Robertson Davies Quotes

We've searched our database for all the quotes and captions related to Robertson Davies. Here they are! All 100 of them:

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The eye sees only what the mind is prepared to comprehend.
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Robertson Davies (Tempest-Tost (Salterton Trilogy, #1))
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A truly great book should be read in youth, again in maturity and once more in old age, as a fine building should be seen by morning light, at noon and by moonlight.
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Robertson Davies
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Authors like cats because they are such quiet, lovable, wise creatures, and cats like authors for the same reasons.
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Robertson Davies
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Extraordinary people survive under the most terrible circumstances and they become more extraordinary because of it.
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Robertson Davies
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I wish people weren't so set on being themselves, when that means being a bastard.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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Love affairs are for emotional sprinters; the pleasures of love are for the emotional marathoners.
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Robertson Davies
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Boredom and stupidity and patriotism, especially when combined, are three of the greatest evils of the world we live in.
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Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
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Happiness is always a by-product. It is probably a matter of temperament, and for anything I know it may be glandular. But it is not something that can be demanded from life, and if you are not happy you had better stop worrying about it and see what treasures you can pluck from your own brand of unhappiness.
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Robertson Davies (The Enthusiasms of Robertson Davies)
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To be a book-collector is to combine the worst characteristics of a dope fiend with those of a miser.
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Robertson Davies
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This is the Great Theatre of Life. Admission is free, but the taxation is mortal. You come when you can, and leave when you must. The show is continuous. Goodnight.
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Robertson Davies
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Conversation in its true meaning isn't all wagging the tongue; sometimes it is a deeply shared silence.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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If you don't hurry up and let life know what you want, life will damned soon show you what you'll get.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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This is one of the cruelties of the theatre of life; we all think of ourselves as stars and rarely recognize it when we are indeed mere supporting characters or even supernumeraries.
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Robertson Davies (The Deptford Trilogy)
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One learns one’s mystery at the price of one’s innocence.
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Robertson Davies
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It was as though she was an exile from a world that saw things her way
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Fanaticism is overcompensation for doubt.
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Robertson Davies
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Nothing grows old-fashioned so fast as modernity.
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Robertson Davies (High Spirits)
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A happy childhood has spoiled many a promising life.
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Robertson Davies
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I was afraid and did not know what I feared, which is the worst kind of fear.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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To be apt in quotation is a splendid and dangerous gift. Splendid, because it ornaments a man's speech with other men's jewels; dangerous, for the same reason.
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Robertson Davies
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To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
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Robertson Davies
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I object to being told that I am saving daylight when my reason tells me that I am doing nothing of the kind... At the back of the Daylight Saving scheme, I detect the bony, blue-fingered hand of Puritanism, eager to push people into bed earlier, and get them up earlier, to make them healthy, wealthy, and wise in spite of themselves.
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Robertson Davies (The Papers of Samuel Marchbanks)
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We tend to think human knowledge as progressive; because we know more and more, our parents and grandparents are back numbers. But a contrary theory is possible - that we simply recognize different things at different times and in different ways.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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On the whole, we treat the Devil shamefully, and the worse we treat Him the more He laughs at us.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Money, it is often said, does not bring happiness; it must be added, however, that it makes it possible to support unhappiness with exemplary fortitude.
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Robertson Davies (Tempest-tost (The Salterton Trilogy, #1))
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Everything matters. The Universe is approximately fifteen billion years old, and I swear that in all that time, nothing has ever happened that has not mattered, has not contributed in some way to the totality.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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God, youth is a terrible time! So much feeling and so little notion of how to handle it!
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Be sure you choose what you believe and know why you believe it, because if you don't choose your beliefs, you may be certain that some belief, and probably not a very credible one, will choose you.
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Robertson Davies (The Manticore (The Deptford Trilogy, #2))
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Every man is wise when attacked by a mad dog; fewer when pursued by a mad woman; only the wisest survive when attacked by a mad notion.
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Robertson Davies
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All real fantasy is serious. Only faked fantasy is not serious. That is why it is so wrong to impose faked fantasy on children....
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Robertson Davies (The Manticore (The Deptford Trilogy, #2))
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The world is full of people whose notion of a satisfactory future is, in fact, a return to the idealised past.
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Robertson Davies
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Conversations and jokes together, mutual rendering of good services, the reading together of sweetly phrased books, the sharing of nonsense and mutual attentions.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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I never heard of anyone who was really literate or who ever really loved books who wanted to suppress any of them.
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Robertson Davies
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The egotist is all surface; underneath is a pulpy mess and a lot of self-doubt. But the egoist may be yielding and even deferential in things he doesn't consider important; in anything that touches his core he is remorseless.
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Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
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Computers will have to learn that when I quote from some old author who spelled differently from the machine, the wishes of the long-dead author will have to be respected, and the machine will have to mind its manners
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Robertson Davies
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An infant is a seed. Is it an oak seed or a cabbage seed? Who knows. All mothers think their children are oaks, but the world never lacks for cabbages.
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Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
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My position was a common one; I wanted to do the right thing but could not help regretting the damnable expense.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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The little boy nodded at the peony and the peony seemed to nod back. The little boy was neat, clean and pretty. The peony was unchaste, dishevelled as peonies must be, and at the height of its beauty.(...) Every hour is filled with such moments, big with significance for someone.
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Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
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I am quite a wise old bird, but I am no desert hermit who can only prophesy when his guts are knotted with hunger. I am deep in the old man’s puzzle, trying to link the wisdom of the body with the wisdom of the spirit until the two are one.
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Robertson Davies
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Nothing is more dangerous to maidenly delicacy of speech than the run of a good library.
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Robertson Davies (Tempest-Tost (Salterton Trilogy, #1))
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There is absolutely no point in sitting down to write a book unless you feel that you must write that book, or else go mad, or die.
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Robertson Davies
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She herself was a victim of that lust for books which rages in the breast like a demon, and which cannot be stilled save by the frequent and plentiful acquisition of books. This passion is more common, and more powerful, than most people suppose. Book lovers are thought by unbookish people to be gentle and unworldly, and perhaps a few of them are so. But there are others who will lie and scheme and steal to get books as wildly and unconscionably as the dope-taker in pursuit of his drug. They may not want the books to read immediately, or at all; they want them to possess, to range on their shelves, to have at command.
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Robertson Davies (Tempest-Tost (Salterton Trilogy, #1))
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So -- I confess I have been a rake at reading. I have read those things which I ought not to have read, and I have not read those things which I ought to have read, and there is no health in me -- if by health you mean an inclusive and coherent knowledge of any body of great literature. I can only protest, like all rakes in their shameful senescence, that I have had a good time.
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Robertson Davies (The Merry Heart: Reflections on Reading Writing & the World of Books)
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You are like a fire: you warm me.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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...one's family is made up of supporting players in one's personal drama. One never supposes that they starred in some possibly gaudy and certainly deeply felt show of their own.
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Robertson Davies (Murther and Walking Spirits (Toronto Trilogy, #1))
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He [Jesus] had a terrible temper, you know, undoubtedly inherited from His Father.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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We have educated ourselves into a world from which wonder, and he fear and dread and splendor and freedom of wonder have been banished. Of course wonder is costly. You couldn't incorporate it into a modern state, beacuse it is the antithesis of the anxiously worshiped security which is what a modern state is asked to give. Wonder is marvellous but it is also cruel, cruel, cruel. It is undemocratic, discriminatory and pitiless.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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A world without corruption would be a strange world indeed - and a damned bad world for lawyers, let me say.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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Life itself is too great a miracle for us to make so much fuss about potty little reversals of what we pompously assume to be the natural order.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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The women we really love are the women who complete us, who have the qualities we can borrow and so become something nearer to whole men. Just as we complete them, of course; it’s not a one-way thing. Leola and I, when romance was stripped away, were too much alike; our strengths and weaknesses were too nearly the same. Together we would have doubled our gains and our losses, but that isn’t what love is.
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Robertson Davies
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A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also a schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man.
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Robertson Davies (The Deptford Trilogy)
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Subtle wits like to refresh themselves with a whiff of mild indecency.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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Be not another if thou canst be thyself.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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If you cling frantically to the good, how are you to find out what the good really is?
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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No action is ever lost - nothing we do is without result. It's obvious, of course, but how many people ever really believe it, or act as if it were so?
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Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
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Education is a great shield against experience. It offers so much, ready-made and all from the best shops, that there's a temptation to miss your own life in pursuing the life of your betters.
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Robertson Davies (World of Wonders (The Deptford Trilogy, #3))
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To marry was to take a hand in a dangerous game where the stakes are the highest - a fuller life or a life diminished and confined. It was a game for adult players.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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You are certainly unique. Everyone is unique. Nobody has ever suffered quite like you before because nobody has ever been you before.
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Robertson Davies (The Manticore (The Deptford Trilogy, #2))
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There is no nonsense so gross that society will not, at some time, make a doctrine of it and defend it with every weapon of communal stupidity.
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Robertson Davies
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There is really no such thing as a secret; everybody likes to tell, and everybody does tell.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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..but when one human creature dies a whole world of hope and memory and feeling dies with him. To be robbed of the dignity of a natural death is a terrible deprivation.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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If I had my way books would not be written in English but in an exceedingly difficult secret language.... This plan would have the advantage of scaring off all amateur authors, retired politicians, country doctors...who would not have the patience to learn the secret language.
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Robertson Davies
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To instruct calls for energy, and to remain almost silent, but watchful and helpful, while students instruct themselves, calls for even greater energy. To see someone fall (which will teach him not to fall again) when a word from you would keep him on his feet but ignorant of an important danger, is one of the tasks of the teacher that calls for special energy, because holding in is more demanding than crying out.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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His failure hurt too badly for that. It was a bad equation. Best erase it and try a new one. If adults could put aside their obsessions with such firmness, the world would undoubtedly be a better place. Robertson Davies does not say that in his Deptford Trilogy ... but he strongly hints at it.
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Stephen King (The Tommyknockers)
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If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to deal with; don't just give him a bad, dull teacher. This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Civilization rests on two things," said Hitzig; "the discovery that fermentation produces alcohol, and voluntary ability to inhibit defecation. And I put it to you, where would this splendidly civilized occasion be without both?
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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The clerisy are those who read for pleasure, but not for idleness; who read for pastime but not to kill time; who love books, but do not live by books.
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Robertson Davies (A Voice from the Attic: Essays on the Art of Reading)
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But I was a lonely creature, and although I would have been very happy to have a friend I just never happened to meet one.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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My lifelong involvement with Mrs Dempster began at 5:58 o'clock p.m. on 27 December 1908, at which time I was ten years and seven months old.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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You're all mad for words. Words are just farts from a lot of fools who have swallowed too many books. Give me things!
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Robertson Davies (The Deptford Trilogy)
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The only people who make any sense in the world are those who know that whatever happens to them has its roots in what they are.
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Robertson Davies (Tempest-Tost (Salterton Trilogy, #1))
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But one must remember that they were all men with systems. Freud, monumentally hipped on sex (for which he personally had little use) and almost ignorant of Nature: Adler, reducing almost everything to the will to power: and Jung, certainly the most humane and gentlest of them, and possibly the greatest, but nevertheless the descendant of parsons and professors, and himself a super-parson and a super-professor. all men of extraordinary character, and they devised systems that are forever stamped with that character.… Davey, did you ever think that these three men who were so splendid at understanding others had first to understand themselves? It was from their self-knowledge they spoke. They did not go trustingly to some doctor and follow his lead because they were too lazy or too scared to make the inward journey alone. They dared heroically. And it should never be forgotten that they made the inward journey while they were working like galley-slaves at their daily tasks, considering other people's troubles, raising families, living full lives. They were heroes, in a sense that no space-explorer can be a hero, because they went into the unknown absolutely alone. Was their heroism simply meant to raise a whole new crop of invalids? Why don't you go home and shoulder your yoke, and be a hero too?
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Robertson Davies (The Manticore (The Deptford Trilogy, #2))
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Marriage isn't just domesticity, or the continuance of the race, or institutionalized sex, or a form of property right. And it damned well isn't happiness, as that word is generally used. I think it's a way of finding your soul.
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Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
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Why do people all over the world, and at all times, want marvels that defy all verifiable facts? And are the marvels brought into being by their desire or is their desire an assurance rising from some deep knowledge, not to be directly experienced and questioned, that the marvelous is indeed an aspect of the real?
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Just about all men need a woman in one way or another, unless they’re very strange indeed. Tormenting you refreshes him. And you shouldn’t underestimate the gratitude all men feel for women’s beauty. Men who truly don’t like flowers are very uncommon and men who don’t respond to a beautiful woman are even more uncommon. It’s not primarily sexual; it’s a lifting of the spirits beauty gives. He’ll be in to torment you, and tease you, and enrage you, but really to have a good, refreshing look at you.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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What an amusing drama life is when one is not obliged to be one of the characters!
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Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
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The beauty of ethics is that nobody can be perfectly certain about what it includes or even what it means.
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Robertson Davies (Murther and Walking Spirits (Toronto Trilogy, #1))
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Any theologian understands martyrdom, but only the martyr experiences the fire.
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Robertson Davies (The Manticore (The Deptford Trilogy, #2))
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How much more complicated life is than the attainment of a Ph.D. would lead one to believe!
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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Wake up! Be yourself, not a bad copy of something else!
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Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
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For I was, as you have already guessed, a collaborator with Destiny, not one who put a pistol to its head and demanded particular treasures. The only thing for me to do was to keep on keeping on, to have faith in my whim, and remember that for me, as for the saints, illumination when it came would probably come from some unexpected source.
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Robertson Davies
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The gift that isn't big enough to make a mark, but is too big to leave the possessor in peace. And so they can't be content to be Sunday painters, or poets who write for a few friends, or composers whose handful of delicate little settings of Emily Dickinson can't find a singer. It's a special sort of hell.
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Robertson Davies
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But the character of the music emphasized the tale as allegory--humorous, poignant, humane allegory--disclosing the metamorphosis of life itself, in which man moves from confident inexperience through the bitterness of experience, toward the rueful wisdom of self-knowledge.
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Robertson Davies (A Mixture of Frailties (Salterton Trilogy, #3))
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... 'But Gold was not all. The other kings bring Frank Innocence and Mirth.' | Darcourt was startled, then delighted. 'That is very fine, Yerko; is it your own?' | 'No, it is in the story. I saw it in New York. The kings say, We bring you Gold, Frank Innocence, and Mirth.' | 'Sancta simplicitas,' said Darcourt, raising his eyes to mine. 'If only there were more Mirth in the message He has left to us. We miss it sadly, in the world we have made. And Frank Innocence. Oh, Yerko, you dear man.' ...
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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Commanders and historians are the people who discuss wars; I was in the infantry, and most of the time I did not know where I was or what I was doing except that I was obeying orders and trying not to be killed in any of the variety of horrible ways open to me.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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I had schooled myself since the war-days never to speak of my enthusiasms; when other people did not share them, which was usual, I was hurt and my pleasure diminished; why was I always excited about things other people did not care about? But I could not hold in.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Oho, now I know what you are. You are an advocate of Useful Knowledge.... Well, allow me to introduce myself to you as an advocate of Ornamental Knowledge. You like the mind to be a neat machine, equipped to work efficiently, if narrowly, and with no extra bits or useless parts. I like the mind to be a dustbin of scraps of brilliant fabric, odd gems, worthless but fascinating curiosities, tinsel, quaint bits of carving, and a reasonable amount of healthy dirt. Shake the machine and it goes out of order; shake the dustbin and it adjusts itself beautifully to its new position.
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Robertson Davies (Tempest-Tost (Salterton Trilogy, #1))
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The house stank; a stench all its own pervaded every corner. It was a threnody in the key of Cat minor, with a ground-bass of Old Dog, and modulations of old people, waning lives, and relinquished hopes.
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Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
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The older I grow the less Christ's teaching says to me. I am sometimes very conscious that I am following the path of a leader who died when He was less than half as old as I am now. I see and feel things He never saw or felt. I know things He seems never to have known. Everybody wants a Christ for himself and those who think like him. Very well, am I at fault for wanting a Christ who will show me how to be an old man? All Christ's teaching is put forward with the dogmatism, the certainty, and the strength of youth: I need something that takes account of the accretion of experience, the sense of paradox and ambiguity that comes with years!
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Children, don’t speak so coarsely,’ said Mr. Webster, who had a vague notion that some supervision should be exercised over his daughters’ speech, and that a line should be drawn, but never knew quite when to draw it. He had allowed his daughters to use his library without restraint, and nothing is more fatal to maidenly delicacy of speech than the run of a good library.
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Robertson Davies (Tempest-Tost (Salterton Trilogy, #1))
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We all create an outward self with which to face the world, and some people come to believe that is what they truly are. So they people the world with doctors who are nothing outside of the consulting-room, and judges who are nothing when they are not in court, and business men who wither with boredom when they have to retire from business, and teachers who are forever teaching. That is why they are such poor specimens when they are caught without their masks on. They have lived chiefly through the Persona.
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Robertson Davies (The Manticore (The Deptford Trilogy, #2))
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Padre Blazon was almost shouting by this time, and I had to hush him. People in the restaurant were staring, and one or two of the ladies of devout appearance were heaving their bosoms indignantly. He swept the room with the wild eyes of a conspirator in a melodrama and dropped his voice to a hiss. Fragments of food, ejected from his mouth by this jet, flew about the table. [p.201]
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor. "So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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I had become wiser, I tried to find out what irony really is, and discovered that some ancient writer on poetry had spoken of β€œIronia, which we call the drye mock.” And I cannot think of a better term for it: The drye mock. Not sarcasm, which is like vinegar, or cynicism, which is so often the voice of disappointed idealism, but a delicate casting of cool and illuminating light on life, and thus an enlargement. The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wit’s desire is to be funny; the ironist is only funny as a secondary achievement.
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Robertson Davies (The Cunning Man (Toronto Trilogy, #2))
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What really shapes and conditions and makes us is somebody only a few of us ever have the courage to face: and that is the child you once were, long before formal education ever got its claws into you - that impatient, all-demanding child who wants love and power and can't get enough of either and who goes on raging and weeping in your spirit till at last your eyes are closed and all the fools say, 'Doesn't he look peaceful?' It is those pent-up, craving children who make all the wars and all the horrors and all the art and all the beauty and discovery in life, because they are trying to achieve what lay beyond their grasp before they were five years old.
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Robertson Davies (The Cornish Trilogy: The Rebel Angels / What's Bred in the Bone / The Lyre of Orpheus)
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Schoolmastering kept me busy by day and part of each night. I was an assistant housemaster, with a fine big room under the eaves of the main building, and a wretched kennel of a bedroom, and rights in a bathroom used by two or three other resident masters. I taught all day, but my wooden leg mercifully spared me from the nuisance of having to supervise sports after school. There were exercises to mark every night, but I soon gained a professional attitude towards these woeful explorations of the caves of ignorance and did not let them depress me. I liked the company of most of my colleagues, who were about equally divided among good men who were good teachers, awful men who were awful teachers, and the grotesques and misfits who drift into teaching and are so often the most educative influences a boy meets in school. If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to cope with; don't just give him a bad, dull teacher. This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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she swore in good mouth-filling oaths, but never smutty ones, and that was uncommon. She knew the prosody of profanity. . . . she knew the tune, as well as the words. She was not a raving beauty, but she had fine eyes and a Pre-Raphelite air of being too good for this world while at the same time exhibiting much of what this world desires in a woman, and I suppose I gaped at her and behaved clownishly.
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Robertson Davies (The Cunning Man (Toronto Trilogy, #2))
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Now I want you to remember something because I don't think we shall meet again very soon. It is this; however fashionable despair about the world and about people may be at present, and however powerful despair may become in the future, not everybody, or even most people, think and live fashionably; virtue and honour will not be banished from the world, however many popular moralists and panicky journalists say so. Sacrifice will not cease to be because psychiatrists have popularized the idea that there is often some concealed, self-serving element in it; theologians always knew that. Nor do I think love as a high condition of honour will be lost; it is a pattern in the spirit, and people long to make the pattern a reality in their own lives, whatever means they take to do so. In short, Davey, God is not dead. And I can assure you God is not mocked.
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Robertson Davies (The Manticore (The Deptford Trilogy, #2))
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I thought I was in love with Leola, by which I meant that if I could have found her in a quiet corner, and if I had been certain that no one would ever find out, and if I could have summoned up the courage at the right moment, I would have kissed her. But, looking back on it now, I know that I was in love with Mrs Dempster. Not as some boys are in love with grown-up women, adoring them from afar and enjoying a fantasy life in which the older woman figures in an idealized form, but in a painful and immediate fashion; I saw her every day, I did menial tasks in her house, and I was charged to watch her and keep her from doing foolish things. Furthermore, I felt myself tied to her by the certainty that I was responsible for her straying wits, the disorder of her marriage, and the frail body of the child who was her great delight in life. I had made her what she was, and in such circumstances I must hate her or love her. In a mode that was far too demanding for my age or experience, I loved her.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
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There was a moment, however, when the King and I were looking directly into each other's eyes, and in that instant I had a revelation that takes much longer to explain than to experience. Here am I, I reflected, being decorated as a hero, and in the eyes of everybody here I am indeed a hero; but I know that my heroic act was rather a dirty job I did when I was dreadfully frightened; I could just as easily have muddled it and been ingloriously killed. But it doesn't much matter, because people seem to need heroes; so long as I don't lose sight of the truth, it might as well be me as anyone else. And here before me stands a marvellously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great, and Charles the First, and even King Arthur, for anything I know to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I.
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Robertson Davies (Fifth Business (The Deptford Trilogy, #1))