Rodeo Sayings And Quotes

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I’m beginning to sense a theme,” Mircea said, tossing his suit coat over a buckskin-covered chair. A moose head with huge, outspread antlers loomed over it, its bright glass eyes looking oddly lifelike in the low light. Mircea took in the room, his expression slightly repulsed yet fascinated. “I believe there is only one thing to say at this point.” What’s that?” Yee haw,” he said gravely, and took me down like a rodeo calf.
Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
And my mama drowned the dumb ones. I hear everything you’re saying. There’s a group of Buffys thinking we’re the bad guys. Ain’t my first rodeo, pup. It’s been happening so long, they were called Helsings long before your daddy was a gleam in your granddaddy’s eyes. Thank you, Hollywood and Stoker for that. Not like being undead didn’t suck before. They just made it worse for us by cluing the rest of the world in that we exist. Now every goth with a thirst for immortality is cruising for us, begging us to bite them, and turn them. Did I ever tell you about that time when–” – Sundown “Sundown! I–” – Andy “You need to check that tone, boy. Remember, I used to kill people for a living, and I ain’t been up long enough to have much tolerance right about now. Knock it down a notch before I forget that I’m supposed to actually like you.” – Sundown
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Now I was pretty good at playing Rodeo. I'd been doing it for years. But he was a tricky bird to play. You could say that learning to play Rodeo was like learning to play a guitar, if the guitar had thirteen strings instead of six and three of them were out of tune and two of them were yarn and one of them was wired to an electric fence. He's a handful, is what I'm saying.
Dan Gemeinhart (The Remarkable Journey of Coyote Sunrise (Coyote Sunrise #1))
The Navy disqualified me when my physical revealed that I had pins in my arm from the rodeo accident. I tried arguing, I tried pleading; nothing worked. I even offered to sign a waiver saying that I’d never make the Navy responsible for anything that happened to my arm. They flat-out turned me down. And that, I concluded, was the end of my military career.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
Too soon for dinner with the parents?" I teased. "You really didn't have to feel obligated to stay, but Lil does cook some amazing Indian food." Gabriel just kissed the back of my hand and smiled slyly. "What is it you Westerners say? This isn't my first rodeo, darling!" He mocked tipping a hat. "Well that may be true, but this is a very different kind of bull," I retorted, almost jealous. "And how many rodeos exactly have you been to, sir?
Tania Penn (The Morning Star)
Angel From Montgomery" I am an old woman named after my mother My old man is another child that's grown old If dreams were lightning, thunder were desire This old house would have burnt down a long time ago Make me an angel that flies from Montgomery Make me a poster of an old rodeo Just give me one thing that I can hold on to To believe in this living is just a hard way to go When I was a young girl well, I had me a cowboy He weren't much to look at, just a free rambling man But that was a long time and no matter how I try The years just flow by like a broken down dam Make me an angel that flies from Montgomery Make me a poster of an old rodeo Just give me one thing that I can hold on to To believe in this living is just a hard way to go There's flies in the kitchen, I can hear 'em there buzzing And I ain't done nothing since I woke up today How the hell can a person go to work in the morning And come home in the evening and have nothing to say Make me an angel that flies from Montgomery Make me a poster of an old rodeo Just give me one thing that I can hold on to To believe in this living is just a hard way to go John Prine, John Prine (1971)
John Prine (John Prine)
A sudden yowl from up ahead had them all starting. A small tree smoked on one side, the faint glow of fire darting from a burning patch of dead foliage. The yowl came again. Matt hurried over and peered up the tree to see a calico cat, its green eyes staring down, as if in accusation. "No," Reyna said, stopping beside him. "We are not rescuing the cat." "But the tree -" "- is on fire. I see that. Have you ever owned a cat? If they can go up, they can come down. Guaranteed." Matt eyed the feline. It eyed him back, then yowled, as if to say Well, hurry it up. "It might be too scared to come down," he said. "It's a cat," Reyna said. "They don't get scared - just annoyed, which I'm going to get if you insist on playing hero and rescuing that faker." She scowled at the cat. "Yes, I mean you. Faker." The cat sniffed, then turned to Matt, clearly sensing the softer touch. Owen stepped forward. "If you'll feel better rescuing the cat, Matt, then go ahead. We aren't on a tight schedule." Reyna waved her arms around the smoking street. "Um, Ragnarök?" "And the longer you two bicker ..." "Fine," Reyna said. "I've got this." Before Matt could protest, she walked to the base of the tree, grabbed the lowest branch, and swung up. "Rodeo girl, remember? Also, five years of gymnastics, which my mother thought would make me more graceful and feminine. Her mistake." She shimmied along a branch. "Come on, faker. I'm your designated hero for today." She looked down at Matt. "And if you ever tell anyone I rescued a cat from a tree ..." Before Matt could answer, the cat sprang to the ground. "Arggh!" Reyna said. "You scared him out," Matt said. "He just needed the extra motivation. No, wait. It's a she. Calicos are almost always female." "Are they? Huh." Reyna swung out. The cat sat on the ground below, watching. "See?" Matt said. "She's grateful." "She's gloating. Let's go.
K.L. Armstrong (Thor's Serpents (The Blackwell Pages #3))
I realized something tonight when you were in the arena doing your thing.” She took another deep breath of the roses’ scent. “What was it?” “I love you, Elle.” Her eyes flared wide to search his and her heart stopped. “Do you love me?” “Yes, I love you, Chase.” Simple, sure, an indisputable fact she couldn’t’ve held on her tongue if she’d wanted to. But was she ready to love somebody who loved her back? Was she? “You had me since Spin Master,” he said, with that grin she loved. “But I didn’t know it ‘til tonight.” “Oh, well, then, I get it,” she said, smiling back. “You only loved me ‘cause I saved your life.” “I want you to save it again.” He stood up to pull something out of the front pocket of his starched jeans. He reached for her hand. “I’m asking you to marry me, Elle. Will you?” Tears blurred her vision. They caught in her throat. Oh, God, how could she ever be a wife again? But how could she ever leave Chase? She tried to buy herself a little time to think. “You said you don’t trust women.” “Only you. I trust you. I trusted you with my life the first time I ever saw you.” That made her grin. And then she felt very solemn. He was looking right into her soul, holding her hand in his big calloused one. She clung to it. “You’re in a league of your own, Elle. Not just was a bull-fighter, but in every way.” She didn’t know what to say. She didn’t know what to think. She knew she loved him, but this was scary. “You’re not the marrying kind, Chase. You’ve told me that a dozen times.” “I changed my mind.” “I’ve been married, Chase. It didn’t last. I left him.” He lifted one big shoulder. “What will last is that I love you,” he said. “That’ll never change. I’ll follow you all over the country if I have to, just to get a glimpse of you. Just to hear you laugh. You can work as many rodeos as you want. You can do anything you want and even if I’m not there, wherever I am, I’ll be loving you. Until I die.” “You’re looking at me as if it’s a done deal,” she said, smiling. His grin broadened. “It is. I can convince you. I know I’m good.” She laughed. “You might as well save us some time. You know I got no quit in me.” “Yes, I do know that.” “So what do you say?” “The main problem is that you’re not the man who’ll do everything I say. I told you that’s what I have to have before I’ll marry again.” “How d’you know I’m not him? I’ve been pretty pliable here lately, wouldn’t you say?” “You are so full of it, Chase Lomax.” “You’re the one who told me I have to get a life after rodeo. Well, that’s exactly what I’m tryin’ to do, right here.
Genell Dellin (Montana Gold)
In late fall, I had a phone sessions with my Oregon therapist. For some reason, we started talking about happiness. “Chris achieved happiness so easily,” I said to him. “And I don’t.” The counselor interrupted me. “Do you know how he did?” I started to answer that I didn’t. But then I realized that Chris had set out to do many things, and he’d achieved them. He’d wanted to be a rodeo competitor, work as a cowboy, join the SEALs. He’d done all of those. What’s more, he excelled at them. Those achievements made him happy, or at least confident enough that he could be happy. As we talked, the counselor noted that I, too, had my own achievements. But I told him--as he already knew--that I wanted to do so many more things. And I always do. Was that a reason not to be happy? The counselor pointed out that I tend to focus on what I haven’t done, rather than what I’ve achieved. My thinking runs; If I do A, then B, then C, then I’ll be happy. But when I achieve A, rather than saying “Yay!” I say, “I haven’t done B and C, so I can’t be happy.” Why focus on what I haven’t done? Why not celebrate those things I have done, even as I look forward to doing other things on my list? Those achievements are accomplishments--I should feel good about them, confident I can do more. And happy. Or at least happier. Another lesson. There are other components to happiness beyond achievement. “Smaller” things, like carving out time for workouts as well as the kids, are actually big things when they are added up. Yet I often feel those things are distractions from what I really want to achieve. Blockers, rather than stepping-stones. Obviously, the wrong way to think about them. On paper, it doesn’t seem like a very profound realization. But put into practice, it means that I--we, all of us--have to keep things in the larger perspective. If you want to achieve a lot, then the reality is that you are always going to have something else you want to do. Keep trying to achieve, but don’t beat yourself up for not getting everything done. The “smaller” things are just as essential to happiness. So: the key to my happiness is appreciating what I have and what I’ve done, and realizing that I’ll always have something else to do. Profound? No, but empowering. I might never have realized it had I not been grieving so deeply. I would have felt silly, really, talking about achieving happiness when Chris was alive. Why wouldn’t I be happy with a great husband and wonderful children? I was happy. But not at the deepest level. I’m not there yet, obviously. But it is possible now. And yet I still wonder: How can I possibly be happy with Chris gone?
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Improvisation and sketch comedy let me choose who I wanted to be. I didn’t audition to play the sexy girl, I just played her. I got to cast myself. I cast myself as sexy girls, old men, rock stars, millionaire perverts, and rodeo clowns. I played werewolves and Italian prostitutes and bitchy cheerleaders. I was never too this or not enough that. Every week on SNL I had the opportunity to write whatever I wanted. And then I was allowed to read it! And people had to listen! And once in a blue moon it got on TV! And maybe five times it was something really good. Writing gave me an incredible amount of power, and my currency became what I wrote and said and did. If you write a scene for yourself you can say in the stage directions, “THE MOST BEAUTIFUL WOMAN IN THE WORLD ENTERS THE BAR AND ALL THE MEN AND WOMEN TURN THEIR HEADS.
Anonymous
Pilgrims WHEN MY OLD MAN said he’d hired her, I said, “A girl?” A girl, when it wasn’t that long ago women couldn’t work on this ranch even as cooks, because the wranglers got shot over them too much. They got shot even over the ugly cooks. Even over the old ones. I said, “A girl?” “She’s from Pennsylvania,” my old man said. “She’ll be good at this.” “She’s from what?” When my brother Crosby found out, he said, “Time for me to find new work when a girl starts doing mine.” My old man looked at him. “I heard you haven’t come over Dutch Oven Pass once this season you haven’t been asleep on your horse or reading a goddamn book. Maybe it’s time for you to find new work anyhow.” He told us that she showed up somehow from Pennsylvania in the sorriest piece of shit car he’d ever seen in his life. She asked him for five minutes to ask for a job, but it didn’t take that long. She flexed her arm for him to feel, but he didn’t feel it. He liked her, he said, right away. He trusted his eye for that, he said, after all these years. “You’ll like her, too,” he said. “She’s sexy like a horse is sexy. Nice and big. Strong.” “Eighty-five of your own horses to feed, and you still think horse is sexy,” I said, and my brother Crosby said, “I think we got enough of that kind of sexy around here already.” She was Martha Knox, nineteen years old and tall as me, thick-legged but not fat, with cowboy boots that anyone could see were new that week, the cheapest in the store and the first pair she’d ever owned. She had a big chin that worked only because her forehead and nose worked, too, and she had the kind of teeth that take over a face even when the mouth is closed. She had, most of all, a dark brown braid that hung down the center of her back, thick as a girl’s arm. I danced with Martha Knox one night early in the season. It was a day off to go down the mountain, get drunk, make phone calls, do laundry, fight. Martha Knox was no dancer. She didn’t want to dance with me. She let me know this by saying a few times that she wasn’t going to dance with me, and then, when she finally agreed, she wouldn’t let go of her cigarette. She held it in one hand and let that hand fall and not be available. So I kept my beer bottle in one hand, to balance her out, and we held each other with one arm each. She was no dancer and she didn’t want to dance with me, but we found a good slow sway anyway, each of us with an arm hanging down, like a rodeo cowboy’s right arm, like the right arm of a bull rider, not reaching for anything. She wouldn’t look anywhere but over my left shoulder, like that part of her that was a good dancer with me was some part she had not ever met and didn’t feel
Elizabeth Gilbert (Pilgrims)
First Corinthians 13:4-8 is a well-known passage, often used at weddings, and there's a saying that if you can substitute the name of your potential spouse for the word "love," you know you have someone worth holding on to forever. The passage goes like this: Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres. Love never fails. (NIV)
Kristi Noem (Not My First Rodeo: Lessons from the Heartland)
And your father?” my aunt said. “My father was a good guy,” I said. I believed this to be true. Also, this was what most people said about him. For instance, his former athletes and fellow coaches at his funeral: Roger Bledsoe was a good coach, they said, but more than that, he was a good guy. “Have you ever noticed,” my aunt said, “that whenever someone says someone else is a good guy, then no one ever wants to know anything more about it? But when someone gets called a bad guy, then that’s not enough. We want to know exactly how and why.” I had not ever noticed this. It was probably worth noticing. But I was wondering about something else. “How well did you know my father?” “Well enough,” my aunt said. “Did you know his sayings?” Aunt Beatrice smiled and said, “This isn’t my first rodeo, you know.” Her expression was fond, and far away, very much like those people at my father’s funeral, and I expected her to say that my father was a good guy, but she didn’t.
Brock Clarke (Who Are You, Calvin Bledsoe?: A Novel)
Another reason I was deeply uncomfortable was because I’d been having thoughts. Lots of thoughts. Ever since my family had pointed out my lack of relationship experience, I’d thought back through the last ten years and second-guessed everything. I remembered going to the rodeo when I was fourteen and getting a boner when I saw the cowboys in chaps. But I’d also gotten a boner that weekend in church when the choir sang, so that wasn’t saying much. Then
Lucy Lennox (Say You’ll Be Nine (Say You'll Be Nine, #1))
Here sits a man, he thought, here sits a man dressed in a mossy green sportcoat purchased at one of the best shops on Rodeo Drive; here sits a man with Bass Weejuns on his feet and Calvin Klein underwear to cover his ass; here sits a man with soft contact lenses resting easily on his eyes; here sits a man remembering the dream of a boy who thought an Ivy League shirt with a fruit-loop on the back and a pair of Snap-Jack shoes was the height of fashion; here sits a grownup looking at the same old statue, and hey, Paul, Tall Paul, I’m here to say you’re the same in every way, you ain’t aged a motherfucking day.
Stephen King
Red and Billy Don stopped first at their favorite hub of social activity in Johnson City—the feed store. “Don’t steal anything,” Red said as he opened the glass door. “Why do you always say that?” Billy Don asked. “Because it’s what my daddy used to say to me, wherever we went. It’s funny.” Red’s father had been a rodeo clown, and his sense of humor had been every bit as subtle as a big red nose.
Ben Rehder (Point Taken (Blanco County Mysteries #10))
Beyond the Judging Eyes” Down a dusty road where the judgments fly, Where the gossips whisper and the rumors pry, If you're lean as a rail, they'll say you're chasing a high, If you're round as a barrel, they'll tell you to diet, oh my. But I'm sick of the box, sick of the fake, We're all just folks, make no mistake. Let's sing it loud, under the wide-open sky, We're all kin in this rodeo of life, Mending fences, not just tearing 'em down, In this country song, we all wear the crown. Dress up like a star, they'll say you're too proud, Wear your workin' boots, they claim you've fallen out, Speak your heart, they'll call you a loudmouth, Keep it to yourself, you're aloof, no doubt. But I'm done with the noise, done with the scorn, We're all diamonds, rough or adorned. Let's sing it loud, under the wide-open sky, We're all kin in this rodeo of life, Mending fences, not just tearing 'em down, In this country song, we all wear the crown. Whether you're the toast of the town hall dance, Or love the quiet of a wide-open expanse, We're each a verse in life's grand old song, In the chorus together, where we all belong. Let's sing it loud, under the wide-open sky, We're all kin in this rodeo of life, Mending fences, not just tearing 'em down, In this country song, we all wear the crown. We're side by side, through the highs and the lows, Lifting each other, that's how it goes, Forget the critics, their talk's just strife, We're the best we can be, in this country life.
James Hilton-Cowboy
And what gives you the right to question my mind about what I want? If I want you, if I want to ride your dick like aa cowgirl at a rodeo, then you should have a say about your consent, not mine.
Vanessa Vale (Hand Me the Reins (Bachelor Auction, #3))
Be strong and courageous. God’s word in Joshua came to mind. He promised always to be with her, but He didn’t say she wouldn’t feel pain. Wouldn’t suffer.
Susan Sleeman (Rodeo Standoff (McKade Law #2))
What’s the news?” she said, foregoing a greeting for the obvious. That’s Georgia—take the bull by the horns. It was one of the things I loved most about her, one of the things that had saved us when our own love story took a few tragic turns. The phrase awakened a memory and instead of answering I said, “Do you know that Tag actually grabbed a bull by the horns once? I saw him do it.” Georgia was silent for a heartbeat before she pressed me again. “Moses? What are you talking about, baby? What’s going on with Tag?” “We were in Spain. In San Sebastian. It’s Basque country, you know. Did you know there are blond Spaniards? I didn’t. I kept seeing blond women and they all reminded me of you. I was in a horrible mood so Tag got this bright idea that we should go to Pamplona for the Running of the Bulls. He said a shot of adrenaline was just what I needed to cheer me up. Pamplona isn’t that far from San Sebastian. Just an hour south by bus. I knew Tag had a death wish. At least he did at Montlake. And I knew he was a little crazy. But he actually waited for the bull to run past him. And then he chased the bull. When the bull turned on him, he grabbed it by its horns and did one of those twist and roll things that cowboys do at rodeos.” “Steer wrestling?” Georgia still sounded confused, but she was listening. “Yeah. Steer wrestling. Tag tried to wrestle a bull. The bull won, but Tag got away without a scratch. I still don’t know how. I was screaming so loud I was hoarse for a week. Which was fine. Because I didn’t talk to Tag for two. That son-of-a-bitch. I thought he was going to die.” I stopped talking, emotion choking off my ability to speak. But Georgia heard what I couldn’t say.
Amy Harmon (The Song of David (The Law of Moses, #2))
Marceline the Vampire Queen: "Marceline to Bubblegum. Come in Bubblegum. You there? "...No? " Well, good. Cause I got some things to say to you and I don't want you to hear them. "I'm complicated, alright? "You should know that by now. "Okay, so I'm not stupid. I know our lives are moving us in different directions, okay? I get that. I get that nothing lasts forever, believe me. "But that doesn't mean I have to like it. "It's just--the way you act like nothing's wrong, it makes me SO mad. You know that, right? It makes me feel like I'm the only one who remembers how our friendship USED to be, who sees how it's changing. It feels like a betrayal. It feels lousy, Bonnie. And familiar. "This isn't my first rodeo. "And I know that you've got your hands full with your new kingdom, okay? I get that you're busy, and I want you to be busy. You're doing something so ambitious, so crazy ... "I know you can do it. You're gonna be the one who changes the world, Bonnie. I've seen it in you. "But there's gotta be a balance there, you know? A way where we can stay friends, a way where I don't feel so hurt all the time. And it's not all you--I know I've been major cheesed because of this and that's not fun for anyone. "... I'll be a better friend, too. "Listen, I'm gonna come by tomorrow, help you build those Candy Kingdom retaining walls. Maybe we can punch some ooze monsters while we're at it, right? I'd like that. Right in the buns, yo. "You've been my best friend for so long, and we're not gonna lose that. We'll figure this out, Bubblegum. "Huh. 'Princess Bubblegum.' You know, it actually DOES sound kinda cool. "My friend the princess. "I think I could get used to that. "Over and out.
Ryan North (Adventure Time, Vol. 6)
I’ll hurt you,” I say with a shake of my head. “You’re my nurse, right?” He flashes his eyebrows at me. “I suppose.” I chew on my lip. “Well, nurse Jessie. Your patient is in severe pain right now, because all of the blood that he needs for his vital organs is currently rushing straight to his cock. And that," he nods toward it, “is fucking painful, baby.” “I am not riding you like a rodeo bull while you have broken ribs.
Sadie Kincaid (Ryan Retribution (New York Ruthless, #3))
Because you puked on yours,” he says. “And when I went to get you another one, you demanded, quite vehemently, the I’ve been to so many fucking rodeos shirt.” I gawk at him, trying to recall the night he’s describing. “That doesn’t sound like me.” “Are you kidding?” he says. “You once told me you wanted to be buried in that shirt. And then that you didn’t want to be buried, so I’d have to cremate you in it.
Emily Henry (Happy Place)
He rubbed the side of his face, using his left hand. No wedding ring, she noticed. But then there hadn’t been last time, either. He gave her a lopsided smile. “Sounds like you’re still a little angry.” “I’m not angry, O’Dell. Just really not interested in seeing you. Or talking to you. Or even breathing the same air as you.” His eyebrows went up. “That’s harsh.” Obviously not harsh enough because he didn’t leave. Instead he wandered to the display of chocolate letters and selected an “S.” For Sage? “ I owe you an apology,” he allowed. “Five years ago you owed me an apology. Now, you just need to walk out that door and let me go on pretending I never met you.” He sighed like she was the dolt in the classroom who just didn’t get it. “I did try to apologize. But you left town mighty fast.” Less than twenty-four hours after she crashed on that second barrel, her father had shown up in Casper, Wyoming and had whisked her home. But there had been time for Dawson to reach her. If he’d wanted to. That had been the last rodeo she’d ever competed in. And it had been the last time she’d let herself get tangled up with a cowboy, too. “Sage, even if it is a little late, I still want to say it. I was sorry then, and I’m sorry now.” Damn, if he didn’t look sincere. But she hardened her heart. Facts were facts and how sorry could he be if he’d waited so long to find her? Keeping her tone artificially sweet, she asked, “What exactly are you sorry for? Would
C.J. Carmichael (A Cowgirl's Christmas (Carrigans of the Circle C, #5))