Robotic Arm Quotes

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Gurathin turned to me. "So you don't have a governor module, but we could punish you by looking at you." I looked at him. "Probably, right up until I remember I have guns built into my arms.
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
Fifty bucks says the Inquisitor develops a high-tech robot arm that shoots laser beams,” said Kit. Everyone looked at him. “It always happens in movies,” he explained. “We’re Shadowhunters,” said Julian. “We’re not high-tech.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
For a moment she could have sworn she was standing in one of those history-comes-alive museums--the kind that feature animatronic robots, the narration stylings of James Earl Jones, and the sort of exhibits that invade children's nightmares for years to come. But instead of a cyborgish John Wilkes Booth discharging his deadly bullet into the back of a plastic Lincoln's head, a very real version of the assassin was engaged in a furious arm-wrestling match with Elvis Presley. Lincoln was watching the tussle, amused. "Come on, John," he said. "You can do better than that." "He's all talk," Elvis whispered back. "Silence!" roared Booth. "I'm trying to concentrate!" Lincoln rolled his eyes.
Gina Damico (Croak (Croak, #1))
He was not a tall man, but he was wide. His face was the color and texture of old leather boots, and he was completely bald except for a gray walrus mustache that would have made Hulk Hogan jealous. He was wearing jeans and a T-shirt, even though it was chilly and wet. His arms were densely tattooed in style I didn’t recognize.
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
I grew up having to piss in a bucket ’cos there was no indoor shitter, and now I have these computerised Japanese super-loo things that have heated seats and wash and blow-dry your arse at the touch of a button. Give it a couple of years and I’ll have a bog with a robot arm that pulls out my turds, so I don’t have to strain.
Ozzy Osbourne (I Am Ozzy)
Doctor Doom was exactly the sort of bastard who would have armed al-Qaeda with death rays and killer robots if he thought for one second it would piss off the hated Reed Richards and the rest of his mortal enemies in the Fantastic Four, but here he was sobbing with the best of them, as representative not of evil, but of Marvel Comics' collective shock, struck dumb and moved to hand-drawn tears by the thought that anyone could hate America and its people enough to do this.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
FDR’s struggle with illness and subsequent metal-filled life are remarkably similar to the story of another great leader who was part robot: Iron Man. FDR, much like Tony Stark, was cocky and arrogant before his life-changing diagnosis, but the years of suffering changed all of that, and he emerged more humble, more fearless, and ready to defend America. Also, FDR wore iron braces and used a wheelchair, which, for the purposes of this comparison, is exactly like a well-armed robot suit.
Daniel O'Brien (How to Fight Presidents: Defending Yourself Against the Badasses Who Ran This Country)
Do these robots looked armed? And I was talking to the dinosaur. Were you worried he would discuss me to death?
A. Lee Martinez (Emperor Mollusk versus The Sinister Brain)
Generally speaking, if a guy breaks your jaw and leg and cuts off your robotic arm, you file charges and get a restraining order. The only exception is when subtle machinations are needed to save the world from a massive, catastrophic alien takeover. But in no other circumstance.
Shannon Hale (Dangerous)
While Elizabeth was fast to catch on to engineering concepts, Sunny was often out of his depth during engineering discussions. To hide it, he had a habit of repeating technical terms he heard others using. During a meeting with Arnav’s team, he latched onto the term “end effector,” which signifies the claws at the end of a robotic arm. Except Sunny didn’t hear “end effector,” he heard “endofactor.” For the rest of the meeting, he kept referring to the fictional endofactors. At their next meeting with Sunny two weeks later, Arnav’s team brought a PowerPoint presentation titled “Endofactors Update.” As Arnav flashed it on a screen with a projector, the five members of his team stole furtive glances at one another, nervous that Sunny might become wise to the prank. But he didn’t bat an eye and the meeting proceeded without incident. After he left the room, they burst out laughing.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
He would have no choice but to gaze at the sleeping face of his wife, pleasantly sleeping her usual way in the comfort of his arm, and, within the emotion of fear, dread and apprehension, take stock of his calibre as a human.
Kazufumi Shiraishi (Stand-In Companion)
Who am I to question a creepy robot-armed computer overlord? I cautiously lick the substance.
Andy Weir (Project Hail Mary)
At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables.
Ernest Cline (Ready Player One (Ready Player One, #1))
During a meeting with Arnav’s team, he latched onto the term “end effector,” which signifies the claws at the end of a robotic arm. Except Sunny didn’t hear “end effector,” he heard “endofactor.” For the rest of the meeting, he kept referring to the fictional endofactors. At their next meeting with Sunny two weeks later, Arnav’s team brought a PowerPoint presentation titled “Endofactors Update.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Bye, Robo-Horse!" Alex shouted. "Good luck!" "Wait, you called your horse 'Robo-Horse'?" said Carl. "But it wasn't a robot." "I named him after Robo-Steve," said Alex sadly. Dave put an arm around Alex. "That was very nice, Alex," Dave told her. "I'm sure Robo-Steve would have liked that." "All right, that's enough of that," said Spidroth, giving Alex a suspicious look, "let's get this over with.
Dave Villager (Dave the Villager 31: An Unofficial Minecraft Story (The Legend of Dave the Villager))
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
What's left? Romance. Love's counterfeit free of charge to all. Fall into my arms and the world with its sorrows will shrink up into a tinsel ball. This is the favorite antidote to the cold robot life of faraway perils and nearby apathy. Apathy. From the Greek A Pathos. Want of feeling. But, don't we know, only find the right boy, only find the right girl, and the feeling will be yours. My colleagues tell me I need just such a remedy. Buried up to my neck in pink foam nothing can hurt me now. Safe to feel. All I can feel is you darling.
Jeanette Winterson (Art and Lies)
Tallow turned the corner into Bat and Scarly's office to be greeted by a large plastic robot on the bench waving its arms and shouting, "Say hello to my l'il frien'" in an electronically processed voiced as a small plastic penis repeatedly jabbed out from its groin on a short metal piston. Bat emerged from behind the thing. "Don't judge me," he said. "I got bored.
Warren Ellis (Gun Machine)
At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in.
Ernest Cline (Ready Player One (Ready Player One, #1))
While I was busy wondering if we were expecting anybody, it took me by surprise when an arm—which I was starting to get very well acquainted with at this rate—snaked around my waist and pulled me backward. My ass landed on something hard and hot, immediately molding into the space. Aaron’s lap. His breath caressed the shell of my ear. “You didn’t say good morning.” My back straightened as I remembered my lame runaway moment. “You almost made me drop my cookie, Mr. Robot.” It was so weird, so strange, calling him that, like I had done so many times in the past. As if that belonged to a whole different life. To two different people. Aaron chuckled, and it tickled my neck. “I wouldn’t dare. I know better than that.” His arm tightened around me, and I had to restrain myself from wrapping my hands around it. “What are you doing?” I whispered loudly. Charo would come back in at any second. “I was feeling lonely,” he admitted, lowering his voice and making my mind fly with everything he wasn’t saying. Stupid. I need to stop being stupid. “And if I’m going to sit through this one-sided interrogation, the least you can do is keep me company. Plus, you owe me a conversation.” “I was right there.” My voice came out strangled. “And Charo is not here now.” He hummed, and that noise traveled straight to my lower belly. “She will be back though. You know I like to be extra prepared.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
The girl from the front row grabbed AIMii on the arm. “Remember, it’s bumpy.” “Why is the color of silence bumpy?” AIMii asked. “Because it’s hard to do,” she whispered loudly.
Mandy Broughton (The Color of Silence)
Vision Robotics, a company based in San Diego, California, is developing an octopus-like orange harvesting machine. The robot will use three-dimensional machine vision to make a computer model of an entire orange tree and then store the location of each fruit. That information will then be passed on to the machine’s eight robotic arms, which will rapidly harvest the oranges.
Martin Ford (Rise of the Robots: Technology and the Threat of a Jobless Future)
She curled up, clutched her aching stomach with her freezing arms, and sobbed so hard she shook against the concrete, wishing, hoping, and praying that she wouldn’t wake up in the morning. The
Simon Curtis (Boy Robot)
Mosscap crossed its arms. “If you had a friend who was taller than you, and you couldn’t reach something, would you let that friend help?” “Yes, but—” “But? How is this any different?” “It’s … it’s different. My friends aren’t robots.” The robot mulled that over. “So, you see me as more person than object, even though that’s very, very wrong, but you can’t see me as a friend, even though I’d like to be?” Dex had no idea what to say to that.
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
And then, I swear to God, it waves at me! One of its little arms waves at me! I wave back. It waves again. Okay, this could go on all day. I head back toward the airlock. Your move, guys. ... Their move is taking a long time and I'm getting bored. Wow, I'm sitting here in a spaceship in the Tau Ceti system waiting for the intelligent aliens I just met to continue our conversation... and I'm bored. Humans being have a remarkable ability to accept the abnormal and make it normal.
Andy Weir (Project Hail Mary)
The Nazi salute was performed by public officials in the USA from 1892 through 1942. The researcher Dr. Rex Curry asks 'What happened to the photographs and films of the American Nazi salute performed by federal, state, county, and local officials?' Those photos and films are rare because people don't want to know the truth. Public officials in the USA who preceded the German socialist (Hitler) and the Italian socialist (Mussolini) were sources for the stiff-armed salute (and robotic chanting) in those countries and other foreign countries.
Micky Barnetti (Lies My Teacher Told Me: Swastikas, Nazis, Pledge of Allegiance Lies Exposed by Rex Curry and Francis & Edward Bellamy)
Save your display for the cameras.” Declan wraps his arm around me. While his gesture comes off robotic, I appreciate his ability to try to make this look legitimate. Try being the key word. He’s stiffer than my nana’s cocktails, and those suckers can get anyone drunk from a single cup.
Lauren Asher (Terms and Conditions (Dreamland Billionaires, #2))
I couldn’t wait for high school to be over. I didn’t let my exasperation show, however.  I’d long since discovered how to live inside the shark tank without getting eaten or becoming a shark:  never let ‘em see you sweat.  Don’t show any emotion, no matter how many you’re feeling.  It just reveals your weaknesses and, to them, weaknesses are like blood in the water. I try never to let them see me get angry, upset, defensive, flustered, uncertain, anything.  I’m sure that, to them, I seem somewhat robotic, but it keeps me out of trouble and keeps them at arm’s length.  And that’s how I survive
M. Leighton
Since our intelligence has achieved so much, it should be obvious we should not fear the robot, which is nothing but an armed and armored bear. Instead, we should fear entities that are capable of beating us at our own game. It is the “intelligence” part of “artificial intelligence” that we have to fear.
Stuart Armstrong (Smarter Than Us: The Rise of Machine Intelligence)
In particular, the rise of companies like Google, Facebook, and Amazon has propelled a great deal of progress. Never before have such deep-pocketed corporations viewed artificial intelligence as absolutely central to their business models—and never before has AI research been positioned so close to the nexus of competition between such powerful entities. A similar competitive dynamic is unfolding among nations. AI is becoming indispensable to militaries, intelligence agencies, and the surveillance apparatus in authoritarian states.* Indeed, an all-out AI arms race might well be looming in the near future.
Martin Ford (Rise of the Robots: Technology and the Threat of a Jobless Future)
Her favorite was named V. Her hair was buzzed and her arms were covered in tattoos. No matter how many others she drew, she always came back to V. To draw V fighting new villains, overcoming some new obstacle, or just her, standing there, embodying everything she wished she could be. She was so badass. Her
Simon Curtis (Boy Robot)
I squeeze the tube and disgusting-looking brown sludge comes out. “Eat.” Who am I to question a creepy robot-armed computer overlord? I cautiously lick the substance. Oh my God it’s good! It’s so good! It’s like thick gravy but not too rich. I squeeze more straight into my mouth and savor it. I swear it’s better than sex.
Andy Weir (Project Hail Mary)
The robot camera homed in for a close-up on the more popular of his two heads and he waved again. He was roughly humanoid in appearance except for the extra head and third arm. His tousled fair hair stuck out in random directions, his blue eyes glinted with something completely unidentifiable, and his chins were almost always unshaven.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy: The Complete Trilogy in Five Parts)
Three kids against five robotic school helpers. Well, four kids. Beck was still in the air vent under locker G42. His Tenderfoot Shell waited patiently, standing in place at the middle of the dead-end corridor in the girls’ locker room. One of the five SPUDs that had us cornered leapt through the air at Bloom. The world around me came to a standstill, like someone had paused a game. I saw Bloom. I saw the SPUD jumping toward her. I saw Lexi, huddled up and afraid. I don’t know what happened to me in that split-second, but I reacted before I even had time to think about it. Balling a tight fist, I threw my hand into the air in front of the SPUD that was going for Bloom. My right forearm scraped against the small robot’s face, and then my elbow shot forward, landing a blow right on the SPUD’s body, sending his arms and legs flying in all directions.
Marcus Emerson (Legacy (Middle School Ninja, #1))
The Spine of the Snowman" On the moon, an old caretaker in faded clothes is holed up in his pressurized cabin. The fireplace is crackling, casting sparks onto the instrument panel. His eyes are flickering over the earth, looking for Illinois, looking for his hometown, Gnarled Heritage, until his sight is caught in its chimneys and frosted aerials. He thinks back on the jeweler's son who skated the pond behind his house, and the local supermarket with aisles that curved off like country roads. Yesterday the robot had been asking him about snowmen. He asked if they had minds. No, the caretaker said, but he'd seen one that had a raccoon burrowed up inside the head. "Most had a carrot nose, some coal, buttons, and twigs for arms, but others were more complex. Once they started to melt, things would rise up from inside the body. Maybe a gourd, which was an organ, or a long knobbed stick, which was the spine of the snowman." The robot shifted uncomfortably in his chair.
David Berman (Actual Air)
I have spent these last two days in concentrated introspection," said Cutie, "and the results have been most interesting. I began at the one sure assumption I felt permitted to make.I, myself, exist, because I think-" Powell groaned, "Oh, Jupiter, a robot Descartes!" "Who's Descartes?" demanded Donovan. "Listen, do we have to sit here and listen to this metal maniac-" "Keep quiet, Mike!" Cutie continued imperturbably, "And the question that immediately arose was: Just what is the cause of my existence?" Powell's jaw set lumpily. "You're being foolish. I told you already that we made you." "And if you don't believe us," added Donovan, "we'll gladly take you apart!" The robot spread his strong hands in a deprecatory gesture, "I accept nothing on authority. A hypothesis must be backed by reason, or else it is worthless - and it goes against all the dictates of logic to suppose that you made me." Powell dropped a restraining arm upon Donovan's suddenly unched fist. "Just why do you say that?" Cutie laughed. It was a very inhuman laugh - the most machine-like utterance he had yet given vent to. It was sharp and explosive, as regular as a metronome and as uninflected. "Look at you," he said finally. "I say this in no spirit of contempt, but look at you! The material you are made of is soft and flabby, lacking endurance and strength, depending for energy upon the inefficient oxidation of organic material - like that." He pointed a disapproving finger at what remained of Donovan's sandwich. "Periodically you pass into a coma and the least variation in temperature, air ressure, humidity, or radiation intensity impairs your efficiency. You are _makeshift_. "I, on the other hand, am a finished product. I absorb electrical energy directly and utilize it with an almost one hundred percent efficiency. I am composed of strong metal, am continuously conscious, and can stand extremes of environment easily. These are facts which, with the self-evident proposition that no being can create another being superior to itself, smashes your silly hypothesis to nothing.
Isaac Asimov
neurophysiologist Olaf Blanke, who came across the phenomenon unexpectedly. He had triggered it with electrical stimulation to the temporal parietal cortex of a patient’s brain while trying to locate the focus of a seizure.8 He has also studied a bevy of patients who complain of an FoP. He found that lesions in the frontoparietal area are specifically associated with the phenomenon and are on the opposite side of the body from the presence.9 This location suggested to him that disturbances in sensorimotor processing and multisensory integration may be responsible. While we are conscious of our location in space, we are unaware of the multitude of processes (vision, sound, touch, proprioception, motor movement, etc.) that, when normally integrated, properly locate us there. If there is a disorder in the processing, errors can occur and our brains can misinterpret our location. Blanke and his colleagues have found that one such error manifests itself as an FoP. Recently, they cleverly induced the FoP in healthy subjects by disordering their sensory processing with the help of a robotic arm.10
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
John Green (The Fault in Our Stars)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
Neethan is a tall dude, six-eight, and watching him come out of a limo is like watching a cleverly designed Japanese toy robot arachnid emerge from a box, propelling a torso on which nods his head, across which is splashed a smile of idealized teeth, teeth so gleaming you could brush your own teeth looking into them, teeth that still look fantastic blown up two stories tall on the side of a building, a sexual promise to nameless fans encoded in bicuspid, molar, incisor, and canine. The arm rises, a wave, a hello, an acknowledgement that the assembled journalists exist and through the conduits of their cameras exist the public. Neethan F. Jordan has arrived!
Ryan Boudinot (Blueprints of the Afterlife)
Aside from its cartridge, pipette, and temperature issues, many of the other technical snafus that plagued the miniLab could be chalked up to the fact that it remained at a very early prototype stage. Less than three years was not a lot of time to design and perfect a complex medical device. These problems ranged from the robots’ arms landing in the wrong places, causing pipettes to break, to the spectrophotometers being badly misaligned. At one point, the blood-spinning centrifuge in one of the miniLabs blew up. These were all things that could be fixed, but it would take time. The company was still several years away from having a viable product that could be used on patients.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
The robot could no longer lift his head, had not read the message. They lifted his head, but he complained that his vision circuits had almost gone. They found a coin and helped him to the telescope. He complained and in-sulted them, but they helped him look at each individual letter in turn, The first letter was a “w”, the second an “e”. Then there was a gap. An “a” followed, then a “p”, an “o” and an “l”. Marvin paused for a rest. After a few moments they resumed and let him see the “o”, the “g”, the “i”, the “s” and the “e”. The next two words were “for” and “the”. The last one was a long one, and Marvin needed another rest before he could tackle it. It started with an “i”, then “n” then a “c”. Next came an “o” and an “n”, followed by a “v”, an “e”, another “n” and an “i”. After a final pause, Marvin gathered his strength for the last stretch. He read the “e”, the “n”, the “c” and at last the final “e”, and staggered back into their arms. “I think,” he murmured at last, from deep within his corroding rattling thorax, “I feel good about it.” The lights went out in his eyes for absolutely the very last time ever. Luckily, there was a stall nearby where you could rent scooters from guys with green wings.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
The robot could no longer lift his head, had not read the message. They lifted his head, but he complained that his vision circuits had almost gone. They found a coin and helped him to the telescope. He complained and in- 159 sulted them, but they helped him look at each individual letter in turn, The first letter was a “w”, the second an “e”. Then there was a gap. An “a” followed, then a “p”, an “o” and an “l”. Marvin paused for a rest. After a few moments they resumed and let him see the “o”, the “g”, the “i”, the “s” and the “e”. The next two words were “for” and “the”. The last one was a long one, and Marvin needed another rest before he could tackle it. It started with an “i”, then “n” then a “c”. Next came an “o” and an “n”, followed by a “v”, an “e”, another “n” and an “i”. After a final pause, Marvin gathered his strength for the last stretch. He read the “e”, the “n”, the “c” and at last the final “e”, and staggered back into their arms. “I think,” he murmured at last, from deep within his corroding rattling thorax, “I feel good about it.” The lights went out in his eyes for absolutely the very last time ever. Luckily, there was a stall nearby where you could rent scooters from guys with green wings.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid. 'Stop,' Stella breathed. 'Let me do you, baby.' George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie. Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly. 'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.' 'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.' 'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.' 'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
Robert Anton Wilson (The Illuminatus! Trilogy)
We are about to study the idea of a computational process. Computational processes are abstract beings that inhabit computers. As they evolve, processes manipulate other abstract things called data. The evolution of a process is directed by a pattern of rules called a program. People create programs to direct processes. In effect, we conjure the spirits of the computer with our spells. A computational process is indeed much like a sorcerer's idea of a spirit. It cannot be seen or touched. It is not composed of matter at all. However, it is very real. It can perform intellectual work. It can answer questions. It can affect the world by disbursing money at a bank or by controlling a robot arm in a factory. The programs we use to conjure processes are like a sorcerer's spells. They are carefully composed from symbolic expressions in arcane and esoteric programming languages that prescribe the tasks we want our processes to perform. A computational process, in a correctly working computer, executes programs precisely and accurately. Thus, like the sorcerer's apprentice, novice programmers must learn to understand and to anticipate the consequences of their conjuring. Even small errors (usually called bugs or glitches) in programs can have complex and unanticipated consequences.
Harold Abelson (Structure and Interpretation of Computer Programs)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk, just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ’roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke loves Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the mafioso loves, too—eating and money and Paulie and omertà—the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
Thoughts for the 2001 Quadrennial Defense Review If you had been a security policy-maker in the world’s greatest power in 1900, you would have been a Brit, looking warily at your age-old enemy, France. By 1910, you would be allied with France and your enemy would be Germany. By 1920, World War I would have been fought and won, and you’d be engaged in a naval arms race with your erstwhile allies, the U.S. and Japan. By 1930, naval arms limitation treaties were in effect, the Great Depression was underway, and the defense planning standard said ‘no war for ten years.’ Nine years later World War II had begun. By 1950, Britain no longer was the world’s greatest power, the Atomic Age had dawned, and a ‘police action’ was underway in Korea. Ten years later the political focus was on the ‘missile gap,’ the strategic paradigm was shifting from massive retaliation to flexible response, and few people had heard of Vietnam. By 1970, the peak of our involvement in Vietnam had come and gone, we were beginning détente with the Soviets, and we were anointing the Shah as our protégé in the Gulf region. By 1980, the Soviets were in Afghanistan, Iran was in the throes of revolution, there was talk of our ‘hollow forces’ and a ‘window of vulnerability,’ and the U.S. was the greatest creditor nation the world had ever seen. By 1990, the Soviet Union was within a year of dissolution, American forces in the Desert were on the verge of showing they were anything but hollow, the U.S. had become the greatest debtor nation the world had ever known, and almost no one had heard of the internet. Ten years later, Warsaw was the capital of a NATO nation, asymmetric threats transcended geography, and the parallel revolutions of information, biotechnology, robotics, nanotechnology, and high density energy sources foreshadowed changes almost beyond forecasting. All of which is to say that I’m not sure what 2010 will look like, but I’m sure that it will be very little like we expect, so we should plan accordingly. Lin Wells
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
Yatima found verself gazing at a red-tinged cluster of pulsing organic parts, a translucent confusion of fluids and tissue. Sections divided, dissolved, reorganised. It looked like a flesher embryo – though not quite a realist portrait. The imaging technique kept changing, revealing different structures: Yatima saw hints of delicate limbs and organs caught in slices of transmitted dark; a stark silhouette of bones in an X-ray flash; the finely branched network of the nervous system bursting into view as a filigreed shadow, shrinking from myelin to lipids to a scatter of vesicled neurotransmitters against a radio-frequency MRI chirp. There were two bodies now. Twins? One was larger, though – sometimes much larger. The two kept changing places, twisting around each other, shrinking or growing in stroboscopic leaps while the wavelengths of the image stuttered across the spectrum. One flesher child was turning into a creature of glass, nerves and blood vessels vitrifying into optical fibres. A sudden, startling white-light image showed living, breathing Siamese twins, impossibly transected to expose raw pink and grey muscles working side by side with shape-memory alloys and piezoelectric actuators, flesher and gleisner anatomies interpenetrating. The scene spun and morphed into a lone robot child in a flesher's womb; spun again to show a luminous map of a citizen's mind embedded in the same woman's brain; zoomed out to place her, curled, in a cocoon of optical and electronic cables. Then a swarm of nanomachines burst through her skin, and everything scattered into a cloud of grey dust. Two flesher children walked side by side, hand in hand. Or father and son, gleisner and flesher, citizen and gleisner... Yatima gave up trying to pin them down, and let the impressions flow through ver. The figures strode calmly along a city's main street, while towers rose and crumbled around them, jungle and desert advanced and retreated. The artwork, unbidden, sent Yatima's viewpoint wheeling around the figures. Ve saw them exchanging glances, touches, kisses – and blows, awkwardly, their right arms fused at the wrists. Making peace and melting together. The smaller lifting the larger on to vis shoulders – then the passenger's height flowing down to the bearer like an hourglass's sand.
Greg Egan (Diaspora)
She thought she was getting out of the Water Rising clean, because she didn’t see her father anywhere around: there was only Ash and Lillian sitting at a table, and a few other patrons at as much of a distance from Ash and Lillian as they could get. She made for the door, at which point Lillian caught her arm. “Where are you going?” “Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.” Lillian stared. “I beg your pardon?” “This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.” “I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.” “Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?” “I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.” She climbed off the stool and headed toward the group of people in the corner. Kami and Ash watched as they collectively shrank away. “Come on, quick,” said Kami, and as if summoned by some spirit warning him of his child’s intended reckless behavior, her dad appeared through the inn doors. He looked distracted. “Where’s Lillian?’ Kami checked over her shoulder. “Appears to be trying to wrest a screaming baby from the arms of her frightened mother in order to kiss it.” “Oh no no no,” murmured Jon, and raised his voice as he made his way over. “Libba, we’ve talked about this!” “The good news is the grown-ups are distracted by politics,” said Kami. You mean that your poor father is distracted by my awful mother, said Ash, who was far too polite to say such a thing out loud and looked vaguely embarrassed to be thinking it. Kami grinned. “Why quibble when we have the results we want!” I wish I could ask you what you’re planning, but I know what you’re planning, said Ash. Lucky me. I know this is important information, but going to Aurimere at all is a huge risk. “See, the thing is, if I ran a business it would probably be called Risky Business,
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Marvin stood there. ‘Out of my way little robot,’ growled the tank. ‘I’m afraid,’ said Marvin, ‘that I’ve been left here to stop you.’ The probe extended again for a quick recheck. It withdrew again. ‘You? Stop me?’ roared the tank, ‘Go on!’ ‘No, really I have,’ said Marvin simply. ‘What are you armed with?’ roared the tank in disbelief. ‘Guess,’ said Marvin. The tank’s engines rumbled, its gears ground. Molecule-sized electronic relays deep in its micro-brain flipped backwards and forwards in consternation. ‘Guess?’ said the tank. ‘Yes, go on,’ said Marvin to the huge battle machine, ‘you’ll never guess.’ ‘Errrmmm …’ said the machine, vibrating with unaccustomed thought, ‘laser beams?’ Marvin shook his head solemnly. ‘No,’ muttered the machine in its deep gutteral rumble, ‘Too obvious. Anti-matter ray?’ it hazarded. ‘Far too obvious,’ admonished Marvin. ‘Yes,’ grumbled the machine, somewhat abashed, ‘Er … how about an electron ram?’ This was new to Marvin. ‘What’s that?’ he said. ‘One of these,’ said the machine with enthusiasm. From its turret emerged a sharp prong which spat a single lethal blaze of light. Behind Marvin a wall roared and collapsed as a heap of dust. The dust billowed briefly, then settled. ‘No,’ said Marvin, ‘not one of those.’ ‘Good though, isn’t it?’ ‘Very good,’ agreed Marvin. ‘I know,’ said the Frogstar battle machine, after another moment’s consideration, ‘you must have one of those new Xanthic Re-Structron Destabilized Zenon Emitters!’ 'Nice, aren’t they?’ agreed Marvin. ‘That’s what you’ve got?’ said the machine in condiderable awe. ‘No,’ said Marvin. ‘Oh,’ said the machine, disappointed, ‘then it must be …’ ‘You’re thinking along the wrong lines,’ said Marvin, ‘You’re failing to take into account something fairly basic in the relationship between men and robots.’ ‘Er, I know,’ said the battle machine, 'is it … ’ it tailed off into thought again. ‘Just think,’ urged Marvin, ‘they left me, an ordinary, menial robot, to stop you, a gigantic heavy-duty battle machine, whilst they ran off to save themselves. What do you think they would leave me with?’ ‘Oooh er,’ muttered the machine in alarm, ‘something pretty damn devastating I should expect.’ ‘Expect!’ said Marvin. ‘Oh yes, expect. I’ll tell you what they gave me to protect myself with shall I?’ ‘Yes, alright,’ said the battle machine, bracing itself. ‘Nothing,’ said Marvin. There was a dangerous pause. 'Nothing?’ roared the battle machine. ‘Nothing at all,’ intoned Marvin dismally, ‘not an electronic sausage.’ The machine heaved about with fury. ‘Well doesn’t that just take the biscuit!’ it roared, ‘Nothing, eh?’ Just don’t think, do they?’ ‘And me,’ said Marvin in a soft low voice, ‘with this terrible pain in all the diodes down my left side.’ ‘Makes you spit, doesn’t it?’ ‘Yes,’ agreed Marvin with feeling. ‘Hell that makes me angry,’ bellowed the machine, ‘think I’ll smash that wall down!’ The electron ram stabbed out another searing blaze of light and took out the wall next to the machine. ‘How do you think I feel?’ said Marvin bitterly. ‘Just ran off and left you did they?’ the Machine thundered. ‘Yes,’ said Marvin. ‘I think I’ll shoot down their bloody ceiling as well!’ raged the tank. It took out the ceiling of the bridge. ‘That’s very impressive,’ murmured Marvin. ‘You ain’t seen nothing yet,’ promised the machine, ‘I can take out this floor too, no trouble!’ It took out the floor too. ‘Hells bells!’ the machine roared as it plummeted fifteen storeys and smashed itself to bits on the ground below. ‘What a depressingly stupid machine,’ said Marvin and trudged away.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
OK, so … hugging. How does that go? You sort of … stretch your arms out …” He does so too robotically, too broadly. It looks kind of like he’s trying to find a boulder to slot into the space he’s made between his chest and his hands. He looks like Donkey Kong, I think, and then I giggle. “What? I’m getting this soooo right. I just have to clamp these things around you, now …
Charlotte Stein (Addicted)
for several years starting in 2004, Bezos visited iRobot’s offices, participated in strategy sessions held at places like the Massachusetts Institute of Technology , and became a mentor to iRobot chief executive Colin Angle, who cofounded the company in 1990. “He recognized early on that robots were a very disruptive game-changer,’’ Angle says of Bezos. “His curiosity about our space led to a very cool period of time where I could count upon him for a unique perspective.’’ Bezos is no longer actively advising the company, but his impact on the local tech scene has only grown larger. In 2008, Bezos’ investment firm provided initial funding for Rethink Robotics, a Boston company that makes simple-to-program manufacturing robots. Four years later, Amazon paid $775 million for North Reading-based Kiva, which makes robots that transport merchandise in warehouses. Also in 2012, Amazon opened a research and software development outpost in Cambridge that has done work on consumer electronics products like the Echo, a Wi-Fi-connected speaker that responds to voice commands. Rodney Brooks, an iRobot cofounder who is now chief technology officer of Rethink, says he met Bezos at the annual TED Conference. Bezos was aware of work that Brooks, a professor emeritus at MIT, had done on robot navigation and control strategies. Helen Greiner, the third cofounder of iRobot, says she met Bezos at a different technology conference, in 2004. Shortly after that, she recruited him as an adviser to iRobot. Bezos also made an investment in the company, which was privately held at the time. “He gave me a number of memorable insights,’’ Angle says. “He said, ‘Just because you won a bet doesn’t mean it was a good bet.’ Roomba might have been lucky. He was challenging us to think hard about where we were going and how to leverage our success.’’ On visits to iRobot, Greiner recalls, “he’d shake everyone’s hand and learn their names. He got them engaged.’’ She says one of the key pieces of advice Bezos supplied was about the value of open APIs — the application programming interfaces that allow other software developers to write software that talks to a product like the Roomba, expanding its functionality. The advice was followed. (Amazon also offers a range of APIs that help developers build things for its products.) By spending time with iRobot, Bezos gave employees a sense they were on the right track. “We were all believers that robotics would be huge,’’ says former iRobot exec Tom Ryden. “But when someone like that comes along and pays attention, it’s a big deal.’’ Angle says that Bezos was an adviser “in a very formative, important moment in our history,’’ and while they discussed “ideas about what practical robots could do, and what they could be,’’ Angle doesn’t want to speculate about what, exactly, Bezos gleaned from the affiliation. But Greiner says she believes “there was learning on both sides. We already had a successful consumer product with Roomba, and he had not yet launched the Kindle. He was learning from us about successful consumer products and robotics.’’ (Unfortunately, Bezos and Amazon’s public relations department would not comment.) The relationship trailed off around 2007 as Bezos got busier — right around when Amazon launched the Kindle, Greiner says. Since then, Bezos and Amazon have stayed mum about most of their activity in the state. His Bezos Expeditions investment team is still an investor in Rethink, which earlier this month announced its second product, a $29,000, one-armed robot called Sawyer that can do precise tasks, such as testing circuit boards. The warehouse-focused Kiva Systems group has been on a hiring tear, and now employs more than 500 people, according to LinkedIn. In December, Amazon said that it had 15,000 of the squat orange Kiva robots moving around racks of merchandise in 10 of its 50 distribution centers. Greiner left iRo
Anonymous
Abovitz is a technology entrepreneur with a background in biomedical engineering. He previously founded Mako Surgical, a company in Fort Lauderdale that makes a robotic arm equipped with haptic technology, which imparts a sense of touch so that orthopedic surgeons have the sensation of actually working on bones as they trigger the robot’s actions. Mako was sold to a medical technology company, Stryker, for nearly $1.7 billion in 2013. By night, Abovitz likes to rock out. He sings and plays guitar and bass in a pop-rock band called Sparkydog & Friends. And as he tells it, Magic Leap has its origins in both the robotic-surgery company and his life as a musician.
Anonymous
continuous scans of the brain to measure changes in blood flow) could control a robot hundreds of miles away just by imagining moving different parts of his body. The subject could see from the robot’s perspective, thanks to a camera on its head, and when he thought about moving his arm or his legs, the robot would move correspondingly almost instantaneously. The possibilities of thought-controlled motion, not only for “surrogates” like separate robots but also for prosthetic limbs, are particularly exciting in what they portend for mobility-challenged or “locked in” individuals—spinal-cord-injury patients, amputees and others who cannot communicate or move in their current physical state.
Eric Schmidt (The New Digital Age: Reshaping the Future of People, Nations and Business)
When the ride was being designed, it was assumed that Kuka’s robotic programming could easily produce the various movements called for in each scene. What nobody considered, however, is that the program was designed for maximum industrial efficiency. If, to correspond to the action in a given scene, the Kuka arm had to simulate 22 different motions, the software—not knowing a theme park ride from a diesel assembly line—would think, “OK, let’s knock these 22 movements down to 13 and save half a minute.” Because this would throw the timing of everything out of whack, Universal ended up having to create a program that would behave as it was told and not be so anal about efficiency. Luckily for us, Universal worked out the kinks, and Forbidden Journey is now remarkably reliable for such an advanced attraction.
Seth Kubersky (The Unofficial Guide to Universal Orlando)
Right now the robot arms don’t chop or cut, but Oleynik told me that giving the robotic hands a knife is not a big deal.
Jayson Lusk (Unnaturally Delicious: How Science and Technology Are Serving Up Super Foods to Save the World)
Marc Goodman is a cyber crime specialist with an impressive résumé. He has worked with the Los Angeles Police Department, Interpol, NATO, and the State Department. He is the chief cyber criminologist at the Cybercrime Research Institute, founder of the Future Crime Institute, and now head of the policy, law, and ethics track at SU. When breaking down this threat, Goodman sees four main categories of concern. The first issue is personal. “In many nations,” he says, “humanity is fully dependent on the Internet. Attacks against banks could destroy all records. Someone’s life savings could vanish in an instant. Hacking into hospitals could cost hundreds of lives if blood types were changed. And there are already 60,000 implantable medical devices connected to the Internet. As the integration of biology and information technology proceeds, pacemakers, cochlear implants, diabetic pumps, and so on, will all become the target of cyber attacks.” Equally alarming are threats against physical infrastructures that are now hooked up to the net and vulnerable to hackers (as was recently demonstrated with Iran’s Stuxnet incident), among them bridges, tunnels, air traffic control, and energy pipelines. We are heavily dependent on these systems, but Goodman feels that the technology being employed to manage them is no longer up to date, and the entire network is riddled with security threats. Robots are the next issue. In the not-too-distant future, these machines will be both commonplace and connected to the Internet. They will have superior strength and speed and may even be armed (as is the case with today’s military robots). But their Internet connection makes them vulnerable to attack, and very few security procedures have been implemented to prevent such incidents. Goodman’s last area of concern is that technology is constantly coming between us and reality. “We believe what the computer tells us,” says Goodman. “We read our email through computer screens; we speak to friends and family on Facebook; doctors administer medicines based upon what a computer tells them the medical lab results are; traffic tickets are issued based upon what cameras tell us a license plate says; we pay for items at stores based upon a total provided by a computer; we elect governments as a result of electronic voting systems. But the problem with all this intermediated life is that it can be spoofed. It’s really easy to falsify what is seen on our computer screens. The more we disconnect from the physical and drive toward the digital, the more we lose the ability to tell the real from the fake. Ultimately, bad actors (whether criminals, terrorists, or rogue governments) will have the ability to exploit this trust.
Peter H. Diamandis (Abundance: The Future is Better Than You Think)
I had this awareness of Elly, this pleasant, physical recognition of her, which made me conscious of my own body whenever we talked. Like in those TV movies when there's a kid inside a robot moving levers to make the robot arms extend and the robot knees flex, and things go pretty smoothly until the kid gets nervous and pulls the wrong lever and the knee comes up for a handshake and the fingers open when they're supposed to close. It's like there's a second self inside your regular self and it's constantly going, "Now take the ice cubes from Elly. Now smile." It's a perpetual monologue inside your head, which is why it can be hard to make conversation with the girl you're actually talking to.
Stephanie Grant (Map of Ireland: A Novel)
But it was the last one who was the creepiest: He was just a disembodied head grafted to the body of a bicycle, with two robotic arms where the handlebars should have been, the knuckles of his mechanized hands scraping the bricks on the road.
Danielle Paige (Dorothy Must Die (Dorothy Must Die, #1))
It’s only an hour later that a servant comes to my room. And when she tells me the duke has invited me out for a horseback ride, I’m flooded with the strangest mix of emotions. I can’t believe that after running off like that, he still wants to hang out. What is going on between us? And why do I want so desperately for it to be something? I shouldn’t want anything. Not with a guy like him. I mean, yeah, I might have been wrong about the illegitimate kid and Lord Brimmon, but the dude still thinks I don’t have opinions or options because I’m a girl. He thinks I have a “place, my place” and that it’s behind a guy. And worse, I keep thinking about our kiss. The part where I bash into the wall in my haste to get away is a particular highlight on the reel I keep playing over and over again in my head. When I walk out the back of the house and he turns to look at me, it’s impossible to fight the burn in my cheeks as he steps up beside me and the horse. I can’t look at him. I’m so embarrassed I stare at the stirrup as if it will take all concentration to get my foot into it. Is he going to say anything? Is he going to apologize for just…kissing me like that? Maybe if he brings it up…Maybe if he apologizes, I can apologize too. For running off. It was so sudden all I could do was react. But he says nothing. He just steps up beside me and gives me a boost. I’m up on the first try and feeling rather proud of myself as I situate my pretty skirts so they drape over my ankles. Until, that is, I see him swing aboard and am reminded of how graceful and easy he makes it look, even when his horse swings away from him when he’s only halfway on. We ride past the stable, and when I glance in, I see one of the stable boys showing the other how to do the robot, his arms stuck out at odd angles, his hands dangling. I have to bite the inside of my cheek to keep from laughing when I see Alex’s eyebrows shoot up so high they’re nearly to his hairline. It’s nice seeing him caught off-guard. I like it. It makes me want to do something totally crazy, just to see his expression.
Mandy Hubbard (Prada & Prejudice)
I am SAM, and this is my first mission. Wish me luck. Actually, don’t bother. I’m that good. I need to move fast, but I have to be careful too.This high-tech fortress disguised as a middle school has security systems like Hershey, Pennsylvania, has chocolate. My biggest concern (and archnemesis) is Jan I. Tor. He’s the half-human, half-cyborg “cleaning service” they use for “light security” around here. Yeah, right. Tor’s definition of “light security” is that he only kills you once if he finds you. So I wait in super-stealthy silence while Tor hovers past my hiding spot with his motion detectors running, laser cannons loaded, and a big dust mop attachment on his robotic arm. He’s cleaning that floor to within an inch of its life, but it could be me next. As soon as Tor’s out of range, I slip off my tungsten gripper shoes. Believe me, once he’s been through here, you do not want to leave footprints behind. That would be like leaving a business card in Sergeant Stricker’s in-box. Stricker is the big cheese who runs this place, and she’s all human, but just as scary as Tor. I don’t want to rumble with either one of those two. So I program the shoes to self-destruct and drop them in the trash. FWOOM! The coast is clear now, and I sneak back into action. I work my way up the corridor in my spy socks, quiet as a ghost walking on cotton balls. Very, very puffy cotton balls—I’m that quiet. What I need is the perfect place to leave the package I came here to deliver. That’s the mission, but I can’t just do it anywhere. I have to choose wisely. Bathroom? Nah. Too echoey. Library? Nah. Only one exit, and I can’t take that risk. Main lobby? Hmm… maybe so. In fact, I wish I’d thought of that on my way in. I could have saved myself one very expensive pair of tungsten gripper shoes. Once my radar-enabled Rolex watch tells me the main lobby is clear, I slide in there and get right to work. I enter the access code on my briefcase, confirm with my thumbprint, and then pop the case open. After that, it takes exactly seven seconds and one ordinary roll of masking tape to secure my package to the wall. That’s it. Package delivered. Mission accomplished. Catch you next time—because there’s no way you’ll ever catch me. SAM out!
James Patterson (Just My Rotten Luck (Middle School #7))
You are American,” he says, as if I’m a mythical creature. I nod. “Yes. And, uh, we have different dances where I come from.” “Can you show us one?” The second boy, a dark-haired kid, steps forward, looking intrigued. I stifle a laugh. “Oh, uh, no. I’m a horrible dancer.” “Please?” the redheaded boy asks. “I have never seen an American dance.” I just laughed at them thirty seconds ago. Wouldn’t that make me mean if I just blow them off now? “I doubt you’d want to see these dances,” I say, stalling. I feel kind of bad. But I really can’t dance. I’ll make a fool of myself. “Oh, but I do. Most certainly.” “Oh.” Well, then. I could try, right? Just some tiny little thing? But what do I share? MC Hammer? The Running Man? The Electric Slide? A little Macarena? “Uh,” I say, stepping forward. “How about, um, the Robot?” “The Robot?” the two boys ask in unison. Did the word robot even exist in 1815? “Yeah. You, uh, hold your arms out like this,” I say, demonstrating the proper way to stand like a scarecrow. I can’t believe I’m doing this. “And then relax your elbows and let your hands swing. Like this.” I’m really not doing it well, but by the way their eyes widen, you’d think I just did a full-on pop-and-lock routine with Justin Timberlake. They mimic my maneuver, making it look effortless. The drummer guy stands up and gets in on the action, swinging his arms freely. The guy’s better than me after a two-second demo. Figures. “Okay, then, uh, you sort of walk and you try to make everything look stiff and, uh, unnatural. Like this.” I show him my best robotic walk, my arms mechanical in their movements. The two boys and the drummer immediately copy me, and by the time they’ve taken four or five steps, they seriously look like robots. In no time they’re improvising, and their laughter trickles up toward the rafters of the barn. Yeah. That’s my cue to leave before inspiration strikes and I try to show them how to break-dance but only succeed in breaking my neck. I slip out of the barn unnoticed, grinning to myself as I walk the gravel path back toward the house, my skirts brushing the dirt. At least somewhere, I’m not Callie the Klutz. Even if it’s just some smelly old barn. There’s hope for me after all.
Mandy Hubbard (Prada & Prejudice)
So, with heavy hearts, they all let their horses go. The horses were still spooked from the thought of going down the mineshaft, so they didn't need much encouragement. They quickly galloped off, disappearing towards the horizon. "Bye, Robo-Horse!" Alex shouted. "Good luck!" "Wait, you called your horse 'Robo-Horse'?" said Carl. "But it wasn't a robot." "I named him after Robo-Steve," said Alex sadly. Dave put an arm around Alex.
Dave Villager (Dave the Villager 31: An Unofficial Minecraft Story (The Legend of Dave the Villager))
I feel a tingling in my feet, as if they’ve gone numb. Or as if they want to fly. I detach myself from my feet at the ankle and float towards the robot who receives them into its open aluminium arms and adds them to the stew. As I can no longer stand on my own two feet, because I don’t have any, I totter over to a chair.
Sofía Ballesteros (The Same Havoc)
We should therefore welcome with open arms computers that are vastly more powerful than our brains, safe in the knowledge that our job is exponentially easier than theirs. They have to solve the problems; we just have to check that they did so to our satisfaction. AIs will think fast what we think slow, and the world will be the better for it. I, for one, welcome our new robot underlings.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
It still amazes me how little we really knew. We had rockets and satellites and nanotechnology. We had robot arms and robot hands, robots for roving the surface of Mars. Our unmanned planes, controlled remotely, could hear human voices from three miles away. We could manufacture skin, clone sheep. We could make a dead man’s heart pump blood through the body of a stranger. We were making great strides in the realms of love and sadness—we had drugs to spur desire, drugs for melting pain. We performed all sorts of miracles: We could make the blind see and the deaf hear, and doctors daily conjured babies from the wombs of infertile women. At the time of the slowing, stem cell researchers were on the verge of healing paralysis—surely the lame soon would have walked. And yet, the unknown still outweighed the known.
Karen Thompson Walker (The Age of Miracles)
This is called the robot,” Cole said as he raised his head in a slow mechanical movement. Then he walked forward all rigid while making motorized robot sounds with his mouth. As he walked, he swung his arms at a fixed angle.
Steve the Noob (Diary of Steve the Noob 29 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Tomoya: "You've been searching all this time?" Ushio: "Yes." Tomoya: "I see." *Tomoya kneels before her.* Tomoya: "Ushio, we might not be able to find your toy robot. We can't do anything about it so let's go buy another one. Okay?" *Ushio looks down.* Ushio: "There's only one." Tomoya: "No, there was a whole bunch of them at the store." Ushio: "But it's the one you chose and bought for me." *Tomoya looks confused.* Ushio: "First thing from daddy." *Tomoya looks down ashamed.* Tomoya: "Ushio, were you lonely?" Ushio: "Yes." Tomoya: "Was it fun to come on a trip with me?" Ushio: "Yes." Tomoya: "I see. Ushio… would it be alright if I stayed with you? I've been a bad daddy for many years but I'll do my best for you now on." *Tomoya makes eye contact with her and gives a small smile* Tomoya: "So would it be alright if I stayed with you?" Ushio: "Yes." Tomoya: "Really?" Ushio: "I want you to be with me." Tomoya: "I see." Ushio: "But today I lost an important thing so I'm sad." *small silence* Ushio: "Daddy...you know…" *Tomoya leans his head close to Ushio to hear her* Ushio: "Is it alright not to hold it in anymore? Sanae told me there are two places I can cry. In the bathroom… and in Daddy's arms." *Tomoya looks down and starts crying" Tomoya: "Yeah." *Tomoya looks up at her.* Tomoya: "Yeah!" *Ushio runs into his arms and they both cry, reunited with each other.*
Key, Tomoya Okazaki, Ushio Okazaki
Yeah, I wanted to talk to you about that. Is that you? Can you control it?” “Are you kidding? I’m a sock puppet. Protomolecule’s got its arm so far up my ass, I can taste its fingernails.” Miller laughed. “I can’t even control myself.” “It’s just that some of it seems dangerous. That robot, for instance. And you were able to turn off the station in the slow zone.” “Because it wanted me to. You can order the sun to come up if you time it right. I’m not driving this bus. Making it do what I want would be like talking someone out of a seizure.
James S.A. Corey (Cibola Burn (Expanse, #4))
For a long time, Gertie had blamed herself for Larry. Worried that she'd eaten the wrong things when she was pregnant with him, or been too stressed out. She'd yelled too often and tweaked his nervous system in the wrong direction when he'd been little, or she'd not been affectionate enough and because of that he couldn't connect with others. After the accusation, she'd even worried Arlo had done something to him. But now, Julia's homemade Robot Boy in his arms, vigilant and cheerful behind his heavy eyelids, she saw that he was the perfect incarnation of all of them. A misfit, who never stops trying.
Sarah Langan (Good Neighbors)
Two appendages lowered from a port in the ceiling and passed a few feet from his face: they were complex, robotic hands, a left and a right. They were sleek in design, and had a flat-black finish. One of them positioned itself near Will's outstretched hand, and a glistening, curved blade popped out of one of its fingertips—the thumb. It moved in slowly, and all Will could do was watch as it approached. He felt cold metal touch his skin, and the blue-metallic blade slowly sliced its way under his left thumbnail, vibrating as it moved. It dug in about half way to the cuticle, and stopped. His thumb throbbed and burned at the same time, and the pressure mounted even though the blade remained still. After about five minutes, it continued on its path to the nail bed, and paused. His legs and arms twitched uncontrollably, but the blade remained stationary. A few minutes later, another blade popped out from the mechanical hand, and slowly carved a path under his left index fingernail. It took another five, long minutes to reach the nail bed. Will screamed sporadically, his voice diminishing to a raspy whisper, as the procedure was repeated for each of his fingers. After about two hours, the machine had finished inserting blades into the ten nail beds, and the program paused as the pressure in his fingertips increased. The fluid that oozed from under his nails had gone from blood to a clear liquid, and he heard it drip on the floor. Just as Will's nerves were beginning to settle, the bladed, mechanical fingers started to tap. Tap tap tap ... the machine played a tune of pain. Every muscle in his body convulsed with each minute percussion of the blades. After what seemed like an eternity, the program reached a final phase: the twisting of the blades. Will whimpered pitifully, continually on the verge of passing out.
Shane Stadler (Exoskeleton)
Because when technology does finally steal away the last chore, to-do, and mindless task; when robotic arms descend to cook our meals, drive our cars, and do our jobs, will we remember what to do with ourselves? Will our sense of connection and creativity have rusted over?
Corey McComb (Productivity Is For Robots: How To (re)Connect, Get Creative, And Stay Human In The New World)
Who wants to do ordinary things like sleep, when there's a universe to explore? What would you rather do, catch forty winks, or nip off to have a look at the moons of Juipiter?" "I don't know," she said, teasing. "Isn't it quite cold up there?" "Somewhere warm then, then!" he said. "We could watch the building of the Great Pyramid, or investigate this rumour I heard about this mad scientist who tried to build asbestos robots to colonise the sun." And all of Rose's tiredness fell away as he spoke. She looked out of the window as the sun rose upon another grey London day, and thought about the alternatives the Doctor was offering. And she realized that while she might truly be the mistress of her own destiny, sometimes there really wasn't much of a choice. "Yeah, all right," she said. So, arm in arm, they left the flat, and walked towards the future.
Jacqueline Rayner (Doctor Who: Winner Takes All)
On the seventh days she underwent repairs. A machine longs to be used, but it hates to be mishandled. The strain of extreme anal fisting, pony shows and nosecocking tested the limits of her robot durability. But Dr. Hugo Sploogeworthy, flush with renewed funding for Project Ultrafuck, addressed her injuries with a series of upgrades: a harder, more sensitive skin; removable and interchangeable modular genitals in both genders and a variety of pubic hairstyles; a breakaway stunt nose. He also tested other new features requested specifically by the NAFTA military: nipple tasers, supersensitive fingercams, an anal jetpack. The NAFTA leaders dreamed of a robot that could do double duty, killing and copulating, simultaneously if possible. They wanted mass-produced Slutbots, giant-breasted and strong, ten feet tall, armed with cannons, able to double as crowd-control systems when not producing porn or fellating members of Congress. They wanted Slutbots that could mint money and mine coal, fulfill erotic fantasies and survive a nuclear winter. As society crumbled in their fists, the leaders grew paranoid. Sex and power were their simple needs, and in the golden age of robotics they expected Slutbot and her kin to take care of all the messy details.
Mykle Hansen (I, Slutbot)
Most People dislike change, but you need to embrace it if the alternative is disaster. We can’t stop the disasters, but we can arm ourselves with the knowledge necessary to survive.
Ender King (Steve’s Guide to Surviving: a Robot Invasion: Book 6 (Unofficial Minecraft Book) (Minecraft Doomsday Prepper))
Maastricht a exploré le sujet de l'intimité entre robot et humain en profondeur. Sa thèse de doctorat sur les sexbots a été développée dans un livre intitulé «Amour et sexe avec des robots» («Love and Sex with Robots») dans lequel il explique que «l'avènement des unions robot-humain peut être plus
Jean-Maximillien De La Croix de Lafayette (LA COOPERATION ENTRE LES ÉTATS-UNIS LES EXTRATERRESTRES POUR LE DEVELOPPEMENT DE NOUVELLES ARMES)
It wasn't some cheap renaissance festival rip off crossbow, either. It was the finest that money could buy, so I wasn't sure why a college student had it. Fiberglass body, a red dot scope, recurve arms, carbon arrows, and a swanky camouflage paint job. It had so much and tech and moving parts, I expected it to transform into a highly intelligent robot and fight to save the world.
Dennis Liggio (Damned Lies of the Dead 3D (Damned Lies 3))
In the evenings, my father and I ate dinner quietly in front of the TV together. Wednesday night, Thursday. Frozen dinners I'd picked out at the grocery store, greatest hits by my favorite factories. One of the best ones, in Indiana, prided itself on a no touch food assembly, which meant every step was monitored by robotic arms, ones that placed the tortillas into the dish, layered them with cheese, dropped dollops of tomato sauce on top, and shoved it all into the giant oven, thus producing an utterly blank enchilada.
Aimee Bender (The Particular Sadness of Lemon Cake)
An old Chevy, I think,” he was going on now. “It’s supposed to be back soon, though. Not really the same without it, is it?” He actually sounded genuinely mournful. I was surprised to find myself battling back a quick, involuntary smile. He did seem to be more interesting than your average, run-of-the-mill BMOC. I had to give him that. Get a grip, O’Connor, I chastised myself. “Absolutely not,” I said, giving my head a semi-vigorous nod. That ought to move him along, I thought. You may not be aware of this fact, but agreeing with people is often an excellent way of getting them to forget all about you. After basking in the glow of agreement, most people are then perfectly content to go about their business, remembering only the fact that someone agreed and allowing the identity of the person who did the actual agreeing to fade into the background. This technique almost always works. In fact, I’d never known it not to. There was a moment of silence. A silence in which I could feel the BMOC’s eyes upon me. I kept my own eyes fixed on the top of the carless column. But the longer the silence went on, the more strained it became. At least it did on my side. This guy was simply not abiding by the rules. He was supposed to have basked and moved on by now. “You don’t have the faintest idea what I’m talking about, do you?” he said at last. I laughed before I quite realized what I’d done. “Not a clue,” I said, turning to give him my full attention for the very first time, an action I could tell right away spelled trouble. You just had to do it, didn’t you? I thought. He was even better looking when I took a better look. He flashed me a smile, and I felt my pulse kick up several notches. My brain knew perfectly well that that smile had not been invented just for me. My suddenly-beating-way-too-fast heart wasn’t paying all that much attention to my brain, though. “You must be new, then,” he commented. “I’d remember you if we’d met before.” All of a sudden, his face went totally blank. “I cannot believe I just said that,” he said. “That is easily the world’s oldest line.” “If it isn’t, it’s the cheesiest,” I said. He winced. “I’d ask you to let me make it up to you, but I’m thinking that would make things even worse.” “You’d be thinking right.” This time he was the one who laughed, the sound open and easy, as if he was genuinely enjoying the joke on himself. In retrospect I think it was that laugh that did it. That finished the job his smile had started. You just didn’t find all that many guys, all that many people, who were truly willing to laugh at themselves. “I’m Alex Crawford,” he said. “Jo,” I said. “Jo O’Connor.” At this Alex actually stuck out his hand. His eyes, which I probably don’t need to tell you were this pretty much impossible shade of blue, focused directly on my face. “Pleased to meet you, Jo O’Connor.” I watched my hand move forward to meet his, as if it belonged to a stranger and was moving in slow motion. At that exact moment, an image of the robot from the movie Lost in Space flashed through my mind. Arms waving frantically in the air, screaming, “Danger! Danger!” at the top of its inhuman lungs. My hand kept moving anyhow. Our fingers connected. I felt the way Alex’s wrapped around mine, then tightened. Felt the way that simple action caused a flush to spread across my cheeks and a tingle to start in the palm of my hand and slowly begin to work its way up my arm. To this day, I’d swear I heard him suck in a breath, saw his impossibly blue eyes widen. As if, at the exact same moment I looked up at him, he’d discovered something as completely unexpected as I had, gazing down. He released me. I stuck my hand behind my back. “Pleased to meet you, Jo O’Connor,” he said again. Not quite the way he had the first time.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
I’ve got to get Brittany alone if I’m gonna have any chance of saving face and saving my Honda. Does her freakout session mean she really doesn’t hate me? I’ve never seen that girl do anything not scripted or 100 percent intentional. She’s a robot. Or so I thought. She’s always looked and acted like a princess on camera every time I’ve seen her. Who knew it’d be my bloody arm that would crack her. I look over at Brittany. She’s focused on my arm and Miss Koto’s ministrations. I wish we were back in the library. I could swear back there she was thinking about getting it on with me. I’m sporting la tengo dura right here in front of Miss Koto just thinking about it. Gracias a Dios the nurse walks over to the medicine cabinet. Where’s a large chem book when you need one?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I’ve got to get Brittany alone if I’m gonna have any chance of saving face and saving my Honda. Does her freakout session mean she really doesn’t hate me? I’ve never seen that girl do anything not scripted or 100 percent intentional. She’s a robot. Or so I thought. She’s always looked and acted like a princess on camera every time I’ve seen her. Who knew it’d be my bloody arm that would crack her. I look over at Brittany. She’s focused on my arm and Miss Koto’s ministrations. I wish we were back in the library. I could swear back there she was thinking about getting it on with me. I’m sporting la tengo dura right here in front of Miss Koto just thinking about it. Gracias a Dios the nurse walks over to the medicine cabinet. Where’s a large chem book when you need one? “Let’s hang Thursday after school. You know, to work on the outline,” I tell Brittany for two reasons. First, I need to stop thinking about getting naked with her in front of Miss Koto. Second, I want Brittany to myself. “I’m busy Thursday,” she says. Probably with Burro Face. Obviously she’d rather be with that pendejo than me. “Friday then,” I say, testing her although I probably shouldn’t. Testing a girl like Brittany could put a serious damper on my ego. Although I caught her at a time when she’s vulnerable and still shaking from seeing my blood. I admit I’m a manipulative asshole. She bites her bottom lip that she thinks is glossed with the wrong color. “I can’t Friday, either.” My hard-on is officially deflated. “What about Saturday morning?” she says. “We can meet at the Fairfield Library.” “You sure you can pencil me into your busy schedule?” “Shut up. I’ll meet you there at ten.” “It’s a date,” I say while Miss Koto, obviously eavesdropping, finishes wrapping my arm with dorky gauze. Brittany gathers her books. “It’s not a date, Alex,” she says over her shoulder. I grab my book and hurry into the hallway after her. She’s walking alone. The loudspeaker music isn’t playing so class is still on. “It might not be a date, but you still owe me a kiss. I always collect debts.” My chem partner’s eyes go from dull to shining mad and full of fire. Mmm, dangerous. I wink at her. “And don’t sweat about what lip gloss to wear on Saturday. You’ll just have to reapply it after we make out.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Mr Whitby, why have you armed this cleaning robot?” “Ah, good – you’ve met him already!
E.V. Greig