Bye Friends Quotes

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You can kiss your family and friends good-bye and put miles between you, but at the same time you carry them with you in your heart, your mind, your stomach, because you do not just live in a world but a world lives in you.
Frederick Buechner
Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends.
Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I love you, Savannah, and I always will," I breathed. "You're the best thing that's ever happened to me. You were my best friend and my lover, and I dont regret a single moment of it. You made me feel alive again, and most of all, you gave me my father. I'll never forget you for that. You're always going to be the very best part of me. I'm sorry it has to be this way, but I have to leave, and you have to see your husband." As I spoke, I could feel her shaking with sobs, and I continued to hold her for a long time afterward. When we finally seperated, I knew that it would be the last time I ever held her. I backed away, my eyes holding Savannah's. "I love you, too, John," she said. "Good-bye." I raised a hand.
Nicholas Sparks (Dear John)
But, of course, it isn't really Good-bye, because the Forest will always be there... and anybody who is Friendly with Bears can find it.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
You can kiss your family and friends good-bye and put miles between you, but a the same time you carry them with you in your heart, your mind your stomach, because you do not just live in a world but a world lives in you.
William Paul Young (The Shack)
Wherever I go, I'll always see you. You'll always be with me. And there's no happy ending coming here, no way a story that started on a night that's burned into my heart will end the way I wish it could. You're really gone, no last words, and no matter how many letters I write to you, you're never going to reply. You're never going to say good-bye. So I will. Good-bye, Julia. Thank you for being my friend. Thank you for being you.
Elizabeth Scott (Love You Hate You Miss You)
Goodbye” is the best ever gift that you can receive from worse friends. Never hesitate to wave it back. Be bold to say “no” to what always keeps you static!
Israelmore Ayivor (Daily Drive 365)
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Don't be dismayed by good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends.
Richard Bachman
Arnesians had a dozen ways to say hello, but no word for good-bye. When it came to parting ways, they sometimes said vas ir, which meant in peace, but more often they chose to say anoshe–until another day. Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those grieving said anoshe. Anoshe brought solace. And hope. And the strength to let go.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Good-bye, my dancer, my friend, my One and Only. I love you.
Davida Wills Hurwin (A Time for Dancing (A Time for Dancing, #1))
For you she learned to wear a short black slip and red lipstick, how to order a glass of red wine and finish it. She learned to reach out as if to touch your arm and then not touch it, changing the subject. Didn't you think, she'd begin, or Weren't you sorry. . . . To call your best friends by their schoolboy names and give them kisses good-bye, to look away when they say Your wife! So your confidence grows. She doesn't ask what you want because she knows. Isn't that what you think? When actually she was only waiting to be told Take off your dress--- to be stunned, and then do this, never rehearsed, but perfectly obvious: in one motion up, over, and gone, the X of her arms crossing and uncrossing, her face flashing away from you in the fabric so that you couldn't say if she was appearing or disappearing.
Deborah Garrison (A Working Girl Can't Win)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
That's right. You'll like Owl. He flew past a day or two ago and noticed me. He didn't actually say anything, mind you, but he knew it was me. Very friendly of him. Encouraging." Pooh and Piglet shuffled about a little and said, "Well, good-bye, Eeyore" as lingeringly as they could, but they had a long way to go, and wanted to be getting on. "Good-bye," said Eeyore. "Mind you don't get blown away, little Piglet. You'd be missed. People would say `Where's little Piglet been blown to?' -- really wanting to know. Well, good-bye. And thank you for happening to pass me.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
People who you are close with don't understand you. The people you usually lean on have changed. You rely on your other friends that you usually wouldn't tell your secretes, but still, they are there. You move away from the people you trust toward your new found trustees, and the people you called close are mad you because YOU'VE changed. So now you're confused, and now you think you've changed. Tell whoever told you that to kiss you on the cheek, and wave good-bye for good.
Megan Johnson
The whole idea of it makes me feel like I'm coming down with something, something worse than any stomach ache or the headaches I get from reading in bad light-- a kind of measles of the spirit, a mumps of the psyche, a disfiguring chicken pox of the soul. You tell me it is too early to be looking back, but that is because you have forgotten the perfect simplicity of being one and the beautiful complexity introduced by two. But I can lie on my bed and remember every digit. At four I was an Arabian wizard. I could make myself invisible by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince. But now I am mostly at the window watching the late afternoon light. Back then it never fell so solemnly against the side of my tree house, and my bicycle never leaned against the garage as it does today, all the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, as I walk through the universe in my sneakers. It is time to say good-bye to my imaginary friends, time to turn the first big number. It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine. But now when I fall upon the sidewalks of life, I skin my knees. I bleed.
Billy Collins
From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough.
Amor Towles (A Gentleman in Moscow)
No one needs a relationship. What you need is the basic cop-on to figure that out, in the face of all the media bullshit screaming that you're nothing on your own and you're a dangerous freak if you disagree. The truth is, if you don't exist without someone else, you don't exist at all. And that doesn't just go for romance. I love my ma, I love my friends, I love the bones of them. If any of them wanted me to donate a kidney or crack a few heads, I'd do it, no questions asked. And if they all waved good-bye and walked out of my life tomorrow, I'd still be the same person I am today.
Tana French (The Trespasser (Dublin Murder Squad, #6))
You can kiss your family and friends good-bye and put miles between you, but at the same time you carry them with you in your heart, your mind, your stomach, because you do not just live in a world but a world lives in you.
William Paul Young (The Shack)
Here's the thing: No matter where I go, sad things will happen to me, hard things. People I love will die, and sometimes I'll have to tell friends good-bye. I'll meet people who won't like me, and I'll know loneliness. I don't like it, but that's the way it is.
Jennifer Archer (Through Her Eyes)
His mother got her purse. His father reached for the door. "Scooter," he said, by way of good-bye, "have fun with your friends." But Hale was shaking his head. He put his arm around Kat's shoulders. "She's not my friend, Dad. She's my girlfriend." Hale's parents must have walked away, but Kat wasn't looking. She was too busy staring up at Hale, trying to see into his eyes and know if he was okay. The sadness that had lingered for weeks was fading, and the boy that held her was the boy she knew. A boy who kissed her lightly.
Ally Carter (Perfect Scoundrels (Heist Society, #3))
From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion.
Amor Towles (A Gentleman in Moscow)
Emira realized that Briar probably didn't know how to say good-bye because she never had to do it before. But whether she said good-bye or not, Briar was about to become a person who existed without Emira. She'd go to sleepovers with girls she met at school, and she'd have certain words that she'd always forget how to spell. She'd be a person who sometimes said things like, "Seriously?" or "That's so funny" and she'd ask a friend if this was her water or theirs. Briar would say good-bye in yearbook signatures and through heartbroken tears and through emails and over the phone. But she'd never say good-bye to Emira, which made it seem that Emira would never be completely free from her. For the rest of her life and for zero dollars an hour, Emira would always be Briar's sitter.
Kiley Reid (Such a Fun Age)
She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.” The unconcerned expression didn’t flag. He said, “I’ll take care of it.” She echoed, “Take care of it?” “Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.” For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.” The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.” “That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.” To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.” “I feel you’re being condescending,” Blue said. In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince. “Dear God,” remarked Cell Phone boy. “I don’t know what else to say.” “Sorry,” she recommended. “I said that already.” Blue considered. “Then ‘bye.’” He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Bye-bye, I thought, almost sure that I'd never see her again. But if I did - if we ran into each other someday - I knew we would smile and say polite things like How are you? and Give my regards to your parents, and we would secretly remember that we used to mean something to each other. And even if that never happened, if we never spoke again, I was grateful we'd have tonight.
Lorraine Zago Rosenthal (Other Words for Love)
Oh, he’s an old friend from the West,” said Eden easily. “I won’t introduce you, because he doesn’t like people. He’s a recluse. Good-bye.
Willa Cather (Youth and the Bright Medusa)
I drove off, with my friends watching me go, all of them grouped on Lissa's hood. As I pulled onto the road, I glanced into the rearview and saw them: they were waving, hands moving through the air, their voices loud, calling out after me. The square of that mirror was like a frame, holding this picture of them saying good-bye, pushing me forward, before shifting gently out of sight, inch by fluid inch, as I turned away.
Sarah Dessen (This Lullaby)
Most helpful, Mr. Caelum," she said. "Very, very useful information. And now, shall we hear from Saint Augustine?" I shrugged. "Why not?" I said Dr. P read from a blood-red leather book. "My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry.... Where could my heart find refuge from itself? Where could I go, yet leave myself behind?" She closed the book, then reached across the table and took Maureen's hand in hers. "Does that passage speak to you?" she asked. Mo nodded and began to cry. "And so, Mr. Caelum, good-bye." Because the passage had spoken to me, too, it took me a few seconds to react. "Oh," I said. "You want me to leave?" "I do. Yes, yes.
Wally Lamb (The Hour I First Believed)
And we stood like that. The joining of hands is highly underrated in the acts of intimacy. You kiss acquaintances or colleagues, casually to say hello or good-bye. You might even kiss a close friend chastely on the lips. You might quickly hug anyone you knew. You might even meet someone at a party, take him home and sleep with him, never to see him or hear from him again. But to join hands and stand holding each other that way, with the electricity of possibilities flowing between you? The tenderness of it, the promise of it, is only something you share with a few people in your life.
Lisa Unger (Beautiful Lies (Ridley Jones, #1))
Many years ago a friend assured me that we are all islands. Once in a while, another island travels along with us for a short stretch, and then it goes away, it slips off to some other place, and we never see each other again. Life is nothing more than a system of good-byes. Of releases. Of mutilations. The truth is we are incapable of giving anyone what they really need.
Luis Eduardo Reyes
Usually after a good puke you feel better right away. We hugged each other and then said good-bye and went off to opposite ends of the hall to lie down in our own rooms. There is nothing like puking with somebody to make you into old friends.
Sylvia Plath
Good bye" is a good gift when you wave it at me because I refuse to follow a bad advice you gave. Wave it at me and I will show you the door.
Israelmore Ayivor
Sabine stood up, satisfied that her friends were safe and content. When she moved, Calla lifted her head. Her eyes focused in Sabine's direction. Despite the distance between them, Sabine Could have sworn Calla was looking right at her. The white wolf's ears flicked back and forth. She lifted her muzzle and howled. The sound filled Sabine with a mixture of sweetness and sorrow. The other wolves joined the song, their familiar voices blending in the winter air. Sabine watched them from another minute, then she turned and walked back to Ethan. "Everything okay?" he asked. She handed him the binoculars. "They're happy. So I'm happy." ... She turned, listening to the song carried on the stiff winter breeze. Nev's voice rose about the other wolves' as the chorus of howls wove through the air. Sabine wondered if somehow they knew she was here, and if they might be saying good-bye or if they were asking her to stay.
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
Good-bye, Jon, my friend.” “Good-bye, Sully. We’ll meet again.” And with that, Jonathan held in thought an image of the great gull-flocks on the shore of another time, and he knew with practiced ease that he was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all.
Richard Bach (Jonathan Livingston Seagull: The New Complete Edition)
I was Mrs. Taylor yesterday.” I grin at Taylor, who flushes. “That has a nice ring to it, Miss Steele,” Taylor says matter-of-factly. “I thought so, too.” Christian tightens his hold on my hand, scowling. “If you two have quite finished, I’d like a debrief.” He glares at Taylor, who now looks uncomfortable, and I cringe inwardly. I have overstepped the mark. “Sorry,” I mouth at Taylor, who shrugs and smiles kindly before I turn to follow Christian. “I’ll be with you shortly. I just want a word with Miss Steele,” Christian says to Taylor, and I know I’m in trouble. Christian leads me into his bedroom and closes the door. “Don’t flirt with the staff, Anastasia,” he scolds. I open my mouth to defend myself—then close it again, then open it. “I wasn’t flirting. I was being friendly—there is a difference.” “Don’t be friendly with the staff or flirt with them. I don’t like it.” Oh. Good-bye, carefree Christian. “I’m sorry,” I mutter and stare down at my fingers. He hasn’t made me feel like a child all day. Reaching down he cups my chin, pulling my head up to meet his eyes. “You know how jealous I am,” he whispers. “You have no reason to be jealous, Christian. You own me body and soul.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
They met at Woodstock, and their love lasted a lifetime. Heartbroken but determined he calls on his two best friends to help him return to where it all began. One last roadtrip. One last chance to say Good-bye, Emily
Michael Murphy
Good-bye, my fair friend; beware of the amusing or capricious ideas which always seduce you too easily. Remember that in the career you are following, intelligence is not enough and that a single imprudence may become an irreparable misfortune. And finally sometime allow prudent friendship to guide your pleasures. Good-bye, I still love you as much as if you were reasonable.
Pierre Choderlos de Laclos (Les Liaisons dangereuses)
Doll-less, invisible friend-less, finally more comfortable in fear than in gladness, Astrid began to live in her head. Or rather inside a small tunnel - a hole - in her head, through which she watched everything gaily depart. She nodded this head and pretended to listen. 'Bye-bye,' she would hear from within.
Kate Bernheimer (Horse, Flower, Bird)
Christopher Robin is going. At least I think he is. Where? Nobody knows. But he is going - I mean he goes (To rhyme with "knows") Do we care? (To rhyme with "where") We do Very much. (I haven't got a rhyme for that "is" in the second line yet. Bother). (Now I haven't got a rhyme for bother. Bother) Those two bothers will have to rhyme with each other Buther. The fact is this is more difficult than I thought, I ought - (Very good indeed) I ought to begin again, But it is easier To stop. Christopher Robin, good-bye, I (Good) I And all your friends Sends - I mean all your friend Send - (Very awkward this, it keeps going wrong.) Well, anyhow, we send Our love END.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
He sniffs and turns his head to look at me. There's a tear streaking down his cheek, sliding out from under his glasses. He wipes it away with the heel of his hand. "I just don't like good-byes." "I know." "I don't want to leave him or you or Abby or any of you guys." His voice catches. "I don't know anyone in Philly. I don't know how people do this.
Becky Albertalli (Leah on the Offbeat (Simonverse, #3))
ROXANE. One hundred men against one: you!—So, good bye!—We are the best of friends, are we not? CYRANO. Assuredly, we are!
Edmond Rostand (Cyrano de Bergerac)
Kelly hesitated, then saluted. John turned and grabbed her arm. "Come on, Spartan. Don't look back." The truth was, it was John who didn't dare look back. If he had, he would have stayed with Sam. Better to die with a friend than leave him behind. But as much as he wanted to fight and die alongside his friend, he had to set an example for the rest of the Spartans -- and live to fight another day. John and Kelly pushed the pressure doors shut behind them. "Good-bye," he whispered.
Eric S. Nylund (Halo: The Fall of Reach)
No pain, no gain." You can hear the phrase in the world of physical exercise and conditioning. Muscles that feel no pain are probably getting neither stronger, nor more flexible. It presents an analogy for the exercise of the heart. Those who run the risk of genuine love alone must worry about emotional pain. The more friends; the more good-byes - and the more wakes to attend, the more graves to visit, the more deaths to share. Those who truly live life to the fullest will bear the full cup of suffering. Only those who are willing to pay the price in pain and anguish find life full to the brim. Happy people also suffer; they are no more lucky than the rest. They create their own happiness. That's the rule of thumb. Some thumbs, however, don't seem to rule very well. Slogans and catch-words, for all their conventional wisdom, fail to carry the whole weight of truth; they leave too much room for false inferences. "No pain, no gain" may leave one with nothing but pain - an intolerable amount of it. There is simply no guarantee that pain will bring gain, that hardship will yield happiness, that suffering will make one a better person. It may; but it's not inevitable.
Robert Dykstra (She Never Said Good-Bye)
Stop that Stuart," Patty said as Stuart struggled with the suitcases, which were too heavy for him, she thought. (Almost everything was way too heavy for Stuart.)" Just put those down. Besides," Patty said, "where will you go? You don't have anyplace to go." But Stuart took her hand and held it for a moment against his closed eyes, and despite the many occasions when Patty had wanted him to go, and the several occasions when she had tried to make him go, despite the fact that he was at his most enragingly pathetic, for once she could think of nothing, nothing at all that he could be trying to shame her into or shame her out of, and so it occurred to her that this he would really leave---that he was simply saying good-bye. All along, Patty had been unaware that time is as adhesive as love, and that the more time you spend with someone the greater the likelihood of finding yourself with a permanent sort of thing to deal with that people casually refer to as "friendship," as if that were the end of the matter,when the truth is that even if "your friend" does something annoying, or if you and "your friend" decided that you hate each other, or if "your friend" moves away and you lose each other's address, you still have a friendship, and although it can change shape, look different in different lights, become an embarrassment or an encumbrance or a sorrow, it can't simply cease to have existed, no matter how far into the past it sinks, so attempts to disavow or destroy it will not merely constitute betrayals of friendship but, more practically, are bound to be fruitless, causing damage only to the humans involved rather than to that gummy jungle(friendship)in which those humans have entrapped themselves, so if sometime in the future you're not going to want to have been a particular person's friend, or if you're not going to want to have had that particular friendship you and that person can make with one another, then don't be friends with that person at all, don't talk to that person, don't go anywhere near that person, because as soon as you start to see something from that person's point of view (which, inevitably, will be as soon as you stand next to that person) common ground is sure to slide under your feet.
Deborah Eisenberg (The Stories (So Far))
Has anyone sen Mr Snark " "I saw him in the tunnel about 15 minutes ago." "Oh no " wailed Dr Ferman "he will have been atomised." "Oh dear" muttered an MP. "Bye-election.
Alexander McCall Smith (A Conspiracy of Friends (Corduroy Mansions, #3))
No good-byes among old friends.
Mark T. Sullivan (Beneath a Scarlet Sky)
Everyone says little kids don’t break, but they do. Inside. I broke when my father walked out on us.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
Good bye, proud world! I'm going home; Thou art not my friend, and I'm not thine
Ralph Waldo Emerson
And then he understands. 'He sleeps in a storm.' "My friends, if we tend to the things that are important in life, if we are right with those we love and behave in line with our faith, our lives will not be cursed with the aching throb of unfulfilled business. Our words will always be sincere, our embraces will be tight. We will never wallow in the agony of 'I could have, I should have.' We can sleep in a storm. And when it's time, our good-byes will be complete.
Mitch Albom (Have a Little Faith: a True Story)
your limits. You are small and alone. You need friends to protect you. Without them, you are unable to withstand me. I vowed not to possess you again, but I can still kill you.” The armored dudes stepped forward. The points of their swords hovered a few inches from Leo’s face. Leo’s fear suddenly made way for a whole lot of anger. This eidolon in the wolf helmet had shamed him, controlled him, and made him attack New Rome. It had endangered his friends and botched their quest. Leo glanced at the dormant spheres on the worktables. He considered his tool belt. He thought about the loft behind him—the area that looked like a sound booth. Presto: Operation Junk Pile was born. “First: you don’t know me,” he told Wolf Head. “And second: Bye.” He lunged for the stairs and bounded to
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
There are people you’ve known a long time and you know you’re never really going to like. And there are people that you meet and grow to like. Then there are people you meet and you like instantly.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
Elric: We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocation of equations. These are the tools we employ, and we know many things. John Sheridan: Such as? Elric: The true secrets, the important things. Fourteen words to make someone fall in love with you forever. Seven words to make them go without pain. How to say good-bye to a friend who is dying. How to be poor. How to be rich. How to rediscover dreams when the world has stolen them. That is why we are going away—to preserve that knowledge. Sheridan: From what? Elric: There is a storm coming, a black and terrible storm. We would not have our knowledge lost or used to ill purpose. From this place we will launch ourselves into the stars. With luck, you will never see our kind again in your lifetime. I know you have your orders, Captain. Detain us if you wish. But I cannot tell you where we are going. I can only ask you to trust us.
J. Michael Straczynski
He shook his head. "Good-bye, my dear. I'm afraid the next time we meet, we'll be bitter enemies." She clasped his hand. "Then I hope we never meet again." Then, with a wave of her hands, she vanished.
Traci Chee (The Speaker (Sea of Ink and Gold, #2))
They didn’t talk for a while. Johnson popped the top on the second beer, took a long swig, then tossed the nearly full can over his shoulder and down the hill. “Good-bye, old friend,” he said. “I’ll believe it a year from now,” Virgil said. Johnson: “Say, this whole stop-drinking thing . . . it doesn’t include margaritas, does it?” —
John Sandford (Deadline (Virgil Flowers #8))
weren't we all the same as children?" eiko asked. "all of us, destined to become beautiful brides in fluffy white dresses!" she giggled to herself. "where did we go wrong?" isn't that what keeps life interesting?" i replied. "and who knows? next year you could be somebody's wife. no one knows what will happen." sometimes i think it would be wonderful just to stay the way i am forever, just kick back and space out during the afternoon thinking about all the exciting things that the night will bring, all the naughty things i might take part in." she snickered again. well," i said, "aren't you the happy one." she squinted her tiny nose and laughed. dawn was breaking as we said good-bye. i saw her off by watching her small body disappear into the background, her high heels clapping along, echoing in the early morning city. my drunkenness, the sunrise, the bright sky, and a friend who was leaving. if i had died in my fall i would have missed that morning - that splendid sunrise over tokyo.
Banana Yoshimoto
And it's good-bye, good-bye, good-bye. Good-bye, my friends, I love you; good-bye, I'm sorry I didn't know you better; good-bye, I'm sorry you'll die soon, too; good-bye, maybe there's hope for you; good-bye, good-bye, good-bye.
Chris Weitz
Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing.
Amor Towles (A Gentleman in Moscow)
You can kiss your family and friends good-bye and put miles between you, but at the same time you carry them with you in your heart, your mind, your stomach, because you do not just live in a world but a world lives in you.” ​— ​Frederick Buechner
Penny Reid (Beard Necessities (Winston Brothers, #7))
Good-bye, my friend, good-bye My love, you are in my heart. It was preordained we should part And be reunited by and by. Good-bye: no handshake to endure. Let’s have no sadness—furrowed brow. There’s nothing new in dying now Though living is no newer.
Donnie Eichar (Dead Mountain: The Untold True Story of the Dyatlov Pass Incident)
This is what you have to learn. Don’t backtalk. Don’t explain. Don’t protest. Don’t fight it out. Just say, ‘All right, honey,’ and do whatever the hell you want. For example, just this morning, Mark said, ‘Make tacos tonight, babe,’ before he kissed me good-bye. No ‘please’. No, ‘are you feeling like tacos?’ Just ‘make them.’” She tipped her head to the side. “Now, are we having tacos?” She shook her head. “Hell no. We had tacos two days ago. I get he loves my tacos, but eff that. My friend is coming over and I just had tacos. Furthermore, I have to make the damn things. So we’re having a roast. You serve company a good roast. Not freaking tacos.
Kristen Ashley (Raid (Unfinished Hero, #3))
You can kiss your family and friends good-bye and put miles between you, but at the same time you carry them with you in your heart, your mind, your stomach, because you do not just live in a world but a world lives in you. —Frederick Buechner, Telling the Truth
William Paul Young (The Shack)
to allow our hearts to break, to soften them, to sink deeply into the knowing that everything will fall, everything will pass, everything will crumble, can be the great portal to awakening. We simply stop taking everything for granted. We stop living in “tomorrow” and turn toward the living day. We stop seeking our happiness in the future, clinging to the promises of others, and begin to break open into a bigger happiness that is rooted in presence, and truth, that allows for the coming but also the going of things, that accepts the little deaths as they happen each day, the disappointments, the losses, the shattered expectations, the good-byes. The Unexpected becomes our friend, a constant companion. We break open into bitter-sweetness, into fragility and utter vulnerability, into the gift of every moment, of every encounter with a friend, a lover, a stranger.
Jeff Foster (The Way of Rest: Finding The Courage to Hold Everything in Love)
The twins and their friends gave Mother Goose and Merlin good-bye hugs. "Bye, M.G.," Conner said. "Thanks again for saving us in the -" "Listen, C-Dawg, I need a favor," Mother Goose whispered while they were hugging. "Remember my vault in Monte Carlo? Well, I haven't aid the lease in over a year. They're going to throw my stuff out on the street if someone doesn't clean it out. In the back corner, behind Plato's scrolls, you'll find a brown paper bag. Keep whatever you want, but flush the bag. Can you do that for me?" "Um . . . sure?" he said, "But what's in the -" "You're a good man," she said, and patted him on the back. Conner was equally intrigued and disturbed by the request - but that was how Mother Goose left most people she encountered.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
She's special, you know? She's a daddy's girl, but she'll tell you where to stick it if she doesn't like what you have to say. She'll slap a giant to protect the honor of her best friend. She hates good-byes. She wears this little gold cross around her neck and cusses like a sailor. She's my happily ever after.
Jamie McGuire (Something Beautiful (The Maddox Brothers, #4.5))
The Fox and the Goat By an unlucky chance a Fox fell into a deep well from which he could not get out. A Goat passed by shortly afterwards, and asked the Fox what he was doing down there. "Oh, have you not heard?" said the Fox; "there is going to be a great drought, so I jumped down here in order to be sure to have water by me. Why don't you come down too?" The Goat thought well of this advice, and jumped down into the well. But the Fox immediately jumped on her back, and by putting his foot on her long horns managed to jump up to the edge of the well. "Good-bye, friend," said the Fox, "remember next time, "Never trust the advice of a man in difficulties.
Aesop (Aesop's Fables)
We are wolves of the guard, soldiers of the light. Hunted and haunted,bye the beasts of night. Friend to all and foe to none, Love and loyalty bind us as one. Time and tide shall heal all wounds Memories and madness shall not consume. To death and despair we shall never surrender, The pact never to be forsaken, or torn asunder.
Melissa de la Cruz (Wolf Pact)
Arnesians had a dozen ways to say hello, but no word for good-bye. When it came to parting ways, they sometimes said vas ir, which meant in peace, but more often they chose to say anoshe—until another day. Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe. Anoshe brought solace. And hope. And the strength to let go.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
My friends, if we tend to the things that are important in life, if we are right with those we love and behave in line with our faith, our lives will not be cursed with the aching throb of unfulfilled business. Our words will always be sincere, our embraces will be tight. We will never wallow in the agony of ‘I could have, I should have.’ We can sleep in a storm. “And when it’s time, our good-byes will be complete.
Mitch Albom (Have a Little Faith: A True Story)
lady in red but if you’ve been seen in public wit him danced one dance kissed him good-bye lightly lady in purple wit closed mouth lady in blue pressin charges will be as hard as keepin yr legs closed while five fools try to run a train on you lady in red these men friends of ours who smile nice stay employed and take us out to dinner lady in purple lock the door behind you lady in blue wit fist in face to fuck lady in red who make elaborate mediterranean dinners & let the art ensemble carry all ethical burdens while they invite a coupla friends over to have you are sufferin from latent rapist bravado & we are left wit the scars lady
Ntozake Shange (for colored girls who have considered suicide/when the rainbow is enuf)
They fell asleep side by side in the king-sized bed, in the shadow of each other’s warmth, and the next morning, Addie woke before dawn and slipped away, sparing them both the discomfort of a good-bye. She has the sense that they would have been friends. If he’d remembered. She tries not to think about that—she swears sometimes her memory runs forward as well as back, unspooling to show the roads she’ll never get to travel. But that
V.E. Schwab (The Invisible Life of Addie LaRue)
My husband. No! A moment!" He was tearing himself apart from her. "We shall not be separated long. I feel that this will break my heart by-and-bye; but I will do my duty while I can, and when I leave her, God will raise up friends for her, as He did for me." Her father had followed her, and would have fallen on his knees to both of them, but that Darnay put out a hand and seized him, crying: "No, no! What have you done, what have you done, that you should kneel to us! We know now, what a struggle you made of old. We know, now what you underwent when you suspected my descent, and when you knew it. We know now, the natural antipathy you strove against, and conquered, for her dear sake. We thank you with all our hearts, and all our love and duty. Heaven be with you!" Her father's only answer was to draw his hands through his white hair, and wring them with a shriek of anguish.
Charles Dickens (A Tale of Two Cities)
Lamium Migraine dreams, jagged seams, A badge of love and pain. Or dreamy eyes, sleepy eyes, Drooping, closing, losing light. Packages scattered under the tree, Some torn open, some tied tight. Is there a heartbeat in those purple veins? Are those embryos or mouths or rosary beads? The color of my first dress, gathered with love, Fairy cups stirred with blades of grass, notes clustered on a windy score, Three blooms, three friends, alas! Grape flowers, cloud flowers, love flowers, Paper parasols upside down, a butterfly herd Stopped to rest by a deep green pool. Petals small as a child's tears good-bye, Dropped stitches everywhere From a blanket the color of sky.
Louise Hawes (The Language of Stars)
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist? I gave his knee a friendly pat and played my trump card…”I’m leaving.” “You’re what?” “I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.” “If you’re leaving, then I’m going with you!” I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?” He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?” I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool. After a moment, he sat back scowling and said menacingly, “I won’t let you leave.” Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.” “It’s not going to happen.” “it might. There’s a good chance.” He growled angrily. “There’s no chance!” “Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.” He spat out, “Pity-date! You? Kelsey, you can’t be serious!” “I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.” He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture. I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?” He sat there tight-lipped, his arms folded over his chest, with a tense, angry face. I sighed. Even infuriated he was beautiful. He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.” He didn’t respond. “Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains. Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Hi,” he said. Aru opened her mouth. Closed it. Come on, Aru. You walked through the Kingdom of Death. You can talk to a— He smiled. “Don’t I know you?” “I…” She choked. Why did her voice suddenly seem so deep, out of nowhere? She sounded like the weatherman. She made a fist and hit her throat. Which only made her cough. Say something! But the only thing her brain could come up with was: How you doin’? No! thought Aru. Definitely do not say that. This was what she got for marathoning Friends. Aru smiled. And then she opened her mouth. “I know where you live!” Aiden stared at her. She stared at him. “You what?” “I…um…demons. Good-bye.” She had never run home so fast in her life.
Roshani Chokshi (Aru Shah and the End of Time (Pandava, #1))
I walked the halls that day, seeing life in a new scary light. My world, which had seemed so solid and comfortable, felt as if it had been hit by an earthquake. My emotions flipped from sadness to fear to despair as I realized that, if someone as wonderful as Amelia could be taken from us this way, so could anyone. At any moment. And for no reason. When the last bell had finally rung, and I’d said good-bye to Logan and Kristy and my other friends, I trudged home feeling like the oldest person on the planet.
Ann M. Martin (Mary Anne and the Memory Garden (The Baby-Sitters Club, #93))
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach
The whole idea of it makes me feel Like I’m coming down with something, Something worse than any stomach ache Or the headaches I get from reading in bad light – A kind of measles of the spirit A mumps of the psyche, A disfiguring chicken pox of the soul. You tell me it is too early to be looking back, But that is because you have forgotten The perfect simplicity of being one And the beautiful complexity introduced by two But I can lie on my bed and remember every digit At four I was an Arabian wizard I could make myself invisible By drinking a glass of milk a certain way. At seven I was a solider, at nine a prince. But now I am mostly at the window Watching the late afternoon light. Back then it never fell so solemnly Against the side of my tree house, And my bicycle never leaned against the garage As it does today, All the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, As I walk through the universe in my sneakers. It is time to say good-bye to my imagry friends, Time to turn the first big number.
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
...there was about five minutes of time left for him to live. "...he seemed to be living, in these minutes, so many lives that there was no need as yet to think of that last moment, so that he made several arrangements, dividing up the time into portions--one for saying farewell to his companions, two minutes for that; then a couple more for thinking over his own life and career and all about himself; and another minute for a last look around. He remembered having divided his time like this quite well. While saying good- bye to his friends he recollected asking one of them some very usual everyday question, and being much interested in the answer. Then having bade farewell, he embarked upon those two minutes which he had allotted to looking into himself... He wished to put it to himself as quickly and clearly as possible, that here was he, a living, thinking man, and that in three minutes he would be nobody; or if somebody or something, then what and where? He thought he would decide this question once for all in these last three minutes. A little way off there stood a church, and its gilded spire glittered in the sun. He remembered staring stubbornly at this spire, and at the rays of light sparkling from it.
Fyodor Dostoevsky (The Idiot)
Saying good-bye to Ben is Sarina's least favorite activity. So sad the number of times she's had to do it. Ball games, recitals, the homes of friends, rented shore houses, through car windows after dropping off some forgotten camera to Annie. Goodbye. See you later. Nice seeing you. She has mastered it: A dismissive peck on the cheek. A hug like an afterthought. Telling herself, Do not watch him walk away. Watching him walk away. Watching him drive away. Watching him descend the stairs to the subway. How many times have they said goodbye to each other? Already tonight, twice. He interrupts her before she can get the second goodbye out. "How would you feel," he says, "about missing your train?" Once at the beach, Sarina watched a crane bathing in a gully at dusk. It used its wings to funnel the water over its back, then shook out the excess in a firework of droplets. After several minutes it took off, arcing out over the fretless sea. That felt like this.
Marie-Helene Bertino (2 A.M. at The Cat's Pajamas)
A Christian minister is a person who in a peculiar sense is not his own; he is the servant of God, and therefore ought to be wholly devoted to him. By entering on that sacred office he solemnly undertakes to be always engaged, as much as possible, in the Lord's work, and not to chuse his own pleasure, or employment, or pursue the ministry as a something that is to subserve his own ends, or interests, or as a kind of bye-work. He engages to go where God pleases, and to do, or endure what he sees fit to command, or call him to, in the exercise of his function. He virtually bids farewell to friends, pleasures, and comforts, and stands in readiness to endure the greatest sufferings in the work of his Lord, and Master.
William Carey (An Enquiry into the Obligations of Christians to Use Means for the Conversion of the Heathens In Which the Religious State of the Different Nations of ... of Further Undertakings, Are Considered)
DECEMBER 31 Honor the Ending “How was your trip?” a friend asked, as my trip drew to a close. I thought for a moment, then the answer came easily. “It had its ups and downs,” I said. “There were times I felt exhilarated and sure I was on track. Other days I felt lost. Confused. I’d fall into bed at night certain that this whole trip was a mistake and a waste. But I’d wake up in the morning, something would happen, and I’d see how I’d been guided all along.” The journey of a year is drawing to a close. Cherish the moments, all of them, even the ups and downs. Cherish the places you’ve visited, the people you’ve seen. Say good-bye to those whose journeys have called them someplace else. Know you can always call them back by thinking loving thoughts. Know all those you love will be there for you when you need them most. Honor the lessons you’ve learned, and the people who helped you learn them. Honor the journey your soul mapped out for you. Trust all the places you’ve been. Make a scrapbook in your heart to help you remember. Look back for a moment. Reflect in peace. Then let this year draw to a close. All parts of the journey are sacred and holy. You’ve learned that by now. Take time to honor this ending—though it’s never really the end. Go to sleep tonight. When you wake up tomorrow a new adventure will begin. Remember the words you were told when this last adventure began, the words whispered quietly to your heart: Let the journey unfold. Let it be magical. The way has been prepared. People will be expecting you.
Melody Beattie (Journey to the Heart: Daily Meditations on the Path to Freeing Your Soul)
Though I work in New York City, in an office about a mile from the World Trade Center, I was not in New York City when the planes struck. I was on a plane above the Atlantic Ocean, heading back to New York from a family reunion and celebration in Europe. I had said good-bye to my husband in London; he was staying for a wedding of a business friend. I couldn’t wait to see my kids and my parents, who would be waiting for me at a Little League game in our town, about thirty-five miles from New York City. An hour and a half into the flight, I suddenly had the feeling that the plane was making a slow turn. Nobody else seemed to notice. I sat nervously, hoping I was imagining it. But then a stewardess made an announcement. “There has been a catastrophic event affecting all of North American airspace,” she said. “We are returning
Lauren Tarshis (The Attacks of September 11th, 2001 (I Survived, #6))
She bade her friends good-bye, and again started along the road of yellow brick. When she had gone several miles she thought she would stop to rest, and so climbed to the top of the fence beside the road and sat down. There was a great cornfield beyond the fence, and not far away she saw a Scarecrow, placed high on a pole to keep the birds from the ripe corn. Dorothy leaned her chin upon her hand and gazed thoughtfully at the Scarecrow. Its head was a small sack stuffed with straw, with eyes, nose, and mouth painted on it to represent a face. An old, pointed blue hat, that had belonged to some Munchkin, was perched on his head, and the rest of the figure was a blue suit of clothes, worn and faded, which had also been stuffed with straw. On the feet were some old boots with blue tops, such as every man wore in this country, and the figure was raised above the stalks of corn by means of the pole stuck up its back.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
Henry James (Adina)
When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it's clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn't care if everyone forgets her name. Evelyn Hugo doesn't care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don't need their love anymore. Say to them, "Evelyn Hugo just wants to go home. It's time for her to Bo to her daughter, and her lover, and her best friend, and her mother Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
There were days, weeks, and months when I hated politics. And there were moments when the beauty of this country and its people so overwhelmed me that I couldn’t speak. Then it was over. Even if you see it coming, even as your final weeks are filled with emotional good-byes, the day itself is still a blur. A hand goes on a Bible; an oath gets repeated. One president’s furniture gets carried out while another’s comes in. Closets are emptied and refilled in the span of a few hours. Just like that, there are new heads on new pillows—new temperaments, new dreams. And when it ends, when you walk out the door that last time from the world’s most famous address, you’re left in many ways to find yourself again. So let me start here, with a small thing that happened not long ago. I was at home in the redbrick house that my family recently moved into. Our new house sits about two miles from our old house, on a quiet neighborhood street. We’re still settling in. In the family room, our furniture is arranged the same way it was in the White House. We’ve got mementos around the house that remind us it was all real—photos of our family time at Camp David, handmade pots given to me by Native American students, a book signed by Nelson Mandela. What was strange about this night was that everyone was gone. Barack was traveling. Sasha was out with friends. Malia’s been living and working in New York, finishing out her gap year before college. It was just me, our two dogs, and a silent, empty house like I haven’t known in eight years.
Michelle Obama (Becoming)
We dropped in one evening, and found the ladies at home. My long friend engaged his favourites, the two younger girls, at the game of "Now," or hunting a stone under three piles of tappa. For myself, I lounged on a mat with Ideea the eldest, dallying with her grass fan, and improving my knowledge of Tahitian. The occasion was well adapted to my purpose, and I began. "Ah, Ideea, mickonaree oee?" the same as drawling out—"By the bye, Miss Ideea, do you belong to the church?" "Yes, me mickonaree," was the reply. But the assertion was at once qualified by certain, reservations; so curious that I cannot forbear their relation. "Mickonaree ena" (church member here), exclaimed she, laying her hand upon her mouth, and a strong emphasis on the adverb. In the same way, and with similar exclamations, she touched her eyes and hands. This done, her whole air changed in an instant; and she gave me to understand, by unmistakable gestures, that in certain other respects she was not exactly a "mickonaree." In short, Ideea was "A sad good Christian at the heart— A very heathen in the carnal part." The
Herman Melville (Omoo: A Narrative of Adventures in the South Seas)
I woke a few moments ago from a fever and a host of interlocking fever dreams, one after the next. There was one where I was in London, walking through old abandoned formerly beautiful buildings, all of them about to be demolished. Sometimes I'd find myself walking past the enormous line of people waiting to attend the television memorial for a dead author friend of mine, but his memorial was a television spectacular with comedians and big band music. There was the one where I had accidentally connected my bank card to a portable printer and the little printer kept printing cash but on the wrong paper and at the wrong size, so my money had huge, incredibly detailed faces on it, works of art that could not be spent. Then I woke from one dream into another: I was asleep in the passenger seat of the car, and saw that we were driving through a densely populated town, and that the driver was also asleep. I tried hard to wake her up and failed, and knew that no one was in control, no one was at the wheel, and soon someone was going to be killed, and I was shouting and calling without effect; but I whimpered and snuffled enough in the real world that my wife stroked my face and said, "Honey? You're having a nightmare," and, finally, I woke for real. But I woke into a world in which, somewhere, I am still being driven through my life by a sleeping driver, in which money is only good as art, in which we can write the finest books but at the end the crowds will come out and say good-bye for the entertainment, in which the buildings and cities we inhabit will relentlessly be destroyed by progress and time: a world colored by dreams and illuminated by them, too.
Neil Gaiman (The Sandman: Overture)
We’re walking to our cars when Gabe says, “Hey, Lara Jean, did you know that if you say your name really fast, it sounds like Large? Try it! LaraJean.” Dutifully I repeat, “LaraJean. Larjean. Largy. Actually I think it sounds more like Largy, not Large.” Gabe nods to himself and announces, “I’m going to start calling you Large. You’re so little it’s funny. Right? Like those big guys who go by the name Tiny?” I shrug. “Sure.” Gabe turns to Darrell. “She’s so little she could be our mascot.” “Hey, I’m not that small,” I protest. “How tall are you?” Darrell asks me. “Five two,” I fib. It’s more like five one and a quarter. Tossing his spoon in the trash, Gabe says, “You’re so little you could fit in my pocket!” All the guys laugh. Peter’s smiling in a bemused way. Then Gabe suddenly grabs me and throws me over his shoulder like I’m a kid and he’s my dad. “Gabe! Put me down!” I shriek, kicking my legs and pounding on his chest. He starts spinning around in a circle, and all the guys are cracking up. “I’m going to adopt you, Large! You’re going to be my pet. I’ll put you in my old hamster cage!” I’m giggling so hard I can’t catch my breath and I’m starting to feel dizzy. “Put me down!” “Put her down, man,” Peter says, but he’s laughing too. Gabe runs toward somebody’s pickup truck and sets me down in the back. “Get me out of here!” I yell. Gabe’s already running away. All the guys start getting into their cars. “Bye, Large!” they call out. Peter jogs over to me and extends his hand so I can hop down. “Your friends are crazy,” I say, jumping onto the pavement. “They like you,” he says. “Really?” “Sure. They used to hate when I would bring Gen places. They don’t mind if you hang out with us.” Peter slings his arm around me. “Come on, Large. I’ll take you home.” As we walk to his car, I let my hair fall in my face so he doesn’t see me smiling. It sure is nice being part of a group, feeling like I belong.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Can I trust him again? Even after all he said? If I do and I'm wrong, the cost is too high. My life. "You'll wait for me to agree to go back with you?" I want to be clear on this point. "You won't force me in any way? Or reveal yourself to anyone, no matter what?" "I'll wait," he promises. "However long you need." He'll wait. But he'll be lurking about. Nearby. Watching. And I won't always know it. Funny how things change. In the beginning, I thought I could never stay here. Now I don't want to leave. Mostly because of Will, but also because I've decided to give Mom and Tamra what they want. A chance. It can't be all about me. If I'm strong enough, smart enough, my draki can make it. And of course, Will can help with that. A few kisses. A smile. A brush of his hand and my draki is revived. And I no longer have to hide it from him. I can last through high school. For Mom, for Tamra. After graduation, I can go with Will when he cuts free from his family. Just two more years. We'll figure out the specifics. The how and where. For the first time since coming here, I feel the stirrings of hope. I won't let Cassian ruin that. "You're going to wait forever," I vow. "I won't change my mind." Cassian's mouth curves enigmatically. Like he knows something I don't. He's eighteen, but in that moment I can believe he has several more years than that on me. "Things change all the time. People change. I'll take my chances." I shake my head. "You'll see. I won't change my mind." And then he'll go. Because he can't wait forever. No matter what he says. He's got a pride to lead. He's not going to hang around here for two years. No matter how interesting I am to him. "We'll see." I glance at the blinking clock on top of the TV. "You better go before my mom gets home." "Right." He moves to the door. "Bye, Jacinda." I don't return the farewell. Don't want to pretend we've reached a level where niceties exist between us. We're not friends. Not even close. And we never will be.
Sophie Jordan (Firelight (Firelight, #1))
I got up to get another glass of water when Zac asked from his spot still at the stove, breaking up the two pounds of ground beef he’d added to the vegetables. “Vanny, were you gonna want me to help you with your draft list again this year?” I groaned. “I forgot. My brother just messaged me about it. I can’t let him win again this year, Zac. I can’t put up with his crap.” He raised his hand in a dismissive gesture. “I got you. Don’t worry about it.” “Thank—what?” Aiden had his glass halfway to his mouth and was frowning. “You play fantasy football?” he asked, referring to the online role-playing game that millions of people participated in. Participants got to build imaginary teams during a mock draft, made up of players throughout the league. I’d been wrangled into playing against my brother and some of our mutual friends about three years ago and had joined in ever since. Back then, I had no idea what the hell a cornerback was, much less a bye week, but I’d learned a lot since then. I nodded slowly at him, feeling like I’d done something wrong. The big guy’s brow furrowed. “Who was on your team last year?” I named the players I could remember, wondering where this was going and not having a good feeling about it. “What was your defensive team?” There it went. I slipped my hands under the counter and averted my eyes to the man at the stove, cursing him silently. “So you see…” The noise Zac tried to muffle was the most obvious snicker in the world. Asshole. “Was I not on your team?” I gulped. “So you see—” “Dallas wasn’t your team?” he accused me, sounding… well, I didn’t know if it was hurt or outraged, but it was definitely something. “Ahh…” I slid a look at the traitor who was by that point trying to muffle his laugh. “Zac helped me with it.” It was the thump that said Zac’s knees hit the floor. “Look, it isn’t that I didn’t choose you specifically. I would choose you if I could, but Zac said Minnesota—” “Minne-sota.” Jesus, he’d broken the state in two. The big guy, honest to God, shook his head. His eyes went from me to Zac in… yep, that was outrage. Aiden held out his hand, wiggling those incredibly long fingers. “Let me see it.” “See what?” “Your roster from last year.” I sighed and pulled my phone out of the fanny pack I still had around my waist, unlocking the screen and opening the app. Handing it over, I watched his face as he looked through my roster and felt guilty as hell. I’d been planning on choosing Dallas just because Aiden was on the team, but I really had let Zac steer me elsewhere. Apparently, just because you had the best defensive end in the country on your team, didn’t mean everyone else held up their end of the bargain. Plus, he’d missed almost the entire season. He didn’t have to take it so personally.
Mariana Zapata (The Wall of Winnipeg and Me)
That's how my story ends. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I went to a party, And remembered what you said. You told me not to drink, Mom So I had a sprite instead. I felt proud of myself, The way you said I would, That I didn't drink and drive, Though some friends said I should. I made a healthy choice, And your advice to me was right, The party finally ended, And the kids drove out of sight. I got into my car, Sure to get home in one piece, I never knew what was coming, Mom Something I expected least. Now I'm lying on the pavement, And I hear the policeman say, The kid that caused this wreck was drunk, Mom, his voice seems far away. My own blood's all around me, As I try hard not to cry. I can hear the paramedic say, This girl is going to die. I'm sure the guy had no idea, While he was flying high, Because he chose to drink and drive, Now I would have to die. So why do people do it, Mom Knowing that it ruins lives? And now the pain is cutting me, Like a hundred stabbing knives. Tell sister not to be afraid, Tell daddy to be brave, And when I go to heaven, Put Daddy's Girl on my grave. Someone should have taught him, That its wrong to drink and drive. Maybe if his parents had, I'd still be alive. My breath is getting shorter, Mom I'm getting really scared. These are my final moments, And I'm so unprepared. I wish that you could hold me Mom, As I lie here and die. I wish that I could say, "I love you, Mom!" So I love you and good-bye.
Anonymous
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned. I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.” “But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then. I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.” The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.” “You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too. “Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—” “You weren’t thinking.” She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—” “The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.” She ignored me again. “Everything makes me cry and I itch. I itch so bad.” “Do I… want to know where you’re itching?” “Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.” I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever. “He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.” “You know you can come stay with us if you want.” She made a noise. “I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.” She sighed. “I would. I really would, but I couldn’t leave Aiden.” And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too. “Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—” Vanessa let out another loud laugh. “You jerk.” “What? You could.” There was a pause. “I don’t even know why I bother with you half the time.” “Because you love me?” “I don’t know why.” “Tia,” Louie hissed, rubbing his belly like he was seriously starving. “Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?” Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.” “Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—” “Goddammit, Diana—” I laughed. “Love you. I’ll call you back. Bye!” “Vanny has a whale?” Lou asked.
Mariana Zapata (Wait for It)
They got to the classroom she and Jay shared this period, but it wasn’t Grady’s class. Instead of walking on, Grady paused. “Violet, can I talk to you for a minute?” His deep voice surprised her again. “Yeah, okay,” Violet agreed, curious about what he might have to say to her. Jay stopped and waited too, but when Grady didn’t say anything, it became clear that he’d meant he wanted to talk to her . . . alone. Jay suddenly seemed uncomfortable and tried to excuse himself as casually as he could. “I’ll see you inside,” he finally said to Violet. She nodded to him as he left. Violet was a little worried that the bell was going to ring and she’d be tardy again, but her curiosity had kicked up a notch when she realized that Grady didn’t want Jay to hear what he had to say, and that far outweighed her concern for late slips. When they were alone, and Grady didn’t start talking right away, Violet prompted him. “What’s going on?” She watched him swallow, and his Adam’s apple bobbed up and down along the length of his throat. It was strange to see her old guy friends in this new light. He’d always been a good-looking kid, but now he looked like a man . . . even though he still acted like a boy. He shifted back and forth, and if she had taken the time to think about it, she would have realized that he was nervous. But she misread his discomfort altogether. She thought that, like her, he was worried about being late. “Do you want to talk after school? I could meet you in the parking lot.” “No. No. Now’s good.” He ran his hand through his hair in a discouraged gesture. He took a deep breath, but his voice was still shaking when he spoke. “I . . . I was wondering . . .” He looked Violet right in the eye now, and suddenly she felt very nervous about where this might be going. She was desperately wishing she hadn’t let Jay leave her here alone. “I was wondering if you’re planning to go to Homecoming,” Grady finally blurted out. She stood there, looking at him, feeling trapped by the question and not sure what she was going to say. The bell rang, and both of them jumped. Violet was grateful for the excuse, and she clung to it like a life preserver. Her eyes were wide, and she pointed to the door behind her. “I gotta . . . can we . . .” She pointed again, and she knew she looked and sounded like an idiot, incapable of coherent speech. “Can we talk after school?” Grady seemed relieved to have been let off the hook for the moment. “Sure. Yeah. I’ll talk to you after school.” He left without saying good-bye, and Violet, thankful herself, tried to slip into her classroom unnoticed. But she had no such luck. The teacher marked her tardy, and everyone in class watched as she made her way to her seat beside Jay’s. Her face felt flushed and hot. “What was that all about?” Jay asked in a loud whisper. She still felt like her head was reeling. She had no idea what she was going to say to Grady when school was out. “I think Grady just asked me to Homecoming,” she announced to Jay. He looked at her suspiciously. “The game?” Violet cocked her head to the side and gave him a look that told him to be serious. “No, I’m pretty sure he meant the dance,” Violet clarified, exasperated by the obtuse question. Jay frowned at her. “What did you say?” “I didn’t say anything. The bell rang and I told him we’d have to talk later.” The teacher glanced their way, and they pretended not to be talking to each other.
Kimberly Derting (The Body Finder (The Body Finder, #1))
VIII 'Farewell to barn and stack and tree, Farewell to Severn shore. Terence, look your last at me, For I come home no more. 'The sun burns on the half-mown hill, By now the blood is dried; And Maurice amongst the hay lies still And my knife is in his side. 'My mother thinks us long away; 'Tis time the field were mown. She had two sons at rising day, To-night she'll be alone. 'And here's a bloody hand to shake, And oh, man, here's good-bye; We'll sweat no more on scythe and rake, My blood hands and I. 'I wish you strength to bring you pride, And a love to keep you clean, And I wish you luck, come Lammastide, At racing on the green. 'Long for me the rick will wait, And long will wait the fold, And long will stand the empty plate, And dinner will be cold.' IX On moonlit heath and lonesome bank The sheep beside me graze; And yon the gallows used to clank Fast by the four cross ways. A careless shepherd once would keep The flocks by moonlight there, And high amongst the glimmering sheep The dead man stood on air. They hang us now in Shrewsbury jail: The whistles blow forlorn. And trains all night groan on the rail To men that die at morn. There sleeps in Shrewsbury jail to-night, Or wakes, as may betide, A better lad, if things went right, Than most that sleep outside. And naked to the hangman's noose The morning clocks will ring A neck God made for other use Than strangling in a string. And sharp the link of life will snap, And dead on air will stand Heels that held up as straight a chap As treads upon the land. So here I'll watch the night and wait To see the morning shine, When he will hear the stroke of eight And not the stroke of nine; And wish my friend as sound a sleep As lads' I did not know, That shepherded the moonlit sheep A hundred years ago.
A.E. Housman (A Shropshire Lad)
Clay’s heart was beating fast. Peril tilted her head at Starflight. “He is smart,” she said. “Just like you said. I guess I could do that.” She sounded like she wasn’t entirely convinced. “If you’re really sure you want to escape tonight.” “Of course we are,” Tsunami said, springing to her feet. “Let’s get out of here.” “But Sunny —” Starflight said. “We hide somewhere and wait until Peril can free her tomorrow,” Tsunami said. “And Glory,” Clay said. “We have to save Glory, too.” “Glory?” Peril’s brow creased in a frown. “The RainWing. Queen Scarlet’s new artwork,” Clay said. “Oh,” Peril said. “Her. She’s very beautiful.” She narrowed her eyes at Clay, which confused him. “Let’s run away now and worry about that later,” Tsunami said. “Is there somewhere we can hide?” Peril snapped her wings open. “Below the waterfall. There’s a cave only I know about.” She turned, nearly smacking Clay with her tail, and hopped over the pool into the fire. Clay watched in amazement as she wrapped her claws around two of the black rocks and picked them up. She stepped into the tunnel, and the fire from the rocks went with her, blazing around her talons. Carefully she piled the fire on the rock floor outside until there was a gap big enough for the dragonets to jump through. Tsunami went first, and then Clay, and then Starflight. When they were all out in the tunnel, Peril rebuilt the wall of fire across the cave entrance. “There,” she said with satisfaction. “Now she’ll have no idea how you got out.” “Can you get these off our wings?” Starflight whispered, pointing to the bindings. Peril gave him a hard look. “Maybe,” she said. “But maybe I’ll wait until I know you won’t leave without saying good-bye.” “We wouldn’t leave without our friends,” Clay promised. She scowled. “Which way to the waterfall?” Tsunami asked. Peril nodded up the tunnel and slithered off, leading the way. “Stop making her mad,” Tsunami hissed in Clay’s ear as they followed. “Me?” he said, genuinely surprised. “What did I do?” “Well, you’re a handsome idiot,” she said affectionately. “And I’ll tell you later.” Which didn’t clear things up at all. Shortly
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
DECEMBER 30 Joy Is Your Next Lesson Learning compassion, understanding love, and experiencing joy. That’s our purpose, our reason for being here. That’s our true mission on this planet. Learning compassion may have been difficult, because in order to feel compassion for others without judging, we had to go through difficult times ourselves. Times when despite our best efforts we couldn’t help ourselves, times when despite our searching we couldn’t find the answers. As many say, it is usually our own pain and problems that makes us compassionate. Understanding love may have taken many years, many heartbreaks, and much searching and grasping until we discovered that the key to love was our own heart. Until we discovered that love wasn’t exactly what we thought or hoped it would be. Now it’s different. And better. Don’t give up. Don’t stop now. Don’t let the residue, the pain from the early parts of your journey, stop you from going forward. We first had to learn about compassion and love in order to learn joy. The hard work is done. Now you have reached your reward. Now it is time to learn joy. DECEMBER 31 Honor the Ending “How was your trip?” a friend asked, as my trip drew to a close. I thought for a moment, then the answer came easily. “It had its ups and downs,” I said. “There were times I felt exhilarated and sure I was on track. Other days I felt lost. Confused. I’d fall into bed at night certain that this whole trip was a mistake and a waste. But I’d wake up in the morning, something would happen, and I’d see how I’d been guided all along.” The journey of a year is drawing to a close. Cherish the moments, all of them, even the ups and downs. Cherish the places you’ve visited, the people you’ve seen. Say good-bye to those whose journeys have called them someplace else. Know you can always call them back by thinking loving thoughts. Know all those you love will be there for you when you need them most. Honor the lessons you’ve learned, and the people who helped you learn them. Honor the journey your soul mapped out for you. Trust all the places you’ve been. Make a scrapbook in your heart to help you remember. Look back for a moment. Reflect in peace. Then let this year draw to a close. All parts of the journey are sacred and holy. You’ve learned that by now. Take time to honor this ending—though it’s never really the end. Go to sleep tonight. When you wake up tomorrow a new adventure will begin. Remember the words you were told when this last adventure began, the words whispered quietly to your heart: Let the journey unfold. Let it be magical. The way has been prepared. People will be expecting you. Yes, you are being led.
Melody Beattie (Journey to the Heart: Daily Meditations on the Path to Freeing Your Soul)