Robert Rodriguez Quotes

When given an opportunity, deliver excellence and never quit.

Ever director has at least 10 bad films in them.

All your dreams can come true. It s not easy but not impossible either.

Becoming a professional photographer is not a pre-requisite for making successful images. Being passionate about your subject matter is.

The thing to remember when traveling is that the trail is the thing, not the end of the trail. Travel too fast and you will miss all that you are traveling for.” -Louis L’ Amour

Charlie’s Almanack, Influence, and Man’s Search for Meaning, among others The habit of listening to single songs on repeat for focus (page 507) Nearly everyone has done some form of “spec” work (completing projects on their own time and dime, then submitting them to prospective buyers) The belief that “failure is not durable” (see Robert Rodriguez, page 628) or variants thereof Almost every guest has been able to take obvious “weaknesses” and turn them into huge competitive advantages (see Arnold Schwarzenegger, page 176)

Turn the TV off and read an inspiring book, it will make a difference behind the camera.

Would Revolver have become the album toward which every superlative was hurled had it been released under the same conditions that Sgt. Pepper was? Without a doubt.

Working with light is photography at its essence, where everything else is stripped away and all that is left is your vision and intuition about how to convey what you think or feel. We are so distracted by the technology and complexity of digital photography these days, that the opportunity to be still and just notice can become a rare occurrence.

While many think I have a dream career, it is hard work, with long solitary hours both in the field and at home in the studio. Often we complain of not having enough time to achieve our personal goals, and when we get off track we can get discouraged and unmotivated. But finding time is often just a re-examining of your priorities, and deciding what really matters to you.

Recommended Books Bruce Barnbaum: The Art of Photography, An Approach to Personal Expression Martin Evening: The Adobe Photoshop Lightroom 5 Book Jeff Schewe: The Digital Negative Tim Grey: Color Confidence. The Digital Photographer's Guide to Color Management

What did you want to do when you were a child, before anybody told you what you were supposed to do? What was it you wanted to become? What did you want to do more than anything else? “If Peter Diamandis or Tim Ferriss gave you $1 billion, how would you spend it besides the parties and the Ferraris and so forth? If I asked you to spend $1 billion improving the world, solving a problem, what would you pursue? “Where can you put yourself into an environment that gives maximum exposure to new ideas, problems, and people? Exposure to things that capture your ‘shower time’ [those things you can’t stop thinking about in the shower]?” [Peter recommends environments like Singularity University.] TF: Still struggling with a sense of purpose or mission? Roughly half a dozen people in this book (e.g., Robert Rodriguez) have suggested the book Start with Why by Simon Sinek.

What does photography mean to you, and most important, why do you photograph? Ask yourself this question repeatedly, and make it a regular ritual.

We are so distracted by the technology and complexity of digital photography these days, that the opportunity to be still and just notice can become a rare occurrence.

My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.

Often we complain of not having enough time to achieve our personal goals, and when we get off track we can get discouraged and unmotivated. But finding time is often just a re-examining of your priorities, and deciding what really matters to you.

WALSH AND FOUR AGENTS from the Bureau of Alcohol, Tobacco, and Firearms arrived at Cole’s house an hour later. Two stayed with their cars, but two male agents came in with Walsh—a tough-looking Latin guy named Paul Rodriguez and a tall lanky guy named Steve Hurwitz. Hurwitz was wearing an olive green Special Response Team jumpsuit. SRT was the ATF’s version of SWAT. They spread through Cole’s living room with an air of watchful suspicion, as if someone might jump out of a closet. Jon Stone had brought in a large box of his surveillance gear, and Cole was helping him set up. Cole was shirtless, but had strapped on a bullet-resistant vest. Pike couldn’t blame them for being wary, especially with the cash. Seven

WALSH AND FOUR AGENTS from the Bureau of Alcohol, Tobacco, and Firearms arrived at Cole’s house an hour later. Two stayed with their cars, but two male agents came in with Walsh—a tough-looking Latin guy named Paul Rodriguez and a tall lanky guy named Steve Hurwitz. Hurwitz was wearing an olive green Special Response Team jumpsuit. SRT was the ATF’s version of SWAT. They spread through Cole’s living room with an air of watchful suspicion, as if someone might jump out of a closet. Jon Stone had brought in a large box of his surveillance gear, and Cole was helping him set up. Cole was shirtless, but had strapped on a bullet-resistant vest. Pike couldn’t blame them for being wary, especially with the cash.

Diego Rodriguez (who also teaches at Stanford and writes the blog Metacool) asks bosses who want more creativity: ‘Where is your place for failing?’ I adore this question because creativity requires generating many ideas – most of which are bad. It requires judging ideas honestly and openly and then discarding most. In the hands of a bad boss, this process embarrasses and stifles people who develop ideas that don’t make the cut – and degrades the quality of those that are selected, developed, and thrown into the marketplace.

Canceling my cable TV service has provided many extra hours a week that I use for study, reading and learning new skills, and working in my studio, all things that keep me motivated creatively. Sure we still watch television, but that content comes from internet services such as NetFlix, and DVDs where we control when we watch. Most importantly, I have more time to spend with my family , read more books, and get out in nature, which is so key to a balanced life in general. And best of all, I feel I’m making better use of my time on day to day basis.

Along with Alice Bag (née Alicia Armendariz), front woman of the Bags, and the members of the all-Chicano, Chula Vista–bred quartet the Zeros, Humberto “Tito” Larriva was one of the first prominent Latino performers on the L.A. punk scene. Born in Ciudad Juárez, Chihuahua, Larriva had arrived in L.A. in 1975. The singer–guitarist–actor (later featured as a heavy in several of director Robert Rodriguez’s films) had founded the wound-up punk trio the Plugz, sometimes billed as Los Plugz, with Chicano drummer Charlie Quintana and Anglo bassist Barry McBride in 1978. That year, a three-track single by the band became the second release (following a 45 by the Germs) from Slash Records, the fledgling imprint of the like-named L.A. punk magazine. It prefaced the Plugz’s self-released 1979 album Electrify Me, which included a high-velocity, lyrically retooled version of Ritchie Valens’s “La Bamba.” It

factual findings and legal conclusions and denied Rodriguez’s

Still struggling with a sense of purpose or mission? Roughly half a dozen people in this book (e.g., Robert Rodriguez) have suggested the book Start with Why by Simon Sinek.

RR [Robert Rodriguez] of course said the traditional macho thing: 'I'm going to beat him up.' Of course he never did, never would: you see, RR was a faux tough guy. As most bullies are.

what the company said one year and what happened the next. We want to see not only whether managements are honest with shareholders but also whether they’re honest with themselves.” (If a company boss insists that all is hunky-dory when business is sputtering, watch out!) Nowadays, you can listen in on a company’s regularly scheduled conference calls even if you own only a few shares; to find out the schedule, call the investor relations department at corporate headquarters or visit the company’s website. Robert Rodriguez of FPA Capital Fund turns to the back page of the company’s annual report, where the heads of its operating divisions are listed. If there’s a lot of turnover in those names in the first one or two years of a new CEO’s regime, that’s probably a good sign; he’s cleaning out the dead wood. But if high turnover continues, the turnaround has probably devolved into turmoil.

Success is not counted by how high you have climbed but by how many people you brought with you.”  - Wil Rose

The thing to remember when traveling is that the trail is the thing, not the end of the trail. Travel too fast and you will miss all that you are traveling for.