Act Like A Fool Quotes

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You two have a bad habit of acting like fools and calling it heroic.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
The whole point of extravagance is to act like a fool and feel like a fool, but enjoy it.
Alfred Bester (The Stars My Destination)
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
I wish to Heaven I was married," she said resentfully as she attacked the yams with loathing. "I'm tired of everlastingly being unnatural and never doing anything I want to do. I'm tired of acting like I don't eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I'm tired of saying, 'How wonderful you are!' to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it... I can't eat another bite.
Margaret Mitchell (Gone with the Wind)
When in doubt, make a fool of yourself. There is a microscopically thin line between being brilliantly creative and acting like the most gigantic idiot on earth. So what the hell, leap.
Cynthia Heimel
A woman who acts like a fool is a fool.
Arthur Golden (Memoirs of a Geisha)
Smiling at death seems like a pretty bold act. And so I smile like a damned fool.
Emm Cole (Keeping Merminia (Merminia, #2))
It is when we think we can act like God, that all respect is lost, and I think this is the downfall of peace. We lie if we say we do not see color and culture and difference. We fool ourselves and cheat ourselves when we say that all of us are the same. We should not want to be the same as others and we should not want others to be the same as us. Rather, we ought to glory and shine in all of our differences, flaunting them fabulously for all to see! It is never a conformity that we need! We need not to conform! What we need is to burst out into all these beautiful colors!
C. JoyBell C.
Romance is a lie that gives people an excuse to act like fools and later blame it on the one whom they had bestowed their supposed love upon.
Quinn Loftis (Elfin (The Elfin, #1))
Ah, but being in love made you mean and crazy. Love made you act like a fool even when you knew you were acting like a fool and couldn't help yourself from acting like a fool.
Sandra Brown (Bittersweet Rain)
That’s the girl you complain about driving home with every weekend? That’s the girl youwhine endlessly about walking in on you when you’re acting the fool? That’s the girl you dodge calls from and avoid like the plague? Geez Rule I never knew you were gay.
Jay Crownover (Rule (Marked Men, #1))
Butch : Two words for you. CYNDI.LAUPER Vishous : Clearly, the paste you ate has gone to your head. Did Marissa like all that lace you glued on ? Oh... and I'm talking to your body, not that ridiculous card you made her. Butch : How does that song go ? *sings song about true colors* Vishous : I have no idea what you are talking about. Butch : Oh.Really. So you deny that shit was playing in the weight room yesterday ? Vishous : Please. Like I listen to crap like that ? Butch : So you deny that song was also playing in the Escalade last night ? Vishous : Don't act the fool. Butch : So you deny that song was ALSO coming out of your shower early this morning.
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
You try and act so tough, you think you're so damn hopeless and godless and faithless, but you don't fool me. People without hope aren't tormented by the world the way you are. People without hope don't give a shit. but I see it in you, in the way you look at things, even in the way you look at me sometimes, like I'm the coolest fucking guy in the universe, and I know it's in there. Reverence. Belief. Something. You have a lot more faith than you own up to. You just don't want to be let down. But I'm not going to let you down again. Not if I can help it.
Tiffanie DeBartolo (God-Shaped Hole)
When I first met you, I thought: There is a girl in a million. She isn't like these other silly little fools who believe everything their mammas tell them and act on it, no matter how they feel. And conceal all their feelings and desires and little heartbreaks behind a lot of sweet words. I thought: Miss O'Hara is a girl of rare spirit. She knows what she wants and she doesn't mind speaking her mind–or throwing vases.
Margaret Mitchell (Gone with the Wind)
Even if it were possible to cast my horoscope in this one life, and to make an accurate prediction about my future, it would not be possible to 'show' it to me because as soon as I saw it my future would change by definition. This is why Werner Heisenberg's adaptation of the Hays Office—the so-called principle of uncertainty whereby the act of measuring something has the effect of altering the measurement—is of such importance. In my case the difference is often made by publicity. For example, and to boast of one of my few virtues, I used to derive pleasure from giving my time to bright young people who showed promise as writers and who asked for my help. Then some profile of me quoted someone who disclosed that I liked to do this. Then it became something widely said of me, whereupon it became almost impossible for me to go on doing it, because I started to receive far more requests than I could respond to, let alone satisfy. Perception modifies reality: when I abandoned the smoking habit of more than three decades I was given a supposedly helpful pill called Wellbutrin. But as soon as I discovered that this was the brand name for an antidepressant, I tossed the bottle away. There may be successful methods for overcoming the blues but for me they cannot include a capsule that says: 'Fool yourself into happiness, while pretending not to do so.' I should actually want my mind to be strong enough to circumvent such a trick.
Christopher Hitchens (Hitch 22: A Memoir)
What do you take me for? That fool Socrates, who upheld the law at the cost of his own death – just to be ironic? I suspect that act was actually the result of his secret embarrassment of his hideous nose.
Benson Bruno (A Story that Talks About Talking is Like Chatter to Chattering Teeth, and Every Set of Dentures can Attest to the Fact that No . . .)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
Pray all you want - heaven can't hear you. It's not going to stop the winter because you are cold, and it's not going to make the earth smaller because you don't want to walk so far. You pray for rain and it rains, but your prayer has nothing to do with it. Sometimes you don't pray and it rains anyway. What do you say then? If you act wisely, good things tend to happen. Act like fool and bad things tend to happen. Don't thank or curse heaven - it's just the natural result of your own actions. If you want to have a better life, educate yourself and think carefully about the consequences of your actions.
Xun Kuang
I confess, I do not understand what there is in her to make a clever man like you act such a fool.” “You might, if you were not a eunuch.” “Is that the way of it? A man may have wits, or a bit of meat between his legs, but not both?” Varys tittered. “Perhaps I should be grateful I was cut, then.” The Spider was right.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Anger is like sex urge, once gratified, the inner voice calls you a stinking fool.
Michael Bassey Johnson
It was clear that the man was no fool. But what was the use of not being a fool if you acted like this?
Saul Bellow (The Victim)
People get dumped all the time, and it sucks, but you know what you do? You cry; you smash a few plates; you go to a karaoke bar and make a fool of yourself. However you choose to deal with it, it’s your shit to handle. It’s your burden to carry. You don’t drag other people down with you. You don’t turn up on the doorstep in the middle of the night acting like a raving lunatic.
Lang Leav (Sad Girls)
My best advice to myself was to act like I’d been there before. I was in way over my head, and I was not skating down the line between good and bad anymore. I tried to justify my actions by reminding myself that it was part of my investigation but even I couldn’t fool myself that much. I drained my glass and then drained the one that Sara handed me. In no way, was this evening turning out to have career building opportunity written on it. I was getting more nervous by the minute.
Michael Deeze
they like the illusion that there's enough security in a marriage to act like a fool without worrying about judgement
Alice Yi-Li Yeh (Someday)
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think. If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting. A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing. Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it. Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated. A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her. Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know. A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart. Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her. Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress. Ladies, I apologize. For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
Andy Rooney
The fool doth think he is wise, yet it is the wise man that knows himself to be the fool As You Like It, Act 5, Scene 1
Stephen Fry (More Fool Me)
Wonderful?" wrote J.O. Young in his diary. "To stand cheering, crying, waving your hat and acting like a damn fool in general. No one who has spent all but 16 days of the this war as a Nip prisoner can really know what it means to see 'Old Sammy' buzzing around over camp.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
There were intervals in which she could sit perfectly still, enjoying the outer stillness and the subdued light. The red fire with its gently audible movement seemed like a solemn existence calmly independent of the petty passions, the imbecile desires, the straining after worthless uncertainties, which were daily moving her contempt. Mary was fond of her own thoughts, and could amuse herself well sitting in the twilight with her hands in her lap; for, having early had strong reason to believe that things were not likely to be arranged for her peculiar satisfaction, she wasted no time in astonishment and annoyance at that fact. And she had already come to take life very much as a comedy in which she had a proud, nay, a generous resolution not to act the mean or treacherous part. Mary might have become cynical if she had not had parents whom she honoured, and a well of affectionate gratitude within her, which was all the fuller because she had learned to make no unreasonable claims. She sat to-night revolving, as she was wont, the scenes of the day, her lips often curling with amusement at the oddities to which her fancy added fresh drollery: people were so ridiculous with their illusions, carrying their fools' caps unawares, thinking their own lies opaque while everybody else's were transparent, making themselves exceptions to everything, as if when all the world looked yellow under a lamp they alone were rosy.
George Eliot (Middlemarch)
I reprimanded my brother for mimicking you. I told him not to act like a fool.
Humor Books (INSULTS - The Best Insults Ever - Win at any verbal argument!)
She was beautiful and radiant. He remembered the concern in her eyes. The same concern drove her now, pushing her toward acts of violence. On the surface, he'd be a fool to turn her down. She was driven by tragedy, just like him, and she would be incorruptible, just like him. He needed a blade to kill, but she could kill dozens at once empty-handed. She was Death, and she had just asked to be his ally.
Ilona Andrews (Steel's Edge (The Edge, #4))
It's better to see and know you're a fool than to keep your eyes shut and keep acting like one.
Nora Roberts (Dark Witch (The Cousins O'Dwyer Trilogy, #1))
Am I treading, like angels, where as a fool I should absent myself?
Virginia Woolf (Between the Acts)
I'm tired of everlastingly being unnatural and never doing anything I want to do. I'm tired of acting like I don't eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I'm tired of saying, 'How wonderful you are!' to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it.
Margaret Mitchell (Gone With The Wind)
The world is filled with fools like S’kot, and worse, with the fools who let them act as wardens over them. They deserve each other. I don’t care what they think of me and neither should you.
R. Lee Smith (The Last Hour of Gann)
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said. Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe. “What?”Sadeas asked. “The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.” Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.” “Do we have a deal?”Dalinar asked. “Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—” Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp. Kaladin stared, unable to move, unable to think. Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.” Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage. “They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!” Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.” He began to walk away. Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?” Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.” “But…” “What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.” “You really think it was a good trade, don’t you?” Kaladin said, amazed. Dalinar smiled in a way that seemed strikingly paternal.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
The hoodlum-occultist is “sociopathic” enough to, see through the conventional charade, the social mythology of his species. “They’re all sheep,” he thinks. “Marks. Suckers. Waiting to be fleeced.” He has enough contact with some more-or-less genuine occult tradition to know a few of the gimmicks by which “social consciousness,” normally conditioned consciousness, can be suspended. He is thus able to utilize mental brutality in place of the simple physical brutality of the ordinary hooligan. He is quite powerless against those who realize that he is actually a stupid liar. He is stupid because spending your life terrorizing and exploiting your inferiors is a dumb and boring existence for anyone with more than five billion brain cells. Can you imagine Beethoven ignoring the heavenly choirs his right lobe could hear just to pound on the wall and annoy the neighbors? Gödel pushing aside his sublime mathematics to go out and cheat at cards? Van Gogh deserting his easel to scrawl nasty caricatures in the men’s toilet? Mental evil is always the stupidest evil because the mind itself is not a weapon but a potential paradise. Every kind of malice is a stupidity, but occult malice is stupidest of all. To the extent that the mindwarper is not 100 percent charlatan through-and-through (and most of them are), to the extent that he has picked up some real occult lore somewhere, his use of it for malicious purposes is like using Shakespeare’s sonnets for toilet tissue or picking up a Picasso miniature to drive nails. Everybody who has advanced beyond the barbarian stage of evolution can see how pre-human such acts are, except the person doing them. Genuine occult initiation confers “the philosopher’s stone,” “the gold of the wise” and “the elixir of life,” all of which are metaphors for the capacity to greet life with the bravery and love and gusto that it deserves. By throwing this away to indulge in spite, malice and the small pleasure of bullying the credulous, the mindwarper proves himself a fool and a dolt. And the psychic terrorist, besides being a jerk, is always a liar and a fraud. Healing is easier (and more fun) than cursing, to begin with, and cursing usually backfires or misfires. The mindwarper doesn’t want you to know that. He wants you to think he’s omnipotent.
Robert Anton Wilson
Do you think Meg cares for him?" asked Mrs. March, with an anxious look. "Mercy me! I don't know anything about love and such nonsense!" cried Jo, with a funny mixture of interest and contempt. "In novels, the girls show it by starting and blushing, fainting away, growing thin, and acting like fools. Now Meg does not do anything of the sort. She eats and drinks and sleeps like a sensible creature.
Louisa May Alcott (Little Women (Little Women, #1))
Of course," agreed Basil, "if you read it carelessly, and act on it rashly, with the blind faith of a fanatic; it might very well lead to trouble. But nature is full of devices for eliminating anything that cannot master its environment. The words 'to worship me' are all-important. The only excuse for using a drug of any sort, whether it's quinine or Epsom-salt, is to assist nature to overcome some obstacle to her proper functions. The danger of the so-called habit-forming drugs is that they fool you into trying to dodge the toil essential to spiritual and intellectual development. But they are not simply man-traps. There is nothing in nature which cannot be used for our benefit, and it is up to us to use it wisely. Now, in the work you have been doing in the last week, heroin might have helped you to concentrate your mind, and cocaine to overcome the effects of fatigue. And the reason you did not use them was that a burnt child dreads fire. We had the same trouble with teaching Hermes and Dionysus to swim. They found themselves in danger of being drowned and thought the best way was to avoid going near the water. But that didn't help them to use their natural faculties to the best advantage, so I made them confront the sea again and again, until they decided that the best way to avoid drowning was to learn how to deal with oceans in every detail. It sounds pretty obvious when you put it like that, yet while every one agrees with me about the swimming, I am howled down on all sides when I apply the same principles to the use of drugs.
Aleister Crowley (Diary of a Drug Fiend)
It’s better to see and know you’re a fool than to keep your eyes shut and keep acting like one.
Nora Roberts (Dark Witch (The Cousins O'Dwyer Trilogy, #1))
Stop acting like a beggar, know your place fool. You’re a royal guest, a royal guest— that has been sent to this beautiful illusion.
Rafy Rohaan
Major de Coverley is a noble and wonderful person, and everyone admires him.' 'He's a silly old fool who really has no right acting like a silly young fool. Where is he today? Dead?
Joseph Heller (Catch-22)
You were in business making meth? Do you have any idea what that drug does to people?" We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem." I shake my head, disgusted. "If you build it, they will come." If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up." It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me." Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read." It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
Jodi Picoult (Vanishing Acts)
Whatever exists is inevitably flawed. Buddha, in his detachment from the world, finds all its hustle and bustle ridiculous because he has nothing to do with it. A cynic finds the feelings of his fellow human beings ridiculous because he has no feelings himself. Someone who does not play soccer thinks it ridiculous to chase around after a little leather ball for hours at a time. He doesn't bother to ask whether this game might be a lot of fun. All he sees is the ridiculousness of grown men playing like little boys. People who do anything will no doubt appear ridiculous to people who do nothing. A person who acts can always make a fool of himself. A person who doesn't never runs that risk. We might even say that life is always ridiculous but death is never ridiculous.
Fritz Zorn (Mars)
People are fools, she said. They spend their whole lives getting stuck with pins and act like nothing’s wrong, they just leave them there, and then one day they go and scratch someone’s eyes out.
Yuri Herrera (La transmigración de los cuerpos)
We're not very different from one another, not different at all, in fact. We're all just people with the same needs, the same desires, the same feelings. It's a lie about us being different. It's something they cooked up so we'd be fighting one another instead of them, the ones who keep us down and make their fortunes off our labor, the same ones who send us off to war when they get to fighting among themselves over the spoils. You'll find that out someday. They'll be calling on you to go to war for them, you can be sure of that, because there's going to be lots more wars in the future. I got in one myself, as you know. I saw men getting killed and wounded and crippled, and I must have killed a lot of men myself, and I'm just sick every time I think of it. Why? Because we were fighting one another instead of those who'd sent us out there. Oh, they're clever, those capitalists. It's hard to beat them at their game. They've fooled us with words like patriotism and duty and honor, and they've got us divided up into classes and religions so that each one of us figures he's better than the other. But it'll all change, 'arry. Believe me, it will. People get smarter. The human brain has a potential for development. Someday it will grow big enough so that everybody will see and understand the truth, and then we won't act like a bunch of sheep, and then that wall that separates the two sides of our street will crumble.
Harry Bernstein (The Invisible Wall: A Love Story That Broke Barriers)
When I was praised for my conduct I felt a guilt that in some way I was doing something that was really against the wishes of the white folks, that if they had understood they would have desired me to act just the opposite, that I should have been sulky and mean, and that that really would have been what they wanted, even though they were fooled and thought they wanted me to act as I did. It made me afraid that some day they would look upon me as a traitor and I would be lost. Still I was more afraid to act any other way because they didn’t like that at all.
Ralph Ellison (Invisible Man)
Going Gone Over stone walls and barns, miles from the black-eyed Susans, over circus tents and moon rockets you are going, going. You who have inhabited me in the deepest and most broken place, are going, going. An old woman calls up to you from her deathbed deep in sores, asking, "What do you keep of her?" She is the crone in the fables. She is the fool at the supper and you, sir, are the traveler. Although you are in a hurry you stop to open a small basket and under layers of petticoats you show her the tiger-striped eyes that you have lately plucked, you show her specialty, the lips, those two small bundles, you show her the two hands that grip her fiercely, one being mine, one being yours. Torn right off at the wrist bone when you started in your impossible going, gone. Then you place the basket in the old woman's hollow lap and as a last act she fondles these artifacts like a child's head and murmurs, "Precious. Precious." And you are glad you have given them to this one for she too is making a trip.
Anne Sexton
Never had anyone said, "Listen. Life is short. Pretend your body is still in its twenties. Jump for the brass ring. Swing for those bleachers. Dive into the deep end of the pool. Act like a fool if you must, but at least *live*.
Cathie Pelletier (The One-Way Bridge (Mattagash, #4))
Habit is the explanation of why we seem to forget things so quickly. Yesterday we were under fire, to-day we act the fool and go foraging through the countryside, to-morrow we go up to the trenches again. We forget nothing really. But so long as we have to stay here in the field, the front-line days, when they are past, sink down in us like a stone; they are too grievous for us to be able to reflect on them at once. If we did that, we should have been destroyed long ago. I soon found out this much:—terror can be endured so long as a man simply ducks;—but it kills, if a man thinks about it. Just
Erich Maria Remarque (All Quiet on the Western Front)
Wherever the family was, these two dogs, both six-year-old shepherd mixes, took up their posts at the central coming-and-going point. Gil called them concierge dogs. And it's true, they were inquisitive and accommodating. But they were not fawning or overly playful. They were watchful and thoughtful. Irene thought they had gravitas. Weighty demeanors. She thought of them as diplomats. She had noticed that when Gil was about to lose his temper one of the dogs always appeared and did something to divert his attention. Sometimes they acted like fools, but it was brilliant acting. Once, when he was furious about a bill for the late fees for a lost video, one of the dogs had walked right up to Gil and lifted his leg over his shoe. Gil was shouting at Florian when the piss splattered down, and she'd felt a sudden jolt of pride in the dog.
Louise Erdrich (Shadow Tag)
But there is an unbounded pleasure to be had in the possession of a young, newly blossoming soul! It is like a flower, from which the best aroma evaporates when meeting the first ray of the sun; you must pluck it at that minute, breathing it in until you’re satisfied, and then throw it onto the road: perhaps someone will pick it up! I feel this insatiable greed, which swallows everything it meets on its way. I look at the suffering and joy of others only in their relation to me, as though it is food that supports the strength of my soul. I myself am not capable of going mad under the influence of passion. My ambition is stifled by circumstances, but it has manifested itself in another way, for ambition is nothing other than a thirst for power, and my best pleasure is to subject everyone around me to my will, to arouse feelings of love, devotion and fear of me—is this not the first sign and the greatest triumph of power? Being someone’s reason for suffering while not being in any position to claim the right—isn’t this the sweetest nourishment for our pride? And what is happiness? Sated pride. If I considered myself to be better, more powerful than everyone in the world, I would be happy. If everyone loved me, I would find endless sources of love within myself. Evil spawns evil. The first experience of torture gives an understanding of the pleasure in tormenting others. An evil idea cannot enter a person’s head without his wanting to bring it into reality: ideas are organic creations, someone once said. Their birth gives them form immediately, and this form is an action. The person in whom most ideas are born is the person who acts most. Hence a genius, riveted to his office desk, must die or lose his mind, just as a man with a powerful build who has a sedentary life and modest behavior will die from an apoplectic fit. Passions are nothing other than the first developments of an idea: they are a characteristic of the heart’s youth, and whoever thinks to worry about them his whole life long is a fool: many calm rivers begin with a noisy waterfall, but not one of them jumps and froths until the very sea. And this calm is often the sign of great, though hidden, strength. The fullness and depth of both feeling and thought will not tolerate violent upsurges. The soul, suffering and taking pleasure, takes strict account of everything and is always convinced that this is how things should be. It knows that without storms, the constant sultriness of the sun would wither it. It is infused with its own life—it fosters and punishes itself, like a child. And it is only in this higher state of self-knowledge that a person can estimate the value of divine justice.
Mikhail Lermontov (A Hero of Our Time)
I roamed L.A. by night. I got repeatedly rousted by LAPD. I sensed that a cop-street fool compact existed. I behaved accordingly. I denied all criminal intent. I acted respectfully. My height-to-weight ratio and unhygienic appearance caused some cops to taunt me. I sparred back. Street schtick often ensued. I mimicked jailhouse jigs like some WASP Richard Pryor. Rousts turned into streetside yukfests. They played like Jack Webb unhinged. I started to dig the LAPD. I started to grok cop humor. I couldn't quite peg it as performance art. I hadn't read Joseph Wambaugh yet.
James Ellroy (The Best American Crime Writing 2005 (Best American Crime Reporting))
He made a noise that sounded like a strangled laugh, and then said: Ah, I like your style. I’ll give you that. You’re not easy to get the upper hand on, are you? Obviously I’m not going to manage it. It’s funny, because you carry on like you’d let me walk all over you, answering my texts at two in the morning, and then telling me you’re in love with me, blah blah blah. But that’s all your way of saying, just try and catch me, because you won’t. And I can see I won’t. You’re not going to let me have it for a minute. Nine times out of ten you’d have someone fooled with the way you go on. They’d be delighted with themselves, thinking they were really the boss of you. Yeah, yeah, but I’m not an idiot. You’re only letting me act badly because it puts you above me, and that’s where you like to be. Above, above. And I don’t take it personally, by the way, I don’t think you’d let anyone near you. Actually, I respect it. You’re looking out for yourself, and I’m sure you have your reasons. I’m sorry I was so harsh on you with what I said, because you were right, I was just trying to hurt you. And I probably did hurt you, big deal. Anyone can hurt anyone if they go out of their way. But then instead of getting mad with me, you go saying I’m welcome to stay over and you still love me and all this. Because you have to be perfect, don’t you? No, you really have a way about you, I must say. And I’m sorry, alright? I won’t be trying to take a jab at you again. Lesson learned. But from now on you don’t need to act like you’re under my thumb, when we both know I’m nowhere near you. Alright? Another long silence fell. Their faces were invisible in darkness. Eventually, in a high and strained voice, straining perhaps for an evenness or lightness it did not attain, she replied: Alright. If I ever do get a hold of you, you won’t need to tell me, he said. I’ll know. But I’m not going to chase too much. I’ll just stay where I am and see if you come to me. Yes, that’s what hunters do with deer, she said. Before they kill them.
Sally Rooney (Beautiful World, Where Are You)
Do not waste time bothering whether you ‘love’ your neighbor; act as if you did. When you are behaving as if you loved someone, you will presently come to love him. If you injure someone you dislike, you will find yourself disliking him more. If you do him a good turn, you will find yourself disliking him less. There is, indeed one exception. If you do him a good turn, not to please God and obey the law of charity, but to show him what a fine, forgiving chap you are, and to put him in your debt, and then sit down to wait for his ‘gratitude’, you will probably be disappointed. (People are not fools: they have a very quick eye for showing off, or patronage.) But whenever we do good to another self, just because it is a self, made (like us) by God and desiring its own happiness as we desire ours, we shall have learned to love it a little more, or at least to dislike it less.... Some writers use the word charity to describe not only Christian love between human beings, but also God’s love for man and man’s love for God. About the second of these two, people are often worried. They are told they ought to love God. They cannot find any such feeling in them selves. What are they to do? The answer is the same as before. Act as if you did. Do not sit trying to manufacture feelings. Ask yourself, “If I were sure that I loved God what would I do? When you have found the answer, go and do it.
C.S. Lewis
Whatever you do, act as if you meant to do it even if you're sure you look like a fool.
Tracy Anne Warren (The Wedding Trap (The Trap Trilogy, #3))
Programmers are like magicians who fool everyone into thinking they are perfect and never wrong, but it’s all an act. They make mistakes all the time.
Zed A. Shaw (Learn Ruby the Hard Way: A Simple and Idiomatic Introduction to the Imaginative World Of Computational Thinking with Code (Zed Shaw's Hard Way Series))
In prayer we persistently, faithfully, trustingly come before God, submitting ourselves to his sovereignty, confident that he is acting, right now, on our behalf.
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
Don't prove your freedom by getting into bondage. Don't show your independence by losing everything. And, never prove your wisdom by acting like a fool.
Michael A. Dalton
Do you mean to call me a coward?' She was ruffling like a hen. 'Exactly. You lack the courage to say what you really think. When I first met you, I thought: There is a girl in a million. She isn't like these other silly little fools who believe everything their mammas tell them and act on it, no matter how they feel. And conceal all their feelings and desires and little heartbreaks behind a lot of sweet words. I thought: Ms. O'Hara is a girl of rare spirit. She knows what she wants and she doesn't mind speaking her mind-or throwing vases.
Margaret Mitchell (Gone with the Wind)
He fleeces the poor fools who run along to him. Then he acts like their father, orders them to do his dirty work, plays out his wicked dreams, then scurries away from the consequences.
David Mitchell (Ghostwritten)
You don’t fucking care!” He snapped through clenched teeth. “You don’t fucking care if you ever see me again. All I do is think about you, every minute, I think about you… I am sick with thinking about you… Every fucking minute… But you… You go on with your life, like nothing is missing. Then you have the fucking nerve to act like you care… Do you take me for a fucking fool?
E.L. Beth (Redemption (The Hudson Boys #4))
I see you Norah. I have always been able to see inside you. I feel you when you're not around. You act like we don't have this deep, once in a lifetime connection, but you are fooling yourself.
Angela Richardson (All the Pieces (Pieces of Lies, #3))
I wish to Heaven I was married,” she said resentfully as she attacked the yams with loathing. “I’m tired of everlastingly being unnatural and never doing anything I want to do. I’m tired of acting like I don’t eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I’m tired of saying ‘How wonderful you are!’ to fool men who haven’t got one-half the sense I’ve got, and I’m tired of pretending I don’t know anything, so men can tell me things and feel important while they’re doing it…. I can’t eat another bite.
Margaret Mitchell (Gone with the Wind)
When in doubt, make a fool of yourself. There is a microscopically thin line between being brilliantly creative and acting like the most gigantic idiot on earth. So what the hell, leap.” —Cynthia Heimel
Elizabeth Hilts (Getting in Touch with Your Inner Bitch)
I desecrated my own house?” Chance snorted in disbelief. “Then swam out to Fort Sumter and played paint-by-numbers on the walls, all to make Benjamin Blue like me? Don’t flatter yourself, kid.” Ben’s eyes cut like diamonds. “You act like such a big shot. But you don’t fool me. Do you have any friends, Chance? Is there a single person who cares where you are right now?” “Ben!” I blurted, horrified. “That’s not—” “You’re one to talk.” Chance stepped closer to Ben and matched him glare for glare. “I’ve never betrayed my friends. Not like you, eh, Benjamin?” Ben’s whole body went still. “What did you say?” “Guys, guys!” Hi half rose, palms up. “There’s no need for anyone to get upset. I’ve got Go-Gurt in the mini-fridge. I know when I get hungry, my manners can—” “Shut up, Hi.” Ben and Chance, in unison.
Kathy Reichs (Terminal (Virals, #5))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
The Active Life If an expert does not have some problem to vex him, he is unhappy! If a philosopher's teaching is never attacked, she pines away! If critics have no one on whom to exercise their spite, they are unhappy. All such people are prisoners in the world of objects. He who wants followers, seeks political power. She who wants reputation, holds an office. The strong man looks for weights to lift. The brave woman looks for an emergency in which she can show bravery. The swordsman wants a battle in which he can swing his sword. People past their prime prefer a dignified retirement, in which they may seem profound. People experienced in law seek difficult cases to extend the application of the laws. Liturgists and musicians like festivals in which they parade their ceremonious talents. The benevolent, the dutiful, are always looking for chances to display virtue. Where would the gardener be if there were no more weeds? What would become of business without a market of fools? Where would the masses be if there were no pretext for getting jammed together and making noise? What would become of labor if there were no superfluous objects to be made? Produce! Get results! Make money! Make friends! Make changes! Or you will die of despair! Those who are caught in the machinery of power take no joy except in activity and change--the whirring of the machine! Whenever an occasion for action presents itself, they are compelled to act; they cannot help themselves. They are inexorably moved, like the ma- chine of which they are a part. Prisoners in the world of objects, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces, fashion, the mar- ket, events, public opinion. Never in a whole lifetime do they re- cover their right mind! The active life! What a pity!
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
Let us fool ourselves no longer. At the very moment Western nations, threw off the ancient regime of absolute government, operating under a once-divine king, they were restoring this same system in a far more effective form in their technology, reintroducing coercions of a military character no less strict in the organization of a factory than in that of the new drilled, uniformed, and regimented army. During the transitional stages of the last two centuries, the ultimate tendency of this system might b e in doubt, for in many areas there were strong democratic reactions; but with the knitting together of a scientific ideology, itself liberated from theological restrictions or humanistic purposes, authoritarian technics found an instrument at hand that h as now given it absolute command of physical energies of cosmic dimensions. The inventors of nuclear bombs, space rockets, and computers are the pyramid builders of our own age: psychologically inflated by a similar myth of unqualified power, boasting through their science of their increasing omnipotence, if not omniscience, moved by obsessions and compulsions no less irrational than those of earlier absolute systems: particularly the notion that the system itself must be expanded, at whatever eventual co st to life. Through mechanization, automation, cybernetic direction, this authoritarian technics has at last successfully overcome its most serious weakness: its original dependence upon resistant, sometimes actively disobedient servomechanisms, still human enough to harbor purposes that do not always coincide with those of the system. Like the earliest form of authoritarian technics, this new technology is marvellously dynamic and productive: its power in every form tends to increase without limits, in quantities that defy assimilation and defeat control, whether we are thinking of the output of scientific knowledge or of industrial assembly lines. To maximize energy, speed, or automation, without reference to the complex conditions that sustain organic life, have become ends in themselves. As with the earliest forms of authoritarian technics, the weight of effort, if one is to judge by national budgets, is toward absolute instruments of destruction, designed for absolutely irrational purposes whose chief by-product would be the mutilation or extermination of the human race. Even Ashurbanipal and Genghis Khan performed their gory operations under normal human limits. The center of authority in this new system is no longer a visible personality, an all-powerful king: even in totalitarian dictatorships the center now lies in the system itself, invisible but omnipresent: all its human components, even the technical and managerial elite, even the sacred priesthood of science, who alone have access to the secret knowledge by means of which total control is now swiftly being effected, are themselves trapped by the very perfection of the organization they have invented. Like the Pharoahs of the Pyramid Age, these servants of the system identify its goods with their own kind of well-being: as with the divine king, their praise of the system is an act of self-worship; and again like the king, they are in the grip of an irrational compulsion to extend their means of control and expand the scope of their authority. In this new systems-centered collective, this Pentagon of power, there is no visible presence who issues commands: unlike job's God, the new deities cannot be confronted, still less defied. Under the pretext of saving labor, the ultimate end of this technics is to displace life, or rather, to transfer the attributes of life to the machine and the mechanical collective, allowing only so much of the organism to remain as may be controlled and manipulated.
Lewis Mumford
I am a deeply uncertain individual. I often find myself acting like a fool to make the people around me laugh. When they’re laughing, they’re not watching me quite as closely. I smile to put people at ease. But what if I opened my mouth one day, spoke my actual thoughts, and the people glared at my opinions? What if they thought me disgusting or frightening or ugly because of my words? Would you keep your lips shut for the rest of your life to not face that judgment? Just for the sake of someone else’s comfort? For these strangers, who I will never know? If I can’t speak then I’ll write. These strangers, whose opinions crush me, will be forced to listen. Because when they read my words those words will make a home within their heads. They may even end up using my own opinions against me. But at least I’ll be hidden behind the pages of a book.
F.K. Preston
Act I, Scene 1 GARRY: ....My worst defect is that I am apt to worry too much about what people think of me when I'm alive. But I'm not going to do that anymore. I'm changing my methods and you're my first experiment. As a rule, when insufferable young beginners have he impertinence to criticise me, I dismiss the whole thing lightly because I'm embarrassed for them and consider it not quite fair game to puncture their inflated egos too sharply. But this time my highbrow young friend you're going to get it in the neck. To begin with your play is not a play at all. It's a meaningless jumble of adolescent, pseudo intellectual poppycock. And you yourself wouldn't be here at all if I hadn't been bloody fool enough to pick up the telephone when my secretary wasn't looking. Now that you are here, however, I would like to tell you this. If you wish to be a playwright you just leave the theater of to-morrow to take care of itself. Go and get yourself a job as a butler in a repertory company if they'll have you. Learn from the ground up how plays are constructed and what is actable and what isn't. Then sit down and write at least twenty plays one after the other, and if you can manage to get the twenty-first produced for a Sunday night performance you'll be damned lucky! ROLAND (hypnotised): I'd no idea you were like this. You're wonderful!
Noël Coward (Present Laughter)
She usually had the answers and always acted confident, but she still felt like she had fooled everyone into thinking she was smarter than she was. It was a feeling she had since she was in grade school, and she'd never conquered
Teresa Burrell (The Advocate's Conviction (The Advocate, #3))
What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out.
Philip Larkin
And I order you to get drunk!” I roar to my army. They look at me like I am mad. “Get drunk?” one says. “Yes!” I cut him off before he can say more. “Can you manage that? Act like fools, for once?” “We’ll try,” Milia cries. “Won’t we?
Pierce Brown (Red Rising (Red Rising Saga, #1))
If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
I bet you won’t be surprised to hear that no female angels have ever gotten themselves kicked out of Heaven,” Cayman said. “Not because they never questioned anything. It’s just that they actually questioned things in a logical, thoughtful manner instead of acting like general fools.
Jennifer L. Armentrout (Grace and Glory (The Harbinger, #3))
Do you ever think what might've happened if they weren't so damn impatient? If Romeo had stopped for a second and gotten a doctor, or waited for Juliet to wake up? Not jumped to conclusions and gone and poisoned himself thinking she was dead when she was just sleeping? I've seen that movie so many times, and every damn time, it's like screaming at the girl in the horror movie. Don't go in the basement. The killer's down there. With Romeo and Juliet, I yell, 'Don't jump to conclusions.' But do those fools ever listen to me? I always imagine what might've happened if they'd waited. Juliet would've woken up. They'd already be married. They might've moved away, far away from the Montagues and the Capulets, gotten themselves a cute castle of their own. Decorated it up nice. Maybe it would've been like The Winter's Tale. By thinking Hermione was dead, Leontes had time to stop acting like a fool and then later he was so happy to find out she was alive. Maybe the Montagues and the Capulets would find out later that their beloved kids weren't dead, and wasn't it stupid to feud, and everyone would be happy. Maybe it would've turned the whole tragedy into a comedy.
Gayle Forman (Just One Day (Just One Day, #1))
My advice would be to find a good woman and steer well clear of the whole bloody business, and it’s a shame no one told me the same twenty years ago.” He looked sideways at Jezal. “But if, say, you’re stuck out on some great wide plain in the middle of nowhere and can’t avoid it, there’s three rules I’d take to a fight. First, always do your best to look the coward, the weakling, the fool. Silence is a warrior’s best armour, the saying goes. Hard looks and hard words have never won a battle yet, but they’ve lost a few.” “Look the fool, eh? I see.” Jezal had built his whole life around trying to appear the cleverest, the strongest, the most noble. It was an intriguing idea, that a man might choose to look like less than he was. “Second, never take an enemy lightly, however much the dullard he seems. Treat every man like he’s twice as clever, twice as strong, twice as fast as you are, and you’ll only be pleasantly surprised. Respect costs you nothing, and nothing gets a man killed quicker than confidence.” “Never underestimate the foe. A wise precaution.” Jezal was beginning to realise that he had underestimated this Northman. He wasn’t half the idiot he appeared to be. “Third, watch your opponent as close as you can, and listen to opinions if you’re given them, but once you’ve got your plan in mind, you fix on it and let nothing sway you. Time comes to act, you strike with no backwards glances. Delay is the parent of disaster, my father used to tell me, and believe me, I’ve seen some disasters.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
Reading is like skiing. When done well, when done by an expert, both reading and skiing are graceful, harmonious, activities. When done by a beginner, both are awkward, frustrating, and slow. Learning to ski is one of the most humiliating experiences an adult can undergo (that is one reason to start young). After all, an adult has been walking for a long time; he knows where his feet are; he knows how to put one foot in front of the other in order to get somewhere. But as soon as he puts skis on his feet, it is as though he had to learn to walk all over again. He slips and slides, falls down, has trouble getting up, gets his skis crossed, tumbles again, and generally looks- and feels- like a fool. Even the best instructor seems at first to be of no help. The ease with which the instructor performs actions that he says are simple but that the student secretly believes are impossible is almost insulting. How can you remember everything the instructors says you have to remember? Bend your knees. Look down the hill Keep your weight on the downhill ski. Keep your back straight, but nevertheless lean forward. The admonitions seem endless-how can you think about all that and still ski? The point about skiing, of course, is that you should not be thinking about the separate acts that, together, make a smooth turn or series of linked turns- instead, you should merely be looking ahead of you down the hill, anticipating bumps and other skiers, enjoying the feel of the cold wind on your cheeks, smiling with pleasure at the fluid grace of your body as you speed down the mountain. In other words, you must learn to forget the separate acts in order to perform all of them, and indeed any of them, well. But in order to forget them as separate acts, you have to learn them first as separate acts. only then can you put them together to become a good skier.
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
at night, in his drugged sleep, something more significant would burst through. Together with naked Martha, he would be sawing off the head of Piffke in a public toilet, even though in the first place he was undistinguishable from the Dreyers’ dead chauffeur, and in the second, was called Dreyer in the language of dreams. Horror and helpless revulsion merged in those nightmares with a certain nonterrestrial sensation, known to those who have just died, or have suddenly gone insane after deciphering the meaning of everything. Thus, in one dream, Dreyer stood on a ladder slowly winding a red phonograph, and Franz knew that in a moment the phonograph would bark the word that solved the universe after which the act of existing would become a futile, childish game like putting one’s foot on every flag edge at every step. The phonograph would croon a familiar song about a sad Negro and the Negro’s love, but by Dreyer’s expression and shifty eyes Franz would understand that it was all a ruse, that he was being cleverly fooled, that within the song lurked the very word that must not be heard, and he would wake up screaming, and could not identify a pale square in the distance until it became a pale window in the dark, and then he would drop his head on the pillow again.
Vladimir Nabokov (King, Queen, Knave)
Wars are won by men like Bill Darby, storming up the beach with all guns blazing, and by men like Leverton, sipping his tea as the bombs fell. They are won by planners correctly calculating how many rations and contraceptives an invading force will need; by tacticians laying out grand strategy; by generals inspiring the men they command; by politicians galvanizing the will to fight; and by writers putting war into words. They are won by acts of strength, bravery, and guile. But they are also won by feats of imagination. Amateur, unpublished novelists, the framers of Operation Mincemeat, dreamed up the most unlikely concatenation of events, rendered them believable, and sent them off to war, changing reality through lateral thinking and proving that it is possible to win a battle fought in the mind, from behind a desk, and from beyond the grave. Operation Mincemeat was pure make-believe; and it made Hitler believe something that changed the course of history.
Ben Macintyre (Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory)
. . . I bet I'm beginning to make some parents nervous - here I am, bragging of being a dropout, and unemployable, and about to make a pitch for you to follow your creative dreams, when what parents want is for their children to do well in their field, to make them look good, and maybe also to assemble a tasteful fortune . . . But that is not your problem. Your problem is how you are going to spend this one odd and precious life you have been issued. Whether you're going to live it trying to look good and creating the illusion that you have power over people and circumstances, or whether you are going to taste it, enjoy it, and find out the truth about who you are . . . I do know you are not what you look like, or how much you weigh, or how you did in school, or whether you start a job next Monday or not. Spirit isn't what you do, it's . . . well, again, I don't actually know. They probably taught this junior year at Goucher; I should've stuck around. But I know that you feel best when you're not doing much - when you're in nature, when you're very quiet or, paradoxically, listening to music . . . We can see Spirit made visible when people are kind to one another, especially when it's a really busy person, like you, taking care of the needy, annoying, neurotic person, like you. In fact, that's often when we see Spirit most brightly . . . In my twenties I devised a school of relaxation that has unfortunately fallen out of favor in the ensuing years - it was called Prone Yoga. You just lay around as much as possible. You could read, listen to music, you could space out or sleep. But you had to be lying down. Maintaining the prone. You've graduated. You have nothing left to prove, and besides, it's a fool's game. If you agree to play, you've already lost. It's Charlie Brown and Lucy, with the football. If you keep getting back on the field, they win. There are so many great things to do right now. Write. Sing. Rest. Eat cherries. Register voters. And - oh my God - I nearly forgot the most important thing: refuse to wear uncomfortable pants, even if they make you look really thin. Promise me you'll never wear pants that bind or tug or hurt, pants that have an opinion about how much you've just eaten. The pants may be lying! There is way too much lying and scolding going on politically right now without having your pants get in on the act, too. So bless you. You've done an amazing thing. And you are loved; you're capable of lives of great joy and meaning. It's what you are made of. And it's what you're here for. Take care of yourselves; take care of one another. And give thanks, like this: Thank you.
Anne Lamott (Plan B: Further Thoughts on Faith)
Adam wet his dry lips and tried to ask and failed and tried again. "Why do they have to do it?" he said. "Why is it?" Cyrus was deeply moved and he spoke as he had never spoken before. "I don't know," he said. "I've studied and maybe learned how things are, but I"m not even close to why they are. And you must not expect to find that people understand what they do. So many things are done instinctively, the way a bee makes honey or a fox dips his paws into a stream to fool dogs. A fox can't say why he does it, and what bee remembers winter or expects it to come again? When I knew you had to go I thought to leave the future open so you could dig out your own findings, and then it seemed better if I could protect you with the little I know. You'll go in soon now--you've come to the age." "I don't want to," said Adam quickly. "You'll go in soon," his father went on, not hearing. "And I want to tell you so you won't be surprised. They'll first strip off your clothes, but they'll go deeper than that. They'll shuck off any little dignity you have--you'll lose what you think of as your decent right to live and be let alone to live. They'll make you live and eat and sleep and shit close to other men. And when they dress you up again you'll not be able to tell yourself from the others. You can't even wear a scrap or pin a note on your breast to say, 'This is me--separate from the rest.'" "I don't want to do it," said Adam. "After a while," said Cyrus, "you'll think no thought the others do not think. You'll know no word the others can't say. And you'll do things because the others do them. You'll feel the danger in any difference whatever-- a danger to the whole crowd of like-thinking, like-acting men." "What if I don't?" Adam demanded. "Yes," said Cyrus, "sometimes that happens. Once in a while there is a man who won't do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can't finally give in, they'll vomit you up and leave you stinking outside--neither part of themselves nor yet free. It's better to fall in with them. They only do it to protect themselves [...]
John Steinbeck (East of Eden)
The disciples finally begin to get a grasp that maybe God can become flesh and dwell among us, maybe God can be a man, and then they come back and not only is God a man, but He's acting like an idiot! He's hanging out with a bunch of kids. He's blessing them, you know. And you think, How do you bless children? Well, the best way I know is that you pick them up and you just throw them as high as you can, and you catch them right before they splatter. You get down on all fours and you run around the room and you let them ride you and you buck them off. … You put your mouth against their bellies and you make funny noises. Here's Jesus probably doing all this business. His disciples were humiliated! And they said, “You should not be making such a fool of Yourself!” And Jesus says, “Here, look, look, fellas. I'll call the shots here. I may be dumb, but I am God. And I'll tell you what else, if you wanna come into My kingdom, you'll come in like one of these or you won't come in at all.
James Bryan Smith (Rich Mullins: An Arrow Pointing to Heaven)
Mostly, this was the fault of white, Rust Belt, out-of-work Democrats. They had voted twice for Barack Obama, but now they were being told that they were racists or white supremacists for voting for Trump and giving him an Electoral College edge. The contrarian liberal genius Michael Moore had been a lonely prophet who had seen it coming, but the Clinton team had ignored him, just as they had ignored their own patriarch, Bill Clinton, who sounded the same warning. In a live performance, Moore had teased voters in Wilmington, Ohio, months before the election, telling them that he knew what they were planning to do. And they laughed with him, like guilty children caught in the act by a bemused cousin. He knew they were going to vote for Trump. He didn’t like it, but at least he was one person who could not be fooled. People who had been overlooked, despised, stomped on, used, taken for granted. This was their moment to speak. They had been shamed into telling the pollsters what they wanted to hear, but in the privacy of their polling booths, they had struck a blow. This
Doug Wead (Game of Thorns: The Inside Story of Hillary Clinton's Failed Campaign and Donald Trump's Winning Strategy)
behavioral problem; we like to emit logical and rational ideas but we do not necessarily enjoy this execution. Strange as it sounds, this point has only been discovered very recently (we will see that we are not genetically fit to be rational and act rationally; we are merely fit for the maximum probability of transmitting our genes in some given unsophisticated environment).
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto, #1))
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.” “I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.” Tate’s eyes widened. “I beg your pardon?” he asked, affronted. “You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.” “Infatuation dies,” Tate said. Holden nodded. “Yes, it does. Goodbye.” “So does hero worship,” he continued, laboring the point. “And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously. The words had power. They wounded. “You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly. “Wait!” Holden paused with his hand on the doorknob and turned. “What?” Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.” Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.” Tate searched the older man’s eyes. “You’re a fine one to talk.” Holden’s face fell. “Yes, that’s true.” He turned away. Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.” “If it weren’t for the cultural difference, how would you feel about Cecily?” Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.” “And you couldn’t live with being the second man.” Tate’s face hardened. His eyes flashed. Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.” Tate’s mouth made a thin line. He didn’t reply. “When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
Diana Palmer (Paper Rose (Hutton & Co. #2))
I’d be sixteen by now,” he said slowly. "Oh, Magnus!” Ragnor wailed. “That’s disgusting! How could you? Have you lost your mind?” “What?” Magnus asked again. “We agreed eighteen was the cutoff age,” said Ragnor. “You, I, and Catarina made a vow.” “A v— Oh, wait. You think I’m dating Raphael?” Magnus asked. “Raphael? That’s ridiculous. That’s—” “That’s the most revolting idea I’ve ever heard.” Raphael’s voice rang out to the ceiling. Probably people in the street could hear him. “That’s a little strong,” said Magnus. “And, frankly, hurtful.” “And if I did wish to indulge in unnatural pursuits— and let me be clear, I certainly do not,” Raphael continued scornfully, “as if I would choose him. Him! He dresses like a maniac, acts like a fool, and makes worse jokes than the man people throw rotten eggs at outside the Dew Drop every Saturday.” Ragnor began to laugh. “Better men than you have begged for a chance to win all this,” Magnus muttered. “They have fought duels in my honor. One man fought a duel for my honor, but that was a little embarrassing since it is long gone.” “Do you know he spends hours in the bathroom sometimes?” Raphael announced mercilessly. “He wastes actual magic on his hair. On his hair!” “I love this kid,” said Ragnor.
Cassandra Clare (The Bane Chronicles)
The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, "Tolk," and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. "This is a rock; tolk in the True Speech," he said, looking mildly up at Ged now. "A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond – or a flower or a fly or an eye or a flame – " The rock flickered from shape to shape as he named them, and returned to rock. "But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow..." He looked down at the pebble again. "A rock is a good thing, too, you know," he said, speaking less gravely. "If the Isles of Eartbsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Newspeak occurs whenever the primary purpose of language – which is to describe reality – is replaced by the rival purpose of asserting power over it. The fundamental speech-act is only superficially represented by the assertoric grammar. Newspeak sentences sound like assertions, but their underlying logic is that of the spell. They conjure the triumph of words over things, the futility of rational argument, and also the danger of resistance. As a result Newspeak developed its own special syntax, which – while closely related to the syntax deployed in ordinary descriptions – carefully avoids any encounter with reality or any exposure to the logic of rational argument. Françoise Thom has argued this in her brilliant study La langue de bois.5 The purpose of communist Newspeak, in Thom’s ironical words, has been ‘to protect ideology from the malicious attacks of real things’.
Roger Scruton (Fools, Frauds and Firebrands: Thinkers of the New Left)
Nevertheless, there are many respects, in tiny and contemptible matters, where our curiosity is provoked every day. How often do we slip, who can count? How many times we initially act as if we put up with people telling idle tales in order not to offend the weak, but then gradually we find pleasure in listening. I now do not watch a dog chase a rabbit when this is happening at the circus. But if by chance I am passing when coursing occurs in the countryside, it distracts me perhaps indeed from thinking out some weighty matter. The hunt turns me to an interest in the sport, not enough to lead me to alter the direction of the beast I am riding, but shifting the inclination of my heart. Unless you had proved to me my infirmity and quickly admonished me either to take the sight as the start for some reflection enabling me to rise up to you or wholly to scorn and pass the matter by, I would be watching like an empty-headed fool. When I am sitting at home, a lizard catching flies or a spider entrapping them as they rush into its web often fascinates me. The problem is not made any different by the fact that the animals are small. The sight leads me on to praise you, the marvellous Creator and orderer of all things; but that was not how my attention first began. It is one thing to rise rapidly, another thing not to fall.
Augustine of Hippo (Confessions)
One of the pleasant things about you is that you're entirely predictable because you never learn. I've told you before, and I'm telling you again, that people who murder other people are dangerous to be around. You're charming, my dear, and sometimes you act like an awful fool. Someday it'll be you that doesn't wake up at the foot of some stone steps. Those are terms a first-grader ought to be able to understand--won't you see what you can make of them?
Leslie Ford (The Devil's Stronghold)
Say Joe what’s the dope about this war business?” “I guess they are in for it this time. . . . I’ve known it was coming ever since the Agadir incident.” “Jez I like to see somebody wallop the pants off England after the way they wont give home rule to Ireland.” “We’d have to help em. . . . Any way I dont see how this can last long. The men who control international finance wont allow it. After all it’s the banker who holds the purse strings.” “We wouldn’t come to the help of England, no sir, not after the way they acted in Ireland and in the Revolution and in the Civil War. . . . ” “Joey you’re getting all choked up with that history you’re reading up in the public library every night. . . . You follow the stock quotations and keep on your toes and dont let em fool you with all this newspaper talk about strikes and upheavals and socialism. . . . I’d like to see you make good Joey. . . . Well I guess I’d better be going.
John Dos Passos (Manhattan Transfer: A Novel)
Any good strategy involves risk. If you think your strategy is foolproof, the fool may well be you. Execution, too, is uncertain — what works in one company with one workforce may have different results elsewhere. Chance often plays a greater role than we think, or than successful managers usually like to admit. The link between inputs and outcomes is tenuous. Bad outcomes don’t always mean that managers made mistakes; and good outcomes don’t always mean they acted brilliantly.
Philip M. Rosenzweig (The Halo Effect: ... and the Eight Other Business Delusions That Deceive Managers (A Must-Read Guide for Managers))
Most women are trained to act like simpering fools,” she scoffed. “Is that what you want from me?” She pressed the back of her hand to her forehead, enjoying that he watched how her breasts lifted with the gesture. “Oh, do allow me a moment to swoon here in virginal protestation so I might feel less guilty for succumbing to the seduction of this large and dangerous rogue who is intent upon ravishing my pure and virtuous person. I am an innocent, harmless girl caught in his dastardly web—
Kerrigan Byrne (Dancing With Danger (Goode Girls, #3))
Josef waylays me outside the museum and announces I have driven him to despair: because of the way I’ve treated him, he is leaving Toronto forever. He does not fool me: he was planning to do this anyway. My mean mouth takes over. “Good,” I say. He gives me a pained, reproachful stare, drawing himself up into the proud, theatrical, poker-up-the-bum stance of a matador. I walk away from him. It’s enormously pleasing to me, this act of walking away. It’s like being able to make people appear and vanish, at will.
Margaret Atwood (Cat’s Eye)
Human kindness is totally unfair. We don't live in a caring or generous world, yet we try to be kind and caring to others. We know the world is out to burn us, and it gets us in anyway it can. I'm not a fool. But still, we try not to burn each other. We are kind people in an unkind world. How do you pretend you don't know about something, after you see it? How do you act like you don't need something, when you are hurting? How do you even the score and walk off a with a clean conscience? You can't! Our only real choice is kindness.
José N. Harris
The most important discovery you will ever make is the love the Father has for you,” writes Pete Greig, founder of the 24-7 Prayer Movement. “Your power in prayer will flow from the certainty that the One who made you likes you, he is not scowling at you, he is on your side . . . Unless our mission and our acts of mercy, our intercession, petition, confession, and spiritual warfare begin and end in the knowledge of the Father’s love, we will act and pray out of desperation, determination, and duty instead of revelation, expectation, and joy.”19
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
I wish to Heaven I was married,” she said resentfully as she attacked the yams with loathing. “I’m tired of everlastingly being unnatural and never doing anything I want to do. I’m tired of acting like I don’t eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I’m tired of saying ‘How wonderful you are!’ to fool men who haven’t got one-half the sense I’ve got, and I’m tired of pretending I don’t know anything, so men can tell me things and feel important while they’re
Margaret Mitchell (Gone With the Wind)
Those are God-like qualities. Not in power, but in choice. If He had created us in such a way that we could only do good, if we were incapable of acting badly, selfishly, causing pain or harm, then the notion of free will would be meaningless, would it not? Not only that, true free will precludes God’s intervention in our lives. There is no real free will if God intercedes to protect us or save us from the consequences of our own or other people’s actions and choices. We have to face those consequences ourselves. That is the price we pay for free will.” Father
Richard Paul Russo (Ship of Fools)
Oh! thou clear spirit of clear fire, whom on these seas I as Persian once did worship, till in the sacramental act so burned by thee, that to this hour I bear the scar; I now know thee, thou clear spirit, and I now know that thy right worship is defiance. To neither love nor reverence wilt thou be kind; and e’en for hate thou canst but kill; and all are killed. No fearless fool now fronts thee. I own thy speechless, placeless power; but to the last gasp of my earthquake life will dispute its unconditional, unintegral mastery in me. In the midst of the personified impersonal, a personality stands here. Though but a point at best; whencesoe’er I came; wheresoe’er I go; yet while I earthly live, the queenly personality lives in me, and feels her royal rights. But war is pain, and hate is woe. Come in thy lowest form of love, and I will kneel and kiss thee; but at thy highest, come as mere supernal power; and though thou launchest navies of full-freighted worlds, there’s that in here that still remains indifferent. Oh, thou clear spirit, of thy fire thou madest me, and like a true child of fire, I breathe it back to thee.
Herman Melville (Moby-Dick or, The Whale)
Good faith, this same young sober-blooded boy doth not love me; nor a man cannot make him laugh—but that's no marvel; he drinks no wine. There's never none of these demure boys come to any proof; for thin drink doth so over-cool their blood, and making many fish-meals, that they fall into a kind of male green-sickness; and then, when they marry, they get wenches. They are generally fools and cowards-which some of us should be too, but for inflammation. A good sherris-sack hath a two-fold operation in it. It ascends me into the brain; dries me there all the foolish and dull and crudy vapours which environ it; makes it apprehensive, quick, forgetive, full of nimble, fiery, and delectable shapes; which delivered o'er to the voice, the tongue, which is the birth, becomes excellent wit. The second property of your excellent sherris is the warming of the blood; which before, cold and settled, left the liver white and pale, which is the badge of pusillanimity and cowardice; but the sherris warms it, and makes it course from the inwards to the parts extremes. It illumineth the face, which, as a beacon, gives warning to all the rest of this little kingdom, man, to arm; and then the vital commoners and inland petty spirits muster me all to their captain, the heart, who, great and puff'd up with this retinue, doth any deed of courage—and this valour comes of sherris. So that skill in the weapon is nothing without sack, for that sets it a-work; and learning, a mere hoard of gold kept by a devil till sack commences it and sets it in act and use. Hereof comes it that Prince Harry is valiant; for the cold blood he did naturally inherit of his father, he hath, like lean, sterile, and bare land, manured, husbanded, and till'd, with excellent endeavour of drinking good and good store of fertile sherris, that he is become very hot and valiant. If I had a thousand sons, the first humane principle I would teach them should be to forswear thin potations and to addict themselves to sack.
William Shakespeare (Henry IV, Part Two)
There is an inverse relationship between control and trust. Trust is more of a two-way exchange than most people, especially those in power, realize. Leaders in government, news media, universities, and corporations think they can own trust, when, of course, trust is given to them. Trust is earned with difficulty and lost with ease. When those institutions treat constituents like masses of fools, children, miscreants,or prisoners, when they simply don't listen,it's unlikely they will engender warm feelings of mutual respect. Trust is an act of opening up. It's a mutual relationship of transparency and sharing. The more ways you find to reveal yourself and listen to others, the more you will build trust, which is your brand.
Jeff Jarvis (What Would Google Do?: Reverse Engineering Business Strategies for Survival and Success in the Internet Era)
It’s not a good idea to fall in love, okay?” I say softly. “Not with people, and not with places.” Fen looks surprised by this. “I loved a landscape and watched it burn,” I say. “This island, you can see what it will look like, there’s a film over everything. You can see it disappearing. There’s no stable ground. Not here. Not anywhere else.” “And you’d want to try and survive all of that on your own?” she asks. “What that instability does to relationships—what constant danger does to them—is devastating. It’s unraveling.” I can see she doesn’t believe me but I don’t push the point. She will see, one day. Loving a place is the same as having a child. They are both too much an act of hope, of defiance. And those are a fool’s weapons.
Charlotte McConaghy (Wild Dark Shore)
In a profile of Robert Kennedy, Morgenthau explained how emotion, even in the best of causes, could obscure reason and rationality, and what he said about Kennedy applied to the student demonstrators as well: “Robert Kennedy was not reflective but emotional,” Morgenthau remarked. When he saw evil and suffering in the world, he felt he had to do something. “But since he was unaware of the ambiguity of moral judgments, he was also unaware of the moral and pragmatic ambiguity of the political act performed in emotional response to a moral judgment. His approach was morally fundamentalist and politically simplistic.” Much like the student protesters, many of whom became Kennedy followers after he came to share their passion about the war. Moral fundamentalism and perfectionism were their credo. Emotion, not reflection, determined a policy of resistance that was no-policy. Except for a shared opposition to the Vietnam war, the stern, Nietzschean, hyperintellectual Morgenthau and the idealistic, impassioned students had almost nothing in common. Their intellectual premises barely overlapped; their mind-sets functioned in different universes. As Morgenthau had written in Politics Among Nations, “A man who was nothing but ‘moral man’ would be a fool.” The students were “moral men” and proud of the fact. And then in 1968, as if to pound his point home, Morgenthau took a step that would have been incomprehensible to most of them. He came out in support of Richard Nixon for president.
Barry Gewen (The Inevitability of Tragedy: Henry Kissinger and His World)
I could search for the tunnel. I know how to hide myself with magic; the sentries would never see me.” “Perhaps,” murmured Nasuada. “But I still don’t like the idea of having you or anyone else running about. The likelihood of the Empire noticing is too high. What if Murtagh is watching? Could you fool him? Do you even know what he is capable of now?” She shook her head. “No, we must act as if the tunnel exists and make our decisions accordingly. If events prove otherwise, it won’t have cost us anything, but if the tunnel is there…it should allow us to capture Dras-Leona once and for all.” “What have you in mind?” asked King Orrin in a tone of caution. “Something bold; something…unexpected.” Eragon snorted softly. “Perhaps you should consult Roran, then.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Dr. Kerry said he'd been watching me. "You act like someone who is impersonating someone else. And it's as if you think your life depends on it." I didn't know what to say, so I said nothing. "It has never occurred to you," he said, "that you might have as much right to be here as anyone." He waited for an explanation. "I would enjoy serving the dinner," I said, "more than eating it." Dr. Kerry smiled. "You should trust Professor Steinberg. If he says you're a scholar-'pure gold,' I heard him say-then you are." "This is a magical place," I said. "Everything shines here." "You must stop yourself from thinking like that," Dr. Kerry said, his voice raised. "You are not fool's gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself-even gold appears dull in some lighting-but that is the illusion. And it always was." I wanted to believe him, to take his words and remake myself, but I'd never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot. I couldn't tell Dr. Kerry about that girl. I couldn't tell him that the reason I couldn't return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real-more believable-than the stone spires. To myself I pretended there were other reasons I couldn't belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn't belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside. Whether Dr. Kerry suspected any part of this, I'm not sure. But he understood that I had fixated on clothes as the symbol of why I didn't, and couldn't, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel. "The most powerful determinant of who you are is inside you," he said. "Professor Steinberg says this is Pygmalion. Think of the story, Tara." He paused, his eyes fierce, his voice piercing. "She was just a cockney in a nice dress. Until she believed in herself. Then it didn't matter what dress she wore.
Tara Westover (Educated)
I’ve a dread of puttin’ children i’ th’ world,” he said. “I’ve such a dread o’ th’ future for ’em.” “But you’ve put it into me. Be tender to it, and that will be its future already. Kiss it!” He quivered, because it was true. “Be tender to it, and that will be its future.”—At that moment he felt a sheer love for the woman. He kissed her belly and her mound of Venus, to kiss close to the womb and the fetus within the womb. “Oh, you love me! You love me!” she said, in a little cry like one of her blind, inarticulate love cries. And he went in to her softly, feeling the stream of tenderness flowing in release from his bowels to hers, the bowels of compassion kindled between them. And he realized as he went into her that this was the thing he had to do, to come into tender touch, without losing his pride or his dignity or his integrity as a man. After all, if she had money and means, and he had none, he should be too proud and honorable to hold back his tenderness from her on that account. “I stand for the touch of bodily awareness between human beings,” he said to himself, “and the touch of tenderness. And she is my mate. And it is a battle against the money, and the machine, and the insentient ideal monkeyishness of the world. And she will stand behind me there. Thank God I’ve got a woman! Thank God I’ve got a woman who is with me, and tender and aware of me. Thank God she’s not a bully, nor a fool. Thank God she’s a tender, aware woman.” And as his seed sprang in her, his soul sprang towards her too, in the creative act that is far more than procreative.
D.H. Lawrence
The things people love about you aren’t necessarily the things you want to be loved for. They decide they like you for reasons completely outside your control, of which you’re often not even conscious: it’s certainly not because of the big act you put on, all the charm and anecdotes you’ve calculated for effect. (And if your act does fool someone, it only makes you feel like a successful fraud, and harbor some secret contempt for them — the contempt of a con artist for his mark — plus now you’re condemned to keep up that act forever, lest she Realize.) As The Velveteen Rabbit teaches, we don’t become fully real except in other people’s eyes, and in their affections. At some point you have to accept that other people’s perceptions of you are as valid as (and probably a lot more objective than) your own.
Tim Kreider
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with movies and TV and now the internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because i'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just like a real actual person, instead of a collective personality trait selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls.
Gillian Flynn (Gone Girl)
I don't understand,' Gamache said finally, bringing his eyes back to Myrna. 'Can you explain?' Myrna nodded. 'Pity and compassion are the easiest to understand. Compassion involves empathy. You see the stricken person as an equal. Pity doesn't. If you pity someone you feel superior.' 'But it's hard to tell one from the other,' Gamache nodded. 'Exactly. Even for the person feeling it. Almost everyone would claim to be full of compassion. It's one of the noble emotions. But really, it's pity they feel.' 'So pity is the near enemy of compassion,' said Gamache slowly, mulling it over. 'That's right. It looks like compassion, acts like compassion, but is actually the opposite of it. And as long as pity's in place there's not room for compassion. It destroys, squeezes out, the nobler emotion.' 'Because we fool ourselves into believing we're feeling one, when we're actually feeling the other.' 'Fool ourselves, and fool others,' said Myrna. 'And love and attachment?' asked Gamache. 'Mothers and children are classic examples. Some mothers see their job as preparing their kids to live in the big old world. To be independent, to marry and have children of their own. To live wherever they choose and do what makes them happy. That's love. Others, and we all see them, cling to their children. Move to the same city, the same neighborhood. Live through them. Stifle them. Manipulate, use guilt-trips, cripple them.' 'Cripple them? How?' 'By not teaching them to be independent.' 'But it's not just mothers and children,' said Gamache. 'No. It's friendships, marriages. Any intimate relationship. Love wants the best for others. Attachment takes hostages.' Gamache nodded. He'd seen his share of those. Hostages weren't allowed to escape, and when they tried tragedy followed.
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
For wherever there is faith, there come a hundred evil thoughts, a hundred strugglings more than before; only see to it that you act the man, and not suffer yourself to be taken captive; and continue to resist, and say, I will not, I will not. For we must here confess, that the case is much like that of an ill-matched couple, who are continually complaining of one another, and what one will do the other will not. That may yet be called a truly christian life that is never at perfect rest, and has not so far attained as to feel no sin, provided that sin be felt, indeed, but not favored. Thus we are to fast, pray, labor, to subdue and suppress lust. So that you are not to imagine that you are to become such a saint as these fools speak of. While flesh and blood continue, so long sin remains; wherefore it is ever to be struggled against. Whoever has not learned this by his own experience, must not boast that he is a Christian.
Martin Luther (The Epistles of St. Peter and St. Jude Preached and Explained)
I guess we’ll just have to cross this on foot and go over there to find whatever Captain Goodwin thinks he sees.” “I can get the Humvee through that,” I said. Jerry looked over and down and said, “No, there’s no way.” “Y’all go ahead and walk, I’ll worry about the Humvee,” I said. So they all got out of the vehicle and began to cross through the canal on foot. I assessed the situation and then backed up the vehicle. I threw it into drive and gunned the gas. The engine was so loud that the sound bounced off the trees. RAAARRR. I drove that truck right down the first side of the canal and came barreling up the other side. The nine-thousand-pound vehicle flew out of that canal. Once I roared through the canal, the Humvee behind me followed suit. We pulled up next to Jerry and five other members of our squad like a taxi service. Jerry was so stunned he didn’t even yell at me for acting like a fool. What was be going to say? “Don’t do that again”?
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls. It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
We grossly overestimate the length of the effect of misfortune on our lives. You think that the loss of your fortune or current position will be devastating, but you are probably wrong. More likely, you will adapt to anything, as you probably did after past misfortunes. You may feel a sting, but it will not be as bad as you expect. This kind of misprediction may have a purpose: to motivate us to perform important acts (like buying new cars or getting rich) and to prevent us from taking certain unnecessary risks. And it is part of a more general problem: we humans are supposed to fool ourselves a little bit here and there. According to Trivers’s theory of self-deception, this is supposed to orient us favorably toward the future. But self-deception is not a desirable feature outside of its natural domain. It prevents us from taking some unnecessary risks—but we saw in Chapter 6 how it does not as readily cover a spate of modern risks that we do not fear because they are not vivid, such as investment risks, environmental dangers, or long-term security.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. (…) I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. (…) If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls. It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else.
Gillian Flynn (Gone Girl)
In 1970, psychologists Bibb Latane and John Darley created an experiment in which they would drop pencils or coins. Sometimes they would be in a group, sometimes with one other person. They did this six thousand times. The results? They got help 20 percent of the time in a group, 40 percent of the time with one other person. They decided to up the stakes, and in their next experiment they had someone fill out a questionnaire. After a few minutes, smoke would start to fill the room, billowing in from a wall vent. They ran two versions of the experiment. In one, the person was alone; in the other, two other people were also filling out the questionnaire. When alone, people took about five seconds to get up and freak out. Within groups people took an average of 20 seconds to notice. When alone, the subject would go inspect the smoke and then leave the room to tell the experimenter he or she thought something was wrong. When in a group, people just sat there looking at one another until the smoke was so thick they couldn’t see the questionnaire. Only three people in eight runs of the group experiment left the room, and they took an average of six minutes to get up. The findings suggest the fear of embarrassment plays into group dynamics. You see the smoke, but you don’t want to look like a fool, so you glance over at the other person to see what they are doing. The other person is thinking the same thing. Neither of you react, so neither of you becomes alarmed. The third person sees two people acting like everything is OK, so that third person is even less likely to freak out. Everyone is influencing every other person’s perception of reality thanks to another behavior called the illusion of transparency. You tend to think other people can tell what you are thinking and feeling just by looking at you. You think the other people can tell you are really worried about the smoke, but they can’t. They think the same thing. No one freaks out. This leads to pluralistic ignorance—a situation where everyone is thinking the same thing but believes he or she is the only person who thinks it. After the smoke-filled room experiment, all the participants reported they were freaking out on the inside, but since no one else seemed alarmed, they assumed it must just be their own anxiety.
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
It wasn’t your responsibility to save Theo from himself. When he decided to act like a hotheaded fool, no one could have stopped him.” “But you see, it wasn’t a decision. Theo couldn’t help it that I set off his temper.” Devon’s mouth twisted as if she had said something ridiculous. “Of course he could.” “How do you know that?” “Because I’m a Ravenel. I have the same damned evil temper. Whenever I yield to it, I’m perfectly aware of what I’m doing.” She shook her head, unwilling to be pacified. “You didn’t hear the way I spoke to him. I was very sarcastic and unkind…Oh, you should have seen his face…” “Yes, I’m sure you were a perfect little hornet. However, a few sharp words weren’t sufficient reason for Theo to dash off in a suicidal tantrum.” As Kathleen considered that, she realized with a start that her fingers had slid into the thick, closely shorn locks of hair at his nape. Her arms were around his neck. When had that happened? Blushing furiously, she jerked her hands from him. “You have no sympathy for Theo because you didn’t like him,” she said awkwardly, “but--” “I haven’t yet decided whether I like you either. That doesn’t change my opinion of the situation.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
She wasn’t going to be able to navigate the wet very well in those high heels, but I was sure glad she’d worn them. The graceful, unaffected feminine sway of her as she walked was a sight to see. She began making a bee-line for Murphy’s as quickly as she dared in those heels on the concrete, and then the wet slippery street. Proving there’s no fool like a desperate one, I timed my dash through the rain so I’d arrive in time to open the door for her. It is a risk in today’s climate to open a door for a woman, much less make a play for her — clumsy or otherwise. There was an elegance about her though; I could feel it, even from a distance. She didn’t strike me as the hateful, victimhood-embracing type at all; but perhaps I was simply lonely enough to risk a withering gaze or a tongue-lashing accusing me of being part of some dark, patriarchal and misogynistic conspiracy against her kind. It’s a big word, misogynistic, one of those two-dollar words, as my uneducated old man used to say. Misandrist comes before it in the dictionary, but the type of women who throw the word misogynistic around more often than a teenage girl plays with her hair to flirt, act as if misandrist isn’t a real word too.
Bobby Underwood (You Were Wonderful (Noir Shots, #9))
I encounter forms of this attitude every day. The producers who work at the Ostankino channels might all be liberals in their private lives, holiday in Tuscany, and be completely European in their tastes. When I ask how they marry their professional and personal lives, they look at me as if I were a fool and answer: “Over the last twenty years we’ve lived through a communism we never believed in, democracy and defaults and mafia state and oligarchy, and we’ve realized they are illusions, that everything is PR.” “Everything is PR” has become the favorite phrase of the new Russia; my Moscow peers are filled with a sense that they are both cynical and enlightened. When I ask them about Soviet-era dissidents, like my parents, who fought against communism, they dismiss them as naïve dreamers and my own Western attachment to such vague notions as “human rights” and “freedom” as a blunder. “Can’t you see your own governments are just as bad as ours?” they ask me. I try to protest—but they just smile and pity me. To believe in something and stand by it in this world is derided, the ability to be a shape-shifter celebrated. Vladimir Nabokov once described a species of butterfly that at an early stage in its development had to learn how to change colors to hide from predators. The butterfly’s predators had long died off, but still it changed its colors from the sheer pleasure of transformation. Something similar has happened to the Russian elites: during the Soviet period they learned to dissimulate in order to survive; now there is no need to constantly change their colors, but they continue to do so out of a sort of dark joy, conformism raised to the level of aesthetic act. Surkov himself is the ultimate expression of this psychology. As I watch him give his speech to the students and journalists, he seems to change and transform like mercury, from cherubic smile to demonic stare, from a woolly liberal preaching “modernization” to a finger-wagging nationalist, spitting out willfully contradictory ideas: “managed democracy,” “conservative modernization.” Then he steps back, smiling, and says: “We need a new political party, and we should help it happen, no need to wait and make it form by itself.” And when you look closely at the party men in the political reality show Surkov directs, the spitting nationalists and beetroot-faced communists, you notice how they all seem to perform their roles with a little ironic twinkle.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes. Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked. “I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.” Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.” “There is,” she said unsteadily, “such a thing as birth control.” His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?” It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so. “No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.” “I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously. His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.” “Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting. His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket. “You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.” She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man. She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions. “You could kiss me,” she whispered unsteadily, “just to see how it feels.” He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will. “Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise. His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached. “Cecily, you little fool,” he ground out. Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
Diana Palmer (Paper Rose (Hutton & Co. #2))
Broca’s area is adjacent to the part of the motor-control strip dedicated to the jaws, lip, and tongue, and it was once thought that Broca’s area is involved in the production of language (though obviously not speech per se, because writing and signing are just as affected). But the area seems to be implicated in grammatical processing in general. A defect in grammar will be most obvious in the output, because any slip will lead to a sentence that is conspicuously defective. Comprehension, on the other hand, can often exploit the redundancy in speech to come up with sensible interpretations with little in the way of actual parsing. For example, one can understand The dog bit the man or The apple that the boy is eating is red just by knowing that dogs bite men, boys eat apples, and apples are red. Even The car pushes the truck can be guessed at because the cause is mentioned before the effect. For a century, Broca’s aphasics fooled neurologists by using shortcuts. Their trickery was finally unmasked when psycholinguists asked them to act out sentences that could be understood only by their syntax, like The car is pushed by the truck or The girl whom the boy is pushing is tall. The patients gave the correct interpretation half the time and its opposite half the time—a mental coin flip.
Steven Pinker (The Language Instinct: How the Mind Creates Language)
I don't have a care what you want, you horrid little insect," she hissed through her smile. "The Crown chose you. You are Queen of Fairyland. It's about as appetizing to myself personally as a pie full of filthy, crawling worms, but it's a fact. You can pull and pry and blubber, but that Crown won't come off until you're dead or deposed. I could cut you down in a heart's-breadth, but the rest of these ruffians would have my head. They take regicide terribly personally. Make no mistake; this present predicament is entirely your fault, you and your wretched Dodo's Egg. You will want my help to sort it limb from limb. You are a stranger in Fairyland—oh, it's charming how many little vacations you take here! But this is not your home. You don't know these people from a beef supper. But I do. I recognize each and every one. And if you show them that you are a vicious little fool with no more head on her shoulders than a drunken ostrich, they will gobble you up and dab their mouths with that thing you call a dress. You may not like me, but I have survived far more towering acts of mythic stupidity than you. I am good. I know what power weighs. If you have any wisdom in your silly monkey head, from this moment until the end of your reign—which I do hope will come quickly—you and I shall become the very best of friends. After all, Queen September, a Prime Minister lives to serve.
Catherynne M. Valente (The Girl Who Raced Fairyland All the Way Home (Fairyland, #5))
Maybe I am a rogue, but I won't be a rogue forever, Rhett. But during these past years -- and even now -- what else could I have done? How else could I have acted? I've felt that I was trying to row a heavily loaded boat in a storm. I've had so much trouble just trying to keep afloat that I couldn't be bothered about things that didn't matter, things I could part with easily and not miss, like good manners and -- well, things like that. I've been too afraid my boat would be swamped and so I've dumped overboard the things that seemed least important." "Pride and honor and truth and virtue and kindliness," he enumerated silkily. "You are right, Scarlett. They aren't important when a boat is sinking. But look around you at your friends. Either they are bringing their boats ashore safely with cargoes intact or they are content to go down with all flags flying." "They are a passel of fools," she said shortly. "There's a time for all things. When I've got plenty of money, I'll be nice as you please, too. Butter won't melt in my mouth. I can afford to be then." "You can afford to be -- but you won't. It's hard to salvage jettisoned cargo and, if it is retrieved, it's usually irreparably damaged. And I fear that when you can afford to fish up the honor and virtue and kindness you've thrown overboard, you'll find they have suffered a sea change and not, I fear, into something rich and strange. . . .
Margaret Mitchell (Gone with the Wind)
When he woke up it was dawn. He woke with a huge feeling of hope which suddenly andcompletely left him at the first sight of the prison yard. It was the morning of his death. Hecrouched on the floor with the empty brandy flask in his hand trying to remember an act ofcontrition. "O God, I am sorry and beg pardon for all my sins ... crucified ... worthy of Thydreadful punishments." He was confused, his mind was on other things: it was not the good deathfor which one always prayed. He caught sight of his own shadow on the cell wall: it had a lookof surprise and grotesque unimportance. What a fool he had been to think that he was strongenough to stay when others fled. What an impossible fellow I am, he thought, and how useless. Ihave done nothing for anybody. I might just as well have never lived. His parents were dead—soon he wouldn't even be a memory—perhaps after all he wasn't really Hell-worthy. Tearspoured down his face: he was not at the moment afraid of damnation——even the fear of painwas in the background. He felt only an immense disappointment because he had to go to Godempty-handed, with nothing done at all. It seemed to him at that moment that it would have been[200] quite easy to have been a saint. It would only have needed a little self-restraint and a littlecourage. He felt like someone who has missed happiness by seconds at an appointed place. Heknew now that at the end there was only one thing that counted—to be a saint.
Graham Greene (The Power and the Glory (A Play))
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing is, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.
Gillian Flynn (Gone Girl)
19. Don’t Assume It’s good training for the rest of your life, too. If something is important, always check - never assume. You might look a little foolish if you always ask the basic questions, but better a fool than an ass! It’s usually ego that stops us from asking the ‘silly’ questions, but I know a lot of ‘smart’ people on expeditions who have tripped over their egos and fallen flat on their faces. When it comes to navigating on an expedition, this ability to be clear and un-‘assuming’ is especially important. All of us have, at times, when navigating from A to B, had a few moments of doubt. ‘Are we here or here?’ we ask. The stubborn press on, ‘hoping’, ‘assuming’ all will be clearer in a mile or two. It rarely works like that. Too many times, if you don’t act fast, a small error in judgement can become a big error with desperate consequences - and that applies to navigating through life as well as through mountains. A good rule with navigating is that if there is doubt, then stop, reassess, ask others for help if you need to. Trust me, a stitch in time saves nine. We would all prefer to be asked than for the leader to get us lost. Besides, I have also learnt that people generally like to help and love to be asked for their advice. So put your ego aside and let people help you. Anyone who succeeds is really standing on many other people’s shoulders - the shoulders of those who have helped them along the way. Assume nothing, be humble, and don’t be afraid to ask for that little bit of help when you need it.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
Apparently, Stoneville meant to gain his amusement solely from watching Jackson bait Celia. Jackson wasn’t entirely sure why, but neither did he care. He cared only about making sure he shot well enough to beat Celia’s three suitors, to prevent them from gaining the kiss. So you can gain it yourself. He scowled as they halted in their new spot to reload. Nonsense. But if he did happen to win it, he would treat her like the lady she was. Devonmont was just the kind of joking fellow to be impudent with her in front of everyone. Lyons had already had a taste of her lips, so he might very well think to make his second taste more intimate. And Basto, who already had a fondness for holding her hand, confound the insolent devil- Jackson swore under his breath. He was acting like some jealous idiot. All right, so he was jealous, but this wasn’t about that. He merely wanted to keep Celia from making an enormous mistake. When she’d tried to get out of shooting, Jackson had realized she was serious about choosing one of these idiots as a husband. Clearly, she thought if she pretended to be some milk-and-water miss, it would help her chances. So he’d made sure she didn’t do any such thing. If they were worthy of her, they had to be worthy of the real her, not the pretend one she presented. Personally, he thought them all fools for not seeing she was putting on an act. And couldn’t she see that a marriage built on such deceptions would fail? No, she was too blinded by her determination to prove her grandmother wrong about her. Well, he couldn’t let her stumble into some idiotic engagement with gentlemen who didn’t deserve her. Especially not after what he’d learned about them.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Keng's Disciple The disciple: "When I don't know people treat me like a fool. When I do know, the knowledge gets me into trouble. When I fail to do good. I hurt others. When I do good, I hurt myself. If I avoid my duty, I am remiss, But if I do it, I am ruined. How can I get out of these contradictions? This is what I came to ask you." ". . . .You are trying to sound The middle of the ocean With a six-foot pole. You have got lost and are trying To find your way back To your own true self. You find nothing But illegible signposts Pointing in all directions. I pity you." The disciple asked for admittance, Took a cell, and there Meditated, Trying to cultivate qualities He thought desirable And get rid of others Which he disliked. Ten days of that! Despair! ". . . Do not try To hold on to Tao - Just hope that Tao Will keep hold of you!" ". . . You want the first elements? The infant has them. Free from care, unaware of self, He acts without reflection, Stays where he is put, does not know why, Does not figure things out, Just goes along with them, Is part of the current. These are the first elements!" The disciple asked: Is this perfection? Lao replied: "Not at all. It is only the beginning. This melts the ice. This enables you To unlearn, So that you can be led by Tao, Be a child of Tao If you persist in trying To attain what is never attained (It is Tao's gift!) If you persist in making effort To obtain what effort cannot get; If you persist in reasoning About what cannot be understood, You will be destroyed By the very thing you seek. To know when to stop to know When you can get no further By your own action, This is the right beginning!
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
The man at the desk in the library had seen Martin there so often that he had be- come quite cordial, always greeting him with a smile and a nod when he entered. It was because of this that Martin did a daring thing. Drawing out some books at the desk, and while the man was stamping the cards, Martin blurted out:- "Say, there's something I'd like to ask you." The man smiled and paid attention. "When you meet a young lady an' she asks you to call, how soon can you call?" Martin felt his shirt press and cling to his shoulders, what of the sweat of the ef- fort. "Why I'd say any time," the man answered. "Yes, but this is different," Martin objected. "She - I - well, you see, it's this way: maybe she won't be there. She goes to the university." "Then call again." "What I said ain't what I meant," Martin confessed falteringly, while he made up his mind to throw himself wholly upon the other's mercy. "I'm just a rough sort of a fellow, an' I ain't never seen anything of society. This girl is all that I ain't, an' I ain't anything that she is. You don't think I'm playin' the fool, do you?" he de- manded abruptly. "No, no; not at all, I assure you," the other protested. "Your request is not ex- actly in the scope of the reference department, but I shall be only too pleased to as- sist you." Martin looked at him admiringly. "If I could tear it off that way, I'd be all right," he said. "I beg pardon?" "I mean if I could talk easy that way, an' polite, an' all the rest." "Oh," said the other, with comprehension. "What is the best time to call? The afternoon? - not too close to meal-time? Or the evening? Or Sunday?" "I'll tell you," the librarian said with a brightening face. "You call her up on the telephone and find out." "I'll do it," he said, picking up his books and starting away. He turned back and asked:- "When you're speakin' to a young lady - say, for instance, Miss Lizzie Smith - do you say 'Miss Lizzie'? or 'Miss Smith'?" "Say 'Miss Smith,'" the librarian stated authoritatively. "Say 'Miss Smith' always - until you come to know her better." So it was that Martin Eden solved the problem. "Come down any time; I'll be at home all afternoon," was Ruth's reply over the telephone to his stammered request as to when he could return the borrowed books.
Jack London (Martin Eden)
Madness is an insidious disease. We do not see the danger until it is too late. It creeps into the cracks and crevices of the mind and makes itself at home, like carpenter ants in the framing of a home. We do not know the floor has rotted away until one ill-timed step destroys the façade of normalcy. But carpenter ants do not destroy a home. They change it. As matter cannot be destroyed, they consume the structures we have built and rearrange it for their own use. While a home beset by such insects might seem uninhabitable for those who look at the situation from the outside, to the ants it was the intended outcome. We might inspect the foundation and find it derelict and dilapidated. We might scoff and say that anyone who lives within such a place is idiotic, and that they should have not neglected it in such a way. And, in extreme cases, they should move. Consider this metaphor in relation to one’s mind. That place in which we spend the entirety of our mortal lives. What happens when your home is beset by insects then? One cannot move out of one’s own mind, try as we might. We are trapped within these structures of ours, for better or worse and come what may. We must make do with what we are given and what we have left. Whereas you or I in our daily lives might seek a new homestead in such an infestation, in this labyrinth of the psyche, we cannot. There are different ways that a consciousness, once gnawed and riddled with holes, might come to adapt to such a state of being. Consider three men with this dilemma, if you will. The first man may seek to repair the damage—replace the eaten portions and shore up the foundations. This man is pragmatic, but shortsighted. He treats the symptoms, but not the cause. The second may seek to exterminate the infestation—to seek the illness at the root and rip it out. This man is wise, but must need act quickly before the house collapses around him. The third man merely laughs—he accepts his new state of being and does nothing to repair his home. He declares himself King of the Ants, lifts up hammer and sledge, and tears the remaining walls apart with his own two hands. You might think that man the fool. You might think him a harmless, laughing lunatic. It is a mistake that leads to ruin. For that man is the most dangerous of them all. -M. L. Harrow
Kathryn Ann Kingsley (The Puppeteer (Harrow Faire, #2))
THE INSTRUCTION OF PTAHHOTEP Epilogue Part II The fool who does not hear, He can do nothing at all; He sees knowledge in ignorance, Usefulness in harmfulness. He does all that one detests And is blamed for it each day; He lives on that by which one dies. His food is distortion of speech. His sort is known to the officials, Who say: "A living death each day.” One passes over his doings, Because of his many daily troubles. A son who hears is a follower of Horus, It goes well with him when he has heard. When he is old has reached veneration. He will speak likewise to his children, Renewing the teaching of his father. Every man teaches as he acts, He will speak to the children, So that they will speak to their children: Set an example, don’t give offense, If justice stands firm your children will live. As to the first who gets into trouble, When they see (it) people will say: “That is just like him.” And will say to what they hear: "That’s just like him too.” To see everyone is to satisfy the many, Riches are useless without them. Don’t take a word and then bring it back, Don’t put one thing in place of another. Beware of loosening the cords in you, Lest a wise man say: “Listen, if you want to endure in the mouth of the hearers. Speak after you have mastered the craft!” If you speak to good purpose. All your affairs will be in place. Conceal your heart, control your mouth. Then you will be known among the officials; Be quite exact before your lord. Act so that one will say to him: "He’s the son of that one.” And those who hear it will say: “Blessed is he to whom he was born!” Be deliberate when you speak, So as to say things that count; Then the officials who listen will say: “How good is what comes from his mouth!” Act so that your lord will say of you: “How good is he whom his father taught; When he came forth from his body. He told him all that was in (his) mind, And he does even more than he was told,” Lo, the good son, the gift of god, Exceeds what is told him by his lord, He will do right when his heart is straight. As you succeed me, sound in your body. The king content with all that was done. May you obtain (many) years of life! Not small is what I did on earth, I had one hundred and ten years of life As gift of the king, Honors exceeding those of the ancestors, By doing justice for the king. Until the state of veneration!
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
His shining skin drew my attention and I became enslaved to the need to explore every inch of his flesh. His body brought on an ache in me I hadn't known for a long time. Since my ex had dumped me after I'd given him my virginity, I hadn't done more than fool around with guys. The desire to go further had never really risen again. Not until Orion. And I had never, in all my life, wanted anyone like I wanted him. His beard had been trimmed even shorter for the party, revealing the powerful cut of his jaw and that divine dimple in his cheek. He'd brought me here, alone, cordoning me off from the world. And the blazing intensity in his gaze made me hope that maybe he was about to drop the teacher act for one night and admit he was drawn to me too. He glanced above us and his brow furrowed heavily. “Up there are a thousand reasons why we can't be together.” I swallowed thickly, goosebumps rushing along my skin in response to his words. I pressed my back to the cool tiles of the pool and the goosebumps spread deeper, evoking a shiver across my body. “I'm bound by so many rules I could waste the rest of your evening telling you them,” he said. “Skip them then, sir.” A smile played around my mouth as a thrill danced in my chest. He moved closer and rested his hands either side of me on the wall. “I think the time for sirs and professors is over, don't you?” No answer came from my lips, but my body gave it to him as I reached out and did the one thing I'd dreamed about the most since this all-consuming crush had first started. I brushed my fingers across the stubble on his jaw, resting my thumb over the dimple in his cheek, feeling the tiny rivet in his skin. The distance parting us suddenly felt like too much; the air was racing over my exposed flesh, chilling me to the core. I needed the heat of his hands, the red hot press of his stomach and chest. “Lance,” I breathed and his pupils dilated as I met his gaze. He devoured the space between us and I experienced pure sin as his mouth crushed against mine. It was gunpowder meeting fire and the result was an all-consuming blaze which burned me up from the inside out. A desperate noise escaped me that would have made me blush if I’d had any scrap of self-awareness left. But that was all it took for him to slam into me full force, hitching my legs up around his waist so fast it made my head spin. My hands finally got their deepest wish and roamed down the plains of all that gloriously golden skin. But it wasn't enough just to feel the flex of his muscles, I needed more and I took it by scratching against his beautiful shell, wanting to break beneath flesh and bone and burrow my way deeper. I need more. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
At all these studies Ged was apt, and within a month was bettering lads who had been a year at Roke before him. Especially the tricks of illusion came to him so easily that it seemed he had been born knowing them and needed only to be reminded. The Master Hand was a gentle and lighthearted old man, who had endless delight in the wit and beauty of the crafts he taught; Ged soon felt no awe of him, but asked him for this spell and that spell, and always the Master smiled and showed him what he wanted. But one day, having it in mind to put Jasper to shame at last, Ged said to the Master Hand in the Court of Seeming, 'Sir, all these charms are much the same; knowing one, you know them all. And as soon as the spell-weaving ceases, the illusion vanishes. Now if I make a pebble into a diamond-' and he did so with a word and a flick of his wrist 'what must I do to make that diamond remain diamond? How is the changing-spell locked, and made to last?' The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, 'Tolk,' and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. 'This is a rock; tolk in the True Speech,' he said, looking mildly up at Ged now. 'A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond -or a flower or a fly or an eye or a flame-' The rock flickered from shape to shape as he named them, and returned to rock. 'But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow...' He looked down at the pebble again. 'A rock is a good thing, too, you know,' he said, speaking less gravely. 'If the Isles of Earthsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.' He smiled, but Ged left dissatisfied.
Ursula K. Le Guin (A Wizard Of Earthsea)
You didn’t allow me anything! I allowed you! I allowed you to fool yourselves into thinking you had a choice!” Strom took a breath. When he had his anger under control, he spoke again. “You are clearly unfit to serve as Grand Mage,” he announced, “and all three of you are unfit to serve on the Council of Elders. By the authority vested in me by the international community I am hereby taking command of this Sanctuary. You are relieved of your duties.” Nobody moved. Valkyrie was frozen to the spot, though her eyes darted from person to person. Moving slowly, Grim reached for his jacket, and Skulduggery drew his revolver and pointed it into his face. “I wouldn’t do that if I were you,” Skulduggery said. The bodyguard raised his hands. Strom’s eyes widened. “What you just did is illegal.” “We’re in charge,” Ravel told him. “You think we’re going to roll over just because you tell us to? Who the hell do you think you are?” “I am a Grand Mage, Mr Ravel, a title I earned because of hard work and dedication. Whereas you, on the other hand, are Grand Mage because nobody else wanted the job.” “Whoa,” said Ravel. “That was a little below the belt, don’t you think?” “None of you have the required experience or wisdom to do what is expected of you. I know you’ll find it hard to believe, but we didn’t come here to take control. We came here to help.” “And now you want to take control anyway.” “You have proven yourselves incompetent. And what are you doing now? You’re holding a Grand Mage at gunpoint?” “Technically, Skulduggery is only holding a Grand Mage’s bodyguard at gunpoint. Which isn’t nearly as bad.” “You all seem to be forgetting that I have thirty-eight mages loyal to the Supreme Council in this country.” “And you seem to be under the illusion that we find that intimidating.” “If I go missing—” “Missing?” Ravel said. “Who said anything about going missing? No, no. You’re just going to be in a really long and really important meeting, that’s all.” “Don’t be a fool,” said Strom. “You can’t win here, Ravel. There are more of us than there are of you. And the moment our mages get wind of what’s going on down here, the rest of the Supreme Council will descend on you like nothing you’ve ever seen.” “Quintin, Quintin, Quintin... you make it sound like we’re going to war. This isn’t war. This is an argument. And like all arguments between grown-ups, we keep it away from the kiddies. You’ve got thirty-eight mages in the country? Ghastly, how many cells do we have?” “If we double up we’ll manage.” “Don’t make this any worse for yourselves,” said Strom. “An attack on any one of our mages will be considered an act of war.” “There’s that word again,” said Ravel. “This is insanity. Erskine, think about what you’re doing.” “What we’re doing, Quintin, is allowing our people to do their jobs.” “This is kidnapping.” “Don’t be so dramatic. We’re just going to keep you separated from your people for as long as we need to resolve the current crisis. Skulduggery and Valkyrie are on the case. When have they ever let us down?” Ravel turned to them, gave them a smile. “You’d better not let us down.” Skulduggery inclined his head slightly, and Valkyrie went with him as he walked away. “Holy cow,” Valkyrie whispered when they were around the corner. “Holy cow indeed.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
I wanted to apologize.” His gaze lifted from her bosom. He remembered those breasts in his hands. “For what?” “For deceiving you as I did. I misunderstood the nature of our relationship and behaved like a spoiled little girl. It was a terrible mistake and I hope you can find it in your heart to forgive me.” A terrible mistake? A mistake to be sure, but terrible? “There is nothing to forgive,” he replied with a tight smile. “We were both at fault.” “Yes,” she agreed with a smile of her own. “You are right. Can we be friends again?” “We never stopped.” At least that much was true. He might have played the fool, might have taken advantage of her, but he never ceased caring for her. He never would. Rose practically sighed in relief. Grey had to struggle to keep his eyes on her face. “Good. I’m so glad you feel that way. Because I do so want your approval when I find the man I’m going to marry.” Grey’s lips seized, stuck in a parody of good humor. “The choice is ultimately yours, Rose.” She waved a gloved hand. “Oh, I know that, but your opinion meant so much to Papa, and since he isn’t here to guide me, I would be so honored if you would accept that burden as well as the others you’ve so obligingly undertaken.” Help her pick a husband? Was this some kind of cruel joke? What next, did she want his blessing? She took both of his hands in hers. “I know this is rather premature, but next to Papa you have been the most important man in my life. I wonder…” She bit her top lip. “If you would consider acting in Papa’s stead and giving me away when the time comes?” He’d sling her over his shoulder and run her all the way to Gretna Green if it meant putting an end to this torture! “I would be honored.” He made the promise because he knew whomever she married wouldn’t allow him to keep it. No man in his right mind would want Grey at his wedding, let along handling his bride. Was it relief or consternation that lit her lovely face? “Oh, good. I was afraid perhaps you wouldn’t, given your fear of going out into society.” Grey scowled. Fear? Back to being a coward again was he? “Whatever gave you that notion?” She looked genuinely perplexed. “Well, the other day Kellan told me how awful your reputation had become before your attack. I assumed your shame over that to be why you avoid going out into public now.” “You assume wrong.” He'd never spoken to her with such a cold tone in all the years he'd known her. "I had no idea your opinion of me had sunk so low. And as one who has also been bandied about by gossips I would think you would know better than to believe everything you hear, no matter how much you might like the source." Now she appeared hurt. Doe-like eyes widened. "My opinion of you is as high as it ever was! I'm simply trying to say that I understand why you choose to hide-" "You think I'm hiding?" A vein in his temple throbbed. Innocent confusion met his gaze. "Aren't you?" "I avoid society because I despise it," he informed her tightly. "I would have thought you'd know that about me after all these years." She smiled sweetly. "I think my recent behavior has proven that I don't know you that well at all. After all, I obviously did not achieve my goal in seducing you, did I?" Christ Almighty. The girl knew how to turn his world arse over appetite. "There's no shame in being embarrassed, Grey. I know you regret the past, and I understand how difficult it would be for you to reenter society with that regret handing over you head." "Rose, I am not embarrassed, and I am not hiding. I shun society because I despise it. I hate the false kindness and the rules and the hypocrisy of it. Do you understand what I am saying? It is because of society that I have this." He pointed at the side of his face where the ragged scar ran.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Victims of treachery find ways of deluding themselves that they are not being betrayed. Sexually, for example, but I assume in other areas too. Business, politics, friendship. We are good at fooling ourselves in order to preserve our trust. But it isn’t only the victims who do it. The traitors, too, convince themselves that they are not committing treason. At the very moment of their deepest betrayals they assure themselves that they are acting well, even that their deeds are in the best interest of the betrayed person, or of some higher cause. They save us from ourselves, or, like Brutus and his gang, they save Rome from Caesar. They are the innocent ones, the good guys, or, at the very least, not so bad.
Salman Rushdie (Quichotte)
When you remove the role of the active Creator from the discussion, you are left with a bunch of human component parts that have no direction and make no sense. Everyone knows that something much bigger is going on here, but the worldly philosophers will act like fools while trying to avoid God and His image in His creation.
Rachel Jankovic (You Who? Why You Matter and How to Deal with It)
To try to understand the words, first and foremost, is a fool’s errand. That’s why everyone thinks Christian fundamentalists, or really any kind of religious fundamentalists, are wackjobs or idiots or both. What most Catholics understand, it seems intuitively, or perhaps because they were baptized as babies and already put on their path without much of a say, is that they are supposed to behave like actors; it’s about learning the lines, the cues, then feeling them, there in the church and also out in the world. That’s it. That’s how Christianity is supposed to work; it is based on feeling, not knowledge. That’s what it means to be a follower.
A.D. Aliwat (In Limbo)
it’s a shameful feeling to admit to another human being that you’ve been acting like a child. So here’s a bit of advice for you: While you are a child, live it up. You won’t get to act like that forever without making a fool out of yourself.
Craig Lancaster (Edward Unspooled (Edward #3))
Greenhouse gases act like a radiative blanket within the atmosphere, warming the lower atmosphere and cooling the upper atmosphere.
Roy W. Spencer (The Great Global Warming Blunder: How Mother Nature Fooled the World’s Top Climate Scientists)
much leadership literature promotes “functional atheism”: working from “the unconscious assumption that if I don’t make something good happen here it never will.”17 Relying on techniques and best practices, we may forego reliance on God; we act like atheists. We effectively deny God’s existence or efficacy.
Arthur Boers (Servants and Fools: A Biblical Theology of Leadership)
Tory Vega just shut me down. I asked her to come to my room tonight but she just messaged me saying she's not coming and that I should use this time to 'work on my personality'.” He sighed, furiously thumbing through FaeBook posts absentmindedly, kicking out against the railing and making us swing backwards. “The Vegas are hard work.” I leaned my head back with a grunt. Caleb threw me a curious look. “You're not judging me then? Because every time I mention her name in front of Darius he looks like he's about to burst into flames.” ... “Well look at the bright side,” I said. “You could marry one of them and avoid marrying your buck-toothed cousin?” Darius's eyes whipped to me, his anger seeming to dissolve for a second. “That's not a terrible idea. Tory Vega has dry humped me on more than one occasion so I could probably win her round.” “I do hope you're fucking joking right now,” Caleb said in a deadly low voice and I turned to him with a smirk. “Someone's jealous,” I taunted, shoving his thigh with mine and he pressed his lips together into a tight line. A smirk pulled at Darius's features as he played up to Caleb's reaction. “That would be one way to keep her in line, huh Caleb? Surely you don't mind if I claim your play-thing. You're only passing time with her anyway, right?” “Right,” Caleb ground out, his shoulders becoming rigid and I glanced at him, knowing that wasn't true. Caleb didn't do exclusive very often, but it seemed like he was trying to do it with Tory. Which meant he actually gave a shit about her. And with my emotions all knotted up over Darcy, I sensed we were both about to cause a real issue when it came to keeping them both under heel. “That was the least convincing act I've ever seen,” Max jibed. “And I can feel your jealousy from here, mate, so you're not fooling anyone.” “She's my Source, it's natural for me to be possessive. That doesn't mean I care about her,” Caleb insisted, glaring at Max to try and make him back down. Their fighting made me uncomfortable and I snarled at Max to try and make him back off too. He raised his hands in innocence and I relaxed, getting to my feet and moving to stand next to Darius instead. (Seth POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
There’s no such thing as a benevolent leader. I protect you because you work for me. If you act like a fool and go against my interests, then I can’t protect you. As for these Korean groups, you have to remember that no matter what, the men who are in charge are just men—so they’re not much smarter than pigs. And we eat pigs. You lived with that farmer Tamaguchi who sold sweet potatoes for obscene prices to starving Japanese during a time of war. He violated wartime regulations, and I helped him, because he wanted money and I do, too. He probably thinks he’s a decent, respectable Japanese, or some kind of proud nationalist—don’t they all? He’s a terrible Japanese, but a smart businessman. I’m not a good Korean, and I’m not a Japanese. I’m very good at making money. This country would fall apart if everyone believed in some samurai crap. The Emperor does not give a fuck about anyone, either. So I’m not going to tell you not to go to any meetings or not to join any group. But know this: Those communists don’t care about you. They don’t care about anybody. You’re crazy if you think they care about Korea.
Min Jin Lee (Pachinko)
Are you both complete fools, or do you just act like it to mask your lack of any coherent plan to get us out of here alive?’ ‘A little of both,’ I mumbled.
Sebastien de Castell (The Malevolent Seven)
Egg had picked up some of the cards from the table and was looking at them affectionately. “Master Bun, the baker’s son—I always loved him. And here’s Mrs. Mug, the milkman’s wife. Oh, dear, I suppose that’s me.” “Why is that funny picture you, mademoiselle?” “Because of the name.” Egg laughed at his bewildered face and then began explaining. When she had finished he said: “Ah, it was that that Sir Charles meant last night. I wondered…Mugg—ah, yes, one says in slang, does one not, you are a mug—a fool? Naturally you would change your name. You would not like to be the Lady Mugg, eh?” Egg laughed. She said: “Well, wish me happiness.” “I do wish you happiness, mademoiselle. Not the brief happiness of youth, but the happiness that endures—the happiness that is built upon a rock.
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
Too many people act like a ventriloquist dummy sitting on the lap of another dummy with both dummies talking about other dummies who were smart enough not to be in the auditorium or even consider buying a ticket to the show.
Craig D. Lounsbrough
Unless our mission and our acts of mercy, our intercession, petition, confession, and spiritual warfare begin and end in the knowledge of the Father’s love, we will act and pray out of desperation, determination, and duty instead of revelation, expectation, and joy.
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
Don’t apologize. It’s better to see and know you’re a fool than to keep your eyes shut and keep acting like one.
Nora Roberts (Dark Witch (The Cousins O'Dwyer Trilogy, #1))
When God created human beings, He bestowed upon us the greatest gift besides His love. Out of His love. Two gifts, really, but so interconnected they are like one. First, the capacity to do anything, good or evil, wise or unwise, loving or hateful. And second, true free will to act upon that capacity. “Those are God-like qualities. Not in power, but in choice. If He had created us in such a way that we could only do good, if we were incapable of acting badly, selfishly, causing pain or harm, then the notion of free will would be meaningless, would it not? Not only that, true free will precludes God’s intervention in our lives. There is no real free will if God intercedes to protect us or save us from the consequences of our own or other people’s actions and choices. We have to face those consequences ourselves. That is the price we pay for free will.” Father Veronica sighed heavily, and when she resumed there was an ache in her voice. “Can you imagine the sacrifice God has made to provide us with this gift? He knows we will not always make good choices, He knows we will cause ourselves and others terrible pain and grief. Can you imagine His own pain and grief, knowing that He could intercede, could change our lives and ease our suffering, but knowing also that to do so would be to take back the wonderful gift He has bestowed? “For we can also love and comfort one another, we can choose good over evil, we can relish and appreciate life, we can revel in all the small, wonderful pleasures of being alive, we can love and be loved, and those things are all the greater because they are freely chosen. Because we are not puppets.
Richard Paul Russo (Ship of Fools)
I am serious about observation towards the globe, the universe, the earth, the planet, the sunset, the rain, the moon, thinking beyond everything else, as tempting as it might getting for me, that is why sometimes I neglect, ignore or act like a rude or a fool, apologies.
Santosh Kumar
All mine!” I yell, jumping up in bed like a fucking teenage girl who just got asked out by the boy she’s been crushing on. But I don’t give a shit how stupid I look. No one is here to see me acting a fool.
K.D. Robichaux (Knight (Club Alias, #5))
Is it not possible that conscious effort, forcefulness, and opposing action with the apparent natural world are all in fact natural parts of the natural world? In the context of Taoism, could working against the Dao merely be the Dao working against the Dao for the sake of its perpetuation? Perhaps a further step in the logical path of Taoism, and philosophies like it, involves an even greater surrender that doesn’t even permit one to choose or consider if they are surrendering or not. Rather, one is born into surrender. If in Taoism, the relationship of all things is a cooperative, unified whole, even when things appear in conflict, is not human and nature always in cooperation, even when they seem to oppose each other? If darkness creates light, silence creates sound, beauty creates ugliness, good creates bad, does not forcefulness create non-forcefulness? Does not man create nature? Does not consciousness create unconsciousness? Human is part and parcel of nature, and so, how could human act in any other way? How would manmade material or action ever not be natural? Of course, this is just one counter idea that stems from just one interpretation of an elusive mysterious Taoist idea. And to step back on it a little, there is no question that our conscious observations and logic do often fool us, and we are, in many cases, clearly deviating from what’s best when we force or strive for what we think is. Clearly, there are better ways for things to go, plenty of which would go better if we never got involved. Perhaps the only remaining questions are: when should we and when shouldn’t we? And how does one find out without screwing the whole thing up? Perhaps these questions miss the point. Perhaps the point ignores these questions. Of course, like all ideals of philosophy or religion, Taoism’s concepts are likely just that: ideals, ideals that are not without some level of contradiction or general incompleteness on their own. But regardless of this and the potential limits of its applicability, the concepts suggested by Taoism are nonetheless filled with rich insights that provide worthy useful counterweights to the more common, brutish way of mind and culture. The thinking that things must always be a different way, or must go one’s own way for it to be the right way, that there must always be some better ideal around the corner that isn’t or couldn’t be in this moment, right now; that one needs to seek and strive for what they already have and know.
Robert Pantano
Then the music. It’s jazz and yet not jazz. There’s something euphoric, disconnected about it. Like four instruments that have run amok. But it fools you. Because there is also a strange precision to it. Like a clown act in a circus ring. What takes the greatest precision is that it’s supposed to sound like total chaos.
Peter Høeg (Smilla's Sense of Snow)
I keep acting like a thoughtless fool around her.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
No one ever expects Maya. She’s like a suckerpunch personified. If you fool yourself into thinking she isn’t paying attention, or that she’s too shy or introverted to disagree with you, she will put you in your place. I like that about her, though. She’s not a mean or a hard person, but she maintains her boundaries. I’ve never been good about that. My boundaries get trampled, and I become ugly and mean. I act like someone else entirely, and I— Well, anyway, she’s everything you see and everything you don’t.
Addison Lane (Blackpines: The Antlers Witch: The Light in Her Dreams)
down instead of from Twenty-Third Street looking up—things look quite a bit different. From that angle, the annoyed, hustling and bustling, highly important people angling their way through the obstacle course of onlookers seem insignificant. Our sun and moon and eight planets are just one little neighborhood among an estimated 200 billion neighborhoods that make up our universe.19 If we think of the Milky Way galaxy as being the size of the entire continent of North America, our solar system would fit into a coffee cup.20 Two Voyager spacecrafts are cruising toward the edge of the solar system at a rate of more than 35,000 miles per hour. They’ve been doing that for more than forty years and have traveled more than 11 billion miles, with no end in sight.21 When NASA sends communication to one of those Voyagers traveling at that velocity, it takes about seventeen hours to get there.22 That data has led scientists to estimate that to send a “speed of light” message to the edge of the universe would take more than 15 billion years to arrive.23 “So, yes, Chelsea art dealer, you are very important. But when we think about what we’re all gazing at while you make your agitation known through grunts and mumbles, you’re also impossibly young, urgently expiring, and unbelievably small.” You and I see the world with our own two eyes, and from that minuscule perspective, we tend to convince ourselves that we are (or at least should be) in control, directing our own lives, and scripting our future. We come back again to the truth that Philip Yancey reminded us of earlier in the chapter: “Prayer is the act of seeing reality from God’s point of view.” God is the one who calls us to “be still, and know that I am God.” Psalm 8 marvels at this very wonder:
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
Prayer doesn’t begin with us; it begins with God. It doesn’t start with speaking; it starts with seeing. As Philip Yancey writes, “Prayer is the act of seeing reality from God’s point of view.”1
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
I could not fit what he had done with either what I knew of the Fool or what I knew of Lord Golden. It was the act of this Amber, a person I knew not at all. Hence I did not truly know him at all. And never had. And with that, I unwillingly knew I had worked my way down to the deepest source of my injury. To discover that the truest friend I had ever had was actually a stranger was like a knife in my heart. He was another abandonment, a missed step in the dark, and a false promise of warmth and companionship. I shook my head to myself. “Idiot,” I said quietly. “You are alone. Best get used to it.” But without thinking, I reached toward where there had once been comfort. And in the next instant, I missed Nighteyes with a terrible physical clenching in my chest.
Robin Hobb (Golden Fool (Tawny Man, #2))
Let’s get back to loving each other. Not from a distance. I mean up close. Let’s go see each other. Check on each other. Sometimes I think that’s all we need. Let’s tap into the spirits of our grandmas and great-grandmas, our granddaddies, aunts, and uncles. It feels good when you have family, and it feels even better when you’re together. There’s somebody out there who doesn’t have family. Who has to create one, not because they are far away like me, but because they literally don’t have anyone left. They are wishing they had someone they could call. So think about that, alright? Even if they cut up and act a fool sometimes, they are still your family, and you are a part of them. Go fix that thing.
Tabitha Brown (Feeding the Soul (Because It's My Business): Finding Our Way to Joy, Love and Freedom—A Vegan Cookbook and Inspirational Guide by Tabitha Brown (A Feeding the Soul Book))
Easily threatened men always acted like fools.
Janella Angeles
Colin Wilson, Criminal History of Mankind, op. cit.: Wilson presents a theory of the Violent Male, backed up by criminological and historical data from the past 3000 years, and some current anthropological data on our earlier ancestors. He claims the Violent Male basically acts like Van Vogt's Right Man: he can never admit he might be wrong about anything. His ego definition, as it were, demands that he is always Right, nearly everybody else is always Wrong, and he must "punish" them for their Wrongness. He despises the "softness" of "emotions" and thinks most people are fools. As such, he sounds like the Authoritarian Personality described by such psychologists as Fromm and Adorno; what makes him Violent is a particular savage intensity of what I have called modeltheism. The Right Man, in addition to the above traits, has a basically paranoid attitude toward people: he thinks they are all rotten; they have all cheated him; they are always cheating; they are sneaks; they are liars; they are, in fact, rotten bastards. He is going to be the rottenest bastard of all to get back at them.
Robert Anton Wilson (The New Inquisition: Irrational Rationalism and the Citadel of Science)
The best thing to do," said one of the malingerers, "is to sham madness. In the next room there are two other men from the school where I teach and one of them keeps shouting day and night : 'Giordano Bruno's stake is still smoldering ; renew Galileo's trial !'” “I meant at first to act the fool too and be a religious maniac and preach about the infallibility of the Pope, but finally I managed to get some cancer of the stomach for fifteen crowns from a barber down the road." "That's nothing," said another man. "Down our way there's a midwife who for twenty crowns can dislocate your foot so nicely that you're crippled for the rest of your life.” “My illness has run me into more than two hundred crowns already," announced his neighbor, a man as thin as a rake. "I bet there's no poison you can mention that I haven't taken. I'm simply bung full of poisons. I've chewed arsenic, I've smoked opium, I've swallowed strychnine, I've drunk vitriol mixed with phosphorus. I've ruined my liver, my lungs, my kidneys, my heart—in fact, all my insides. Nobody knows what disease it is I've got." "The best thing to do," explained someone near the door, "is to squirt paraffin oil under the skin on your arms. My cousin had a slice of good luck that way. They cut off his arm below the elbow and now the army'll never worry him any more.” “Well," said Schweik, "When I was in the army years ago, it used to be much worse. If a man went sick, they just trussed him up, shoved him into a cell to make him get fitter. There wasn't any beds and mattresses and spittoons like what there is here. Just a bare bench for them to lie on. Once there was a chap who had typhus, fair and square, and the one next to him had smallpox. Well, they trussed them both up and the M. O. kicked them in the ribs and said they were shamming. When the pair of them kicked the bucket, there was a dust-up in Parliament and it got into the papers. Like a shot they stopped us from reading the papers and all our boxes was inspected to see if we'd got any hidden there. And it was just my luck that in the whole blessed regiment there was nobody but me whose newspaper was spotted. So our colonel starts yelling at me to stand to attention and tell him who'd written that stuff to the paper or he'd smash my jaw from ear to ear and keep me in clink till all was blue. Then the M.O. comes up and he shakes his fist right under my nose and shouts: 'You misbegotten whelp ; you scabby ape ; you wretched blob of scum ; you skunk of a Socialist, you !' Well, I stood keeping my mouth shut and with one hand at the salute and the other along the seam of my trousers. There they was, running round and yelping at me. “We'll knock the newspaper nonsense out of your head, you ruffian,' says the colonel, and gives me 21 days solitary confinement. Well, while I was serving my time, there was some rum goings-on in the barracks. Our colonel stopped the troops from reading at all, and in the canteen they wasn't allowed even to wrap up sausages or cheese in newspapers. That made the soldiers start reading and our regiment had all the rest beat when it came to showing how much they'd learned.
Jaroslav Hašek (The Good Soldier Schweik)
Eye Hate U" U have just accessed the Hate Experience Do U wish 2 change your entry? Very well, please enjoy your experience I never thought that U would be the one After all the things that we've been through U gave your body 2 another in the name of fun I hope U had some baby, if not, boo hoo It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U I never thought that I could feel this way 2 fall in love was a table reserved 4 fools Say U're sorry if U wanna but it's all in vain I'm out the door sweet baby, that's right, we're through It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U This court is now in session Would the defendant please rise? State your name 4 the court Never mind (Billy Jack Bitch) U're being charged with one 2 many counts of heartbreaking In the 1st degree I don't give a damn about the others My main concern is U and me Your honor, may I call 2 the stand my one and only witness? A girl that know damn well she didn't have no damn business I know what U did, how U did it and uh.. who U did it with So U might as well plead guilty cuz U sure can't plead the 5th Now raise your right hand Do U swear 2 tell the whole truth Not the half truth like U used 2 so help U God? Nod your head one time if U hear me If U don't, I'll have 2 use the rod Anything 2 make U see that uh.. U're gonna miss me Yeah, U're gonna miss me Uh, uh, uh, oh! If it please the court I'd like 2 have the defendant place her hands behind her back So I can tie her up tight and get into the act The act of showing her how good it used 2 be I want it 2 be so good she falls back in love with me Close your eyes I'm gonna cover your ass with this sheet And I want U 2 pump your hips like U used 2 And, baby, U better stay on the beat Did U do 2 your other man the same things that U did 2 me? Right now I hate U so much I wanna make love until U see That it's killin' me, baby, 2 be without U Cuz all I ever wanted 2 do was 2 be with U ... ow! I hate U (I hate U) Because I love U (Because I love U) But I can't love U (I can't love U) Because I hate U (I hate U) Prince, The Gold Experience (1995)
Prince Rogers Nelson
Yes. Exactly. I am a Malfoy. And you're not. You're not- you're not supposed to act like this. How could you be cruel like that?" Draco blurted, without a clue what he was saying anymore. "You're supposed to be better!" "Why," Potter said stubbornly, those lovely green eyes clouded and guarded. "Because we're Gryffindors? So we're held to a higher standard?" "Because you're Harry Potter!" [...] "You keep saying and saying that, Malfoy. [...] Like it means something." "Because it does!" Draco got in Potter's face, if that was the only way to make him see him for once. "It does, Potter. your existence means something, you're the Boy Who Lived, you stand for something even if you don't want to, even if it's too much burden for a bloody first-year because tough luck, you don't have a choice! You. Potter, you're supposed to be good and kind and do the right thing and not look down on people, that's your whole thing, isn't it, that's what makes you important! That's what makes you different from people like my father! My father was a Death Eater, you worthless fool, and he looks down on that girl. You shouldn't be anything like him.
starbrigid (Draco Malfoy and the Mirror of Ecidyrue (The Mirror of Ecidyrue, #1))
Do you always…make that ‘I don’t give a damn about myself’ face?” “…I don’t.” “You do.” “I said I don’t!” “I’m tellin’ you that you do! You looked calm even when you were surrounded by those guys. We rescued you, yet you tell us ‘not to get involved’!?” “‘Cos…it’s really none of your business, right? Whether I get kidnapped…or killed…so…” “How many people have you hurt by acting that way…you suicidal idiot!!?” “Suicidal? Stop it. Don’t go treating me like I have a death wish…” “But you do! Don’t you!? When you sacrifice yourself like that…do you really believe you’ve saved someone!? You’re only trying to protect your own feelings!! You’re sacrificing yourself just to satisfy your own ego!! You don’t even know how much those left behind are hurt…yet you dare say ‘hurting others is too heavy a burden’!? You can afford to say something soft like that…’cos you’re pushing that ‘burden’ onto other people!! The people who care for you…the people who try to protect you…they’re the ones shouldering your burden…so they don’t lose you, because you don’t even try to protect yourself.” “Stop. Enough…let me go—” “I’m not finished yet!! Listen…you’re not going to be able to protect anybody like this. If you treat your own life so lightly…you don’t deserve to protect anybody else’s life!!” “Shut up.” “You’ve given up on yourself. You go around pretending you’re some tragic hero.” “Shut up. Shut up. Shut up.” “Are you going to keep living your life…hurting yourself and the people around you!!?” “SHUT UP!!! You don’t know anything…! Yet you suddenly barge in…and say whatever you want…what do you know about me…!? Yeah, fine! I’m stupid! I’m lower than dirt!! I’m a powerless fool who tries to help people to satisfy my own ego!! So…what’s so bad about that!? I was denied. I wasn’t wanted. So the least I can do…is not inconvenience anybody…so the only one who gets hurt is me…!” I’ll accept…all my sufferings and sorrows. There’s nothing absolute in this world…so I’ll be fine…if I believe that’s the way things are. Even if…everyone abandons me in the future…I’ll be fine. I’m sure I won’t be hurt then— “No one will be hurt, even if I die.” “That’s just your ego.” “I don’t believe…I deserve the same rights as everyone else…
Jun Mochizuki (Pandora Hearts, Volume 6)
Scorned and acting like a fool. Can’t say I haven’t been there.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
He’s been acting like twenty kinds of fool since you caught him cheating. And you never know with men who are that entitled. They’re capable of a lot.
Adele Buck (Fake Flame (First Responders, #1))
To turn our fast lives into stillness and our busy minds into solitude is an act of rebellion against the curse that runs through our veins.
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
I rest my forehead on his high chair. I give up. He too stubborn and smart for his own good. Yesterday I gave him pancakes for breakfast, and he wouldn’t let this one li’l piece go for nothing. Acted a fool when I tried to take it from him. I was like forget it and took him to Mrs. Wyatt’s, gripping that pancake.
Angie Thomas (Concrete Rose (The Hate U Give, #0 ))
I’m going to circle back to what I was saying before. You’re blaming yourself for a lot of things. It’s your fault that Sabrina came to your house and acted like a fool. It’s your fault that Bethany is unhappy and trapped there. It’s your fault that the Carmichaels saw a nasty woman berate a lovely woman and a little girl. It’s your fault that things with Banks must end.”  “Your point?” “Sara, putting all that on your shoulders isn’t giving you any more power over these situations. It’s eroding your mental health—maybe your physical health too. But you don’t get extra control powers if you take the blame for things that aren’t your fault.”  “I don’t want control. You’re wrong.”  She lifts a brow. “You do. If you control it, it can’t hurt you.
Adriana Locke (Flaunt (Carmichael Family #4))
Where Is The Wise? In Your Life’s Journey, Have You Ever Felt Like You’ve Taken A Wrong Turn? Where There Is No Revelation, The People Cast Off Restraint. They Have Forsaken The Right Way And Gone Astray, Because They Hated Knowledge And Did Not Choose The Fear Of The LORD, They Would Have None Of His Counsel And Despised His Every Rebuke. Therefore, The LORD Has Said: They Shall Eat The Fruit Of Their Own Way, Whoever Despises The Word And Counsel Of God Brings Destruction Upon Himself, But He Who Reverently Fears And Respects The Commandment Of God Will Be Rewarded. The Teaching Of The Wise Is A Fountain And Source Of Life, So That One May Avoid The Snares Of Death. Good Understanding Wins Favor From Others, But The Way Of The Unfaithful Is Hard Like Barren, Dry Soil. Every Prudent And Self-Disciplined Man Acts With Knowledge, But A Closed-Minded Fool Who Refuses To Learn Displays His Foolishness For All To See. A Wise Man Will Hear And Increase Learning, And A Man Of Understanding Will Attain Wise Counsel, To Understand The Words Of The Wise And Their Riddles. The Fear Of The LORD Is The Beginning Of Knowledge, But Fools Despise Wisdom And Instruction. I Will Make My Words Known To You. Wisdom Shouts In The Street, She Lifts Her Voice In The Square; At The Head Of The Noisy Streets She Cries Out; At The Entrance Of The Gates In The City
Keith B. Kirkpatrick
I hate that she interests me as much as I dislike how I keep acting like a thoughtless fool around her.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
My name is Pride. I am a cheater. I cheat you of your God-given destiny … because you demand your own way. I cheat you of contentment … because you “deserve better than this.” I cheat you of knowledge … because you already know it all. I cheat you of healing … because you’re too full of me to forgive. I cheat you of holiness … because you refuse to admit when you’re wrong. I cheat you of vision … because you’d rather look in the mirror than out a window. I cheat you of genuine friendship … because nobody’s going to know the real you. I cheat you of love … because real romance demands sacrifice. I cheat you of greatness in heaven … because you refuse to wash another’s feet on earth. I cheat you of God’s glory … because I convince you to seek your own. My name is Pride. I am a cheater. You like me because you think I’m always looking out for you. Untrue. I’m looking to make a fool of you. God has so much for you, I admit, but don’t worry. If you stick with me You’ll never know.
Leslie Vernick (How to Act Right When Your Spouse Acts Wrong (Indispensable Guides for Godly Living))
Listen, I have to tell you something.” Her drowsy eyes opened. “I don’t want to push you into anything, take your time about me, but you have to know—I feel pretty strongly about monogamy.” Her eyes widened. “You can’t think I’d be with another man! I wasn’t even going to be with you! But there is one thing you have to do for me,” she said. “Anything that makes you happy,” he promised. “I want this to be only between us.” “Sure. Of course. It’s personal. I agree.” “I don’t want anyone around here to know it’s like this between us. I just work for you, that’s all.” He frowned. “We don’t have to share our personal lives with anyone, but we don’t have to hide the fact that we care about each other.” “Yeah, we do, Noah. No one can know about this. About us.” “Ellie, why? Are you embarrassed to find yourself attracted to a man who’s a minister?” She laughed a little bit. “No. But no one would ever believe you seduced me. And you did, Noah. You did and I loved it. Not only are you the sexiest minister alive, you might be the sexiest man alive. But people will think I trapped you. They’ll think I ruined your purity and dirtied you up. And I don’t need that right now.” “Come on, you’re wrong…” “I’m right,” she said. “No matter how much I try to do the right thing, no matter how determined I am to do the right thing, everything that happens ends up being my fault. And when people around here find out you like me…they’re going to think I cast an evil spell on you and made you break your vows.” “Honey, I didn’t take a vow of chastity. I didn’t promise not to love a woman. I never said I wouldn’t have a perfectly normal sex drive. I’m not fifteen, Ellie, I’m thirty-five and I’ve missed passion. Passion and intimacy, two things that are really healthy for a normal man. Don’t argue with a man with seven years of theological training.” “People don’t get that about you like I do. They think of you as different. As a minister. Please, Noah. Let’s just act like I work for you, and that we’re casual friends.” “We can do that, if that’s what you need. Or we could change the way things have been for you. We could be honest without being indiscreet. We could hold hands, you could let me put my arm around your shoulders, smile at you like you’re special. Treat you like the woman of my choice while I enjoy being the man of yours.” “You don’t get it, do you, Noah?” she asked, shaking her head. “Don’t you see how fragile this is? How much hangs in the balance for both of us? At some point—maybe sooner, maybe later—the people here are going to figure me out. They’ll know I come from a dirt-poor background, that the men who gave me my children didn’t marry me, that I was a stripper when you hired me. What if they hate me? What if they treat my kids like trash because of me?” “I won’t let anyone—” “Don’t you see it’s your future in this town, too? What if they ask themselves what kind of minister you could be if you’d choose a woman like me? Oh, Noah,” she said, running her fingers through his thick, dark hair. “We’d get along okay in a bigger town where no one knows us all that well, where I’m not hooked up with the local preacher. But here—you and me? It could ruin us all.” “No,” he said, shaking his head. “It’s not going to be that way.” She smiled at him. “You’re just a fool,” she said. “It usually is that way.” He
Robyn Carr (Forbidden Falls)
Why have your passions cooled?” “I expected--hoped--that you would be more like you were in the letters.” Christopher paused, staring at her closely. “I’ve often wondered…did someone help you to write them?” Although Prudence had the face of an angel, the fury in her eye was the exact opposite of heavenly serenity. “Oh! Why are you always asking me about those stupid letters! They were only words. Words mean nothing!” “You’ve made me realize that words are the most important things in the world…” “Nothing,” Christopher repeated, staring at her. “Yes.” Prudence looked slightly mollified as she saw that she had gained his entire attention. “I’m here, Christopher. I’m real. You don’t need silly old letters now. You have me.” “What about when you wrote to me about the quintessence?” he asked. “Did that mean nothing?” “The--” Prudence stared at him, flushing. “I can’t recall what I meant by that.” “The fifth element, according to Aristotle,” he prompted gently. Her color drained, leaving her bone-white. She looked like a guilty child caught in an act of mischief. “What has that to do with anything?” she cried, taking refuge in anger. “I want to talk about something real. Who cares about Aristotle?” “I do like the idea that there’s a little starlight in each of us…” She had never written those words. For a moment Christopher couldn’t react. One thought followed another, each connecting briefly like the hands of men in a torch race. Some entirely different woman had written to him…with Prudence’s consent…he had been deceived…Audrey must have known…he had been made to care…and then the letters had stopped. Why? “I’m not who you think I am…” Christopher felt his throat and chest tightening, heard a rasp of something that sounded like a wondering laugh. Prudence laughed as well, the sound edged with relief. She had no idea in hell what had caused his bitter amusement. Had they wanted to make a fool of him? Had it been intended as revenge for some past slight? By God, he would find who had done it, and why. He had loved and been betrayed by someone whose name he didn’t know. He loved her still--that was the unforgivable part. And she would pay, whoever she was. It felt good to have a purpose again, to hunt someone for the purpose of inflicting damage. It felt familiar. It was who he was. His smile, thin as a knife edge, cut through the cold fury. Prudence gazed at him uncertainly. “Christopher?” she faltered. “What are you thinking?” He went to her and took her shoulders in his hands, thinking briefly of how easy it would be to slide his hands up to her neck and throttle her. He shaped his mouth into a charming smile. “Only that you’re right,” he said. “Words aren’t important. This is what’s important.” He kissed her slowly, expertly, until he felt her slender body relax against his. Prudence made a little sound of pleasure, her arms linking around his neck. “Before I leave for Hampshire,” Christopher murmured against her blushing cheek, “I’ll ask your father for formal permission to court you. Does that please you?” “Oh, yes,” Prudence cried, her face radiant. “Oh, Christopher…do I have your heart?” “You have my heart,” Christopher said tonelessly, holding her close, while his cold gaze fastened on a distant point outside the window. Except that he had no heart left to give.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Christian theology, however, never is and never can be anything more than the thoughts that Christians have (alone or with others) after they have said yes to Jesus. Sure, it can be a thrilling subject. Of course, it is something you can do well or badly - or even get right or wrong. And naturally, it is one of the great fun things to do on weekends when your kidney stones aren't acting up. Actually, it is almost exactly like another important human subject that meets all the same criteria: wind-surfing. Everybody admires it, and plenty of people try it. But the number of people who can do it well is even smaller than the number who can do it without making fools of themselves. Trust Jesus, then. After that, theologize all you want. Just don't lose your sense of humor if your theological surfboard deposits you unceremoniously in the drink.
Robert Farrar Capon (Kingdom, Grace, Judgment: Paradox, Outrage, and Vindication in the Parables of Jesus)
If you’re so fired up about playing host,” Zane said, his expression both fierce and closed. “I’ll let you take care of her luggage and show her to her room.” He put his hat on his head, nodded once at Phoebe and stalked away. She stared after him for a second. He looked as good from the back as he had from the front. Her hormones yelled out catcalls of appreciation which--fortunately--only she could hear. But however impressed she might be with him, Zane obviously didn’t return her feelings. He practically burned rubber in his haste to get away. Chase brightened the second Zane was gone. “How was the drive?” he asked as he walked around to the other side of the truck and pulled her suitcases out from behind the driver’s seat where Zane had placed them. “Good.” “Did Zane talk?” Phoebe glanced at him, not sure of the question. Chase hoisted her luggage with the same ease Zane had shown and started for the house. “He’s not much of a talker,” he explained as he walked. “I can’t figure out if the act of forming words is physically painful, or if he just doesn’t have anything to say.” She thought about the drive from the airport. “Things started out well,” she admitted. “Then we sort of stalled about twenty minutes into the drive.” Yup--nothing like asking about bull sperm to shut down a conversational exchange. “Twenty minutes, huh?” Chase glanced back at her over his shoulder and grinned. “I’m impressed. Most people get a grunt. He must really like you.” Phoebe laughed again. “Yeah. He was so overpoweringly impressed he couldn’t wait to get away.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Alcohol is the great impersonator, fooling at least four different receptor molecules. In a quick survey of the functions of these victims, we can see exactly how alcohol works its magic. 1. It slows us down, “relaxing” our neurons. By blocking receptors for our brains’ chief excitatory neurotransmitters, alcohol coats the brain in a bit of molasses, slowing reaction times and slurring speech. We could probably do without this effect. 2. It gives us a pleasant buzz. Acting like cocaine —but much weaker —alcohol blocks dopamine reuptake, increasing the concentration of the happy neurotransmitter in the key parts of our brains. 3. It blocks pain. By stimulating the release of endorphins, alcohol lets us sample the “runner’s high” without even putting on our running shoes. Resembling morphine and heroin in this respect, but again at a greatly reduced magnitude, alcohol spurs our body to produce a little opiate-like high. 4. Alcohol makes us happier, at least while it’s in our system. Like a “do-it-yourself Prozac kit,” alcohol modifies and increases the efficiency of our serotonin receptors.
Terry Burnham (Mean Genes: From Sex To Money To Food: Taming Our Primal Instincts)
[On Socrates] My decision to prove reincarnation to the sophomoric cavemen of Athens, quite possibly, was the best decision I made for both myself and humanity. Another dominant behavioral trait is displayed by my efforts to perform selfish acts selflessly, which is significantly unique because the majority of people perform selfless acts selfishly. In the former modus operandi the virtue is preserved through the honesty of being selfish, but in the latter the virtue is corrupted by the dishonesty since the intent is disguised to appear virtuous. Therefore, people are the most evil when performing selfish acts selfishly, and would therefore be the most benevolent when performing selfless acts selflessly. To performs acts selfishly for the mere sake of acting, is irresponsible and destructive and to perform acts selflessly for the sake of acting, is reckless and self-destructive. The interesting dynamic of this newest revelation is how Aristotle knew, innately, to seek out Plato upon his father's death. Once Socrates reunited with Plato, as Aristotle, they proved metaphysics; except the trial of Socrates was so traumatizing they made the decision not to make it known. Instead they channeled the knowledge constructively ("selfishly"- because self-preservation is ultimately selfish) which was done selflessly by cultivating it through education. They were so successful, that the King of Macedonia (my father's previous employer) made a formal request ordering me to tutor his son, Alexander. That's interesting because I have memory of Alexander the Great. He was a passionate boy with incredible sex drive that was equal to that of a honey badger's virulence. He allowed his power to intoxicate him and I was the only one he trusted, and when I made the attempt to slow him down by reminding of of the all powerful mighty God, something happened that caused his death and some Athenian imbecile (probably out of guilt) tried to hang me up on a cross for being a traitor. I got the hell of out doge like a bat of hell the minute that fool said something about me not "honoring" the "gods" - I may have even said something to the effect of 'I am God.' Although, the quote that did survive was when I refused to allow Athens to commit the same crime twice prior to fleeing the city to seek sanctuary at a family's estate.
Alejandro C. Estrada
Magicians court the spotlight while living in constant fear of exposure. They regard magic tricks as being like quantum states—destroyed by the very act of examining them up close. Magicians trumpet the secrecy of their art, almost daring the viewer to lift the veil, and yet they are furious when someone actually does.
Alex Stone (Fooling Houdini: Magicians, Mentalists, Math Geeks, and the Hidden Powers of the Mind)
I’ve never liked the term ‘actor’.” Barron spoke slowly, joining hands with the cast members to his left and right. The rest of them formed a circle, also holding hands, and he continued. “Seriously now, is anyone here ‘acting’? Is anyone here pretending? “Me, I’m a theater director. One hundred percent, all the time. I’m not pretending, or acting, or trying to fool anyone. This is what I do, and I give it my all—just like you. I look around me, and I don’t see a single phony. I see people who give their hearts, their minds, and their very lives to being serious performers on the stage. In the last weeks I’ve watched every one of you give up the easy life to come here and bust a gut to make this show a reality. “That’s why I call you performers. Not actors—performers. Because when it’s time to prepare, you work out every nuance of a role. When it’s time to step in front of the crowd, you reach out and pull them in with both hands. When it’s time to say your lines, you deliver them with skill and meaning. That’s performance. And there’s nothing phony about that. There’s nothing pretend about that. There’s no acting that will take the place of that. “And so that’s my wish for you tonight: Have a great performance. You’ve done the work, you’re ready, and now it’s time to show off. Have fun out there, gang. Perform.
Vincent H. O'Neil (Death Troupe)
Charlotte’s disheveled blond head was buried in his chest. It took him too long, floating in the blissful aftermath, to realize that she was crying. Horror blasted his satisfaction to ash. He reared back and placed his hands on either side of her head, forcing her face up until he could see her eyes. “Mo leannan, mo chridhe, I’ve hurt you. I’m so sorry. I tried to be gentle, but you were like fire in my arms. I acted like a damn barbarian. Will you ever forgive me?” She regarded him with drenched eyes as a frown drew her brows together. “Ewan, what on earth are you talking about?” He dug his fingers into her thick, warm hair. “You’re crying,” he said flatly, sick with guilt. Her lips turned down in disapproval. “I suppose you expect me to tell you why.” “For God’s sake, just tell me I didn’t hurt you.” He leaned forward and traced kisses across her brow and down her temple where he felt the deep beat of her blood. “You didn’t.” Her hands encircled his wrists. “Well, a little. At first. But then…” “Thank heaven,” he breathed, kissing the salty moisture from her fluttering eyelashes. Under his wandering lips, he felt warmth flood her cheeks. “Then it was wonderful.” “Nonetheless you cried.” He drew back to stare into her face, trying to see past her beauty to what went on in her mind. “Are you lying to make me feel better?” She released a choked laugh and tried to avoid his gaze. “When have I ever tried to make you feel better?” “When have you ever cried?” “Oh, curse you, Ewan. Can’t you leave it alone?” With some difficulty, she tugged free and sat up. “Not when you’re unhappy.” He rose until he sat in front of her. She scowled. “You’re going to make me admit it, aren’t you?” By the second, guilt and worry faded. In their place came a great happiness that turned the whole world golden. “Admit what, Charlotte?” he asked, hoping like hell he hadn’t mistaken where she was going. She swallowed, her slender throat working. Her voice was low and vibrant with emotion. “I had no idea it could be like that. You made me feel things I never imagined were possible.” “Good things?” “Now you’re just looking for compliments.” “Charlotte,” he said warningly. Her lips curved. “Marvelous, wondrous, extraordinary things.” Lyle should be happy. After all, not long ago, the thought that she wouldn’t have him under any circumstances had tormented him. Hell, not much more than a day ago, she’d baulked at letting him into the house. Now she’d given him a promise of marriage and commended his lovemaking. He was a fool to want more, but for one luminous moment, he’d hoped she might declare her love. “It’s your first time,” he said in a gloomy voice. “I’m not surprised you’re feeling a wee bit floaty.” She stared hard at him. “First time or hundredth time, I believe it’s something remarkable between us that made it like that.” “Like what?” “Like the beauty tore my soul into pieces.” Her voice was husky. His heart crashed against his ribs at her confession. Surely that was enough. Why couldn’t he accept what she offered? She told him everything he wanted to hear—except the most important words of all. “That’s just pleasure.” She gave him the familiar unimpressed look. “I’m no expert, Ewan, but I’m pretty sure that pleasure alone wouldn’t make me cry.” She bit her lip, and her eyes deepened to dark honey. “Only love could make me cry.
Anna Campbell (Stranded with the Scottish Earl)
Earth’s not so bad—” “How would you know?” Tan’elKoth said acidly. “It is only in these past few days that you have had contact with the actual realities of Earth. Are you having fun?” He waved toward the window, where Kollberg now had one hand openly kneading his groin while he leaned one cheek and the side of his open mouth against the glass. Avery flinched and looked away. She hugged herself more tightly. “I don’t understand. If you hate what they’re going to do, why are you helping them?” “I am not helping them!” Suddenly he was on his feet, towering over her, shaking an enormous fist. “I am helping you. I am helping Faith. I am . . .” The passion drained out of him as swiftly as it had arisen. He let his fist open and fall limp against his thigh. “I am trying to go home.” Outside the window, Kollberg panted like an overheated dog. “Well,” Avery said finally. “I’m afraid you’re out of luck.” “How do you mean?” She shook her head. “You’re such a man, Professional. That’s why you can’t find this link of yours.” “I do not understand.” “Of course you don’t. That’s what I mean: You’re a man. You think this link is with the river. It wasn’t. Faith spoke of it, in the car on our way back to Boston when I first picked her up. She was quite clear about it. Her link was never with the river. It was with her mother.” “Her mother—?” “Her dead mother, now.” Tan’elKoth’s eyes narrowed. “I have been a fool,” he said. He spun and seated himself once again at Faith’s side, bending over her with redoubled energy. “Power,” he murmured. “All that is required is a usable source of power—” “What are you doing? She’s dead, Tan’elKoth. There is no link.” “Dead, yes—but the pattern of her consciousness persists, even as your son’s does within me. It was trapped at the instant of her passing. It is powerless, yes—having no body to inform it with will. It is analogous to a computer program stored on disk, you might say: a structure of information that requires only a computer on which to run, and the necessary power to activate.” “What kind of power?” From the doorway behind her, the soulless rasp of Arturo Kollberg said, “My kind of power.” DURING HIS YEARS of walking the world, the crooked knight came to find himself bemazed within a dark and trackless wood. In this wood, all paths led equally to death. The crooked knight did not lose hope; he turned to various guides for help and direction. His first guide was Youthful Dream. Later, he turned to Friendship, then Duty, and finally Reason, but each left him more lost than had the one before. So the crooked knight gave himself up for dead, and simply sat. He would be sitting there still, but for a breeze that came upon him then: a breeze that smelled of wide-open spaces, of limitless skies and bright sun, of ice and high mountains. It was the wind from the dark angel’s wings.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine, #2))
LOVE IS THE MASTER Love is the One who masters all things; I am mastered totally by Love. By my passion of love for Love I have ground sweet as sugar. O furious Wind, I am only a straw before you; How could I know where I will be blown next? Whoever claims to have made a pact with Destiny Reveals himself a liar and a fool; What is any of us but a straw in a storm? How could anyone make a pact with a hurricane? God is working everywhere his massive Resurrection; How can we pretend to act on our own? In the hand of Love I am like a cat in a sack; Sometimes Love hoists me into the air, Sometimes Love flings me into the air, Love swings me round and round His head; I have no peace, in this world or any other. The lovers of God have fallen in a furious river; They have surrendered themselves to Love's commands. Like mill wheels they turn, day and night, day and night, Constantly turning and turning, and crying out.
Jalal ad-Din Muhammad ar-Rumi
She covered his heartbeat with her hand and gazed down, her eyes misty with a sudden wistfulness.  "Oh Charles, my love — my Beloved One.  Will we ever be together?" "We are together now, dear Amy." Her gaze flew to his face, for she hadn't realized that he'd woken and was now watching her from beneath half-lowered lashes.  "I thought you were sleeping!" "An impossible pursuit, I think, given the circumstances," he murmured, with a little smile.  He had his far leg drawn up, the near one outstretched in front of him, and now he took her hand and rested it on the hard thigh of the latter, covering it with his own.  Amy caught her breath, but his expression was kind, even a little teasing.  He looked down at himself, and at her hand, imprisoned beneath his and resting so near to his arousal, and raised one brow ever so slightly, as though he wasn't sure whether to be amused or concerned about his very noticeable reaction to her.  "Hmmm.  I recall that we have acted out this scene before," he mused. "I'm sorry," she breathed, trying to pull away. "Are you?  I'm not."  He kept her hand where it was, resting solidly atop his thigh, and stroked the back of her knuckles with his thumb.  "I daresay I was rather enjoying that." "You were talking in your sleep.  Dreaming, I think, about that night you asked me to wipe the soap from your skin." "Ah, yes.  I remember that night well, Amy."  His head still resting against the wall behind him, he turned it ever so slightly and looked at her, his down-tilted, sleepy eyes romantic in the scattered moonlight, in any light.  "Do you?" She smiled, her face suddenly warm.  "Of course." "And do you remember all those nights we used to sit up and talk together, long after everyone went to bed?" "I do." "And the way you coerced me into eating that broth when I wouldn't dine in front of others for fear of making a fool of myself?" "How could I forget?" He smiled and gazed once more at her hand, still caught beneath his, resting oh-so-close to that ever-growing bulge beneath his white leather breeches. "Amy," he said softly. "Charles?" "That talk we had earlier . . . I have been thinking.  Thinking about what you said, as compared to my own standards of perfection, my own belief that if something isn't done correctly, it isn't worth doing at all." "Yes?" "Well, I beg your forgiveness for what I am about to ask, that is, for what I am about to suggest . . . and this, out here in a rather damp winter stable, certainly not the most comfortable of settings, certainly not perfect by anyone's stretch of the imagination, least of all mine —" "Charles, what are you trying to say?" she chided with a little laugh, though everything inside her tensed with expectation, with hope, with desperate, fervent longing — "What I am trying to say, Amy, it that I would like to make love to you.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Cats. The original source of the, er, taint is a wee bit obscure. Twas either brought back by a Crusader or from some ancient Celtic bride, a priestess in the old religion, a shape-shifter.” He shrugged. “Despite what I am, I find that a wee bit difficult to imagine. But, there it is. The Callans appear to have done what ye plan to do—bred it out. There are tales from the old, misty past that hint at some difficulties because of this trait, but the Callans began to be verra particular in their mates. Their family lines are kept meticulously complete right to the most distant of cousins. Intermarriage, no matter how rich the prize, is strictly forbidden for fear that this trait will blossom in its full glory again and pull them all back into danger.” “So, they have bred it out then?” Cathal could understand why Bridget might hide this fact about her clan, but still felt hurt and angry that she would hide it from him. “Most of it. There lingers a hint, though. In the coloring, for example. Twas the medallion that set me on the right path. It reminded me of a tale I had once been told. I found that and soon tracked down the rest. It also explains a lot of things such as how your wife hisses and scratches, how she can run as she does.” “How she purrs,” Cathal whispered. “Does she? How intriguing.” Jankyn met Cathal’s scowl with a sweet smile. “The way she seems to sense danger, her keen eyesight, especially in the dark, and that certain grace she has. All Callan women are rumored to be small, lovely, graceful, passionate, and fertile. Verra, verra fertile. Your wee wife comes from a verra big family.” “Do ye recall the first night she was here? The way she acted when she first awoke?” Jankyn nodded. “Verra like a cat.” “Aye, but for one fleeting moment there was something in her face, something verra catlike.” “Why didnae ye say so?” “I thought it a trick of the light. Now I think not. It also means it might be impossible to breed out all our MacNachton traits. The Callans havenae fully succeeded, have they?” “Would that be such a bad thing? I can think of a few that would only serve us weel and would only raise envy, nay fear.” “True. I suspicion some of the things in the Callan bloodline do the same. The more I think on it, the more I curse myself as a blind fool. Aye, some of what Bridget does could just be considered, weel, a female’s ways. But nay all of them. Certainly nay the way she fought Edmee. I was but stunned when Edmee tossed me aside. Couldnae move, but I could see how Bridget leapt at Edmee. She used those cursed long nails of hers on Edmee and it took Edmee a few moments to get a firm grasp on Bridget. I can now see that the way Bridget moved to try to stay out of Edmee’s grasp was verra like a cat. Then Edmee threw Bridget and, somehow, e’en as she was flying through the air, she curled that wee body of hers into a ball. That and the heather saved her.” “Aye. Raibeart and I were close enough to see that. Raibeart still mutters about it. That and the fact that your wee wife made sure to take a few large hanks of Edmee’s hair with her when she was thrown. Of course, a cat is said to land on its feet. For one wee minute, I truly thought she was about to perform that wondrous feat, but then she curled up into the ball. I wonder why.” “Mayhap when I have finished bellowing at her, I will ask her that question.” He smiled faintly when Jankyn laughed. “So, ye will keep her?” “Aye. E’en when I feared ye were about to tell me she had MacNachton blood, something that would near ruin all my grand plans, I meant to keep her.” He sighed, finished off his wine, then rose to refill his goblet. “I had best send for her, confront her with this, and hear what she has to say for herself.” “No need. I believe I hear the patter of wee paws approaching.” Cathal gave Jankyn a disgusted look as he retook his seat. “I would be wary of teasing her too much. Dinnae forget those nails.” “Cathal?
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
Just tell me. What is odd about the Callans? Something that is carried in the blood?” Jankyn nodded. “Cats. The original source of the, er, taint is a wee bit obscure. Twas either brought back by a Crusader or from some ancient Celtic bride, a priestess in the old religion, a shape-shifter.” He shrugged. “Despite what I am, I find that a wee bit difficult to imagine. But, there it is. The Callans appear to have done what ye plan to do—bred it out. There are tales from the old, misty past that hint at some difficulties because of this trait, but the Callans began to be verra particular in their mates. Their family lines are kept meticulously complete right to the most distant of cousins. Intermarriage, no matter how rich the prize, is strictly forbidden for fear that this trait will blossom in its full glory again and pull them all back into danger.” “So, they have bred it out then?” Cathal could understand why Bridget might hide this fact about her clan, but still felt hurt and angry that she would hide it from him. “Most of it. There lingers a hint, though. In the coloring, for example. Twas the medallion that set me on the right path. It reminded me of a tale I had once been told. I found that and soon tracked down the rest. It also explains a lot of things such as how your wife hisses and scratches, how she can run as she does.” “How she purrs,” Cathal whispered. “Does she? How intriguing.” Jankyn met Cathal’s scowl with a sweet smile. “The way she seems to sense danger, her keen eyesight, especially in the dark, and that certain grace she has. All Callan women are rumored to be small, lovely, graceful, passionate, and fertile. Verra, verra fertile. Your wee wife comes from a verra big family.” “Do ye recall the first night she was here? The way she acted when she first awoke?” Jankyn nodded. “Verra like a cat.” “Aye, but for one fleeting moment there was something in her face, something verra catlike.” “Why didnae ye say so?” “I thought it a trick of the light. Now I think not. It also means it might be impossible to breed out all our MacNachton traits. The Callans havenae fully succeeded, have they?” “Would that be such a bad thing? I can think of a few that would only serve us weel and would only raise envy, nay fear.” “True. I suspicion some of the things in the Callan bloodline do the same. The more I think on it, the more I curse myself as a blind fool. Aye, some of what Bridget does could just be considered, weel, a female’s ways. But nay all of them. Certainly nay the way she fought Edmee. I was but stunned when Edmee tossed me aside. Couldnae move, but I could see how Bridget leapt at Edmee. She used those cursed long nails of hers on Edmee and it took Edmee a few moments to get a firm grasp on Bridget. I can now see that the way Bridget moved to try to stay out of Edmee’s grasp was verra like a cat. Then Edmee threw Bridget and, somehow, e’en as she was flying through the air, she curled that wee body of hers into a ball. That and the heather saved her.” “Aye. Raibeart and I were close enough to see that. Raibeart still mutters about it. That and the fact that your wee wife made sure to take a few large hanks of Edmee’s hair with her when she was thrown. Of course, a cat is said to land on its feet. For one wee minute, I truly thought she was about to perform that wondrous feat, but then she curled up into the ball. I wonder why.” “Mayhap when I have finished bellowing at her, I will ask her that question.” He smiled faintly when Jankyn laughed. “So, ye will keep her?” “Aye. E’en when I feared ye were about to tell me she had MacNachton blood, something that would near ruin all my grand plans, I meant to keep her.” He sighed, finished off his wine, then rose to refill his goblet. “I had best send for her, confront her with this, and hear what she has to say for herself.” “No need. I believe I hear the patter of wee paws approaching.” Cathal
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
Paige, I want you to know something. I know it’s too soon for you to think about a whole lifetime, but I’m not fooling around here. I don’t have any expectations, I swear. I just want you to know that. I’m in all the way. Committed. I don’t want you to ever worry that I’m just passing the time.” She ran her fingertips through the short hair at his temple. “Aren’t you a little afraid you could get tired of me, John?” He shook his head. “I’m not that kind of guy. I take it slow—too slow, sometimes. I give things a lot of time—being sure is a good thing. But I don’t change my mind. I know in some things that can be bad. I like things to stay the same.” “I won’t hold you to anything,” she said. “I’m just so happy to be here, like this, right now....” “There’s something else I want to say about that, about us. I’m not the kind of guy who doesn’t want you to talk back or have your opinions or expects you to never have a bad day when you’re all cranky and annoyed. I want all of that—I want you to speak up, make demands, insist on the most exceptional treatment and get pissed off if you don’t get it. I want you to feel safe to yell at me just because you’re in a mood. If I’m not what you want for the long haul, I can live with that. What I could never live with is you being afraid of how I’ll act when you’re just being yourself.” It was impossible to keep tears from gathering in her eyes. “John... No one’s ever loved me like that....” “Well, baby, I do. In fact, that’s the only way I love you. Every part of you—strong and bossy, scared and needy—it doesn’t matter. If I’m gonna have you, it has to be all of you, not some little part that feels safe.” She kissed him, quick, on the lips. He brushed a tear off her cheek. “I know that baby you lost wasn’t planned, and it still hurt you pretty bad that it didn’t make it. Maybe someday, when you’re ready, you’ll talk to me about adding to our family. Giving Chris a little brother or sister.” “You’d like children?” she asked. “I never thought I would. But with you, it comes to mind.” He laughed. “It comes to mind pretty hard. It’ll keep, Paige. It’s just an idea....” She gently touched his face. “You do understand that if there’s a baby between us, you might have to cut back a little?” “How much?” he asked, that frown that she had come to adore drawing his brows together. And she laughed at him. “You’re teasing me,” he said. “Okay, you asked for it,” he said, starting on her eyelids. She grabbed his face in her hands and stopped him. “John,” she said. “I want it, too. Everything. All of you. I’ve never been this happy.” He smiled. “More where that came from,” he said. “Forever, if you want.” *
Robyn Carr (Shelter Mountain (Virgin River, #2))
I would love to kiss you right now.” His fingers tipped my chin, so that he had my full attention. I felt that rush and my heart stalled in my chest. He moved closer and I closed my eyes. “But I think I will wait just a bit longer.” His voice washed over me with its warm tones. That deep sound reverberated in my chest. I opened my eyes with delayed surprise and I found him just looking at me. That look! I should have kept my eyes closed because my disappointment deepened. He was holding back, and that made me want his kiss even more. “W-why?” I hated how unsteady my voice sounded. He shrugged with that devilish look still in his eyes. “I know the old Hadley loved my kiss. I’m just getting to know this new Hadley.” I frowned. He chuckled. “What?” He grinned, making the look in his eyes even more devastating. Did he want to make me a simpering fool? Well, I was no longer the young girl he remembered. “Nothing.” I shook my head and shrugged. “But I do hope you have improved from the last time.” His jaw dropped. I couldn’t hold up my own act with that look of shock on his face. It was adorable. I started to laugh. He lifted his brow. And shook his head. “Careful, little girl.” I smiled. “I’m not scared of you.” I started when he jumped to his feet. He grasped my wrists and pulled me quickly to my feet, before putting me right up and over his shoulder. “Just remember, I’m bigger and stronger,” the timbre in his voice had deepened. He started back to the car. I tried not to struggle too much. I should feel offense at his caveman display, but something in the action was way beyond attractive. It was kinda hot! But I would never tell him that. The strength he displayed with his sure-footed jaunted down the steep hill he had just helped me up was impressive. “Where are we going?” I yelped. He adjusted his stance, and altered my position on his shoulder, so he could open the car door. “Away from here, or I’ll end up doing more than kissing your smart mouth.” I smiled, knowing he couldn’t see it. “Yeah, like I’d let that happen.” His dark laugh sent warmth through me. “Your story.” He dropped me gently back into the passenger seat. I felt dizzy for a moment, but when that cleared I glared back at the handsome devil grinning at me. “My story?” He winked. “We both know how you get after a few kisses, Hadley.” It was my turn to let my jaw drop.                                                         Chapter
Sarah Brocious (What Remains (Love Abounds, #1))
Apparently there’s a lot you don’t know about yourself.” He raised an eyebrow. “What is that supposed to mean?” “I mean, what’s the deal with your fangs?” Sophie knew she shouldn’t be asking—clearly a sensitive subject with him. But somehow the words came flying out. “Jillian told me it was safe to kiss you because they wouldn’t come out until you met a woman you wanted to…to…” “To mate. To bond. To fuck,” he finished for her, his voice harsh. “Yes.” Sophie could feel her cheeks getting hot but she lifted her chin and went on anyway. “So why would they come out around me? I mean, you don’t even like me.” “Is that what you think? That I don’t like you?” He frowned. “What else am I supposed to think?” she flared. “First you were acting so nice and then you got angry—” “I’m not angry at you.” “Well you could have fooled me, the way you’re acting. What about the way you said you wanted to take me home and forget about…just forget?” she ended rather lamely. “That’s because forgetting is my only option.” He stared straight ahead as he talked. “I took a vow never to call a bride, Sophia. A vow I must never break.” “Nobody’s asking you to break it,” she protested. “Even if I wanted to it would do me no good.” He looked at her for a long moment and then looked away. Sophie threw up her hands. “I don’t even know what you’re talking about.” “And it’s better we keep it that way.” He glared straight ahead, apparently focusing on his piloting. “You clearly want nothing to do with me and I…I should feel the same way about you. So…” “So what?
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
The first transplant recipients did not die because their new kidneys failed, but rather because their bodies would not be fooled. Though the new kidney cells looked and acted in every respect like the old ones, they did not belong. Transplant surgeons must now give the recipient immunosuppressant drugs for the rest of the patient’s life
Paul Brand (Fearfully and Wonderfully: The Marvel of Bearing God's Image)
Against you, Doctor! How could I have it in for you when you’re so nice to me? Against poor Leonard, who does everything he can so that I don’t get worked up, so that I get along here as well as possible? Against anyone else? Well, that’s another story! I have to say that I can’t stand that quack Bid’homme. Of course, I feel sorry for him—as he deserves—but I am tired of seeing this ridiculous fool, who should be put in a straightjacket, intimidate, act like a tyrant, rant and rave, yell and insult everyone. He should be washed with Niagara jets until he bursts, which would not be a great loss to humanity! That Bid’homme! Argh! Him, yes, I hate! He’s a constant danger to the patients, whom he knows nothing about, and whom he might kill with his stupid brutality! Why don’t you lock up this dangerous lunatic, Doctor—or, at least, send him back to Franche-Comté, to his family, if they agree to be responsible for such an evil creature and keep him tied up 24 hours a day?” What was I saying? Doctor Froin looked different; he shrugged his shoulders sadly. I saw him—his mind was made up now: I was a monomaniacal madman with delusions of persecution. All my ideas, all my preoccupations and all my anger, was focused on Bid’homme. I was acting exactly like someone who was crazy. I would keep saying that he hounded his patients and hated them all—me, first and foremost! His doubts about his assistant might even have been erased by my angry outburst. He could blame it all on my madness. I tried desperately to redeem myself, to save myself. What should I do? What should I say? Wouldn’t I be cleverer to tell him everything I was thinking—however uncomfortable it might be? I cried out—as unloudly as possible: “Doctor! No! Don’t write me off like that with a flick of your hand. I know what you’re thinking; you think I’m obsessed! Don’t deny it: I’m sure of it! But it’s nothing like that! To show you I’m not the least bit deranged, let me say that I was a little hard just now—even though I hate your colleague Bid’homme, and think he’s dangerous and harmful to your patients, I have absolutely no problem thinking about other things. Why, today, I thought about a thousand things that had nothing to do with him. Do you want me to tell you about waking up this morning in this room? About what went on inside my head—pointing out the difference between the sane ideas and those that are still a little…off? Do you want to be sure that I am not sneaky or vindictive, like most of the mental patients? Well! You just told me that my relatives are coming on Monday, but you didn’t say whom, probably because you were concerned about making me angry. I’m going to tell you: it’s Roffieux—the one who brought me here. I swear to you that I have no hard feelings against him. I can honestly say that he is close to my heart, but if I leave Vassetot, no harm will come to him from me, I guarantee it. I will do what any good man would do in the same situation: I will go as far away as possible. True enough, he disgusts me and I don’t want him to have any more control over me, but it would never enter my mind to play a dirty trick on him!
John-Antoine Nau (Enemy Force)
We must learn this Jesus or else we will continue to find ourselves retreating on every cultural battlefield. If we don’t understand in our bones the difference between Christ-like troublemaking and fleshly pride and bluster, then we will only be left with cowards and fools. On the one hand, we will continue to have good men constantly second guessing, afraid of stirring up strife, apologizing for speaking the truth, caving to the pressures of popular opinion for acting like the real Jesus and hurting feelings. And on the other hand, in place of these “good” cowards, we will have the undisciplined ravings of a few who see the insanity but do not know what spirit they are of, men who constantly undermine the mission of the Kingdom with their destructive outbursts.
Toby J. Sumpter (Blood-Bought World: Jesus, Idols, and the Bible)
So, why the hell have you been freaking out since you arrived at Strombly with her? I see how she looks at you, and how you can make her happy or break her heart. She’s infatuated with you, and yet, you’re acting like a fool. Tell me, where did you learn this type of behavior?
Meghan Quinn (Royally Not Ready (Royal, #1))
because she hadn’t felt even an inkling of desire to get that experience. Now she did. Just looking at him made her feel warm and sort of breathless; her breasts tingled, and she had to press her thighs together to contain the hot ache between her legs. So this was lust. She had wondered, and now she knew. No wonder people acted like fools when they were afflicted with it. If Thaniel hadn’t stolen the boats, the sheriff would have already been gone, and she likely wouldn’t have seen him again for quite a while, if ever. She would have gone about her quiet, very satisfying life. But she should have expected that trick with the boats; how else could Fate have arranged for Jackson to stay here? And of course a storm was coming up, preventing any of his deputies from
Linda Howard (Blue Moon)
you? I think somebody pulled the plug on your brain drain! I’d rather run through a lion den in pork-chop underwear than talk to you! Well, you started with nothing, you’ve got that left! Most people live and learn but you just living aren’t you. You’re a just a few churns away from being butter aren’t you! I’m not a doctor, but I think you’ve got suckit-itus! I think there’s a manufacturer’s defect in your DNA! I don’t know what makes you so screwed up, but whatever it is, it’s working! Your brain must feel like brand new, since you never use it! The results of your IQ test would probably be negative! Call 911! I think somebody stole all your common sense! You look like a perfect example of a total failure! Was the ground cold when you crawled out this morning? For crying out loud! You’re acting like some kind a brainless, drunk, penguin! On the bright side, as a failure, you’re a great success! If idiots could fly, you’d be an eagle! How’d you even get here? Did somebody leave your cage open? If you had your head examined they wouldn’t find a lick of sense! I think you’ve got a bug in your programming! Don’t feel bad. A lot of people have no talent. Hi, I’m a human being! What are you again? I see you’re not letting your education get in the way of your ignorance! How long has it been since they performed your lobotomy? Are you in town for an idiot convention? You’re about as fun as licking the hand rail on an escalator! I’d slap you senseless if I could spare the two seconds it would take! Tough-titty said the kitty when the milk was all gone. The world needs examples like you so the rest of us can feel better! I don’t think you’re a fool. But what’s my opinion against thousands of others? I wish I could break whatever spell keeps magic’n you here! It looks like what you lack in intelligence you make up for in stupidity!
Full Sea Books (The Top Insults: How to Win Any Argument…While Laughing!)
Rhysand chuckled. 'If you're that desperate for release, you should have asked me.' 'Pig,' I snapped, covering my breasts with the folds of my gown. With a few easy steps, he crossed the distance between us and pinned my arms to the wall. My bones groaned. I could have sworn shadow-talons dug into the stones beside my head. 'Do you actually intend to put yourself at my mercy, or are you truly that stupid?' His voice was composed of sensuous, bone-breaking ire. 'I'm not your slave.' 'You're a fool, Feyre. Do you have any idea what could have happened had Amarantha found you two in here? Tamlin might refuse to be her lover, but she keeps him at her side out of the hope that she'll break him- dominate him as she loves to do with our kind.' I kept silent. 'You're both fools,' he murmured, his breathing uneven. 'How did you not think that someone would notice you were gone? You should thank the Cauldron Lucien's delightful brothers weren't watching you.' 'What do you care?' I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure. 'What do I care?' he breathed, wrath twisting his features. Wings- those membranous, glorious wings- flared from his back, crafted from the shadows behind him. 'What do I care?' But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and thrashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming my mouth, claiming me- The door was flung wide, and Amarantha's curved figure filled the space. Tamlin- Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips crushed mine. Amarantha laughed, and a mask of stone slammed down on Tamlin's face, void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before. Rhys casually released me with a flick of his tongue over my bottom lip as a crowd of High Fae appeared behind Amarantha and chimed in with her laughter. Rhysand gave them a lazy, self-indulgent grin and bowed. But something sparked in the queen's eyes as she looked at Rhysand. Amarantha's whore, they'd called him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))