“
I thought we had lost you. I thought we'd done something worse than let you die.' His old arms were tight and strong about me.
I was kind to the old man. I did not tell him they had.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
Sometimes it seems unfair that events so old can reach forward through the years, sinking claws into one's life and twisting all that follows it. Yet perhaps that is the ultimate justice: we are the sum of all we have done added to the sum of all that has been done to us. There is no escaping that, not for any of us.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
This is our last hunt, old wolf. And as we have always done, we go to it together.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
Leave off sniffing the carcass of your old life-do you enjoy unending pain? There is no shame in walking away from bones. Nor is there any special wisdom in injuring oneself over and over. What is your loyalty to that pain? To abandon it will not lessen you.
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
I used to think struggle was what aged you, but if that were the case, Julian should have been a hundred years old. Now I wonder if the opposite is true. Maybe instead of accelerating your age, pain won't let you grow.
”
”
Robin Roe (A List of Cages)
“
...like a grain of sand that gets into an oyster's shell. What if the grain doesn't want to become a pearl? Is it ever asked to climb out quietly and take up its old position as a bit of ocean floor?
”
”
Robin McKinley (The Blue Sword (Damar, #1))
“
You can be the dead fish. I'll be the old stick
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
A woman's got one life: She's got to reach out and grab it with both hands, or it'll pass her by and leave nothing but a smelly old fart in her face.
”
”
Robin Schone (Scandalous Lovers (The Men and Women's Club, #1))
“
...To free humanity of time. For time is the great enslaver of us all. Time that ages us, time that limits us. Think how often you have wished to have more time for something, or wished you could go back a day and do something differently. When humanity is freed of time, old wrongs can be corrected before they are done.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
I think that old magic draws much of its strength from that acknowledgment: that we are a part of that world.
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
It was inside me. The more I sought it, the stronger it grew. It loved me. Loved me even if I couldn't, wouldn't, didn't love myself. Love me even if I hated. It set its tiny teeth in my soul and braced and held so that I couldn't crawl any further. And when I tried, a howl of despair burst from it, searing me, forbidding me to break so sacred trust.
It was Smithy.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
Leave old pains alone. When they cease coming to call, do not invite them back.
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
Because your heart will be hammered against him, and your strength will be tempered in his fire.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
I found myself speaking softly as if I were telling an old tale to a young child. And giving it a happy ending, when all know that tales never end, and the happy ending is but a moment to catch one’s breath before the next disaster.
”
”
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
“
Then, suddenly again, Christopher Robin, who was still looking at the world, with his chin in his hand, called out "Pooh!" "Yes?" said Pooh. "When I'm--when--Pooh!" "Yes, Christopher Robin?" "I'm not going to do Nothing any more." "Never again?" "Well, not so much. They don't let you." Pooh waited for him to go on, but he was silent again. "Yes, Christopher Robin?" said Pooh helpfully. "Pooh, when I'm--you know--when I'm not doing Nothing, will you come up here sometimes?" "Just me?" "Yes, Pooh." "Will you be here too?" "Yes Pooh, I will be really. I promise I will be Pooh." "That's good," said Pooh. "Pooh, promise you won't forget about me, ever. Not even when I'm a hundred." Pooh thought for a little. "How old shall I be then?" "Ninety-nine." Pooh nodded. "I promise," he said. Still with his eyes on the world Christopher Robin put out a hand and felt Pooh's paw. "Pooh," said Christopher Robin earnestly, "if I--if I'm not quite--" he stopped and tried again-- "Pooh, whatever happens, you will understand, won't you?" "Understand what?" "Oh, nothing." He laughed and jumped to his feet. "Come on!" "Where?" said Pooh. "Anywhere." said Christopher Robin.
So, they went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest, a little boy and his Bear will always be playing.
”
”
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
“
It is like being two foreigners, trapped in a land we have come to, unable to return to our own, and having only each other to confirm the reality of the place we once lived.
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
So I have gone all the way around Robin Hood's barn to arrive at the old platitudes, which I guess is the process of growing up.
”
”
Herman Wouk (The Caine Mutiny)
“
The problem is not that we forget the past. It is that we recall it too well. Children recall wrongs that enemies did to their grandfathers, and blame the granddaughters of the old enemies. Children are not born with memories of those who insulted their mother or slew their grandfather or stole their land. Those hates are bequeathed to them, taught them, breathed into them. If adults didn't tell their children of their hereditary hates, perhaps we would do better.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
There was, too, a reality to her new life that her old life had lacked, and she realized with a shock that she had never truly loved or hated, for she had never seen the world she had been used to living in closely enough for it to evoke passion in her.
”
”
Robin McKinley (The Blue Sword (Damar, #1))
“
What if this—this rule that says what I did in the back room that day is a terrible sin—what if that’s just a rule some old white man made up, too?
”
”
Robin Talley (Lies We Tell Ourselves)
“
Leaning in, he kisses her on the cheek. Like an old acquaintance, she thinks. As though there had never been any passion, nor love, nor rage, nor anything much, just some traces of innocuous familiarity between them. Live long enough, it seems, and every fire can burn itself out.
”
”
Robin Black (If I Loved You, I Would Tell You This)
“
Robin Goodfellow is a very old faerie. Not only that, he has ballads, poems, and stories written about him, so he is very near immortal, as long as humans remember them. Not to say he is immune to iron and technology-far from it. Puck is strong, but even he cannot resist the effects.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
and you and I left
with the same old question
the sheer unspeakable strangeness
of being here at all
”
”
Robin Williamson
“
A wise old man taught me that diplomacy is the velvet glove that cloaks the fist of power. Persuasion, not force, works best and lasts longest.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
He spoke solemnly. “This is our last hunt, old wolf. And as we always have, we go to it together.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
Robert again faced the sky. “That is a children’s dream, Marian. We are old enough that we must think of realities.”
“The reality is that I have no place, excepting I carve out one alone.
”
”
A.E. Chandler (The Scarlet Forest: A Tale of Robin Hood)
“
A good mother grows into a richly eutrophic old woman, knowing that her work doesn’t end until she creates a home where all of life’s beings can flourish.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Had they been dogs they would have sniffed me over and then drawn back. But humans have no such inbred courtesies.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
The guy you don't see will kill you.
”
”
Robin Olds
“
It’s an old tradition or perhaps a superstition. Never call something by its true name if you wish to avoid calling its attention to you. Perhaps
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
There was something else that [Christopher] Reeve told me privately, off camera, and it made me grin. While he was lying in the hospital, just becoming conscious with tubes connected to all parts of his body, a doctor in a white coat came in and with a Russian accent, commanded: "Turn over!"
Are you nuts? Reeve thought.
I said: 'Turn over!'" the doctor repeated.
As Reeve was about to answer "the imbecile", he realized there was something familiar about the man in the white coat. He wasn't a doctor at all. He was Reeve's old buddy from acting school at Julliard, Robin Williams. Reeve waited for a breath, and almost choked with laughter. He realized, he told me, "If I can laugh, I can live.
”
”
Barbara Walters
“
But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And—since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form—the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light.
”
”
Donna Tartt (The Little Friend)
“
Of an inanimate being, like a table, we say “What is it?” And we answer Dopwen yewe. Table it is. But of apple, we must say, “Who is that being?” And reply Mshimin yawe. Apple that being is.
Yawe— the animate to be. I am, you are, s/he is. To speak of those possessed with life and spirit we must say yawe. By what linguistic confluence do Yahweh of the Old Testament and yawe of the New World both fall from the mouths of the reverent Isn’t this just what it means, to be, to have the breath of life within, to be the offspring of creation The language reminds us, in every sentence, of our kinship with all of the animate world.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
I sleep like an old woman now, she thought to herself. In fits and starts. It isn’t sleeping and it isn’t waking and it isn’t rest.
”
”
Robin Hobb (Ship of Magic (Liveship Traders, #1))
“
If we are looking for models of self-sustaining communities, we need look no further than an old-growth forest. Or the old-growth cultures they raised in symbiosis with them.
”
”
Robin Wall Kimmerer
“
I'd rather I was a stray pup,' I made bold to say. And then all my fears broke my voice as I added, "You wouldn't let them do this to a stray pup, changing everything all at once. When they gave the bloodhound puppy to Lord Grimsby, you sent your old shirt with it, so it would have something that smelled of home until it settle in.'
'Well,' he said, "I didn't ... come here, fitz. Come here, boy.'
And puppy-like, I went to him, the only master I had, and he thumped me lightly on the back and rumbled up my hair, very much as if I had been a hound.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
He said, 'Good dog, Beaumont the valiant, sleep now, old friend Beaumont, good old dog.' Then Robin's falchion let Beaumont out of this world, to run free with Orion and roll among the stars.
”
”
T.H. White (The Sword in the Stone (Once and Future King, #1))
“
Old-growth cultures, like old-growth forests, have not been exterminated. The land holds their memory and the possibility of regeneration. They are not only a matter of ethnicity or history, but of relationships born out of reciprocity between land and people.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
You are what you think about all day long. You are also what you say to yourself all day long. If you say that you are old and tired, this mantra will be manifested in your external reality. If you say you are weak and lack enthusiasm, this too will be the nature of your world. But if you say that you are healthy, dynamic and fully alive, your life will be transformed. Words have remarkable power.
”
”
Robin Sharma (Daily Inspiration From The Monk Who Sold His Ferrari)
“
The ceremonies that persist—birthdays, weddings, funerals— focus only on ourselves, marking rites of personal transition. […]
We know how to carry out this rite for each other and we do it well. But imagine standing by the river, flooded with those same feelings as the Salmon march into the auditorium of their estuary. Rise in their honor, thank them for all the ways they have enriched our lives, sing to honor their hard work and accomplishments against all odds, tell them they are our hope for the future, encourage them to go off into the world to grow, and pray that they will come home. Then the feasting begins. Can we extend our bonds of celebration and support from our own species to the others who need us?
Many indigenous traditions still recognize the place of ceremony and often focus their celebrations on other species and events in the cycle of the seasons. In a colonist society the ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but it seems they did not survive emigration in any substantial way. I think there is wisdom in regenerating them here, as a means to form bonds with this land.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Who had that young man been who had thought himself so old and worldly-wise? He was a stranger to me now.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
I'm also old... and my own gift for writing fantasy grows out of very literal-minded, pragmatic soil: the things I do when I'm not telling stories have always been pretty three-dimensional. I used to say that the only strong attraction reality ever had for me was horses and horseback riding, but I've also been cooking and going for long walks since I was a kid (yes, the two are related), and I'm getting even more three dimensionally biased as I get older — gardening, bell ringing... piano playing... And the stories I seem to need to write seem to need that kind of nourishment from me — how you feed your story telling varies from writer to writer. My story-telling faculty needs real-world fresh air and experiences that create calluses (and sometimes bruises).
”
”
Robin McKinley
“
I once knew of a minstrel who bragged of having had a thousand women, one time each. He would never know what I knew, that to have one woman a thousand times, and each time find in her a different delight, is far better. I knew now what gleamed in the eyes of old couples when they stared at each other across a room...My familiarity with her was a more potent love elixir than any potion sold by a hedge-witch in the market.
”
”
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
“
The shelves were packed close together, and it felt like I was standing at the border of a forest--not a friendly Californian forest, either, but an old Transylvanian forest, a forest full of wolves and witches and dagger-wielding bandits all waiting just beyond moonlight's reach.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
Fighter pilot is an attitude. It is cockiness. It is aggressiveness. It is self-confidence. It is a streak of rebelliousness, and it is competitiveness. But there's something else - there's a spark. There's a desire to be good. To do well; in the eyes of your peers, and in your own mind.
”
”
Robin Olds (Fighter Pilot: The Memoirs of Legendary Ace Robin Olds)
“
Rosie hated her curly golden hair. When she was old enough to hold minimal conversations, the itsy-bitsy-cutesycoo sort of grown-ups would pull the soft ringlets gently and tell her what a pretty little girl she was. She would stare at this sort of grown-up and say, “I am not pretty. I am intelligent. And brave.” The grown-ups usually thought this was darling, which only made her angry, perhaps partly because she was speaking the truth, although it was tricky to differentiate between “brave” and “foolhardy” at three or four years old.
”
”
Robin McKinley (Spindle's End)
“
I remember the words of Bill Tall Bull, a Cheyenne elder. As a young person, I spoke to him with a heavy heart, lamenting that I had no native language with which to speak to the plants and the places that I love. “They love to hear the old language,” he said, “it’s true.” “But,” he said, with fingers on his lips, “You don’t have to speak it here.” “If you speak it here,” he said, patting his chest, “They will hear you.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Had the new people learned what Original Man was taught at a council of animals—never damage Creation, and never interfere with the sacred purpose of another being—the eagle would look down on a different world. The salmon would be crowding up the rivers, and passenger pigeons would darken the sky. Wolves, cranes, Nehalem, cougars, Lenape, old-growth forests would still be here, each fulfilling their sacred purpose. I would be speaking Potawatomi. We would see what Nanabozho saw. It does not bear too much imagining, for in that direction lies heartbreak.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Robin was a great kid. Smarter than her father at eight years old. She liked the oddest things. Like the instructions for a toy more than the toy itself. The credits of a movie instead of the movie. The way something was written. An expression on my face. Once she told me I looked like the sun to her, because of my hair. I asked her if I shined like the sun, and she told me, ‘No, Daddy, you shine more like the moon, when it’s dark outside.
”
”
Josh Malerman (Bird Box (Bird Box, #1))
“
When we're strong enough," said Sam, "will you come with me?"
"Where? To Bucko Palace?"
"Yes. To find Ella."
"Course I will," said the Kid, and he put an arm around Sam. "It'll be a new grand adventure of the old school. They'll write books about us. Long books. Nothing's gonna split us up, small fry. We're a team. Like Batman and Robin Hood."
And he sang.
"Ner-ner-ner-ner-ner-ner-ner-ner-Batman!
”
”
Charlie Higson (The Enemy (The Enemy, #1))
“
Most people are asleep and need to be confronted, like adults that are still behaving like they're 5 years old, and don't want to assume responsibility for their mistakes.
”
”
Robin Sacredfire
“
This cult seems like it might have been designed specifically to prey on bookish old people— Scientology for scholarly seniors.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
You know, old books are a big problem for us. Old knowledge in general. We call it OK. Old knowledge, OK. Did you know that ninety-five percent of the internet was only created in the last five years? But we know that when it comes to all human knowledge, the ratio is just the opposite - in fact, OK accounts for most things that people know, and have ever known.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
We will grow old, and older,
One of us will die, and then the other.
The earth itself will be impaled
by sunspokes. It doesn't matter.
We have been imprinted on the protons
of energy herself,
”
”
Robin Morgan (Lady of the Beasts)
“
A good mother grows into a richly eutrophic old woman, knowing that her work doesn’t end until she creates a home where all of life’s beings can flourish. There are grandchildren to nurture, and frog children, nestlings, goslings, seedlings, and spores, and I still want to be a good mother.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
There is an old joke about a nearsighted man who has lost his keys late at night and is looking for them by the light of a street lamp. Another person comes along and offers to help him look but asks him, “Are you sure this is where you lost them?” He answers, “No, but this is where the light is.
”
”
Robin Norwood (Women Who Love Too Much)
“
She thought, He's afraid I'll make a mess of it. She was sure she had been careful to think that on the safe, private side of the silent border, but Ebon turned on her and said, Don't ever think that. About anything. You're my heart's sister, even if you are a funny shape and walk on your hind legs all the time and rattle away out loud like a donkey or a bird. I'm frightened because you're frightened, and because it's hard-it can be hard-the first time going into the Caves, and you're old for it-you can't do ssshuuwuushuu and the ssshasssha will be like...being thrown in a cold dark lake when you can't swim and you've never seen water before.
”
”
Robin McKinley (Pegasus (Pegasus, #1))
“
After Jesus showed up, the Old Testament basically became a way for Bible publishers to keep their word count up.
Of course, just because Jesus replaces the Old Testament doesn't mean that you should necessarily skip it. That would be like skipping Batman and Robin just because the story starts over in Batman Begins. The important thing to realize is that both the old and new stories are about an all-powerful being trying to rid the world of evildoers, only in the new one The Batman can eat pork.
”
”
Stephen Colbert (I Am America (And So Can You!))
“
IN MERRY ENGLAND in the time of old, when good King Henry the Second ruled the land, there lived within the green glades of Sherwood Forest, near Nottingham Town, a famous outlaw whose name was Robin Hood.
”
”
Howard Pyle (The merry adventures of Robin Hood of great renown in Nottinghamshire)
“
Thanks for the balloon donkey. Perfect timing. My old one's nearly deflated.
She received an answer sixty seconds later.
Great. I was worried it was so obvious, everybody would've got you one. See you at 5.
Light-hearted now, Robin drank tea, ate her toast and returned downstairs to open her family's presents.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Fate rushes down upon us! The time drags and the days plod past, lulling us into thinking that the doom we fear will always so delay. Then, abruptly, the dark days we have all predicted are upon us, and the time when we could have turned dire fate aside has passed. How old must I be before I learn? There is no time; there is never any time. Tomorrow may never come, but todays are linked inexorably in a chain, and now is always the only time we have to divert disaster.
”
”
Robin Hobb (The Mad Ship (Liveship Traders, #2))
“
It had not been a very cheerful journey, not the least for the western excursion into Outlander territory, where a stubborn and pompous old man had refused to listen to the truth; but Corlath had expected what he found and-she thought-saw no use in being discouraged.
”
”
Robin McKinley (The Blue Sword (Damar, #1))
“
Little John, watching her standing next to her brother, half-glowering in the old Cecil manner and half-comforted by Robin's words, saw for a moment what it had been like for her as Will's litter sister. Some of what she was good at, and some of what she was bad at, as his pupil, came clear to him in that moment; and something else came clear to him too, but he set it aside so quickly that he allowed himself not to recognize it for what it was.
”
”
Robin McKinley (The Outlaws of Sherwood)
“
You should leave off sniffing the carcass of your old life, my brother. You may enjoy unending pain. I do not. There is no shame in walking away from bones, Changer. He finally swiveled his head to stare at me from his deep-set eyes. Nor is there any special wisdom in injuring oneself over and over. What is your loyalty to that pain? To abandon it will not lessen you."
"p. 94 Nighteyes to Fitz
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
And–since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form–the memory of that day's events had a chaotic, fragmented quality, bright mirror-shards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light.
”
”
Donna Tartt (The Little Friend)
“
I'm sorry, but I have this fear that someday you're going
to
wake up a dried-out, bitter old hag with plenty of science awards
but no personal life whatsoever. And you'll sit there at night and
sob about
how you've wasted your life.
”
”
Robin Brande (Fat Cat)
“
I sometimes think that age is based more on what you’ve done and what you remember than how old you are.
”
”
Robin Hobb (Dragon Haven (Rain Wild Chronicles #2))
“
Hello, nice to meet you, I sell unreadable books to weird old people - want to get dinner?
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
Oh, and you accuse me of flattery! Here I waddle about like a fat old duck and you try to tell me I'm lovely.
”
”
Robin Hobb (City of Dragons (Rain Wild Chronicles, #3))
“
Even the robin and the martin come back, year after year, to their old nests; shall a woman be less true hearted than a bird?
”
”
James Fenimore Cooper (The Deerslayer (The Leatherstocking Tales, #1))
“
Your Imperial Highness, will you do me the honor of this dance?" I turned to see Miechen's twelve-year-old son, Boris Vladimirovich, looking at me solemnly.
"Of course," I said with a polite curtsy. Angels and ministers of grace, defend me.
”
”
Robin Bridges (The Gathering Storm (Katerina, #1))
“
There are people,' he said, 'who give, and there are people who take. There are people who create, people who destroy, and people who don't do anything and drive the other two kinds crazy. It's born in you, whether you give or take, and that's the way you are. Ravens bring things to people. We're like that. It's our nature. We don't like it. We'd much rather be eagles, or swans, or even one of those moronic robins, but we're ravens and there you are. Ravens don't feel right without somebody to bring things to, and when we do find somebody we realize what a silly business it was in the first place." He made a sound between a chuckle and a cough. "Ravens are pretty neurotic birds. We're closer to people than any other bird, and we're bound to them all our lives, but we don't have to like them. You think we brought Elijah food because we liked him? He was an old man with a dirty beard.
”
”
Peter S. Beagle (A Fine and Private Place)
“
Life hands us lessons, and my lesson was to face this awful situation and grow from it, Blossom. I thought love had been taken away from me, but it hadn't been. I was still the same person who had loved Mr. Feingold and my old aunts and my cousins and my friends. I still ahd love inside of me, and I still had it to give.
”
”
Robin Schwarz (Night Swimming)
“
I made a sudden decision. "and my dog has followed me from town and cought up with us here. I left him with friends, but he must have chewed his rope. here, boy, come to heel."
I'll chew your heel off for you, Nighteyes offerd savagely, but he came, following me out into the cleared yard.
"Damn big dog," Nick observed. He leaned forward. "looks more than half a wolf to me."
"Some in Farrow have told me that. It's a buck breed. We use them for harding sheep."
You will pay for this. I promise you.
In answer I leaned down to pat his shoulder and then scratch his ears. Wag your tail, Nighteyes.
"He's a loyal old dog. I should have known he wouldn't be left behind."
The things i endure for you. He wagged his tail. Once.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
Dariya and I used to play French Revolution when we were little. We'd take turns being Marie Antoinette. Our grandmamma caught us once and had us whipped for revolutionary sentiments. We were six years old at the time and had no idea even what revolutionary sentiments were.
”
”
Robin Bridges (The Gathering Storm (Katerina, #1))
“
I've been thinking, Christopher Robin,' said Pooh, 'which do you like best: old friends or new?'
Christopher Robin thought and, after a long time, said: 'Well, I like new friends because you never quite know what they'll do next. But I like old friends, too, because, however long you've known them, you are always discovering things you didn't know before.
”
”
Brian Sibley (The Best Bear in All the World (Winnie-the-Pooh))
“
He leaves his wife to manage the inn; and as she is a woman of color, a pair of old bachelors like you and I may be excused for guessing that it is the wife, quite as much as the health, that sends him back to roving J.
”
”
Jonathan Swift (The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin Hood (The Heirloom Collection))
“
The house was large and deeply lived-in, all the shelves and surfaces stacked with books and boxes, framed pictures, old greeting cards set up like tent cities...Every single surface told a story. A long one. With digressions.
”
”
Robin Sloan (Sourdough)
“
I found myself speaking softly as if I were telling an old tale to a young child. And giving it a happy ending, when all know that tales never end, and the happy ending is but a moment to catch one’s breath before the next disaster. But I didn’t want to think about that. I didn’t want to wonder what would happen next.
”
”
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
“
Here's what I learned over the years. Know the mission, what is expected of you and your people. Get to know those people, their attitudes and expectations. Visit all the shops and sections. Ask questions. Don't be shy. Learn what each does, how the parts fit into the whole. Find out what supplies and equipment are lacking, what the workers need. To whom does each shop chief report? Does that officer really know the people under him, is he aware of their needs, their training? Does that NCO supervise or just make out reports without checking facts? Remember, those reports eventually come to you. Don't try to bullshit the troops, but make sure they know the buck stops with you, that you'll shoulder the blame when things go wrong. Correct without revenge or anger. Recognize accomplishment. Reward accordingly. Foster spirit through self-pride, not slogans, and never at the expense of another unit. It won't take long, but only your genuine interest and concern, plus follow-up on your promises, will earn you respect. Out of that you gain loyalty and obedience. Your outfit will be a standout. But for God's sake, don't ever try to be popular! That weakens your position, makes you vulnerable. Don't have favorites. That breeds resentment. Respect the talents of your people. Have the courage to delegate responsibility and give the authority to go with it. Again, make clear to your troops you are the one who'll take the heat.
”
”
Robin Olds
“
But we are two old men, who have grown old together. Sometimes that is a greater closeness. We have come through time to your day and age. We can talk together, quietly, and share memories of a time that exists no more. I can tell you how it was, but it is not the same. It is like being two foreigners, trapped in a land we have come to, unable to return to our own, and having only each other to confirm the reality of the place we once lived.
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
Some old warriors are like good weapons. Their scars become the patina of experience and wisdom.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
When we are young we sacrifice our health for wealth. But when we become old and wise, we become willing to sacrifice every bit of our wealth for just a day of good health.
”
”
Robin Sharma (The Leader Who Had No Title: A Modern Fable on Real Success in Business and in)
“
Each circle spins off a circle of its own. Each one seems a new thing but in truth it is not. It is just our most recent attempt to correct old errors, to undo old wrongs done to us, and to make up for things we have neglected. In each cycle, we may correct old errors, but I think we make as many new ones. Yet what is our alternative? To commit the same old errors again? Perhaps having the courage to find a better path is having the courage to risk making new mistakes.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
If we are like God, we can only be God. Is that what you mean?"
"Oh, I think it is more than that. A robin is like a hawk, but it is also different. The Goddess Mother created us as reflections of herself. God to me is the Great Mother. God to me is the Old One. But it does not really matter; God is God. Life force is life force. God is the creator, the Great Spirit that permeates all of us. Once you truly understand that, Catherine, you realize that we are all part of one another, that we are in agreement on this wonderful, green earth, and that we live in a state of duality, a state of separateness that is not real. We are separated by an agreement called space and time.
”
”
Lynn V. Andrews
“
Excavations at Ai Khanoum on the northern border of modern Afghanistan have produced great quantities of Greek inscriptions and even the remnants of a philosophical treatise originally on papyrus. One of the most interesting is the base of a dedication by one Klearchos, perhaps the known student of Aristotle, that records his bringing to this new Greek city, Alexandria on the Oxus, the traditional maxims from the shrine of Apollo at Delphi concerning the five ages of man:
In childhood, seemliness
In youth, self-control
In middle age, justice
In old age, wise council
In death, painlessness
”
”
Robin Lane Fox
“
You've got to figure out a way to live with your grief. Find times to put it on a shelf and times to take it off and when it sneaks up on you, as it's prone to do, recognize it, acknowledge it, even give it a little hug like an old friend, then take a big deep breath and keep walking. You can't avoid it.
”
”
Jaye Robin Brown (The Meaning of Birds)
“
And it was such a perfect tragedy, wasn’t it? An age-old story, parricide. The Greeks loved parricide, Mr Chester had been fond of saying; they loved it for its infinite narrative potential, its invocations of legacy, pride, honour, and dominance. They loved the way it struck every possible emotion because it so deviously inverted the most basic tenet of human existence. One being creates another, moulds and influences it in its own image. The son becomes, then replaces, the father; Kronos destroys Ouranos, Zeus destroys Kronos and, eventually, becomes him. But Robin had never envied his father, never wanted anything of his except his recognition, and he hated to see himself reflected in that cold, dead face.
”
”
R.F. Kuang (Babel)
“
They love to hear the old language,” he said, “it’s true.” “But,” he said, with fingers on his lips, “You don’t have to speak it here.” “If you speak it here,” he said, patting his chest, “They will hear you.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
There are stories told to him only at this time of year. Fantastic, magical stories, the old Hollier in the woods finding only three red berries, which peel back in the night to reveal gifts of frankincense, gold and myrrh, Christmas in hot deserts, dust-blown countries, the necklace of tears, and the story of the robin.
”
”
Sarah Hall (Haweswater)
“
You're jealous!" I am so surprised I scarce remember to keep my voice low. He flinches at the word, then looks sorely affronted. "Jealous? Of that old man? Nay, it is just that if anyone is to hunt you, it should be me.
”
”
Robin LaFevers
“
I was thirty-five that year. When I was twenty, I would have considered a man of my current age to be teetering on the verge of dotage. These days, it seemed neither young nor old to me, but a suspension between the two.
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
Robin Hood. To a Friend.
No! those days are gone away,
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Ofthe leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.
No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.
On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale,
Messenger for spicy ale.
Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grene shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her---strange! that honey
Can't be got without hard money!
So it is; yet let us sing
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood clan!
Though their days have hurried by
Let us two a burden try.
”
”
John Keats
“
The King's tool. I see.' An oppression settle over me. My brief glimpse of blue skies arching over yellow roads and me travelling down them astride Sooty suddenly vanished. I thought of the hounds in their kennels instead, or of the hawk, hooded and strapped, that rode on the King's wrist and was loosed only to do the King's will.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
So this was our adventure. And the prince and the princess get married and live happily ever after, with many children to warm the in their old age.'
He had probably heard that phrase thousands of times in his life. It was a common way for a minstrel to end a hero tale.
'Perhaps,' I said cautiously. 'Perhaps.'
'What happens to the rest of us?
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
All those nutrients field the growth of more new plants, in an accelerating cycle. This is the way for many ponds–the bottom gradually fills in until the pond becomes a marsh and maybe someday a meadow and then a forest. Ponds grow old, and though I will too, I like the ecological idea of aging as progressive enrichment, rather than progressive loss.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Then we will do two things," Penumbra says, nodding. "First, I will tell you just a little of our history. Then, to understand, you must see the Reading Room. There, my proposal will become clear, and I dearly hope you will accept it."
Of course we'll accept it. That's what you do on a quest. You listen to the old wizard's problem and then you promise to help him.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
I could not help but see the hand of the balancer in all of this. Could hatred and determination be a counterweight to organization and experience? I suddenly understood something about the old god of death and why he was also the god of balances.
”
”
Robin Hobb (Renegade's Magic (Soldier Son, #3))
“
Even now. Even when I feel like most of me is dead, life breaks through sometimes. Food tastes good. Or something Per says makes me laugh. A hot cup of tea when I’m cold and wet. I’ve thought of ending my life, Fool. I admit it. But always, no matter the damage to it, the body tries to go on. And if it manages to, then the mind follows it. Eventually, no matter how I try to deny it, there are bits of my life that are still sweet. A conversation with an old friend. Things I am still glad to have.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
If sailor tales to sailor tunes, Storm and adventures, heat and cold, If schooners, islands, and maroons, And Buccaneers and buried Gold, And all the old romance, retold Exactly in the ancient way, Can please, as me they pleased of old, The wiser youngsters of to-day:
”
”
Jonathan Swift (The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin Hood (The Heirloom Collection))
“
There is a peculiar strength that comes to one who is facing the final battle. That battle is not limited to war, nor the strength to warriors. I've seen this strength in old women with the coughing sickness and heard of it in families that are starving together. It drives one to go on, past hope or despair, past blood loss and gut wounds, past death itself in a final surge to save something that is cherished. It is courage without hope. During the Red-Ship Wars, I saw a man with blood gouting in spurts from where his left arm had once been yet swinging a sword with his right as he stood protecting a fallen comrade. During one encounter with Forged Ones, I saw a mother stumbling over her own entrails as she shrieked and clutched at a Forged man, trying to hold him away from her daughter.
The OutIslanders have a word for that courage. "Finblead", they call it, the last blood, and they believe that a special fortitude resides in the final blood that remains in a man or a woman before they fall. According to their tales, only then can one find and use that sort of courage.
It is a terrible bravery and at its strongest and worst, it goes on for months when one battles a final illness. Or, I believe, when one moves toward a duty that will result in death but is completely unavoidable. That "finblead" lights everything in one's life with a terrible radiance. All relationships are illuminated for what they are and for what they truly were in the past. All illusions melt away. The false is revealed as starkly as the true.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
People fear Him [Death] - wrongly. They see punishment and starkness in Death, yet there is beauty as well.
People are afraid of what they do not understand, and since they have abandoned the old ways, they no longer understand Death and His true place - His true purpose - in the world.
”
”
Robin LaFevers (Mortal Heart (His Fair Assassin, #3))
“
The Onondaga Nation schools recite the Thanksgiving Address, a river of words as old as the people themselves, known in Onondaga language as the Words That Come Before All Else. This ancient order of protocol sets gratitude as the highest priority. The gratitude is directed straight to the ones who share their gifts with the world. (excerpt)
‘Today we have gathered and when we look upon the faces around us we see that the cycles of life continue. We have been given the duty to live in balance and harmony with each other and all living things. So now let us bring our minds together as one as we give greetings and thanks to each other as People. Now our minds are one.
We are thankful to our Mother the Earth, for she gives us everything that we need for life. She supports our feet as we walk about upon her. It gives us joy that she still continues to care for us, just as she has from the beginning of time. To our Mother, we send thanksgiving, love, and respect. Now our minds are one.
We give thanks to all of the waters of the world for quenching our thirst, for providing strength and nurturing life for all beings. We know its power in many forms—waterfalls and rain, mists and streams, rivers and oceans, snow and ice. We are grateful that the waters are still here and meeting their responsibility to the rest of Creation. Can we agree that water is important to our lives and bring our minds together as one to send greetings and thanks to the Water? Now our minds are one.
Standing around us we see all the Trees. The Earth has many families of Trees who each have their own instructions and uses. Some provide shelter and shade, others fruit and beauty and many useful gifts. The Maple is the leader of the trees, to recognize its gift of sugar when the People need it most. Many peoples of the world recognize a Tree as a symbol of peace and strength. With one mind we greet and thank the Tree life. Now our minds are one.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
To take Elder wood from a living Elder tree without reciting a very special spell- which I call the Green Pact- was to risk death or torment at the hands of the offended Elder-spirit. The spell went like this: "Old gal, give me some of thy wood, and I shall give thee some of mine, when I grow into a tree.
”
”
Robin Artisson (An Carow Gwyn: Sorcery and the Ancient Fayerie Faith)
“
Perhaps to another man it would have been obvious. Leave old pains alone. When they cease coming to call, do not invite them back.
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
Is there anything more chilling than looking at a righteous fifteen-year-old and realizing he has the power to unravel your entire life?
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
We need to unearth the old stories that live in a place and begin to create new ones, for we are storymakers, not just storytellers.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Of course, of course. Drugs, music, a new age dawning … and you came for an old book.
”
”
Robin Sloan (Ajax Penumbra 1969 (Mr. Penumbra's 24-Hour Bookstore, #0.5))
“
When we are young we sacrifice our health for wealth. But when we become old and wise, we become willing to sacrifice every bit of our wealth for just a day of good health.’ And
”
”
Robin Sharma (The Leader Who Had No Title: A Modern Fable on Real Success in Business and in)
“
Work, the old people say, keeps a man young. But perhaps that is something old folk say just because they know they must go on working.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
There are few things more rejuvenating than sharing a belly-bursting laugh with an old friend.
”
”
Robin Sharma (The Monk Who Sold His Ferrari: A Remarkable Story About Living Your Dreams)
“
The old moves come back. Dick always went off-book. Jason hated practicing them. But Tim… he loved it. The teamwork. We had each other’s backs.
”
”
Chip Zdarsky (Batman (2016-) #130)
“
I'm too old to be doing this anymore.” He repeated his favorite complaint.
“No. You're not. You'll only be old when you try to stop doing this
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
I'm too old to do this sort of thing anymore.
No. You only wish you were.
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
Robin had presented him with a fake degree from a university in Athens where the puck had an old acquaintance who still got a kick out of teaching, despite hemlock rumors to the contrary.
”
”
Rob Thurman (Moonshine (Cal Leandros, #2))
“
I remember that dress. It is quite old, isn’t it? Didn’t you wear it to one of the parties you gave to announce Keffria’s wedding to Kyle? It takes years off your face. You must be quite proud to be able to squeeze yourself into it still.” Ronica shook her head at the old family friend. “Davad Restart. Only you can so completely ruin so many compliments in one brief speech.
”
”
Robin Hobb (Mad Ship (Liveship Traders, #2))
“
The problem is not that we forget the past. It is that we recall it too well. Children recall wrongs that enemies did to their grandfathers, and blame the granddaughters of the old enemies.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
That was the strange thing about translation, speaking someone else's words in a voice that somehow was and wasn't your own. You could fool yourself into believing you understood the meaning behind the words, but-as my father had explained long before I was old enough to get it-words and meaning were inseparable. Language shapes thought; I speak, therefore I think, therefor I am.
”
”
Robin Wasserman (The Book of Blood and Shadow)
“
If a human’s life can be measured in counted coins, then that worth can be diminished, a copper at a time, until no value is left. When an old woman is worth less than the food she eats … well.
”
”
Robin Hobb (Mad Ship (Liveship Traders, #2))
“
There had been a time in high school, see, when I wrestled with the possibility that I might be gay, a torturous six-month culmination of years of unpopularity and girllessness. At night I lay in bed and cooly informed myself that I was gay and that I had better get used to it. The locker room became a place of torment, full of exposed male genitalia that seemed to taunt me with my failure to avoid glancing at them, for a fraction of a second that might have seemed accidental but was, I recognized, a bitter symptom of my perversion. Bursting with typical fourteen-year-old desire, I attempted to focus it in succession on the thought of every boy I knew, hoping to find some outlet for my horniness, even if it had to be perverted, secret, and doomed to disappointment. Without exception these attempts failed to produce anything but bemusement, if not actual disgust.
This crisis of self-esteem had been abruptly dispelled by the advent of Julie Lefkowitz, followed swiftly by her sister Robin, and then Sharon Horne and little Rose Fagan and Jennifer Schaeffer; but I never forgot my period of profound sexual doubt. Once in a while I would meet an enthralling man who shook, dimly but perceptibley, the foundations laid by Julie Lefkowitz, and I would wonder, just for a moment, by what whim of fate I had decided that I was not a homosexual.
”
”
Michael Chabon (The Mysteries of Pittsburgh)
“
. . . he inwardly acknowledged the irony that, had Ilsa not been so keen to act as midwife to a romantic relationship between himself and Robin, he might now have been sitting in Nick and Ilsa's flat in Octavia Road, enjoying a laugh with two of his old friends and indeed with Robin herself, whose company had never yet palled on him, through the many long hours they had worked together.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
I could almost see the resignation on the old man’s face. I knew he would draw a breath and sigh that I insisted on stacking all my pain in one pile, facing it all at once."
p. 480 Fitz about Chade
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
I was eighteen years old, and I thought I loved him. I should have known, but I didn't.
And I don't deserve to be abused for it. Judged for it. Called names.
I don't deserve to have my life ruined.
”
”
Robin York (Deeper (Caroline & West, #1))
“
Instead, he was still acting distant from her in many subtle ways, and although they continued to sleep in the same bed, there had been no intimacy whatsoever. Such behavior raised an old concern of hers that Daniel was either incapable or unmotivated to offer the kind of emotional support she felt she needed, particularly in period of stress, no matter what the cause or whose fault it was. (Stephanie)
”
”
Robin Cook (Seizure (A Medical Thriller))
“
Stupidity is not lack of intelligence or knowledge. Stupidity is when you are offered a book and you don’t read it. Stupidity is when you have the chance to learn from a good teacher and you choose to remain arrogant and defend useless beliefs; Stupidity is when life offers you an opportunity to grow and change and overcome your past, but you can’t break free from your habits and rather remain stuck to your old beliefs. Stupidity is when you insult the one that could make you free from your state of stupidity by using stupid affirmations and stupid arguments. Stupidity is always a choice, not a state of being.
”
”
Robin Sacredfire
“
Souls of poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host's Canary wine?”
Sweeter than those dainty pies
Of venison? O generous food!
Drest though bold Robin Hood
Would, wit his maid Marian,
Sup and bowse from horn and can
“I have heard that on a day
Mine host's sign-board flew away,
Nobody knew whither, till
An astrologer's old quill
To a sheepskin gave the story,
Said he saw you in your glory,
Underneath a new old sign
Sipping beverage divine,
And pledging with contented smack
The Mermaid in the Zodiac.
”
”
John Keats
“
Forgive me,' the woman says. 'I think I've interrupted you in a private moment.'
'Well,' I reply, instead of yelling something to the effect of :'No kidding lady, I'm in the bathroom!'
'Were you praying?' she asks.
'Sort of.'
'That's what I thought,' the woman says with a nod, 'which is why I spoke up. I like the idea of answering prayers,' she says. 'Plus, I figure I'm so old, I could have been God's babysitter.
”
”
Robin Epstein (God Is in the Pancakes)
“
There are many memories. but I'll tell you the one I like to think of best of all. It's just a homely everyday thing, but to me it is the happiest of them all. It is evening time here in the old house and the supper is cooking and the table is set for the whole family. It hurts a mother, Laura, when the plates begin to be taken away one by one. First there are seven and then six and then five...and on down to a single plate. So I like to think of the table set for the whole family at supper time. The robins are singing in the cottonwoods and the late afternoon sun is shining across the floor... The children are playing out in the yard. I can hear their voices and happy laughter. There isn't much to that memory is there? Out of a lifetime of experiences you would hardly expect that to be the one I would choose as the happiest, would you? But it is.
”
”
Bess Streeter Aldrich (A Lantern in Her Hand)
“
Nothing?' said Corlath. 'I said there were two things. I have told you the first. You told us what you saw as you saw it. But this is the second thing: you spoke in the Old Tongue, what we call the Language of the Gods, that none knows any more but kings and sorcerers, and those they wish to teach it to. The language I just spoke to you, that you did not recognize- I was repeating the words you had said yourself, a moment before.
”
”
Robin McKinley (The Blue Sword (Damar, #1))
“
Maya's eyes grew wide, and Grace finally saw the little-sister potential in her. She could imagine Maya toddling after her, annoying her, pulling her hair and borrowing her clothes without asking first. She didn't tell Maya about all the people she'd talked to on the phone, trying to follow a seventeen-year-old trail of bread crumbs that had mostly blown to the wind and taken Joaquin with them. She didn't mention that some people had been rude, others had been so helpful that it made Grace's heart hurt, that Joaquin's family tree seemed to have way too many scraggly branches and not enough roots, not the kind of roots you would need when the storm was strong.
”
”
Robin Benway (Far from the Tree)
“
Veronica: "Perhaps. If Sa'aw had but a male aspect, but recall the old, true worship of Sa'aw, male and female, bird, beast, and plant, earth, fire, air, and water are all honored in Sa'aw and Sa'aw manifests in all of them. If the Divine is also female and the female also divine, then she understands that woman is more than mother, more than daughter, more than wife. Those are the facets of a full life, but no single facet defines the jewel.
”
”
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
“
The notion of a country cottage settled in her thoughts as a watercolor, red bricks, climbing roses, the house the most intelligent of the three little pigs built, but with some age on it now; and the place they found in western Massachusetts wasn’t far off, solid enough to withstand huffs and puffs, small enough to feel manageable, large enough to hold visiting grandchildren, old enough to inspire optimism about what might, improbably, endure.
”
”
Robin Black (If I Loved You, I Would Tell You This)
“
And so I begin again, and again, but always find that I am writing of my own beginnings rather than the beginnings of this land. I do not even know to whom I try to explain myself. My life has been a web of secrets, secrets that even now are unsafe to share. Shall I set them all down on fine paper, only to create from them flame and ash? Perhaps. My memories reach back to when I was six years old. Before that, there is nothing, only a blank gulf
”
”
Robin Hobb
“
The problem is not that we forget the past. It is that we recall it too well. Children recall wrongs that enemies did to their grandfathers, and blame the granddaughters of the old enemies. Children are not born with memories of who insulted their mother or slew their grandfather or stole their land. Those hates are bequeathed to them, taught them, breathed into them. If adults didn’t tell children of their hereditary hates, perhaps we would do better.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
Why are you crying?'
'How can I possibly look good to you? I'm pregnant! I'm really, really pregnant!'
'Of course you are. Why are you crying?'
'Because I'm going to Hawai'i!'
'Yes, you're going to Hawai'i. Come on now, pull yourself together.'
I kept crying.
Darren looked frantic. He stepped back and fumbled for his roguish smirk. 'So, is this a hormone thing?'
'No, it's not a hormone thing! I'm old, Darren! I'm old and pregnant, and I'm going to Hawai'i. Can you understand how that makes me feel?'
He could not.
How could I possibly expect my husband to understand all the bizarre things that happen to a woman in spirit and flesh when a friendly alien takes over her body? He still couldn't figure out why Laurie and I wanted to fly all the way to Hawai'i just to spend a week lounging around the pool, comparing underarm flab, when we could stay home and have the same conversation over the phone for a lot less money.
”
”
Robin Jones Gunn (Sisterchicks Do the Hula (Sisterchicks, #2))
“
The world turned, and new stories rose up, and the legends of the old days faltered a little, or turned themselves in their course to keep up with the lives of their people, and the lives of great-grandchildren of those they had first known.
”
”
Robin McKinley (The Door in the Hedge and Other Stories)
“
I have found the old adages to be true. One can only walk so far from one’s true self before the bond either snaps, or pulls one back. I am fortunate. I have been pulled back. I walk once more in trueness to myself.”
p. 177: Kettricken to Fitz:
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
yet let us sing,
Honour to the old bow-string! 50
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
”
”
John Keats (Complete Works of John Keats)
“
The Queen sighed. "And when those who have suffered your vengeance come seeking from me a vengeance of their own? How then could I turn them aside? You propose that if a man has killed the children of an Old Blood family, then the children of his family should die alongside him. But what of the cousins of those children and their grandparents? Should not they then come before me and ask of me what you now demand? Would they not be just as right in saying that innocents had died in mad persecution?
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
Villainy had a sense of wicked superiority about it and they had a sneaking feeling that sometimes old Robin was a bit too good to be true. Perhaps I already had a vague sense that courting and, what's more, achieving popularity was not a gift I possessed
”
”
John Osborne (Looking Back: Never Explain, Never Apologise)
“
In 2008, Van Sant finally made Milk, his award-winning Harvey Milk biopic. Sean Penn starred instead of Robin Williams, while the role of Cleve Jones, which Van Sant had earmarked for River, was taken by Emile Hirsch, who was just eight years old when River died.
”
”
Gavin Edwards (Last Night at the Viper Room: River Phoenix and the Hollywood He Left Behind)
“
It is common for folk who are not Witted to think that those of us with Old Blood can talk to any animal. We can’t. The Wit is a mutual exchange, a sharing of thoughts. Some creatures are more open than others; some cats will not only talk to anyone, but will natter on or nag or pester with absolutely no restraint. Even the person with only the tiniest shred of the Wit will find themselves standing to open the door before the cat has scratched at it, or calling the cat from across the room to share the best morsel of fish.
”
”
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
“
Who d’you reckon,” said Strike, watching the horse plunge and buck, “first took a look at something like that and thought, ‘I should get on its back’?” “There’s an old saying,” said Robin, trying to steer around the worst of the potholes, “‘the horse is your mirror.
”
”
Robert Galbraith (Lethal White (Cormoran Strike, #4))
“
As a white person, I can openly and unabashedly reminisce about “the good old days.” Romanticized recollections of the past and calls for a return to former ways are a function of white privilege, which manifests itself in the ability to remain oblivious to our racial history.
”
”
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
“
She dampened her lips. “I . . . I have defenses you don’t know of, and”—she gestured to the half wall revealing the kitchen beyond—“I have pepper spray in the kitchen.”
“Pepper spray in the kitchen,” he said tonelessly.
“All right, all right!” She dropped the bag with the box on a coffee table that held a few large picture books on the Old West and hurried into the kitchen, coming back with the pepper spray, which she stuck on a bookcase shelf next to the door. He took it down and checked the expiration date. “You should have tossed this two years ago.
”
”
Robin D. Owens (Ghost Seer (Ghost Seer, #1))
“
He was a religious kid, and the goldsmith's trade turned him off. He spent all day melting old baubles down to make new ones - and he knew his own work was going to suffer the same fate. Everything he believed told him: This is not important. There is no gold in the city of God.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
Rather than flying willy-nilly into danger, we thought before we acted, acted quickly whenever we had to, yet still felt frustrated when the action passed us by and the older groups were given the more lucrative targets, or when operational reports told of aerial battles that we had missed.
”
”
Robin Olds (Fighter Pilot: The Memoirs of Legendary Ace Robin Olds)
“
Oh, Robin. She’s brokenhearted. You remember how it feels.” “No, I do not remember. She’s fifteen years old. She’s going to fall for some new boy before the week is out; you watch.” “She says nobody understands her and she wants to die,” Mercy told him. Then she asked, “Can I have the rest of your salad?
”
”
Anne Tyler (French Braid)
“
Rosie hated her curly golden hair. When she was old enough to hold minimal conversations, the itsy-bitsy-cutesycoo sort of grown-ups would pull the soft ringlets gently and tell her what a pretty little girl she was. She would stare at this sort of grown-up and say, “I am not pretty. I am intelligent. And brave.
”
”
Robin McKinley (Spindle's End)
“
Sometimes it seems unfair that events so old can reach forward through the years, sinking claws into one’s life and twisting all that follows it. Yet perhaps that is the ultimate justice: we are the sum of all we have done added to the sum of all that has been done to us. There is no escaping that, not for any of us.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
From Hobbes to the slaveholders to the neoconservatives, the right has grown increasingly aware that any successful defense of the old regime must incorporate the lower orders in some capacity other than underlings or starstruck fans. The masses must either be able to locate themselves symbolically in the ruling class or be provided with real opportunities to become faux aristocrats themselves in the family, the factory, and the field. The former path makes for an upside-down populism, in which the lowest of the low see themselves projected in the highest of the high; the latter makes for a democratic feudalism, in which the husband or supervisor plays the part of a lord. The former path was pioneered by Hobbes, Maistre, and various prophets of racism and nationalism, the latter by Southern slaveholders, European imperialists, and Gilded Age apologists. (And neo–Gilded Age apologists: “There is no single elite in America,” writes David Brooks. “Everyone can be an aristocrat within his own Olympus.” 105) Occasionally, as in the writing of Werner Sombart, the two paths converge: ordinary people get to see themselves in the ruling class by virtue of belonging to a great nation among nations, and they also get to govern lesser beings through the exercise of imperial rule.
”
”
Corey Robin (The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin)
“
There’s a cure for aging that no one talks about. It’s called learning. In my mind, as long as you learn something new each day, stretch your personal frontiers and improve the way you think, you cannot grow old. Aging only happens to people who lose their lust for getting better and disconnect from their natural base of curiosity. “Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject but they are enough to understand it. So for more than 60 years I have kept studying one subject at a time,” said Peter Drucker, the father of modern management who lived
”
”
Robin Sharma (The Greatness Guide: One of the World's Most Successful Coaches Shares His Secrets for Personal and Business Mastery)
“
We do not share. We are one. I am no longer a wolf, you are no longer a man. What we are together, I have no name for. Perhaps the one who spoke to us of the Old Blood would have a word to explain it. He paused. See how much a man I am, that I speak of having a word for an idea? No word is needed. We exist, and we are whatever we are.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
Deep within the web of pavement and steel, a young boy and girl scurried past an old man, his outdated mechanical limbs shaking and twitching like an addict without a fix. He scowled at the hoodlums, scratching the hole in his face where his nose used to be, sold long ago as a cheap replacement part for someone slightly richer than he was.
”
”
Jaron Lee Knuth (Nottingham)
“
I have noticed that most people don’t use more than a pea size equivalent of their brain. They can’t process more than one idea each time. If I say that my grandparents were from Switzerland and then I was born somewhere else, they will forget the somewhere else and focus on Switzerland; If I say that my name originates in the South of France before saying my nationality, it becomes irrelevant as well. And I’m surprised at how many people get offended when I tell them I can easily brainwash them with new ideas and convince them that I’m right. It’s not my fault but theirs, for not knowing how to think. They shouldn’t blame the overthinker but the underthinker. And yet, I hear so many times this explanation for any kind of life problem: “You think too much”. Everything serves as an excuse to be stupid in this world. And then the majority wonders why getting a job is so difficult for them. It’s not for overthinkers. I used to be called for job interviews because I was a rule breaker; I would hide my age and be called because the interviewer wanted to ask me how old I am; or paint the letters of my CV in green and be called because it was the first to be noticed among thousands in black and white. The only problem about overthinking is that you will eventually overcome the norm. That’s why I don’t need a job anymore; I have outthought the majority.
”
”
Robin Sacredfire
“
In a colonist society the ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but it seems they did not survive emigration in any substantial way. I think there is wisdom in regenerating them here, as a means to form bonds with this land.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
old poem by Spencer Michael Free with thunderous passion: ’Tis the human touch in this world that counts, The touch of your hand and mine, Which means far more to the fainting heart Than shelter and bread and wine. For shelter is gone when the night is o’er, And bread lasts only a day. But the touch of the hand and the sound of the voice Sing on in the soul always.
”
”
Robin Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
“
All of our best and oldest legends recognize that time passes and that people grow old and die. The legend of Robin Hood would not be complete without the final blind arrow shot to determine the site of his grave. The Norse Legends would lose much of their power were it not for the knowledge of an eventual Ragnarok, as would the story of Davy Crockett without the existence of an Alamo.
”
”
Alan Moore
“
Ralph Ellison said that: “many of the descendents of freed slaves ... considered it a territory of hope, and a place where they could create their own opportunities ... [F]or Negroes it had a traditional association with freedom which had entered their folklore.” Moreover, Oklahoma “lacked the intensities of custom, tradition and manners which ‘colored’ the institutions of the Old South.” In
”
”
Robin Walker (The Rise and Fall of Black Wall Street)
“
She sat back again, a gentle loosening that made her straight spine seem effortless and restful. Again she did nothing. She simply sat across from me and unfurled herself. I felt her life brush up against me and flow around me. It was but the faintest touching, and had I not experienced both the Skill and the Wit, I do not think I would have sensed it. Cautiously, as softly as if I assayed a bridge made of cobweb, I overlay my senses on hers.
She quested. Not as I did, toward a specific beast, or to read what might be close by. I discarded the word I had always given to my sensing. Kettricken did not seek after anything with her Wit. It was as she said, simply a being, but it was being a part of the whole. She composed herself and considered all the ways the great web touched her, and was content. It was a delicate and tenuous thing and I marveled at it. For an instant I, too, relaxed. I breathed out. I opened myself, Wit wide to all. I discarded all caution, all worry that Burrich would sense me. I had never done anything to compare it with before. Kettricken's reaching was as delicate as droplets of dew sliding down a strand of spiderweb. I was like a dammed flood, suddenly released, to rush out to fill old channels to overflowing and to send fingers of water investigating the lowlands.
Let us hunt! The Wolf, joyfully.
In the stables, Burrich straightened from cleaning a hoof, to frown at no one. Sooty stamped in her stall. Molly shrugged away and shook out her hair. Across from me, Kettricken started and looked at me as if I had spoken aloud. A moment more I was held, seized from a thousand sides, stretched and expanded, illuminated pitilessly. I felt it all, not just the human folk with their comings and goings, but every pigeon that fluttered in the eaves, every mouse that crept unnoticed behind the wine kegs, every speck of life, that was not and never had been a speck, but had always been a node on the web of life. Nothing alone, nothing forsaken, nothing without meaning, nothing of no significance, and nothing of importance.
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
Had the new people learned what Original Man was taught at a council of animals—never damage Creation, and never interfere with the sacred purpose of another being—the eagle would look down on a different world. The salmon would be crowding up the rivers, and passenger pigeons would darken the sky. Wolves, cranes, Nehalem, cougars, Lenape, old-growth forests would still be here, each fulfilling their sacred purpose.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Susan Baker and the Anne Shirley of other days saw her coming, as they sat on the big veranda at Ingleside, enjoying the charm of the cat's light, the sweetness of sleepy robins whistling among the twilit maples, and the dance of a gusty group of daffodils blowing against the old, mellow, red brick wall of the lawn. Anne was sitting on the steps, her hands clasped over her knee, looking, in the kind dusk, as girlish as a mother of many has any right to be; and the beautiful gray-green eyes, gazing down the harbour road, were as full of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of six years, the youngest of the Ingleside children. She had curly red hair and hazel eyes that were now buttoned up after the funny, wrinkled fashion in which Rilla always
”
”
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
“
we are two old men, who have grown old together. Sometimes that is a greater closeness. We have come through time to your day and age. We can talk together, quietly, and share memories of a time that exists no more. I can tell you how it was, but it is not the same. It is like being two foreigners, trapped in a land we have come to, unable to return to our own, and having only each other to confirm the reality of the place we once lived.
”
”
Robin Hobb (The Farseer Trilogy (The Farseer Trilogy, #1-3))
“
I was looking at the sky and recalling. The higher you fly, the more stars there are. There are stars up there that I will never see again. They didn't matter to me when the heavens still belonged to me, but now I feel it as a loss."
"You're young. You're going to find a lot of things like that in your life," the old liveship replied complacently. "No sense dwelling on them."
"My life," Vivacia mused. "My life as a liveship." She turned to regard Ophelia with a sigh. "I almost envy you. You recall nothing, so you miss nothing."
"I recall a lot, my dear. Just because my memories have sails instead of wings, don't discount them." She sniffed. "And my life is nothing for you to disdain, I might add. Nor your own. You could take a lesson from my Grag. Don't go mooning after the stars, when the wide sea is all around you. It's a sky of its own, you know."
"And with just as many stars.
”
”
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
“
With the Wit, one is aware of all the life that surrounds one. It was not just the warmth of the mare nearby that I sensed. I knew the scintillant forms of the myriad insects that populated the grasses, and felt even the shadowy life force of the great oak that lifted its limbs between the moon and me. Just up the hillside, a rabbit crouched motionless in the summer grasses. I felt its indistinct presence, not as a piece of life located in a certain place, but as one sometimes hears a single voice’s note within a market’s roar. But above all, I felt a physical kinship with all that lived in the world. I had a right to be here. I was as much a part of this summer night as the insects or the water purling past my feet. I think that old magic draws much of its strength from that acknowledgment: that we are a part of that world, no more, but certainly no less than the rabbit."
p. 129
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
For the greater part of human history, and in places in the world today, common resources were the rule. But some invented a different story, a social construct in which everything ins a commodity to be bought and sold. The market economy story has spread like wildfire, with uneven results for human well-being and devastation for the natural world. But it it just a story we have told ourselves and we are free to tell another, to reclaim the old one.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Fate rushes down upon us! The time drags and the days plod past, lulling us into thinking that the doom we fear will always so delay. Then, abruptly, the dark days we have all predicted are upon us, and the time when we could have turned dire fate aside has passed. How old must I be before I learn? There is no time; there is never any time. Tomorrow may never come, but todays are inexorably linked in a chain, and now is always the only time we have to divert disaster.
”
”
Robin Hobb (The Mad Ship (Liveship Traders, #2))
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
HE LIES ON HIS BACK. I run a finger along the fence of dark hair that partitions his torso from navel to chest. “I like your body,” I tell him. He sighs and smiles. “Don’t,” he says; and then, with my hand idling in the shallows of his neck, he catalogues his every flaw: the dry skin that makes terrazzo of his back; the single mole between his shoulder blades, like an Eskimo marooned on an expanse of flaggy ice; his warped thumbnail; his knobbed wrists; the tiny white scar that hyphenates his nostrils. I finger the wound. My pinkie dips into his nose; he snorts. “How did it happen?” I ask. He twists my hair around his thumb. “My cousin.” “I didn’t know you had a cousin.” “Two. This was my cousin Robin. He held a razor against my nose and said he’d slit my nostrils so that I only had one. And when I shook my head no, the blade sliced me.” “God.” He exhales. “I know. If I’d only nodded okay, it would’ve been fine.” I smile. “How old were you?” “Oh, this was last Tuesday.
”
”
A.J. Finn (The Woman in the Window)
“
FAITH. Too many people have no faith. They are cynical. “This leadership training and personal development stuff doesn’t work.” Or “I’m too old to change.” Cynicism stems from disappointment. Cynical and faithless people were not always like that. They were filled with possibilities and hope as kids. But they tried and perhaps failed. And rather than staying in the game, recognizing that failure is the highway to success, they shut down and grew cynical. Their way to avoid getting hurt again.
”
”
Robin Sharma (The Greatness Guide: One of the World's Top Success Coaches Shares His Secrets to Get to Your Best)
“
In material fact, Strawberries belong only to themselves. The exchange relationships we choose determine whether we share them as a common gift or sell them as a private commodity. A great deal rests on that choice. For the greater part of human history, and in places in the world today, common resources were the rule. But some invented a different story, a social construct in which everything is a commodity to be bought and sold. The market economy story has spread like wildfire, with uneven results for human well-being and devastation for the natural world. But it is just a story we have told ourselves and we are free to tell another, to reclaim the old one. One of these stories sustains the living systems on which we depend. One of these stories opens the way to living in gratitude and amazement at the richness and generosity of the world. One of these stories asks us to bestow our own gifts in kind, to celebrate our kinship with the world. We can choose. If all the world is a commodity, how poor we grow. When all the world is a gift in motion, how wealthy we become.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
The conservative does not defend the Old Regime; he speaks on behalf of old regimes—in the family, the factory, the field. There, ordinary men, and sometimes women, get to play the part of little lords and ladies, supervising their underlings as if they all belong to a feudal estate . . . The task of this type of conservatism---democratic feudalism—-becomes clear: surround these old regimes with fences and gates, protect them from meddlesome intruders like the state or a social movement, while descanting on mobility and innovation, freedom and the future.
”
”
Corey Robin
“
Across the town students were fast asleep. Next to them, tomes by Plato and Locke and Montesquieu waited to be read, discussed, gesticulated about; theoretical rights like freedom and liberty would be debated between those who already enjoyed them, stale concepts that, upon their readers' graduation ceremonies, would promptly be forgotten. That life, and all of its preoccupations, seemed insane to him now; he could not believe there was ever a time when his greatest concerns were what colour neckties to order from Randall's, or what insults to shout at houseboats hogging the river during rowing practice. It was all such frippery, fluff, trivial distractions built over a foundation of ongoing, unimaginable cruelty.
Robin gazed at the curve of Babel against the moonlight, at the faint silver glow cast off by its many reinforcements. He had a sudden, very clear vision of the tower in ruins. He wanted it to shatter. He wanted it to, for once, feel the pain that had made possible its rarified existence. 'I want it to crumble.'
Victoire's throat pulsed, and he knew she was thinking of Anthony, of gunshots, of the wreckage of the Old Library. 'I want it to burn.
”
”
R.F. Kuang (Babel)
“
Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real person—only nicer than any other person in the world. She was so happy that she scarcely dared to breathe. The flower-bed was not quite bare. It was bare of flowers because the perennial plants had been cut down for their winter rest, but there were tall shrubs and low ones which grew together at the back of the bed, and as the robin hopped about under them she saw him hop over a small pile of freshly turned up earth. He stopped on it to look for a worm. The earth had been turned up because a dog had been trying to dig up a mole and he had scratched quite a deep hole. Mary looked at it, not really knowing why the hole was there, and as she looked she saw something almost buried in the newly-turned soil. It was something like a ring of rusty iron or brass and when the robin flew up into a tree nearby she put out her hand and picked the ring up. It was more than a ring, however; it was an old key which looked as if it had been buried a long time.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
My brothers were considerably younger than myself; but I had a friend in one of my schoolfellows, who compensated for this deficiency. Henry Clerval was the son of a merchant of Geneva, an intimate friend of my father. He was a boy of singular talent and fancy. I remember, when he was nine years old, he wrote a fairy tale, which was the delight and amazement of all his companions. His favourite study consisted in books of chivalry and romance; and when very young, I can remember, that we used to act plays composed by him out of these favourite books, the principal characters of which were Orlando, Robin Hood, Amadis, and St. George.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
The jar her hand had chosen—and it was an odd old wooden jar, a recognizable crooked shape under her fingers, a reject because it would not sit straight on a shelf, the only empty jar she could find when at the last minute she’d decided to take a little more honey on her journey, a little of the mysterious honey, the honey that seemed to suggest laughter and joy and a long bright horizon, the strong-tasting honey whose distinguishing source she could not identify. She’d almost laughed when she decanted it because the bigger crock it lived in was also very crooked, not merely a reject but so lopsided that her mother had kept trying to throw it out, and her father kept rescuing it; and when her father died her mother kept it after all, for those memories of him. Mirasol had thought, as she carefully poured, that perhaps this honey had an affinity for those who do not sit securely, who do not rest peacefully, who limp instead of walk. She hadn’t quite been able to laugh, but she’d been smiling when she tucked it into its corner of a saddlebag, and the smile had been as refreshing as cold water Ron a hot day. This was the honey that had given her energy in the sennight past when she had none, the honey she had put last into the cup for her last-of-all stop on the pavilion hill.
”
”
Robin McKinley (Chalice)
“
Am I recalling it from my own mind, or from dozens of retellings by legions of kitchen maids and ranks of scullions and herds of stable boys as they explained my presence to each other? Perhaps I have heard the story so many times, from so many sources, that I now recall it as an actual memory of my own. Is the detail the result of a six-year-old’s open absorption of all that goes on around him? Or could the completeness of the memory be the bright overlay of the Skill, and the later drugs a man takes to control his addiction to it, the drugs that bring on pains and cravings of their own? The last is most possible. Perhaps it is even probable. One hopes it is not the case.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
Robin caught the door before it closed on the dingy stairwell. An old-fashioned metal staircase spiraled up around an equally antiquated birdcage lift. Concentrating on keeping her high heels from catching in the metalwork stairs, she proceeded to the first landing, passing a door carrying a laminated and framed poster saying Crowdy Graphics, and continued climbing. It was only when she reached the glass door on the floor above that Robin realized, for the first time, what kind of business she had been sent to assist. Nobody at the agency had said. The name on the paper beside the outside buzzer was engraved on the glass panel: C. B. Strike, and, underneath it, the words Private Detective.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
How beautiful the old Glen was, in its August ripeness, with its chain of bowery old homesteads, tilled meadows and quiet gardens. The western sky was like a great golden pearl. Far down the harbour was frosted with a dawning moonlight. The air was full of exquisite sounds—sleepy robin whistles, wonderful, mournful, soft murmurs of wind in the twilit trees, rustle of aspen poplars talking in silvery whispers and shaking their dainty, heart-shaped leaves, lilting young laughter from the windows of rooms where the girls were making ready for the dance. The world was steeped in maddening loveliness of sound and colour. He would think only of these things and of the deep, subtle joy they gave him.
”
”
L.M. Montgomery (The Complete Anne of Green Gables Collection)
“
Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod
”
”
Louise Erdrich (The Sentence: A Novel)
“
For a time, in that room, we were as young as we had ever been, save that with the experience of years of each other, there was no awkwardness, no hesitation. I once knew of a minstrel who bragged of having had a thousand women, one time each. He would never know what I knew, that to have one woman a thousand times, and each time find in her a different delight, is far better. I knew now what gleamed in the eyes of old couples when they saw each other across a room. More than once I had met Molly’s glance at a crowded family gathering, and known from the bend of her smile and her fingers touching her mouth exactly what she had in mind for us once we were alone. My familiarity with her was a more potent love elixir than any potion sold by a hedge-witch in the market.
”
”
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
“
I thought about my Willa, about her blind-smiling at me from the hospital bed where she laid and where she died a few hours later, thought about the girl my Willa was in the picture she’d shown me, smiling out from inside the old lady Willa on the night she died. I thought about that wild Willa picture, and about the certain order she’d pulled that picture and others out of her hatbox to share with me on the summer nights when we were doing our secret sharing.
And I thought about people saving certain pictures for a reason, saving and discarding according to the self-told story of themselves, how mainly it had nothing to do with who they were in the everyday, but instead, who they were in their special caught moments. How they held onto those pictures, and they held.
”
”
Robin Martin (The Hiding Place Girl)
“
Eddie: (into the speaker, in a plummy and completely bogus British accent) Hullo, Blaine! Cheerio, old fellow! This is Robin Leach, host of Lifestyles of the Rich and Brainless, here to tell you that YOU have won six billion dollars and a new Ford Escort in the Publishers Clearing House Sweepstakes!
Susannah: Eddie, stop it! STOP IT!
Eddie: (smiling, eyes glittering with a mixture of fear, hysteria, and frustrated anger) You and your monorail girlfriend, Patricia, will spend a lux-yoo-rious month in scenic Jimtown, where you'll drink only the finest wine and eat only the finest virgins! You--
Little Blaine: ...shhhh...
Eddie: Suze? Did you--
Little Blaine: ...shhh...don't wake him up.
Eddie: What...What are you? Who are you?
Little Blaine: I'm Little Blaine. The one he doesn't see.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
Used to be when a bird flew into a window, Milly and Twiss got a visit. Milly would put a kettle on and set out whatever culinary adventure she'd gone on that day. For morning arrivals, she offered her famous vanilla drop biscuits and raspberry jam. Twiss would get the medicine bag from the hall closet and sterilize the tools she needed, depending on the seriousness of the injury. A wounded limb was one thing. A wounded crop was another.
People used to come from as far away as Reedsburg and Wilton. Milly would sit with them while Twiss patched up the 'poor old robin' or the 'sweet little meadowlark.' Over the years, the number of visitors had dwindled. Now that the grocery store sold ready-bake biscuits and jelly in all the colors of the rainbow, people didn't bother as much about birds.
”
”
Rebecca Rasmussen (The Bird Sisters)
“
The kail grows brittle from the cold in my dank and cheerless garden. A crust of bread gathers timid pheasants around me. The robins, I see, have made the coalhouse their home. Walter Lunny's dog never barks without rousing my sluggish cat to a joyful response. It is Dutch courage with the birds and beasts of the glen, hard driven for food; but I look attentively for them in these long forenoons, and they have begun to regard me as one of themselves. My breath freezes despite my pipe, as I peer from the door; and with a fortnight-old newspaper I retire to the ingle-nook. The friendliest thing I have seen today is the well-smoked ham suspended from my kitchen rafters. It was a gift from the farm of Tullin, with a load of peats, the day before the snow began to fall. I doubt if I have seen a cart since.
”
”
J.M. Barrie (Auld Licht Idylls)
“
Killing myself would put an end to all other possibilities. And more than once in my life, when I thought death was my only escape, or that it was inevitable and I should surrender to it, I've been proven wrong. And each time, despite whatever fire I had to pass through, I found good in my life afterwards."
"Even now? With Molly and Bee dead?"
It felt disloyal, but I said it. "Even now. Even when I feel like most of me is dead, life breaks through sometimes. Food tastes good. Or something Per says makes me laugh. A hot cup of tea when I'm cold and wet. I've thought of ending my life, Fool. I admit it. But always, no matter the damage to it, the body tries to go on. And if it manages to, then the mind follows it. Eventually, no matter how I try to deny it, there are bits of my life that are still sweet. A conversation with an old friend. Things I am still glad to have.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
Children today are so open. When the old folks die off, we will finally be free of racism.” “I grew up in a small rural community, so I was very sheltered. I didn’t learn anything about racism.” “I judge people by what they do, not who they are.” “I don’t see color; I see people.” “We are all red under the skin.” “I marched in the sixties.” New racism is a term coined by film professor Martin Barker to capture the ways in which racism has adapted over time so that modern norms, policies, and practices result in similar racial outcomes as those in the past, while not appearing to be explicitly racist.1 Sociologist Eduardo Bonilla-Silva captures this dynamic in the title of his book Racism Without Racists: Color-Blind Racism and the Persistence of Racial Inequality in America.2 He says that though virtually no one claims to be racist anymore, racism still exists. How is that possible? Racism can still exist because it is highly adaptive.
”
”
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
“
One never knows the idyllic charm of our northern woods who has not seen them in April, when it is all a feast of birds and buds and waking life. Midsummer does not compare with this. This month belongs to the birds and flowers; but most of all to the robin. I cannot tell this story without giving the robins the place which I know they must have had in it, — great husky fellows, as red as blood in the lifting between showers that made a golden sunset,
sitting high in the treetops and splitting their throats with their rain-carol, singing in jubilance at being back again, glad to find once more the corner of the earth that they were born in, and trolling forth such lusty music that all their pertness and swagger and pilfering of a later date is forgiven in advance. Of all the birds of springtime, I would like best to be the robin just getting back to his old home; for it is brave and blithe and bonny that he is, and he is April to all of us in the far north.
”
”
Fannie Hardy Eckstorm (The Penobscot Man)
“
I used to doubt the Fool when he told me that all of time was a great circuit, and that we are ever doomed to repeat what has been done before. But the older I get, the more I see it is so. I thought then that he meant one great circle entrapped all of us. Instead, I think we are born into our circuits. Like a colt on the end of a training line, we trot in the circular path ordained for us. We go faster, we slow down, we halt on command and we begin again. And each time we think the circle is something new.
Each circle spins off a circle of its own. Each one seems a new thing but in truth it is not. It is just our most recent attempts to correct old errors, to undo old wrongs done to us and to make up for things we have neglected. In each cycle, we may correct old errors, but I think we make as many new ones. Yet what is our alternative? To commit the same old errors again? Perhaps having the courage to find a better path is having the courage to risk making new mistakes.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
felt apprehensive. As we drove along the highway the gumtrees that populated the un-kerbed median strip did not look like the mighty elms and oaks of England. They looked like beggars, their bark hanging from their limbs like tattered rags. They held no promise of adventure. Robin Hood and his Merry Men could never have camouflaged their green hats and tights in dull grey leaves like these. Like the early settlers, I found my five-year-old eyes straining to transform the Aussie bush into a familiar form. It refused to comply with my chocolate-box vision, remaining stubbornly scrappy and scabby. I had no myths or legends with which to populate this landscape. Sounds, sights, smells: everything was different. My shocked senses groped through the cognitive fog, straining to find patterns, fragments they could piece together. Over the months and years, a bank of sensory experiences accumulated. Repetition created a comforting palimpsest of familiarity and a harsh beauty revealed itself. A new life began to emerge. But
”
”
Magda Szubanski (Reckoning: A Memoir)
“
...I shall let [Anne] Wallace put the case herself, at what I think is necessary length:
'As travel in general becomes physically easier, faster, and less expensive, more people want and are able to arrive at more destinations with less unpleasant awareness of their travel process. At the same time the availability of an increasing range of options in conveyance, speed, price, and so forth actually encouraged comparisons of these different modes...and so an increasingly positive awareness of process that even permitted semi-nostalgic glances back at the bad old days...Then, too, although local insularity was more and more threatened...people also quite literally became more accustomed to travel and travellers, less fearful of 'foreign' ways, so that they gradually became able to regard travel as an acceptable recreation. Finally, as speeds increased and costs decreased, it simply ceased to be true that the mass of people were confined to that circle of a day's walk: they could afford both the time and the money to travel by various means and for purely recreational purposes...And as walking became a matter of choice, it became a possible positive choice: since the common person need not necessarily be poor. Thus, as awareness of process became regarded as advantageous, 'economic necessity' became only one possible reading (although still sometimes a correct one) in a field of peripatetic meanings that included 'aesthetic choice'.'
It sounds a persuasive case. It is certainly possible that something like the shift in consciousness that Wallace describes may have taken place by the 'end' (as conventionally conceived) of the Romantic period, and influenced the spread of pedestrianism in the 1820s and 1830s; even more likely that such a shift was instrumental in shaping the attitudes of Victorian writing in the railway age, and helped generate the apostolic fervour with which writers like Leslie Stephen and Robert Louis Stevenson treated the walking tour. But it fails to account for the rise of pedestrianism as I have narrated it.
”
”
Robin Jarvis (Romantic Writing and Pedestrian Travel)
“
Christopher Robin
[In April of 1996 the international press carried the news of the death, at age seventy-five, of Christopher Robin Milne, immortalized in a book by his father, A.A. Milne, Winnie-the-Pooh, as Christopher Robin.]
I must think suddenly of matters too difficult for a bear of little brain. I have never asked myself what lies beyond the place where we live, I and Rabbit, Piglet and Eeyore, with our friend Christopher Robin. That is, we continued to live here, and nothing changed, and I just ate my little something. Only Christopher Robin left for a moment.
Owl says that immediately beyond our garden Time begins, and that it is an awfully deep well. If you fall in it, you go down and down, very quickly, and no one knows what happens to you next. I was a bit worried about Christopher Robin falling in, but he came back and then I asked him about the well. 'Old bear,' he answered. 'I was in it and I was falling and I was changing as I fell. My legs became long, I was a big person, I grew old, hunched, and I walked with a cane, and then I died. It was probably just a dream, it was quite unreal. The only real thing was you, old bear, and our shared fun. Now I won't go anywhere, even if I'm called in for an afternoon snack.
”
”
Czesław Miłosz (Road-side Dog)
“
I soon found my feet, and was much less homesick than I was at prep school. Thank God. I learned that with plenty of free time on our hands, and being encouraged to fill the time with “interests,” I could come up with some great adventures.
A couple of my best friends and I started climbing the huge old oak trees around the grounds, finding monkey routes through the branches that allowed us to travel between the trees, high up above the ground.
It was brilliant.
We soon had built a real-life Robin Hood den, with full-on branch swings, pulleys, and balancing bars high up in the treetops.
We crossed the Thames on the high girders above a railway bridge, we built rafts out of old Styrofoam and even made a boat out of an old bathtub to go down the river in. (Sadly this sank, as the water came in through the overflow hole, which was a fundamental flaw. Note to self: Test rafts before committing to big rivers in them.)
We spied on the beautiful French girls who worked in the kitchens, and even made camps on the rooftops overlooking the walkway they used on their way back from work. We would vainly attempt to try and chat them up as they passed.
In between many of these antics we had to work hard academically, as well as dress in ridiculous clothes, consisting of long tailcoats and waistcoats. This developed in me the art of making smart clothes look ragged, and ever since, I have maintained a lifelong love of wearing good-quality clothes in a messy way. It even earned me the nickname of “Scug,” from the deputy-headmaster. In Eton slang this roughly translates as: “A person of no account, and of dirty appearance.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man's beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.
”
”
Richard Adams (Watership Down: Bigwig Learns a Lesson (Watership Down Mini Treasures))
“
At the time of the Fourth Fire, the history of another people came to be braided into ours. Two prophets arose among the people, foretelling the coming of the light-skinned people in ships from the east, but their visions differed in what was to follow. The path was
not clear, as it cannot be with the future. The first prophet said that if the offshore people, the zaaganaash, came in brotherhood, they
would bring great knowledge. Combined with Anishinaabe ways of knowing, this would form a great new nation. But the second prophet sounded a warning: He said that what looks like the face of brotherhood might be the face of death. These new people might come with brotherhood, or they might come with greed for the riches of our land. How would we know which face is the true one?
If the fish became poisoned and the water unfit to drink, we would know which face they wore.
And for their actions the zaaganaash
came to be known instead as chimokman—Vne long-knife people.
The prophecies described what eventually became history. They warned the people of those who would come among them with
black robes and black books, with promises of joy and salvation. The prophets said that if the people turned against their own sacred ways and followed this black-robe path, then the people would suffer for many generations. Indeed, the burial of our spiritual teachings in the time of the Fifth Fire nearly broke the hoop of the nation. People became separated from their homelands and from each other as they were forced onto reservations. Their children
were taken from them to learn the zaaganaash ways. Forbidden by law to practice their own religion, they nearly lost an ancient worldview. Forbidden to speak their languages, a universe of knowing vanished in a generation. The land was fragmented, the people separated, the old ways blowing away in the wind; even the
plants and animals began to turn their faces away from us. The time was foretold when the children would turn away from the elders; people would lose their way and their purpose in life. They prophesied that, in the time of the Sixth Fire, “the cup of life would almost become the cup of grief.” And yet, even after all of this, there is something that remains, a coal that has not been extinguished. At the First Fire, so long ago, the people were told
that it is their spiritual lives that will keep them strong.
They say that a prophet appeared with a strange and distant light in his eyes. The young man came to the people with the message that in the time of the seventh fire, a new people would emerge with a sacred purpose. It would not be easy for them. They would have to be strong and determined in their work, for they stood at a crossroads.
The ancestors look to them from the flickering light of distant fires. In this time, the young would turn back to the elders for teachings and find that many had nothing to give. The people of the Seventh Fire do not yet walk forward; rather, they are told to turn around and retrace the steps of the ones who brought us here. Their sacred purpose is to walk back along the red road of our ancestors’ path and to gather up all the fragments that lay
scattered along the trail. Fragments of land, tatters of language, bits of songs, stories, sacred teachings—all that was dropped along
the way. Our elders say that we live in the time of the seventh fire. We are the ones the ancestors spoke of, the ones who will bend to
the task of putting things back together to rekindle the flames of the sacred fire, to begin the rebirth of a nation.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
THE DEMANDS MADE by a work of this nature upon the generosity of specialists are very numerous, and the Editor would be wanting in all title to the generous treatment he has received were he not willing to make the fullest possible acknowledgment of his indebtedness. His thanks are due in the first place to the scholarly and accomplished Bahadur Shah, baggage elephant 174 on the Indian Register, who, with his amiable sister Pudmini, most courteously supplied the history of ‘Toomai of the Elephants’ and much of the information contained in ‘Servants of the Queen’. The adventures of Mowgli were collected at various times and in various places from a multitude of informants, most of whom desire to preserve the strictest anonymity. Yet, at this distance, the Editor feels at liberty to thank a Hindu gentleman of the old rock, an esteemed resident of the upper slopes of Jakko, for his convincing if somewhat caustic estimate of the national characteristics of his caste–the Presbytes. Sahi, a savant of infinite research and industry, a member of the recently disbanded Seeonee Pack, and an artist well known at most of the local fairs of Southern India, where his muzzled dance with his master attracts the youth, beauty, and culture of many villages, have contributed most valuable data on people, manners, and customs. These have been freely drawn upon, in the stories of ‘Tiger-Tiger!’ ‘Kaa’s Hunting’, and ‘Mowgli’s Brothers’. For the outlines of ‘Rikki-tikki-tavi’ the Editor stands indebted to one of the leading herpetologists of Upper India, a fearless and independent investigator who, resolving ‘not to live but know’, lately sacrificed his life through over-application to the study of our Eastern Thanatophidia. A happy accident of travel enabled the Editor, when a passenger on the Empress of India, to be of some slight assistance to a fellow-voyager. How richly his poor services were repaid, readers of the ‘White Seal’ may judge for themselves.
”
”
Jonathan Swift (The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin Hood (The Heirloom Collection))
“
D’you think Scotland’s going to leave?” “Go for independence? Maybe,” said Strike. “The polls are close. Barclay thinks it could happen. He was telling me about some old mates of his at home. They sound just like Polworth. Same hate figures, same promises everything’ll be rainbows and unicorns if only they cut themselves free of London. Anyone pointing out pitfalls or difficulties is scaremongering. Experts don’t know anything. Facts lie. ‘Things can’t be any worse than they are.’” Strike put several chips in his mouth, chewed, swallowed, then said, “But life’s taught me things can always get worse than they are. I thought I had it hard, then they wheeled a bloke onto the ward who’d had both his legs and his genitals blown off.” He’d never before talked to Robin about the aftermath of his life-changing injury. Indeed, he rarely mentioned his missing leg. A barrier had definitely fallen, Robin thought, since their whisky-fueled talk in the dark office. “Everyone wants a single, simple solution,” he said, now finishing his last few chips. “One weird trick to lose belly fat. I’ve never clicked on it, but I understand the appeal.” “Well, reinvention’s such an inviting idea, isn’t it?” said Robin, her eyes on the fake hot-air balloons, circling on their prescribed course. “Look at Douthwaite, changing his name and finding a new woman every few years. Reinventing a whole country would feel amazing. Being part of that.” “Yeah,” said Strike. “Of course, people think if they subsume themselves in something bigger, and that changes, they’ll change too.” “Well, there’s nothing wrong with wanting to be better, or different, is there?” asked Robin. “Nothing wrong with wanting to improve things?” “Not at all,” said Strike. “But people who fundamentally change are rare, in my experience, because it’s bloody hard work compared to going on a march or waving a flag. Have we met a single person on this case who’s radically different to the person they were forty years ago?
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
I raised two daughters,” Ronica pointed out gently. “I know how painful victory can be sometimes.”
“Not over me,” Keffria said dully. There was self-loathing in her tone as she added, “I don’t think I ever gave you and Father a sleepless night. I was a model child, never challenging anything you told me, keeping all the rules, and earning the rewards of such virtue. Or so I thought.”
“You were my easy daughter,” Ronica conceded. “Perhaps because of that, I under-valued you. Over-looked you.” She shook her head to herself. “But in those days, Althea worried me so that I seldom had a moment to think of what was going right…”
Keffria exhaled sharply. “And you didn’t know the half of what she was doing! As her sister, I… but in all the years, it hasn’t changed. She still worries us, both of us. When she was a little girl, her willfulness and naughtiness always made her Papa’s favorite. And now that he has gone, she has disappeared, and so managed to capture your heart as well, simply by being absent.”
“Keffria!” Ronica rebuked her for the heartless words. Her sister was missing, and all she could be was jealous of Ronica worrying about her? But after a moment, Ronica asked hesitantly, “You truly feel that I give no thoughts to you, simply because Althea is gone?”
“You scarcely speak to me,” Keffria pointed out. “When I muddled the ledger books for what I had inherited, you simply took them back from me and did them yourself. You run the household as if I was not there. When Cerwin showed up on the doorstep today, you charged directly into battle, only sending Rache to tell me about it as an afterthought. Mother, were I to disappear as Althea has, I think the household would only run more smoothly. You are so capable of managing it all.” She paused and her voice was almost choked as she added, “You leave no room for me to matter.” She hastily lifted her mug and took a long sip of coffee. She stared deep into the fireplace.
Ronica found herself wordless. She drank from her own mug. She knew she was making excuses when she said, “But I was always just waiting for you to take things over from me.”
“And always so busy holding the reins that you had no time to teach me how. ‘Here, give me that, it’s easier if I just do it myself.’ How many times have you said that to me? Do you know how stupid and helpless it always made me feel?” The anger in her voice was very old.
”
”
Robin Hobb (Ship of Magic (Liveship Traders, #1))
“
Little Robin had been brought by Lord Orthallen—although he had the feeling that his lord did not realize it. The boy was a part of his household, though Orthallen seemed to have long since forgotten the fact; and when the order came to pack up the household and move to the Border, Robin found himself in the tail of the baggage train, with no small bewilderment. He'd been at a loss in the encampment, wandering about until someone had seen him and realized that a small child had no place in a camp preparing for warfare. So he was sent packing; first off with Elspeth, then pressed into service by the Healers. They'd set him to fetching and carrying for Dirk, thinking that the child was far too young to be able to pick anything up from the casual talk around him, and that Dirk wouldn't think to interrogate a child as young as he.
They were wrong on both counts.
Robin was very much aware of what was going on—not surprising, since it concerned his adored Talia. He was worried sick, and longing for an adult to talk to. And Dirk was kind and gentle with him—and had he but known it, desperate enough for news to have questioned the rats in the walls if he thought it would get him anywhere.
Dirk knew all about Robin and his adoration of Talia. If anyone knew where she was being kept and what her condition was, that boy would.
Dirk bided his time. Eventually the Healers stopped overseeing his every waking moment. Finally there came a point when they began leaving him alone for hours at a time. He waited then, until Robin was sent in alone with his lunch—alone, unsupervised, and more than willing to talk—and put the question to him.
Dirk had no intention of frightening the boy, and his tone was gentle, "I need your help. The Healers won't answer my questions, and I need to know about Talia."
Robin had turned back with his hand still on the doorknob; at the mention of Talia's name, his expression was one of distress.
"I'll tell you what I know, sir," he replied, his voice quavering a little. "But she's hurt real bad and they won't let anybody but Healers see her."
"Where is she? Do you have any idea who's taking care of her?"
The boy not only knew where she was, but the names and seniority of every Healer caring for her—and the list nearly froze Dirk's heart. They'd even pulled old Farnherdt out of retirement—and he'd sworn that no case would ever be desperate enough for them to call on him.
”
”
Mercedes Lackey (Arrow's Fall (Heralds of Valdemar, #3))
“
your past is a servant that has made you all you now are—not a companion to spend much time with in your present or a friend to carry into your spotless future. It’s impossible to enter the magic that each fresh morning brings if parts of you are holding on to old disappointments, resentments and hurts.
”
”
Robin Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)