art of ascending the stairs alone. Perhaps no one has.

For all the varied concerns attendant to the raising of a child—over schoolwork, dress, and manners—in the end, a parent’s responsibility could not be more simple: To bring a child safely into adulthood so that she could have a chance to experience a life of purpose and, God willing, contentment.

Well, sometimes everybody tells you something because it is true." "Sometimes," Nina clarified, "everybody tells you something because they are everybody. But why should one listen to everybody? Did everybody write the Odyssey? Did everybody write the Aeneid?

Presumably, the bells of the Church of the Ascension had been reclaimed by the Bolsheviks for the manufacture of artillery, thus returning them to the realm from whence they came. Though for all the Count knew, the cannons that had been salvaged from Napoleon's retreat to make the Ascension's bells had been forged by the French from the bells at La Rochelle; which in turn had been forged from British blunderbusses seized in the Thirty Years War. From bells to cannons and back again, from now until the end of time.

But, of course, a thing is just a thing. And so, slipping his sister’s scissors into his pocket, the Count looked once more at what heirlooms remained and then expunged them from his heartache forever.

Whether through careful consideration spawned by books and spirited debate over coffee at two in the morning, or simply from a natural proclivity, we must all eventually adopt a fundamental framework, some reasonable coherent system of causes and effects that will help us make sense not simply of momentous events, but of all the little actions and interactions that constitute our daily lives–be they deliberate or spontaneous, inevitable or unforeseen.

With so little to do and all the time in the world to do it, the Count’s peace of mind continued to be threatened by a sense of ennui—that dreaded mire of the human emotions.

For it is the role of the parent to express his concerns and then take three steps back. Not one, mind you, not two, but three. Or maybe four. (But by no means five.) Yes, a parent should share his hesitations and then take three or four steps back, so that the child can make a decision by herself—even when that decision may lead to disappointment.

And there, as the sun begins to rise, he is overcome with thoughts of an affirmation, a proclamation, a promise - a promise to shine everywhere and always to very depths of the last days - which, after all, is all that anyone has ever asked of love.

For here was Casablanca, a far-flung outpost in a time of war. And here at the heart of the city, right under the sweep of the searchlights, was Rick’s Café Américain, where the beleaguered could assemble for the moment to gamble and drink and listen to music; to conspire, console, and most importantly, hope. And at the center of this oasis was Rick. As the Count’s friend had observed, the saloonkeeper’s cool response to Ugarte’s arrest and his instruction for the band to play on could suggest a certain indifference to the fates of men. But in setting upright the cocktail glass in the aftermath of the commotion, didn’t he also exhibit an essential faith that by the smallest of one’s actions one can restore some sense of order to the world?

Life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate, and our opinions evolve - if not glacially, then at least gradually.

Dutifully, the Count put the spoon in his mouth. In an instant, there was the familiar sweetness of fresh honey—sunlit, golden, and gay. Given the time of year, the Count was expecting this first impression to be followed by a hint of lilacs from the Alexander Gardens or cherry blossoms from the Garden Ring. But as the elixir dissolved on his tongue, the Count became aware of something else entirely. Rather than the flowering trees of Central Moscow, the honey had a hint of a grassy riverbank . . . the trace of a summer breeze . . . a suggestion of a pergola . . . But most of all there was the unmistakable essence of a thousand apple trees in bloom. "Nizhny Novgorod", he said. And it was.

If only I were there and she were here,” she sighed. And there, thought the Count, was a suitable plaint for all mankind.

But in a period of abundance any half-wit with a spoon can please a palate.

For it is a fact that a man can be profoundly out of step with his times. A man may have been born in a city famous for its idiosyncratic culture and yet, the very habits, fashions, and ideas that exalt that city in the eyes of the world may make no sense to him at all.

Quite simply, the Count’s father had believed that while a man should attend closely to life, he should not attend too closely to the clock. A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor.

always was and would be a serious soul in search of serious ideas to be serious about. Nina

Knowing beauty, influence, fame, and privilege to be borrowed rather than bestowed, they are not easily impressed. They are not quick to envy or take offense.

For standing at the edge of his table was the young girl with the penchant for yellow—studying him with that unapologetic interest peculiar to children and dogs. Adding

adversity presents itself in many forms; and that if a man does not master his circumstances then he is bound to be mastered by them.

...the second was Montaigne's maxim that the surest sign of wisdom is constant cheerfulness.

They spoke of the once and the was, of the wishful and the wonderful.

In fact, if Paris had not been seated next to Helen when he dined in the court of Menelaus, there never would have been a Trojan War.” A

he took greater pride in knowing that a gentleman’s presence was best announced by his bearing, his remarks, and his manners.

But when the Count opened the small wooden drawer of the grinder, the world and all it contained were transformed by that envy of the alchemists—the aroma of freshly ground coffee.

a bottle of wine is the ultimate distillation of time and place; a poetic expression of individuality itself.

But in the end, it has been the inconveniences that have mattered to me most.

But I don't simply want to learn the languages. I want to understand those who speak them.

But imagining what might happen if one’s circumstances were different was the only sure route to madness.

Vyshinsky: Why did you write the poem? Rostov: It demanded to be written. I simply happened to be sitting at the particular desk on the particular morning when it chose to make its demands.

But events can unfold in such a manner that overnight the man out of step finds himself in the right place at the right time. The fashions and attitudes that had seemed so alien to him are suddenly swept aside and supplanted by fashions and attitudes in perfect sympathy with his deepest sentiments. Then, like a lone sailor adrift for years on alien seas, he wakes one night to discover familiar constellations overhead. And

But of course, the Count also wept for himself. For despite his friendships with Marina and Andrey and Emile, despite his love for Anna, despite Sofia - that extraordinary blessing that had struck him from the blue - when Mikhail Fyodorovich Mindich died, there went the last of those who had known him as a younger man.

Like the wheeling of stars,' muttered the Count as he paced. "That is how time passes when one is left waiting unaccountably. The hours become interminable. The minutes relentless. And the seconds? Why, not only does every last one of them demand its moment on the stage, it insists upon making a soliloquy full of weighty pauses and artful hesitations and then leaps into an encore at the slightest hint of applause.

You have always been fond of little Nina.” “Of course I have.” “And in part, that is because she is such an independent spirit.” “Precisely.” “Then you must trust in her. And even if she is single-minded to a fault, you must trust that life will find her in time. For eventually, it finds us all.” The Count nodded for a moment, reflecting on Marina’s

If one had lived one's day well- in the service of industry, liberty, and the Lord- one should be soundly asleep long before twelve. So the second chime of the twice-tolling clock was most definitely a remonstrance. What are you doing up? it was meant to say. Were you so profligate with your daylight that you must hunt about for things to do in the dark?

Why?” repeated the Count. “Why, so that she can be addressed. So that she can be invited for tea; called to from across the room; discussed in conversation when absent; and included in your prayers. That is, for all the very reasons that you benefit from having a name.

There is not, I think, a single country in the civilized world where less attention is paid to philosophy than in the United States.

Perhaps the Rioja.” The Rioja? Now there was a wine that would clash with the stew as Achilles clashed with Hector.

In principle, the Count generally regarded a barrage of interrogatives as bad form. Left to themselves, the words who, what, why, when, and where do not a conversation make.

the Count bounced twice on his new mattress to identify the key of the bedsprings (G-sharp),

But at forty? They had enough appetite to eat well, enough temperance to drink in moderation, and enough wisdom to celebrate the absence of their children by getting a good night’s sleep.

When one turns seventeen and begins to experience that first period of real independence, one's senses are so alert, one's sentiments so finely attuned that every conversation, every look, every laugh may be writ indelibly upon one's memory. And the friends that one happens to make in those impressionable years? One will meet them forever after with a welling of affection.

The first was that if one did not master one’s circumstances, one was bound to be mastered by them; and the second was Montaigne’s maxim that the surest sign of wisdom is constant cheerfulness

As best as the Count could determine, the Bolsheviks assembled whenever possible in whichever form for whatever reason. In a single week, there might be committees, caucuses, colloquiums, congresses, and conventions variously coming together to establish codes, set courses of action, levy complaints, and generally clamor about the world’s oldest problems in its newest nomenclature. If

It is a sad but unavoidable fact of life,” he began, “that as we age our social circles grow smaller. Whether from increased habit or diminished vigor, we suddenly find ourselves in the company of just a few familiar faces. So I view it as an incredible stroke of good fortune at this stage in my life to have found such a fine new friend.

He believed in the influence of early frosts and lingering summers, of ominous clouds and delicate rains, of fog and sunshine and snowfall. And he believed, most especially, in the reshaping of destinies by the slightest change in the thermometer.

For pomp is a tenacious force. And a wily one too. How humbly it bows its head as the emperor is dragged down the steps and tossed in the street. But then, having quietly bided its time, while helping the newly appointed leader on with his jacket, it compliments his appearance and suggests the wearing of a medal or two. Or, having served him at a formal dinner, it wonders aloud if a taller chair might not have been more fitting for a man with such responsibilities. The soldiers of the common man may toss the banners of the old regime on the victory pyre, but soon enough trumpets will blare and pomp will take its place at the side of the throne, having once again secured its dominion over history and kings. Nina

The Countess was of a mind that dinner should provide one with respite from life’s trials and tribulations. Thus, she could not countenance discussions of religion, politics, or personal sorrows at her table.

On the platform in the opposite corner of the bar, the jazz ensemble was playing a perky little tune. Admittedly, when the Count had first encountered jazz, he hadn’t much of an affinity for it. He had been raised to appreciate music of sentiment and nuance, music that rewarded patience and attention with crescendos and diminuendos, allegros and adagios artfully arranged over four whole movements – not a fistful of notes crammed higgledy-piggledy into thirty measures. And yet… And yet, the art form had grown on him. Like the American correspondents, jazz seemed a naturally gregarious force – one that was a little unruly and prone to say the first thing that popped into its head, but generally of good humor and friendly intent. In addition, it seemed decidedly unconcerned with where it had been or where it was going – exhibiting somehow simultaneously the confidence of the master and the inexperience of the apprentice. Was there any wonder that such an art had failed to originate in Europe?

At the center of all that is Russia - of its culture, its psychology, and, perhaps, its destiny - stands the Kremlin, a walled fortress a thousand years old and four hundred miles from the sea. Physically speaking, its walls are no longer high enough to fend off attack, and yet, they still cast a shadow across the entire country.

As we age, we are bound to find comfort from the notion that it takes generations for a way of life to fade. We are familiar with the songs our grandparents favored, after all, even though we never danced to them ourselves. At festive holidays, the recipes we pull from the drawer are routinely decades old, and in some cases even written in the hand of a relative long since dead. And the objects in our homes? The oriental coffee tables and well-worn desks that have been handed down from generation to generation? Despite being "out of fashion," not only do they add beauty to our daily lives they lend material credibility to our presumption that the passing of an era will be glacial.

Ignatov: "...History has shown charm to be the final ambition of the leisure class. What I do find surprising is that the author of the poem in question could have become a man so obviously without purpose. " Rostov: "I have lived under the impression that a man's purpose is known only to God." Ignatov: "Indeed. How convenient that must have been for you.

Yes, a ghost, thought the Count, as he moved silently down the hall. Like Hamlet’s father roaming the ramparts of Elsinore after the midnight watch . . . Or like Akaky Akakievich, that forsaken spirit of Gogol’s who in the wee hours haunted the Kalinkin Bridge in search of his stolen coat . . . Why

It is one of the intrinsic limitations of being young, my dear, that you can never tell when a grand adventure has just begun.

sometimes everybody tells you something because it is true." "sometimes," nina clarified, "everybody tells you something because they are everybody...

Dark, cold, and snowbound, Russia has the sort of climate in which the spirit of Christmas burns brightest.

that if a man does not master his circumstances then he is bound to be mastered by them. The

The Count commenced to cough into his napkin, as he had determined long ago that this was the most effective means of removing wine from his windpipe.

as we age, we are bound to find comfort from the notion that it takes generations for a way of life to fade.

bottle of wine was the ultimate distillation of time and place; a poetic expression of individuality itself.

It is the business of the times to change, Mr. Halecki. And it is the business of gentlemen to change with them.” The

To be seduced? Why, that was a matter of leaning back in one’s chair, sipping one’s wine, and responding to a query with the very first thought that has popped into one’s head. And

Mark my words, my friend: We have not burned Moscow to the ground for the last time.

But, of course, a thing is just a thing. [… ] the Count looked once more at what heirlooms remained and then expunged them from his heartache forever.

The world is wide, and wondrous are the ways of men....

If you are ever in doubt, just remember that unlike adults, children want to be happy. So they still have the ability to take the greatest pleasure in the simplest things.

I have been known to scuff the parquet.

a parent’s responsibility could not be more simple: To bring a child safely into adulthood so that she could have a chance to experience a life of purpose and, God willing, contentment.

When I awoke, I suddenly understood this propensity for self-destruction was not an abomination, not something to be ashamed of or abhorred; it was our greatest strength. We turn the gun on ourselves not because we are more indifferent and less cultured.... On the contrary. We are prepared to destroy that which we have created because we believe more than any of them in the power of the picture, the poem, the prayer, or the person.

I have had countless reasons to be proud of you; and certainly one of the greatest was the night of the Conservatory competition. But the moment I felt that pride was not when you and Anna brought home news of your victory. It was earlier in the evening, when I watched you heading out the hotel's doors on your way to the hall. For what matters in life is not whether we receive a round of applause; what matters is whether we have the courage to venture forth despite the uncertainty of the acclaim.

Apparently, for all their powers of invention, the Russian masters could not come up with a better plot device than two central characters resolving a matter of conscience by means of pistols at thirty-two paces.” “I

So as the summer sun began to rise, the fire began to die, and the bees began to circle overhead, the two men spoke of days from their childhoods when the wagon wheels rattled in the road, and the dragonflies skimmed the grass, and the apple trees blossomed for as far as the eye could see.

By their very nature, human being are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration -- and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.

As I’ve said to you before, we and the Americans will lead the rest of this century because we are the only nations who have learned to brush the past aside instead of bowing before it. But where they have done so in service of their beloved individualism, we are attempting to do so in service of the common good.

Like the Freemasons, the Confederacy of the Humbled is a close-knit brotherhood whose members travel with no outward markings, but who know each other at a glance. For having fallen suddenly from grace, those in the Confederacy share a certain perspective. Knowing beauty, influence, fame, and privilege to be borrowed rather than bestowed, they are not easily impressed. They are not quick to envy or take offense. They certainly do not scour the papers in search of their own names. They remain committed to living among their peers, but they greet adulation with caution, ambition with sympathy, and condescension with an inward smile. As

It is our friends who should overestimate our capacities. They should have an exaggerated opinion of our moral fortitude, our aesthetic sensibilities, and our intellectual scope. Why, they should practically imagine us leaping through a window in the nick of time with the works of Shakespeare in one hand and a pistol in the other!

Because well he knew that when one is traveling abroad for the first time, one does not wish to look back on laborsome instructions, weighty advice, or tearful sentiments. Like the memory of the simple soup, when one is homesick what one will find most comforting to recall are those lighthearted little stories that have been told a thousand times before.

As both a student of history and a man devoted to living in the present, I admit that I do not spend a lot of time imagining how things might otherwise have been. But I do like to think there is a difference between being resigned to a situation and reconciled to it.

Returning to his quarters, he opened the window (though it was only the size of a postage stamp),

In short, Fatima knew a flower’s fragrance, color, and purpose better than a bee.

But the Count hadn’t the temperament for revenge; he hadn’t the imagination for epics; and he certainly hadn’t the fanciful ego to dram of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the count would maintain his resolve by committing to the business of practicalities. Having dispensed with dreams of quick discovery, the world’s Crusoes seek shelter and a source of fresh water; they teach themselves to make fire from flint; they study their island’s topography, it’s climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.

I suppose a room is the summation of all that has happened inside it.” “Yes, I think it is,” agreed the Count. “And though I’m not exactly sure what has come of all the intermingling in this particular room, I am fairly certain that the world has been a better place because of it.

When all was said and done, the endeavors that most modern men saw as urgent (such as appointments with bankers and the catching of trains), probably could have waited, while those they deemed frivolous (such as cups of tea and friendly chats) had deserved their immediate attention.

Looking back, it seems to me that there are people who play an essential role at every turn. And I don’t just mean the Napoleons who influence the course of history; I mean men and women who routinely appear at critical junctures in the progress of art, or commerce, or the evolution of ideas—as if Life itself has summoned them once again to help fulfill its purpose. Well, since the day I was born, Sofia, there was only one time when Life needed me to be in a particular place at a particular time, and that was when your mother brought you to the lobby of the Metropol. And I would not accept the Tsarship of all the Russias in exchange for being in this hotel at that hour.

Long had he believed that a gentleman should turn to a mirror with a sense of distrust. For rather than being tools of self-discovery, mirrors tended to be tools of self-deceit. How many times had he watched as a young beauty turned thirty degrees before her mirror to ensure that she saw herself to the best advantage? (As if henceforth all the world would see her solely from that angle!)

The Count shifted his chair a little leftward in order to put the clock out of view, then he searched for the passage he’d been reading. He was almost certain it was in the fifth paragraph on the fifteenth page. But as he delved back into that paragraph’s prose, the context seemed utterly unfamiliar; as did the paragraphs that immediately preceded it. In fact, he had to turn back three whole pages before he found a passage that he recalled well enough to resume his progress in good faith.

Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing.

Perhaps it is a matter of celestial balance," he reflected. "A sort of cosmic equilibrium. Perhaps the aggregate experience of Time is a constant and thus for our children to establish such vivid impressions of this particular June, we must relinquish our claims upon it." "So that they might remember, we must forget," Vasily summed up.

For pomp is a tenacious force. And a wily one too. How humbly it bows its head as the emperor is dragged down the steps and tossed in the street. But then, having quietly bided its time, while helping the newly appointed leader on with his jacket, it compliments his appearance and suggests the wearing of a medal or two. Or, having served him at the formal dinner, it wonders aloud if a taller chair might not have been more fitting for a man with such responsibilities.

Did he remember those days when his children were almost certainly six? When there was a pitter-pat in the hallways an hour before dawn? When every object smaller than an apple was nowhere to be found, until it was right underfoot? When books went unread, letters unanswered, and every train of thought was left incomplete? He remembered them as if they were yesterday

True, duels were fought by convention at dawn in isolated locations to ensure the privacy of the gentlemen involved. But were they fought behind ash heaps or in scrapyards? Of course not! They were fought in a clearing among the birch trees with a dusting of snow. Or on the banks of a winding rivulet. Or at the edge of a family estate where the breezes shake the blossoms from the trees. . . . That is, they were fought in settings that one might have expected to see in the second act of an opera.

Popular upheaval, political turmoil, industrial progress—any combination of these can cause the evolution of a society to leapfrog generations, sweeping aside aspects of the past that might otherwise have lingered for decades. And this must be especially so, when those with newfound power are men who distrust any form of hesitation or nuance, and who prize self-assurance above all.

Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate, and our opinions evolve- if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew. And yet, for the Count, when the doors to Anna's bedroom opened and Sofia stepped forward in her gown, at that very moment she crossed the threshold into adulthood. On one side of that divide was a girl of five or ten or twenty with a quiet demeanor and a whimsical imagination who relied upon him for companionship and counsel; while on the other side was a young woman of discernment and grace who need rely on no one but herself.

Perhaps you are still skeptical. Well then, what about you? No doubt there have been moments when your life has taken a bit of a leap forward; and no doubt you look back upon those moments with self-assurance and pride. But was there really no third party deserving of even a modicum of credit? Some mentor, family friend, or schoolmate who gave timely advice, made an introduction, or put in a complimentary word?

Count Alexander Ilyich Rostov stirred at half past eight to the sound of rain on the eaves. With a half-opened eye, he pulled back his covers and climbed from bed. He donned his robe and slipped on his slippers. He took up the tin from the bureau, spooned a spoonful of beans into the Apparatus, and began to crank the crank. Even as he turned the little handle round and round, the room remained under the tenuous authority of sleep. As yet unchallenged, somnolence continued to cast its shadow over sights and sensations, over forms and formulations, over what has been said and what must be done, lending each the insubstantiality of its domain. But when the Count opened the small wooden drawer of the grinder, the world and all it contained were transformed by that envy of the alchemists—the aroma of freshly ground coffee. In that instant, darkness was separated from light, the waters from the lands, and the heavens from the earth. The trees bore fruit and the woods rustled with the movement of birds and beasts and all manner of creeping things. While closer at hand, a patient pigeon scuffed its feet on the flashing. Easing

When one experiences a profound setback in the course of an enviable life, one has a variety of options. Spurred by shame, one may attempt to hide all evidence of the change in one’s circumstances. Thus, the merchant who gambles away his savings will hold on to his finer suits until they fray, and tell anecdotes from the halls of the private clubs where his membership has long since lapsed. In a state of self-pity, one may retreat from the world in which one has been blessed to live. Thus, the long-suffering husband, finally disgraced by his wife in society, may be the one who leaves his home in exchange for a small, dark apartment on the other side of town. Or, like the Count and Anna, one may simply join the Confederacy of the Humbled.

But just as important, a careful accounting of days allows the isolated to note that another year of hardship has been endured; survived; bested. Whether they have found the strength to persevere through a tireless determination or some foolhardy optimism, those 365 hatch marks stand as proof of their indomitability. For after all, if attentiveness should be measured in minutes and discipline measured in hours, then indomitability must be measured in years.

If one has been absent for decades from a place that one once held dear, the wise would generally counsel that one should never return there again. History abounds with sobering examples: After decades of wandering the seas and overcoming all manner of deadly hazards, Odysseus finally returned to Ithaca, only to leave it again a few years later. Robinson Crusoe, having made it back to England after years of isolation, shortly thereafter set sail for that very same island from which he had so fervently prayed for deliverance. Why after so many years of longing for home did these sojourners abandon it so shortly upon their return? It is hard to say. But perhaps for those returning after a long absence, the combination of heartfelt sentiments and the ruthless influence of time can only spawn disappointments. The landscape is not as beautiful as one remembered it. The local cider is not as sweet. Quaint buildings have been restored beyond recognition, while fine old traditions have lapsed to make way for mystifying new entertainments. And having imagined at one time that one resided at the very center of this little universe, one is barely recognized, if recognized at all. Thus do the wise counsel that one should steer far and wide of the old homestead. But no counsel, however well grounded in history, is suitable for all. Like bottles of wine, two men will differ radically from each other for being born a year apart or on neighboring hills. By way of example, as this traveler stood before the ruins of his old home, he was not overcome by shock, indignation, or despair. Rather, he exhibited the same smile, at once wistful and serene, that he had exhibited upon seeing the overgrown road. For as it turns out, one can revisit the past quite pleasantly, as long as one does so expecting nearly every aspect of it to have changed.

It is a sad but unavoidable fact of life that as we age our social circles grow smaller. Whether from increased habit or diminished vigor, we suddenly find ourselves in the company of just a few familiar faces. So, I view it as an incredible stroke of good fortune at this stage in my life to have found such fine new friends(s).

there was a second citation from The Brothers Karamazov from a scene the Count had all but forgotten. It related to the little boy, Ilyushechka—the one who was hounded by his schoolmates until falling dangerously ill. When the boy finally dies, his heartstricken father tells the saintly Alyosha Karamazov that his son had made one final request: Papa, when they put the dirt on my grave, crumble a crust of BREAD on it so the sparrows will come, and I’ll hear that they’ve come and be glad that I’m not lying alone. Upon reading this, Alexander Rostov finally broke down and wept.

I gather from Audrius that that concoction contains ten different ingredients. In addition to vodka, rum, brandy, and grenadine, it boasts an extraction of rose, a dash of bitters, and a melted lollipop. But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just two?” “Yes. But they must be two ingredients that complement each other; that laugh at each other’s jokes and make allowances for each other’s faults; and that never shout over each other in conversation. Like gin and tonic,” he said, pointing to his drink. “Or bourbon and water . . . Or whiskey and soda . . .” Shaking his head, he raised his glass and drank from it. “Excuse me for expounding.

Some might wonder that the two men should consider themselves to be old friends having only known each other for four years; but the tenure of friendships has never been governed by the passage of time. These two would have felt like old friends had they met just hours before. To some degree, this was because they were kindred spirits—finding ample evidence of common ground and cause for laughter in the midst of effortless conversation; but it was also almost certainly a matter of upbringing. Raised in grand homes in cosmopolitan cities, educated in the liberal arts, graced with idle hours, and exposed to the finest things, though the Count and the American had been born ten years and four thousand miles apart, they had more in common with each other than they had with the majority of their own countrymen.

When you reach our age, Vasily, it all goes by so quickly. Whole seasons seem to pass without leaving the slightest mark on our memory.” “How true…, “ agreed the concierge (as he sorted through an allotment of tickets). “But surely, there is comfort to be taken from that,” continued the Count. “For even as the weeks begin racing by in a blur for us, they are making the greatest of impressions upon our children. When one turns seventeen and begins to experience that first period of real independence, one’s senses are so alert, one’s sentiments so finely attuned that every conversation, every look, every laugh may be writ indelibly upon one’s memory. And the friends that one happens to make in those impressionable years? One will meet them forever after with a welling of affection.”… “Perhaps it is a matter of celestial balance,” he reflected. “A sort of cosmic equilibrium. Perhaps the aggregate experience of Time is a constant and thus for our children to establish such vivid impressions of this particular June, we must relinquish our claims upon it.” “So that they might remember, we must forget,” Vasily summed up. “Exactly!” said the Count. “So that they might remember, we must forget. But should we take umbrage at that fact? Should we feel short-changed by the notion that their experiences for the moment may be richer than ours? I think not. For it is hardly our purpose at this late stage to log a new portfolio of lasting memories. Rather, we should be dedicating ourselves to ensuring that they taste freely of experience. And we must do so without trepidation. Rather than tucking in blankets and buttoning up coats, we must have faith in them to tuck and button on their own. And if they fumble with their newfound liberty, we must remain composed, generous, judicious. We must encourage them to venture out from under our watchful gaze, and then sigh with pride when they pass at last through the revolving door of life…

Every country has its grand canvas, Sasha—the so-called masterpiece that hangs in a hallowed hall and sums up the national identity for generations to come. For the French it is Delacroix’s Liberty Leading the People; for the Dutch, Rembrandt’s Night Watch; for the Americans, Washington Crossing the Delaware; and for we Russians? It is a pair of twins: Nikolai Ge’s Peter the Great Interrogating Alexei and Ilya Repin’s Ivan the Terrible and His Son. For decades, these two paintings have been revered by our public, praised by our critics, and sketched by our diligent students of the arts. And yet, what do they depict? In one, our most enlightened Tsar studies his oldest son with suspicion, on the verge of condemning him to death; while in the other, unflinching Ivan cradles the body of his eldest, having already exacted the supreme measure with a swing of the scepter to the head.

Why is it that so many ghosts prefer to travel the halls of night? Ask the living and they will tell you that these spirits either have some unquenched desire or an unaddressed grievance that stirs them from their sleep and sends them out into the world in search of solace. But the living are so self-centered. Of course they would judge a spirit’s nocturnal wanderings as the product of earthly memories. When, in fact, if these restless souls wanted to harrow the bustling avenues of noon, there is nothing to stop them from doing so. No. If they wander the halls of night, it is not from a grievance with or envy of the living. Rather, it is because they have no desire to see the living at all. Any more than snakes hope to see gardeners, or foxes the hounds. They wander about at midnight because at that hour they can generally do so without being harried by the sound and fury of earthly emotions. After all those years of striving and struggling, of hoping and praying, of shouldering expectations, stomaching opinions, navigating decorum, and making conversation, what they seek, quite simply, is a little peace and quiet.

The twice-tolling clock, the Count explained, had been commissioned by his father from the venerable firm of Breguet. Establishing their shop in Paris in 1775, the Breguets were quickly known the world over not only for the precision of their chronometers (that is, the accuracy of their clocks), but for the elaborate means by which their clocks could signal the passage of time. They had clocks that played a few measures of Mozart at the end of the hour. They had clocks that chimed not only at the hour but at the half and the quarter. They had clocks that displayed the phases of the moon, the progress of the seasons, and the cycle of the tides. But when the Count’s father visited their shop in 1882, he posed a very different sort of challenge for the firm: a clock that tolled only twice a day. “Why would he do so?” asked the Count (in anticipation of his young listener’s favorite interrogative). Quite simply, the Count’s father had believed that while a man should attend closely to life, he should not attend too closely to the clock. A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness.

while a man should attend closely to life, he should not attend too closely to the clock. A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness. In the afternoon, the Count’s father believed that a man should take care not to live by the watch in his waistcoat—marking the minutes as if the events of one’s life were stations on a railway line. Rather, having been suitably industrious before lunch, he should spend his afternoon in wise liberty. That is, he should walk among the willows, read a timeless text, converse with a friend beneath the pergola, or reflect before the fire—engaging in those endeavors that have no appointed hour, and that dictate their own beginnings and ends.

To a foreigner, it must have seemed that Russia had become the land of ten thousand lines. For there were lines at the tram stops, lines before the grocer, lines at the agencies of labor, education, and housing. But in point of fact, there were not ten thousand lines, or even ten. There was one all-encompassing line, which wound across the country and back through time. This had been Lenin’s greatest innovation: a line that, like the Proletariat itself, was universal and infinite. He established it by decree in 1917 and personally took the first slot as his comrades jostled to line up behind him. One by one every Russian took his place, and the line grew longer and longer until it shared all of the attributes of life. In it friendships were formed and romances kindled; patience was fostered; civility practiced; even wisdom attained. If one is willing to stand in line for eight hours to purchase a loaf of bread, the lone figure thought, what is an hour or two to see the corpse of a hero free of charge?

To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.