Rope Love Quotes

We've searched our database for all the quotes and captions related to Rope Love. Here they are! All 100 of them:

My genes, my love, are rubber bands and rope - make yourself a structure you can live inside.
Aimee Bender (Willful Creatures)
Remember how it was when we kissed? Armfuls and armfuls of light thrown right at us. A rope dropping down from the sky. How can the word love and the word life even fit in the mouth?
Jandy Nelson (The Sky Is Everywhere)
Oh, life is a glorious cycle of song, a medley of extemporanea, And love is a thing that can never go wrong, and I am Marie of Romania.
Dorothy Parker (Enough Rope)
Relationships are ropes. Love is a noose. - Durzo Blint
Brent Weeks (The Way of Shadows (Night Angel, #1))
Your daughter is ugly. She knows loss intimately, carries whole cities in her belly. As a child, relatives wouldn’t hold her. She was splintered wood and sea water. They said she reminded them of the war. On her fifteenth birthday you taught her how to tie her hair like rope and smoke it over burning frankincense. You made her gargle rosewater and while she coughed, said macaanto girls like you shouldn’t smell of lonely or empty. You are her mother. Why did you not warn her, hold her like a rotting boat and tell her that men will not love her if she is covered in continents, if her teeth are small colonies, if her stomach is an island if her thighs are borders? What man wants to lay down and watch the world burn in his bedroom? Your daughter’s face is a small riot, her hands are a civil war, a refugee camp behind each ear, a body littered with ugly things but God, doesn’t she wear the world well.
Warsan Shire
If you're at the end of your rope . . . untie the knot in your heart.
Cooper Edens (If You're Afraid of the Dark, Remember the Night Rainbow / Add One More Star to the Night)
Once, when I was young and true. Someone left me sad - Broke my brittle heart in two; And that is very bad. Love is for unlucky folk, Love is but a curse. Once there was a heart I broke; And that, I think, is worse.
Dorothy Parker (Enough Rope)
How you live your life is up to you. You have to go out and grab the world by the horns. Rope it before it ties you down and decides for you.
Sarah Reijonen (Country Girl: Letting Love & Wanderlust Take the Reins)
Explore me,' you said and I collected my ropes, flasks and maps, expecting to be back home soon. I dropped into the mass of you and I cannot find the way out. Sometimes I think I’m free, coughed up like Jonah from the whale, but then I turn a corner and recognise myself again. Myself in your skin, myself lodged in your bones, myself floating in the cavities that decorate every surgeon’s wall. That is how I know you. You are what I know.
Jeanette Winterson (Written on the Body)
Don't worry, kid." Blitz brought out the silken cord. "This rope can't be weakened. And Hearthstone's right. We might as well tie it to one another for safety." "That way if we fall," Sam said, "We'll fall together." "Sold," I said, trying to tamp down my anxiety. "I love dying with friends.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I am the drying meadow; you the unspoken apology; he is the fluctuating distance between mother and son; she is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen.
Aimee Bender (Willful Creatures: Stories)
As long as I live, the demon will remain inside you,” said the Darkling as Nikolai used a knife to saw through the ropes at his wrists. “We’ve made our peace.” “Some treaties do not last.” “You do love a dire prophecy, don’t you?” “Zoya will live a very long life,” the Darkling said. “Despite the demon, you may not do the same.” “Then I will love her from my grave.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Mom's first diagnosis taught me that love was an escape rope. But it was her second diagnosis that taught me love could be a life vest when you were drowning.
Emily Henry (Beach Read)
He'd died. Plain and simple. And it pissed him off. Left him frustrated and disappointed. Where had all , the guardian angel crap they'd fed him in catechism gone to? He'd seen no angels, seraphim, archangels or pearly gates. No one to show him the ropes now that he was dead. What the hell was he supposed to do?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
I will remember what I was, I am sick of rope and chains - I will remember my old strength and all my forest affairs. I will not sell my back to man for a bundle of sugar cane; I will go out to my own kind, and the wood-folk in their lairs. I will go out until the day, until the morning break - Out to the wind's untainted kiss, the water's clean caress; I will forget my ankle-ring and snap my picket stake. I will revisit my lost love and playmates masterless!
Rudyard Kipling (The Jungle Books)
People keep themselves at a tolerable height above an infernal abyss toward which they gravitate only by putting out all their strength and lovingly helping one another. They are tied together by ropes, and it's bad enough when the ropes around an individual loosen and he drops somewhat lower than the others into empty space; ghastly when the ropes break and he falls. That's why we should cling to the others.
Franz Kafka
Man is a rope stretched between the animal and the Superman--a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting. What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING. I love those that know not how to live except as down-goers, for they are the over-goers. I love the great despisers, because they are the great adorers, and arrows of longing for the other shore. I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive. I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going. I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going. I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing. I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge. I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more. I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to. I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself. I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb. I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going. I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones. I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God. I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge. I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going. I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going. I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds. Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--
Friedrich Nietzsche (Thus Spoke Zarathustra)
It makes Faith think of a hammock in their yard, a web of rope that she thought would unravel the first time she leaned back on it, but that managed to support her all the same.
Jodi Picoult (Keeping Faith)
Hold this rope while I dive into my soul; don't even bother pulling it if I didn't come up on my own.
Ahmed Mostafa
Dan pulled him in. Anchored him. Secured him, like one mountain climber to the other, rope and irons and nothing but the abyss if the rope failed. “It will work. I haven’t got this far to give up.” “It’ll work.” Dan’s kisses grew more intense. “It must.” Because you’re mine, and you belong to me.
Aleksandr Voinov (Special Forces - Soldiers (Special Forces, #1))
My rotting brain had lied to me; of course talking would help. Of course my loving, caring friends telling me it would get better would help. They fed ropes down the hold I'd been digging, and even if they couldn't pull me up, they at least reminded me that there was a world beyond this, where I'd been before.
Dodie Clark (Secrets for the Mad)
It would be an honor, and my greatest desire, if you would allow me to protect, love, and serve you for the rest of our lives.
K.M. Shea (Red Rope of Fate (The Elves of Lessa, #1))
How dare Arion sit there and tell her he cared for her more than she for him when she was in love with him! Was the man dense? Had he fallen from his horse too many times?
K.M. Shea (Red Rope of Fate (The Elves of Lessa, #1))
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere. I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light. The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite." But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while? That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
Elizabeth Gilbert (Eat, Pray, Love)
I picked up a fallen branch and struck a tree with it. Apples fell from the tree. The rope around one of the skeletons gave way and it fell to the ground. It lay there, crumpled and bent in ridiculous angles. I wondered if the person who the skeleton used to live inside would be embarrassed if he or she could see themselves now. I looked around the area but didn’t see any ghosts. Why would I see a ghost? They didn’t exist. Still, I looked a second time.
Eli Wilde (Orchard of Skeletons)
Falling into true love, is not taking a rope to climb out
Benny Bellamacina (Philosophical Uplifting Quotes and Poems)
Are you, are you Coming to the tree They strung up a man They say who murdered three. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where the dead man called out For his love to flee. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where I told you to run, So we'd both be free. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Wear a necklace of rope, Side by side with me. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
There was only today to throw yourself into without thinking about tomorrow, let alone forever. To keep you from thinking, there was liquor, an ocean's worth at least, all the usual vices and plenty of rope to hang yourself with. Love is a beautiful liar.
Paula McLain (The Paris Wife)
Non-attachment is not complacency. It doesn't imply a lack of caring and commitment. The philosophy of non-attachment is based in the understanding that holding on too tightly to those things, which in any case are always going to be slipping through our fingers, hurts and gives us rope burn.
Surya Das (Letting Go Of The Person You Used To Be: lessons on change, love and spiritual transformation from highly revered spiritual leader Lama Surya Das)
No connection can ever be broken if love holds tight at both ends.
Shannon L. Alder
When I loved myself enough, I let the tomboy in me swing off the rope in Jackass Canyon. Yes!
Kim McMillen (When I Loved Myself Enough)
My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen." — Aimee Bender (Willful Creatures: Stories)
Aimee Bender
I watched our friends' wary, intelligent faces droop at our tale. Their shock was a mere shadow of our own, resembling more the goodwilled imitation of that emotion, and for this reason it was a temptation to exaggerate, to throw a rope of superlatives across the abyss that divided experience from its representation by anecdote.
Ian McEwan (Enduring Love)
the bouquet Between me and the world you are a bay, a sail the faithful ends of a rope you are a fountain, a wind, a shrill childhood cry. Between me and the world you are a picture frame, a window a field covered in wildflowers you are a breath, a bed, a night that keeps the stars company. Between me and the world, you are a calendar, a compass a ray of light that slips through the gloom you are a biographical sketch, a book mark a preface that comes at the end. between me and the world you are a gauze curtain, a mist a lamp shining in my dreams you are a bamboo flute, a song without words a closed eyelid carved in stone. Between me and the world you are a chasm, a pool an abyss plunging down you are a balustrade, a wall a shield’s eternal pattern.
Bei Dao
Slack your rope, Hangsaman, O slack it for a while, I think I see my true love coming, Coming many a mile
Shirley Jackson (Hangsaman)
When I was nineteen years old, I fell in love with a girl who changed my life by showing me that even the darkest nights still had stars and it didn’t matter one bit that you had to lie in the weeds to see them.
Aly Martinez (Fighting Shadows (On the Ropes, #2))
If a person who is content with his life meets someone who makes everything just a little bit more challenging, who both fits and doesn't fit into his life and his routine, to quote Guy Fieri, it is On Like Donkey Kong: swing the rope, jump the barrel, and save the princess.
Sarah Wendell (Everything I Know About Love I Learned from Romance Novels)
I came with many knots in my heart, like the magician's rope. You undid them all at once. I see now the splendor of the student and that of the teacher's art. Love and this body sit inside your presence, one demolished, the other drunk. We smile. We weep, tree limbs turning sere, then light green.
Jalal ad-Din Muhammad ar-Rumi (Bridge to the Soul: Journeys Into the Music and Silence of the Heart)
Sometimes you can cattle rope your heart and sometimes you can't, is all.
Deb Caletti
Pardon? Why, sir, I beg your pardon, for if that was pardon, then fists are love and nooses are kisses. You speak of duty? Duty is the rope that strangles me. Piety is a bed of broken glass. And family is the company of hateful demons.
Rachel Caine (Prince of Shadows)
Love is different. It’s not a one-size-fits-all. And it’s definitely not universal or transferable. There are no shoes to fill. Whatever you and Quarry have is unique to the two of you.
Aly Martinez (Fighting Solitude (On the Ropes, #3))
C. S. Lewis, the man who wrote the Narnia books you so loved, once said it is easy to trust a rope as long as you’re using it to wrap a box. But when you’re clinging to it over a deadly precipice, it’s something else entirely.
Mitch Albom (Finding Chika: A Little Girl, an Earthquake, and the Making of a Family)
We became acquainted with starry skies the girls had gazed at while camping years before, and the boredom of summers traipsing from back yard to front to back again, and even a certain indefinable smell that arose from toilets on rainy nights, which the girls called "sewery." We knew what it felt like to see a boy with his shirt off, and why it made Lux write the name Kevin in purple Magic Marker all over her three-ring binder and even on her bras and panties, and we understood her rage coming home one day to find that Mrs. Lisbon had soaked her things in Clorox, bleaching all the "Kevins" out. We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Arlo: Show her the ropes. Finn: Where do we keep the ropes again?
Julie Anne Peters (She Loves You, She Loves You Not...)
Are you, are you Coming to the tree Where they strung up a man they say murdered three Where the dead man called out for his love to flee Where I told you to run, so we'd both be free Wear a necklace of rope, side by side with me Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree
Suzanne Collins (Mockingjay (The Hunger Games, #3))
neither poems nor prose just a length of rope just the wet earth -- that's the way home. neither vodka nor bread just bursts of rage just more new graves -- that's youth and that's love. neither sleep nor waking neither joy nor laughter just tears in the night -- so the rope, paper, knife.
Tadeusz Borowski
The Hopi Indians thought that the world’s religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm.
Elizabeth Gilbert (Eat, Pray, Love)
Like the chosen Shulamite, there will be times when you too will be faced with crude assaults on your virtue, or with solicitations that will be naked attempts to cheapen your marriage. Being polite is one thing, but there comes a time. Even the peace-loving Jesus took a rope to those who disregarded the boundaries of his Father's house. Your house has boundaries too. Do what you must. pg 67
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
You'll skydive, and hang into ravines by thin ropes, and go rafting in the rapids, but you won't... what? Get crazy and reckless with an amazing girl? You won't fall madly out-of-your-brains in love? Let your world as you know it be blown into bits because you fall heart-crushingly head-over-heels for someone?
Jessica Park (Flat-Out Matt (Flat-Out Love, #1.5))
Nothing here is as it seems; Dreams are truths, and truths are dreams. Closed your ears to loved ones' cries; Die if you believe your eyes. Bind with ropes your flesh and blood, And let your guide be made of wood.
Emily Rodda (Rowan of Rin (Rowan of Rin, #1))
All the love the couple showed her had shrunk to the length of this rope, Poonachi thought.
பெருமாள் முருகன் (Poonachi: Or the Story of a Black Goat)
Once released from life, having lost it in such violence, I couldn’t calculate my steps. I didn’t have time for contemplation. In violence it is the getting out that you concentrate on. When you begin to go over the edge, life receding from you as a boat recedes inevitably from the shore, you hold on to death tightly, like a rope that will transport you, and you swing out on it, hoping to land away from where you are.
Alice Sebold (The Lovely Bones)
Matthias nooded, and the bronze girl took a knife to the ropes binding him. “I belive you know Nina,” Brekker continued. “The lovely girl freeing you is Inej, our thief of secrets and the best in the trade. Jesper Fahey is our sharpshooter, Zemeni-born but try not to hold it against him, and this is Wylan, best demolition expert in the Barrel.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Then meditate on your perceptions. The Buddha observed, “The person who suffers most in this world is the person who has many wrong perceptions, and most of our perceptions are erroneous.” You see a snake in the dark and you panic, but when your friend shines a light on it, you see that it is only a rope. You have to know which wrong perceptions cause you to suffer. Please write beautifully the sentence, “Are you sure?” on a piece of paper and tape it to your wall. Love meditation helps you learn to look with clarity and serenity in order to improve the way you perceive.
Thich Nhat Hanh (No Mud, No Lotus: The Art of Transforming Suffering)
Love is the knot you tie in your proverbial rope, to hang on to while God works out His will in your life. You were born to be a blessing.
Charlotte Hubbard (Harvest of Blessings)
I took a step. And then another. And so it went as we followed Father, who had come to take us forever away from Salem. And with every step I thought of my mother's courage as she faced her judges. With every step I thought of her cleaving to the truth even as she fell the short distance of the rope. With every step I thought of her pride, her strength, her love. And with every step I thought, I am my mother's daughter, I am my mother's daughter...
Kathleen Kent (The Heretic's Daughter)
I wanted to spend forever with you at thirteen. Nothing has or ever will change that. Eliza, I love you. And I am unquestionably serious about spending the rest of my life with you.
Aly Martinez (Fighting Silence (On the Ropes, #1))
Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.
Warsan Shire (Teaching My Mother How to Give Birth)
Blay said yet again, that old, familiar voice cutting through all of those years of rejection and judgment, giving him not just a rope of acceptance to hang on to, but a flesh-and-blood hand to lead him out of the darkness of his past… And into a future that didn’t require lies or excuses, because what he was, and what they were, was both extraordinary—and not hing out of the ordinary. Love, after all, was universal.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
As Elijah collapsed, shaking, against him, Baz wrapped his arms around his lover, shut his eyes and let the velvet rope Elijah had used to lead him here settle comfortably around his heart.
Heidi Cullinan (Lonely Hearts (Love Lessons, #3))
I love you, Eliza Reynolds, and if I had my way, I’d lock you up in a room and keep you all for myself. But if you insist on doing that whole ‘living a real life’ thing, I want to go with you.
Aly Martinez (Fighting Silence (On the Ropes, #1))
You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.
Louisa May Alcott (Jo's Boys (Little Women, #3))
Meg allowed the Hunters to grab her and Peaches. Then the Hunters slapped some sort of mechanisms on the sides of their belts and shot back up their ropes as if the laws of gravity were mere recommendations. Motorized winches, I thought, a very nice accessory. If I lived through this, I'm going to recommend that the Hunters of Artemis make T-shirts that read WENCHES WITH WINCHES. I'm sure they'll love that idea.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
All beings so far have created something beyond themselves; and do you want to be the ebb of this great flood and even go back to the beasts rather than overcome man? What is the ape to man? A laughingstock or a painful embarrassment. And man shall be just that for the overman: a laughingstock or a painful embarrassment… (…) Man is a rope, tied between beast and overman—a rope over an abyss… What is great in man is that he is a bridge and not an end: what can be loved in man is that he is an overture and a going under…
Friedrich Nietzsche (Thus Spoke Zarathustra)
Everything has a breaking point. A string of guitar, a heart, when no longer loved; Ropes of anchors holding ships tied, shell of an egg when bringing new life. Breakage is always a path to freedom. Even when falling into stygian gloom.
Tatjana Ostojic
With a gentle push, and a mild arc, the old cowhide globe hits home.” Yo-yoing” Leapin’ leaner” Hippity-hop” Good if it goes!” Frozen rope” Belt-high dribble” It’s in the ol’ refrigerator.” Looking down the barrel” You gotta love it, baby!
Hot Rod Hundley
Friend, hope for the Guest while you are alive. Jump into experience while you are alive! Think... and think... while you are alive. What you call "salvation" belongs to the time before death. If you don't break your ropes while you're alive, do you think ghosts will do it after? The idea that the soul will rejoin with the ecstatic just because the body is rotten-- that is all fantasy. What is found now is found then. If you find nothing now, you will simply end up with an apartment in the City of Death. If you make love with the divine now, in the next life you will have the face of satisfied desire. So plunge into the truth, find out who the Teacher is, Believe in the Great Sound! Kabir says this: When the Guest is being searched for, it is the intensity of the longing for the Guest that does all the work. Look at me, and you will see a slave of that intensity.
Robert Bly
The universe deepened at that moment, the music of the spheres grew from a mere chorus to a symphony as triumphant as Beethoven’s Ninth, and I knew that I would always be able to hear it when I wished or needed to, always be able to Use it to take the step I needed to see the one I loved, or, failing that, step to the place where I had been with the one I loved, or, failing that, find a place to love for its own beauty and richness. The energy of quasars and exploding stellar nuclei filled me then. I was borne up on waves of energy more lovely and more lyrical even than the Ouster angels’ wings seen sliding along corridors of sunlight. The shell of deadly energy that was my prison and execution cell seemed laughable now, Schrödinger’s original joke, a child’s jump rope laid around me on the ground as restraining walls. I stepped out of the Schrödinger cat box and out of Armaghast System.
Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
Even before i had children, I knew that being a parent was going to be challenging as well as rewarding. But I didn't really know. I didn't know how exhausted it was possible to become, or how clueless it was possible to feel, or how, each time I reached the end of my rope, I would somehow have to find more rope. I didn't understand that sometimes when your kids scream so loudly that the neighbors are ready to call the Department of Child Services, it's because you've served the wrong shape of pasta for dinner. I didn't realize that those deep-breathing exercises mothers are taught in natural-childbirth class dont really start to pay off until long after the child is out. I couldn't have predicted how relieved I'd be to learn that other peoples children struggle with the same issues, and act in some of the same ways, mine do. (Even more liberating is the recognition that other parents, too, have dark moments when they catch themselves not liking their own child, or wondering whether it's all worth it, or entertaining various other unspeakable thoughts). The bottom line is that raising kids is not for whimps.
Alfie Kohn (Unconditional Parenting: Moving from Rewards and Punishments to Love and Reason)
Erica, I love you. I never knew you before you had these scars, but that doesn’t mean I won’t spend my entire life trying to erase them from the inside out … Everyone has scars, Erica. Don’t for a second think yours are any different based on how you got them. I love you— scars and all.
Aly Martinez (Among the Echoes (On the Ropes, #0.5))
Tarinthali Ringali, I am, without regrets, your devoted servant. Your wit and intelligence stun me. Your beauty eclipses the sun itself. Your warm personality is enticing, and I highly prize your ability to disembowel anyone stupid enough to wrong you. I want to spend the rest of my life with you, and I selfishly want every part of you. It would be an honor, and my greatest desire, if you would allow me to protect, love, and serve you for the rest of our lives. And if you ever flirt with Eric or drink with another man again, I am going to slaughter them without hesitation.” “I accept. I love you, Captain Arion Herycian.” “And I love you, Tarinthali Ringali.
K.M. Shea (Red Rope of Fate (The Elves of Lessa, #1))
My only one! In your last letter "My head aches my heart is stunned!" you say. "If they hang you, if I lose you;" you say; "I can't live!" You'll live my dearest wife, like a black smoke in the wind my memory will vanish; you'll live, the red-haired sister of my heart at most one year it lasts in the twentieth century the grief of death.. Death a dead body swinging on a rope. My heart doesn't accept such a death.. But be sure that, my love, if some pitiable gypsy's hairy black spider like hand slips the rope around my neck, to see the fear in my blue eyes they'll look in vain at Nâzım! And I, in the twilight of my last morning, shall see my friends and you, and carry only the grief of an unfinished song to the soil... My wife! Good hearted, golden coloured, with eyes sweeter than honey, my bee; why did I write you that they want to hang me, the trial is in the first step and they don't pluck like a turnip the head of a man. Come, forget them all. These are so far away probabilities. If you have some money buy me a flannel underwear, my sciatica is acting up. And don't forget that always there should be good thoughts in the mind of a prisoner's wife.
Nâzım Hikmet
An endless array of teddy bears and stuffed animals, plastic clowns and porcelain dolls, hang on the branches from webby rope. In the human realm, we call them love-worn and threadbare--playthings that were hugged and kissed by a child until the stuffing fell out or the button eyes popped off. Toys that were loved to death.
A.G. Howard (Splintered (Splintered, #1))
...with every step I thought of my mother's courage as she faced her judges. With every step I thought of her cleaving to the truth even as she fell the short distance of the rope. With every step I thought of her pride, her strength, her love. And with every step I thought, I am my mother's daughter, I am my mother's daughter...
Kathleen Kent (The Heretic's Daughter)
Love is inexact, Henry said. It is not a science. It is barely a noun. It means one thing to one person, and one thing to another. It means one thing to one person at one point and then something else at another point. It doesn’t make sense. We are gathered here today to not make sense. We are gathered here today to listen to the ineffable. I’m supposed to be explaining it, but I can’t explain it. I love you, it’s a mystery. Because it’s a mystery, we have to take care of it. Feed it. It can go missing, but we can’t tie it up. We can only tie it to someone else. Other people. Then the world is like this: full of the geometry of my rope tied to you, and to you, and yours tied to him, and to her, and hers to someone else. I love you, it’s a mystery. A moment of silence.
Aja Gabel (The Ensemble)
To be sure, I had, and have, spent the better part of my post-college life growing up in the public eye, with my shameful warts, big and ugly, looming there for the world to see; and it has been a mighty battle trying to be a man, a Black man, a human being, a responsible and consistent human being, as I have interfaced with my past and with my personal demons, with friends and lovers, with enemies and haters. As Tupac Shakur once famously said to me, “There is no placed called careful.” On the one hand, Tupac was right: There is not much room for error in America if you are a Black male in a society ostensibly bent on profiling your every move, eager to capitalize on your falling into this or that trap, particularly keen to swoop down on your self-inflicted mishaps. But by the same token, Tupac was wrong: There can be a place called careful, once one becomes aware of the world one lives in, its potential, its limitations, and if one is willing to struggle to create a new model, some new and alternative space outside and away from the larger universe, where one can be free enough to comprehend that even if the world seems aligned against you, you do not have to give the world the rope to hang you with.
Kevin Powell (Who's Gonna Take the Weight: Manhood, Race, and Power in America)
Elysian Mates are the most unpredictable of all the Star Bonds,” Zenith started. “An Elysian Mate is your absolute perfect match. Your other half, your soul mate, your twin flame, your one true love. It has many names. But in Solaria we call it this. Your Elysian Mate is Star Bound to you somewhere in this world. And if you come into contact with each other, the Zodiac will draw you together like two ends of a rope bound to a turning wheel. And the more time you spend together, the more you will be pulled magnetically and inescapably toward one another. But...
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
He didn't want to think about this, didn't want to feel this, so he thought about the Foxes instead. He clung tight to the memory of their unhesitating friendship and their smiles. He pretended the heartbeat pounding a sick pace in his temples was an Exy ball ricocheting off the court walls. He thought of Wymack holding him up in December and Andrew pushing him down against the bedroom floor. The memories made him weak with grief and loss, but they made him stronger, too. He'd come to the Foxhole Court every inch a lie, but his friends made him into someone real. He'd hit the end of his rope before he wanted to and he hadn't accomplished everything he'd hoped to this year, but he'd done more with his life than he'd ever thought possible. That had to be enough. He traced the outline of a key into his bloody, burnt palm with a shaky finger, closed his eyes, and wished Neil Josten goodbye.
Nora Sakavic (The King's Men (All for the Game, #3))
It must be this overarching commitment to what is really an abstraction, to one's children right or wrong, that can be even more fierce than the commitment to them as explicit, difficult people, and that can consequently keep you devoted to them when as individuals they disappoint. On my part it was this broad covenant with children-in-theory that I may have failed to make and to which I was unable to resort when Kevin finally tested my maternal ties to a perfect mathematical limit on Thursday. I didn't vote for parties, but for candidates. My opinions were as ecumenical as my larder, then still chock full of salsa verde from Mexico City, anchovies from Barcelona, lime leaves from Bangkok. I had no problem with abortion but abhorred capital punishment, which I suppose meant that I embraced the sanctity of life only in grown-ups. My environmental habits were capricious; I'd place a brick in our toilet tank, but after submitting to dozens of spit-in-the-air showers with derisory European water pressure, I would bask under a deluge of scalding water for half an hour. My closet wafter with Indian saris, Ghanaian wraparounds, and Vietnamese au dais. My vocabulary was peppered with imports -- gemutlich, scusa, hugge, mzungu. I so mixed and matched the planet that you sometimes worried I had no commitments to anything or anywhere, though you were wrong; my commitments were simply far-flung and obscenely specific. By the same token, I could not love a child; I would have to love this one. I was connected to the world by a multitude of threads, you by a few sturdy guide ropes. It was the same with patriotism: You loved the idea of the United States so much more powerfully than the country itself, and it was thanks to your embrace of the American aspiration that you could overlook the fact that your fellow Yankee parents were lining up overnight outside FAO Schwartz with thermoses of chowder to buy a limited release of Nintendo. In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting. Earthly countries and single malignant little boys can go to hell; the idea of countries and the idea of sons triumph for eternity. Although neither of us ever went to church, I came to conclude that you were a naturally religious person.
Lionel Shriver (We Need to Talk About Kevin)
The Silken Tent She is as in a field a silken tent At midday when the sunny summer breeze Has dried the dew and all its ropes relent, So that in guys it gently sways at ease, And its supporting central cedar pole, That is its pinnacle to heavenward And signifies the sureness of the soul, Seems to owe naught to any single cord, But strictly held by none, is loosely bound By countless silken ties of love and thought To every thing on earth the compass round, And only by one's going slightly taut In the capriciousness of summer air Is of the slightest bondage made aware.
Robert Frost
Where did my friend go? Was there a place they all gathered, the lost and self destructive? Was there a room they put them in? Necks burnt with rope or holes in their skulls. Beach-water bloated. I will know this at the end of my conversation with life. I will speak and laugh until my tongue falls out and then I will know this. I will know because he will tell me when I see him. How will I enter the theatre? With a hole in my head or exploded by sea. Wrists.
Brendan Cowell (How It Feels)
To Marry One's Soul Being true to who we are means carrying our spirit like a candle in the center of our darkness. If we are to live without silencing or numbing essential parts of who we are, a vow must be invoked and upheld within oneself. The same commitments we pronounce when embarking on a marriage can be understood internally as a devotion to the care of one's soul: to have and to hold … for better or for worse … in sickness and in health … to love and to cherish, till death do us part. This means staying committed to your inner path. This means not separating from yourself when things get tough or confusing. This means accepting and embracing your faults and limitations. It means loving yourself no matter how others see you. It means cherishing the unchangeable radiance that lives within you, no matter the cuts and bruises along the way. It means binding your life with a solemn pledge to the truth of your soul. It is interesting that the nautical definition of marry is “to join two ropes end to end by interweaving their strands.” To marry one's soul suggests that we interweave the life of our spirit with the life of our psychology; the life of our heart with the life of our mind; the life of our faith and truth with the life of our doubt and anxiety. And just as two ropes that are married create a tie that is twice as strong, when we marry our humanness to our spirit, we create a life that is doubly strong in the world.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Whats the Use of a Title?" They don’t make it the beautiful die in flame— suicide pills, rat poison, rope what— ever... they rip their arms off, throw themselves out of windows, they pull their eyes out of the sockets, reject love reject hate reject, reject. they don’t make it the beautiful can’t endure, they are butterflies they are doves they are sparrows, they don’t make it. one tall shot of flame while the old men play checkers in the park one flame, one good flame while the old men play checkers in the park in the sun. the beautiful are found in the edge of a room crumpled into spiders and needles and silence and we can never understand why they left, they were so beautiful. they don’t make it, the beautiful die young and leave the ugly to their ugly lives. lovely and brilliant: life and suicide and death as the old men play checkers in the sun in the park.
Charles Bukowski (Burning in Water, Drowning in Flame)
Lady Sarah steps in, wearing her nightclothes under a fluffy ivory robe and a chastising expression. Behind her glasses, her eyes narrow on Henry. “So this is how it’s going to be, then? Married only a few days and I already have to search the palace to drag my husband to bed?” Henry goes to Sarah, like an invisible rope is reeling him to her. “Dragging me to your bed is something you’ll never have to do, love. You can even tie me there whenever you like, and I’ll be happy to reciprocate.” He kisses her mouth, as she blushes deep and bright. She leans back. “Then why are you down here instead of up there with me?” “There was an emergency.” “What kind of an emergency?” “You’re not going to believe it.” “Try me.” “Logan and Ellie are fucking.” She automatically glances at me, and her cheeks deepen to a shade of crimson. “I’m sure there’s a more delicate way to word that, Henry.” Henry nods, soberly. “You’re right, I’m sorry. Let me try again: Logan and Ellie are humping, like insatiable randy bunnies, all over the palace.” Sarah shakes her head. “You’re hopeless.” The Prince grins broadly. “It’s part of my charm.” “What am I going to do with you?” Henry kisses her again. “Take me to bed. Obviously.
Emma Chase (Royally Endowed (Royally, #3))
For a long time, she sat and saw. She had seen her brother die with one eye open, on still in a dream. She had said goodbye to her mother and imagined her lonely wait for a train back home to oblivion. A woman of wire had laid herself down, her scream traveling the street, till it fell sideways like a rolling coin starved of momentum. A young man was hung by a rope made of Stalingrad snow. She had watched a bomber pilot die in a metal case. She had seen a Jewish man who had twice given her the most beautiful pages of her life marched to a concentration camp. And at the center of all of it, she saw the Fuhrer shouting his words and passing them around. Those images were the world, and it stewed in her as she sat with the lovely books and their manicured titles. It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words.
Markus Zusak (The Book Thief)
We’re almost there, Gabriel,” he whispered, feeling quite certain without knowing why. “I remember this place, Gabe.” And it was true. But it was not a grasping of a thin and burdensome recollection; this was different. This was something that he could keep. It was a memory of his own. He hugged Gabriel and rubbed him briskly, warming him, to keep him alive. The wind was bitterly cold. The snow swirled, blurring his vision. But somewhere ahead, through the blinding storm, he knew there was warmth and light. Using his final strength, and a special knowledge that was deep inside him, Jonas found the sled that was waiting for them at the top of the hill. Numbly his hands fumbled for the rope. He settled himself on the sled and hugged Gabe close. The hill was steep but the snow was powdery and soft, and he knew that this time there would be no ice, no fall, no pain. Inside his freezing body, his heart surged with hope. They started down. Jonas felt himself losing consciousness and with his whole being willed himself to stay upright atop the sled, clutching Gabriel, keeping him safe. The runners sliced through the snow and the wind whipped at his face as they sped in a straight line through an incision that seemed to lead to the final destination, the place that he had always felt was waiting, the Elsewhere that held their future and their past. He forced his eyes open as they went downward, downward, sliding, and all at once he could see lights, and he recognized them now. He knew they were shining through the windows of rooms, that they were the red, blue, and yellow lights that twinkled from trees in places where families created and kept memories, where they celebrated love. Downward, downward, faster and faster. Suddenly he was aware with certainty and joy that below, ahead, they were waiting for him; and that they were waiting, too, for the baby. For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps it was only an echo.
Lois Lowry (The Giver (The Giver, #1))
Grace is more than being lucky to be on God’s side. Grace is God’s goodness showered on people who have failed. Grace is God’s love on those who think they are unlovable. Grace is God knowing what we are designed to be. Grace is God believing in us when we have given up. Grace is someone at the end of their rope finding new strength. But there’s more to grace. Grace is both a place and a power. Grace is God unleashing his transforming power. Grace realigns and reroutes a life and a community. Grace is when you turn your worst enemy into your best friend. Grace takes people as they are and makes them what they can be. Grace ennobles; grace empowers. Grace forgives; grace frees. Grace transcends, and grace transforms.
Scot McKnight (A Fellowship of Differents: Showing the World God's Design for Life Together)
I believe in God and evolution. / I believe in the Bible and the Qur’an. / I believe in Christmas and he New World. / I believe that there is good in each of us / no matter who we are or what we believe in. / I believe in the words of my grandfather. / I believe in the city and the South the past and the present. / I believe in Black people and White people coming together. / I believe in nonviolence and “Power to the People.” / I believe in my little brother’s pale skin and my own dark brown. / I believe in my sister’s brilliance and the too-easy books I love to read. / I believe in my mother on a bus and Black people refusing to ride. / I believe in good friends and good food. I believe in johnny pumps and jump ropes, / Malcolm and Martin, Buckeyes and Birmingham, / Writing and listening, bad words and good words – / I believe in Brooklyn! I believe in one day and someday and this perfect moment called Now.
Jacqueline Woodson (Brown Girl Dreaming)
Brandon, until this very moment, the world and the people in it have always been dark and incomprehensible to me, and I've tried to clear my way with logic and superior intellect, and you've thrown by own words right back in my face; you've given my words a meaning that I never dreamed of, and you tried to twist them into a cold logical excuse for your ugly murder! Tonight you've made me ashamed of every concept I've ever had, of superior or inferior beings, but I thank you for that shame, because now I know that we're each of us a separate human being, Brandon, with the right to live and work and think as individuals, but with an obligation to the society that we live in. By what right do you dare say that there's a superior few to which you belong? By what right did you dare decide that that boy in there [he's referencing the dead body of "David," lying in a trunk in the middle of the room] was inferior and therefore could be killed? Did you think you were God Brandon? Is that what you thought when you choked the life out of him? Is that what you thought when you served food from his grave! I don't know what you thought or what you are, but I know what you've done—YOU'VE MURDERED! You've strangled the life of a fellow human being who could live and love as you never could... and never will again!
Arthur Laurents
Let me be the first to say that I know the name for everything and if I don’t I’ll make them up: dukkha, naufragio, talinhaga. Just like the young whose hearts give no shame, I love the excesses of beauty, there is never enough sunlight in the world I will live in, never enough room for love. I fear none of us will last long enough to prove what I’ve always suspected, that the sky is a membrane in an angel’s skull, trees talk to each other at night, ice is water in a state of silence, the embryo listens to everything we say. I am afraid for the child skipping rope on the corner of my street, the girl on the train with flowers in her hair, the man whose memory is entirely in Spanish. I am more afraid of losing consciousness when I go to sleep, or that in my sleep I will grow old and forget how desire once drove me mad with wakefulness. Just like the perfect seasons they will die and I will die and you will die also; no one knows who will go first, and this is the source of all my grief.
Eric Gamalinda
But we can certainly play hangman, the national preteen sport. I guess a letter, then another, then stumble on the third. My heart is not in the game. Grief surges over me. His face not two feet from mine, my son Théophile sits patiently waiting—and I, his father, have lost the simple right to ruffle his bristly hair, clasp his downy neck, hug his small, lithe, warm body tight against me. There are no words to express it. My condition is monstrous, iniquitous, revolting, horrible. Suddenly I can take no more. Tears well and my throat emits a hoarse rattle that startles Théophile. Don’t be scared, little man. I love you. Still engrossed in the game, he moves in for the kill. Two more letters: he has won and I have lost. On a corner of the page he completes his drawing of the gallows, the rope, and the condemned man.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Like a lot of gym teachers, Coach Babcock loved to torture his students. He felt he had failed as a teacher if his students didn't cry out for mercy. He often bragged that he held the school district's record for causing the most hysterical breakdowns in one afternoon. He used such classic forms of torture as weight training, wrestling, long-distance running, rope climing, wind spirits, chin-ups, and the occasional game of wet dodgeball (the wet ball was superloud when it hit a kid, and it left a huge red welt). But his favorite device of torment was so horrible, so truly evil, that it would drive most children to the brink of madness. It was the square dance. For six weeks of the school year, his students suffered through the Star Promenade, the Slip the Clutch, and the Ferris Wheel. As Babcock saw it, square dancing was the most embarrassing and uncomfortable form of dancing ever created, and a perfect way to prepare his students for the crushing heartbreak of life. Square dancing was a metaphor for like- you got swung around and just when you thought you were free, you got dragged back into the dance. He really thought he was doing the kids a favor.
Michael Buckley (M Is for Mama's Boy (NERDS, #2))
A good way to fall in love is to turn off the headlights and drive very fast down dark roads. Another way to fall in love is to say they are only mints and swallow them with a strong drink. Then it is autumn in the body. Your hands are cold. Then it is winter and we are still at war. The gold-haired girl is singing into your ear about how we live in a beautiful country. Snow sifts from the clouds into your drink. It doesn’t matter about the war. A good way to fall in love is to close up the garage and turn the engine on, then down you’ll fall through lovely mists as a body might fall early one morning from a high window into love. Love, the broken glass. Love, the scissors and the water basin. A good way to fall is with a rope to catch you. A good way is with something to drink to help you march forward. The gold-haired girl says, Don’t worry about the armies, says, We live in a time full of love. You’re thinking about this too much. Slow down. Nothing bad will happen.
Kevin Prufer
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Tsundoku (Japanese) Buying books and not reading them; letting books pile up on shelves or floors or nightstands. My parents used to joke about making furniture out of them; instead of being coffee table books, they could be the coffee table. Ditto on nightstands, counters, roofs. When we were kids, my brother and I, teased about always reading, built a wall. Right through the middle of the neighborhood, protected ourselves with fiction and with facts. I loved the encyclopedias best; the weight of them, how my grandmother made me walk with one on my head to practice being a lady. It wasn’t until college that I built a grand stairway out of them; their glossy blue jackets looked like marble in the moonlight. I climbed it, to the top of the wall. Peering over, I found you, on the other side, alone in your bed, asleep. That was the first time you dreamed me. In your dream, you told me not to jump. But to be patient. (We were young then, it would be years before we’d meet) and then this morning, I found you in my bedroom. In your hands, How to Rope and Tie a Steer, a mug of coffee, a piece of slightly burned toast. I took The Sun Also Rises from the wall, made the first window into your heart.
Julia Klatt Singer (Untranslatable)
The essence of the suicides consisted not of sadness or mystery but simple selfishness. The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind. What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself. Her brain going dim to all else, but flaming up in precise points of pain, personal injury, lost dreams. Every other loved one receding as though across a vast ice floe, shrinking to black dots waving tiny arms, out ofhearing. Then the rope thrown over the beam, the sleeping pill dropped in the palm with the long, lying lifeline, the window thrown open, the oven turned on, whatever. They made us participate in their own madness, because we couldn't help but retrace their steps, rethink their thoughts, and see that none of them led to us. We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm. And we had to smear our muzzles in their last traces, of mud marks on the floor, trunks kicked out from under them, we had to breathe forever the air of the rooms in which they killed themselves. It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out ofthose rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will.
Jeffrey Eugenides (The Virgin Suicides)
Vulnerability is usually attacked, not with fists but with shaming. Many children learn quickly to cover up any signs of weakness, sensitivity, and fragility, as well as alarm, fear, eagerness, neediness, or even curiosity. Above all, they must never disclose that the teasing has hit its mark. Carl Jung explained that we tend to attack in others what we are most uncomfortable with in ourselves. When vulnerability is the enemy, it is attacked wherever it is perceived, even in a best friend. Signs of alarm may provoke verbal taunts such as “fraidy cat” or “chicken.” Tears evoke ridicule. Expressions of curiosity can precipitate the rolling of eyes and accusations of being weird or nerdy. Manifestations of tenderness can result in incessant teasing. Revealing that something caused hurt or really caring about something is risky around someone uncomfortable with his vulnerability. In the company of the desensitized, any show of emotional openness is likely to be targeted. The vulnerability engendered by peer orientation can be overwhelming even when children are not hurting one another. This vulnerability is built into the highly insecure nature of peer-oriented relationships. Vulnerability does not have to do only with what is happening but with what could happen — with the inherent insecurity of attachment. What we have, we can lose, and the greater the value of what we have, the greater the potential loss. We may be able to achieve closeness in a relationship, but we cannot secure it in the sense of holding on to it — not like securing a rope or a boat or a fixed interest-bearing government bond. One has very little control over what happens in a relationship, whether we will still be wanted and loved tomorrow. Although the possibility of loss is present in any relationship, we parents strive to give our children what they are constitutionally unable to give to one another: a connection that is not based on their pleasing us, making us feel good, or reciprocating in any way. In other words, we offer our children precisely what is missing in peer attachments: unconditional acceptance.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
A.C. Gaughen (Lion Heart (Scarlet, #3))