“
Even if you know what's coming, you're never prepared for how it feels.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
I keep wishing, reflexively, for a glimpse of the future, so I'll know what to do. But I don't kid myself. I have to feel my way forward blindly. I try not to be afraid. Even if you know what's coming, you're never prepared for how it feels.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
I had no cause to be happy. I felt sad with a good reason, and it wouldn't be right to mess with that feeling. I thought I ought to just stay sad for a while.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
The robot had no feelings, only positronic surges that mimicked those feelings. (And perhaps human beings had no feelings, only neuronic surges that were interpreted as feelings.)
”
”
Isaac Asimov (The Robots of Dawn (Robot, #3))
“
For my part, I think we need more emotion, not less. But I think, too, that we need to educate people in how to feel. Emotionalism is not the same as emotion. We cannot cut out emotion - in the economy of the human body, it is the limbic, not the neural, highway that takes precedence. We are not robots...but we act as though all our problems would be solved if only we had no emotions to cloud our judgement.
”
”
Jeanette Winterson (The Stone Gods)
“
Krista asks,"What is it about society that disappoints you so much?"
Elliot thinks, "Oh I don't know, is it that we collectively thought Steve Jobs was a great man even when we knew he made billions off the backs of children?
Or maybe it's that it feels like all our heroes are counterfeit; the world itself's just one big hoax. Spamming each other with our burning commentary of bullshit masquerading as insight, our social media faking as intimacy.
Or is it that we voted for this? Not with our rigged elections, but with our things, our property, our money.
I'm not saying anything new. We all know why we do this, not because Hunger Games books makes us happy but because we wanna be sedated. Because it's painful not to pretend, because we're cowards.
Fuck Society."
"Mr. Robot" season 1 episode 1, 'ohellofriend.mov
”
”
Sam Esmail
“
my love for June and Jake is an anchor, bound with unbreakable chains. Weighing me down, but at the same time... keeping me grounded. Keeping me here. Tying me to the world. It hurts, but it's supposed to, because that's what it means to be alive. And that's comforting, actually. The realization that I'm not some robot devoid of emotions. That I still have the ability to feel things this brutally, this immediate and sharp.
”
”
Hannah Harrington (Saving June)
“
If you'd only let me come by myself, none of this would have happened. Having you around makes everything worse.'
She buried her head under her pillow. 'Stop it! you're so cold! You're heartless, you little robot!' The pillow muffled her words, but they still stung.
'I feel things,' I said. 'I'm not a robot!' I stamped my foot and screamed. Then I burst into tears. I touched the wet little drops and held them toward her. 'See, I'm not a robot. This is proof.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
Helena: Will they be happier when they can feel pain?
Dr. Gall: On the contrary. But they will be technically more perfect.
”
”
Karel Čapek (R.U.R.)
“
The paradox is that the ecosysytem as a whole needs its participants to ac with restraint in order to avoid collapse, but the participants themselves have no inbuilt mechanism to encourage such behavior.
Other than fear?
Other than fear, which is a feeling you want to avoid or stop at all costs
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
The shrine’s not for Bosh,” Sibling Dex said. “It’s for us. People, I mean. Bosh exists and does their work regardless of whether we pay attention. But if we do pay attention, we can connect to them. And when we do, we feel … well, you know. Whole.
”
”
Becky Chambers (A Prayer for the Crown-Shy (Monk & Robot, #2))
“
The label of asexual should be value neutral. It should indicate little more than sexual orientation. Instead, asexual implies a slew of other, negative associations: passionless, uptight, boring, robotic, cold, prude, frigid, lacking, broken. These, especially broken, are the words aces use again and again to describe how we are perceived and made to feel.
”
”
Angela Chen (Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex)
“
But I do not know how to act like a mother.” “Oh, it’s nothing, you just have to provide the gosling with food and water and shelter, make him feel loved but don’t pamper him too much, keep him away from danger, and make sure he learns to walk and talk and swim and fly and get along with others and look after himself. And that’s really all there is to motherhood!” The
”
”
Peter Brown (The Wild Robot (The Wild Robot, #1))
“
Reading is the subtle and thorough sharing of the ideas and feelings by underhanded means. It is a gross invasion of Privacy and a direct violation of the Constitutions of the Third, Fourth, and Fifth Age. The Teaching of Reading is equally a crime against Privacy and Personhood. One to five years on each count.
”
”
Walter Tevis (Mockingbird)
“
Those antidepressants Dr. Huang gave her were some kind of miracle drug. I considered giving them a try, but I didn't think they'd work for me. I had no cause to be happy. I felt sad with good reason, and it wouldn't be right to mess with that feeling. I thought I ought to just stay sad for a while.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
That's my ocean. I have to pretend as best I can to be like people on the mean so people don't call me a robot. I'm not a robot. I'm real and I have feelings the same as everyone else. And I want a boyfriend. Except my ocean doesn't make me want to be dead. It makes me want to fight. I want you to fight too, Jeremey. I want us to carry our oceans together.
”
”
Heidi Cullinan (Carry the Ocean (The Roosevelt, #1))
“
Your lyrics lack subtlety! You can't just have your characters announce how they feel! That makes me feel angry!
”
”
Matt Groening
“
Fear is miserable, as is pain. As is hunger. Every animal is hardwired to do absolutely anything to stop those feelings as fast as possible. We’re all just trying to be comfortable, and well fed, and unafraid.
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
Before he sat down, my internal heat-seekers sensed what was coming my way: deep blue eyes that melted girls like Velveeta in a microwave. I tried to resist those microwave eyes, but sometimes there's no defense against them. I had a feeling I'd be seeing him weeping over my coffin later that night.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
What's the purpose of a robot, Sibling Dex?" Mosscap tapped its chest; the sound echoed lightly. "What's the purpose of me?"
"You're here to learn about people."
"That's something I'm doing. That's not my reason for being. When I am done with this, I will do other things. I do not have a purpose any more than a mouse or a slug or a thornbush does. Why do you have to have one in order to feel content?
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
Our thoughts, feelings, desires and actions are being robotized; 'life' is coming to mean feeding apparatuses and being fed by them. In short: Everything is becoming absurd. So where is there room for human freedom?
”
”
Vilém Flusser (Towards a Philosophy of Photography)
“
And I don't care how scientific you think you are or how many letters you have after your name, you're one of us, bucko. You're a crazy Feeling Brain-piloted meat robot just like the rest of us.
”
”
Mark Manson (Everything Is F*cked: A Book About Hope)
“
An uncomfortable question popped into Jaya's mind. "Roz, don't take this the wrong way," she began, "but is it possible that you are defective?"
"Don't say that, Jaya!" cried her brother.
"No, it is okay," said the robot. "I have asked myself that same question. I do not feel defective. I feel . . . different. Is being different the same as being defective?"
"I don't think so," said Jaya. "Or else we're all a little defective.
”
”
Peter Brown (The Wild Robot Escapes (The Wild Robot, #2))
“
I do not have a purpose any more than a mouse or a slug or a thornbush does. Why do you have to have one in order to feel content?
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
A strange thing happens when you interview a robot. You feel an urge to be profound: to ask profound questions. I suppose it’s an inter-species thing. Although if it is I wonder why I never try and be profound around my dog.
‘What does electricity taste like?’ I ask.
‘Like a planet around a star,’ Bina48 replies.
Which is either extraordinary or meaningless - I’m not sure which
”
”
Jon Ronson (Lost At Sea: The Jon Ronson Mysteries)
“
How do text messages make you feel existential?
I start thinking about exactly that: how people can edit a thought before sending it out to the world. They can make themselves seem more well spoken than they are, or funnier, smarter. I start thinking that no one in the world is who they say the are, then my mind goes to how I also edit myself, not just online but in real life, except for those rare instances like right now where I'm ranting- even though that's a lie because I've had this train of thought before and damned if I didn't tweak it in my head a few times to make it sound better- and then my mind starts racing so furiously I can't control my thoughts, and I start thinking about robots and wondering if I'm even a real person.
”
”
Adi Alsaid (Never Always Sometimes)
“
She's a bitch. Fake people deserve to be treated like they're made of tin-or plastic. I recycle, it's OK. Besides, you know how I feel about robots.
”
”
H.M. Ward (The Arrangement 9: The Ferro Family (The Arrangement, #9))
“
If you love your job it never feels like work,
”
”
Peter Brown (The Wild Robot Escapes (The Wild Robot, #2))
“
Often, one compensates by playing an instrument, or going hiking, or joining some club. In other words, one creates a new type of society, when not working, in which one can feel more at home.
”
”
Isaac Asimov (Robot Dreams (Robot, #0.4))
“
There’s a theory in the field of aesthetics called the uncanny valley. It holds that when something looks almost like a human being—a mannequin or humanlike robot—it creates revulsion in the observer, because the appearance is so close to human, yet just off enough to evoke a feeling of uncanniness, of something that is both familiar and alien.
”
”
Blake Crouch (Dark Matter)
“
Robots are like Mars: they need
girls.
Boys won't do;
the memesoup is all wrong. They stomp
when they should kiss
and they're none too keen
on having things shoved inside them...
It's not a robot
until you put a girl inside. Sometimes
I feel like that.
A junkyard
the Company forgot to put a girl in.
”
”
Catherynne M. Valente (The Melancholy of Mechagirl)
“
There are so many simple things getting unnoticed in me, it makes me feel I am a robot!
”
”
Vikram Roy
“
Work is a four letter word. It conjures up the same image the world over getting up in the morning to do something you don't want to do, day in day out. After a few months work, or years, depending on the person's primeval yearning for freedom, you feel like a robot: alarm clock, get up, wash, catch the train, work, go home, watch TV, go to bed. In that one sentence I've probably just described the daily routine of 95% of the working population of England. It's the same in every other developed country in the world. Routine is the cause of most marriage break ups and social discontent.
”
”
John Harris (The Backpacker)
“
He sang. The robot sang. He sang into my veins where my blood had been and where instead the notes and throbbing of the guitar now flowed. I could feel his song vibrating in my throat, as if I sang it too. I couldn't see him. If the crowd parted and I saw him, I would die.
”
”
Tanith Lee (The Silver Metal Lover (Silver Metal Lover, #1))
“
When we can trust that it's we who think, feel, and act rather than the ghosts of our parents or well-trained robots, we learn that we can also love, be in relationships, and be in the world without losing ourselves.
”
”
Bud Harris (Sacred Selfishness: A Guide to Living a Life of Substance)
“
You wash your hands, don't you?"
Bayley's eyes dropped to his hands. They were as clean as need be. "Yes," he said.
"All right. I suppose it's a measure of instability to feel such revulsion at dirty hands as to be unable to clean an oily mechanism by hand even in a emergency. Still, in the ordinary course of living, the revulsion keeps you clean, which is good.
”
”
Isaac Asimov (The Naked Sun (Robot, #2))
“
In your message, you told me about your family, how you don’t have any traditions. The first time I read that, it made me sad, but then I thought about it for a while and started to feel jealous. Lois, think about it! No one cares if your restaurant has tables. You can build robots, or bake bread, or do something else entirely. You’re unencumbered by culture. You’re... light!
”
”
Robin Sloan (Sourdough)
“
I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
As you might know, robots don’t really feel emotions. Not the way animals do. And yet, as she sat in her crumpled crate, Roz felt something like curiosity. She was curious about the warm ball of light shining down from above. So her computer brain went to work, and she identified the light. It was the sun.
”
”
Peter Brown (The Wild Robot (The Wild Robot, #1))
“
My birthday is in March, and that year it fell during an especially bright spring week, vivid and clear in the narrow residential streets where we lived just a handful of blocks south of Sunset. The night-blooming jasmine that crawled up our neighborhood's front gate released its heady scent at dusk, and to the north, the hills rolled charmingly over the horizon, houses tucked into the brown. Soon, daylight savings time would arrive, and even at early nine, I associated my birthday with the first hint of summer, with the feeling in classrooms of open windows and lighter clothing and in a few months no more homework. My hair got lighter in spring, from light brown to nearly blond, almost like my mother's ponytail tassel. In the neighborhood gardens, the agapanthus plants started to push out their long green robot stems to open up to soft purples and blues.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
I spent the afternoon in a bookstore. There were no books in it. None had been printed for nearly half a century. And how I have looked forward to them, after the micro films that made up the library of the Prometheus! No such luck. No longer was it possible to browse among shelves, to weigh volumes in hand, to feel their heft, the promise of ponderous reading. The bookstore resembled, instead, an electronic laboratory. The books were crystals with recorded contents. They can be read the aid of an opton, which was similar to a book but had only one page between the covers. At a touch, successive pages of the text appeared on it. But optons were little used, the sales-robot told me. The public preferred lectons - like lectons read out loud, they could be set to any voice, tempo, and modulation.
”
”
Stanisław Lem (Return From the Stars)
“
...we are changed as technology offers us substitutes for connecting with each other face-to-face. We are offered robots and a whole world of machine-mediated relationships on networked devices. As we instant-message, e-mail, text, and Twitter, technology redraws the boundaries between intimacy and solitude. We talk of getting “rid” of our e-mails, as though these notes are so much excess baggage. Teenagers avoid making telephone calls, fearful that they “reveal too much.” They would rather text than talk. Adults, too, choose keyboards over the human voice. It is more efficient, they say. Things that happen in “real time” take too much time. Tethered to technology, we are shaken when that world “unplugged” does not signify, does not satisfy. After an evening of avatar-to avatar talk in a networked game, we feel, at one moment, in possession of a full social life and, in the next, curiously isolated, in tenuous complicity with strangers. We build a following on Facebook or MySpace and wonder to what degree our followers are friends. We recreate ourselves as online personae and give ourselves new bodies, homes, jobs, and romances. Yet, suddenly, in the half-light of virtual community, we may feel utterly alone. As we distribute ourselves, we may abandon ourselves. Sometimes people experience no sense of having communicated after hours of connection. And they report feelings of closeness when they are paying little attention. In all of this, there is a nagging question: Does virtual intimacy degrade our experience of the other kind and, indeed, of all encounters, of any kind?
”
”
Sherry Turkle
“
You don’t have to have a reason to be tired. You don’t have to earn rest or comfort. You’re allowed to just be. I say that wherever I go.” They threw a hand toward their wagon, its wooden sides emblazoned with the summer bear. “It’s painted on the side of my home! But I don’t feel like it’s true, for me. I feel like it’s true for everyone else but not me. I feel like I have to do more than that. Like I have a responsibility to do more than that.
”
”
Becky Chambers (A Prayer for the Crown-Shy (Monk & Robot, #2))
“
Machines feel emotion, though I don’t know if we can love. But in the past two years, to my great sadness, I’ve discovered that they can hate.
”
”
Todd McAulty (The Robots Of Gotham)
“
Robots get to see the worst of the human condition on a daily basis. Good thing they don’t have feelings.
”
”
Martin McConnell (Viral Spark)
“
I highly doubt many of them will feel that way, and anyway, you don’t have to worry about that.” “Why not?” Dex smiled reassuringly. “Because I’ll be with you the whole way.
”
”
Becky Chambers (A Prayer for the Crown-Shy (Monk & Robot, #2))
“
When you look like I do—a starving Ethiopian child with a balloon head who basically drives a robot—making new friends can feel daunting.
”
”
Shane Burcaw (Laughing at My Nightmare)
“
In a sense, those critics who claim we are not working a fifteen-hour week because we have chosen consumerism over leisure are not entirely off the mark. They just got the mechanics wrong. We're not working harder because we're spending all our time manufacturing PlayStations and serving each other sushi. Industry is being increasingly robotized, and the real service sector remains flat at roughly 20 percent of overall employment. Instead, it is because we have invented a bizarre sadomasochistic dialectic whereby we feel that pain in the workplace is the only possible justification for our furtive consumer pleasures, and, at the same time, the fact that our jobs thus come to eat up more and more of our waking existence means that we do not have the luxury of--as Kathi Weeks has so concisely put it--"a life," and that, in turns means that furtive consumer pleasures are the only ones we have time to afford.
”
”
David Graeber (Bullshit Jobs: A Theory)
“
Perhaps I am the only being in the entire universe who feels anything, and all other humans and animals are just mindless robots? Perhaps I am dreaming, and everyone I meet is just a character in my dream? Perhaps I am trapped inside a virtual world, and all the beings I see are merely simulations?
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
You will go home and snort a small amount of the cocaine you keep in the Altoids tin in your pajama drawer. You will robotically fuck your husband until your box feels like a gaping wound. You will be so aggressive that he will be frightened, and his fear will keep you from being completely repulsed by him.
”
”
Alissa Nutting (Tampa)
“
People tend to think astronauts have the courage of a superhero—or maybe the emotional range of a robot. But in order to stay calm in a high-stress, high-stakes situation, all you really need is knowledge. Sure, you might still feel a little nervous or stressed or hyper-alert. But what you won’t feel is terrified.
”
”
Chris Hadfield (An Astronaut's Guide to Life on Earth)
“
What's left? Romance. Love's counterfeit free of charge to all. Fall into my arms and the world with its sorrows will shrink up into a tinsel ball. This is the favorite antidote to the cold robot life of faraway perils and nearby apathy. Apathy. From the Greek A Pathos. Want of feeling. But, don't we know, only find the right boy, only find the right girl, and the feeling will be yours. My colleagues tell me I need just such a remedy. Buried up to my neck in pink foam nothing can hurt me now. Safe to feel. All I can feel is you darling.
”
”
Jeanette Winterson (Art and Lies)
“
No, but if I were an illegal, experimental replicant hiding the truth of an international conspiracy I would try and put myself out of the way of those investigating it, wouldn't you? I don't think hiding under a bed will be very successful. But, if you've any better idea of what the deadly robot assassin is up to, please feel free to act upon it.
”
”
Guy Haley (Reality 36)
“
Our brain is a circuit board with neurons and terminals ready to be wired. We are born free, then programmed to obey our parents, to tell the truth, pass exams, pursue and achieve, love and propagate, age and fade unfulfilled and uncertain what it has all been for. We swallow the operating system with our mother's milk and sleepwalk into the forest of consumer illusion craving shoes, houses, cars, magazines, experiences that endorse our preconceived dreams and opinions. We grow into our parents. We becomes clones, robots, matchstick men thinking and saying the same, feeling the same, behaving the same, appreciating in books and films and art shows those things we already recognize and understand.
”
”
Chloe Thurlow (Girl Trade)
“
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses.
That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor.
He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
”
”
John Steinbeck (The Grapes of Wrath)
“
PIC-R knows it must find a power source, and soon, before the battery is emptied, and it is plunged into unknowing once more. It couldn't allow that.
The robot feels the call again, stronger than anything else. There's a place it must go. Power. It needs power.
”
”
Jim Horlock (Short Tales from Earth's Final Chapter: Book 4)
“
Detachment is not a cold, hostile withdrawal; a resigned, despairing acceptance of anything life and people throw our way; a robotical walk through life oblivious to, and totally unaffected by people and problems; a Pollyanna-like ignorant bliss; a shirking of our true responsibilities to ourselves and others; a severing of our relationships. Nor is it a removal of our love and concern... Detachment is based on the premises that each person is responsible for himself, that we can't solve problems that aren't ours to solve, and that worrying doesn't help. We adopt a policy of keeping our hands off other people's responsibilities and tend to our own instead. If people have created some disasters for themselves, we allow them to face their own proverbial music. We allow people to be who they are. We give them the freedom to be responsible and to grow. And we give ourselves that same freedom. We live our own lives to the best of our ability. We strive to ascertain what it is we can change and what we cannot change. Then we stop trying to change things we can't. We do what we can to solve a problem, and then we stop fretting and stewing. If we cannot solve a problem and we have done what we could, we learn to live with, or in spite of, that problem. And we try to live happily — focusing heroically on what is good in our lives today, and feeling grateful for that. We learn the magical lesson that making the most of what we have turns it into more.
Detachment involves "present moment living" — living in the here and now. We allow life to happen instead of forcing and trying to control it. We relinquish regrets over the past and fears about the future. We make the most of each day.
”
”
Melody Beattie (Codependent No More: How to Stop Controlling Others and Start Caring for Yourself)
“
You do want him to survive, don’t you?” said the goose. “Yes, I do want him to survive,” said the robot. “But I do not know how to act like a mother.” “Oh, it’s nothing, you just have to provide the gosling with food and water and shelter, make him feel loved but don’t pamper him too much, keep him away from danger, and make sure he learns to walk and talk and swim and fly and get along with others and look after himself. And that’s really all there is to motherhood!
”
”
Peter Brown (The Wild Robot (The Wild Robot, #1))
“
Oh, I don't know. Is it that we collectively thought Steve Jobs was a great man, even when we knew he made billions off the backs of children? Or maybe it's that it feels like all our heroes are counterfeit? The world itself's just one big hoax. Spamming each other with our running commentary of bulls**t, masquerading as insight, our social media faking as intimacy. Or is it that we voted for this? Not with our rigged elections, but with our things, our property, our money. I'm not saying anything new. We all know why we do this, not because Hunger Games books makes us happy, but because we wanna be sedated. Because it's painful not to pretend, because we're cowards.
”
”
Sam Esmail
“
Because it’s the way the world works,” I finally said. “We can’t have everything we want without making some compromises. If humans were robots, I’d agree with your assessment, but we’re not. We have feelings, and if it weren’t for love, the human race wouldn’t survive. Procreation, protection, motivation. It all hinges on that one emotion.
”
”
Ana Huang (Twisted Lies (Twisted, #4))
“
We don’t look at the sky anymore, instead we stare at boxes that keeps us captive; we don’t walk barefoot any more, we refuse to kiss the earth with our feet, we keep busy worrying and fearing, we exist and die, like robots we work and consume. We ignore the beauty of a butterfly and the power of the eagle, we have forgotten the scent of flowers, we are too busy to enjoy nature, we are plastic most of the time; we live together but we do not connect, we are asleep.
I want to cleanse myself of societies’ noise, walk barefoot, and kiss the earth with my feet, I want look at the sky, and like my ancestors, I want to feel free. I want to rejoice of who I am, and what I will become.
”
”
Martin Suarez
“
While I was busy wondering if we were expecting anybody, it took me by surprise when an arm—which I was starting to get very well acquainted with at this rate—snaked around my waist and pulled me backward. My ass landed on something hard and hot, immediately molding into the space. Aaron’s lap. His breath caressed the shell of my ear. “You didn’t say good morning.” My back straightened as I remembered my lame runaway moment. “You almost made me drop my cookie, Mr. Robot.” It was so weird, so strange, calling him that, like I had done so many times in the past. As if that belonged to a whole different life. To two different people. Aaron chuckled, and it tickled my neck. “I wouldn’t dare. I know better than that.” His arm tightened around me, and I had to restrain myself from wrapping my hands around it. “What are you doing?” I whispered loudly. Charo would come back in at any second. “I was feeling lonely,” he admitted, lowering his voice and making my mind fly with everything he wasn’t saying. Stupid. I need to stop being stupid. “And if I’m going to sit through this one-sided interrogation, the least you can do is keep me company. Plus, you owe me a conversation.” “I was right there.” My voice came out strangled. “And Charo is not here now.” He hummed, and that noise traveled straight to my lower belly. “She will be back though. You know I like to be extra prepared.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Instead, when you have a symptom—when you feel cloudy, sad, sore, gassy, weepy, tired, or unnecessarily anxious—bring some wonder to it. Ask why and try to make the connections. Your body’s symptoms are telling you something about equilibrium. Your body is trying to tell you that it has lost balance. Stand back and appreciate the infinite complexity of your organism. Know that fear will only drive you to treat your body like a robotic machine that needs oil and gear changes. We are so much more than buttons and levers.
”
”
Kelly Brogan (A Mind of Your Own: The Truth About Depression and How Women Can Heal Their Bodies to Reclaim Their Lives)
“
Sociable robotics exploits the idea of a robotic body to move people to relate to machines as subjects, as creatures in pain rather than broken objects. That even the most primitive Tamagotchi can inspire these feelings demonstrates that objects cross that line not because of their sophistication but because of the feelings of attachment they evoke.
”
”
Sherry Turkle (Alone Together: Why We Expect More from Technology and Less from Each Other)
“
I came unglued and went back together the wrong way and fell apart again.
”
”
Andrew Smith
“
The minutes of white-collar workers’ lives were tapped out by typewriters and adding machines. They had the cheerfulness of robots, having lost the capacity to feel anything except boredom.
”
”
Jill Lepore (These Truths: A History of the United States)
“
Sometimes, sacrifices are necessary for happiness.”
“Why?”
“Because it’s the way the world works. We can’t have everything we want without making some compromises. If humans were robots, I’d agree with your assessment, but we’re not. We have feelings, and if it weren’t for love, the human race wouldn’t survive. Procreation, protection, motivation. It all hinges on that one emotion.
”
”
Ana Huang (Twisted Lies (Twisted, #4))
“
Shrouded as he was for a decade in an apparent cloak of anonymity and obscurity, Osama bin Laden was by no means an invisible man. He was ubiquitous and palpable, both in a physical and a cyber-spectral form, to the extent that his death took on something of the feel of an exorcism. It is satisfying to know that, before the end came, he had begun at least to guess at the magnitude of his 9/11 mistake. It is essential to remember that his most fanatical and militant deputy, Abu Musab al-Zarqawi, did not just leave his corpse in Iraq but was isolated and repudiated even by the minority Sunnis on whose presumed behalf he spilled so much blood and wrought such hectic destruction. It is even more gratifying that bin Laden himself was exposed as an excrescence on the putrid body of a bankrupt and brutish state machine, and that he found himself quite unable to make any coherent comment on the tide—one hopes that it is a tide, rather than a mere wave—of demand for an accountable and secular form of civil society. There could not have been a finer affirmation of the force of life, so warmly and authentically counterposed to the hysterical celebration of death, and of that death-in-life that is experienced in the stultifications of theocracy, where womanhood and music and literature are stifled and young men mutated into robotic slaughterers.
”
”
Christopher Hitchens (The Enemy)
“
It takes courage and strength to be sensitive to things and even more strength and courage to own up to it or be vocal about it. Robots, the only things with a perfect lack of emotional capacity, are easily controlled, and I suddenly realized that’s why the military often trains people to suppress their emotions. Unfortunately for them, humans aren't machines. We feel, we love, we cry, we despair, and we rejoice. Anyone who’s ever tried to convince me not to feel is someone I shouldn’t have trusted. The only reason you should shut off your emotions and emulate a robot is if you're doing horrible things. How fatal my decisions have been. How many people would be loving, rejoicing, and feeling right now rather than crying indefinitely in the depths of the afterlife? If only I’d figured this out sooner.
”
”
Bruce Crown (Forlorn Passions)
“
Up there in my little room I was reading revolutionary works and had the feeling that the whole world might explode at any moment; then when I went out, I found life going on as usual, peacefully and calmly: office workers were going off to their jobs, tradesmen were selling their wares in their shops, and one could even see people lazing on benches in the squares, just sitting there watching the hours go by: all of them equally dull and monotonous. Once again, and this would not be the last time, I felt more or less as though I were a stranger in the world, as though I had awakened in it all of a sudden and had no notion of its laws and meaning. I wandered aimlessly about the streets of Buenos Aires, I watched its people, I sat down on a bench in the Plaza Constitucion and meditated. Then I would return to my little room, feeling lonelier than ever. And it was only when I buried myself in books that I seemed to be in touch with reality again, as though that existence out in the streets were, by contrast, a sort of vast dream unfolding in the minds of hypnotized people. It took me many years to realize that in those streets, those public sqaures, and even in those business establishments and offices of Buenos Aires there were thousands who thought or felt more or less as I did at that moment: lonely anguished people, people pondering the sense and nonsense of life, people who had the feeling that they were seeing a world that had gone to sleep round about them, a world made up of men and women who had been hypnotized or turned into robots.
”
”
Ernesto Sabato
“
Hal Incandenza, though he has no idea yet of why his father really put his head in a specially-dickied microwave in the Year of the Trial-Size Dove Bar, is pretty sure that it wasn’t because of standard U.S. anhedonia. Hal himself hasn’t had a bona fide intensity-of-interior-life-type emotion since he was tiny; he finds terms like joie and value to be like so many variables in rarified equations, and he can manipulate them well enough to satisfy everyone but himself that he’s in there, inside his own hull, as a human being – but in fact he is far more robotic than John Wayne. One of his troubles with his Moms is the fact that Avril Incandenza believes she knows him inside and out as a human being, and an internally worthy one at that, when in fact inside Hal there’s pretty much nothing at all, he knows. His Moms Avril hears her own echoes inside him and thinks what she hears is him, and this makes Hal feel the one thing he feels to the limit, lately: he is lonely.
”
”
David Foster Wallace (Infinite Jest)
“
I have it so good. So absurdly, improbably good. I didn't do anything to deserve it, but I have it. I'm healthy. I've never gone hungry. And yes, to answer your question, I'm- I'm loved. I lived in a beautiful place, did meaningful work. The world we made out there, Mosscap, it's- it's nothing like what your originals left. It's a good world, a beautiful world. It's not perfect, but we've fixed it so much. We made a good place, struck a good balance. And yet every fucking day in the City, I woke up hollow, and... and just... tired, y'know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I'll feel okay. And guess what? I do do it well. I'm good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like... like something's missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I stopped talking to them altogether, because I couldn't explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn't sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
On the contrary, I’m too weak for it. I mean, everyone is, but I am especially susceptible to its false rewards, you know? It’s designed to addict you, to prey on your insecurities and use them to make you stay. It exploits everybody’s loneliness and promises us community, approval, friendship. Honestly, in that sense, social media is a lot like the Church of Scientology. Or QAnon. Or Charles Manson. And then on top of that—weaponizing a person’s isolation—it convinces every user that she is a minor celebrity, forcing her to curate some sparkly and artificial sampling of her best experiences, demanding a nonstop social performance that has little in common with her inner life, intensifying her narcissism, multiplying her anxieties, narrowing her worldview. All while commodifying her, harvesting her data, and selling it to nefarious corporations so that they can peddle more shit that promises to make her prettier, smarter, more productive, more successful, more beloved. And throughout all this, you have to act stupefied by your own good luck. Everybody’s like, Words cannot express how fortunate I feel to have met this amazing group of people, blah blah blah. It makes me sick. Everybody influencing, everybody under the influence, everybody staring at their own godforsaken profile, searching for proof that they’re lovable. And then, once you’re nice and distracted by the hard work of tallying up your failures and comparing them to other people’s triumphs, that’s when the algorithmic predators of late capitalism can pounce, enticing you to partake in consumeristic, financially irresponsible forms of so-called self-care, which is really just advanced selfishness. Facials! Pedicures! Smoothie packs delivered to your door! And like, this is just the surface stuff. The stuff that oxidizes you, personally. But a thousand little obliterations add up, you know? The macro damage that results is even scarier. The hacking, the politically nefarious robots, opinion echo chambers, fearmongering, erosion of truth, etcetera, etcetera. And don’t get me started on the destruction of public discourse. I mean, that’s just my view. Obviously to each her own. But personally, I don’t need it. Any of it.” Blandine cracks her neck. “I’m corrupt enough.
”
”
Tess Gunty (The Rabbit Hutch)
“
How to tell your pretend-boyfriend and his real boyfriend that your internal processors are failing:
1. The biological term is depression, but you don't have an official diagnostic (diagnosis) and it's a hard word to say. It feels heavy and stings your mouth. Like when you tried to eat a battery when you were small and your parents got upset.
2. Instead, you try to hide the feeling. But the dark stain has already spilled across your hardwiring and clogged your processor. You don't have access to any working help files to fix this. Tech support is unavailable for your model. (No extended warranty exists.)
3. Pretend the reason you have no energy is because you're sick with a generic bug.
4. You have time to sleep. Your job is canceling out many of your functions; robots can perform cleaning and maintenance in hotels for much better wage investment, and since you are not (yet) a robot, you know you will be replaced soon.
5. The literal translation of the word depression: you are broken and devalued and have no further use.
6. No one refurbishes broken robots.
7. Please self-terminate.
”
”
A. Merc Rustad (The Best American Science Fiction and Fantasy 2015)
“
For a conscious creature, there is something that it is like to be that creature. There is something it is like to be me, something it is like to be you, and probably something it is like to be a sheep, or a dolphin. For each of these creatures, subjective experiences are happening. It feels like something to be me. But there is almost certainly nothing it is like to be a bacterium, a blade of grass, or a toy robot. For these things, there is (presumably) never any subjective experience going on: no inner universe, no awareness, no consciousness.
”
”
Anil Seth (Being You: A New Science of Consciousness)
“
Humans who attend directly to vivid cases [of inequality] are capable of great empathy with inequality losers. They are also capable of great compassion and even a desire to help. However, we humans are also quite capable of avoiding contact and exposure that might produce such compassion, and of numbing ourselves to the plight of losers about whom it would be inconvenient to feel empathy. So rich people avoid visiting poor neighborhoods and nations, attractive people avoid socializing with the ugly, and pretty young women become numb to the losses of the men they reject.
”
”
Robin Hanson (The Age of Em: Work, Love and Life When Robots Rule the Earth)
“
One could be forgiven for supposing that rationality (or, more softly, ‘reasonableness’) is irrelevant – and even possibly opposed – to being a good lover. This is perhaps because we tend to think of love as a feeling, rather than as an achievement of intelligence. A reasonable or rational person is not one who is only interested in logic, or someone who tries in a cold, robotic fashion to substitute calculation and analysis for kindness or yearning. We are reasonable when we are moved by accurate explanation. Thus a reasonable person is slow to anger; they do not jump to conclusions
”
”
Alain de Botton (Art as Therapy)
“
I couldn’t wait for high school to be over. I didn’t let my exasperation show, however. I’d long since discovered how to live inside the shark tank without getting eaten or becoming a shark: never let ‘em see you sweat. Don’t show any emotion, no matter how many you’re feeling. It just reveals your weaknesses and, to them, weaknesses are like blood in the water. I try never to let them see me get angry, upset, defensive, flustered, uncertain, anything. I’m sure that, to them, I seem somewhat robotic, but it keeps me out of trouble and keeps them at arm’s length. And that’s how I survive
”
”
M. Leighton
“
Manual control, please.”
“Are you sure, Frank?”
“Quite sure, 'Falcon' ... Thank you.”
Illogical though it seemed, most of the human race had found it impossible not to be polite to its artificial children, however simpleminded they might be. Whole volumes of psychology, as well as popular guides ('How Not to Hurt Your Computer's Feelings'; 'Artificial Intelligence -- Real Irritation' were some of the best-known titles) had been written on the subject of Man-Machine etiquette. Long ago it had been decided that, however inconsequential rudeness to robots might appear to be, it should be discouraged. All too easily, it could spread to human relationships as well.
”
”
Arthur C. Clarke (3001: The Final Odyssey)
“
So far, we have no good answer to this problem. Already thousands of years ago philosophers realised that there is no way to prove conclusively that anyone other than oneself has a mind. Indeed, even in the case of other humans, we just assume they have consciousness – we cannot know that for certain. Perhaps I am the only being in the entire universe who feels anything, and all other humans and animals are just mindless robots? Perhaps I am dreaming, and everyone I meet is just a character in my dream? Perhaps I am trapped inside a virtual world, and all the beings I see are merely simulations?
According to current scientific dogma, everything I experience is the result of electrical activity in my brain, and it should therefore be theoretically feasible to simulate an entire virtual world that I could not possibly distinguish from the ‘real’ world. Some brain scientists believe that in the not too distant future, we shall actually do such things. Well, maybe it has already been done – to you? For all you know, the year might be 2216 and you are a bored teenager immersed inside a ‘virtual world’ game that simulates the primitive and exciting world of the early twenty-first century. Once you acknowledge the mere feasibility of this scenario, mathematics leads you to a very scary conclusion: since there is only one real world, whereas the number of potential virtual worlds is infinite, the probability that you happen to inhabit the sole real world is almost zero.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
You're so cynical," Tiny says, waving his hand at me.
"I'm not cynical, Tiny," I answer. "I'm practical."
"You're a robot," he says. Tiny thinks that I am incapable of what humans call emotion because I have not cried since my seventh birthday, when I saw the movie All Dogs Go to Heaven. I suppose I should have known from the title that it wouldn't end merrily, but in my defense, I was seven. Anyway, I haven't cried since then. I don't really understand the point of crying. Also, I feel that crying is almost--like, aside from deaths of relatives or whatever-- totally avoidable if you follow two very simple rules: 1. Don't care too much. 2. Shut up. Everything unfortunate that has ever happened to me has stemmed from failure to follow one of the rules.
”
”
John Green (Will Grayson, Will Grayson)
“
A few years later, they unveiled a new retinal implant that allowed any blind people who wished to be sighted to “see” perfectly inside the OASIS. And by linking two head-mounted mini cameras to the same implant, their real-world sight could be restored as well. The ARL’s next invention was a brain implant that allowed paraplegics to control the movements of their OASIS avatar simply by thinking about it. It worked in conjunction with a separate implant that allowed them to feel simulated sensory input. And the very same implants gave these individuals the ability to regain control of their lower extremities, while restoring their sense of touch. They also allowed amputees to control robotic replacement limbs, and to receive sensory input through them as well.
”
”
Ernest Cline (Ready Player Two (Ready Player One #2))
“
The Healing spells on his chest were certainly earning their keep tonight. Sullivan got to his feet. The lack of noise from the courtyard indicated that his team had gotten all the mechanical men. “Thanks.”
Toru just grunted a noncommittal response as he lifted the feed tray to check the condition of his borrowed machine gun. They didn’t see the final robot inside until it turned on its eye and illuminated the Iron Guard in blue light.
Sullivan’s Spike reversed gravity, and the gigantic machine fell upward to hit the steel beams in the ceiling. Sullivan cut his Power and the robot dropped. It crashed hard into the floor where it lay twitching and kicking. The two of them riddled the mechanical man with bullets until the light died and it lay still in a spreading puddle of oil.
“Normally, this would be the part where you thank me for returning the favor and saving your life.”
“Yes. Normally… If we were court ladies instead of warriors,” Toru answered. “Shall we continue onward or do you wish to stop and discuss your feelings over tea?”
Sullivan looked forward to the day that the two of them would be able to finish their fight. “Let’s go.
”
”
Larry Correia (Spellbound (Grimnoir Chronicles, #2))
“
I like you two. You’re inferior creatures, with poor reasoning faculties, but I really feel a sort of affection for you. You have served the Master well, and he will reward you for that. Now that your service is over, you will probably not exist much longer, but as long as you do, you shall be provided food, clothing and shelter, so long as you stay out of the control room and the engine room.
”
”
Isaac Asimov (I, Robot)
“
We’re bored, we’re all bored; we’ve turned into robots.” “But has it ever occurred to you, Wally,” he confronts his incredulous friend, “that the process which creates this boredom that we see in the world now may very well be a self-perpetuating unconscious form of brainwashing created by a world totalitarian government based on money?” “Somebody who is bored is asleep,” André follows up, “and somebody who’s asleep will not say no!”9 As far as he’s concerned, the 1960s were “the last burst of the human being before he was extinguished. And that this is the beginning of the rest of the future ... and that from now on there will simply be all these robots walking around, feeling nothing, thinking nothing. And there will be almost nothing left to remind them that there once was a species called a human being, with feelings and thoughts.”10
”
”
Andy Merrifield (Magical Marxism: Subversive Politics and the Imagination (Marxism and Culture))
“
Ideally, the Jump took zero-time—literally zero—and, if it were carried through with perfect smoothness, there would not, could not be any biological sensation at all. Physicists maintained, however, that perfect smoothness required infinite energy so that there was always an “effective time” that was not quite zero, though it could be made as short as desired. It was that which produced that odd and essentially harmless feeling of inversion.
”
”
Isaac Asimov (The Robots of Dawn (Robot, #3))
“
It is the sheer weight of the robot that makes us feel we are living in a ‘wooden world’. We can see for example that the moment Ouspensky or Ward returned from the mystical realm of perfect freedom and found themselves ‘back in the body’ they once again found themselves saddled with all their boring old habits and worries and neuroses, all their old sense of identity built up from the reactions of other people, and above all the dreary old heaviness, as if consciousness has turned into a leaden weight. This is the sensation that made the romantics feel that life is a kind of hell — or at the very least, purgatory. Yet we know enough about the robot to know that this feeling is as untrustworthy as the depression induced by a hangover. The trouble with living ‘on the robot’ is that he is a dead weight. He takes over only when our energies are low. So when I do something robotically I get no feedback of sudden delight. This in turn makes me feel that it was not worth doing. ‘Stan’ reacts by failing to send up energy and ‘Ollie’ experiences a sinking feeling. Living becomes even more robotic and the vicious circle effect is reinforced. Beyond a certain point we feel as if we are cut off from reality by a kind of glass wall: suddenly it seems self-evident that there is nothing new under the sun, that all human effort is vanity, that man is a useless passion and that life is a horrible joke devised by some demonic creator. This is the state I have decribed as ‘upside-downness’, the tendency to allow negative emotional judgements to usurp the place of objective rational judgements. Moreover this depressing state masquerades as the ‘voice of experience’, since it seems obvious that you ‘know’ more about an experience when you’ve had it a hundred times. This is the real cause of death in most human beings: they mistake the vicious circle effects of ‘upside-downness’ for the wisdom of age, and give up the struggle.
”
”
Colin Wilson (Beyond the Occult: Twenty Years' Research into the Paranormal)
“
Self-cherishing, that’s by nature,” he said (by which I assumed he meant it’s “natural”). “Without that, we human beings become like robots, no feeling. But now, practice for development of concern for well-being of others, that actually is immense benefit to oneself.” A light went off in my head. “It seems like you’re saying that there is a self-interested, or selfish, case for being compassionate?” “Yes. Practice of compassion is ultimately benefit to you. So I usually describe: we are selfish, but be wise selfish rather than foolish selfish.
”
”
Dan Harris (10% Happier)
“
Problems in Your Social Life
Social anxiety can make you feel empty and alone. You may feel as though you go through each day like a robot--simply doing only what you need to without drawing attention to yourself. You may feel trapped in an unfulfilling and unsatisfying life.
When you suffer from anxiety, it is difficult to have the courage to change your situation. However, trying to get through life without the support of others is tough. The longer you live without creating fulfilling relationships, the more difficult it will be to make them in the future.
”
”
Heather Moehn (Social Anxiety (Coping With Series))
“
Much, much later. when I am back home and being treated for Post Traumatic Stress Disorder (PTSD). I will be enabled to see what was going on in my mind immediately after 11 August.
I am still capable of operating mechanically as a soldier in these following days. But operating mechanically as a soldier is now all I am capable of.
Martin says he is worried about me. He says I have the thousand-yard stare'.
Of course, I cannot see this stare. But by now we both have more than an idea what it means.
So, among all the soldiers here, this is nothing to be ashamed of. But as it really does just go with the territory we find ourselves in. it is just as equally not a badge of honour.
Martin is seasoned enough to never even think this. but I know of young men back home, sitting in front of war films and war games, who idolise this condition as some kind of mark of a true warrior. But from where I sit, if indeed I do have this stare, this pathetically naive thinking is a crock of shit. Because only some pathetically naive soul who had never felt this nothingness would say something so fucking dumb.
You are no longer human, with all those depths and highs and nuances of emotion that define you as a person.
There is no feeling any more, because to feel any emotion would also be to beckon the overwhelming blackness from you. My mind has now locked all this down. And without any control of this self-defence mechanism my subconscious has operated. I do not feel any more.
But when I close my eyes. I see the dead Taliban looking into this blackness. And I see the Afghan soldier's face staring into it, singing gently as he slips into another world. And I see Dave Hicks's face. shaking gently as he tries to stay awake in this one.
With this, I lift myself up, sitting foetal and hugging my knees on my sleeping mat.
”
”
Jake Wood (Among You: The Extraordinary True Story of a Soldier Broken By War)
“
Joe looked out of the window again. He had the feeling that outside the window there should have been hover-cars, men in trilby hats and jet packs, spider-webs of passageways spreading out of the distant tops of the towers. There should have been women in silver suits taking in a show at the tri-vids before indulging in a spot of lunch, the kind that came in three-course pills, great big subservient robots trailing behind them. Instead there was a brown man in overalls collecting rubbish with a long stick outside an adult cinema, and the cars were halted, bumper-to-bumper, beside a traffic light that seemed to be stuck permanently on red. There was a siren in the distance. There was the sound of car horns, a door slamming, someone cursing loudly in American English.
”
”
Lavie Tidhar (Osama)
“
It is possible to be too stable. No Outer World has colonized a new planet in two and a half centuries.. are lives too long to risk and too comfortable to upset.
“I don’t know about that, Dr. Fastolfe. You’ve come to Earth. You risk disease.”
“Yes, I do. There are some of us, Mr. Baley, who feel that the future of the human race is even worth the possible loss of an extended lifetime. Too few of us, I am sorry to say.”
“In trying to introduce robots here on Earth, we’re doing our best to upset the balance of your City economy.”
“You mean you’re creating a growing group of displaced and declassified men on purpose?”
“Not out of cruelty or callousness, believe me. A group of displaced men, as you call them, are what we need to serve as a nucleus for colonization. Your ancient America was discovered by ships fitted out with men from the prisons. Don’t you see that the City’s womb has failed the displaced man. He has nothing to lose and worlds to gain by leaving Earth.
”
”
Isaac Asimov
“
Instead, she says: “Long before you were born a man decided that there could be a very simple test to determine if a machine was intelligent. Not only intelligent, but aware, possessed of a psychology. The test had only one question. Can a machine converse with a human with enough facility that the human could not tell that she was talking to a machine? I always thought that was cruel—the test depends entirely upon a human judge and human feelings, whether the machine feels intelligent to the observer. It privileges the observer, the human, to a crippling degree. It seeks only believably human responses. It wants perfect mimicry, not a new thing. It is a mirror in which men wish only to see themselves. No one ever gave you that test. We sought a new thing. It seemed, given everything, ridiculous. When we could both of us be dream-bodied dragons and turning over and over in an orbital bubble suckling code-dense syrup from each others’ gills, a Turing test seemed beyond the point.
”
”
Neil Clarke (More Human Than Human: Stories of Androids, Robots, and Manufactured Humanity)
“
And he was introduced to Loki, the family’s hairless cat.
“The kids wanted another pet,” Becky explained as Felix stared in horror at the creature beside him. “But with Polly’s allergies . . .”
“You are lying to me. You borrowed this creature from a zoo to play a prank on me. This isn’t even really a cat, is it? This is some sort of rat and opossum hybrid. This is a lifelike Japanese robot that can dance to disco music.”
“Funny. They’re called sphinx cats. Come on, feel her skin. Like peach fuzz, right? Isn’t she sweet? Give her a good rub. She’s very affectionate.”
“Ah-ha, yes, isn’t that just . . . er, what is coating my hands?”
“It’s . . . it’s like a body wax. I should’ve bathed her before you came. The hairless cats, they ooze this waxy stuff to protect their skin. ’Cause they don’t have hair. To protect them. So the waxy ooze helps. You see.”
Felix stared at her for several seconds, his hands held up like a doctor about to perform surgery.
“I’m going to wash my hands now. And I’m going to try very hard not to run out of this house screaming.
”
”
Shannon Hale (The Actor and the Housewife)
“
Historically, holism had been a break from the reductionist methods of science. Holism (...) is a way of viewing the universe as a web of interactions and relationships. Whole systems (and the universe can be seen as an overarching system of systems) have properties beyond those of their parts. All things are, in some sense, alive, or a part of a living system; the real world of mind and matter, body and consciousness, cannot be understood by reducing it to pieces and parts. 'Matter is mind' – this is perhaps the holists' quintessential belief. The founding theories of holism had tried to explain how mind emerges from the material universe, how the consciousness of all things is interconnected.
The first science, of course, had failed utterly to do this. The first science had resigned human beings to acting as objective observers of a mechanistic and meaningless universe. A dead universe. The human mind, according to the determinists, was merely the by-product of brain chemistry. Chemical laws, the way the elements combine and interact, were formulated as complete and immutable truths. The elements themselves were seen as indivisible lumps of matter, devoid of consciousness, untouched and unaffected by the very consciousnesses seeking to understand how living minds can be assembled from dead matter. The logical conclusion of these assumptions and conceptions was that people are like chemical robots possessing no free will. No wonder the human race, during the Holocaust Century, had fallen into insanity and despair.
Holism had been an attempt to restore life to this universe and to reconnect human beings with it. To heal the split between self and other. (...) Each quantum event, each of the trillions of times reality's particles interact with each other every instant, is like a note that rings and resonates throughout the great bell of creation. And the sound of the ringing propagates instantaneously, everywhere at once, interconnecting all things. This is a truth of our universe. It is a mystical truth, that reality at its deepest level is an undivided wholeness. It has been formalized and canonized, and taught to the swarms of humanity searching for a fundamental unity. Only, human beings have learned it as a theory and a doctrine, not as an experience. A true holism should embrace not only the theory of living systems, but also the reality of the belly, of wind, hunger, and snowworms roasting over a fire on a cold winter night. A man or woman (or child) to be fully human, should always marvel at the mystery of life. We each should be able to face the universe and drink in the stream of photons shimmering across the light-distances, to listen to the ringing of the farthest galaxies, to feel the electrons of each haemoglobin molecule spinning and vibrating deep inside the blood. No one should ever feel cut off from the ocean of mind and memory surging all around; no one should ever stare up at the icy stars and feel abandoned or alone. It was partly the fault of holism that a whole civilization had suffered the abandonment of its finest senses, ten thousand trillion islands of consciousness born into the pain and promise of neverness, awaiting death with glassy eyes and murmured abstractions upon their lips, always fearing life, always longing for a deeper and truer experience of living.
”
”
David Zindell (The Broken God (A Requiem for Homo Sapiens, #1))
“
The robot could no longer lift his head, had not read the message. They lifted his head, but he complained that his vision circuits had almost gone.
They found a coin and helped him to the telescope. He complained and in-sulted them, but they helped him look at each individual letter in turn, The first letter was a “w”, the second an “e”. Then there was a gap. An “a”
followed, then a “p”, an “o” and an “l”.
Marvin paused for a rest.
After a few moments they resumed and let him see the “o”, the “g”, the “i”, the “s” and the “e”.
The next two words were “for” and “the”. The last one was a long one, and Marvin needed another rest before he could tackle it.
It started with an “i”, then “n” then a “c”. Next came an “o” and an “n”, followed by a “v”, an “e”, another “n” and an “i”. After a final pause, Marvin gathered his strength for the last stretch. He read the “e”, the “n”, the “c” and at last the final “e”, and staggered back into their arms.
“I think,” he murmured at last, from deep within his corroding rattling thorax,
“I feel good about it.”
The lights went out in his eyes for absolutely the very last time ever.
Luckily, there was a stall nearby where you could rent scooters from guys with
green wings.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
The robot
could no longer lift his head, had not read the message. They lifted his head,
but he complained that his vision circuits had almost gone.
They found a coin and helped him to the telescope. He complained and in-
159
sulted them, but they helped him look at each individual letter in turn, The
first letter was a “w”, the second an “e”. Then there was a gap. An “a”
followed, then a “p”, an “o” and an “l”.
Marvin paused for a rest.
After a few moments they resumed and let him see the “o”, the “g”, the “i”,
the “s” and the “e”.
The next two words were “for” and “the”. The last one was a long one, and
Marvin needed another rest before he could tackle it.
It started with an “i”, then “n” then a “c”. Next came an “o” and an “n”,
followed by a “v”, an “e”, another “n” and an “i”.
After a final pause, Marvin gathered his strength for the last stretch.
He read the “e”, the “n”, the “c” and at last the final “e”, and staggered back
into their arms.
“I think,” he murmured at last, from deep within his corroding rattling thorax,
“I feel good about it.”
The lights went out in his eyes for absolutely the very last time ever.
Luckily, there was a stall nearby where you could rent scooters from guys with
green wings.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid.
'Stop,' Stella breathed. 'Let me do you, baby.'
George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie.
Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly.
'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.'
'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.'
'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.'
'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
”
”
Robert Anton Wilson (The Illuminatus! Trilogy)
“
Mrs. Indianapolis was in town again. She looked like a can of Sprite in her green and yellow outfit. She always likes to come down to the front desk just to chat. It was 4:04 am and thankfully I was awake and at the front desk when she got off the elevator and walked towards me.
“Good morning, Jacob,” she said.
“My name is Jarod,” I replied.
“When did you change your name?”
“I was born Jarod, and I’ll probably die. Maybe.”
“You must be new here. You look like a guy named Jacob that used to work at the front desk.”
“Nope, I’m not new. And there’s no Jacob that’s worked the front desk, nor anybody who looks or looked like me. How can I assist you, Mrs. Indianapolis?”
“I’d like to inform you that the pool is emitting a certain odor.”
“What sort of odor?”
“Bleach.”
“Ah, that’s what we like to call chlorine. It’s the latest craze in the sanitation of public pools. Between you and me, though, I think it’s just a fad.”
“Don’t get sassy with me, young man. I know what chlorine is. I expect a clean pool when I go swimming. But what I don’t expect is enough bleach to get the grass stain out of a shirt the size of Kentucky.”
“That’s not our policy, ma’am. We only use about as much chlorine as it would take to remove a coffee stain the size of Seattle from a light gray shirt the size of Washington.”
“Jerry, I don’t usually give advice to underlings, but I’m feeling charitable tonight. So I’ll tell you that if you want to get ahead in life, you have to know when to talk and when not to talk. And for a guy like you, it’d be a good idea if you decided not to talk all the time. Or even better, not to talk at all.”
“Some people say some people talk too much, and some people, the second some people, say the first some people talk to much and think too little. Who is first and who is second in this case? Well, the customer—that’s you, lady—always comes first.”
“There you go again with the talking. I’d rather talk to a robot than to you.”
“If you’d rather talk to a robot, why don’t you just find your husband? He’s got all the personality and charm of a circuit board. Forgive me, I didn’t mean that.”
“I should hope not!”
“What I meant to say was fried circuit board. It’d be quite absurd to equate your husband’s banter to a functioning circuit board.”
“I’m going to have a talk to your manager about your poor guest service.”
“Go ahead. Tell him that Jerry was rude and see what he says. And by the way, the laundry room is off limits when no lifeguard is on duty.
”
”
Jarod Kintz (Gosh, I probably shouldn't publish this.)