Rolling Pin Quotes

We've searched our database for all the quotes and captions related to Rolling Pin. Here they are! All 100 of them:

Right, sure. Because there's no girls in politics! I have no interest. Voting? What? I forgot my apron. I think I ought to be in the kitchen right now, actually. My rolling pin-
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Baravetto was unconscious when we found him," Hi said. "What'd you do to the guy?" "Kicked him in the balls, then brained him with a rolling pin. Twice.
Kathy Reichs (Virals (Virals, #1))
You don't ever want to be the wife who keeps her husband from playing poker - you don't ever want to be the shrew with the curlers and the rolling pin. So you swallow your disappointment and say okay.
Gillian Flynn (Gone Girl)
He blows out a breath, takes a step toward me. The hallway is so narrow that I’m pinned between the wall and his body, heat rolling off him in waves. “Yeah,” he says, voice low. “I feel things.” His green eyes burn. It’s the most emotion I’ve seen from him so far, and I have trouble taking a full breath, my lungs compressed with tension. “That’s the whole point, Ivy. I want you to feel them, too.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
Tom said to himself that it was not such a hollow world, after all. He had discovered a great law of human action, without knowing it -- namely, that in order to make a man or a boy covet a thing, it is only necessary to make the thing difficult to attain. If he had been a great and wise philosopher, like the writer of this book, he would now have comprehended that Work consists of whatever a body is obliged to do, and that Play consists of whatever a body is not obliged to do. And this would help him to understand why constructing artificial flowers or performing on a tread-mill is work, while rolling ten-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service, that would turn it into work and then they would resign.
Mark Twain (The Adventures of Tom Sawyer)
Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead – And wasn’t it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time...
Ray Bradbury (Something Wicked This Way Comes)
Gabriel came out a moment later, while Kaitlyn was still standing motionless by the stairs. He was shrugging into his T-shirt. He looked particularly handsome in a just-roused, early morning way. His hair was very wavy, as if someone had run fingers through it to release the curl, his eyes were hooded and lazy and there was a faint smile of satisfaction on his lips. Kaitlyn discovered that she wanted to kill him. The image that came to her mind was of hitting him with a rolling pin, but not in an amusing, comic-book sort of way.
L.J. Smith (The Passion (Dark Visions, #3))
If you knew the trouble we’ve had because Howl will keep falling in love like this! We’ve had lawsuits, and suitors with swords, and mothers with rolling pins, and fathers and uncles with cudgels. And aunts. Aunts are terrible. They go for you with hat pins.
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
he would now have comprehended that work consists of whatever a body is obliged to do, and that play consists of whaterver a body is not obliged to do. And this would help him to understand why construcing artificial flowers or performing on a tread-mill, is work, whilst rolling nine-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service that would turn it into work, then they would resign.
Mark Twain (The Adventures of Tom Sawyer)
There. What do you think?" he takes half a step back and i look at myself in the mirror again. Somehow, he has managed where i failed to roll my hair an pin it low on my neck. The curl that keeps escaping has now been positioned behind my ear. "Not bad," i say. "You know if the musician thing doesn't work out, you could always be a-" Behind me Gabriel makes a stabbing motion over his heart.
Carolyn MacCullough (Once a Witch (Witch, #1))
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now. Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment. My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin. Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen. So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done. Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
You won't believe the amount of trouble we get because Howl keeps falling in love," Michael said, "We've had law suits, suitors with challenges, fathers with cudgels, mothers with rolling pins. And aunts. Aunts are terrible, they go for you with hat pins.
Diana Wynne Jones
Walls keep you from seeing things. They help make things less real. Sure, maybe you hear loud, sharp noises outside some nights. But it’s easy to tell yourself that those aren’t gunshots, that there’s no need to call the police, no need to even worry. It’s probably just a car backfiring. Sure. Or a kid with fireworks. There might be loud wailing or screams coming from the apartment upstairs, but you don’t know that the drunken neighbor is beating his wife with a rolling pin again. It’s not really any of your business, and they’re always fighting, and the man is scary, besides. Yeah, you know that there are cars coming and going at all hours from your neighbor’s place, and that the crowd there isn’t exactly the most upright-looking bunch, but you haven’t seen him dealing drugs. Not even to the kids you see going over there sometimes. It’s easier and safer to shut the door, be quiet, and turn up the TV. We’re ostriches and the whole world is sand.
Jim Butcher (Small Favor (The Dresden Files, #10))
Friend of fatherless! Fountain of happiness! Lord of the swill-bucket! Oh, how my soul is on Fire when I gaze at thy Calm and commanding eye. Like the sun in the sky, Comrade Napoleon! Thou are the giver of All thy creatures love, Full belly twice a day, clean straw to roll upon; Every beast great or small, Sleeps at peace in his stall, Thou watchest over all, Comrade Napoleon! Had I a sucking-pig, Ere he had grown as big Even as a pint bottle or a a rolling-pin He should have learned to be Faithful and true to thee, Yes, his first squeak should be Comrade Napoleon!
George Orwell (Animal Farm)
When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
Audrey Niffenegger (The Time Traveler's Wife)
With only hook latches for locks, Louise took to sitting by the front door on an apple box with a rolling pin in her hand, ready to brain any prowlers who might threaten her children.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
He lifted his hands to his face and rubbed, muttering under them, “Fuck me.” I rolled to my side, got up on an elbow and requested to know, “If I try to leave and go find Darius, are you going to pin me to the bed again?” He removed his hands from his face and locked eyes with me. “Fuck yes.
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
If we encounter heretics while on the search for our brave Priestess, we will smite them down with the Fury of a Thousand Angry Rolling Pins!” squeaked the mouse. “Don’t know what that means, really. I’ve got to assume it’s pretty dire, since it’s coming from a talking mouse,” said Uncle Mike.
Seanan McGuire (Midnight Blue-Light Special (InCryptid, #2))
woman’s mouth opened and she brandished the rolling pin over her head like a Highland warrior. “PERVERRRRRRRT!” she screamed, and then she ran at him, clubbing him wherever she could reach. Edward
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
This was Confection, land of the culinary art become miracle; land of lonely children whose hands itched for pie tins or rolling pins, for the comfortable predictability of timers and sugar scoops and heaping cups of flour. This was a land where perfectly measured ingredients created nonsensical towers of whimsy and wonder - and maybe that was why they could be here, logical creatures that they were, without feeling assaulted by the world around them.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
Fat Charlie was thirsty and his head hurt and his mouth tasted evil and his eyes were too tight in his head and all his teeth twinged and his stomach burned and his back was aching in a way that started around his knees and went up to his forehead and his brains had been removed and replaced with cotton balls and needles and pins which was why it hurt to try and think, and his eyes were not just too tight in his head but they must have rolled out in the night and been reattached with roofing nails; and now he noticed that anything louder than the gentle Brownian motion of air molecules drifting softly past each other was above his pain threshold. Also, he wished he were dead.
Neil Gaiman (Anansi Boys)
Why the rolling pin and not a knife?” he asked, his voice raspy with the need for action. She looked at him for the first time since she’d seen his face on the stairs. “A knife wouldn’t even slow him down, but bones take time to heal.” He liked that. Who’d have thought he’d get turned on by a woman with a rolling pin? “All right,” he said. “All right.
Patricia Briggs (Alpha & Omega (Alpha & Omega, #0.5))
There are map people whose joy is to lavish more attention on the sheets of colored paper than on the colored land rolling by. I have listened to accounts by such travelers in which every road number was remembered, every mileage recalled, and every little countryside discovered. Another kind of traveler requires to know in terms of maps exactly where he is pin-pointed at every moment, as though there were some kind of safety in black and red lines, in dotted indications and squirming blue of lakes and the shadings that indicate mountains. It is not so with me. I was born lost and take no pleasure in being found, nor much identification from shapes which symbolize continents and states.
John Steinbeck
He grabbed a rolling pin from the countertop and, with much more force than necessary, smashed her teeth into tiny fragments. He pulled the cloth containing her teeth from her throat, folded it up neatly and put it in his bag. He didn’t want anyone finding his DNA in her mouth.
John Marrs (The One)
If he scratches my baby . . .” Ben tried to scowl, but it didn’t take. He seemed relieved. And still hadn’t let go of my hand. I heard a shoe scuff the ground. Shelton and Hi were standing across from Ben and me. Shelton took a deep breath. “So it’s like that, huh?” “Guys.” I felt my stomach lurch. “I know this is weird. Ben and I, we—” Hi’s face was pained. “I don’t even get a chance? No shot to say how I feel?” My head jerked back. “What?” “So it’s all decided.” Shelton sullenly kicked a rock, his voice resentful. “What does Ben have that I don’t?” I stared, openmouthed. Hi dropped to a knee and pinned me with solemn eyes. “I can’t hide it anymore, Victoria. You need to know the truth. I love you, too. Forever and ever. I want to be your sweet babushka.” My mind reeled. “Hi, I . . . I didn’t—” “I’m gonna wring your stupid necks.” Ben’s face was burning. Hi burst out laughing, rolling away from his kick. I glanced at Shelton, who was trying—and failing—to hold it together. “I love you, Tory Brennan!” Hi bounced to his feet, ready to bolt at Ben’s slightest twitch. “Let me rub your supple feet!” I covered my face with both hands. “Oh God.
Kathy Reichs (Terminal (Virals, #5))
Life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube! Now as I climb this mountain, from the top of which I shall see Africa, my mind is printed with brown-paper parcels and your faces. I have been stained by you and corrupted. You smelt so unpleasant, too, lining up outside doors to buy tickets. All were dressed in indeterminate shades of grey and brown, never even a blue feather pinned to a hat. None had the courage to be one thing rather than another. What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you changed me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into wastepaper baskets with your greasy paws. Yet those were my life.
Virginia Woolf (The Waves)
My grandpa sells condoms to sailors, He punctures the tips with a pin, My grandma does back-street abortions, My God how the money rolls in.
Neil Gaiman (The Monarch of the Glen (American Gods, #1.1))
Negotiating the Goodreads interface is like returning a giraffe's eyelashes to their follicles after a Napalm attack using only a rolling pin and a bucket.
Steve Whitmore
Then Sister Aquinata abandoned the nonviolent methods and produced a rolling pin from somewhere.
Mary Robinette Kowal (Valour and Vanity (Glamourist Histories, #4))
His mother warned me that I'd need to take up the rolling pin if I married him. I thought she meant so that I could share his passion as a baker, but I've since come to learn otherwise.
Rachel R. Smith (Reflection: The Stranger in the Mirror (Records of the Ohanzee #1))
The 5 Second Rule.” Just like NASA uses a 5-4-3-2-1 countdown to launch a rocket, I counted down 5-4-3-2-1 to launch myself into action before my negative thoughts pinned me down. I’m dead serious. Alarm rings. No staring at the ceiling. No panic attack. No snooze button. No rolling over and shoving your head under the pillow to blot out the day. 5-4-3-2-1: kick your own ass.
Mel Robbins (The High 5 Habit: Take Control of Your Life with One Simple Habit)
but I think saying skedaddle is the last thing you should worry about, here. You actually attacked him with a rolling pin? Why the hell were you hiding a rolling pin in the bathroom to begin with?
Ella Maise (The Hardest Fall)
I would never disrespect your grandmother’s rolling pin. Your old pack did everything in their power to turn you into a victim, and when that crazy wolf started for me, you still grabbed the rolling pin to defend me from him, even though you were terrified of him. I think it is the bravest thing I have ever seen. And possibly the only time anyone has tried to defend me since I reached adulthood.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
I'll remember your words," he told her with returned seriousness, though he pictured Anna taking her grandmother's rolling pin after the ghosts who haunted him, and it made him want to...smirk again.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
I groaned,holding my stomach. "Easton Heights never covered this.Cue dramatic voice-over: 'On the next all-new episode: Halloween gone dangerously wrong. Carys consumes lethal amounts of sugar. Will she live to see Homecoming? And,more terrifying,Will anyone ask her now that she's gained three pounds?'" Arianna frowned as she pinned my wig into place. "No one made you eat an entire bag of Tootsie Rolls.
Kiersten White (Supernaturally (Paranormalcy, #2))
He rolled on top of her, his weight pinning her against the bed. His hands cupped her face, tilting her head back. “I missed ­you—fuck, why can’t I stop thinking about you?” he muttered, his voice low and harsh, demanding.
Shiloh Walker (The Departed (FBI Psychics, #2))
Hostel is one phase in a man's life that teaches him what Indian mothers fail to teach their children despite the use of potential weapons like rolling pin,broom stick, wiper so on and henceforth. Who knows if you are luckier, you might just experience your bachelorhood as a paying guest.
Parul Wadhwa (The Masquerade)
But we’re not outnumbered!” a voice called out from behind the soldiers. Lampton and his soldiers turned toward the voice and they saw it wasn’t alone. Slowly emerging from behind the Charming Palace and from the streets surrounding the capital were hundreds and hundreds of civilians. The men and women carried pots and pans, pitchforks and hoes, rolling pins and knives, scissors and shears, mops and buckets. They were bakers and farmers, locksmiths and seamstresses, teachers and butchers, maids and butlers—and they all had come to stand proudly with the soldiers of their kingdom. “What’s going on?” Xanthous asked the civilians. “We’ve come to join the fight!” a farmer declared, and all the men and women of his party cheered. “This is our home, too!” a seamstress yelled. “We won’t let our kingdom fall into the hands of anyone else but our king and queen,” a butcher shouted.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
Your beast come out?” the King said. “Nah, I sneezed.” Black brows lifted over the wraparounds. “Really? I didn’t know your nose had that kind of firepower.” “It doesn’t,” V answered as he took out a hand-rolled. “He had an oopsie.” “Do you need gun practice—” “You would have sneezed, too,” Rhage interrupted the King. “And no, I don’t need to go to the range. Well, unless Lassiter has a target on his ass—” “I’ll volunteer the angel right here, right now.” V parked it on the far side of the desk. “And can I be the one with the stapler, pinning the tail on his donkey? ’Cuz I’ll tell you right now, I’ma hit that Stanley until the thing jams.
J.R. Ward (The Wolf (Black Dagger Brotherhood: Prison Camp, #2))
In my dream, the ghost of history lies down beside me, rolls over, pins me beneath a heavy arm.
Natasha Trethewey (Native Guard: Poems)
EARLY IN THE MORNING While the long grain is softening in the water, gurgling over a low stove flame, before the salted Winter Vegetable is sliced for breakfast, before the birds, my mother glides an ivory comb through her hair, heavy and black as calligrapher’s ink. She sits at the foot of the bed. My father watches, listens for the music of comb against hair. My mother combs, pulls her hair back tight, rolls it around two fingers, pins it in a bun to the back of her head. For half a hundred years she has done this. My father likes to see it like this. He says it is kempt. But I know it is because of the way my mother’s hair falls when he pulls the pins out. Easily, like the curtains when they untie them in the evening.
Li-Young Lee (Rose)
True story: Some homeowner’s burning a yard pile just like this one. And he goes inside for lemonade and opens the cabinet under the sink to toss something in the trash, and this rat’s down in the bottom, gnawing a chicken bone. The rat had been driving the guy crazy for months, living in the walls and scampering through the attic at night like it had combat boots. So the guy grabs a rolling pin and beats it to death. Then he takes it outside and throws it on the burning pile.” “Good story,” said Coleman. “What’s the problem?” “The rat’s not dead. The heat wakes him up. It jumps off the pile and makes a beeline for the house. Except now its fur’s on fire. The homeowner tries to intercept, but it zips between his legs, runs back inside and gets in the walls. Ignited the insulation. Whole place burned down.
Tim Dorsey (Atomic Lobster Free with Bonus Material)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
He bent his head, bringing his lips near her ear. “Talk of the future confuses you, I know. But I think about it all the time." His hands moved slowly down her bare arms. “When the time is right, when it’s our time, I want to undress you – slowly – in front of the fire. Slowly, one item at a time. I want to roll down your stockings and unlace your corset. I want to slowly take the pins out of your hair and catch the weight of it in my hands. Then I want to learn the feel of every inch of you.
Maggie Osborne (Shotgun Wedding)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
Then I grab her. I can’t help it. I grab her and pull her against me. I need to feel her, to touch her, to smell her. I kiss her, because I really need to taste her. I hear the tiny little noises she makes when she’s excited, and she growls against my lips. The coach barks out, “Knock it off, Reed!” I lift my head, but I imagine I have stars flying around my head like Sylvester the cat after he gets hit with a rolling pin. “But she’s Mrs. Reed, coach!” I call back. “Congratulations,” he says drolly. But he’s smiling too. “Now get a room.” My
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
When I had arrived at the horse farm, I had faith. I believed in rock ’n’ roll, the Western dream, and the equality of man. But most of all I believed in a worldwide dragnet for an Arab fugitive and that temperature checks at every border would keep the pin in the grenade. By the
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
Don't believe vegetarians who tell you that meat has no flavor, that it comes from the spices or the marinade. The flavor is already there: earth and metal, salt and fat, blood. My favorite meat is chicken. I can eat a whole bird standing up in the kitchen, straight from the oven, burning my bare hands on its flesh. Anyone can roast a chicken, it is a good animal to cook. Lamb, on the other hand, is much harder to get right. You have to lock in the flavor, rubbing it with sea salt like you are exfoliating your own drying skin, tenderly basting it in its own juices, hour after hour. You have to make small slits across the surface of the leg, through which you can insert sprigs of rosemary, or cloves of garlic, or both. These incisions should run against the grain, in the opposite direction to which the muscle fibers lie. You can tell the direction better when the meat is still uncooked, when it is marbled and raw. It is worth running your finger along those fibers, all the way from one end to the other. This doesn't help with anything. It won't change how you cook it. But it is good to come to terms with things as they are. Preparing meat is always an act of physical labor. Whacking rib eye with a rolling pin. Snapping apart an arc of pork crackling. And there is something inescapably candid about it, too. If you've ever spatchcocked a goose- if you've pressed your weight down on its breastbone, felt it flatten and give, its bones rearranging under your hands- you will know what I am talking about. We are all capable of cruelty. Sometimes I imagine the feeling of a sliver of roast beef on my tongue: the pink flesh of my own body cradling the flesh of something else's. It makes sense to me that there is a market for a vegetarian burger that bleeds.
Lara Williams (Supper Club)
a small but functional kitchen which seemed overwhelmed by the sheer volume of assorted cookware. Pots, pans, cutting boards, strainers, even a damn rolling pin lay strewn about—as if at any moment Suzy Homemaker might burst in to bake us a fucking souffle. Now, before you start defending your God-given right to bear Teflon, keep in mind I have nothing against people who religiously cook their own meals—I simply don’t understand them. Especially my fellow city dwellers. I mean, why waste all that time preparing dinner when you live in a town chock full of restaurants and bars that deliver damn near 24/7?
Shayne Silvers (Witches Brew (The Phantom Queen Diaries, #6))
He reached up to gently pull the elastic from my hair, combing his fingers through the waves as they splayed over my shoulders. Even that massage on my scalp felt good, and I closed my eyes, swaying into him. "You're so beautiful," he murmured against my mouth, his hands still in my hair as he kissed me. This kiss was different from the ones in the pool, somehow--- slower, more exploratory, as though he had all the time in the world and he wanted to spend it with me. Meanwhile, I felt restless and pent-up and like if I didn't have him inside me right then I would explode. My insistent hands on his towel and underwear must've given him the hint, because within five seconds we were both naked and twined together on the bed, kissing and touching everywhere we could. I took the hard length of him in my hand, and he shuddered against me as I rubbed my thumb along the silky head of his cock. "Ah," he said, his voice sounding strangled. "I won't last long if you keep doing that." "What, this?" I said, and did it again. I liked seeing him this way, out of control, his eyes glittering and wild in the low light of the room. But then he turned the tables on me, flipping me over so I was pinned on my back, and he kissed his way down my throat, stopping to suck one aching nipple in his mouth, roll his tongue along the swell of my stomach before he found my clit. I bucked involuntarily, my hips grinding into him as if my body knew it needed more even before my mind did. He licked and sucked, his tongue doing wicked things inside me, until there was no way I could hold myself back even if I wanted to. I clenched at the sheets, gasping as I felt my orgasm shockwave through me.
Alicia Thompson (Love in the Time of Serial Killers)
It looks as though your shop is doing well,” Luka said, gazing around. “Could you help me find a gift for a lady friend of mine?” My heart plunged to my green satin slippers, and I had to stare down at Azarte for a minute, petting him hard. Naturally Luka had a “lady friend.” She was probably nobly born: the daughter of a count or a duke. I imagined her having thick dark hair and clear skin, and was bitterly jealous. “Of c-course,” I stammered after a time. “What would she like? A gown? A sash?” If she came in for a fitting, I decided to “accidentally” poke her with every pin. “Hmm, well, she is wearing a lovely gown today,” he said. “Although no sash.” So. He’d already seen her today, and it was not yet noon. I rubbed Azarte’s ears furiously. “What color is her gown?” “It’s sort of green, with more green, and the design looks like stained glass windows,” he said. “It’s very beautiful, like her.” I stopped petting the dog and looked up at him, not sure what I was hearing. “Oh?” My heart thumped painfully. “Yes, so perhaps she doesn’t need a sash after all. No sense gilding the lily.” He gave a melancholy sigh. “But I really would love to give her a very special gift. I was hoping if I did, she might give me a kiss in return, instead of the brotherly hugs I always get instead.” I raised my eyebrows, trying for casual interest even though I could feel my pulse beating in the blood rushing to my cheeks. “I know!” Luka snapped his fingers. “Forget a sash. I’ll give her this!” And with a flourish, he pulled a roll of parchment from his belt pouch. More confused than ever, I unrolled the paper and read. It was a letter from a priest in the Southern Counties, addressed to King Caxel. In it the priest begged for a grant of money. They had recently built a large chapel, the finest that had ever been dedicated to the Triune Gods in that region, and it had only been completed the year before. “But we do need another grant from the crown,” the priest wrote. “For a most heinous act of vandalism has taken place. Our rose-glass window, which illuminates the Triple Altar in glorious colors pleasing to the gods, has been stolen. It was removed from its frame the night before last, and not a pane of it can be found.” “Shardas?” I looked up at Luka with my eyes brimming. “Shardas!” “I have a pair of horses waiting outside,” Luka said. “We can be at Feniul’s cave by nightfall.” I threw my arms around him again, and this time I gave him the kiss he’d been waiting for.
Jessica Day George (Dragon Slippers (Dragon Slippers, #1))
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child. When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
Samantha Harvey (Orbital)
Blaze grabbed a hammer off the front cargo bin, swiveled, and slammed the head into Jack’s fingers.  Jack swore and released the 4-wheeler, which suddenly lunged forward, and Blaze, with only one hand on the handlebars, accidentally pulled it sideways, and the machine hit the side, rolled, threw her off the seat, and ended up on its side, pinning her body under a tire. A few seconds later, Jack walked up, sucking on his knuckles, glaring at her. Blaze, who had been unable to push the thing off of her, and was finding it hard to breathe, just glowered up at him. Jack took the machine in one hand, lifted it, still sucking on his knuckles, and set it right-side up beside her.  Scowling, he bent and offered a palm, lips still wrapped around
Sara King (Alaskan Fire (Guardians of the First Realm, #1))
It's not the cold that makes you sleep yourself to death in the Arctic, it's the smooth pallor of the landscape, and the desert has that same smooth pallor, though Arabic. It's the whiteness, the sameness of everything, that makes you fall asleep out of life, parched or frozen and so so comfortable when you finally let it roll over your mind, like a rolling-pin over dough.
Ann-Marie MacDonald (Fall on Your Knees)
FAT CHARLIE WAS THIRSTY. Fat Charlie was thirsty and his head hurt. Fat Charlie was thirsty and his head hurt and his mouth tasted evil and his eyes were too tight in his head and all his teeth twinged and his stomach burned and his back was aching in a way that started around his knees and went up to his forehead and his brains had been removed and replaced with cotton balls and needles and pins which was why it hurt to try and think, and his eyes were not just too tight in his head but they must have rolled out in the night and been reattached with roofing nails; and now he noticed that anything louder than the gentle Brownian motion of air molecules drifting softly past each other was above his pain threshold. Also, he wished he were dead.
Neil Gaiman (Anansi Boys)
I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style. “Calling Gloriaaaaaaaaaaaaaaaaaaa . . .” And then I turn around. “AHHHHHHHHHHHHHH!” Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door. The guy I didn’t hear come in. The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face. He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.” Logan St. James. Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James. And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers. And no bra. Not that I have a whole lot going on upstairs, but still . . . “Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker. Logan’s brow wrinkles. “Haven’t heard that one before.” Oh fuck—did he see me dancing? Did he see me leap? God, let me die now. I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.” The corner of his mouth quirks. “No, you couldn’t.” He sets the rolling pin down on the counter. “I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.” Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.
Emma Chase (Royally Endowed (Royally, #3))
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
Rupi Kaur (The Sun and Her Flowers)
when he was little, and I picture him bouncing and smiling. So happy. I tried so hard to comfort him last night, but I just couldn’t find the right words. And now I think of how close I came to being a grandmother and it is too much. Tears. No sound: just the sensation of wetness on my cheeks. I let myself cry while drinking my coffee, the saltiness of the tears running into my mouth and mixing with the drink, and then I shake my head and reach for tissues from my bag on the counter. I wipe my face, sniff and turn to look back at the flowers. Automatic pilot again. I dry my hands carefully on the towel by the sink and select double-sided ivory ribbon from the drawer – the expensive roll set aside for weddings – and the little packet of pearl pins. This bit needs real care. I lift the flowers from
Teresa Driscoll (I Am Watching You)
Her insanely high Christian Louboutin stilettos made a click-clacking sound on the airport floor. Amber rolled a small Louis Vuitton luggage bag behind her. She wore a baby-blue Chanel skirt suit, which made her look like an elegant celebrity. Her hair was long and blond today and pinned up into a perfectly smooth up-do. A pair of gold earrings in the shape of four-leaf clovers and a matching pendant completed the outfit.
A.O. Peart
Babbitt looked up irritably from the comic strips in the Evening Advocate. They composed his favorite literature and art, these illustrated chronicles in which Mr. Mutt hit Mr. Jeff with a rotten egg, and Mother corrected Father's vulgarisms by means of a rolling-pin. With the solemn face of a devotee, breathing heavily through his open mouth, he plodded nightly through every picture, and during the rite he detested interruptions.
Sinclair Lewis
Dear Pinterest, When we first started dating, you lured me in with Skittles-flavored vodka and Oreo-filled chocolate chip cookies. You wooed me with cheesy casseroles adjacent to motivational fitness sayings. I loved your inventiveness: Who knew cookies needed a sugary butter dip? You did. You knew, Pinterest. You inspired me, not to make stuff, but to think about one day possibly making stuff if I have time. You took the cake batter, rainbow and bacon trends to levels nobody thought were possible. You made me hungry. The nights I spent pinning and eating nachos were some of the best nights of my life. Pinterest, we can’t see each other anymore. You see, it’s recently come to my attention that some people aren’t just pinning, they are making. This makes me want to make, too. Unfortunately, I’m not good at making, and deep down I like buying way more. Do you see where I’m going with this? I’m starting to feel bad, Pinterest. I don’t enjoy you the way I once did. We need to take a break. I’m going to miss your crazy ideas (rolls made with 7Up? Shut your mouth). This isn’t going to be easy. You’ve been responsible for nearly every 2 a.m. grilled cheese binge I’ve had for the past couple of years, and for that I’ll be eternally grateful. Stay cool, Pinterest. PS. You hurt me. PPS. I’m also poor now. Xo Me 10
Bunmi Laditan (Confessions of a Domestic Failure)
GRAHAM CRACKER CAKE Preheat oven to 350 degrees F., rack in the middle position. ½ cup salted butter, softened (1 stick, 4 ounces, ¼ pound) ¾ cup white (granulated) sugar 1 teaspoon vanilla extract 2 large eggs 2 teaspoons baking powder ¼ teaspoon salt 2 and ¼ cups graham cracker crumbs 1 cup whole milk 1 cup chopped nuts (measure after chopping—I used walnuts)   8 and ¾ ounce can crushed pineapple WITH juice ¼ cup white (granulated) sugar Hannah’s Note: You can either crush your own graham cracker crumbs by placing graham crackers in a bag and rolling the bag with a rolling pin, crushing them in the food processor by using the steel blade, or you can buy ready-made graham cracker crumbs at the store. Spray a 9-inch square baking pan with Pam or another nonstick cooking spray and sprinkle the inside with flour. Shake out excess flour. You may also use Pam spray for baking, which contains a coating of flour. Both will work well. In an electric mixer, cream the butter and the sugar, adding the sugar gradually with the mixer on MEDIUM speed. Add the vanilla extract and mix it in thoroughly. Beat in the eggs, one at a time, incorporating the first egg before you add the second. Add the baking powder and the salt, beating until they’re thoroughly mixed. Mix in half of the graham cracker crumbs with half of the milk. Beat well. Mix in the other half of the graham cracker crumbs with the remaining half of the milk. Remove the bowl from the mixer and fold in the chopped nuts by hand. Pour the Graham Cracker Cake batter into the prepared pan and smooth the top with a rubber spatula. Bake your cake at 350 degrees F. for 30 minutes. Take your cake out of the oven, turn off the oven, and place the cake on a wire rack to await its topping. In a saucepan on the stovetop, combine the contents of the can of crushed pineapple and juice with the white sugar. Cook the pineapple mixture over MEDIUM HIGH heat, stirring constantly until it boils. Turn the burner down to LOW and cook the pineapple mixture for an additional 10 minutes, stirring frequently. Pour the hot pineapple sauce over the hot cake. Cool in the pan. Serve the Graham Cracker Cake with sweetened whipped cream or vanilla ice cream.
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
Girlfriend!" Blue repeated, and he felt a disconnected thrill to hear her say the word. "How about friend-friend?" "I thought we were friend-friends." "Are we? Friends talk. You go walking to the Pentagon and I find out from Gansey! Your dad's a jerk and I find out from Gansey! Noah knows everything. Ronan knows everything." "They don't know everything. They know what they were there for. Gansey knows because he was there." "Yeah, and why wasn't I?" "Why would you be?" "Because you'd invited me," Blue said. The world tilted. He blinked; it straightened. "But there wasn't any reason for you to be there." "Right, sure. Because there's no girls in politics! I have no interest. Voting? What? I forgot my apron. I think I ought to be in the kitchen right now, actually. My rolling pin -" "I didn't know that you -" "That's my point! Did it even occur to you?" It had not. "You wouldn't have gone someplace without Gansey, though," Blue snapped. "You two make a grand couple! Kiss him!" Adam cocked his head witheringly. "Well, I don't want to be just someone to kiss. I want to be a real friend, too. Not just someone who's fun to have around because - because I have breasts!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
When Ash said nothing, Lila growled, “You broke her heart, you know. The least you can do is talk to her.” “I have talked to her. I tried, anyway. I told her up front that I wasn’t looking for a long-term sweetheart. I thought we both agreed to that.” “Did you make her sign a bloody contract?” Lila laughed, but there was a bitter edge to it. “‘I promise that I won’t fall in love with the moody, mysterious Ash Hanson. I will enjoy his rangy body, his broad shoulders, and shapely leg, all the while knowing it’s a lease, not a buy.’” “Shapely leg?” Ash thrust out his leg, pretending to examine it, hoping to interrupt the litany of his physical gifts. But Lila was on a roll. “‘I will not fall into those blue-green eyes, deep as twin mountain pools, nor succumb to the lure of his full lips. Well, I will succumb, but for a limited time only. And the stubble—have I mentioned the stubble?’” Ash’s patience had run out. Lila was far too fluent in Fellsian for his liking. “Shut up, Lila.” “Isn’t there anyone who meets your standards?” “At least I have standards.” He raised an eyebrow. “Ouch!” Lila clutched her shoulder. “A fair hit, sir. A fair hit.” Her smile faded. “The problem is, hope is the thing that can’t be reined in by rules or pinned down by bitter experience. It’s a blessing and curse.” For a long moment, Ash stared at her. He would have been less surprised to hear his pony reciting poetry. “Who knew you were a philosopher?” he said finally. “Now. If you’re staying, let’s talk about something else. Where’s your posting this term?” “I’m going back to the Shivering Fens,” Lila said, “where the taverns are as rare as a day without rain. Where you have to keep moving or grow a crop of moss on your ass.” Good-bye, poetry, Ash thought. “Sounds lovely.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
Fresh Pasta Dough Recipe INGREDIENTS: 1 ½ cups flour ½ cup semolina flour (pasta flour) 2 whole eggs, at room temperature 3 egg yolks, at room temperature DIRECTIONS: In a large bowl, whisk together the flour and the semolina. Create a well in the center and add the eggs and egg yolks. Using a fork, break up the eggs then gradually start to draw flour from the edges of the well into the mixture. If the dough gets too firm to mix with the fork switch to mixing with your hands. Continue to work in flour until the dough no longer sticks to your hands; you may not need to incorporate all of the flour. (I used a bit more than what the recipe called for.) Transfer the dough to a lightly floured surface and knead the dough for 8 to 10 minutes or until it is smooth and pliable. Wrap the dough tightly in plastic wrap and allow to rest for at least 30 minutes. If using a pasta roller: Divide the dough into 4 pieces. Starting with the machine set to the widest setting, pass the dough through the rollers. Fold the dough into thirds and pass it through again 2 more times. Continue passing the pasta through the machine, reducing the setting a few notches each time. You may need to dust a bit with flour if the dough sticks to the rollers at all. Once you reach your desired thickness, use the cutting attachment to cut the pasta sheet into fettuccine. Dust the cut pasta with more flour to prevent sticking and repeat with the remaining dough. If using a rolling pin: Divide the dough in half. Dust your surface with flour and sprinkle generously on your rolling pin. *Roll out the dough as thin and as evenly possible, adding flour as needed to prevent sticking. Use a paring knife (a pizza cutter works great!) to cut your dough into even ribbons, then set aside, dusting the cut pasta with more flour. Repeat with the remaining dough. (At this point, the pasta can be transferred to a sealable plastic bag and frozen for up to 3 months; do not defrost before cooking.) Cook the pasta in a large pot of generously salted boiling water, checking for doneness after just 1 minute; fresh pasta cooks very quickly. As soon as it is al dente, no more than 3 or 4 minutes, drain, reserving some of the cooking water if desired for saucing the pasta. Toss with your sauce, loosen with some of the reserved cooking water as needed and serve immediately. *Note:  You must get the dough as thin as possible and cut them into small strips, otherwise, it will be too thick and end up having the texture of dumplings.
Hope Callaghan (Made in Savannah Cozy Mystery Novels Box Set (The First 10 Books) (Hope Callaghan Cozy Mystery 10 Book Box Sets))
I think a marvelous stunt would be to have your best friend (or the most critical acquaintance) take some candid color snapshots of you from all angles, dressed just as you usually appear at, say, six in the evening. The same hairdo, the same makeup, and if possible the same expression on your face. Be honest! Be sure to have her take the rear views, too. There ought to be some other shots of you wearing your best going-out-to-dinner dress, or your favorite bridge-with-the-girls costume — hat, gloves, bag, and costume jewelry. Everything. Then have that roll of film developed and BLOWN UP. You can’t see much in a tiny snapshot. An eight-by-ten will show you the works — and you probably won’t be very happy with it. Sit down and take a long look at that strange woman. Is she today’s with-it person — elegant, poised, groomed, glowing with health? Or is she a plump copy of Miss 1950? Is she sleek, or bumpy in the wrong places? How is her posture? Does she look better from the front than from the back? Does she stand gracefully? […] Feet together or one slightly in front of the other, is the most graceful stance. […] I always pin my bad notices on my mirror. How about keeping those eight-by-ten candid shots around your dressing room for a while as you dress?
Joan Crawford (My Way of Life)
Three in the morning, thought Charles Halloway, seated on the edge of his bed. Why did the train come at that hour? For, he thought, it’s a special hour. Women never wake then, do they? They sleep the sleep of babes and children. But men in middle age? They know that hour well. Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M. ! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead—And wasn’t it true, had he read it somewhere, more people in hospitals die at 3 A.M. than at any other time . . .?
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
When they rolled to a stop, she found herself pinned by a tremendous, huffing weight. And pierced by an intense green gaze. “Wh-?” Her breath rushed out in question. Boom, the world answered. Susanna ducked her head, burrowing into the protection of what she’d recognized to be an officer’s coat. The knob of a brass button pressed into her cheek. The man’s bulk formed a comforting shield as a shower of dirt clods rained down on them both. He smelled of whiskey and gunpowder. After the dust cleared, she brushed the hair from his brow, searching his gaze for signs of confusion or pain. His eyes were alert and intelligent, and still that startling shade of green-as hard and richly hued as jade. She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
It was filled with a dark paste, rather than liquid. I unscrewed the cap. The smell rolled toward me, and I reared back. I could almost hear growling, the pop of a bone socket. "Civet," Claudia said, unfazed. "It takes a strong stomach to smell an animalic base note straight, don't you think? But a drop or two, down there in the bottom of a perfume? It sends that other message. Death and sex- that's what perfume's all about. You'll understand when you're older." I stared back at her. I knew about death. I knew about sex. I didn't need her to tell me. She held out another bottle, her expression bland. "Jasmine." I was cautious this time, barely sniffing the contents, but the smell was a relief- sweet, white, and creamy, almost euphoric. I felt as if I were floating in it. Just as I was about to put the bottle down, though, I caught a whiff of something else in the background, something narcotic and sticky. I inhaled more deeply, trying to pin it down. "You like it," Claudia said. For the first time, she seemed pleased with me. "Do you know what that is, that note you're searching for?" I shook my head. It was right there, but in that cool, blank room, I couldn't quite name it. "It's shit," Claudia said. She smiled, slow and lazy. "Technically, the molecule's called indole, but a rose by any other name...
Erica Bauermeister (The Scent Keeper)
Shelby..." Her tongue skimmed over his while he cupped the back of her neck more firmly. "Shelby," he repeated a moment later, "there was something I wanted to talk to you about earlier, and I'm in danger of becoming as ditracted now as I was then." "Promise?" She moved her lips to his throat. "I have a command performance this weekend." "Oh?" She switched to his ear. In self-defense, Aan rolled over and pinned her beneath him. "I got a call from my father this afternoon." "Ah" Humor danced in her eyes. "The laird." "The title would appeal to him." Alan grasped her wrists to prevent her from clouding his mind as she seemed bent on doing. "It seems he's planned one of his famous family weekends. Come with me." One brow lifted. "To the MacGregor fortress in Hyannis Port? Unarmed?" "We'll hoist the white flag." She wanted to go.She wanted to say no. A visit to his family home came perilously close to that final commitment she was so carefully sidestepping. Questions, speculation-there'd be no avoiding them. Alan heard her thoughts as clearly as if it had been spoken.Pushng back frustration, he changed tactics. "I have orders to bring that girl-" he watched her eyes narrow- "-that daughter of the thieving, murdering Campbells,with me." "Oh,is that so?" "Just so," Alan returned mildly. Shelby lifted her chin. "When do we leave?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
He clipped the male again, this time in the shoulder, sending Einar flying backward. He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her. Con couldn’t go to her yet. The threat needed to be eliminated. A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here. He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him. Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con. Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.” Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother. Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—” She jumped at him, throwing her arms around his neck on a sob. “You came for me.” Unable to do anything about the blood, he wrapped his arms around her and held tight. Of course he’d come for her. There was nowhere she could go that he wouldn’t follow. That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t. He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.” She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him. “I would move to the mainland for you.” She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.” No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
That baking day was the third day Mrs G had shut herself away in the stillroom, dosing herself with medicinal waters. As I rolled the pastry I lived out a fancy I had nourished, since the first apple blossom pinked in May- the making of the perfect dish. Next day was All Hallows Eve, or Souling Night as we called it, and all our neighbors would gather for Old Ned's cider and Mrs Garland's Soul Cakes. After the stablemen acted out the Souling play, the unmarried maids would have a lark, guessing their husband's name from apple pairings thrown over their shoulders. So what better night, I thought, for Jem to announce our wedding? At the ripe age of twenty-two years, the uncertainties of maidenhood were soon to pass me by. Crimping my tarts, I passed into that forgetfulness that is a most delightful way of being. My fingers scattered flour and my elbows spun the rolling pin along the slab. Unrolling before my eyes were scenes of triumph: of me and Jem leading a cheery procession to the chapel, posies of flowers in my hand and pinned to Jem's blue jacket. In my head I turned over the makings of my Bride Cake that sat in secret in the larder- ah, wouldn't that be the richest, most hotly spiced delight? And all the bitter maidens who put it underneath their pillows would be sorrowing to think that Jem was finally taken, bound and married off to me.
Martine Bailey (An Appetite for Violets)
Fireheart sprang forward and burst through the curtain of lichen. Tigerclaw and Bluestar were writhing on the floor of the den. Bluestar’s claws scored again and again across Tigerclaw’s shoulder, but the deputy’s greater weight kept her pinned down in the soft sand. Tigerclaw’s fangs were buried in her throat, and his powerful claws raked her back. “Traitor!” Fireheart yowled. He flung himself at Tigerclaw, slashing at his eyes. The deputy reared back, forced to release his grip on Bluestar’s throat. Fireheart felt his claws rip through the deputy’s ear, spraying blood into the air. Bluestar scrambled to the side of the den, looking half stunned. Fireheart could not tell how badly hurt she was. Pain lanced through him as Tigerclaw gashed his side with a blow from his powerful hindpaws. Fireheart’s paws skidded in the sand and he lost his balance, hitting the ground with Tigerclaw on top of him. The deputy’s amber eyes blazed into his. “Mousedung!” he hissed. “I’ll flay you, Fireheart. I’ve waited a long time for this.” Fireheart summoned every scrap of skill and strength he possessed. He knew Tigerclaw could kill him, but in spite of that he felt strangely free. The lies and the need for deceit were over. The secrets—Bluestar’s and Tigerclaw’s—were all out in the open. There was only the clean danger of battle. He aimed a blow at Tigerclaw’s throat, but the deputy swung his head to one side and Fireheart’s claws scraped harmlessly through thick tabby fur. But the blow had loosened Tigerclaw’s grip on him. Fireheart rolled away, narrowly avoiding a killing bite to his neck. “Kittypet!” Tigerclaw taunted, flexing his haunches to pounce again. “Come and find out how a real warrior fights.” He threw himself at Fireheart, but at the last moment Fireheart darted aside. As Tigerclaw tried to turn in the narrow den, his paws slipped on a splash of blood and he crashed awkwardly onto one side. At once Fireheart saw his chance. His claws sliced down to open a gash in Tigerclaw’s belly. Blood welled up, soaking into the deputy’s fur. He let out a high-pitched caterwaul. Fireheart pounced on him, raking claws across his belly again, and fastening his teeth into Tigerclaw’s neck. The deputy struggled vainly to free himself, his thrashing growing weaker as the blood flowed. Fireheart let go of his neck, planting one paw on Tigerclaw’s outstretched foreleg, and the other on his chest. “Bluestar!” he called. “Help me hold him down!” Bluestar was crouching behind him in her moss-lined nest. Blood trickled down her forehead, but that did not alarm Fireheart as much as the look in her eyes. They were a vague, cloudy blue, and she stared horror-struck in front of her as if she was witnessing the destruction
Erin Hunter (Warriors Boxed Set (Books 1-3))
The much lauded objective evidence is never triumphantly there; it is a mere aspiration or Grenzbegriff [limit or ideal notion] marking the infinitely remote ideal of our thinking life … [But] when as empiricists we give up the doctrine of objective certitude, we do not thereby give up the quest or hope of truth itself. We still pin our faith on its existence, and still believe that we gain an ever better position towards it by systematically continuing to roll up experiences and think. Our great difference from the scholastic lies in the way we face. The strength of his system lies in the principles, the origin, the terminus a quo of his thought; for us the strength is in the outcome, the upshot, the terminus ad quem. Not where it comes from but what it leads to is to decide.
Iain McGilchrist (The Master and His Emissary: The Divided Brain and the Making of the Western World)
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
If you hadn’t been jealous of Ayden and thrown me in your car, Eros would never have had to come to my rescue which started this whole fiasco.” “Don’t try to pin this on me!”          “The lonely lone wolf didn’t deny he loved Aurora.” Blake chuckled and dodged out of the Aussie’s swack. “Ugh.” Ayden walked beside me and put a hand around my waist. “Now I have to compete for your affection with both Blake and Matthias.” I rolled a dramatic shrug. “I tried to put him down easy, but he’s so infatuated. It’s embarrassing. Even with all those other girls after him.” “I can’t bloody stand you!” Blake sighed. “Me thinks he doth confess too much.” A & E Kirk (2014-05-26). Drop Dead Demons: The Divinicus Nex Chronicles: Book 2 (Divinicus Nex Chronicles series) (p. 565). A&E Kirk. Kindle Edition.
A. Kirk
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))
Don't look at me like that." "Like what?" I arch an eyebrow. His gaze flashes to mine. "Like you're thinking about the sparring gym last night." "Well, now that you mention it." My tongue flicks over my lower lip, remembering how his hips pinned mine to the mat after everyone had left for the night. How close we both came to giving in to the pulsing need between us. His jaw flexes, and his grip tightens on his fork. "Seriously. I can't think when you look at me like that." "You're the one with the ridiculous rule about not falling for each other," I remind him. "You're still looking." He forces his attention back to his plate. "You make it hard to look away." I miss his mouth on my skin, the feel of his body pressed against mine. I miss the look on his face when he watched me come undone. But I miss the feeling of him curled around me in sleep more. "I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair." "Told you to stop staring." There's laughter in his voice, but his face is as expressionless as ever. I tap my fork on my plate in pure frustration. You know what. Fuck this. Two can play at this game. "If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around—" Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. "You're going to be the death of me
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I spent most of the afternoon tempering the new batch of couverture and working on the window display. A thick covering of green tissue paper for the grass. Paper flowers- daffodils and daisies, Anouk's contribution- pinned to the window frame. Green-covered tins that had once contained cocoa powder, stacked up against each other to make a craggy mountainside. Crinkly cellophane paper wraps it like a covering of ice. Running past and winding into the valley, a river of blue silk ribbon, upon which a cluster of houseboats sits quiet and unreflecting. And below, a procession of chocolate figures, cats, dogs, rabbits, some with raisin eyes, pink marzipan ears, tails made of licorice-whips, with sugar flowers between their teeth... And mice. On every available surface, mice. Running up the sides of the hill, nestling in corners, even on the riverboats. Pink and white sugar coconut mice, chocolate mice of all colors, variegated mice marbled through with truffle and maraschino cream, delicately tinted mice, sugar-dappled frosted mice. And standing above them, the Pied Piper resplendent in his red and yellow, a barley-sugar flute in one hand, his hat in the other. I have hundreds of molds in my kitchen, thin plastic ones for the eggs and the figures, ceramic ones for the cameos and liqueur chocolates. With them I can re-create any facial expression and superimpose it upon a hollow shell, adding hair and detail with a narrow-gauge pipe, building up torso and limbs in separate pieces and fixing them in place with wires and melted chocolate.... A little camouflage- a red cloak, rolled from marzipan. A tunic, a hat of the same material, a long feather brushing the ground at his booted feet. My Pied Piper looks a little like Roux, with his red hair and motley garb.
Joanne Harris (Chocolat (Chocolat, #1))
He turned then and dove on Kane who yelped, “I'm sick! You can't hit me.” I cackled as I watched Alec bring Kane to the ground and pin him. “You fat bastard!” Kane snapped. “Get off me!” Alec slapped Kane's face and the look of shock on his face sent me into a fit of laughter. “You... you slapped me,” Kane said. He blinked at Alec in disbelief. “You cock blocked me,” Alec replied. “Be happy it's nothing harder.” Kane continued to blink, then a fleeting moment later his shock evaporated and rage twisted his handsome face. I felt my jaw drop open when Kane lifted his hands to Alec’s arms and flipped him off his body. Kane quickly rolled to the side and slammed Alec onto his back and got in his face. “Hit me now,” he growled. I was stunned to silence. “How did you do that?” I asked Kane, but he was too busy to answer me. Alec grunted in Kane's hold. “You motherfucker... sick my ass.
L.A. Casey (Keela (Slater Brothers, #2.5))
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly. His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily. “So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.” He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective. She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.” His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.” “She likes you. Maybe we could adopt her.” “Better if our son marries her.” She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided. “The same is true for me,” he replied. She searched his eyes, already facing her departure. She would have to go back to the reservation, home. He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.” She was surprised. She didn’t know what to say. “I love you,” he said. “I never stopped. Forgive me and say yes.” She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated. “Your life is so different from mine,” she began. “Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.” “There will be parties, benefits…” He pulled her down into his arms and kissed her tenderly. “I don’t know much about etiquette,” she tried again. He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her. “Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested. “Arthritis?” he asked. “Osteoarthritis.” “Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped. She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
You look beautiful, ma'am," Ernestine said, delighted with the results of her work. She had drawn Phoebe's hair up into a coil of neatly pinned rolls and curls, winding a velvet ribbon around the base. A few loose curls had been allowed to dangle down the back of her head, which felt a bit strange: she wasn't accustomed to leaving any loose pieces in her usual hairstyles. Ernestine had finished the arrangement by pinning a small, fresh pink rose on the right side of the coil. The new coiffure was very flattering, but the formal gown had turned out to be far less inconspicuous than Phoebe had expected. It was the pale beige of unbleached linen or natural wool, but the silk had been infused with exceptionally fine metallic threads of gold and silver, giving the fabric a pearly luster. A garland of peonies, roses, and delicate green silk leaves trimmed the deeply scooped neckline, while another flower garland caught up the gossamer-thin silk and tulle layers of the skirts at one side.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
You creep, this shirt cost me two-hundred dollars from Neiman Marcus, I just bought it” and then I lowered him to eye level and sunk my razor sharp jagged teeth into his pulsating moist neck and found that massive vein, the carotid artery that brought me so much pleasure. “Oh, I had been so hungry, there is nothing in the world like the taste of blood”, I thought while I continued sucking the blood from his body. I wondered if he realized how he fulfilled my every need and passion with his warm lush thick liquid that seeped from his artery. I could never stop once I started, it was impossible - I was thirsty and this had been long overdue, shopping always made me hungry. I savored the moment and took my time, while he twitched under my grip and thrashed his legs about from side to side while they hit the ground. I still had his body pressed tightly against the wall of the building, the same wall where he had me pinned just a few minutes ago and had intended to murder me. His eyes rolled back in his head and his body went limp.
R. Stone (Vampires 101 (Reverse of the Curse Book 1))
Whatever the weather, Bjartur always left the others when the meal was over. He would lie down on a truss of hay with his hat over his face and fall asleep at once. As soon as he moved in his sleep he would roll off the truss, sometimes into a pool, and would be awake immediately, which pleased him greatly. He considered that it was proper for a man to sleep for four minutes during the daytime, and he was always in a bad temper if he slept longer. The womenfolk wormed in under the hay-rick when they had finished eating. Then the shivering would begin, for they were sitting on wet grass, and they would rise with hands benumbed and pins and needles in their legs and go to look for their rakes. And if Bjartur heard them complaining about the damp, he would reply that it was pretty miserable wretches that minded at all whether they were wet or dry. He could not understand why such people had been born. 'It's nothing but damned eccentricity to want to be dry,' he would say. 'I've been wet more than half my life and never been a whit the worse for it.
Halldór Laxness (Independent People)
I see the good in you.” “Don’t harbor illusions about me. In marrying me, you’re going to have to make the best of a bad bargain. You don’t understand the situation you’re in.” “You’re right.” Beatrix arched in bliss as he massaged the muscles on either side of her spine. “Any woman would pity me, being in this situation.” “It’s one thing to spend an afternoon in bed with me,” Christopher said darkly. “It’s another to experience day-to-day life with a lunatic.” “I know all about living with lunatics. I’m a Hathaway.” Beatrix sighed in pleasure as his hands worked the tender places low on her back. Her body felt relaxed and tingly all over, her bruises and aches forgotten. Twisting to glance at him over her shoulder, she saw the austere lines of his face. She had an overwhelming urge to tease him, to make him play. “You missed a place,” she told him. “Where?” Levering herself upward, Beatrix turned and crawled to where Christopher knelt on the mattress. He had donned a velvet dressing robe, the front parting to reveal a tantalizing hint of sun-browned flesh. Linking her arms around his neck, she kissed him. “Inside,” she whispered. “That’s where I need soothing.” A reluctant smile lurked at the corners of his lips. “This balm is too strong for that.” “No it’s not. It feels lovely. Here, I’ll show you--” She pounced for the tin of balm and coated her fingertips with the stuff. The rich scent of clove oil spiced the air. “Just hold still--” “The devil I will.” His voice had thickened with amusement, and he reached for her wrist. Fleet as a ferret, Beatrix twisted to evade him. Rolling once, twice, she dove for the belt of his robe. “You put it all over me,” she accused, giggling. “Coward. Now it’s your turn.” “Not a chance.” He grabbed her, grappled with her, and she thrilled to the sound of his husky laugh. Somehow managing to clamber over him, she gasped at the feel of his aroused flesh. She wrestled with him until he flipped her over with ease, pinning her wrists. The robe had become loosened during their tussle, their naked flesh rubbing together. Sparkling silver eyes stared into blue. Already breathless with laughter, Beatrix became positively lightheaded as she saw the way he was looking at her. Lowering his head, he kissed and licked at her smile as if he could taste it.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. "Son of a bitch," he exclaimed a second later. "What is it, book?" Rollins held up his watch chain. A turnip was hanging from the fob where his diamond - studded timepiece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pocket?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning. "Doughty," he said, "I think we'd best say a prayer for Jan Van Eck." "You think Brekker can best him?" "It's a long shot, but if he's not careful, I think that merch might walk himself right onto the gallows and let Brekker tighten the noose." Rollings sighed. "We better hop Van Eck kills that boy." "Why?" "Because otherwise I'll have to." Rollins straightened the knot of his painless tie and headed down to the casino floor. The problem of Kaz Brekker could wait to be solved another day. Right now there was money to be made.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
MARSYAS: There are seven keys to the great gate, Being eight in one and one in eight. First, let the body of thee be still, Bound by the cerements of will, Corpse-rigid; thus thou mayst abort The fidget-babes that tease the thought. Next, let the breath-rhythm be low, Easy, regular, and slow; So that thy being be in tune With the great sea's Pacific swoon. Third, let thy life be pure and calm Swayed softly as a well-to-live be bound To the one love of the Profound. Fifth, let the thought, divinely free From sense, observe its entity. Watch every thought that springs; enhance Hour after hour thy vigilance! Intense and keen, turned inward, miss No atom of analysis! Sixth, on one thought securely pinned Still every whisper of the wind! So like a flame straight and unstirred Burn up thy being in one word! Next, still that ecstasy, prolong Thy meditation steep and strong, Slaying even God, should He distract Thy attention from the chosen act! Last, all these things in one o'erpowered, Time that the midnight blossom flowered! The oneness is. Yet even in this, My son, though shalt not do amiss If thou restrain the expression, shoot Thy glance to rapture's darkling root, Discarding name, form, sight, and stress Even of this high consciousness; Pierce to the heart! I leave thee here: Thou art the Master. I revere Thy radiance that rolls afar, O Brother of the Silver Star!
Aleister Crowley (Aha!)
When the head of his cock sweeps past her sweet spot yet again, something explosive erupts out of nowhere. "Oh, fuuuuck," she whimpers. Her walls flutter around him as her whole body ignites into flames. The pleasure is all-consuming, knocking her thoughts from her mind. Alexander huffs, stunned. "Did you--- Just from me---" Eden covers her face with her hands, embarrassed. "I'm sorry. You just feel so good, I---" He chuckles, pushing her hands aside to pepper her face with kisses. "Don't be sorry, it's alright. Can I keep going?" "Yes. Yes, please. I want to make you come. Give it to me rough." "If you want it rough, you'd better hold on to me, sweetheart." She does so, circling his neck with her arms. He rolls his hips against her, pace picking up in rhythm. The slap of their skin combined with the sound of their filthy groans is music to her ears. He snaps his hips into her relentlessly, searching for more of that sweet friction. The bed creaks in protest beneath them, but they show no signs of slowing down. "Fucking God, your pussy feels so good." "Fuck, I--- Right there, oh God right there." "So nice and tight for me. Spread your legs wider--- that's it." Eden can feel herself growing tighter, hotter, brighter. She can hardly breathe, and her heart is racing a mile a minute. "I think--- Fuck, I think I'm going to come again. I'm gonna---" Alexander claims her mouth, tongue sweeping over hers as he pins both her wrists above her head against the pillow. He fucks her harder, claiming her, pushing her closer and closer toward climax. When it happens, she moans into his mouth, quaking beneath his weight. He finds release, too, his muscles tensing as he spills over.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
A slow smile curved his lips. “Lillian, I’ve wanted you every moment since I first held you in my arms. And it has nothing to do with your damned perfume. However”— he inhaled the scent one last time before replacing the tiny stopper—“ I do know what the secret ingredient is.” Lillian stared at him with wide eyes. “You do not!” “I do,” he said smugly. “What a know-all,” Lillian exclaimed with laughing annoyance. “Perhaps you’re guessing at it, but I assure you that if I can’t figure out what it is, you certainly couldn’t—” “I know conclusively what it is,” he informed her. “Tell me, then.” “No. I think I’ll let you discover it on your own.” “Tell me!” She pounced on him eagerly, thumping him hard on the chest with her fists. Most men would have been driven back by the solid blows, but he only laughed and held his ground. “Westcliff, if you don’t tell me this instant, I’ll—” “Torture me? Sorry, that won’t work. I’m too accustomed to it by now.” Lifting her with shocking ease, he tossed her onto the bed like a sack of potatoes. Before she could move an inch, he was on top of her, purring and laughing as she wrestled him with all her might. “I’ll make you give in!” She hooked a leg around his and shoved hard at his left shoulder. The childhood years of fighting with her boisterous brothers had taught her a few tricks. However, Marcus countered every move easily, his body a mass of steely, flexing muscles. He was very agile, and surprisingly heavy. “You’re no challenge at all,” he teased, allowing her to roll atop him briefly. As she sought to pin him, he twisted and levered himself over her once more. “Don’t say that’s your best effort?” “Cocky bastard,” Lillian muttered, renewing her efforts. “I could win… if I didn’t have a gown on…” “Your wish may yet be granted,” he replied, smiling down at her.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
So what brought you here?” Emilio asks. I don’t set the icing bag down, because it’s nice to have something to do with my hands, although they’re suddenly shaking. “I wanted to talk to you about Peck.” “What about her?” “I wanted to see if you’d have any objections to me asking her to marry me.” I hear a whoop from the other room. Emilio rolls his eyes. “Why do you want to marry her?” Why do I want to marry her? She’s just Peck. And I feel like she was made for me. “Um…” “The answer is no, if that’s the best you can do.” He points to the cupcakes. “Ice them,” he says. I ice quietly for a few minutes, trying to gather my thoughts. “Didn’t expect you to give up quite so easily,” he suddenly says. I look up. “Oh, I’m not giving up. I’m just thinking.” “You about done with that?” I shake my head. “Not yet.” “Keep icing.” Suddenly, Marta strolls into the room. There’s purpose in her stride and I back up against the wall, because I’m afraid I’m her target. But I quickly see I’m not. She goes for Emilio, but he must be used to this. He runs around the corner of the center island and she chases him. She picks up a rolling pin and runs, but he runs a little bit faster. Suddenly, she stops and blows a stray lock of hair from her eyes. “Stop tormenting the poor boy,” she says. She shakes the rolling pin at him. “Oh, Jesus Christ,” he breathes. “I was having fun with it!” He grins. Then he sobers completely. “Did Peck tell you about the day we met?” “Yes, sir,” I tell him. “What she didn’t tell you was my side of it.” He rubs at the back of his hand. “I had been hanging out in the boys’ ward at the home, and one of the little assholes bit me on the back of the hand, so I was in a bad mood. I wanted nothing more than to get out of there. I walked around the corner, trying to find Marta, and I saw her sitting beside a little girl. I took one look at that kid and I said to myself, She’s my daughter.” He takes a deep breath. “I know it sounds stupid, and I suppose it should. But she was sitting there on the edge of the bed and she wouldn’t speak. But when she looked at me, she said a million words with her eyes.” Marta wipes a tear from her cheek. “I have loved that little girl from the minute I met her. I never doubted that she belonged to us, and neither did she.” He waits a beat. “The first time she spoke to me was when she had a set of drumsticks in her hand.” He looks at me. “Do you know what she said?” I shake my head, and swallow past the lump in my throat. “She took my hand and said, ‘I’m glad you’re my dad.’ It was one big stutter, and I loved every syllable. She makes me so fucking proud.” He points a finger at me. “She’s fucking perfect, so if you so much as make her cry, I will find you and jam her drumsticks so far up your ass that you’ll taste them ten years from now. Do you understand?” “Yes, sir.” I swallow again. “So, yes, you can marry my daughter. And you better make her happy every day for the rest of her life, because I will be watching. Understand?” “Yes, sir.” He points to the cupcakes. “Keep icing.” “Yes, sir.” I grin. Marta lays a hand on my shoulder. “Did you get a ring yet?” “No, ma’am. I wanted to get permission first.” She looks at Emilio and quirks a brow. He nods. She disappears into a bedroom and comes back a minute later with a box. “It was my mother’s,” Emilio says. “Peck used to try it on all the time when she was small, and she loves it. So you can use it if you want to.” He’s grumbling, but I can tell he’s serious. I pop open the box and stare down at a beautiful antique ring. “It’s lovely. Are you sure it’s okay if I use it?” He nods. He points to the cupcakes. “Keep icing.” “Yes, sir.” I smile.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Out of regard for me, if for no other reason, he shouldn't have taken the innocence of a young woman under my protection. It's a matter of respect." Kathleen hoisted herself more fully over him, staring down into his blue eyes. "This," she mocked gently, "from a man who seduced me in nearly every room, stairwell and hay-nook of Eversby Priory. Where was your regard for innocence then?" His frown disappeared. "That was different." "Why, may I ask?" Devon flipped her over, reversing their positions neatly and surprising a giggle from her. "Because," he said huskily, "I wanted you so much..." She writhed and laughed as he unfastened her nightgown. "... and as lord of the manor," he continued, proceeding to strip her naked, "I thought it was time to exercise my droit de seigneur." "As if I were some medieval peasant girl?" she asked, shoving him onto his back, and climbing over him. Grabbing his marauding hands, she tried to pin him down with her entire weight. A deep laugh escaped him. "Love, that won't work. You're no heavier than a butterfly." Clearly enjoying their play, he lay unresisting as she gripped his thick wrists more tightly. "A determined butterfly," he conceded. As he stared up at her, his smile faded, and his eyes darkened to intense blue. "I was a selfish bastard," he said softly. "I shouldn't have seduced you." "I was willing," Kathleen pointed out, inwardly surprised by his remorse. He was changing, she thought, rapidly gaining maturity as he shouldered the responsibilities that had been forced on him so unexpectedly. "I would do it differently now. Forgive me." He paused, frowning in self-reproach. "I wasn't raised to be honorable. It's damned difficult to learn." Kathleen slid her hands over his until their fingers interlaced. "There's nothing to forgive, or regret." Devon shook his head, not allowing her to absolve him. "Tell me how to atone." She bent to brush her lips against his. "Love me," she whispered. With great care, Devon rolled until she was caught beneath him. "Always," he said huskily, and possessed her mouth while his hands slid over her body.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.
Bessie Smith
This night is going well. "Hello there." I speak too soon. Dunstan enters, his two cronies behind him. Everyone standing around goes quiet. I flinch, but not for me; he's gazing at Ivy like a lion at a piece of meat. Ivy just keeps grinning. "And may I say you are the prettiest girl I've seen all night," Dunstan says, not noticing the fact Ivy's already taken. Ivy stares down at her feet, a pale blush the color of pink roses brushed across her cheeks. "You don't mean that," she whispers, not knowing she's accidentally flirting. "I really do," Dunstan continues in his oily, supposedly charming voice, and I roll my eyes. I want to pull Ivy away, but if I do, Dunstan will notice me. And without Melanie breathing down his neck, who knows what he'll try to pull? "So what's your name, beautiful?" Ivy blush deepens and i feel my nails dig into my skin. I'm the one whose supposed to tell her she's pretty, not this jerk. "My name is Ivy," Ivy replies. "Ivy. I like it. It suits you." I feel an arm on my shoulder and turning around, I see Aidan holding me back. Unconsciously, I've stepped forward, ready to challenge him. "So what is your name?" Ivy asks, still shyly peering down at her shoeless feet. Acting all surprised he got asked this, Dunstan runs a hand through his hair. "My name is Dunstan." Ivy's flush instantly vanishes, the corners of her mouth turns down, and her eyebrows knit together. "Dunstan? This is your name?" Quiet as she's being, I know there's anger there. I'd hate to be the recipient of this tone. But Dunstan the egotistical baboon butt isn't aware of the change. "Yep, that's me." "What is your last name?" I feel someone shaking. Aidan's still hanging on to me, and he's nervous, too. Dunstan still doesn't detect her malice. "Why, my last name's Lebelle. Dunstan Lebelle." He chuckles. "Perhaps you've heard of me?" "Oh yes," Ivy hisses, suddenly radiating ferocious fury. "I've heard much about the boy who nearly got Rylan Forester killed." Even with blaring music in the next room, you can hear a pin drop throughout the kitchen as everyone goes quiet, having lost all ability to talk due to flapping jaws. Someone whistles. "Excuse me?" Dunstan sounds like he can't believe what he's hearing. "You heard me." Ivy glares, knowing she has him caught. "You pushed Rylan into the swamp where the alligator attacked him. Sure, you can blame the alligator, but when you really think about, if you had not pushed him in, Rylan wouldn't have nearly died. Who, by the way," Ivy steps back, clasping my free hand in hers, "happens to be my friend and my date." Everyone bursts into titters—no one has ever spoken to Dustan Lebelle like that—as Dunstan stares at me wide-eyed, finally taking in my existence. But before he can do anything, Ivy pulls my hand. "We're leaving," she declares, giving Dunstan one last stink eye. And with her nose in the air and me following, Ivy boldly walks right out the back door.
Colleen Boyd
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]
The Notorious B.I.G